https://wiktenauer.com/api.php?userExpLevel=registered&hidemyself=1&translations=filter&urlversion=1&days=30&limit=50&target=The_Tradition_of_Johannes_Liechtenauer&action=feedrecentchanges&feedformat=atomWiktenauer - Changes related to "The Tradition of Johannes Liechtenauer" [en]2024-03-28T09:29:44ZRelated changesMediaWiki 1.34.2https://wiktenauer.com/index.php?title=Joachim_Meyer&diff=150075&oldid=146134Joachim Meyer2024-03-28T03:35:34Z<p><span dir="auto"><span class="autocomment">Temporary boundary</span></span></p>
<a href="https://wiktenauer.com/index.php?title=Joachim_Meyer&diff=150075&oldid=146134">Show changes</a>Michael Chidesterhttps://wiktenauer.com/index.php?title=Paulus_Kal&diff=149563&oldid=146129Paulus Kal2024-03-25T16:30:19Z<p></p>
<a href="https://wiktenauer.com/index.php?title=Paulus_Kal&diff=149563&oldid=146129">Show changes</a>Michael Chidesterhttps://wiktenauer.com/index.php?title=Johannes_Liechtenauer&diff=148880&oldid=148247Johannes Liechtenauer2024-03-19T02:23:42Z<p><span dir="auto"><span class="autocomment">Treatise</span></span></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><section begin="credits"/></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="master"</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="master"</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅲ Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅲ Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Ⅱ Version]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Ⅱ Version]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"><section end="credits"/></del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|- </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|- </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}<br/><br/></p></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}<br/><br/></p></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg<del class="diffchange diffchange-inline">|p=1</del>|p=1}}</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg|p=1}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{section|Page:MS KK5126 104v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|6|lbl=-|p=1}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{section|Page:MS KK5126 104v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|6|lbl=-|p=1}}</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Ott_Jud&diff=148816&oldid=145651Ott Jud2024-03-17T18:55:09Z<p><span dir="auto"><span class="autocomment">Modern HEMA</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:55, 17 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l95" >Line 95:</td>
<td colspan="2" class="diff-lineno">Line 95:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Of the remaining three known copies, the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Fechtbuch]] was identified in [[Sydney Anglo]]'s 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",<ref>Sydney Anglo. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. pp 312-315.</ref> but had been fully profiled by 2008 when [[Rainer Leng]] published his catalog. The [[Talhoffer Fechtbuch (MS 26.236)|New York version]] has mostly been left out of scholarly literature, though it was known by many HEMA researchers and was even the subject of an essay by [[Daniel Jaquet]] published by [[Metropolitan Museum of Art|the Met]] in 2018.<ref>Daniel Jaquet. "Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting." ''Heilbrunn Timeline of Art History''. https://www.metmuseum.org/toah/hd/fight/hd_fight.htm. Retrieved 02 MAY 2023.</ref> Finally, the [[Ortenburg Fechtbuch]] was discovered by Hils in the 80s, only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by [[Dierk Hagedorn]] published in 2023 as ''Das Ortenburger Fechtbuch'', including the first transcription, modernization, and other analysis.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Of the remaining three known copies, the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Fechtbuch]] was identified in [[Sydney Anglo]]'s 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",<ref>Sydney Anglo. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. pp 312-315.</ref> but had been fully profiled by 2008 when [[Rainer Leng]] published his catalog. The [[Talhoffer Fechtbuch (MS 26.236)|New York version]] has mostly been left out of scholarly literature, though it was known by many HEMA researchers and was even the subject of an essay by [[Daniel Jaquet]] published by [[Metropolitan Museum of Art|the Met]] in 2018.