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Difference between revisions of "Cartilla y luz en la verdadera destreza"
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− | '' | + | {{DISPLAYTITLE:''Cartilla, y luz en la verdadera destreza'' (Nicolás Tamariz)}} |
+ | {{Infobox book | ||
+ | <!----------Name----------> | ||
+ | | name = ''Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere'' | ||
+ | | subtitle = [[title::A Primer, and light on the True Destreza, taken from the writings of D. Luis Pacheco de Narvaez and the authors to which he refers]] | ||
+ | <!----------Image----------> | ||
+ | | image = File: | ||
+ | | width = | ||
+ | | caption = | ||
+ | <!----------Information----------> | ||
+ | | ustcid1 = 653322 | ||
+ | | ustclabel1 = 1516 | ||
+ | | ustcid2 = 55870 | ||
+ | | ustclabel2 = 1538 | ||
− | A | + | | full title = |
+ | | also known as = | ||
+ | | author(s) = {{plainlist | ||
+ | | [[author::Nicolás Tamariz]] | ||
+ | }} | ||
+ | | ascribed to = | ||
+ | | compiled by = | ||
+ | | illustrated by = Unknown | ||
+ | | translator(s) = | ||
+ | | patron = | ||
+ | | dedicated to = | ||
+ | | place of origin = {{plainlist | ||
+ | | Vienna ([[year::1516]]) | ||
+ | | Antwerp (1538) | ||
+ | }} | ||
+ | | language = {{plainlist | ||
+ | | [[language::Spanish]] (1696) | ||
+ | | [[language::Spanish]] (1902) | ||
+ | }} | ||
+ | | subject = | ||
+ | | genre = [[type::Fencing manual]] | ||
+ | | sources = | ||
+ | | publisher = {{plainlist | ||
+ | | [[publisher::los Herederos de Thomas Lopez de Haro]] (1696) | ||
+ | | [[publisher::Devinne Press/Hispanic Society of America]] (1902) | ||
+ | }} | ||
+ | | pub_date = | ||
+ | | first English edition = | ||
+ | | pages = | ||
+ | | extant copies = {{plainlist | ||
+ | | | ||
+ | }} | ||
+ | | wiktenauer compilation by = | ||
+ | | images = | ||
+ | }} | ||
+ | |||
+ | |||
+ | '''"Cartilla, y luz en la verdadera destreza''', sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere", ("[A] Primer, and light on the Verdadera Destreza, taken from the writings of D. Luis Pacheco de Narvaez and the authors he refers to",) is a [[nationality::Spanish]] [[fencing treatise]] in the [[Verdadera Destreza]] tradition, written by [[D. Nicolás Tamariz]], Deputy Grand Master of the city of Seville. | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | == Publication History == | ||
+ | |||
+ | "Cartilla, y luz..." was printed and published in that Seville by "los Herederos de Thomas Lopez de Haro" ("The heirs of Thomás de Haro"), in 1696 CE. | ||
+ | |||
+ | A facsimiles was published in 1902 by Devinne Press, New York, on behalf of the Hispanic Society of America, from a copy of the 1696 Edition, then in the library of Archer Milton Huntington, founder of that Society. Facsimiles from this print run can be found online, and a newly modernized transcription was completed by Carlos Urgel Gómez under the auspices of the Asociación Española de Esgrima Antigua in 2015. | ||
The book, after the usual front matter of approvals from inquisitors and other religious and political figures, poems from admirers and friends of the author, and the author's own introduction, is composed of seventeen chapters. | The book, after the usual front matter of approvals from inquisitors and other religious and political figures, poems from admirers and friends of the author, and the author's own introduction, is composed of seventeen chapters. | ||
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Included in the book are two simple plates, illustrating the Five Paths and the Nine Medios described in the text, in a circular, geometric footwork diagram of a format typical of the Verdadera Destreza tradition. | Included in the book are two simple plates, illustrating the Five Paths and the Nine Medios described in the text, in a circular, geometric footwork diagram of a format typical of the Verdadera Destreza tradition. | ||
− | + | == Contents == | |
− | + | ||
− | + | {| class="treatise" | |
− | + | |- | |
− | + | ! id="page" | [[Nicolás Tamariz,|Nicolás Tamariz,]] | |
− | + | | [[Introduction]] by [[Nicolás Tamariz,]] | |
− | + | ||
− | + | |- | |
− | + | ! [[Nicolás Tamariz|Nicolás Tamariz]] | |
− | + | | [[Dialogue]] by [[Nicolás Tamariz]] | |
− | + | ||
− | + | |- | |
− | + | ! [[Nicolás Tamariz|Nicolás Tamariz]] | |
− | + | | [[Note on Footwork]] by [[Nicolás Tamariz]] | |
− | + | ||
− | + | |- | |
− | + | ! [[Nicolás Tamariz|Nicolás Tamariz]] | |
− | + | | [[Note on the Opposition of Footwork]] by [[Nicolás Tamariz]] | |
− | + | ||
− | + | |- | |
