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  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1535-40)
 
  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1535-40)
 
  | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538)
 
  | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538)
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
+
  | [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
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| below                =  
 
| below                =  
 
}}
 
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'''Andre Paurenfeyndt''' (Paurñfeyndt, Paurñfeindt) was a [[century::16th century]] [[nationality::German]] [[Freifechter]]. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).<ref>Ott, Michael. "[http://www.newadvent.org/cathen/08787a.htm Matthew Lang]." ''The Catholic Encyclopedia, Vol. 8''. New York: Robert Appleton Company, 1910.</ref> In 1516, he wrote and published a [[fencing manual]] entitled ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Founding of the Chivalric Art of Swordplay"), which [[Sydney Anglo]] notes may have been the first illustrated fencing treatise ever published.<ref>[[Sydney Anglo|Anglo, Sydney]]. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1</ref> Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of [[Johannes Liechtenauer]]. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.
+
'''Andre Paurenfeyndt''' (Paurñfeyndt, Paurñfeindt) was a [[century::16th century]] [[nationality::German]] [[Freifechter]]. He was born in Ernsbrunn in Lower Austria, and he enrolled in the [[Universität Wien]] on 13 October 1512.<ref>Bauer 2016, p. 99.</ref> He mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468-1540).<ref>Ott, Michael. "[http://www.newadvent.org/cathen/08787a.htm Matthew Lang]." ''The Catholic Encyclopedia, Vol. 8''. New York: Robert Appleton Company, 1910.</ref> In 1516, he wrote and published a [[fencing manual]] entitled ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Founding of the Chivalric Art of Swordplay"), which seems to have been the first illustrated fencing treatise ever published.<ref>[[Sydney Anglo|Anglo, Sydney]]. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. p. 46.</ref> Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of [[Johannes Liechtenauer]]. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.
  
 
== Treatise ==
 
== Treatise ==
Line 65: Line 65:
 
Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524).  
 
Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524).  
  
Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including [[Lienhart Sollinger]]'s 1564 copy), followed by the 1538 Walloon translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.
+
Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including [[Lienhart Sollinger]]'s 1564 copy), followed by the 1538 French translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.
  
 
{{master begin
 
{{master begin
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! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|A|Featured translation (from the Walloon)}}<br/>by [[Michael Chidester]]</p>
+
! <p>{{rating|A|Featured translation (from the French)}}<br/>by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
+
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
  
 
|-  
 
|-  
Line 137: Line 137:
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>'''No Text'''</p>
+
! <p>No Text</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Manuscript]] (1538){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Manuscript]] (1538){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Liber Quodlibetarius (MS B.200)|Erlangen Manuscript]] (1524){{edit index|Liber Quodlibetarius (MS B.200)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Liber Quodlibetarius (MS B.200)|Erlangen Manuscript]] (1524){{edit index|Liber Quodlibetarius (MS B.200)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
Line 355: Line 355:
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|none|No translation (from the Walloon)}}</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
+
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
 
<section end="credits3"/>
 
<section end="credits3"/>
 
|-  
 
|-  
Line 368: Line 368:
 
|}
 
|}
 
| <p>[1] '''The''' first chapter teaches how one should employ expertise in the long sword, whichever is used with both hands, such as the battle sword, riding sword, estoc, and many others which I will for brevity's sake leave out.</p>
 
| <p>[1] '''The''' first chapter teaches how one should employ expertise in the long sword, whichever is used with both hands, such as the battle sword, riding sword, estoc, and many others which I will for brevity's sake leave out.</p>
|  
+
| <p>'''Here begins a very beautiful bo'''ok containing the knightly science of swordsmen, for learning to fence with the two-handed sword and other similar swords which are used with both hands; also including braquemards and other short knives which are used with one hand; half-lance, guisarme, and similar polearms; daggers; and buckler.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|1|lbl=4.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|1|lbl=4.1}}
 
| {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=4v.1}}
 
| {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=4v.1}}
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| In all encounters<br/>&emsp;Of the masters, if you wish to weaken them.
 
| In all encounters<br/>&emsp;Of the masters, if you wish to weaken them.
 
|}
 
|}
|  
+
| <p>Here begins the manner of fencing with the two-handed sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|2|lbl=4.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|2|lbl=4.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|6|lbl=3r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|6|lbl=3r.6}}
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<p>Undertake the wing cut from the upper guard or high point. The first strike to the left ear from the roof, the second from below with a step to your left side, the third strike to the head from behind.</p>
 
<p>Undertake the wing cut from the upper guard or high point. The first strike to the left ear from the roof, the second from below with a step to your left side, the third strike to the head from behind.</p>
|  
+
| <p>'''From the flock'''</p>
 +
 
 +
<p>Take it from the high point and the high guard: the first draws above towards the left ear. The other with a step to the left side. The third, strike behind the head.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|3|lbl=4.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|3|lbl=4.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|7|lbl=3r.7}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|7|lbl=3r.7}}
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<p>If someone initiates a wing cut, parry the first from the roof. The second, pin down with the long edge from below and grab their sword's pommel with your left hand, then you throw them over their sword.</p>
 
<p>If someone initiates a wing cut, parry the first from the roof. The second, pin down with the long edge from below and grab their sword's pommel with your left hand, then you throw them over their sword.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>If someone seeks in vain to strike from the flock, shoot the first cut back from above. The other, strike back below with your long edge or cut<ref>The word used is "coup", which could be translated as "attack", "cut", or "blow". In this context it is referring to the edge. Henceforth I will be translating it as "edge" instead.</ref>, and take the pommel of his sword with your left hand. Thus you hurl him over his sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|4|lbl=4.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|4|lbl=4.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|1|lbl=3v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|1|lbl=3v.1}}
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<p>Step and strike through to the opponent's ear from above with the long edge. The second step and strike down from above to the right ear with the short edge. The third, strike from behind with the long edge.</p>
 
<p>Step and strike through to the opponent's ear from above with the long edge. The second step and strike down from above to the right ear with the short edge. The third, strike from behind with the long edge.</p>
|  
+
| <p>'''From crossing or direct striking'''</p>
 +
 
 +
<p>Step and strike from above with your long edge through his left ear. Secondly, step and strike with the short edge from above down to his right ear. Thirdly, shoot back behind with the long edge.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|2|lbl=6.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|2|lbl=6.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|3|lbl=3v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|3|lbl=3v.3}}
Line 483: Line 489:
  
 
<p>When someone executes a crown cut, catch the first. For the second, situate your short edge against their neck so that they injure themselves themself.</p>
 
<p>When someone executes a crown cut, catch the first. For the second, situate your short edge against their neck so that they injure themselves themself.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone performs the curve<ref>Likely an error. Crombe is a northern Middle French word for “hunched” (e.g. a person) or “crooked”.</ref> cut, meet it first. Secondly, put the short edge on his neck. He will strike himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|3|lbl=6.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|3|lbl=6.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|4|lbl=3v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|4|lbl=3v.4}}
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<p>Undertake the failer from the high point. Cut short to the opponent's left ear explosively and step towards their right side with your left foot. And hammer in the second strike long to the right ear. Keep high with good parrying.</p>
 
<p>Undertake the failer from the high point. Cut short to the opponent's left ear explosively and step towards their right side with your left foot. And hammer in the second strike long to the right ear. Keep high with good parrying.</p>
|  
+
| <p>'''Flying over'''</p>
 +
 
 +
<p>Take flying over from above. Take it short towards his left ear, and step with the left foot against his right side, and strike the other cut long to his right ear. Remain high with good defense.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|4|lbl=6.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|4|lbl=6.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|5|lbl=3v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|5|lbl=3v.5}}
Line 503: Line 513:
  
 
<p>Cut from above from the ox against the opponent, down through the roses and land your short edge in their face. Veer off short and make a followup strike with the long edge.</p>
 
<p>Cut from above from the ox against the opponent, down through the roses and land your short edge in their face. Veer off short and make a followup strike with the long edge.</p>
|  
+
| <p>'''Break</p>
 +
 
 +
<p>Take from above from the wings against him through the roses and put the short edge in his face. Turn downwards very briefly and strike him after with the long edge.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|5|lbl=6.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|5|lbl=6.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|6|lbl=3v.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|6|lbl=3v.6}}
Line 513: Line 525:
  
 
<p>Against their strike, punch through with a cut<ref>literally: cut through agains their strike. The separable durch-hauen means to strike through something to create an opening. See: https://www.woerterbuchnetz.de/DWB2/2DURCHHAUEN</ref> and step in the triangle with your right foot such that you make yourself completely open so to cause them to initiate a cut at your opening. After that happens, step with your left foot and make a followup strike from the hand. </p>
 
<p>Against their strike, punch through with a cut<ref>literally: cut through agains their strike. The separable durch-hauen means to strike through something to create an opening. See: https://www.woerterbuchnetz.de/DWB2/2DURCHHAUEN</ref> and step in the triangle with your right foot such that you make yourself completely open so to cause them to initiate a cut at your opening. After that happens, step with your left foot and make a followup strike from the hand. </p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>Take any cut through his cut, and step the triangle with the right foot so that you open yourself greatly for which he notices, upon which you step after with the left foot forward, and strike the back of the hand towards him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|6|lbl=6.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|6|lbl=6.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|1|lbl=4r.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|1|lbl=4r.1}}
Line 566: Line 580:
  
 
<p>Undertake hurling from the upper guard. Cut against the opponent to their left ear with your long edge. If they parry that, act as if you will suddenly withdraw and remain on their left ear with your short edge. Suddenly withdraw and hurl onto their right ear with the flat.</p>
 
<p>Undertake hurling from the upper guard. Cut against the opponent to their left ear with your long edge. If they parry that, act as if you will suddenly withdraw and remain on their left ear with your short edge. Suddenly withdraw and hurl onto their right ear with the flat.</p>
|  
+
| <p>'''Launching the long edge'''</p>
 +
 
 +
<p>Take the high guard. Take the long edge against him towards his left ear. If he parries, act as if you would like to pull back, yet remain with the short edge to his left ear. Pull back, and strike the flat to his right ear.</p>
 +
 
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|3|lbl=8.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|3|lbl=8.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|4|lbl=4r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|4|lbl=4r.4}}
Line 576: Line 593:
  
 
<p>If someone starts to hurl at you, let the first strike detach and parry the second down from above with the long edge so that you can pin it down or suppress it.</p>
 
<p>If someone starts to hurl at you, let the first strike detach and parry the second down from above with the long edge so that you can pin it down or suppress it.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone launches with the long edge at you, let the first run downwards and parry the other from high to low with your long edge. Thus you may beat or strike it.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|4|lbl=8.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|4|lbl=8.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|5|lbl=4r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|5|lbl=4r.5}}
Line 586: Line 605:
  
 
<p>You can also undertake shooting through from the high point. Cut down from above and with the short edge and inverted hand, down through the roses and into the opponent's face. Let it briefly run off and follow up with the long edge.</p>
 
<p>You can also undertake shooting through from the high point. Cut down from above and with the short edge and inverted hand, down through the roses and into the opponent's face. Let it briefly run off and follow up with the long edge.</p>
|  
+
| <p>'''Pass below<ref>This is likely a typo as "passer dessoubz" is only used once. "Passer oultre" is used more frequently.</ref>'''</p>
 +
 
 +
<p>Pass over can also take off from the high point. Take it from high to low through the roses with crossed hands and the short edge in his face, and let it run downwards briefly to the long edge, and step after.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|5|lbl=8.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|5|lbl=8.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|6|lbl=4r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|6|lbl=4r.6}}
Line 596: Line 617:
  
 
<p>When someone shoots through, and will lay the short edge against you so that you cannot otherwise work, take your sword by the point and strike your cross against their head.</p>
 
<p>When someone shoots through, and will lay the short edge against you so that you cannot otherwise work, take your sword by the point and strike your cross against their head.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone passes above<ref>This is likely another synonym for "passer oultre".</ref> you and wants to put the short edge to you so that you otherwise cannot work, take the edge of your sword and strike the cross on his head.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|6|lbl=8.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|6|lbl=8.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|1|lbl=4v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|1|lbl=4v.1}}
Line 651: Line 674:
  
 
<p>Position yourself in the iron door with braced hands. If someone strikes at you from the roof, thake their strike from the roof with your short edge and step after them with the long edge.</p>
 
<p>Position yourself in the iron door with braced hands. If someone strikes at you from the roof, thake their strike from the roof with your short edge and step after them with the long edge.</p>
|  
+
| <p>'''From above'''</p>
 +
 
 +
<p>Move into long point with the hands crossed in the iron lock. If someone strikes at you from above, take his cut from above with the short edge and step towards him with the long edge.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|2|lbl=10.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|2|lbl=10.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|2|lbl=6r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|2|lbl=6r.2}}
Line 661: Line 686:
  
 
<p>Conduct the failer against them. If they lie in the iron door, then they are driven out in vain and uncover themselves.</p>
 
<p>Conduct the failer against them. If they lie in the iron door, then they are driven out in vain and uncover themselves.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>Drive him out from above when he is in the iron lock, and he moves for nothing and opens himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|3|lbl=10.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|3|lbl=10.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|3|lbl=6r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|3|lbl=6r.3}}
Line 671: Line 698:
  
 
<p>Position yourself as before with braced hands, step in with the short edge shot over to the opponent's left ear and make a follow up strike with the long edge.</p>
 
