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Girard Thibault: Bewegung in Harmonie mit dem Körper (1630)  +
The ''Cort Bewijs'' of Pieter Bailly: A Dutch Rapier Manual, Circa 1602 – 1608  +
Die Fechtbücher Hans Talhofers und die Praxis des gerichtlichen  +
Vincentio Saviolo his Practice (1595): A Problem of Authorship  +
Analysis of footwork diagrams from Libro de las grandezas de la espada  +
Tobias Stimmer, illustrateur du Fechtbuch de Joachim Meyer  +
Italian Circle Theory: A Study of Applied Geometry in the Italian Renaissance  +
Sixteenth-century Italian drawings in Federico Ghisliero's ''Regole di molti cavagliereschi essercitii''  +
Fighting with Long Knife for Leisure or Self-Defense: Discussions Around the Production Contexts of Lecküchner's Fencing Manuscript  +
''Das Solothurner Fechtbuch'': Giving It Voice  +
Warp and Weft: The ''Bauman Fight Book'''s Place in the Tapestry of German ''Fechtkunst''  +
Luitger par lui-même ? Stratigraphie d’une synthèse médiévale de l’escrime  +
''Messerfechten'' from the Augsburg Tradition  +
The Montante of Dom Diogo Gomes de Figueiredo  +
Nicolaes Petter's Clear Instructions for the Excellent Art of Wrestling  +
Frühe Koch- und Pulverrezepte aus der Nürnberger Handschrift GNM 3227a (um 1389)  +
Scholastic Clues in Two Latin Fencing Manuals: Bridging the gap between medieval and renaissance cultures  +
Joining the Dots: Additional Comments on the Connection Between ''Bauman's Fight Book'', the ''Gladiatoria'' Group, and Fiore de'i Liberi  +
Prologues, Poetry, Prose and Portrayals: The Purposes of Fifteenth Century Fight Books According to the Diplomatic Evidence  +
Informationsverarbeitung durch autographe Notizen: Die ältesten Aufzeichnungen zur Kampfkunst des Johannes Liechtenauer als Spuren einer Aneignung praktischen Wissens  +