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Difference between revisions of "Scola, overo teatro (Nicoletto Giganti)"

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| full title                =  
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| full title                = ''Scola, overo teatro, nelquale sono rappresentate diverse maniere, e modi di parare, e di ferire di spada sola, e di spada, e pugnala''
 
| also known as            =  
 
| also known as            =  
 
| author(s)                = [[author::Nicoletto Giganti]]
 
| author(s)                = [[author::Nicoletto Giganti]]
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| genre                    = [[type::Fencing manual]]
 
| genre                    = [[type::Fencing manual]]
 
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| sources                  =  
| publisher                = [[publisher::Gio. Antonio, & Giacomo de Franceschi| ]]Gio. Antonio, & Giacomo de Franceschi
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| publisher                = [[publisher::Giovanni Antonio & Giacomo de' Franceschi| ]]Giovanni Antonio & Giacomo de' Franceschi
 
| pub_date                  = [[year::1606,&nbsp;1610,&nbsp;1619,<br/>1622,&nbsp;1628,&nbsp;1644|1606, 1610, 1619, 1622, 1628, 1644]]
 
| pub_date                  = [[year::1606,&nbsp;1610,&nbsp;1619,<br/>1622,&nbsp;1628,&nbsp;1644|1606, 1610, 1619, 1622, 1628, 1644]]
 
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'''''Gran Simulacro dell'Arte e dell'Uso della Scherma''''' ("Great Representation of the Art and Use of Fencing") is an [[nationality::Italian]] [[fencing manual]] written by [[Ridolfo Capo Ferro da Cagli]] and printed in 1610. It treats the use of the single [[rapier]], as well as in conjunction with the cloak, [[dagger]], and [[rotella]] shield. Though Capo Ferro's treatise is often praised by modern fencing historians, it was neither comprehensive nor particularly innovative and does not seem to have been terribly influential in its own time.
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'''''Scola, overo Teatro''''' ("School, or Fencing Hall") is an [[nationality::Italian]] [[fencing manual]] written by [[Nicoletto Giganti]] and printed in 1606. It treats the use of the single [[rapier]] and the rapier and dagger. The treatise is structured as a series of progressively more complex lessons, and Tom Leoni opines that this treatise is the best pedagogical work on rapier fencing of the early 17th century.<ref>Leoni, p xi.</ref> It seems to have been quite popular based on the number of republications over the succeeding decades and the acclaim given it by fencing historians, who note among other things that Giganti is the first to fully describe the use of the lunge.
  
 
== Publication History ==
 
== Publication History ==
  
''Gran Simulacro dell'Arte e dell'Uso della Scherma'' was first printed in Siena in 1610 by [[Salvestro Marchetti]] and [[Camillo Turi]]. It was reprinted in Siena in 1629 by Ercole Gori, who had the plain backgrounds in twenty-seven of Schiamirossi's original illustrations replaced with intricate depictions of scenes from the Bible and Greek mythology; this version was reprinted in Bologna in 1652 by G. Longo. A third Siena printing was made in 1632 by Bernardino Capitelli, who omitted all of the introductory material and truncated the descriptions of the plays; he also created new illustrations based on those of the first edition but scaled down to half size.
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''Scola, overo Teatro'' was first printed in Venice in 1606 by Giovanni Antonio and Giacomo de' Franceschi. The Grand duchy of Tuscany granted Giganti a special protection against unauthorized reprints for a term of 30 years, but this copyright was repeatedly ignored, including a 1610 printing and the 1628 edition published in Padua by Paolo Frambotto.
  
