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Difference between revisions of "Jörg Wilhalm"

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  | [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] (ca. 1600)
 
  | [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] (ca. 1600)
 
  | [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]] (ca. 1600)
 
  | [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]] (ca. 1600)
  | Munich Ms. (ca. 1700)  
+
  | Munich Ms. (ca. 1600)  
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
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:The two both stand to the right in the over cut
 
:The two both stand to the right in the over cut
  
<p>If you want to behold the art, then to left and right with cuts and left with right is what you strongly desire to fence. Whoever goes after with cutting allow their art little joy. Cut nearing what you want, no change-through comes to your shield. To head, to body, don’t abandon the fencing, with the whole body fence, what you desire to drive strongly, hereafter what you strike crisply on.</p>
+
<p>If you want to behold the art,<br/>then to left and right with cuts<br/>and left with right<br/>is what you strongly desire to fence.<br/>Whoever goes after with cutting<br/>allow their art little joy.<br/>Cut nearing what you want,<br/>no change-through comes to your shield.<br/>To head, to body,<br/>don’t abandon the fencing,<br/>with the whole body fence,<br/>what you desire to drive strongly,</p>
 +
 
 +
<p>hereafter what you strike crisply on.</p>
 
|  
 
|  
 
| {{paget|Page:Cgm 3711|02r|jpg}}
 
| {{paget|Page:Cgm 3711|02r|jpg}}
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| <p>[3] The two both stand on the left in the over cut</p>
 
| <p>[3] The two both stand on the left in the over cut</p>
  
<p>Don’t fight above on the left if you are right handed, and if you are left handed and in the right also severely hindered. Before and after, the two things are the origin of all art. Weak and strong, indes, wait, with that note your work. Thus may you learn your work with art, and whoever frightens easily, he shall not learn to be a fencer.</p>
+
<p>Don’t fight above on the left if you are right handed,<br/>and if you are left handed<br/>and in the right also severely hindered.<br/>Before and after, the two things<br/>are the origin of all art.<br/>Weak and strong,<br/>indes, wait, with that note your work.<br/>Thus may you learn<br/>your work with art, and whoever<br/>frightens easily,<br/>he shall not learn to be a fencer.</p>
 
|  
 
|  
 
| {{paget|Page:Cgm 3711|02v|jpg}}
 
| {{paget|Page:Cgm 3711|02v|jpg}}
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:He stands in the over cut
 
:He stands in the over cut
  
<p>This is the direction, and note: whoever cuts you from above, that you penetrate him with the wrath point and if he becomes aware, then take it away above without risk, and be strong here again, wind, cut and stab, if he sees it, then take it low. Note this precisely: cut, stab, weak and strong and take it with half failers, but hit in as before and behind.</p>
+
<p>This is the direction, and note:</p>
 +
 
 +
<p>whoever cuts you from above,<br/>that you penetrate him with the wrath point<br/>and if he becomes aware,<br/>then take it away above without risk,<br/>and be strong here again,<br/>wind, cut and stab, if he sees it, then take it low.<br/>Note this precisely:<br/>cut, stab, weak and strong</p>
 +
 
 +
<p>and take it with half failers, but hit in as before and behind.</p>
 
| {{paget|Page:Cod.I.6.2º.2|03r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|03r|jpg}}
 
| {{paget|Page:Cgm 3711|04r|jpg}}
 
| {{paget|Page:Cgm 3711|04r|jpg}}
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:The two stand in the war
 
:The two stand in the war
  
<p>This is the direction about the war: Whoever’s war aims above, he will be shamed from above low. Indes, before and after, don’t be quick to your war, understand this in all things if you want to make the war. Gloss note.</p>
+
<p>This is the direction about the war:</p>
 +
 
 +
<p>Whoever’s war aims above,<br/>he will be shamed from above low.<br/>Indes, before and after,<br/>don’t be quick to your war,<br/>understand this in all things<br/>if you want to make the war.</p>
 +
 
 +
<p>Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|02r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|02r|jpg}}
 
| {{paget|Page:Cgm 3711|05r|jpg}}
 
| {{paget|Page:Cgm 3711|05r|jpg}}
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| <p>[9] This play is in the war</p>
 
| <p>[9] This play is in the war</p>
  
<p>This is also about the war, and should also know that in all windings, cleave and stab swords, run-over sword, wind out in all exchanges if you want to fool the masters because there are very many breaks about them and also to them, realize how one bares with the war. Gloss note.</p>
+
<p>This is also about the war, and should also know that</p>
 +
 