<p>Position yourself as before with braced hands, step in with the short edge shot over to the opponent's left ear and make a follow up strike with the long edge.</p>
|  
+
| <p>'''Shoot over'''</p>
 +
 
 +
<p>Lower yourself as before with the hands crossed and step with the short edge. Shoot over to his left ear, and turn your hands away and strike with the long edge towards him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|4|lbl=10.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|4|lbl=10.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|4|lbl=6r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|4|lbl=6r.4}}
Line 681: Line 710:
  
 
<p>When someone overshoots the short edge, turn the strike away so that you come to strike against strike and the same work.</p>
 
<p>When someone overshoots the short edge, turn the strike away so that you come to strike against strike and the same work.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone passes high over you with the short edge, turn the wing downwards. Thus you will have a cut against a cut and the same or similar action or work.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|5|lbl=10.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|5|lbl=10.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|5|lbl=6r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|5|lbl=6r.5}}
Line 751: Line 782:
  
 
<p>The hanging point lands with the right foot forwards, like in the figure, with the flat below the face, entering short; and parry high  whatever strike that will be struck from the roof. Let it run off short and follow up with a strike long.</p>
 
<p>The hanging point lands with the right foot forwards, like in the figure, with the flat below the face, entering short; and parry high  whatever strike that will be struck from the roof. Let it run off short and follow up with a strike long.</p>
|  
+
| <p>'''Hanging the point on the thumb.'''</p>
 +
 
 +
<p>Set the right foot forward, step short, and parry whatever cut high. Strike high, let the short edge run well downwards, and step with the long edge towards him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|3|lbl=12.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|3|lbl=12.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|2|lbl=5v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|2|lbl=5v.2}}
Line 763: Line 796:
  
 
<p>Drive the right foot forwards from the right side. If someone lies still in the hanging point, position the short edge on their right ear so they are not permitted to suddenly withdraw and wherever they do withdraw, they uncover themselves.</p>
 
<p>Drive the right foot forwards from the right side. If someone lies still in the hanging point, position the short edge on their right ear so they are not permitted to suddenly withdraw and wherever they do withdraw, they uncover themselves.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>Drive out with the right hand and the right foot forward. If he lies calmly in the hanging point, put the short edge to his left ear, yet he will not pull back, because if he pulls back he opens himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|4|lbl=12.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|4|lbl=12.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|5|lbl=5v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|5|lbl=5v.5}}
Line 773: Line 808:
  
 
<p>Whenever someone positions the short edge against your neck, twist your hands with your sword and bar them from above with the long edge and grab their pommel with your left hand and throw them over their sword to the left side.</p>
 
<p>Whenever someone positions the short edge against your neck, twist your hands with your sword and bar them from above with the long edge and grab their pommel with your left hand and throw them over their sword to the left side.</p>
|  
+
| <p>'''Counter break'''</p>
 +
 
 +
<p>When someone puts the short edge to your neck, turn your hands and the sword and lock him above with the long edge, and take your left hand on the pommel of his sword, and hurl him on the left side over his sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|5|lbl=12.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|5|lbl=12.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|6|lbl=5v.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|6|lbl=5v.6}}
Line 819: Line 856:
  
 
<p>You can also undertake overgripping from high point. Reach over your cross with your right hand into the blade such that your finger stands on the blade. If someone initiates a strike, strike against them with your strong such that you overwhelm their sword, keeping threat and suddenly withdraw your flat against their right ear and veer high into your act of parrying.</p>
 
<p>You can also undertake overgripping from high point. Reach over your cross with your right hand into the blade such that your finger stands on the blade. If someone initiates a strike, strike against them with your strong such that you overwhelm their sword, keeping threat and suddenly withdraw your flat against their right ear and veer high into your act of parrying.</p>
|  
+
| <p>'''Grip'''</p>
 +
 
 +
<p>The grip can also be taken out from the high point. Take your right hand high on your cross so that the blade must lie flat, and if someone strikes towards you, strike against him with such force that you pressure his sword, and pull back with your flat to his right ear, and raise your cut high.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|2|lbl=14.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|2|lbl=14.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|3|lbl=4v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|3|lbl=4v.3}}
Line 829: Line 868:
  
 
<p>When someone overgrips, bait them with a strike and suddenly withdraw short, make a follow up strike long or else break it with a failer or a crown cut, etc.</p>
 
<p>When someone overgrips, bait them with a strike and suddenly withdraw short, make a follow up strike long or else break it with a failer or a crown cut, etc.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone grips against you, offer him the blade and pull short, then to long towards you or break with the flying over or with the direct strike.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|3|lbl=14.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|3|lbl=14.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|4|lbl=4v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|4|lbl=4v.4}}
Line 839: Line 880:
  
 
<p>Position yourself in the high guard or high point, and cut to the opponent's left ear with your long edge, and act as if you will suddenly withdraw, but remain against their left ear with your short edge, thereafter suddenly withdraw and make a follow up cut with the long edge.</p>
 
<p>Position yourself in the high guard or high point, and cut to the opponent's left ear with your long edge, and act as if you will suddenly withdraw, but remain against their left ear with your short edge, thereafter suddenly withdraw and make a follow up cut with the long edge.</p>
|  
+
| <p>'''Remain'''</p>
 +
 
 +
<p>Set or put yourself in the high point or guard, and take the long edge to his left ear. And act as if you would like to pull back, yet remain with the short edge to his left ear. And then pull back and take the long edge towards him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|4|lbl=14.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|4|lbl=14.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|5|lbl=4v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|5|lbl=4v.5}}
Line 849: Line 892:
  
 
<p>When someone remains with their short edge against your right ear, remain on the other side as well. If they indeed pull away first, then they strike themselves the same way.</p>
 
<p>When someone remains with their short edge against your right ear, remain on the other side as well. If they indeed pull away first, then they strike themselves the same way.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone remains with the short edge to your left ear, so too remain on the other side. If he then pulls back first, he hits himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|5|lbl=14.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|5|lbl=14.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|6|lbl=4v.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|6|lbl=4v.6}}
Line 893: Line 938:
  
 
<p>Position yourself with braced hands in front of your face. If someone strikes the buffalo from high point, twist your hands up from below and step into a false step and shield yourself short such that they roll down your flat, thereafter make a follow up strike long with a step.</p>
 
<p>Position yourself with braced hands in front of your face. If someone strikes the buffalo from high point, twist your hands up from below and step into a false step and shield yourself short such that they roll down your flat, thereafter make a follow up strike long with a step.</p>
|  
+
| <p>'''Triangle'''</p>
 +
 
 +
<p>Move into long point with the hands crossed in front of the face. If he strikes the aggressor with a cut from high point, turn your hands away from low to high, and step with the false step and parry low so that he runs downwards on your flat. Then step and strike with the long edge after.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|2|lbl=16.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|2|lbl=16.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=6v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=6v.1}}
Line 903: Line 950:
  
 
<p>When you have overcommitted yourself striking at your opponent, rise up with your pommel so you are also shielded. Let them roll down as well and work with them according to advantage.</p>
 
<p>When you have overcommitted yourself striking at your opponent, rise up with your pommel so you are also shielded. Let them roll down as well and work with them according to advantage.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When you have overstruck or have been limited against him, raise your pommel high and you will also recover. Also let him run down, and work with him to your advantage.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|3|lbl=16.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|3|lbl=16.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|2|lbl=6v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|2|lbl=6v.2}}
Line 948: Line 997:
  
 
<p>Remember whenever you initiate a thrust, that you always wind your sword under your right shoulder using the pommel when you hit with your point.</p>
 
<p>Remember whenever you initiate a thrust, that you always wind your sword under your right shoulder using the pommel when you hit with your point.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>Note that when you thrust towards someone by reaching with your high point, always turn the sword with the pommel below your right armpit.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|6|lbl=16.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|6|lbl=16.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|5|lbl=6v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|5|lbl=6v.5}}
Line 996: Line 1,047:
  
 
<p>Position yourself against the opponent as before. Grab the middle of your sword's blade with your left hand and thrust towards their face so that they must shield themselves and carry off your thrust. Follow them with a step and release your left hand from your sword. Reach across both of their hands with your pommel and position your edge against their neck and position them into weakness so that you throw them.</p>
 
<p>Position yourself against the opponent as before. Grab the middle of your sword's blade with your left hand and thrust towards their face so that they must shield themselves and carry off your thrust. Follow them with a step and release your left hand from your sword. Reach across both of their hands with your pommel and position your edge against their neck and position them into weakness so that you throw them.</p>
|  
+
| <p>'''Battle piece'''</p>
 +
 
 +
<p>Move as before: take the blade of your sword with your left hand on the middle, and thrust to his face so that he must gather himself to endure the attack. Follow him with a step, and remove your left hand from the sword. From this take your pommel over both of his hands, and put the edge on his neck. Thus you hurl him over your legs.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|3|lbl=18.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|3|lbl=18.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|5|lbl=8r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|5|lbl=8r.5}}
Line 1,006: Line 1,059:
  
 
<p>When someone has lodged their sword against you and and will throw you, release your right hand from your sword and shove their left elbow from below so that they must turn themselves.</p>
 
<p>When someone has lodged their sword against you and and will throw you, release your right hand from your sword and shove their left elbow from below so that they must turn themselves.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone has put his sword to your neck and when he wants to hurl you, remove your hand from your sword, and push his left elbow from below so that he must turn himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|4|lbl=18.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|4|lbl=18.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|6|lbl=8r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|6|lbl=8r.6}}
Line 1,016: Line 1,071:
  
 
<p>If someone has lodged against your breast, take hold of their sword with your left hand forward by the point and thrust your sword behind their left leg and press against them with your breast and with your left hand against their breast, shove them back backwards over your sword.</p>
 
<p>If someone has lodged against your breast, take hold of their sword with your left hand forward by the point and thrust your sword behind their left leg and press against them with your breast and with your left hand against their breast, shove them back backwards over your sword.</p>
|  
+
| '''Piece'''</p>
 +
 
 +
<p>If someone touched the sword to the chest, take his sword with the left hand forward at the point and push your sword behind his left leg. Press your chest against him, and push with your hand backwards over your sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|5|lbl=18.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|5|lbl=18.5}}
 
|  
 
|  
Line 1,055: Line 1,112:
 
|-  
 
|-  
 
| <p>[45] THE fourth resting place is named the plow. Whatever the buffalo strikes at you, step into the triangle with the right foot and shield yourself short with your flat such that they roll off. Thereafter follow them with your left foot and make a follow up strike with your long edge.</p>
 
| <p>[45] THE fourth resting place is named the plow. Whatever the buffalo strikes at you, step into the triangle with the right foot and shield yourself short with your flat such that they roll off. Thereafter follow them with your left foot and make a follow up strike with your long edge.</p>
|  
+
| <p>When someone strikes long with aggression to you, step to the triangle with the right foot and defend yourself from the pain such that it runs down. Then step towards him with the left foot, and strike with the long edge after.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|2|lbl=20.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|2|lbl=20.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|5|lbl=7v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|5|lbl=7v.5}}
Line 1,065: Line 1,122:
  
 
<p>When someone parries you and have overcommitted yourself attacking, yank your pommel upwards so that you are well covered and let them roll off of it in the same way conceived in Hildebrand or Lightning cuts.</p>
 
<p>When someone parries you and have overcommitted yourself attacking, yank your pommel upwards so that you are well covered and let them roll off of it in the same way conceived in Hildebrand or Lightning cuts.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone defends himself so that you must carry on, pull back your pommel high so that you are well covered, and also let him run downward.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|3|lbl=20.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|3|lbl=20.3}}
 
|  
 
|  
Line 1,092: Line 1,151:
  
 
<p>When you find someone in plow, overshoot them, be it with your short or long edge, before they come to their work. In this way, you bar them from neither yanking back nor striking. This will not fail you if you seize them in their resting position.</p>
 
<p>When you find someone in plow, overshoot them, be it with your short or long edge, before they come to their work. In this way, you bar them from neither yanking back nor striking. This will not fail you if you seize them in their resting position.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>When you find someone in the flock, pass above him either with the short or long edge before he starts to work. Prevent him from being able to neither pull back nor strike so that it never fails when you take away the point.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|5|lbl=20.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|5|lbl=20.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|3|lbl=8r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|3|lbl=8r.3}}
Line 1,160: Line 1,221:
  
 
<p>If someone binds you from above, gauge whether they lie hard or soft. If they lie hard, then wind down through the roses towards their face, onto their left ear, so that you wind out their sword and uncover them with it. But if they suddenly withdraw and strike, veer up into your act of parrying.</p>
 
<p>If someone binds you from above, gauge whether they lie hard or soft. If they lie hard, then wind down through the roses towards their face, onto their left ear, so that you wind out their sword and uncover them with it. But if they suddenly withdraw and strike, veer up into your act of parrying.</p>
|  
+
| <p>'''From bind'''</p>
 +
 
 +
<p>If someone binds you at the chest and he presses strongly above, turn out below through the roses against his face to his left ear and turn his sword and open him. But if he pulls back and strikes, raise high in defense.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|3|lbl=22.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|3|lbl=22.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|1|lbl=7v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|1|lbl=7v.1}}
Line 1,170: Line 1,233:
  
