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Johannes Liechtenauer/Michael Chidester LS 2025
< Johannes Liechtenauer
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Revision as of 00:36, 25 June 2025 by Michael Chidester (talk | contribs)
| 1 | Young knight, learn first: have love for god, And honor women—that I laud. |
| 2 | So that your honor great may grow, Practice chivalry and know |
| 3 | Arts that adorn you well in play And bring you fame in war some day. |
| 4 | Gain wrestling's artful holds with might; With lance, spear, sword, and knife do fight, |
| 4a GWo |
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| 4b GWo |
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| 5 | And wield them all with gallant hand, So that against you none may stand. |
| 5a HTG |
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| 6 | Cut here and there and close with this; Charge through and you will hit or miss. |
| 7 | The wise ones hate and will disdain All those who praise themselves in vain; |
| 8 | So grasp when all is said and done: All art needs measure, moderation. |
| 9 | If you would bring the art to light, See left advance and strike with right, |
| 10 | For you will find that left with right Is how you may most strongly fight. |
| 11 | Who chases after blow and bind, Will little joy in this art find. |
| 12 | Cut close to them; your will revealed, No changer comes to breach your shield; |
| 13 | Toward head and body, forth you race, The skirmish you should then embrace. |
| 14 | And always fight with all your strength, Your body tight at any length. |
| 15 | A simple rule you should not slight: Fence not from left when you are right. |
| 16 | If on your left is how you fight, You'll be quite clumsy on the right. |
| 17 | Before and After, these two things: The font from which all true art springs. |
| 18 | With Strong and Weak, you'll rule the bind; The word “Within” bear well in mind. |
| 19 | Learn onward in this art until You can defend and work with skill. |
| 20 | But if you easily get spooked, Then fencing is a poor pursuit. |
| 21 | Five strikes you must now learn to heed, Perform them with your right hand’s speed; |
| 22 | Those fencers skilled whose art we vow To reward well will show us how: |
| 23 | The wrathful one hates crook and cross; So cock your eye and parting cause. |
| 24 | A fool will parry all strikes, so Pursue, run down, and set the blow. |
| 25 | Change it through, pull your point back, Run through, slice off, or hands attack. |
| 26 | Then hang and wind, expose them more, Strike, catch, sweep, and push your point fore. |
| 27 | When from above they cut in near, The point of wrath makes danger clear. |
| 28 | If they should sense the threat and shove, Care not, just take it off above. |
| 29 | Or if they're strong, then more strength show And thrust—if seen, take it below. |
| 30 | Bear this in mind once in the fray: Cut, thrust, then Hard or Soft you lay, |
| 31 | “Within”, and then drive after more, But calmly—do not rush to war; |
| 32 | If at the war above they aim, Go down below and bring them shame. |
| 33 | Down every path that you may wind, Cut, thrust, and slice you'll learn to find; |
| 34 | You also must learn to assess Which one of them would serve you best, |
| 35 | So that, whenever steel meets steel, The masters you'll confound with zeal. |
| 36 | Know there are but four exposures; Clear your path and aim for closure, |
| 37 | In every threat, in each attack, Without regard for how they act. |
| 38 | If they attack, revenge is sweet; Break through and four exposures beat: |
| 39 | To strike above you should redouble; Transmute below to cause them trouble. |
| 40 | Now let me make this plain and clear: No one defends without some fear, |
| 41 | And if this truth one learns and knows, Then scarcely can they come to blows. |
| 42 | Throw a curve with crooked grace; Onto their hands your point will race. |
| 43 | Curve in to set aside down low, And step to hinder many blows. |
| 44 | Cut crookedly up toward the flat, Subvert the masters' strength with that. |
| 45 | When steel on steel above should spark, Stand fast and I will praise your art. |
| 46 | Curve not: cut short, your plan concealed, Then with it, changing through reveal. |
| 47 | Who crookedly leads you astray, The noble war will them dismay; |
| 48 | They'll truly have no way to know Where they'd be safe from any blow. |
| 49 | The cross takes what from sky comes down, Rewarding all with glory's crown. |
| 50 | The cross in Strength performed its deed, Your work remains, take careful heed. |
| 51 | When to the plow you drive across, Yoke it hard then to the ox. |
| 52 | Cross yourself and take a leap, And threaten heads while yours you keep. |