 +
<p>in all windings,<br/>cleave and stab<br/>swords, run-over<br/>sword, wind out<br/>in all exchanges<br/>if you want to fool the masters</p>
 +
 
 +
<p>because there are very many breaks about them and also to them, realize how one bares with the war. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|02v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|02v|jpg}}
 
| {{paget|Page:Cgm 3711|05v|jpg}}
 
| {{paget|Page:Cgm 3711|05v|jpg}}
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| <p>[10] This is an outer winding and break from the war</p>
 
| <p>[10] This is an outer winding and break from the war</p>
  
<p>This is another play from the war and a break of the previous play, and is an outer winding that goes: cut or stab, find slices well. You shall also cut, stab, slice below with need in all exchanges if you want to fool the master.</p>
+
<p>This is another play from the war and a break of the previous play, and is an outer winding that goes: cut or stab, find slices well.</p>
 +
 
 +
<p>You shall also<br/>cut, stab, slice below with need<br/>in all exchanges<br/>if you want to fool the master.</p>
 
| {{paget|Page:Cod.I.6.2º.2|04r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|04r|jpg}}
 
| {{paget|Page:Cgm 3711|06r|jpg}}
 
| {{paget|Page:Cgm 3711|06r|jpg}}
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| <p>[11] This is also about the war</p>
 
| <p>[11] This is also about the war</p>
  
<p>This is also about the war: squint to the point and take the neck without apprehension. You shall also turn crooked and search to and on and test his techniques, whether he is soft or hard in his technique. Gloss note.</p>
+
<p>This is also about the war:</p>
 +
 
 +
<p>squint to the point<br/>and take the neck without apprehension.</p>
 +
 
 +
<p>You shall also turn crooked and search to and on and test his techniques, whether he is soft or hard in his technique. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|05r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|05r|jpg}}
 
| {{paget|Page:Cgm 3711|06v|jpg}}
 
| {{paget|Page:Cgm 3711|06v|jpg}}
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:Those are two openings
 
:Those are two openings
  
<p>Here fence to the openings to the head and also to the side. Know to aim for the four openings, thus you will hit wisely without fear, without all doubt how he bares, you will be well aware of that. Also, it comes after at the end hereafter how you shall break the four openings. Gloss note.</p>
+
<p>Here fence to the openings to the head and also to the side.</p>
 +
 
 +
<p>Know to aim for the four openings,<br/>thus you will hit wisely without fear,<br/>without all doubt how he bares,<br/>you will be well aware of that.</p>
 +
 
 +
<p>Also, it comes after at the end hereafter how you shall break the four openings. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|39r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|39r|jpg}}
 
| {{paget|Page:Cgm 3711|09r|jpg}}
 
| {{paget|Page:Cgm 3711|09r|jpg}}
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:He stands in the over-cut
 
:He stands in the over-cut
  
<p>This is about the crooked cut, the direction: Crook on nimbly, throw the point upon the hands. Cut crooked to the flats if you want to weaken the masters. Don’t cut crooked, cut short, with it show your change through, or use if you want to wrestle, and step to him in the triangle. Gloss note.</p>
+
<p>This is about the crooked cut, the direction:</p>
 +
 
 +
<p>Crook on nimbly,<br/>throw the point upon the hands.<br/>Cut crooked to the flats<br/>if you want to weaken the masters.<br/>Don’t cut crooked, cut short,<br/>with it show your change through,</p>
 +
 
 +
<p>or use if you want to wrestle, and step to him in the triangle. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|40r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|40r|jpg}}
 
| {{paget|Page:Cgm 3711|10r|jpg}}
 
| {{paget|Page:Cgm 3711|10r|jpg}}
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:This is the crooked cut from the left side
 
:This is the crooked cut from the left side
  
<p>That is, crook on nimbly. Whoever parries well with striding, he destroys many cuts. Cut crooked to the flats if you want to weaken the masters. When it sparks above, stand away, that I want to praise. Strike crooked and not short cut, with it show the change through. Cut crooked whoever errs you, the noble war confuses him.</p>
+
<p>That is, crook on nimbly.</p>
 +
 
