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Difference between revisions of "Girolamo Cavalcabo"

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| <p>with outstretched arm to your opponent's right shoulder, so that your fist is almost equally as high as the shoulder.</p>
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<p>The Quarte with the left foot you can use in moderation, only that you move this with the right foot instead of the left However, you will use the Quarte, when your opponent will give you his inside opening.</p>
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<p>The Tertie is, when you have with the right foot and the right hand, reversed (turned around) , and with stiff arm outstretched, and thus,
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how it is said previously, the right side is setforth, and the left again is held to the rear, with it your adversary finds little open.</p>
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<p>If you will go through below, then this must happen in Tertia: and is in itself nothing special to remember, when you only give attention, that you allow your body to sink a little outside, and direct your Rappier's point to your enemies body inside. This you can use to both sides and both feet.</p>
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<p>Will you attack your opponent with power, you can, where he is in the Measure and passes, use your tertien inside or outside, with well
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sunken body, to his right Chest.</p>
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<p>Also that surpressing and passing is sent in Tertia: You will however pay careful attention that, when you use therefore your left hand,
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you do not draw back again your Rappier</p>
 
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| <p>But rather in a quick motion drive forth, and complete the thrust you commenced.</p>
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<p>You will use the Quarte over the Rappier harmoniously, like the others, except that these are outside your opponents rappier, the others will be used inside.</p>
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<p>Which will be used against one, who with his rappier lays long, thus that you turn your hand outside, and direct your rappiers point to his inner body.</p>
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<p>To those of the five main thrusts, and which in moderation this same should happen, thus as briefly as possible is reported: also briefly about the Measure and how one shall acquire this same, further reports follow:</p>
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<p>
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* The Measure is nothing other than the distance or range from one to the other.</p>
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* Which is in three parts: The correct, the narrow, and the far.
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* The Justa or correct is, when one can reach the other with a step to.
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* The stricta or narrow, when one without moving of feet or step, or with a narrow half step can hit his opponent.
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* The longa or far is:</p>
 
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| <p>when one with a step alone cannot come to, but rather must double or pass the step, and in this same exist all of the thrusts, which one can quickly use.</p>
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<p>The Measure, it is what it is, you can achieve in four parts:</p>
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<p>1. When you step forth slightly with the right foot.</p>
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<p>2. With the left slightly follow after.</p>
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<p>3. When you step with the left foot, very close by the first.</p>
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<p>4. When it is from difficulties, that your left foot goes on with your right.</p>
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<p>The first is sent when you are in narrow pass, and will acquire the measure, so you must step forth somewhat with the right foot, with this same you can when in need, duplieren outside. or you must set the left foot forth, how it will be most convenient to you.</p>
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<p>The next has instead, when you are in wide pass, (or when your feet are far from one another) that you move in with your left foot somewhat halfways to the Right, so the quicker it will occur to you, what are the right commanded necessities.</p>
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<p>The third is to be used, when you are in narrow pass, thus you must move your left foot close to the right, with it you can come forth so much the better with the right.</p>
 
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| <p>The fourth is sent, when you continue the right with the left, and thus with this you acquire the correct position. With this Step, one is not enough, it should be, when your opponent again steps back or you have made a wide space with him, thus that it sometimes is necessary, in acquiring the measure, to use one or two steps, but never in the same succession. If you will use these previous examples, thus you must pay careful attention, when you outstretch your Rappier a little, and will give good attention to the adversary's side, when it will not be
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advantageous to you, and when you can thrust again to him with opportunity.</p>
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<p>I hate it, when one always tramps with the foot (or taps), Then above that, it stands in evil, it is also very hindering.</p>
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<p>Henceforth we must also say, how one shall use the previous thrusts, However, because I have made the Quarte first, we will follow this
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same Order.</p>
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<p>When you see, that your opponent gives to you his inside opening, thus you can be practiced in all measures. First however you will pay attention, both in Tertia and Quarte, also like in the going through below the rappier, that you make no thrusts, for then, you have your rappier, as the adversary of his.</p>
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<p>If it's sent however, that it is under yours', thus you must</p>
 
