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Difference between revisions of "Girolamo Cavalcabo"

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| <p>Will you however cut manfully, thus you should begin from the left side, and after your completed cut, position yourself again in Tertie. Many other cuts can You do from both sides: However these last ones are the best.
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Will a cut to the head be given to you, you should parry this with the true edge of your rappier, Will he manfully cut at you, you will takeout his cut with turned hand, If he cuts however, from above to below, you can likewise parry with Mantel, Dagger or rappier: then to you, your Dagger and mantel can be useful, that you have your rappier free to give him a cut.
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Will he manfully cut, you can take out with your rappier, and where it's not a thrust, still give a cut to his face or arm. Or however you can hold your rappier, dagger and mantel crosswise over each other, and give a cut to the body.
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You can also take him out with your dagger or mantel, with the stepping to of your left foot, to his right side, how it will be best thought of by you.
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One can also parry with the body, by letting the cut go by, and in this he steps to the right side, meet his stepping, and in a Tertie with stiff Arm thrust to his right side, also the dagger and mantel thereby always take care to know.</p>
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| <p>Will he however present a manly cut, you will know how to take this out with turned fist, your dagger and mantel helps by holding it under the rappier, give him a cut from your best opportunity. You can also allow his cuts to miss, and thereafter without moving the foot or with passing, give him a Ripost, how it will be most conducive to you. These techniques can be used against those, who will boldly attack you.
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When you will attack, you must use both cut and thrust.
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When you are disposed, to give a cut to your Adversary, you must firstly present him with a thrust in Seconde or Tertie, In that case, these Guards are the best to attack with. You must especially pay attention, when you're very willing, to give him a hard thrust to the face, that he will be caused by this, to take you out, If he does not do this, then allow your thrust to go away. If he however, takes you out with his dagger, thus you will give him a manly cut to his left arm or head, and again position yourself in Quarte, you await his Ripost, nevertheless outside the Measure.
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Will he however take youout, with his Rappier, thus will you give him a reverse or a manly cut to his head.</p>
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| <p>once again you go into Tertien or Seconde, and await his intentions. You can also present him a Thrust in between his rappier and Dagger,
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with it he takes this out with his dagger: In this you can give him a cut, sent as it will be best, and position yourself immediately again in Tertie or Quarte, counter his Ripost with advantage.</p>
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Revision as of 14:05, 6 April 2022

Girolamo Cavalcabo
Born 16th century
Bologna, Italy
Died 17th century
London, England? (?)
Relative(s) Zachara Cavalcabo (father?)
Occupation Fencing master
Influences Angelo Viggiani dal Montone
Influenced André des Bordes (?)
Genres Fencing manual
Language
Notable work(s) Traité ou instruction pour tirer des armes (1597)
Manuscript(s) MS Italien 1527 (1580s)

Girolamo Cavalcabo (Hieronyme Calvacabo, Hieronimo Cavalcabo) was a 16th century Italian fencing master. He was trained in the Bolognese school of fencing, possibly under Angelo Viggiani dal Montone,[1] and seems to have traveled to London, England in the 1580s or 1590s and set up a school.[citation needed] During this period he also wrote a treatise on the use of the rapier entitled Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense"), though it would not be published until 1597. In the early 17th century, he received a position in the court of Henry IV of France as fencing instructor to his son Louis (the future Louis XIII).[citation needed]

Treatise

Additional Resources

  • Runacres, Rob. Treatise or Instruction for Fencing: By Hieronymus Calvacabo of Bologna and Patenostrier of Rome. Self-published, 2015.

References

  1. This has been asserted by some writers, but it may be a confused interpretation of the fact that Zachara Cavalcabo produced the second printing of Viggiani's book in 1588.