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Johannes Liechtenauer/Michael Chidester LS 2025
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| 1 | Young knight, learn first: have love for god, And honor women—that I laud. | 
| 2 | So that your honor great may grow, Practice chivalry and know | 
| 3 | Arts that adorn you well in play And bring you fame in war some day. | 
| 4 | Gain wrestling's artful holds with might; With lance, spear, sword, and knife do fight, | 
| 4a GWo | |
| 4b GWo | |
| 5 | And wield them all with gallant hand, So that against you none may stand. | 
| 5a HTG | |
| 6 | Cut here and there and close with this; Charge through and you will hit or miss. | 
| 7 | The wise ones hate and will disdain All those who praise themselves in vain; | 
| 8 | So grasp when all is said and done: All art needs measure, moderation. | 
| 9 | If you would bring the art to light, See left advance and strike with right, | 
| 10 | For you will find that left with right Is how you may most strongly fight. | 
| 11 | Who chases after blow and bind, Will little joy in this art find. | 
| 12 | Cut close to them; your will revealed, No changer comes to breach your shield; | 
| 13 | Toward head and body, forth you race, The skirmish you should then embrace. | 
| 14 | And always fight with all your strength, Your body tight at any length. | 
| 15 | A simple rule you should not slight: Fence not from left when you are right. | 
| 16 | If on your left is how you fight, You'll be quite clumsy on the right. | 
| 17 | Before and After, these two things: The font from which all true art springs. | 
| 18 | With Strong and Weak, you'll rule the bind; The word “Within” bear well in mind. | 
| 19 | Learn onward in this art until You can defend and work with skill. | 
| 20 | But if you easily get spooked, Then fencing is a poor pursuit. | 
| 21 | Five strikes you must now learn to heed, Perform them with your right hand’s speed; | 
| 22 | Those fencers skilled whose art we vow To reward well will show us how: | 
| 23 | The wrathful one hates crook and cross; So cock your eye and parting cause. | 
| 24 | A fool will parry all strikes, so Pursue, run down, and set the blow. | 
| 25 | Change it through, pull your point back, Run through, slice off, or hands attack. | 
| 26 | Then hang and wind, expose them more, Strike, catch, sweep, and push your point fore. | 
| 27 | When from above they cut in near, The point of wrath makes danger clear. | 
| 28 | If they should sense the threat and shove, Care not, just take it off above. | 
| 29 | Or if they're strong, then more strength show And thrust—if seen, take it below. | 
| 30 | Bear this in mind once in the fray: Cut, thrust, then Hard or Soft you lay, | 
| 31 | “Within”, and then drive after more, But calmly—do not rush to war; | 
| 32 | If at the war above they aim, Go down below and bring them shame. | 
| 33 | Down every path that you may wind, Cut, thrust, and slice you'll learn to find; | 
| 34 | You also must learn to assess Which one of them would serve you best, | 
| 35 | So that, whenever steel meets steel, The masters you'll confound with zeal. | 
| 36 | Know there are but four exposures; Clear your path and aim for closure, | 
| 37 | In every threat, in each attack, Without regard for how they act. | 
| 38 | If they attack, revenge is sweet; Break through and four exposures beat: | 
| 39 | To strike above you should redouble; Transmute below to cause them trouble. | 
| 40 | Now let me make this plain and clear: No one defends without some fear, | 
| 41 | And if this truth one learns and knows, Then scarcely can they come to blows. | 
| 42 | Throw a curve with crooked grace; Onto their hands your point will race. | 
| 43 | Curve in to set aside down low, And step to hinder many blows. | 
| 44 | Cut crookedly up toward the flat, Subvert the masters' strength with that. | 
| 45 | When steel on steel above should spark, Stand fast and I will praise your art. | 
| 46 | Curve not: cut short, your plan concealed, Then with it, changing through reveal. | 
| 47 | Who crookedly leads you astray, The noble war will them dismay; | 
| 48 | They'll truly have no way to know Where they'd be safe from any blow. | 
| 49 | The cross takes what from sky comes down, Rewarding all with glory's crown. | 
| 50 | The cross in Strength performed its deed, Your work remains, take careful heed. | 
| 51 | When to the plow you drive across, Yoke it hard then to the ox. | 
| 52 | Cross yourself and take a leap, And threaten heads while yours you keep. | 
| 53 | Mislead by missing skillfully; Go low and harry willfully. | 
| 54 | Inversion forces and constrains; Run through and wrestling holds you'll gain: | 