 
<p>If someone binds you from above, and lies firm such that they will not allow you to withdraw, lift your pommel upwards and let the point go in in between their hands and yank towards yourself so that they must let go.</p>
 
<p>If someone binds you from above, and lies firm such that they will not allow you to withdraw, lift your pommel upwards and let the point go in in between their hands and yank towards yourself so that they must let go.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone binds with you from above and lies strongly such that you will not pull back yet also want to pull back in, raise your pommel high and let the point go between his hands and pull it back, and he will let you go.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|4|lbl=22.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|4|lbl=22.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|2|lbl=7v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|2|lbl=7v.2}}
Line 1,180: Line 1,245:
  
 
<p>If someone binds you, and lies firm in the bind against your sword, reach over both of their hands with your hilt and wrench down towards yourself, with this you uncover them and strike.</p>
 
<p>If someone binds you, and lies firm in the bind against your sword, reach over both of their hands with your hilt and wrench down towards yourself, with this you uncover them and strike.</p>
|  
+
| <p>'''Raise cross to cross'''</p>
 +
 
 +
<p>When someone binds against you cross to cross and lies in the binding strongly against your sword, advance the hilt of your sword over both of his hands, and run it down towards yourself of which you open him and strike.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|5|lbl=22.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|5|lbl=22.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|3|lbl=7v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|3|lbl=7v.3}}
Line 1,259: Line 1,326:
  
 
<p>When someone lies before you in the speaking window, reach over their hilt and between their hands with your pommel and latch onto their hilt with your left thumb and pull toward yourself so that you uncover them and strike them with that.</p>
 
<p>When someone lies before you in the speaking window, reach over their hilt and between their hands with your pommel and latch onto their hilt with your left thumb and pull toward yourself so that you uncover them and strike them with that.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>When someone stretches into the long point on the cross in front of you, push the pommel of your sword over the hilt of his sword between both of his hands and take your left thumb on his hilt and pull back towards yourself so that you open and then strike him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|4|lbl=24.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|4|lbl=24.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|2|lbl=9r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|2|lbl=9r.2}}
Line 1,269: Line 1,338:
  
 
<p>When someone lies in the speaking window, position your self in exactly the same way. If they will not work shove them with your left hand on their right hand such that they turn themselves and uncovers them with it.</p>
 
<p>When someone lies in the speaking window, position your self in exactly the same way. If they will not work shove them with your left hand on their right hand such that they turn themselves and uncovers them with it.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When someone advances to put himself in the cross, put yourself also like him, and if he wants to work, push him with your left hand on his right such that he turns himself. Thus he opens himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|5|lbl=24.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|5|lbl=24.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|3|lbl=9r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|3|lbl=9r.3}}
Line 1,311: Line 1,382:
  
 
<p>When someone lies in the speaking window, position your self in the same way as well and reach over your sword with the fingers of your right hand and latch their sword to yours. With that you press their hands.</p>
 
<p>When someone lies in the speaking window, position your self in the same way as well and reach over your sword with the fingers of your right hand and latch their sword to yours. With that you press their hands.</p>
|  
+
| <p>'''Piece.'''</p>
 +
 
 +
<p>When someone is on the cross in front of you, put yourself like so and with your fingers of your right hand take his sword with it, and press his hands.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|3|lbl=26.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|3|lbl=26.3}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,323: Line 1,396:
  
 
<p>When you find someone in the speaking window or crosswise cut, reach over their right hand up from the outside with your left hand and position them into weakness with your left foot to the outside, across their right knee pit and draw them away from you so that they must let their sword drop.</p>
 
<p>When you find someone in the speaking window or crosswise cut, reach over their right hand up from the outside with your left hand and position them into weakness with your left foot to the outside, across their right knee pit and draw them away from you so that they must let their sword drop.</p>
|  
+
| <p>'''Take his sword.'''</p>
 +
 
 +
<p>If you find someone on the cross in front of you, reach out with your left hand over his right hand, and put him out of balance with your left foot over the bend of his knee, pulling your left hand which has the sword. It must be that he drops his sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|4|lbl=26.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|4|lbl=26.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|2|lbl=10v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|2|lbl=10v.2}}
Line 1,333: Line 1,408:
  
 
<p>When someone rushes in at the sword and has bound high, quickly move your right arm into their left breast and position them into weakness with your right foot well behind their right knee pit and throw them down.</p>
 
<p>When someone rushes in at the sword and has bound high, quickly move your right arm into their left breast and position them into weakness with your right foot well behind their right knee pit and throw them down.</p>
|  
+
| <p>'''For a throw'''</p>
 +
 
 +
<p>If someone wants to run in your sword and has locked you high, move your right arm into his left side, and put him out of balance with your right foot behind the bend of his knee, and throw him down.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|5|lbl=26.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|5|lbl=26.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|3|lbl=10r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|3|lbl=10r.3}}
Line 1,343: Line 1,420:
  
 
<p>When someone rushes in, shove them on their right elbow with your left hand and step in front of their left foot with your right foot and let them plunge over it.</p>
 
<p>When someone rushes in, shove them on their right elbow with your left hand and step in front of their left foot with your right foot and let them plunge over it.</p>
|  
+
| <p>'''Another.'''</p>
 +
 
 +
<p>When someone comes running at you, push him with your left hand at his right elbow and step with your left foot in front of his right foot, letting him fall over.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|6|lbl=26.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|6|lbl=26.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|4|lbl=10r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|4|lbl=10r.4}}
Line 1,353: Line 1,432:
  
 
<p>If you throw someone onto their belly, sit atop them and step over their arm so you are able to break it.</p>
 
<p>If you throw someone onto their belly, sit atop them and step over their arm so you are able to break it.</p>
|  
+
| <p>'''For a hold in low'''</p>
 +
 
 +
<p>If you throw him on his belly and are sitting on him, pass over his arms and break them</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|7|lbl=26.7}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|7|lbl=26.7}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|6|lbl=10r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|6|lbl=10r.6}}
Line 1,395: Line 1,476:
  
 
<p>Note. If someone lies high in the cross or the speaking window, release your back hand from your sword and reach between their hands with your pommel. Afterwards, retract your pommel with your hand inverted and wrench toward your left side so that you take their sword.</p>
 
<p>Note. If someone lies high in the cross or the speaking window, release your back hand from your sword and reach between their hands with your pommel. Afterwards, retract your pommel with your hand inverted and wrench toward your left side so that you take their sword.</p>
|  
+
| <p>'''Take his sword.'''</p>
 +
 
 +
<p>See if he puts the work<ref>This is the zwerch.</ref> high or the cross<ref>This is the sprechfenster.</ref> in front of you. Remove your left hand from the sword and move in between his hands with your pommel again below him. Taking your pommel above his hands with hand crossed, run down to your left side. And thus you take his sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|3|lbl=28.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|3|lbl=28.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|4|lbl=9v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|4|lbl=9v.4}}
Line 1,405: Line 1,488:
  
 
<p>But if they lie low, reach over their haft with the pommel of your sword and take your pommel down into a clinch and wind towards your right side so that you either throw them over your sword or they must let the sword go.</p>
 
<p>But if they lie low, reach over their haft with the pommel of your sword and take your pommel down into a clinch and wind towards your right side so that you either throw them over your sword or they must let the sword go.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>Or if he lies his sword down, pass above him with your pommel over the hilt of his sword, and take your pommel below in your hand, turning him towards your right side so that you throw him over his sword or that he needs to let his sword go.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|4|lbl=28.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|4|lbl=28.4}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,417: Line 1,502:
  
 
<p>When someone engages high in their act of parrying and will not part, reach behind their right foot with your left foot and with your right arm into their left breast and throw them off their feet, over your left leg.</p>
 
<p>When someone engages high in their act of parrying and will not part, reach behind their right foot with your left foot and with your right arm into their left breast and throw them off their feet, over your left leg.</p>
|  
+
| <p>'''A throw.'''</p>
 +
 
 +
<p>If someone meets you high on the defense such that he does not want to leave, put your left foot behind his right foot and your right arm in his left side, and throw him by your left leg.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|5|lbl=28.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|5|lbl=28.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|2|lbl=10r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|2|lbl=10r.2}}
Line 1,427: Line 1,514:
  
 
<p>If you throw someone on their belly, drop your right knee onto their back and reach forward to the top of their head, grab their hair and pull up and crank their neck so they will fall back onto their belly if they try to stand.</p>
 
<p>If you throw someone on their belly, drop your right knee onto their back and reach forward to the top of their head, grab their hair and pull up and crank their neck so they will fall back onto their belly if they try to stand.</p>
|  
+
| <p>'''For a hold in low.'''</p>
 +
 
 +
<p>If you throw him on his belly and if you fall on his back with your right knee, with your left hand pass over his hair on his head and in pulling it up and turning his neck, he will drop again on his belly if he wants to get up.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|6|lbl=28.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|6|lbl=28.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|5|lbl=10r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|5|lbl=10r.5}}
Line 1,444: Line 1,533:
  
 
<p>Item. When you lay in the side guard on your left side and someone makes a descending cut at you from their right shoulder, sweep up firmly up from below into their sword with your short edge. If someone stands strong and is not too high with the hands, double in between them and their sword with the short edge to their left ear.</p>
 
<p>Item. When you lay in the side guard on your left side and someone makes a descending cut at you from their right shoulder, sweep up firmly up from below into their sword with your short edge. If someone stands strong and is not too high with the hands, double in between them and their sword with the short edge to their left ear.</p>
|  
+
| <p>'''Piece on raising'''</p>
 +
 
 +
<p>When you are in the near guard on your left side and when someone shoots the high cut on your head from his left armpit, raise up from below his sword with the short edge. If he presses strongly against you and if he is not in high point with his hands, double between the man and his sword with the short edge towards his left ear.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}
  
Line 1,462: Line 1,553:
  
 
<p>When you sweep up against the opponent's sword and they hold strong back, immediately strike their left side with the crosswise cut and again, double between [them and] their sword and strike at their right ear with the long edge.</p>
 
<p>When you sweep up against the opponent's sword and they hold strong back, immediately strike their left side with the crosswise cut and again, double between [them and] their sword and strike at their right ear with the long edge.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When you raise against his sword and if he presses strongly against you, strike the work on his left side and double again between his sword and strike towards his right ear with the long edge.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,474: Line 1,567:
  
 
<p>When you sweep up against the opponent's sword and they are weak at the sword and with their hands low, cut toward their opening above with the long edge.</p>
 
<p>When you sweep up against the opponent's sword and they are weak at the sword and with their hands low, cut toward their opening above with the long edge.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When you raise from low to high against his sword and if he is gentle with the said sword and with lower hands, strike with the long edge high towards his open target.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
 
|  
 
|  
Line 1,484: Line 1,579:
  
 
<p>When you sweep against the opponent's sword and they rise up high and wind, strengthen with the long edge, but if they strike with the crosswise cut, strike to their left side with a step off.</p>
 
<p>When you sweep against the opponent's sword and they rise up high and wind, strengthen with the long edge, but if they strike with the crosswise cut, strike to their left side with a step off.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When you touch his sword and if he raises up, turns to strike with the long edge, and strikes again with the work; strike his left side with a step back.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,496: Line 1,593:
  
 
<p>When you lie in the side guard or conduct the sweeps against someone, if they then hold their sword crosswise in front of themselves and will drop onto your sword and are high with their arms, sweep against their sword from below and thrust under their sword, into their breast.</p>
 
<p>When you lie in the side guard or conduct the sweeps against someone, if they then hold their sword crosswise in front of themselves and will drop onto your sword and are high with their arms, sweep against their sword from below and thrust under their sword, into their breast.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When you are in the near guard or if you lead the cuts towards the man, if he pulls his sword crossed in front of himself and wants to fall above you with the arms raised high, strike below his sword to his chest.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,511: Line 1,610:
  
 
<p>If they are low with their hands and will rise up, then sweep through and thrust on the other side into their breast, whereupon it has disengaged.</p>
 
<p>If they are low with their hands and will rise up, then sweep through and thrust on the other side into their breast, whereupon it has disengaged.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>If he is with his hands low and wants to raise up, shoot over and thrust at his chest on the other side and then disengage<ref>Lit. “Pass in change.”</ref>.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|3|lbl=10v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|3|lbl=10v.3}}
Line 1,521: Line 1,622:
  
 
<p>When you sweep through, drop onto their sword with your long edge and wind toward your left side such that your thumb comes under and speed against the right side of the opponent's neck with your strong and spring with your right foot and back them over it.</p>
 
<p>When you sweep through, drop onto their sword with your long edge and wind toward your left side such that your thumb comes under and speed against the right side of the opponent's neck with your strong and spring with your right foot and back them over it.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When you shoot over, if you run down with the long point or tip on his sword and turn on your left side so that your thumb comes up, move into him forcefully with the long edge to the right of his neck. Step forward your right foot, and shoot over him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 1,533: Line 1,636:
  
 
<p>When you changed through from the striking, and have come to the other side above his sword, thus you may just as well do the devices, as before with the Vexing, and with all things as stated before, to all sides.</p>
 
<p>When you changed through from the striking, and have come to the other side above his sword, thus you may just as well do the devices, as before with the Vexing, and with all things as stated before, to all sides.</p>
|  
+
| <p><br></p>
 +
 
