 |
You are not currently logged in. Are you accessing the unsecure (http) portal? Click here to switch to the secure portal. |
 |
Do you have permission to re-use this image? Just because scans appear on Wiktenauer does not mean that they are free to use. Wiktenauer is a 501(c)(3) nonprofit, and many of the scans we host are only licensed for nonprofit use. In other cases, the scans have no standard license and Wiktenauer has received special permission to host them (and can't grant that permission to anyone else). The license terms appear in the Copyright and License Terms box at the bottom of the page that sent you here. When in doubt, always check with the museum or library that owns a manuscript before publishing or otherwise reusing its scans. |
User:Kendra Brown/Florius/English MS Latin 11269 04v
Latin 4v
- ¶ Protego[1] cesura me nunc / ac cuspide forti.
Et capulo[2] faciem ferio / ne prensus hic ensis
Sit mihi / sim terram nec adhuc proiectus ad imam.
¶ Teque tuum iaciam nullo prohibente caballum[3]
Cuius clune / mei pectus fremitando sedebit.
Quadrupedis nec linquo tui resonantia frena[4] /
Donec humum praeceps limosam vertice tangas.
Ista quidem armato valet optima captio / postquam
Ledere non armis ullum sibi posse pavescit
English 4v
¶I now protect myself by withdrawing, and from the strong point.
I hit the face with the sword hilt, so that this my very own sword would not
have been caught. Nor would I have been thrown to the farthest ground.[5]
¶ I will throw your horse; neither you nor anyone can prevent [it],
The chest [of my horse] will rest on the haunches of your whinnying horse
I will not release the ringing reins of your quadruped
until you precipitously strike the muddy ground with the crown of your head.
This best capture indeed prevails against armored [people], and
anyone who is afraid of their capability cannot injure with weapons.
- ↑ Added later: "te juc g???et".
- ↑ Added later: "de la poignee".
- ↑ Added later: "eqquus".
- ↑ Added later: "cert mords de bride".
- ↑ the hand position pictured in this technique is very strange. Comparing it to the Italian copies, we think the artist doesn't have a martial background and has drawn a hand familiar from other artwork instead of a position that makes sense with a sword or other weapon.