| 53 | Mislead by missing skillfully; Go low and harry willfully. |
| 54 | Inversion forces and constrains; Run through and wrestling holds you'll gain: |
| 55 | Their elbow take; be sure, then leap; Done right, their balance you will reap. |
| 56 | Now then, miss twice, and when you hit, Just make a classic slice with it. |
| 57 | The second time you miss, I say To step in left, and don't delay. |
| 58 | When buffalo will cut or thrust, The cockeye breaks and enters thus. |
| 59 | If, with the changer, threat they lay, The cockeye robs them anyway. |
| 60 | If you see that they're shorting you, Take your revenge by changing through. |
| 61 | Down to their point you cock your eye, But, fearless, take their neck up high. |
| 62 | Or cock your eye up to their part, If you would spoil their hands with art. |
| 63 | Cut from your part to seek your prize And threaten them under the eyes. |
| 64 | Then turn and take it down below, And threats against their heart bestow. |
| 65 | Whatever from your part descends, Their lofty crown can well defend. |
| 66 | Slice through their crown, refuse to kneel, Its glory broken by your steel. |
| 67 | With sweeping cuts press your attack; Slice through and then pull yourself back. |
| 68 | In four lairs only should you lie; Hold there and vulgar guards decry. |
| 69 | The ox that plows, the foolish one, And from the day you should not shun. |
| 70 | Now four displacements learn with care, Which also flush them from their lair. |
| 71 | Be mindful of displacement's game, It guards you well or brings you shame. |
| 72 | Should you become displaced at last, However this has come to pass, |
| 73 | Then listen now to what I say: Wrench off, cut in, and don't delay. |
| 74 | Set on to four extremities, Learn to remain and end with ease. |
| 75 | Learn to pursue, then learn it twice; Or into their defenses slice. |
| 76 | When they're outside, there take them on In two forms; start what work you want. |
| 77 | Then gauge each threat with hand and blade: If pushing Hard or Softly laid; |
| 78 | For this you must learn how to feel; The word “Within” cuts deep as steel. |
| 79 | Pursue again, and if you hit, Then make the same old slice with it. |
| 80 | If down below your sword they aim, Flow over them and bring them shame. |
| 81 | When steel on steel above should spark, Stay strong and I will praise your art. |
| 82 | Work onward then with skill and ardor, Or press them hard and press them harder. |
| 83 | Learn how to set aside, and thus, With art you'll hinder cut and thrust. |
| 84 | Whoever tries to stab at you, Your point meets theirs and breaks on through. |
| 85 | From either side, both left and right, Your swords will meet if forth you stride. |
| 86 | Learn to change through, your sword untied, Then thrust sharply from either side. |
| 87 | Whomever tries to bind on you You'll swiftly find by changing through. |
| 88 | Now step in close, engage the bind, Then pull, and what you seek you'll find. |
| 89 | Pull back; if sword you meet, pull more; Devise a work that hurts them sore. |
| 90 | Pull back whenever steel meets steel And masters you’ll confound with zeal. |
| 91 | Hold pommel high, let blade hang down, Run through and wrestling abounds. |
| 92 | When strength would press and oppress you, Remember this: just run on through. |
| 93 | Whenever hardness blocks your plays, Slice off from underneath both ways. |
| 94 | There are four slices you must know: Two falling high, two rising low. |
| 95 | Turn every slice to serve your end, Their hands to press and arms to bend. |
| 96 | Two hangers rise upon command, Up from the earth, out of your hand. |
| 97 | In every threat, in each foray, Cut, thrust, then Hard or Soft you lay. |
| 98 | Spread windows wide that speech may flow; Stand cheerful and hear their case so; |
| 99 | But snap the windows shut upon Whoever tries to cut and run. |
| 100 | Now let me make this plain and clear: No one defends without some fear, |
| 101 | And if this truth one learns and knows, Then scarcely can they come to blows. |
| 102 | If you lead well and break through right, To this end you may guide the fight, |
| 103 | And breaking in with flashing steel, Three wonders of the sword reveal. |
| 104 | Hang your point in straight and true, And wind your sword to follow through. |
| 105 | Now eight winds note with thoughtful mind, And weigh the paths that each may find: |
| 106 | In each and every wind of sword, Three wonders wait to be explored. |
| 107 | They thus expand to twenty-four Count one by one, you won't need more. |
| 108 | From either side, both left and right, Learn these eight winds when forth you'd stride. |
| 109 | Then gauge each threat with hand and blade: But pushing Hard or Softly laid. |
