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Difference between revisions of "Girolamo Cavalcabo"

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| <p>Where you however think to attempt a half thrust on him, and he will go through under your rappier, will you know how to stringiren his rappier. If he will take out your half thrust, then you can go through under his rappiers' tip, and give him then a Quarte. if he takes such inside or outside, thus should you give him a thrust to his face, where he, all the more, will be caused to take you out.</p>
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<p>Will he take out with earnestness, thus will you go through and under his rappier, with your rappier, where you will not lovingly but manfully
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cut at his legs. Or else you can go through and under his, with your rappier, and after you pass the right side, and are forceful on his Rappier's cross, give him a thrust under his rappier.</p>
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<p>Will you make a feint to him however, how it is previously said, and he doesnt want to take this out, pass so that he cannot then make a single counterthrust against you, or under your rappier. Will he pass, or with the hand or dagger take out your Rappier, thus you can likewise make a thrust under his rappier. If he wants to pass under the center of your rappier, thus you will surpress his rappier, and with the left foot step to the right side, and pay good attention, that you can be forceful on his rappier's hilt.</p>
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| <p>If he wants to take you out with the hand, thus you will give him a thrust in Quarte. You can use all these techniques when your opponent will not take out, but as I said before, he wants to attack you.</p>
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<p>Furthermore, when you will attack him in iecundo tempore, thus you must give a thrust, and where he wants to take out, you can give him a
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manly cut or thrust in Quarte. if he does such taking out to the right side, thus you will give him a manly cut with well turned fist, and once again position yourself in Tertie, and in this same, you await his Ripost.</p>
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<p>Will he give you a thrust, thus you will eodem tempore meet him with a counter thrust, and you once again position yourself in Tertiam or Quartam.</p>
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<p>If he wants to give you a cut, thus you will take out this same with the strong of your rappier. If he sends to the right side, thus you will in turn give a manly cut to his Head or legs, it is done without moving the feet or with passing, If you pass however, so must you see, that you fall on his rappier's cross: Where you dont, then you must position yourself again in Quarte, after the completed cut, and his intent, as its said above, you await.</p>
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<p>Will you see however that your opponent wants to attack, thus you will position yourself in Quarte, and give your right side somewhat open,
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with it he can have no other openings to thrust to.</p>
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| <p>Will he make a thrust to you without passing, thus you should take this out with your rappier, and step with your left foot towards his right side, thrust outside his rappier in Tertie or Seconde, how you will find it best, over his rappiers cross, or close thereabouts. Will he however pass, thus you must draw your foot back again, with it he went past, and then pay careful attention, that you will be forceful on his Hilt.</p>
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<p>If he offers you a thrust, and he then wants to give you a manly cut, where he will reverse the hand, thus you will know how to take out this same cut with your rappier. And to those cuts that you have taken out with your rappiers' strong, then be forceful on his rappier, and give him a thrust in Seconde, however pay careful attention, that you pass to his right side, where you won't lose your advantage.</p>
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<p>Will you however be in Tertia, thus you have seen from the above stated Stucken, how you should behave in both attacking and taking out.</p>
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<p>In summation, where he will offer you a thrust, you can take out this same, and with turned hand give him a cut to his legs, it is done with passing or without moving the foot.</p>
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<p>If he wants however, to also give you a manly cut to your head, from where he has tried to thrust you, thus you will also do this same,</p>
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| <p>as soon as he has completed his thrust, parry his rappier outside, strongly with turned hand, and see that you step to his right side,
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so that you grab his rappier's hilt with your left fist, or with the dagger and mantel you will be forceful on his. Or else, to those parries that you have taken out with the turned hand, you can give him a cut to the legs.</p>
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<p>You can also take out his weak, with your strong, and where he wants to cut at you manfully, pay him with the same coin, or with those cuts, which he thinks to give to you,</p>
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<p>One may also use many other various Stucke, however such descriptions here would be too extensive, and more confusing than would be useful.</p>
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<p>Pay primary and special attention to this: When you will offend your Adversary, that you direct such in the work, with a thrust, and thereafter in secundo tempore you use a cut. Will you however await on him, thus will you pay careful attention, that as you pass, he attacks to you as what he wanted: Which is probably the safest. thereafter you can see your best advantage, where and when you can do the most convenient break away. And thus you shall understand the two Tempora.</p>
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| <pWhich is the most beneficial to use, Rappier and Dagger or Rappier and Mantel?</p>
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<p>He who can use Rappier and Dagger, has advantage before one who only knows how to use the Mantel: he who knows not well how to help with the dagger. thus I consider it the same. In Rappier and Dagger is the best advantage, that you are the first to attack your opponent with a hard thrust in Secunde, with it he will be caused to take this out. When such is sent, it is to his right or left side, and he presents to you a ripost, thus pay diligent attention, that you take this same with the strong of your Rappier, where the opportunity is given, and then to his right side pass and with your dagger, give him a thrust.</p>
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<p>It would be my advice, that you focus your first thrust to the face, when you would be caused to thrust to him. The advantage in rappier and mantel exists in this, that you always remain in Quarte: And pay careful attention, that you are not the first to thrust but rather await his thrust, and always when possible, outside of his rappier, you can be found, he thus pulls?, over your rappier, to thrust. If he sends this, then will you give him a Riposte,</p>
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| <p>position yourself again in quarte, his next thrust you await. Beware however above all things, that he will not be forceful on your rappier's hilt.</p>
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<p>A Fine and Useful discourse in single rappier, shaped through Patenostrier, of late, formerly most excellent Fencer from Rome.</p>
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<p>We are firstly to the general opinion of all fencers, that all fencing is divided into four parts, which one can see very well in two together: That the Prima and Secunda must be kept as one, how then also the Tertia and Quarta in another When you will lie in guards, so you must pay special attention to two things, that you namely with the Rappier and Body can send yourself: And where the same, so much more conveniently may happen, we want the Tertien for our choice, from which the best are sent.</p>
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<p>Will you know, how you shall hold the body with right accommodiern, thus shall you appear to him bent, and the left side and head on the left leg, which shall be bent, and your arm raised up even to the face, in the shape of a half circle, your right leg set a little better ahead still not so bent.</p>
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| <p>The feet should be set thusly, that the Versen (feet?) stand exactly behind each other, your opponents are not pointing to the right side, where you are holding your rappier above your right shoulder with outstretched arm, you will be covered. So that your Rappier's point is targeted straight at the Adversary's Shoulder, Nevertheless, so that the point stands slightly inwards, with it you are more ready to resist against him with your rappier, from all sides, use this on him, when he will jump at you.</p>
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<p>That Fencing lies in 4 Stucken: In the Movement of the Arms, the turning of the hands, the movement or setting forward of the feet, and the turning of the body. In these four varieties are all the thrusts one can use, which we also want to consider, and not cut down in reporting, that the thrusts in single Rappier are most noble, which we again want to divide into five parts. Namely in Quarte, then Tertien, going through below,
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stringieren or surpressing, and the Quarte over the Rappier.</p>
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<p>The Quarte is sent, when you are thrusting in recta linea, and have wound the point to the Adversary's body, around his on-coming hand, and where thou hath given him a thrust, with the right foot going forth, and thus the right shoulder is forward, the other however, is drawn back and also in this, the left foot slightly back, with it, his Ripost finds fewer of your openings, You should however, pay careful attention that you also do this same thrust</p>
 