 +
<p>When you disengage, come to the other side above his sword so that you can do similar cases well.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|3|lbl=32.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|3|lbl=32.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
Line 1,545: Line 1,650:
  
 
<p>When you fence with someone and come close to them, come into plow and conduct it swiftly by turning from one side to the other, such that your point always stays in front of yourself. From this you can conduct parrying. This is the narrows and in them you can strengthen with the long edge and from this conduct all the previous plays. You can also displace cut and thrust and break misaligned ones and seek the opening with your point.</p>
 
<p>When you fence with someone and come close to them, come into plow and conduct it swiftly by turning from one side to the other, such that your point always stays in front of yourself. From this you can conduct parrying. This is the narrows and in them you can strengthen with the long edge and from this conduct all the previous plays. You can also displace cut and thrust and break misaligned ones and seek the opening with your point.</p>
|  
+
| <p>'''Fight to move into him.'''</p>
 +
 
 +
<p>When you fight with someone and approach him and if you come in the cross and drive him out, calmly turning from one side to the other, let your tip remain in front of you so that you can make the defense. And note this next: strengthen after with the long edge and from that perform all of the aforementioned cases or pieces. You can also defend with the point and break him by striking and disengaging, seeking defense with the tip.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|3|lbl=11r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|3|lbl=11r.3}}
Line 1,552: Line 1,659:
  
 
|-  
 
|-  
| rowspan="6" |  
+
| rowspan="5" |  
 
{| style="margin:0 auto;"
 
{| style="margin:0 auto;"
 
| [[File:Paurenfeyndt E.png|x250px|center]]
 
| [[File:Paurenfeyndt E.png|x250px|center]]
Line 1,560: Line 1,667:
  
 
<p>When you fence with someone and come close to them, stand with the left foot forward and position your sword with the point upon the ground on your right side, such that the long edge is up. This goes on both sides.</p>
 
<p>When you fence with someone and come close to them, stand with the left foot forward and position your sword with the point upon the ground on your right side, such that the long edge is up. This goes on both sides.</p>
|  
+
| <p>'''Side guard.'''</p>
 +
 
 +
<p>When you engage with someone and approach him, set your left foot forward, putting the point of the sword to the ground towards your right side, and the long edge up. This goes for both sides.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|2|lbl=12r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|2|lbl=12r.2}}
Line 1,570: Line 1,679:
  
 
<p>If someone initiates a cut from above or wherever it is, cut in crooked to their opening with a step out.</p>
 
<p>If someone initiates a cut from above or wherever it is, cut in crooked to their opening with a step out.</p>
|  
+
| <p>'''Piece.'''</p>
 +
 
 +
<p>If someone strikes from above or however towards you, strike him inwards or curve or from the side towards his opening with a downwards strike.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|3|lbl=12r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|3|lbl=12r.3}}
Line 1,580: Line 1,691:
  
 
<p>Drive in the inverter with your point in their face. When they bind up, strengthen with the long edge and you can conduct all the plays that are previous in the sweeps.</p>
 
<p>Drive in the inverter with your point in their face. When they bind up, strengthen with the long edge and you can conduct all the plays that are previous in the sweeps.</p>
|  
+
| <p>'''Another.'''</p>
 +
 
 +
<p>Drive out with the defender<ref>Possibly a mistranslation of “verkerker” as “imprisoner” or "deffendeur" is the French jargon for "verkeren".</ref> inwards. With the tip towards his face and when he moves in, strengthen with the long edge, and you can make the aforementioned pieces regarding the raising.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|4|lbl=12r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|4|lbl=12r.4}}
Line 1,590: Line 1,703:
  
 
<p>When you fence with someone, extend your arms long, away from you and rest your thumb up atop your sword and turn your sword with your point away from you. With this you can drive up swiftly from below to your left side and move towards the opponent. From there, you can disengage to whichever side you wish or whatever play suits you, according to advantage.</p>
 
<p>When you fence with someone, extend your arms long, away from you and rest your thumb up atop your sword and turn your sword with your point away from you. With this you can drive up swiftly from below to your left side and move towards the opponent. From there, you can disengage to whichever side you wish or whatever play suits you, according to advantage.</p>
|  
+
| <p>'''Demonstration on the ring.'''</p>
 +
 
 +
<p>When you engage with someone, stretch your hands out from you and turn the sword with the tip away from you. You can quickly raise from below and cross to cross on your left side. In going towards the man, you can also disengage to the side you want, or pick a piece that you like or serves you.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|5|lbl=12r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|5|lbl=12r.5}}
Line 1,596: Line 1,711:
 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|4|lbl=36.4}}
 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|4|lbl=36.4}}
 
<section begin="Twerhaw"/>
 
<section begin="Twerhaw"/>
|- <includeonly>
+
|-  
| rowspan="2" | <br/></includeonly>
 
 
| <p>[85] '''Breaking the crosswise cut'''</p>
 
| <p>[85] '''Breaking the crosswise cut'''</p>
  
 
<p>When you stay in the roof guard and someone attacks you with a crosswise cut, simultaneously cut in the wrath cut and bind them strongly in the middle of their sword and if they will strike around with a crosswise cut, then crosswise cut ahead of them into their neck. You can also conduct all plays that are in the sweeps.</p>
 
<p>When you stay in the roof guard and someone attacks you with a crosswise cut, simultaneously cut in the wrath cut and bind them strongly in the middle of their sword and if they will strike around with a crosswise cut, then crosswise cut ahead of them into their neck. You can also conduct all plays that are in the sweeps.</p>
|  
+
| <p>'''Break the strong cut.'''</p>
 +
 
 +
<p>When you are in high guard and someone strikes towards you with the work, if you strike inside with the soured<ref>Lit. turned as in “soured” or “embittered”.</ref> or anger cut<ref>Zornhau.</ref> to him, and if he wants to strike around with the work, then put it in front of his neck after. So too can you perform all the pieces that are like the launches.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|6|lbl=12r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|6|lbl=12r.6}}
Line 1,608: Line 1,724:
  
 
|-  
 
|-  
 +
| rowspan="3" |
 +
{| style="margin:0 auto;"
 +
| [[File:Paurenfeyndt K.png|x250px|center]]
 +
| [[File:Paurenfeyndt B.png|x250px|center]]
 +
|}
 
| <p>[86] '''Another'''</p>
 
| <p>[86] '''Another'''</p>
  
 
<p>Note, when you execute a crosswise cut and someone will preempt you with a crosswise cut against your neck from below your sword, indes, drop atop their sword strongly with your long edge so that it is broken and take the next opening that becomes available to you.</p>
 
<p>Note, when you execute a crosswise cut and someone will preempt you with a crosswise cut against your neck from below your sword, indes, drop atop their sword strongly with your long edge so that it is broken and take the next opening that becomes available to you.</p>
|  
+
| <p>'''Another.'''</p>
 +
 
 +
<p>When you defend and in defending from another you want to first dispatch below your sword, move into him with the long edge strongly on his sword, and he is broken.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|4|lbl=11v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|4|lbl=11v.4}}
Line 1,618: Line 1,741:
 
<section end="Twerhaw"/><section begin="Zornhaw"/>
 
<section end="Twerhaw"/><section begin="Zornhaw"/>
 
|-  
 
|-  
| rowspan="2" |
+
| <p>[87] '''About the wrath cut'''</p>
{| style="margin:0 auto;"
+
 
| [[File:Paurenfeyndt K.png|x250px|center]]
+
<p>When you fence with someone and cut in with the wrath cut or however else down from above and they parry that and rise up with their arms and you both rush in on each other and they are then so circumspect that they will take your slice from below the hands into your arms, follow their sword downwards with your long edge and press down, thus you have broken them.</p>
| [[File:Paurenfeyndt B.png|x250px|center]]
+
| <p>'''Anger cut.'''</p>
|}
 
| <p>[87] '''About the wrath cut'''</p>
 
  
<p>When you fence with someone and cut in with the wrath cut or however else down from above and they parry that and rise up with their arms and you both rush in on each other and they are then so circumspect that they will take your slice from below the hands into your arms, follow their sword downwards with your long edge and press down, thus you have broken them.</p>
+
<p>When you engage with someone and strike him with an anger cut or however from high to low and when he defends against you, reaching with his arms upwards, and when both of you move in on one another; if he then wants to block or break your tip from below the hands in between to the arms, therefore follow his sword, pulling with the long edge, and press strongly down. Thus you have broken him.</p>
|
 
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|5|lbl=11v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|5|lbl=11v.5}}
Line 1,636: Line 1,756:
  
 
<p>But when you arrive with your arms high and someone does as well and they rush in and want to bash you between the eyes or in the breast with their pommel through your arms from below your hands, speed downwards with your pommel, with your arms strong and heave towards yourself and strike them on their head with your sword.</p>
 
<p>But when you arrive with your arms high and someone does as well and they rush in and want to bash you between the eyes or in the breast with their pommel through your arms from below your hands, speed downwards with your pommel, with your arms strong and heave towards yourself and strike them on their head with your sword.</p>
|  
+
| <p>'''Another.'''</p>
 +
 
 +
<p>Or when you come with the arms high and another does too and runs in at you, if he wants with the pommel through your arms and below your hips to bash into your face or the chest; then move in with the pommel strongly below your hands and in pulling towards yourself, strike with the sword on his head.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
 
|  
 
|  
Line 1,644: Line 1,766:
 
<section end="Zornhaw"/>
 
<section end="Zornhaw"/>
 
|-  
 
|-  
| rowspan="7" |  
+
| rowspan="5" |  
 
{| style="margin:0 auto;"
 
{| style="margin:0 auto;"
 
| [[File:Paurenfeyndt I.png|x250px|center]]
 
| [[File:Paurenfeyndt I.png|x250px|center]]
Line 1,652: Line 1,774:
  
 
<p>Stab the opponent in the face on the inside and slip down through and stab them in the face on the outside. But if they defend that, step between both of their legs with your left foot and reach out over their left leg with your pommel into the pit of their knee and lift up with your pommel and with your left shoulder push them away from you from up high so that they fall.</p>
 
<p>Stab the opponent in the face on the inside and slip down through and stab them in the face on the outside. But if they defend that, step between both of their legs with your left foot and reach out over their left leg with your pommel into the pit of their knee and lift up with your pommel and with your left shoulder push them away from you from up high so that they fall.</p>
|  
+
| <p>'''Battle piece.'''</p>
 +
 
 +
<p>Thrust inwards at him towards his face and pass over, and also thrust him outwards to his face. If he defends that, advance with your left foot between both of his legs and pass with the pommel over his left leg to bend his knee. And raise him up with this pommel, pushing him with your shoulder above. Thus he will fall.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|1|lbl=38.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|1|lbl=38.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|4|lbl=11r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|4|lbl=11r.4}}
Line 1,662: Line 1,786:
  
 
<p>When someone speeds into the pit of your left knee with their pommel, reach up from below and grab onto their elbow behind their left hand with your right hand and take their weight.</p>
 
<p>When someone speeds into the pit of your left knee with their pommel, reach up from below and grab onto their elbow behind their left hand with your right hand and take their weight.</p>
|  
+
| <p>'''Break.'''</p>
 +
 
 +
<p>When someone with the pommel puts it in the bend of your left knee, take him with your left hand behind his left hand, and pass with your right hand from below up to his elbow. In taking him with the thumb, so that he must turn himself to the other side.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|2|lbl=38.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|2|lbl=38.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|5|lbl=11r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|5|lbl=11r.5}}
Line 1,672: Line 1,798:
  
 
<p>Stab the opponent in the face on the inside and lodge against them. If they defend that, withdraw suddenly and stab them on the other side. But if they defend that and sweep your point aside, quickly move your pommel over their right shoulder and around their neck and spring behind their left foot with your right and throw them over it.</p>
 
<p>Stab the opponent in the face on the inside and lodge against them. If they defend that, withdraw suddenly and stab them on the other side. But if they defend that and sweep your point aside, quickly move your pommel over their right shoulder and around their neck and spring behind their left foot with your right and throw them over it.</p>
|  
+
| <p>'''Battle piece.'''</p>
 +
 
 +
<p>Thrust inwards at him towards his face and touch him with the sword. If he defends himself, pull back and thrust him to the other side. If he too defends this and launches descending to your ear, advance with your pommel over his shoulders around his neck, jumping with your right foot behind his left, and make him fall over.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|3|lbl=38.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|3|lbl=38.3}}
 
|  
 
|  
Line 1,683: Line 1,811:
  
 
<p>When someone has slipped over your right shoulder and around your neck with their pommel, seize their right elbow with your left hand and shove them away from you so that you gain their side.</p>
 
<p>When someone has slipped over your right shoulder and around your neck with their pommel, seize their right elbow with your left hand and shove them away from you so that you gain their side.</p>
|  
+
| <p>'''Break.'''</p>
 +
 
 +
<p>When someone with the pommel is advancing over your right shoulder around the neck, take his right elbow with your hand and push him away from you.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|4|lbl=38.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|4|lbl=38.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|2|lbl=11v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|2|lbl=11v.2}}
Line 1,693: Line 1,823:
  
 
<p>When someone has slipped around your neck with their pommel, seize their right arm with your left hand and hold it firmly and turn yourself away from them to your right side and throw them over your left hip.</p>
 