 +
<p>Whoever parries well<br/>with striding, he destroys many cuts.<br/>Cut crooked to the flats<br/>if you want to weaken the masters.<br/>When it sparks above,<br/>stand away, that I want to praise.<br/>Strike crooked and not short cut,<br/>with it show the change through.<br/>Cut crooked whoever errs you,<br/>the noble war confuses him.</p>
 
| {{paget|Page:Cod.I.6.2º.2|40v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|40v|jpg}}
 
| {{paget|Page:Cgm 3711|10v|jpg}}
 
| {{paget|Page:Cgm 3711|10v|jpg}}
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:He hits to the other opening to his right side  
 
:He hits to the other opening to his right side  
  
<p>This is to break openings, and you want to reckon yourself, artfully break the four openings, you double above, rightly mutate below. I say to you truthfully, no man protects himself without danger. If you have heard, he may come to hit nobody. That I have heard. Gloss note.</p>
+
<p>This is to break openings,</p>
 +
 
 +
<p>and you want to reckon yourself,<br/>artfully break the four openings,<br/>you double above,<br/>rightly mutate below.<br/>I say to you truthfully,<br/>no man protects himself without danger.<br/>If you have heard,<br/>he may come to hit nobody.</p>
 +
 
 +
<p>That I have heard. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|08r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|08r|jpg}}
 
| {{paget|Page:Cgm 3711|11r|jpg}}
 
| {{paget|Page:Cgm 3711|11r|jpg}}
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:He stands in the over cut
 
:He stands in the over cut
  
<p>This is the thwart, it takes what comes from the day, then thwart with the strong, with it note your work. The thwart to plow, join hard to the ox, and who thwarts themselves well, with jumping threatens your head, and whoever directs the failer on from below two times aims as he wishes. Gloss note.</p>
+
<p>This is the thwart, it takes<br/>what comes from the day,<br/>then thwart with the strong,<br/>with it note your work.<br/>The thwart to plow,<br/>join hard to the ox,<br/>and who thwarts themselves well,<br/>with jumping threatens your head,</p>
 +
 
 +
<p>and whoever directs the failer on from below two times aims as he wishes. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|07r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|07r|jpg}}
 
| {{paget|Page:Cgm 3711|13r|jpg}}
 
| {{paget|Page:Cgm 3711|13r|jpg}}
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:This is the squinter which breaks in what a buffalo hits or stabs
 
:This is the squinter which breaks in what a buffalo hits or stabs
  
<p>The squinter breaks in what a buffalo hits or stabs. Whoever drives to change, is robbed of it with the squinter. If he squints at you short, to your change-through prevailed against him. Squint to the point and take the neck without apprehension, squint to the upper head nimbly if you want to strive and find beauty.</p>
+
<p>The squinter breaks in<br/>what a buffalo hits or stabs.<br/>Whoever drives to change,<br/>is robbed of it with the squinter.<br/>If he squints at you short,<br/>to your change-through prevailed against him.<br/>Squint to the point<br/>and take the neck without apprehension,<br/>squint to the upper head nimbly<br/>if you want to strive and find beauty.</p>
 
| {{paget|Page:Cod.I.6.2º.2|16r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|16r|jpg}}
 
| {{paget|Page:Cgm 3711|20r|jpg}}
 
| {{paget|Page:Cgm 3711|20r|jpg}}
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:This is the squinter
 
:This is the squinter
  
<p>The squinter is a danger to the face. With its turn, the chest is quickly threatened. What comes from him, the crown takes away. The slice through the crown, thus you break hard and beautifully. Press the strike, withdraw with a slice. In all things, let us make crisply.</p>
+
<p>The squinter<br/>is a danger to the face.<br/>With its turn,<br/>the chest is quickly threatened.<br/>What comes from him,<br/>the crown takes away.<br/>The slice through the crown,<br/>thus you break hard and beautifully.<br/>Press the strike,<br/>withdraw with a slice.</p>
 +
 
 +
<p>In all things, let us make crisply.</p>
 
| {{paget|Page:Cod.I.6.2º.2|16v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|16v|jpg}}
 
| {{paget|Page:Cgm 3711|20v|jpg}}
 
| {{paget|Page:Cgm 3711|20v|jpg}}
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:This is a position
 