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| <p>with outstretched arm to your opponent's right shoulder, so that your fist is almost equally as high as the shoulder.</p>
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<p>The Quarte with the left foot you can use in moderation, only that you move this with the right foot instead of the left However, you will use the Quarte, when your opponent will give you his inside opening.</p>
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<p>The Tertie is, when you have with the right foot and the right hand, reversed (turned around) , and with stiff arm outstretched, and thus,
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how it is said previously, the right side is setforth, and the left again is held to the rear, with it your adversary finds little open.</p>
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<p>If you will go through below, then this must happen in Tertia: and is in itself nothing special to remember, when you only give attention, that you allow your body to sink a little outside, and direct your Rappier's point to your enemies body inside. This you can use to both sides and both feet.</p>
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<p>Will you attack your opponent with power, you can, where he is in the Measure and passes, use your tertien inside or outside, with well
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sunken body, to his right Chest.</p>
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<p>Also that surpressing and passing is sent in Tertia: You will however pay careful attention that, when you use therefore your left hand,
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you do not draw back again your Rappier</p>
 
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| <p>But rather in a quick motion drive forth, and complete the thrust you commenced.</p>
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<p>You will use the Quarte over the Rappier harmoniously, like the others, except that these are outside your opponents rappier, the others will be used inside.</p>
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<p>Which will be used against one, who with his rappier lays long, thus that you turn your hand outside, and direct your rappiers point to his inner body.</p>
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<p>To those of the five main thrusts, and which in moderation this same should happen, thus as briefly as possible is reported: also briefly about the Measure and how one shall acquire this same, further reports follow:</p>
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<p>
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* The Measure is nothing other than the distance or range from one to the other.</p>
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* Which is in three parts: The correct, the narrow, and the far.
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* The Justa or correct is, when one can reach the other with a step to.
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* The stricta or narrow, when one without moving of feet or step, or with a narrow half step can hit his opponent.
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* The longa or far is:</p>
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| <p>when one with a step alone cannot come to, but rather must double or pass the step, and in this same exist all of the thrusts, which one can quickly use.</p>
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<p>The Measure, it is what it is, you can achieve in four parts:</p>
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<p>1. When you step forth slightly with the right foot.</p>
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<p>2. With the left slightly follow after.</p>
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<p>3. When you step with the left foot, very close by the first.</p>
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<p>4. When it is from difficulties, that your left foot goes on with your right.</p>
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<p>The first is sent when you are in narrow pass, and will acquire the measure, so you must step forth somewhat with the right foot, with this same you can when in need, duplieren outside. or you must set the left foot forth, how it will be most convenient to you.</p>
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<p>The next has instead, when you are in wide pass, (or when your feet are far from one another) that you move in with your left foot somewhat halfways to the Right, so the quicker it will occur to you, what are the right commanded necessities.</p>
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<p>The third is to be used, when you are in narrow pass, thus you must move your left foot close to the right, with it you can come forth so much the better with the right.</p>
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| <p>The fourth is sent, when you continue the right with the left, and thus with this you acquire the correct position. With this Step, one is not enough, it should be, when your opponent again steps back or you have made a wide space with him, thus that it sometimes is necessary, in acquiring the measure, to use one or two steps, but never in the same succession. If you will use these previous examples, thus you must pay careful attention, when you outstretch your Rappier a little, and will give good attention to the adversary's side, when it will not be
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advantageous to you, and when you can thrust again to him with opportunity.</p>
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<p>I hate it, when one always tramps with the foot (or taps), Then above that, it stands in evil, it is also very hindering.</p>