<p>When someone has slipped around your neck with their pommel, seize their right arm with your left hand and hold it firmly and turn yourself away from them to your right side and throw them over your left hip.</p>
|  
+
| <p>'''Another break.'''</p>
 +
 
 +
<p>When someone has slipped to your neck with his pommel, take his right arm with your right hand and hold strongly, then turn yourself from him on your right side, throwing him over your left side.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|5|lbl=38.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|5|lbl=38.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|3|lbl=11v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|3|lbl=11v.3}}
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|-  
 
|-  
 +
| rowspan="2" |
 
| <p>[94] '''The distillation of the long sword'''</p>
 
| <p>[94] '''The distillation of the long sword'''</p>
 
{| class="zettel"
 
{| class="zettel"
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|1|lbl=39.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|1|lbl=39.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|1|lbl=12v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|1|lbl=12v.1}}
| {{section|Page:Cod.I.6.2º.2 72r.jpg|1|lbl=72r.1}}
+
| <p><br/></p>
 +
 
 +
{{section|Page:Cod.I.6.2º.2 72r.jpg|1|lbl=72r.1}}
 
|  
 
|  
  
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<p>The short sword rightens you<br/>&emsp;Whoever thrusts at you,<br/>With your shield<br/>&emsp;If you wish to make them mild.<br/>Five lessons<br/>&emsp;That guide with correct sense.<br/>Two upon the right,<br/>&emsp;Learn to fence with these.<br/>As many on the left<br/>&emsp;Compose yourself to not waver<br/>And before the opponent<br/>&emsp;Do not let yourself worry<br/>If they are above,<br/>&emsp;Stay below, that I will praise<br/>Learn to displace with your shield<br/>&emsp;Wind in so you can disrupt the masters<br/>If they allow that<br/>&emsp;Grab between their legs, don't be lax.<br/>Step, break<br/>&emsp;Whatever one does, it comes to nothing.<br/>If they take target of you high<br/>&emsp;Grab the sword far in the middle, they will be shamed.<br/>Go through. If they come from below,<br/>&emsp;Displace, grab them by their neck, so that you can wound them.<br/>Make staff, sword wind in.<br/>&emsp;Bring the pommels together, then you have won.<br/>Learn to wind in from both sides<br/>&emsp;Then you can find the art.<br/>Do not hold yourself so close<br/>&emsp;That you will not act<br/>Follow swiftly, then you gauge it<br/>&emsp;For with that, you dupe them.</p>
 
<p>The short sword rightens you<br/>&emsp;Whoever thrusts at you,<br/>With your shield<br/>&emsp;If you wish to make them mild.<br/>Five lessons<br/>&emsp;That guide with correct sense.<br/>Two upon the right,<br/>&emsp;Learn to fence with these.<br/>As many on the left<br/>&emsp;Compose yourself to not waver<br/>And before the opponent<br/>&emsp;Do not let yourself worry<br/>If they are above,<br/>&emsp;Stay below, that I will praise<br/>Learn to displace with your shield<br/>&emsp;Wind in so you can disrupt the masters<br/>If they allow that<br/>&emsp;Grab between their legs, don't be lax.<br/>Step, break<br/>&emsp;Whatever one does, it comes to nothing.<br/>If they take target of you high<br/>&emsp;Grab the sword far in the middle, they will be shamed.<br/>Go through. If they come from below,<br/>&emsp;Displace, grab them by their neck, so that you can wound them.<br/>Make staff, sword wind in.<br/>&emsp;Bring the pommels together, then you have won.<br/>Learn to wind in from both sides<br/>&emsp;Then you can find the art.<br/>Do not hold yourself so close<br/>&emsp;That you will not act<br/>Follow swiftly, then you gauge it<br/>&emsp;For with that, you dupe them.</p>
|  
+
| <p>Here follows the manner for fencing with the two-handed sword short</p>
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|47|lbl=40}}
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|47|lbl=40}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|2|lbl=12v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|2|lbl=12v.2}}
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<p>Note, If someone is high, then you are low, but if they are low, then you are high. When you are low on your right side and hold your sword in your right hand and your point in your left, if they thrust at you from above, then displace with your point, wind into their left arm with your pommel and yank them forwards. Or displace them with your point and fasten their sword to yours and with your pommel, reach up for their right arm from below and press up. Or, when you clasp the sword with their point to yours, you can also reach into the middle with your pommel and step behind them. Whoever contests this, after you have struck them together and grab the sword in your left hand and the point in your right hand, then displace with your pommel, wind inside their left arm with your point and onto the outside of their right arm with your point and yank them forward.</p>
 
<p>Note, If someone is high, then you are low, but if they are low, then you are high. When you are low on your right side and hold your sword in your right hand and your point in your left, if they thrust at you from above, then displace with your point, wind into their left arm with your pommel and yank them forwards. Or displace them with your point and fasten their sword to yours and with your pommel, reach up for their right arm from below and press up. Or, when you clasp the sword with their point to yours, you can also reach into the middle with your pommel and step behind them. Whoever contests this, after you have struck them together and grab the sword in your left hand and the point in your right hand, then displace with your pommel, wind inside their left arm with your point and onto the outside of their right arm with your point and yank them forward.</p>
|  
+
| <p>'''The first teaching.'''</p>
 +
 
 +
<p>See if he is higher than you, stay low. But if he is lower than you, stay high. When you are low on the right side, have your sword in the right hand and the tip on the left hand. If he thrusts high towards you, defend it with your tip and turn your pommel in his left arm, and pull him forward. Or engage him in defending with the tip and snap his sword up with yours. If you move in from low to high to his right arm with your pommel, press from the passing over. Or when you have taken the tip of his sword with yours, you can also move into the middle and step inside. If you touch and injure him with the point, take his sword with your left hand and have the tip in your right hand. If you engage in defending with your pommel, turn with your tip in his left arm and your pommel outside to his right arm and pull him forward.</p>
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|49|lbl=42}}
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|49|lbl=42}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|1|lbl=13r.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|1|lbl=13r.1}}
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| <p>[98] '''The second precept'''</p>
 
| <p>[98] '''The second precept'''</p>
  
<p>On the other hand, if you are high on your right side and hold your sword in your right hand and your point in your left and someone thrusts up at you from below, you can shoot through. then, if you wish, you can displace with your point and clasp their sword to yours and grab them by their neck with your pommel and step behind them. Or, when you have displaced with your point, strike at their knee with the pommel of your sword or reach behind the pit of their knee with your pommel and pull it against you or grab them by their neck with your pommel and pull them down forwards. But, if you have struck and hold your sword in your left hand and your point in your right and they thrust up at you from below, then displace with your pommel and clasp their sword to yours and grab them by their neck with your point and step backwards.</p>
+
<p>On the other hand, if you are high on your right side and hold your sword in your right hand and your point in your left and someone thrusts up at you from below, you can shoot through. Then, if you wish, you can displace with your point and clasp their sword to yours and grab them by their neck with your pommel and step behind them. Or, when you have displaced with your point, strike at their knee with the pommel of your sword or reach behind the pit of their knee with your pommel and pull it against you or grab them by their neck with your pommel and pull them down forwards. But, if you have struck and hold your sword in your left hand and your point in your right and they thrust up at you from below, then displace with your pommel and clasp their sword to yours and grab them by their neck with your point and step backwards.</p>
|  
+
| <p>'''The second instruction'''</p>
 +
 
 +
<p>If you are high on your right side, if you have the sword on the right hand and the tip on the left, and if he thrusts against you from below, then you can pass over. Then if you want, you can place your tip downwards and snap his sword up to your pommel and pull him in. Or when you have put your tip downwards, strike with your pommel towards his knee or move his blade into his neck and pull him down in front of you. And if you have struck with the sword on the left hand and the tip on the right and if he thrusts towards you from below, run the pommel down and take his sword to yours and move the tip in his neck and step backwards.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|1|lbl=44.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|1|lbl=44.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|2|lbl=13r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|2|lbl=13r.2}}
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<p>Note, When you are on the left side and are high and hold your sword in your right hand and the point in your left and someone thrusts up at you from below, parry with your half-sword such that your pommel goes down at the moment of your parry and wind inside their left arm with your pommel and onto the outside of their right arm with your pommel and yank them forwards. And when you hold your sword in your left hand and your point in your right and stand high on your left side and someone thrusts up at you from below, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward.</p>
 
<p>Note, When you are on the left side and are high and hold your sword in your right hand and the point in your left and someone thrusts up at you from below, parry with your half-sword such that your pommel goes down at the moment of your parry and wind inside their left arm with your pommel and onto the outside of their right arm with your pommel and yank them forwards. And when you hold your sword in your left hand and your point in your right and stand high on your left side and someone thrusts up at you from below, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward.</p>
|  
+
| <p>'''The third instruction'''</p>
 +
 
 +
<p>When you are to your side and are high above with your sword on your right hand and the tip on the left and if he thrusts from below to high towards you, parry with your half sword such that the pommel comes from below in the defense and turn the pommel in his left arm and his tip outside to his right arm and pull him forward. And when you have your sword on the left hand and the tip on the right and when you are high on the left side and he thrusts towards you from low to high, defend with the half sword with the point coming from below in the defense, turn the tip in his left arm and the pommel outside to his right arm, and pull him forward.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|2|lbl=44.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|2|lbl=44.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|3|lbl=13r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|3|lbl=13r.3}}
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<p>On the other hand, if you are low on your left side and someone thrusts at you from above and you hold your sword in your right hand and your point in your other hand, parry with your half-sword such that your point goes up at the moment of your parry, then wind inside their left arm with your pommel and onto the outside of their right arm with your point. If they let go, grab between their legs with your pommel and press up away from you. You can do this every time you wind in, just always step backwards in your winding in. But if you clasp your sword in your left hand and your point in your right and someone thrusts at you from above, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward. In the previous play, if turn your point upwards, you have both the winding in and the shooting through, below and above and if someone strikes or thrusts at you, then be ready for the wrenching down or the winding in.</p>
 
<p>On the other hand, if you are low on your left side and someone thrusts at you from above and you hold your sword in your right hand and your point in your other hand, parry with your half-sword such that your point goes up at the moment of your parry, then wind inside their left arm with your pommel and onto the outside of their right arm with your point. If they let go, grab between their legs with your pommel and press up away from you. You can do this every time you wind in, just always step backwards in your winding in. But if you clasp your sword in your left hand and your point in your right and someone thrusts at you from above, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward. In the previous play, if turn your point upwards, you have both the winding in and the shooting through, below and above and if someone strikes or thrusts at you, then be ready for the wrenching down or the winding in.</p>
|  
+
| <p>'''The fourth instruction'''</p>
 +
 
 +
<p>If you are then at your left side and if he thrusts from above towards you and you have your sword on your right hand and the tip on the left hand, defend with the half sword such that the tip comes high in the defense and turn inside with your pommel in his left arm to the tip outside his right arm. If he lets go, move your pommel in between his legs and press high. This can oftentimes be done when you turn in, but always step backwards in turning. Then if you take your sword on the left hand and the tip on the right and if he thrusts then turn with the tip in his right arm to the pommel outside to his right arm and pull him forward. In the aforementioned pieces you turn your point high, thus you can turn and pass over from low and from high. And if someone strikes towards you, be ready to stretch and turn in.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|1|lbl=46.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|1|lbl=46.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/27|2|lbl=13v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/27|2|lbl=13v.2}}
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|-  
 
|-  
 
| <p>[101] Note the half sword to the face and to the belly and the thrust downwards with the cross and with the pommel between the eyes or around the neck and step around them. </p>
 
| <p>[101] Note the half sword to the face and to the belly and the thrust downwards with the cross and with the pommel between the eyes or around the neck and step around them. </p>
|  
+
| <p>Note the half sword to the face and the low attack with the cross and the pommel to the face around the neck, and step into him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|2|lbl=46.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|2|lbl=46.2}}
 
|  
 
|  
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<p>When you wish to rush in, which I firmly do not recommend, let your sword drop when you go in on someone, grab inside their right hand with your left and with your right hand grab onto the inside of their right leg and slip under their right armpit, then left them and carry them away wherever you wish.</p>
 
<p>When you wish to rush in, which I firmly do not recommend, let your sword drop when you go in on someone, grab inside their right hand with your left and with your right hand grab onto the inside of their right leg and slip under their right armpit, then left them and carry them away wherever you wish.</p>
|  
+
| <p>'''Run in or move in'''</p>
 +
 
 +
<p>When you want to run in someone, which I wouldn’t, let your sword run down when you come to him. Take his right hand with your left and take your right hand on the inside of his right leg and push your head below his right armpit. Thus you raise him and carry him or hurl him wherever you want.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|1|lbl=48.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|1|lbl=48.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|2|lbl=14r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|2|lbl=14r.2}}
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<p>When someone wishes to run in on you, drive over both of their arms with your right arm and press them firmly into you with your arms, step behind their right foot eith your right and turn yourself to your left side so they fall.</p>
 
<p>When someone wishes to run in on you, drive over both of their arms with your right arm and press them firmly into you with your arms, step behind their right foot eith your right and turn yourself to your left side so they fall.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone wants to run in at you, move your right arm over both of his arms and press him strongly against you with your arms and step with your right foot behind his and turn to your left side so that he will fall.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|2|lbl=48.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|2|lbl=48.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|3|lbl=14r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|3|lbl=14r.3}}
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<p>When someone wishes to run in on you at the sword, release your right hand from your sword and seize the outside of their right hand with your hand inverted and yank them into you, grab onto their elbow with your left hand and take away their balance.</p>
 
