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Difference between revisions of "User:Kendra Brown/Florius/English MS Latin 11269 17v"
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== Italian == | == Italian == | ||
| − | |||
{| | {| | ||
|- | |- | ||
| − | | | + | | style="width: 28em;" | |
| − | + | This catch makes me safe from your sword:<br/> | |
| − | + | Mine is free and yours is imprisoned.<br/> | |
| − | | {{section|Page:Pisani-Dossi MS 26b.jpg|26b- | + | And the fourth play which is in the art of the poleax, <br/> |
| + | Troubles the sword in armor with this play. | ||
| + | | {{section|Page:Pisani-Dossi MS 26b.jpg|26b-d}} | ||
|- | |- | ||
| + | | When I saw that I couldn't do anything with the sword, I quickly caught this wrestling catch, which I believe, and I see, and I feel that the armor will not be valuable to you, that I put you into the strong lower bind. In this which is placed after me, I will quickly show it to you. | ||
| | | | ||
| − | |||
| − | |||
| − | |||
|} | |} | ||
| − | |||
==English 17v== | ==English 17v== | ||
</noinclude> | </noinclude> | ||
<poem> | <poem> | ||
| − | {{par|r}} This | + | {{par|r}} This taking makes <me> safe from your sword. Therefore, it happens |
| − | that mine <that is [my]sword> is truly free. But on the other hand yours remains imprisoned. | + | that mine <that is, [my] sword> is truly free. But on the other hand, yours remains imprisoned. |
| + | And the sword brings about the play which is the fourth<ref>The fourth pollaxe play in Pisani-Dossi seems to match this somewhat. The fourth pollaxe play in Florius does not.</ref> | ||
| + | in the art of wielding the two-edged axe<ref>The section of Florius about techniques for pollaxe refers to the weapon as a tricuspidis (triple-point), but calls it bipenna (double-edged axe) in the armored section.</ref>, as any can easily see. | ||
| − | {{par|b}} | + | {{par|b}} Using this lower bind, you will indeed depart prostrate. |
| + | and I will strike you (in) the chest with a lethal wound. | ||
</poem> | </poem> | ||
Latest revision as of 20:22, 13 February 2024
Latin 17v
- ¶ Ense tuo tutum[1] facit hec[2] captura. fit ergo
Nempe meus[3] liber. tuus at sub carcere restat.
Efficit atque ensis ludum qui quartus habetur.[4]
Arte[5] bipennifera / facile ceu quisque videbit.
¶ Inferiore quidem nexura stratus abibis,
Atque tuum feriam letali vulnere pectus.
Italian
|
This catch makes me safe from your sword: |
[26b-d] Questa presa me fa seguro de tua spada |
| When I saw that I couldn't do anything with the sword, I quickly caught this wrestling catch, which I believe, and I see, and I feel that the armor will not be valuable to you, that I put you into the strong lower bind. In this which is placed after me, I will quickly show it to you. |
English 17v
¶ This taking makes <me> safe from your sword. Therefore, it happens
that mine <that is, [my] sword> is truly free. But on the other hand, yours remains imprisoned.
And the sword brings about the play which is the fourth[6]
in the art of wielding the two-edged axe[7], as any can easily see.
¶ Using this lower bind, you will indeed depart prostrate.
and I will strike you (in) the chest with a lethal wound.
- ↑ Added later: "scilicet me".
- ↑ Likely haec
- ↑ Added later: "scilicet ensis".
- ↑ The period after habetur may be a later addition, since it overlaps the final stroke of the r.
- ↑ There's a light mark above Arte that looks like the abbreviation for haec.
- ↑ The fourth pollaxe play in Pisani-Dossi seems to match this somewhat. The fourth pollaxe play in Florius does not.
- ↑ The section of Florius about techniques for pollaxe refers to the weapon as a tricuspidis (triple-point), but calls it bipenna (double-edged axe) in the armored section.