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<p>Henceforth we must also say, how one shall use the previous thrusts, However, because I have made the Quarte first, we will follow this
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same Order.</p>
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<p>When you see, that your opponent gives to you his inside opening, thus you can be practiced in all measures. First however you will pay attention, both in Tertia and Quarte, also like in the going through below the rappier, that you make no thrusts, for then, you have your rappier, as the adversary of his.</p>
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<p>If it's sent however, that it is under yours', thus you must</p>
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| <p>pull in your body, and see, before you complete the thrust, that you have your rappier at least as high as the enemy does: In summation, you must see, that you complete your thrusts quickly, and thus you take the opponents tempo.</p>
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<p>How one shall meet an attack</p>
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<p>When two go at one another with earnestness, come right at each other, and have the proper measure, thus it is my opinion, that not more than three Tempos occur: It is then that the "congressorn" only jokes with each other. I dont deny, that one can well contrive a great number from
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contraris temporibus: However such Actiones are more play than fencing. To do such, would rather show, that they themselves "salviren" and can be taken out, when their enemies mean to be serious. That to the first Tempus, which you can use in attacking, will be, when your Opponent wants to set on to you, that you in "eodem momento" thrust against him. That to the second when he thrusts to you, and you void him with the body That to the third, when your opponent presents a half thrust to you, and with his body voids: then you also do the same to him.</p>
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| <p>The last is , when your oppenent presents a false thrust to you, and turns his body, and you do the same to him with your body: Which is very serious to do however.</p>
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<p>You will know from your Adversaries thrusts, how you can again go at him with advantage, Thus you must have diligence in your attention, to when wants to pass, that you take his tempo at once with a Tertie or Quarta, and step forth with the right foot. And in particular, see that you always hold your rappier's point higher than your opponent.</p>
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<p>Furthermore you can acquire your tempo correctly, when you endeavor to Counterthrust your Adversario where he will step forth,</p>
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<p>You must however pay careful attention, if your opponent has a mind to soon after thrust to you, or if he wants to acquire the Measure, which is very difficult to remember. Nevertheless, those that have practiced for a time, and have learned from many people,. whether they tend to thrust at once, or they pause, there is no difficulty (to know), And conversely however you can easily see someone who has previously not practiced much.</p>
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<p>Will you however allow the first tempo to go by, or where you have missed, thus you must take him out with your rappier in secundo tempore.</p>
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| <p>And this to you is a common Rule: All of the Thrusts, which happen to you on the inside, you should also parry inwards to your left side without a turning of the fist, just as you would thrust in Quarta. Those however that would be done to your outside, these you should take out with reversed fist, as if you would thrust in Tertia. And when you likewise will parry with the feet, I hold it advisable, that you set forth the left, with this it wont be easy for your opponent to be powerful on your Hilt or Arm: And where you can protect yourself so much the better, see that you come forth to him, and once you have taken him out, you strive, to do unto him that which he has in mind to do to you. Such it is easier to effect, when you draw back with your right arm and rappier: Hence it follows, that he will not have so much opportunity, to get you, and you are also more forecful with your rappier, you give him a Stoccade from the apparent opportunities.</p>
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<p>there is also still taken from another Art, that which we call Stringiren or surpressing, is sent thustly: when you begin to parry in Quarte, and in a motu, complete it with a thrust in tertia. Will you however be forceful on the opponent's rappier, thus will it be most advisable, that you acquire this same, outside, how it is often said, over the right fist of his Rappier's hilt or arm, or however inside under your left arm and with such you may take hold of him. However, before you can correctly do such work, will you give him a cut to your opportunity, it is manly or not,</p>
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| <p>and again draw back your rappier at once, and hereupon the above stated Stucke are known to be used. All of this seizing of the rappier or the neck, just like Supplantationem or setting under foot, belongs more to wrestling than to fencing. I think its good, particularly the one before, that you have the strength and quickness of the Body.</p>
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<p>END</p>
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Revision as of 02:27, 7 May 2022