Capo Ferro's treatise was translated into English in 2004 by Jared Kirby under the title ''Italian Rapier Combat: Ridolfo Capo Ferro's 'Gran Simulacro''' and printed in London. Nick S. Thomas authored and published a new English translation in 2007 under the title ''Rapier: The Art and Use of Fencing by Ridolfo Capo Ferro'', and in 2011 Tom Leoni authored a translation entitled ''Ridolfo Capoferro's The Art and Practice of Fencing: A Practical Translation for the Modern Swordsman'' and published by [[Freelance Academy Press]].
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In 1619, still within the copyright period, the treatise was translated into French and German and published in Frankfurt by De Zeter under the title ''Escrime Novvelle ov Theatre''. He also included translations of [[Salvator Fabris]]' treatise, which has oddly been the source of various accusations of plagiarism against Giganti by fencing historians. This parallel edition was reprinted in 1622 and again in 1644.
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In 2010, ''Scola, overo Teatro'' was translated into English by Tom Leoni and published by [[Freelance Academy Press]] under the title ''Venetian Rapier: The School, or Salle''.
  
 
== Contents ==
 
== Contents ==

Revision as of 19:57, 31 October 2013

Scola, overo Teatro
School or Fencing Hall
Scola overo Teatro i.jpg
Full title Scola, overo teatro, nelquale sono rappresentate diverse maniere, e modi di parare, e di ferire di spada sola, e di spada, e pugnala
Author(s) Nicoletto Giganti
Illustrated by Odoarco Fialetti
Dedicated to Cosmo de Medici
Place of origin Siena, Tuscany
Language Italian
Genre(s) Fencing manual
Publisher Giovanni Antonio & Giacomo de' Franceschi
Publication date 1606, 1610, 1619, 1622, 1628, 1644
Pages 95 pages
Treatise scans

Scola, overo Teatro ("School, or Fencing Hall") is an Italian fencing manual written by Nicoletto Giganti and printed in 1606. It treats the use of the single rapier and the rapier and dagger. The treatise is structured as a series of progressively more complex lessons, and Tom Leoni opines that this treatise is the best pedagogical work on rapier fencing of the early 17th century.[1] It seems to have been quite popular based on the number of republications over the succeeding decades and the acclaim given it by fencing historians, who note among other things that Giganti is the first to fully describe the use of the lunge.

Publication History

Scola, overo Teatro was first printed in Venice in 1606 by Giovanni Antonio and Giacomo de' Franceschi. The Grand duchy of Tuscany granted Giganti a special protection against unauthorized reprints for a term of 30 years, but this copyright was repeatedly ignored, including a 1610 printing and the 1628 edition published in Padua by Paolo Frambotto.

In 1619, still within the copyright period, the treatise was translated into French and German and published in Frankfurt by De Zeter under the title Escrime Novvelle ov Theatre. He also included translations of Salvator Fabris' treatise, which has oddly been the source of various accusations of plagiarism against Giganti by fencing historians. This parallel edition was reprinted in 1622 and again in 1644.

In 2010, Scola, overo Teatro was translated into English by Tom Leoni and published by Freelance Academy Press under the title Venetian Rapier: The School, or Salle.

Contents

Page Section
A1 - A3 Preface by Nicoletto Giganti
A4 - B3v Publisher's preface
1 - 47 Rapier by Nicoletto Giganti
48 - 95 Rapier and dagger by Nicoletto Giganti

Gallery

Title Page
Scola overo Teatro i.jpg
Coat of Arms
Scola overo Teatro ii.jpg
Dedication
Scola overo Teatro iii.jpg
Dedication
Scola overo Teatro iv.jpg
Dedication
Scola overo Teatro v.jpg
Black
Printer's Preface
Scola overo Teatro vii.jpg
Printer's Preface
Scola overo Teatro viii.jpg
Printer's Preface
Scola overo Teatro ix.jpg
Printer's Preface
Scola overo Teatro x.jpg
Printer's Preface
Scola overo Teatro xi.jpg
Printer's Preface
Scola overo Teatro xii.jpg
Printer's Preface
Scola overo Teatro xiii.jpg
Printer's Preface
Scola overo Teatro xiv.jpg
Printer's Preface
Scola overo Teatro xv.jpg
Printer's Preface
Scola overo Teatro xvi.jpg

Additional Resources

  • Leoni, Tom. Venetian Rapier: The School, or Salle. Nicoletto Giganti's 1606 Rapier Fencing Curriculum. Wheaton, IL: Freelance Academy Press, 2010. ISBN 978-0-9825911-2-3

References

  1. Leoni, p xi.