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The typological debates around Le Jeu de la Hache (BnF MS Français 1996) and their stakes for HEMA practice +
'Have the Highest Righteous Fencer in Your Mind's Eye': Medieval Martial Ethic as a Conceptual Repository for Just War Theory +
Mit Dürer auf dem langen Weg zum 'Führer'. Eine Rezeptionsgeschichte über Albrecht Dürers Zweikampfhandschrift Ms 26232 der Albertina Wien +
The Foot Combat as Tournament Event: Equipment, Space and Forms +
Dénomination de quelques armes d'hast dans les exercitiorum collectanea du condottiere Pietro Del Monte (1509) +
Exercises in Arms: the Physical and Mental Combat Training of Men-at-Arms in the Fourteenth and Fifteenth Centuries +
Additional Transmissions of Hundsfeld and Lignitzer Dagger Teachings +
Collecting Martial Art Knowledge on Paper in Early Modern Germany and China: The Examples of Paulus Hector Mair and Qi Jiguang and Their Reading in the 21st Century +
Anonymes Bruchstück einer Ringlehre der Debrecener Handschrift R. 605 +
« Bienheureux Roi qui seul une si grande œuvre a lu » +
Gargantua Escrimeur. Une réception littéraire inattendue de l’Art de l’escrime (Kunst des Fechtens) de Joachim Meyer (1570) dans la Geschichklitterung de Johann Fischart (1575–1590) +
Die Handschriften des oberdeutschen Fechtmeisters Hans Talhoffer: ein Beitrag zur Fachprosaforschung des Mittelalters +
The Circle and the Sword: A Focus on Carranza and Pacheco de Narváez in Renaisance Spain +
Andreas der Jude, Jost von der Neißen und Niclas Preuß: Drei verhinderte 'Verfasser' eines Fechtbuches +
Der ,Bellifortis' des Konrad Kyeser +
Memory and Performance: Visual and Rhetorical Strategies of Il Fior di Battaglia +
Transcription and English Translation of ''Vechtboek'', Ms. BPL 3281 +
The Man who Taught Leonardo Darts: Pietro Monte and His 'Lost' Fencing Book +
Tradition, Innovation, Re-enactment: Hans Talhoffer's Unusual Weapons +
Arts and Crafts of War: ''die Kunst des Schwerts'' in its Manuscript Context +