Girolamo Cavalcabo
Born 16th century
Bologna, Italy
Died 17th century
London, England? (?)
Relative(s) Zachara Cavalcabo (father?)
Occupation Fencing master
Influences Angelo Viggiani dal Montone
Influenced André des Bordes (?)
Genres Fencing manual
Language
Notable work(s) Traité ou instruction pour tirer des armes (1597)
Manuscript(s) MS Italien 1527 (1580s)

Girolamo Cavalcabo (Hieronyme Calvacabo, Hieronimo Cavalcabo) was a 16th century Italian fencing master. He was trained in the Bolognese school of fencing, possibly under Angelo Viggiani dal Montone,[1] and seems to have traveled to London, England in the 1580s or 1590s and set up a school.[citation needed] During this period he also wrote a treatise on the use of the rapier entitled Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense"), though it would not be published until 1597. In the early 17th century, he received a position in the court of Henry IV of France as fencing instructor to his son Louis (the future Louis XIII).[citation needed]

Treatise

Additional Resources

  • Runacres, Rob. Treatise or Instruction for Fencing: By Hieronymus Calvacabo of Bologna and Patenostrier of Rome. Self-published, 2015.

References

  1. This has been asserted by some writers, but it may be a confused interpretation of the fact that Zachara Cavalcabo produced the second printing of Viggiani's book in 1588.