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[How to Choose the Medio de Proporción]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[A Note on the Atajo]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Follow the Five Paths]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Declare the Nine Medios]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Note on Conclusion Fifty-Five]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[First Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Second Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Third Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Fourth Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Fifth Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Sixth Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Seventh Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Eighth Rule]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[Note on the Vulgar Terms]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |- | ||
+ | ! [[Nicolás Tamariz|Nicolás Tamariz]] | ||
+ | | [[A Useful Notice]] by [[Nicolás Tamariz]] | ||
+ | |||
+ | |} | ||
+ | |||
+ | == Gallery == |
Revision as of 04:39, 11 July 2022
Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere | |
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A Primer, and light on the True Destreza, taken from the writings of D. Luis Pacheco de Narvaez and the authors to which he refers | |
[[File:|325x325px | border]] | |
USTC ID | |
Author(s) | |
Illustrated by | Unknown |
Place of origin |
|
Language | |
Genre(s) | Fencing manual |
Publisher | |
Extant copies |
"Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere", ("[A] Primer, and light on the Verdadera Destreza, taken from the writings of D. Luis Pacheco de Narvaez and the authors he refers to",) is a Spanish fencing treatise in the Verdadera Destreza tradition, written by D. Nicolás Tamariz, Deputy Grand Master of the city of Seville.
Publication History
"Cartilla, y luz..." was printed and published in that Seville by "los Herederos de Thomas Lopez de Haro" ("The heirs of Thomás de Haro"), in 1696 CE.
A facsimiles was published in 1902 by Devinne Press, New York, on behalf of the Hispanic Society of America, from a copy of the 1696 Edition, then in the library of Archer Milton Huntington, founder of that Society. Facsimiles from this print run can be found online, and a newly modernized transcription was completed by Carlos Urgel Gómez under the auspices of the Asociación Española de Esgrima Antigua in 2015.
The book, after the usual front matter of approvals from inquisitors and other religious and political figures, poems from admirers and friends of the author, and the author's own introduction, is composed of seventeen chapters.
The first is a Socratic dialogue of questions and answers relating to basic concepts of Verdadera Destreza theory and practice, which offers a relatively thorough foundational vocabulary for students of the style. Next, comes a series of seven chapters which are composed of short essays, or notes, elaborating on some of the most vital practical elements of the style: a pair of notes on how footwork is to be performed and how it can be opposed; a note on choosing an opening measure; a note explaining the concept of "atajo", a vital (and contentious) component of Verdadera Destreza theory; A piece on the "Five Paths", describing the "correct" ways to enter measure safely; a note on the "Nine Medios", which describes the preferred offensive maneuvers of Tamariz' Destreza, and; a note on one of D. Luis Pacheco de Narvaez's "100 Conclusions" (Las_cien_conclusiones_de_la_destreza_de_las_armas_(MS_Phill.1941)).
Following these notes is a series of chapters which describe "reglas", forms or drills which build on the foundational work laid out by the expository matter of the preceding chapters. Each regla is divided into "términos", or "terms", precisely describing the actions of each combatant during the drill. These reglas are a relatively rare example of direct practial pedagogy in a Verdadera Destreza book- many of which are heavy on theory and short on drills. The penultimate chapter is an adversarial note addressing what Tamariz felt were the errors of the "vulgar" fencers, or "Añasquinos", as he puts it. The final chapter is a short paragraph of moral exhortation to the reader, regarding how, when, and why the teachings of sword-craft ought to be employed, and how, when, and why they ought not be.
Included in the book are two simple plates, illustrating the Five Paths and the Nine Medios described in the text, in a circular, geometric footwork diagram of a format typical of the Verdadera Destreza tradition.