<p>When someone wishes to run in on you at the sword, release your right hand from your sword and seize the outside of their right hand with your hand inverted and yank them into you, grab onto their elbow with your left hand and take away their balance.</p>
|  
+
| <p>'''Break where he moves in'''</p>
 +
 
 +
<p>When someone wants to run in the sword, remove your right hand from the sword and take his right hand from outside with crossed hand, and pull him towards you. Then take your left hand to his elbow and take away his weight.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|3|lbl=48.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|3|lbl=48.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|4|lbl=14r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|4|lbl=14r.4}}
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<p>Release your hand from your sword and with your right, drive over their right hand and press them down with it and with your left hand, take their balance away by their elbow.</p>
 
<p>Release your hand from your sword and with your right, drive over their right hand and press them down with it and with your left hand, take their balance away by their elbow.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>Remove your hand from the sword and move your right hand over his, and from here press down and with the left hand take away his weight by taking his elbow.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|4|lbl=48.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|4|lbl=48.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|5|lbl=14r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|5|lbl=14r.5}}
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<p>When you have clasped their sword against yours in your left hand and they remain low with their arms, drive up over their sword in front of their right hand with your pommel and wrench to your right side, so that both sword stay with you.</p>
 
<p>When you have clasped their sword against yours in your left hand and they remain low with their arms, drive up over their sword in front of their right hand with your pommel and wrench to your right side, so that both sword stay with you.</p>
| class="noline" |  
+
| class="noline" | <p>'''Take his sword'''</p>
 +
 
 +
<p>When you have taken his sword to yours in your left hand and if he remains low with his arms, raise your pommel above his sword in front of his right hand and pull on your right side so that you remain with both swords.</p>
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|5|lbl=48.5}}
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|5|lbl=48.5}}
 
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|6|lbl=14r.6}}
 
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|6|lbl=14r.6}}
Line 1,881: Line 2,034:
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|none|No translation (from the Walloon)}}</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
+
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
  
 
|-  
 
|-  
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[[File:Egenolff 7.jpg|300px|center|thumb]]
 
[[File:Egenolff 7.jpg|300px|center|thumb]]
 
| <p>[1] '''The second chapter''' teaches how one shall use their messer advantageously and it has not declined by way of its diverse applicability and it is a predecessor and the chief basis of the other weapons that are used with one hand such as the dussack or dagger, wide dagger or short sword and many other one handed weapons which I will leave out for brevity.</p>
 
| <p>[1] '''The second chapter''' teaches how one shall use their messer advantageously and it has not declined by way of its diverse applicability and it is a predecessor and the chief basis of the other weapons that are used with one hand such as the dussack or dagger, wide dagger or short sword and many other one handed weapons which I will leave out for brevity.</p>
|  
+
| <p>'''The''' manner for learning to fence with braquemards, short dueling swords<ref>Possibly referring to the dussack.</ref> and other similar short swords with one hand.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|1|lbl=50.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|1|lbl=50.1}}
 
|  
 
|  
Line 1,906: Line 2,059:
  
 
<p>Position yourself against the opponent, your left side forwards such that your haft lies by your knee and your point against them. If they strike at you from high, step in the triangle or a false step and shield yourself short and make a follow up strike long </p>
 
<p>Position yourself against the opponent, your left side forwards such that your haft lies by your knee and your point against them. If they strike at you from high, step in the triangle or a false step and shield yourself short and make a follow up strike long </p>
|  
+
| <p>'''The first piece.'''</p>
 +
 
 +
<p>Put yourself against him, your left side forward so that your blade is somewhere near from your right knee and the point against him. If he strikes from above, step with the triangle or the false step and parry yourself well short, step and strike long towards him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|2|lbl=50.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|2|lbl=50.2}}
 
|  
 
|  
Line 1,917: Line 2,072:
  
 
<p>If someone positions themselves as in the picture, position yourself in highpoint and strike a failer at their left ear, then they shield themselves in vain and you win yourself a full strike from their strike.</p>
 
<p>If someone positions themselves as in the picture, position yourself in highpoint and strike a failer at their left ear, then they shield themselves in vain and you win yourself a full strike from their strike.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>If someone moves to you in long point as in this figure, then be in high point and strike a flying over at him, and he parries for nothing, and you find a good and strong cut.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|3|lbl=50.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|3|lbl=50.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|2|lbl=18v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|2|lbl=18v.2}}
Line 1,927: Line 2,084:
  
 
<p>Position yourself as it is here. If someone initiates a strike, thrust your messer inwards against their arm from below such that they dismember themselves upon it. This is often used whenever you sit at a table and the opponent stands in front of it or else they are on horseback.</p>
 
<p>Position yourself as it is here. If someone initiates a strike, thrust your messer inwards against their arm from below such that they dismember themselves upon it. This is often used whenever you sit at a table and the opponent stands in front of it or else they are on horseback.</p>
|  
+
| <p>'''Mutilation cut'''</p>
 +
 
 +
<p>If someone moves to you in long point like so, and if someone strikes towards you, thrust him with your sword from low to high into his arm. Thus he will mutilate himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|4|lbl=50.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|4|lbl=50.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|3|lbl=18v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|3|lbl=18v.3}}
Line 1,937: Line 2,096:
  
 
<p>When you notice that someone will try to get you to dismember yourself, strike at them with a failer so that they respond in vain, the result of which is that they cannot attain a full strike against you.</p>
 
<p>When you notice that someone will try to get you to dismember yourself, strike at them with a failer so that they respond in vain, the result of which is that they cannot attain a full strike against you.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When you notice that someone wants to use the mutilation cut, strike a flying over towards him, and he runs for nothing since he cannot have someone cut at him to his liking..</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|5|lbl=50.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|5|lbl=50.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|4|lbl=18v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|4|lbl=18v.4}}
Line 1,948: Line 2,109:
  
 
<p>Position yourself against the opponent with your left foot forwards, your point extended well away from you. Place a thrust in their face, then swiftly take it back and hammer it in long. But if they ward that strike, let it run off short and take other work according to advantage.</p>
 
<p>Position yourself against the opponent with your left foot forwards, your point extended well away from you. Place a thrust in their face, then swiftly take it back and hammer it in long. But if they ward that strike, let it run off short and take other work according to advantage.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>Put yourself against him, the left foot forward, the edge well long from you and after putting the point in his face, take it again and strike him long inside. But if he returns the long edge to the armpit, run it down well and work otherwise to your advantage.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|1|lbl=52.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|1|lbl=52.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|5|lbl=18v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|5|lbl=18v.5}}
Line 1,958: Line 2,121:
  
 
<p>When someone lies against you in this way, come from the side and take their strong with the back of your messer and cut through. In this way you uncover them and can come to freer work.</p>
 
<p>When someone lies against you in this way, come from the side and take their strong with the back of your messer and cut through. In this way you uncover them and can come to freer work.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone really strikes against you and if you take his strong long with the back of your sword by striking over, you open him so that you can better come to your accord.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|2|lbl=52.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|2|lbl=52.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|6|lbl=18v.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|6|lbl=18v.6}}
Line 1,968: Line 2,133:
  
 
<p>Undertake the failer from high point, your left foot forwards and your messer in the air with extended arms. Cut through to the opponent's left ear with a step and let your messer rush through a second step and strike at their right ear with the high parrying action.</p>
 
<p>Undertake the failer from high point, your left foot forwards and your messer in the air with extended arms. Cut through to the opponent's left ear with a step and let your messer rush through a second step and strike at their right ear with the high parrying action.</p>
|  
+
| <p>'''Flying over'''</p>
 +
 
 +
<p>Take from high point the flying over cut, the left foot forward of your sword with arms extended high, and strike with a step to his left ear, letting your sword pass over. Step again and launch at his right ear with the high defense.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|3|lbl=52.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|3|lbl=52.3}}
 
|  
 
|  
Line 1,979: Line 2,146:
  
 
<p>When someone executes a failer strike at you, cut down through from above such that you take their second strike away from the control of their hand with the back of your messer, clearing it so you are free to strike and uncover them.</p>
 
<p>When someone executes a failer strike at you, cut down through from above such that you take their second strike away from the control of their hand with the back of your messer, clearing it so you are free to strike and uncover them.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone launches towards you with the flying over cut, that is when he fails at you of his will, strike from above by passing below such that you take his other launching cut out of his hand by putting him with your sword, you open him and put him off for striking.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|4|lbl=52.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|4|lbl=52.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|2|lbl=19r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|2|lbl=19r.2}}
Line 1,989: Line 2,158:
  
 
<p>When opponent initiates a cut from above, immediately cut in with them and step wth your left foot well to their right side. Let it go empty and draw the turkish pull from the hand over their right arm.</p>
 
<p>When opponent initiates a cut from above, immediately cut in with them and step wth your left foot well to their right side. Let it go empty and draw the turkish pull from the hand over their right arm.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>If someone strikes towards you, if you strike in likewise with him, step with your left foot well on the right side and let him fail. Shoot over his right arms from the right hand.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|5|lbl=52.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|5|lbl=52.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|3|lbl=19r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|3|lbl=19r.3}}
Line 2,006: Line 2,177:
  
 
<p>Position yourself with your left foot forward, such that your messer with its point lies in front of your foot. If someone initiates a strike at you, either take their strike from roof guard away with the back of your messer or shoot your point up into their face or else whip the wind stroke around your head.</p>
 
<p>Position yourself with your left foot forward, such that your messer with its point lies in front of your foot. If someone initiates a strike at you, either take their strike from roof guard away with the back of your messer or shoot your point up into their face or else whip the wind stroke around your head.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>Put the left foot forward such that your sword is somewhere with the point in front of your foot, and if someone strikes towards you, then take the launching cut from above with the back of your sword, or thrust him with the point high to his face, or pull around to his neck with the launching peasants cut.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|1|lbl=54.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|1|lbl=54.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|4|lbl=19r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|4|lbl=19r.4}}
Line 2,016: Line 2,189:
  
 
<p>Position yourself with your right foot forward such that your messer is against the side your breast, your thumb underneath and the edge up. If you notice that the opponent will shoot up over, then drive their strike away and out of control of their hand short, then step and make a follow up strike long.</p>
 
<p>Position yourself with your right foot forward such that your messer is against the side your breast, your thumb underneath and the edge up. If you notice that the opponent will shoot up over, then drive their strike away and out of control of their hand short, then step and make a follow up strike long.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>Put the right foot forward and your sword somewhere to your chest, the thumb down and the edge up. If you see that he wants to advance the sword, then strike his edge with the short edge out of his hand, and step striking nearby from the long edge. </p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|2|lbl=54.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|2|lbl=54.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|5|lbl=19r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|5|lbl=19r.5}}
Line 2,026: Line 2,201:
  
 
<p>Position yourself with your right foot forward, your messer against your breast, your edge up, your point towards the opponent. In this way you are either able to strike the change cut from below or above or else thrust your point into their face and swiftly take it back, thus you accumulate a parrying action along with your strike over the right arm.</p>
 
<p>Position yourself with your right foot forward, your messer against your breast, your edge up, your point towards the opponent. In this way you are either able to strike the change cut from below or above or else thrust your point into their face and swiftly take it back, thus you accumulate a parrying action along with your strike over the right arm.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>Put your right foot forward, have the sword to the chest with the edge up and the point towards him, and have the change strike from below and from above, or thrust him with the point to his face and parry immediately. Thus you find a defense with the launching cut over the right arm.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|3|lbl=54.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|3|lbl=54.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|6|lbl=19r.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|6|lbl=19r.6}}
Line 2,036: Line 2,213:
  
 
<p>If someone lay against you in this way, lash out at them and let your first strike rush through short, step and strike long into their face from roof guard.</p>
 
<p>If someone lay against you in this way, lash out at them and let your first strike rush through short, step and strike long into their face from roof guard.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>If someone is against you as such and you hew straight in against him, letting the first cut launch well short, pass over, then step and strike the long edge from above to his face.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|4|lbl=54.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|4|lbl=54.4}}
 
|  
 
|  
Line 2,047: Line 2,226:
  
 
<p>Position yourself with your right foot forward, your messer at your knee, with your hand inverted. If someone strikes at you from roof guard, step away from their strike with your left foot and turn it away with the back of your messer and draw it over their right hand.</p>
 
<p>Position yourself with your right foot forward, your messer at your knee, with your hand inverted. If someone strikes at you from roof guard, step away from their strike with your left foot and turn it away with the back of your messer and draw it over their right hand.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>Put your right foot forward, your sword in crossed hands on your knee. If someone strikes from above, then step with the left foot back from his launching cut and block his cut with the back of your sword. Then shoot over his right hand.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|5|lbl=54.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|5|lbl=54.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|2|lbl=19v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|2|lbl=19v.2}}
Line 2,062: Line 2,243:
  
 
<p>When someone meets you with a sword or pig spear and you only have a messer, position yourself as shown here. If they strike a buffalo strike from roof guard, step in the triangle and parry the strike short, in this way they err by opening themselves up, so swiftly make a follow up step and strike before they come to their senses.</p>
 