<ref>Daniel Jaquet. "Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting." ''Heilbrunn Timeline of Art History''. https://www.metmuseum.org/toah/hd/fight/hd_fight.htm. Retrieved 02 MAY 2023.</ref> Finally, the [[Ortenburg Fechtbuch]] was discovered by Hils in the 80s, only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by [[Dierk Hagedorn]] published in 2023 as ''Das Ortenburger Fechtbuch'', including the first transcription, modernization, and other analysis.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The earliest work on Ott is inseparable from work on Ringeck, because of the previously-mentioned attribution of the Dresden manuscript to Ringeck. Thus, the first transcription of any part of the <del class="diffchange diffchange-inline">gloss </del>would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by [[Christoph Kaindel]] in the 1990s, and the first English translation was authored in 1999 by [[Alex Kiermayer]]. Another English translation was produced by [[Christian Tobler]] and published in 2001 by [[Chivalry Bookshelf]] in ''Secrets of German Medieval Swordsmanship'', and a third English translation was produced by [[David Lindholm]] and published in 2005 by [[Paladin Press]] as part of ''Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor''. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The earliest work on Ott is inseparable from work on Ringeck, because of the previously-mentioned attribution of the Dresden manuscript to Ringeck. Thus, the first transcription of any part of the <ins class="diffchange diffchange-inline">text </ins>would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by [[Christoph Kaindel]] in the 1990s, and the first English translation was authored in 1999 by [[Alex Kiermayer]]. Another English translation was produced by [[Christian Tobler]] and published in 2001 by [[Chivalry Bookshelf]] in ''Secrets of German Medieval Swordsmanship'', and a third English translation was produced by [[David Lindholm]] and published in 2005 by [[Paladin Press]] as part of ''Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor''. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Possibly the first dedicated work on Ott (under his own name) was done by [[Monika Maziarz]], who transcribed the Rome, Augsburg, Salzburg, and Kraków versions between 2002 and 2004 and posted them on the ARMA-PL site.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Possibly the first dedicated work on Ott (under his own name) was done by [[Monika Maziarz]], who transcribed the Rome, Augsburg, Salzburg, and Kraków versions between 2002 and 2004 and posted them on the ARMA-PL site.</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=User:Michael_Chidester&diff=148582&oldid=147396User:Michael Chidester2024-03-06T22:44:16Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 22:44, 6 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(2 intermediate revisions by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l49" >Line 49:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2012, Michael was appointed to the newly-established position of Director of the Wiktenauer by the HEMA Alliance general council, formalizing the role of principal designer and editor that he had assumed in early 2010. As Wiktenauer lead, Michael has assembled the most complete catalog of HEMA manuscripts currently available, including such resources as scans, transcriptions, and translations, and is currently laboring to assemble a similar catalog of printed treatises. In 2013, these efforts earned him a [[HEMA Scholar Awards|HEMA Scholar Award]] for Best Supporting Researcher.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2012, Michael was appointed to the newly-established position of Director of the Wiktenauer by the HEMA Alliance general council, formalizing the role of principal designer and editor that he had assumed in early 2010. As Wiktenauer lead, Michael has assembled the most complete catalog of HEMA manuscripts currently available, including such resources as scans, transcriptions, and translations, and is currently laboring to assemble a similar catalog of printed treatises. In 2013, these efforts earned him a [[HEMA Scholar Awards|HEMA Scholar Award]] for Best Supporting Researcher.