| 55 | Their elbow take; be sure, then leap; Done right, their balance you will reap. | 
| 56 | Now then, miss twice, and when you hit, Just make a classic slice with it. | 
| 57 | The second time you miss, I say To step in left, and don't delay. | 
| 58 | When buffalo will cut or thrust, The cockeye breaks and enters thus. | 
| 59 | If, with the changer, threat they lay, The cockeye robs them anyway. | 
| 60 | If you see that they're shorting you, Take your revenge by changing through. | 
| 61 | Down to their point you cock your eye, But, fearless, take their neck up high. | 
| 62 | Or cock your eye up to their part, If you would spoil their hands with art. | 
| 63 | Cut from your part to seek your prize And threaten them under the eyes. | 
| 64 | Then turn and take it down below, And threats against their heart bestow. | 
| 65 | Whatever from your part descends, Their lofty crown can well defend. | 
| 66 | Slice through their crown, refuse to kneel, Its glory broken by your steel. | 
| 67 | With sweeping cuts press your attack; Slice through and then pull yourself back. | 
| 68 | In four lairs only should you lie; Hold there and vulgar guards decry. | 
| 69 | The ox that plows, the foolish one, And from the day you should not shun. | 
| 70 | Now four displacements learn with care, Which also flush them from their lair. | 
| 71 | Be mindful of displacement's game, It guards you well or brings you shame. | 
| 72 | Should you become displaced at last, However this has come to pass, | 
| 73 | Then listen now to what I say: Wrench off, cut in, and don't delay. | 
| 74 | Set on to four extremities, Learn to remain and end with ease. | 
| 75 | Learn to pursue, then learn it twice; Or into their defenses slice. | 
| 76 | When they're outside, there take them on In two forms; start what work you want. | 
| 77 | Then gauge each threat with hand and blade: If pushing Hard or Softly laid; | 
| 78 | For this you must learn how to feel; The word “Within” cuts deep as steel. | 
| 79 | Pursue again, and if you hit, Then make the same old slice with it. | 
| 80 | If down below your sword they aim, Flow over them and bring them shame. | 
| 81 | When steel on steel above should spark, Stay strong and I will praise your art. | 
| 82 | Work onward then with skill and ardor, Or press them hard and press them harder. | 
| 83 | Learn how to set aside, and thus, With art you'll hinder cut and thrust. | 
| 84 | Whoever tries to stab at you, Your point meets theirs and breaks on through. | 
| 85 | From either side, both left and right, Your swords will meet if forth you stride. | 
| 86 | Learn to change through, your sword untied, Then thrust sharply from either side. | 
| 87 | Whomever tries to bind on you You'll swiftly find by changing through. | 
| 88 | Now step in close, engage the bind, Then pull, and what you seek you'll find. | 
| 89 | Pull back; if sword you meet, pull more; Devise a work that hurts them sore. | 
| 90 | Pull back whenever steel meets steel And masters you’ll confound with zeal. | 
| 91 | Hold pommel high, let blade hang down, Run through and wrestling abounds. | 
| 92 | When strength would press and oppress you, Remember this: just run on through. | 
| 93 | Whenever hardness blocks your plays, Slice off from underneath both ways. | 
| 94 | There are four slices you must know: Two falling high, two rising low. | 
| 95 | Turn every slice to serve your end, Their hands to press and arms to bend. | 
| 96 | Two hangers rise upon command, Up from the earth, out of your hand. | 
| 97 | In every threat, in each foray, Cut, thrust, then Hard or Soft you lay. | 
| 98 | Spread windows wide that speech may flow; Stand cheerful and hear their case so; | 
| 99 | But snap the windows shut upon Whoever tries to cut and run. | 
| 100 | Now let me make this plain and clear: No one defends without some fear, | 
| 101 | And if this truth one learns and knows, Then scarcely can they come to blows. | 
| 102 | If you lead well and break through right, To this end you may guide the fight, | 
| 103 | And breaking in with flashing steel, Three wonders of the sword reveal. | 
| 104 | Hang your point in straight and true, And wind your sword to follow through. | 
| 105 | Now eight winds note with thoughtful mind, And weigh the paths that each may find: | 
| 106 | In each and every wind of sword, Three wonders wait to be explored. | 
| 107 | They thus expand to twenty-four Count one by one, you won't need more. | 
| 108 | From either side, both left and right, Learn these eight winds when forth you'd stride. | 
| 109 | Then gauge each threat with hand and blade: But pushing Hard or Softly laid. | 