<p>When someone meets you with a sword or pig spear and you only have a messer, position yourself as shown here. If they strike a buffalo strike from roof guard, step in the triangle and parry the strike short, in this way they err by opening themselves up, so swiftly make a follow up step and strike before they come to their senses.</p>
|  
+
| <p><br></p>
 +
 
 +
<p>If someone meets you with a two-handed sword or other similar weapons, and when you only have a braquemard or some other small sword, put yourself here. If he aggresses long above, then pull yourself in the triangle, blocking his launching cut well short. It must be that you open him, then step vigorously after and strike before he retakes his cut.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|1|lbl=56.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|1|lbl=56.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|3|lbl=19v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|3|lbl=19v.3}}
Line 2,074: Line 2,257:
  
 
<p>When you have overcommited yourself, yank your pommel up such that the opponent unloads on your flat, which gains you a powerful strike upon them.</p>
 
<p>When you have overcommited yourself, yank your pommel up such that the opponent unloads on your flat, which gains you a powerful strike upon them.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When you have struck and failed, pull your pommel up so that he descends on your flat. Thus you regain a strong launching cut on him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|2|lbl=56.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|2|lbl=56.2}}
 
|  
 
|  
Line 2,085: Line 2,270:
  
 
<p>When someone meets you with a sword or dussack or other weapons and you do not have any weapon, take precise note of their strike and step into the triangle or into a false step and grasp the top of their right hand with your right hand and with your left hand grab their right elbow, take their momentum and sling them to the ground.</p>
 
<p>When someone meets you with a sword or dussack or other weapons and you do not have any weapon, take precise note of their strike and step into the triangle or into a false step and grasp the top of their right hand with your right hand and with your left hand grab their right elbow, take their momentum and sling them to the ground.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>If someone meets you with a long or even short sword or with another weapon and when you have no weapon, then watch carefully for his launching cut and step the triangle or the false step. And with your right hand move in over his right hand, taking your left hand below his right elbow and with a turn hurl him to the ground.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|3|lbl=56.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|3|lbl=56.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|2|lbl=20r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|2|lbl=20r.2}}
Line 2,095: Line 2,282:
  
 
<p>When someone initiates a thrust with their dussack from below, drop your left hand on their right hand and hold it firmly and grab their messer with your right hand inverted and twist their messer up from below with their point towards their body and press against the messer from behind with your chest so that you stab them with their own weapon.</p>
 
<p>When someone initiates a thrust with their dussack from below, drop your left hand on their right hand and hold it firmly and grab their messer with your right hand inverted and twist their messer up from below with their point towards their body and press against the messer from behind with your chest so that you stab them with their own weapon.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>If someone with a braquemard or some other short sword thrust towards you, if you advance with your left hand on his right hand and take it strongly, then take with your right hand crossed below his sword and turn his sword from low to high with the point against his body. Afterwards press your chest against the back of the hilt. Thus you will thrust him with his own weapon.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|4|lbl=56.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|4|lbl=56.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|3|lbl=20r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|3|lbl=20r.3}}
Line 2,110: Line 2,299:
  
 
<p>This is called the key because it disarms all devices and it goes like this. When someone thrusts at you with a messer, dagger or awl and you do not have any weapon in your hands, stand still and place your hands one atop of the other crosswise in front you. From this you can disarm any device one thrusts at you, above or below.</p>
 
<p>This is called the key because it disarms all devices and it goes like this. When someone thrusts at you with a messer, dagger or awl and you do not have any weapon in your hands, stand still and place your hands one atop of the other crosswise in front you. From this you can disarm any device one thrusts at you, above or below.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>If someone thrusts towards you from above with a knife or a dagger and when you have no weapon, if you stay straight and put your hands crossed one over the other, after advancing with your right hand up against his cut of the knife or dagger such that his hand in thrusting comes between both of your hands.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|1|lbl=58.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|1|lbl=58.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|4|lbl=20r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|4|lbl=20r.4}}
Line 2,120: Line 2,311:
  
 
<p>When someone initiates a thrust from above with a dussack, invert your right hand and clasp their right arm up by their hand and wrench it around and with your left hand, take their balance at their elbow and slam them onto the ground.</p>
 
<p>When someone initiates a thrust from above with a dussack, invert your right hand and clasp their right arm up by their hand and wrench it around and with your left hand, take their balance at their elbow and slam them onto the ground.</p>
|  
+
| <p><br></p>
 +
 
 +
<p>Then turn your right hand and with this you take his right arm around from his hand. Really turn it around so that with the left hand you take his balance around his elbow, throwing him to the ground.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|2|lbl=58.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|2|lbl=58.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|5|lbl=20r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|5|lbl=20r.5}}
Line 2,133: Line 2,326:
  
 
<p>When someone initiates a thrust from below, grab their arm with both hands and rush their arm through and wrench it around so that you break their arm and take their messer.</p>
 
<p>When someone initiates a thrust from below, grab their arm with both hands and rush their arm through and wrench it around so that you break their arm and take their messer.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>If someone thrusts from below towards you, then take his arm with both hands, then run over his arm by turning it. Thus you break his arms and take his knife.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|3|lbl=58.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|3|lbl=58.3}}
 
|  
 
|  
Line 2,142: Line 2,337:
 
|-  
 
|-  
 
| <p>[23] Seize their arm with both hands and wrench it around and turn yourself through to your right side and break their arm over your left shoulder.</p>
 
| <p>[23] Seize their arm with both hands and wrench it around and turn yourself through to your right side and break their arm over your left shoulder.</p>
|  
+
| <p>Take his arm with both of your hands and turn it. Then turn it over on your right side, and break his arm over the left shoulder.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|4|lbl=58.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|4|lbl=58.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/41|2|lbl=20v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/41|2|lbl=20v.2}}
Line 2,155: Line 2,350:
  
 
<p>Seize their arm with both hands and step fully into them, turn yourself to your right side and break their arm atop your chest.</p>
 
<p>Seize their arm with both hands and step fully into them, turn yourself to your right side and break their arm atop your chest.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>Take his arm with both of your hands, and step near him. Then turn yourself on your right side and break his arm over the chest.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|1|lbl=60.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|1|lbl=60.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|1|lbl=21r.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|1|lbl=21r.1}}
Line 2,165: Line 2,362:
  
 
<p>Quickly move your left hand against the front of their throat and step behind their right foot with your left foot and throw them over your left knee with your foot.</p>
 
<p>Quickly move your left hand against the front of their throat and step behind their right foot with your left foot and throw them over your left knee with your foot.</p>
|  
+
| <p><br></p>
 +
 
 +
<p>Or advance with your left hand in front of his neck and step with your left foot behind his right foot, throwing him over your left knee.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|2|lbl=60.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|2|lbl=60.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|2|lbl=21r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|2|lbl=21r.2}}
Line 2,175: Line 2,374:
  
 
<p>Seize their right hand with your left and with your right seize them underneath their elbow and yank them towards you with it and with your left hand shove them away from you and spring behind their left foot with your right and throw them over your right knee with your foot.</p>
 
<p>Seize their right hand with your left and with your right seize them underneath their elbow and yank them towards you with it and with your left hand shove them away from you and spring behind their left foot with your right and throw them over your right knee with your foot.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>Take with your left hand on his right hand, and with your right hand take his elbow from below. Push him with your left hand, then jump with your right foot behind his left, throwing him over your right knee.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|3|lbl=60.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|3|lbl=60.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|3|lbl=21r.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|3|lbl=21r.3}}
Line 2,186: Line 2,387:
  
 
<p>When you throw someone, always fall on their right side with your right knee between their legs and with your left hand, fall forward into their neck and do not be too eager, so that you do not fall too far over them and then seize their weapon and work with it according to your landing.</p>
 
<p>When you throw someone, always fall on their right side with your right knee between their legs and with your left hand, fall forward into their neck and do not be too eager, so that you do not fall too far over them and then seize their weapon and work with it according to your landing.</p>
|  
+
| <p>'''How one will hold him to the ground'''</p>
 +
 
 +
<p>When he is held to the ground, then always fall on his right side with the right knee between his legs, and with the left hand fall in front of his neck taking his weapon, then work to your pleasure.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|4|lbl=60.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|4|lbl=60.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/43|1|lbl=21v.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/43|1|lbl=21v.1}}
Line 2,196: Line 2,399:
  
 
<p>If someone falls on their back, grab both of their legs below the knees with both hands and lift them up and drop between their legs onto their testicles with your knee and in this way hold both of their legs with one hand and work with your weapon with the other.</p>
 
<p>If someone falls on their back, grab both of their legs below the knees with both hands and lift them up and drop between their legs onto their testicles with your knee and in this way hold both of their legs with one hand and work with your weapon with the other.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>If he falls on his back, then take his legs with both of your hands below his knees, taking them up, then fall with your knee between his legs on his testicles. Thus with his legs to one hand, do with surplus to your pleasure.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|5|lbl=60.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|5|lbl=60.5}}
 
| <p><br/></p>
 
| <p><br/></p>
Line 2,211: Line 2,416:
  
 
<p>When someone strikes a buffalo strike from roof guard, strike outward such that they don't overrun you. If they strike into your strike, take your messer in your left hand close to the point and rush under their strike in such a way that you land it in side their strike while their swing is over their head and quickly move in completely back behind the pit of their knee. Thereafter, draw them towards you such that they fall backwards on their head.</p>
 
<p>When someone strikes a buffalo strike from roof guard, strike outward such that they don't overrun you. If they strike into your strike, take your messer in your left hand close to the point and rush under their strike in such a way that you land it in side their strike while their swing is over their head and quickly move in completely back behind the pit of their knee. Thereafter, draw them towards you such that they fall backwards on their head.</p>
|  
+
| <p>'''Move in'''</p>
 +
 
 +
<p>When someone strikes you from the long edge, move so that he does not move into you unexpectedly. If he strikes a cut to a cut, take your sword with your left hand by the point and move in below his cut such that you really pressure his cut from the flock over and above the head, and move in entirely through the bend of his knee. Then quickly pull with both of your hands towards you and he falls backwards on his head.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|1|lbl=62.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|1|lbl=62.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/44|1|lbl=22r.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/44|1|lbl=22r.1}}
Line 2,221: Line 2,428:
  
 
<p>When someone hands over a buffalo strike to you, set the back of your messer on your left arm with strength such that they do not slam you to the ground. And spring under their strike with a high parrying action, grab their right hand with your left and break their arm from the hand. You uncover them with this and deliver a buffalo strike, etc.</p>
 
<p>When someone hands over a buffalo strike to you, set the back of your messer on your left arm with strength such that they do not slam you to the ground. And spring under their strike with a high parrying action, grab their right hand with your left and break their arm from the hand. You uncover them with this and deliver a buffalo strike, etc.</p>
|  
+
| <p>'''Another'''</p>
 +
 
 +
<p>When someone pays you with the peasant cut, take the back of your sword strongly on your arms so that he does not strike you to the ground, and jump under his cut with the high defense. And with your left hand seize his right and break his arm back from the hand so that you open him. And so give him as above the peasant cut.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|2|lbl=62.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|2|lbl=62.2}}
 
|  
 
|  
Line 2,232: Line 2,441:
  
 
<p>When someone has broken your right hand, follow behind the strike and grab their right shoulder with your left hand and position them into weakness with your right foot behind the pit of their left knee and shove them away from you so that they fall.</p>
 
<p>When someone has broken your right hand, follow behind the strike and grab their right shoulder with your left hand and position them into weakness with your right foot behind the pit of their left knee and shove them away from you so that they fall.</p>
|  
+
| <p>'''Piece'''</p>
 +
 
 +
<p>When someone has broken the right hand, follow the cut and take his right shoulder, and put him out of balance with your right foot behind in the left bend of his knee and push him from you. Thus he will fall.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|3|lbl=62.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|3|lbl=62.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|2|lbl=22v.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|2|lbl=22v.2}}
Line 2,242: Line 2,453:
  
 
<p>Whenever someone initiates a thrust, be it from above or below, carry it away from your face with the back of your messer and execute the wind strike upon them or other work.</p>
 
<p>Whenever someone initiates a thrust, be it from above or below, carry it away from your face with the back of your messer and execute the wind strike upon them or other work.</p>
|  
+
| <p>'''Break his thrust'''</p>
 +
 
 +
<p>When someone thrusts towards you, either above or below, turn the thrust with the back of your sword from the face and drive out with the peasant cut on him.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|4|lbl=62.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|4|lbl=62.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|3|lbl=22v.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|3|lbl=22v.3}}
Line 2,252: Line 2,465:
  
 
<p>Whenever you notice someone will break your thrust suddenly abort it so that they cannot mount you, in this way they err and open themselves up with it.</p>
 
<p>Whenever you notice someone will break your thrust suddenly abort it so that they cannot mount you, in this way they err and open themselves up with it.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When you see someone wants to break your thrust, withdraw so that he has no defense, and therefore he fails and opens himself.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|5|lbl=62.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|5|lbl=62.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|4|lbl=22v.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|4|lbl=22v.4}}
Line 2,263: Line 2,478:
  
 
<p>Set yourself up with your right foot forwards with an inverted hanging point. If someone strikes up from below into your face, step and cut under their right shoulder from below and invert your right hand with armpit slicing. Push against their right shoulder with your left hand so that they must turn and uncover themselves.</p>
 