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>He has authored or edited various books, including ''[<del class="diffchange diffchange-inline">https</del>://www.hemabookshelf.com/the-flower-of-battle The Flower of Battle: MS M 383]'' (2021), ''[https://www.hemabookshelf.com/3227a “…eyn Grunt und Kern aller Künsten des Fechtens”: The Long Sword Gloss of GNM Manuscript 3227a]'' (2020), ''[https://www.hemabookshelf.com/illustrated-meyer The Illustrated Meyer]'' (2019), ''[https://www.lulu.com/en/us/shop/cory-winslow-and-christian-trosclair-and-christian-henry-tobler-and-thomas-stoeppler/the-recital-of-the-chivalric-art-of-fencing-of-the-grand-master-johannes-liechtenauer/paperback/product-1z4465j4.html The Recital of the Chivalric Art of Fencing of the Grand Master Johannes Liechtenauer]'' (2015), and ''The Flower of Battle of Master Fiore de'i Liberi, [https://www.lulu.com/en/us/shop/guy-windsor-and-francesco-novati-and-colin-hatcher-and-rebecca-garber/the-flower-of-battle-of-master-fiore-dei-liberi-volume-i/paperback/product-1wewjmwd.html Volume I]'' and ''[https://www.lulu.com/en/us/shop/guy-windsor-and-francesco-novati-and-colin-hatcher-and-rebecca-garber/the-flower-of-battle-of-master-fiore-dei-liberi-volume-ii/paperback/product-1g8pr7kj.html Volume II]'' (2015). In 2019, he founded the publishing company [[HEMA Bookshelf]], whose primary mission is to produce facsimiles of fencing manuals&mdash;to date, [[Talhoffer Fechtbuch (MS Thott.290.2º)|MS Thott. 290.2º]] (1459), [[Fior di Battaglia (MS Ludwig XV 13)|MS Ludwig XV 13]] (1400), [[Kunst des Messerfechtens (Cgm 582)|Cgm 582]] (1482), ''[[Gründtliche Beschreibung der… Kunst des Fechtens (Joachim Meyer)|Gründtliche Beschreibung der… Kunst des Fechtens]]'' (1570), and [[Bauman Fechtbuch (Cod.I.6.4º.2)|Cod.I.6.4º.2]] (1420s/70s).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>He has authored or edited various books, including ''[<ins class="diffchange diffchange-inline">http://www.hemabookshelf.com/meyer-translation Foundational Description of the Art of Fencing: The 1570 Treatise of Joachim Meyer]'' (2023), ''[http</ins>://www.hemabookshelf.com/the-flower-of-battle The Flower of Battle: MS M 383]'' (2021), ''[https://www.hemabookshelf.com/3227a “…eyn Grunt und Kern aller Künsten des Fechtens”: The Long Sword Gloss of GNM Manuscript 3227a]'' (2020), ''[https://www.hemabookshelf.com/illustrated-meyer The Illustrated Meyer]'' (2019), ''[https://www.lulu.com/en/us/shop/cory-winslow-and-christian-trosclair-and-christian-henry-tobler-and-thomas-stoeppler/the-recital-of-the-chivalric-art-of-fencing-of-the-grand-master-johannes-liechtenauer/paperback/product-1z4465j4.html The Recital of the Chivalric Art of Fencing of the Grand Master Johannes Liechtenauer]'' (2015), and ''The Flower of Battle of Master Fiore de'i Liberi, [https://www.lulu.com/en/us/shop/guy-windsor-and-francesco-novati-and-colin-hatcher-and-rebecca-garber/the-flower-of-battle-of-master-fiore-dei-liberi-volume-i/paperback/product-1wewjmwd.html Volume I]'' and ''[https://www.lulu.com/en/us/shop/guy-windsor-and-francesco-novati-and-colin-hatcher-and-rebecca-garber/the-flower-of-battle-of-master-fiore-dei-liberi-volume-ii/paperback/product-1g8pr7kj.html Volume II]'' (2015). In 2019, he founded the publishing company [[HEMA Bookshelf]], whose primary mission is to produce facsimiles of fencing manuals&mdash;to date, [[Talhoffer Fechtbuch (MS Thott.290.2º)|MS Thott. 290.2º]] (1459), [[Fior di Battaglia (MS Ludwig XV 13)|MS Ludwig XV 13]] (1400), [[Kunst des Messerfechtens (Cgm 582)|Cgm 582]] (1482), ''[[Gründtliche Beschreibung der… Kunst des Fechtens (Joachim Meyer)|Gründtliche Beschreibung der… Kunst des Fechtens]]'' (1570), and [[Bauman Fechtbuch (Cod.I.6.4º.2)|Cod.I.6.4º.2]] (1420s/70s).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Michael has lectured on Medieval and Renaissance martial arts at the ''International Congress on Medieval Studies'' in Kalamazoo, MI; ''Crossing Swords, Crossing Boundaries'' at the Museo dell'Arte Marziale in Botticino, Italy; the ''Historical Swordplay Symposium'' at the Massachusetts Center for Interdisciplinary Renaissance Studies in Amherst, MA; ''Life, the Universe, & Everything: the Marion K. “Doc” Smith Symposium'' at Brigham Young University in Provo, UT; and <del class="diffchange diffchange-inline">numerous </del>HEMA events <del class="diffchange diffchange-inline">in </del>Europe <del class="diffchange diffchange-inline">and America </del>including the ''Ars Gladii Open'', ''Blood on the River'', ''Broken Point'', ''Combat Con'', ''Fechtschule America'', ''Fechtschule New York'', ''HEMAG Dijon'', the ''Iron Gate Exhibition'', ''Longpoint'', ''Meyer Symposium'', the ''Purpleheart Armoury Open'', ''Shieldknock'', ''SoCal Swordfight'', ''Swordsquatch'', and the ''Western Martial Arts Workshop''.