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Difference between revisions of "User:Kendra Brown/Florius/English MS Latin 11269 16r"
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{{par|r}} Your sword will fall from the rightmost part, if | {{par|r}} Your sword will fall from the rightmost part, if | ||
| − | I turn swiftly to the left, and also with the limbs compressed in front.<ref>Note that the illustration is incorrect, showing the left side combatant with a hand on the hilt of the sword but no hand on the blade, which would make compressing the limbs much harder than in the Getty or Pisani-Dossi illustrations of this technique.</ref> | + | I turn swiftly to the left, and also with the limbs compressed in front.<ref>Note that the illustration is incorrect, showing the left side combatant with a hand on the hilt of the sword but no hand on the blade, which would make compressing the limbs much harder than in the Getty or Pisani-Dossi illustrations of this technique. The Latinist has inserted a phrase not in the Italian which provides a detail about the technique that's lost in the picture.</ref> |
</poem> | </poem> | ||
Revision as of 18:30, 27 June 2023
Latin 16r
- ¶ Colla super teneo mucronem. sentis et istud.
Nunc mortis patieris opus. nec fata negabunt.
- ¶ Dexteriore tui cadet ensis parte / sinistra
Si me voluo celer / sed strictis artubus ante.
Italian
|
You feel the sword that I have set at your neck |
|
|
If I turn myself close on your left side, |
[26a-c] Si io me volto streto dela parte riverssa |
English 16r
¶ I hold the sword at your neck. And you feel that.
He will now suffer the work of death. And will not deny his fate.
¶ Your sword will fall from the rightmost part, if
I turn swiftly to the left, and also with the limbs compressed in front.[2]
- ↑ Corrected from "de".
- ↑ Note that the illustration is incorrect, showing the left side combatant with a hand on the hilt of the sword but no hand on the blade, which would make compressing the limbs much harder than in the Getty or Pisani-Dossi illustrations of this technique. The Latinist has inserted a phrase not in the Italian which provides a detail about the technique that's lost in the picture.