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| <p>pull in your body, and see, before you complete the thrust, that you have your rappier at least as high as the enemy does: In summation, you must see, that you complete your thrusts quickly, and thus you take the opponents tempo.</p>
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<p>How one shall meet an attack</p>
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<p>When two go at one another with earnestness, come right at each other, and have the proper measure, thus it is my opinion, that not more than three Tempos occur: It is then that the "congressorn" only jokes with each other. I dont deny, that one can well contrive a great number from
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contraris temporibus: However such Actiones are more play than fencing. To do such, would rather show, that they themselves "salviren" and can be taken out, when their enemies mean to be serious. That to the first Tempus, which you can use in attacking, will be, when your Opponent wants to set on to you, that you in "eodem momento" thrust against him. That to the second when he thrusts to you, and you void him with the body That to the third, when your opponent presents a half thrust to you, and with his body voids: then you also do the same to him.</p>
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| <p>The last is , when your oppenent presents a false thrust to you, and turns his body, and you do the same to him with your body: Which is very serious to do however.</p>
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<p>You will know from your Adversaries thrusts, how you can again go at him with advantage, Thus you must have diligence in your attention, to when wants to pass, that you take his tempo at once with a Tertie or Quarta, and step forth with the right foot. And in particular, see that you always hold your rappier's point higher than your opponent.</p>
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<p>Furthermore you can acquire your tempo correctly, when you endeavor to Counterthrust your Adversario where he will step forth,</p>
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<p>You must however pay careful attention, if your opponent has a mind to soon after thrust to you, or if he wants to acquire the Measure, which is very difficult to remember. Nevertheless, those that have practiced for a time, and have learned from many people,. whether they tend to thrust at once, or they pause, there is no difficulty (to know), And conversely however you can easily see someone who has previously not practiced much.</p>
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<p>Will you however allow the first tempo to go by, or where you have missed, thus you must take him out with your rappier in secundo tempore.</p>
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| <p>And this to you is a common Rule: All of the Thrusts, which happen to you on the inside, you should also parry inwards to your left side without a turning of the fist, just as you would thrust in Quarta. Those however that would be done to your outside, these you should take out with reversed fist, as if you would thrust in Tertia. And when you likewise will parry with the feet, I hold it advisable, that you set forth the left, with this it wont be easy for your opponent to be powerful on your Hilt or Arm: And where you can protect yourself so much the better, see that you come forth to him, and once you have taken him out, you strive, to do unto him that which he has in mind to do to you. Such it is easier to effect, when you draw back with your right arm and rappier: Hence it follows, that he will not have so much opportunity, to get you, and you are also more forecful with your rappier, you give him a Stoccade from the apparent opportunities.</p>
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<p>there is also still taken from another Art, that which we call Stringiren or surpressing, is sent thustly: when you begin to parry in Quarte, and in a motu, complete it with a thrust in tertia. Will you however be forceful on the opponent's rappier, thus will it be most advisable, that you acquire this same, outside, how it is often said, over the right fist of his Rappier's hilt or arm, or however inside under your left arm and with such you may take hold of him. However, before you can correctly do such work, will you give him a cut to your opportunity, it is manly or not,</p>
 
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| <p>and again draw back your rappier at once, and hereupon the above stated Stucke are known to be used. All of this seizing of the rappier or the neck, just like Supplantationem or setting under foot, belongs more to wrestling than to fencing. I think its good, particularly the one before, that you have the strength and quickness of the Body.</p>
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<p>END</p>
 
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Revision as of 02:27, 7 May 2022

Girolamo Cavalcabo
Born 16th century
Bologna, Italy
Died 17th century
London, England? (?)
Relative(s) Zachara Cavalcabo (father?)
Occupation Fencing master
Influences Angelo Viggiani dal Montone
Influenced André des Bordes (?)
Genres Fencing manual
Language
Notable work(s) Traité ou instruction pour tirer des armes (1597)
Manuscript(s) MS Italien 1527 (1580s)

Girolamo Cavalcabo (Hieronyme Calvacabo, Hieronimo Cavalcabo) was a 16th century Italian fencing master. He was trained in the Bolognese school of fencing, possibly under Angelo Viggiani dal Montone,[1] and seems to have traveled to London, England in the 1580s or 1590s and set up a school.[citation needed] During this period he also wrote a treatise on the use of the rapier entitled Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense"), though it would not be published until 1597. In the early 17th century, he received a position in the court of Henry IV of France as fencing instructor to his son Louis (the future Louis XIII).[citation needed]

Treatise

Additional Resources

  • Runacres, Rob. Treatise or Instruction for Fencing: By Hieronymus Calvacabo of Bologna and Patenostrier of Rome. Self-published, 2015.

References

  1. This has been asserted by some writers, but it may be a confused interpretation of the fact that Zachara Cavalcabo produced the second printing of Viggiani's book in 1588.