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Michael has lectured on Medieval and Renaissance martial arts at the ''International Congress on Medieval Studies'' in Kalamazoo, MI; ''Crossing Swords, Crossing Boundaries'' at the Museo dell'Arte Marziale in Botticino, Italy; the ''Historical Swordplay Symposium'' at the Massachusetts Center for Interdisciplinary Renaissance Studies in Amherst, MA; ''Life, the Universe, & Everything: the Marion K. “Doc” Smith Symposium'' at Brigham Young University in Provo, UT; and HEMA events <ins class="diffchange diffchange-inline">across North America and </ins>Europe including the ''Ars Gladii Open'' <ins class="diffchange diffchange-inline">(AGO)</ins>, ''Blood on the River'', ''Broken Point'', ''Combat Con'', ''Fechtschule America'', ''Fechtschule New York'' <ins class="diffchange diffchange-inline">(FNY)</ins>, ''HEMAG Dijon'', the ''Iron Gate Exhibition'' <ins class="diffchange diffchange-inline">(IGX)</ins>, ''Longpoint'', ''Meyer Symposium<ins class="diffchange diffchange-inline">'', ''Oktoberfecht</ins>'', the ''Purpleheart Armoury Open'' <ins class="diffchange diffchange-inline">(PHO)</ins>, ''Shieldknock'', ''SoCal Swordfight'', ''Swordsquatch'', and the ''Western Martial Arts Workshop'' <ins class="diffchange diffchange-inline">(WMAW)</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In 2010, Michael received a Bachelor of Arts in Philosophy from Brigham Young University, with a minor degree in Military Science and additional coursework in Italian and Spanish. He developed a degree of fluency in the latter while living abroad in Mexico from 2002&ndash;04. He is a Research Scholar of the [[Meyer Freifechter Guild]], a founding member of the [[Society for Historical European Martial Arts Studies]], a member of the [[Western Martial Arts Coalition]], and a Lifetime Member of the HEMA Alliance. He currently trains at [[Athena School of Arms]] in Watertown, MA.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In 2010, Michael received a Bachelor of Arts in Philosophy from Brigham Young University, with a minor degree in Military Science and additional coursework in Italian and Spanish. He developed a degree of fluency in the latter while living abroad in Mexico from 2002&ndash;04. He is a Research Scholar of the [[Meyer Freifechter Guild]] <ins class="diffchange diffchange-inline">(MFFG)</ins>, a founding member of the [[Society for Historical European Martial Arts Studies]] <ins class="diffchange diffchange-inline">(SHEMAS)</ins>, a member of the [[Western Martial Arts Coalition]] <ins class="diffchange diffchange-inline">(WMAC)</ins>, and a Lifetime Member of the HEMA Alliance. He currently trains at [[Athena School of Arms]] in Watertown, MA.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><h2> Wiktenauer contributions </h2></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><h2> Wiktenauer contributions </h2></div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Fiore_de%27i_Liberi&diff=148553&oldid=148397Fiore de'i Liberi2024-03-05T20:10:05Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:10, 5 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2981" >Line 2,981:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| class="noline" | <p>''By this means I will now seek the opponent, using both palms<ref>Literally “the two palms”.</ref><br/>In order to defend myself, just as the master does<br/>Who seizes the companion with both hands during wrestling.''</p></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| class="noline" | <p>''By this means I will now seek the opponent, using both palms<ref>Literally “the two palms”.</ref><br/>In order to defend myself, just as the master does<br/>Who seizes the companion with both hands during wrestling.''</p></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><p>''[The Paris resembles the Getty illustration.]''</p></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><p>''[The Paris resembles the Getty illustration<ins class="diffchange diffchange-inline">, but the Master is missing his garter</ins>.]''</p></div></td></tr>
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</table>Michael Chidester