<p>Set yourself up with your right foot forwards with an inverted hanging point. If someone strikes up from below into your face, step and cut under their right shoulder from below and invert your right hand with armpit slicing. Push against their right shoulder with your left hand so that they must turn and uncover themselves.</p>
|  
+
| <p>'''Electing the flock'''</p>
 +
 
 +
<p>Put your right foot forward with a crossed hanging point. If someone raises his cut from below towards the face, step and strike from below his right armpit and turn your hand away with the edge out. Push him and with your left hand below his right armpit and he must turn and be open.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|1|lbl=64.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|1|lbl=64.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|5|lbl=22v.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|5|lbl=22v.5}}
Line 2,273: Line 2,490:
  
 
<p>Whenever someone cuts into your armpit and will remove your "wing", reach over their right hand, through their arms with your messer, behind their haft and retrieve your messer near the point with your hand inverted and barred and then pull towards yourself so that you take their messer.</p>
 
<p>Whenever someone cuts into your armpit and will remove your "wing", reach over their right hand, through their arms with your messer, behind their haft and retrieve your messer near the point with your hand inverted and barred and then pull towards yourself so that you take their messer.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>When someone strikes below the armpit and you want to elect the cut of the flock, move in with your sword from above to his right hand, the hilt through his arm and take your sword at the point with the traversed hand crossed, and pull towards you. Thus you take his sword.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|2|lbl=64.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|2|lbl=64.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|6|lbl=22v.6}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|6|lbl=22v.6}}
Line 2,283: Line 2,502:
  
 
<p>Note when someone initiates a strike such that you have misfired, wrap your arm around their dussack and force it upwards, turn yourself away from them and take it over your shoulder.</p>
 
<p>Note when someone initiates a strike such that you have misfired, wrap your arm around their dussack and force it upwards, turn yourself away from them and take it over your shoulder.</p>
|  
+
| <p>'''Take his sword.'''</p>
 +
 
 +
<p>When you have struck towards someone and when you have failed, grab his sword with your arm and press him back, and turn yourself from him. And take it over your left shoulder.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|3|lbl=64.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|3|lbl=64.3}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|7|lbl=22v.7}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|7|lbl=22v.7}}
Line 2,293: Line 2,514:
  
 
<p>Fall upon them to wrestle from behind.</p>
 
<p>Fall upon them to wrestle from behind.</p>
|  
+
| <p>'''Break'''</p>
 +
 
 +
<p>Move in behind him</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|4|lbl=64.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|4|lbl=64.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|1|lbl=23r.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|1|lbl=23r.1}}
Line 2,303: Line 2,526:
  
 
<p>Thrust into their genitals from through their legs.</p>
 
<p>Thrust into their genitals from through their legs.</p>
|  
+
| <p>counter break</p>
 +
 
 +
<p>thrust between his legs to his testicles.</p>
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|5|lbl=64.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|5|lbl=64.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|2|lbl=23r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|2|lbl=23r.2}}
Line 2,313: Line 2,538:
  
 
<p>Thrust into their face from above such that they do not catch your thrust. Take another step, thrust with your hand turned around, also from above. With this you have a parrying action in taking it away, let it run off short, then you win a sure strike.</p>
 
<p>Thrust into their face from above such that they do not catch your thrust. Take another step, thrust with your hand turned around, also from above. With this you have a parrying action in taking it away, let it run off short, then you win a sure strike.</p>
| class="noline" |  
+
| class="noline" | <p>'''Double thrust'''</p>
 +
 
 +
<p>Thrust above towards his face. When he does not take your cut, step and thrust the other with the hand crossed also from above so that you have a defense in hanging back. Let it run well down short. Thus you have a good and profitable thrust.</p>
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|6|lbl=64.6}}
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|6|lbl=64.6}}
 
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|3|lbl=23r.3}}
 
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|3|lbl=23r.3}}
Line 2,330: Line 2,557:
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the Walloon)}}<br/>by [[Matthew Newhouse]]</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[Matthew Newhouse]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
+
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Manuscript]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Jens P. Kleinau]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Manuscript]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Jens P. Kleinau]]</p>
  
Line 2,765: Line 2,992:
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|none|No translation (from the Walloon)}}</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
+
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
  
 
|-  
 
|-  
Line 2,810: Line 3,037:
 
| class="noline" |  
 
| class="noline" |  
 
| class="noline" | <p>[5] Vienna, Austria by Hieronymous Vietor<ref>Hieronymous Büttner</ref> 1516</p>
 
| class="noline" | <p>[5] Vienna, Austria by Hieronymous Vietor<ref>Hieronymous Büttner</ref> 1516</p>
| class="noline" |  
+
| class="noline" | <p>Printed in the city of Antwerp by me Guillaume Vorsterman staying at the Golden Unicorn. The year one thousand five hundred and thirty eight.</p>
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|3|lbl=78.3}}
 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|3|lbl=78.3}}
 
| class="noline" |  
 
| class="noline" |  
Line 2,828: Line 3,055:
 
<section begin="sourcebox"/>{{sourcebox header}}
 
<section begin="sourcebox"/>{{sourcebox header}}
 
{{sourcebox
 
{{sourcebox
  | work        = Paurenfeyndt Illustrations
+
  | work        = 1516 Illustrations
 
  | authors    = Unknown
 
  | authors    = Unknown
 
  | source link = http://diglib.hab.de/drucke/hn-236/start.htm
 
  | source link = http://diglib.hab.de/drucke/hn-236/start.htm
 
  | source title= Herzog August Bibliothek
 
  | source title= Herzog August Bibliothek
  | license    = noncommercial
+
  | license    = public domain
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = Egenolff Illustrations
+
  | work        = 1531 Illustrations
 
  | authors    = [[Hans Weiditz]]
 
  | authors    = [[Hans Weiditz]]
 
  | source link = http://daten.digitale-sammlungen.de/bsb00024296/image_1
 
  | source link = http://daten.digitale-sammlungen.de/bsb00024296/image_1
 
  | source title= Bayerische Staatsbibliothek
 
  | source title= Bayerische Staatsbibliothek
  | license    = noncommercial
+
  | license    = public domain
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
 
  | work        = Erlangen scans
 
  | work        = Erlangen scans
  | authors    =  
+
  | authors    = [[Universitätsbibliothek Erlangen-Nürnberg]]
 
  | source link = http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
 
  | source link = http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
 
  | source title= Universitätsbibliothek Erlangen-Nürnberg
 
  | source title= Universitätsbibliothek Erlangen-Nürnberg
  | license    = permission
+
  | license    = public domain
 
}}
 
}}
{{sourcebox
+
<!-- {{sourcebox
 
  | work        = Translation (Intro & long sword)
 
  | work        = Translation (Intro & long sword)
  | authors    = [[Kevin Maurer]]
+
  | authors    = [[translator::Kevin Maurer]]
 
  | source link =  
 
  | source link =  
 
  | source title= Meyer Frei Fechter Guild
 
  | source title= Meyer Frei Fechter Guild
 +
| license    = noncommercial
 +
}} -->
 +
{{sourcebox
 +
| work        = Translation
 +
| authors    = [[translator::Christian Trosclair]]
 +
| source link =
 +
| source title= Wiktenauer
 
  | license    = noncommercial
 
  | license    = noncommercial
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = Translation (Twelve rules)
+
  | work        = Translation (Sword, Messer)
  | authors    = [[Christian Trosclair]]
+
  | authors    = [[translator::John Tse]]
 
  | source link =  
 
  | source link =  
 
  | source title= Wiktenauer
 
  | source title= Wiktenauer
 
  | license    = noncommercial
 
  | license    = noncommercial
 
}}
 
}}
{{sourcebox
+
<!-- {{sourcebox
 
  | work        = Translation (Dussack)
 
  | work        = Translation (Dussack)
  | authors    = [[Mike Rasmusson]]
+
  | authors    = [[translator::Mike Rasmusson]]
 
  | source link = http://www.schielhau.org/lebkommer.html
 
  | source link = http://www.schielhau.org/lebkommer.html
 
  | source title= Shielhau.org
 
  | source title= Shielhau.org
 
  | license    = GNU
 
  | license    = GNU
}}
+
}} -->
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation (Staff)
 
  | work        = Translation (Staff)
  | authors    = [[Matthew Newhouse]]
+
  | authors    = [[translator::Matthew Newhouse]]
 
  | source link =  
 
  | source link =  
 
  | source title= Texas Armizare
 
  | source title= Texas Armizare
Line 2,891: Line 3,125:
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Walloon Translation]]
+
  | work        = [[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]]
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
+
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michaël&nbsp;Huber]]
 
  | source link =  
 
  | source link =  
 
  | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}}
 
  | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}}
Line 2,898: Line 3,132:
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]]
+
  | work        = [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
+
  | source title= [[Index:Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
Line 2,930: Line 3,164:
 
== Additional Resources ==
 
== Additional Resources ==
  
* Bauer, Matthias Johannes. ''“Der Alten Fechter gründtliche Kunst” &ndash; Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition''. Coll. Geschichtswissenschaften 37. München: Utz Verlag, 2016. ISBN 978-3-8316-4559-6
+
{{bibliography}}
* Bauer, Matthias Johannes. "Economising Early Prints on Fight Books by Multiple Using Movable Half Page Woodcuts". ''[[Acta Periodica Duellatorum]]'' '''4'''(2): 99–116, 2016. {{doi|10.36950/apd-2016-015}}
 
* Bergner, U. and Giessauf, J. ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)''. Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5
 
* Roelofsen, Mathijs. "La Noble Science des Joueurs d’Espée: Fight Book and Commercial Product". ''[[Acta Periodica Duellatorum]]'' '''8'''(1): 73-88, 2020. {{doi|10.36950/apd-2020-005}}
 
* [[Rainer Welle|Welle, Rainer]]. "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?" ''Codices manuscripti & impressi.'' Supplementum 12. Purkersdorf: Verlag Brüder Hollinek, 2017.
 
  
 
== References ==
 
== References ==
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[[Category:New format]]
 
[[Category:New format]]
 +
[[Category:Modular display candidate]]

Latest revision as of 05:11, 14 February 2024

Andre Paurenfeyndt
Born 15th century
Died 16th century
Occupation
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der
Fechterey
(1516)
Manuscript(s)
Concordance by Michael Chidester
Translations Deutsch-Übersetzung

Andre Paurenfeyndt (Paurñfeyndt, Paurñfeindt) was a 16th century German Freifechter. He was born in Ernsbrunn in Lower Austria, and he enrolled in the Universität Wien on 13 October 1512.[1] He mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468-1540).[2] In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which seems to have been the first illustrated fencing treatise ever published.[3] Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200 (1524).

Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including Lienhart Sollinger's 1564 copy), followed by the 1538 French translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.

Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

References

  1. Bauer 2016, p. 99.
  2. Ott, Michael. "Matthew Lang." The Catholic Encyclopedia, Vol. 8. New York: Robert Appleton Company, 1910.
  3. Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p. 46.
  4. lit: foot, but can and often mean the leg
  5. alt: flesh wounds, tag hits.
  6. The word used is "coup", which could be translated as "attack", "cut", or "blow". In this context it is referring to the edge. Henceforth I will be translating it as "edge" instead.
  7. Likely an error. Crombe is a northern Middle French word for “hunched” (e.g. a person) or “crooked”.
  8. literally: cut through agains their strike. The separable durch-hauen means to strike through something to create an opening. See: https://www.woerterbuchnetz.de/DWB2/2DURCHHAUEN
  9. Text cut off; added from Paurnfeindt: er nit kumeñ
  10. This is likely a typo as "passer dessoubz" is only used once. "Passer oultre" is used more frequently.
  11. This is likely another synonym for "passer oultre".
  12. Text cut off; added from Paurnfeindt: Wan dir ainer die kurcz schneid vberscheust so wendt den straich ab, so kumpt dir straich wider straich, vnd gleiche arbait
  13. Text cut off; added from Paurnfeindt: so entplest er sich
  14. Text cut off; added from Paurnfeindt: zuck vnd haw mit langer schneid nach
  15. alt: points, ends
  16. Bottom cut off; added from Paurnfeindt: schwert mit dem knopf vnter dein recht uxñ
  17. Bottom cut off; added from Paurnfeindt: schon, die stich trucke mit schnitten sy ab czucke
  18. This is the zwerch.
  19. This is the sprechfenster.
  20. Lit. “Pass in change.”
  21. Possibly a mistranslation of “verkerker” as “imprisoner” or "deffendeur" is the French jargon for "verkeren".
  22. Lit. turned as in “soured” or “embittered”.
  23. Zornhau.
  24. Top cut off; added from Paurnfeindt: yglichs in dreu wunder
  25. Corrected from »lanngem«
  26. Possibly referring to the dussack.
  27. Text cut off; added from Paurnfeindt: vmbsunst vrsach halben er mag kain folling straich auff dich habñ
  28. Erreur d'impression?
  29. Bottom cut off; added from Paurnfeindt: dar uber
  30. Bottom cut off; added from Paurnfeindt: arm
  31. Rephrasing of Ovid's "Cunctis qui placeat non credo quomodo vivat".
  32. Rephrasing of the proverb from Pliny, "ne supra crepidam sutor iudicaret".
  33. Hieronymous Büttner