:This is a position
  
<p>This is about the four positions, and also always a position and a parry from it. The four positions alone, hold from them, it says, and flee the common. Ox and plow, fool from the day is well his right.</p>
+
<p>This is about the four positions, and also always a position and a parry from it.</p>
 +
 
 +
<p>The four positions alone,<br/>hold from them, it says, and flee the common.<br/>Ox and plow, fool<br/>from the day is well his right.</p>
 
| {{paget|Page:Cod.I.6.2º.2|25r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|25r|jpg}}
 
| {{paget|Page:Cgm 3711|23r|jpg}}
 
| {{paget|Page:Cgm 3711|23r|jpg}}
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|-  
 
|-  
 
| [[File:Cod.I.6.2º.2 26v.jpg|200px|center]]
 
| [[File:Cod.I.6.2º.2 26v.jpg|200px|center]]
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his hands sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
+
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
 
| {{paget|Page:Cgm 3711|24r|jpg}}
 
| {{paget|Page:Cgm 3711|24r|jpg}}
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:This is also a position
 
:This is also a position
  
<p>This is about the four parries, which severely injure the positions, yet beware of parries, if it happens to you necessary, it hurts you, and be crisp and come before. If you have heard, he may come to no art. Gloss note.  
+
<p>This is about the four parries,<br/>which severely injure the positions,<br/>yet beware of parries,<br/>if it happens to you necessary,</p>
 +
 
 +
<p>it hurts you, and be crisp and come before. If you have heard, he may come to no art. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|25v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|25v|jpg}}
 
| {{paget|Page:Cgm 3711|24v|jpg}}
 
| {{paget|Page:Cgm 3711|24v|jpg}}
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|-  
 
|-  
 
| [[File:Cod.I.6.2º.2 31r.jpg|200px|center]]
 
| [[File:Cod.I.6.2º.2 31r.jpg|200px|center]]
| <p>[50] This is about the pursuit. Learn twofold in the scale, and take two from it, and your work begins from it, and test your movements, whether they are soft or hard, learn the same. Indes, that word cuts severely. Pursue twofold, thus you take the old slice with power and have eight. Gloss note.</p>
+
| <p>[50] This is about the pursuit.<br/>Learn twofold in the scale,<br/>and take two from it,<br/>and your work begins from it,<br/>and test your movements,<br/>whether they are soft or hard,<br/>learn the same.<br/>Indes, that word cuts severely.<br/>Pursue twofold,<br/>thus you take the old slice with power</p>
 +
 
 +
<p>and have eight. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|31r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|31r|jpg}}
 
| {{paget|Page:Cgm 3711|26r|jpg}}
 
| {{paget|Page:Cgm 3711|26r|jpg}}
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|-  
 
|-  
 
| [[File:Cod.I.6.2º.2 32v.jpg|200px|center]]
 
| [[File:Cod.I.6.2º.2 32v.jpg|200px|center]]
| <p>[53] This is also about the run over, and that is an inward run over, and whoever aims below, and when one runs over you, then you will be shamed, and if it sparks above, then set it aside, that I will praise. Make your work soft or hard and press that twofold as you wish. Gloss mark.</p>
+
| <p>[53] This is also about the run over, and that is an inward run over,</p>
 +
 
 +
<p>and whoever aims below,<br/>and when one runs over you, then you will be shamed,<br/>and if it sparks above,<br/>then set it aside, that I will praise.<br/>Make your work<br/>soft or hard and press that twofold</p>
 +
 
 +
<p>as you wish. Gloss mark.</p>
 
| {{paget|Page:Cod.I.6.2º.2|32v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|32v|jpg}}
 
| {{paget|Page:Cgm 3711|27v|jpg}}
 
| {{paget|Page:Cgm 3711|27v|jpg}}
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:A long point
 
:A long point
  
<p>This is whoever wants to set-aside, cleave, stab, quickly injure, and whoever wants to stab onto you, thus look that your point hits and his breaks, hits from both sides if you want to step. That is also as a set aside. Gloss note.</p>
+
<p>This is whoever wants to set-aside,<br/>cleave, stab, quickly injure,<br/>and whoever wants to stab onto you,<br/>thus look that your point hits and his breaks,<br/>hits from both sides<br/>if you want to step.</p>
 +
 
 +
<p>That is also as a set aside. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|36r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|36r|jpg}}
 
| {{paget|Page:Cgm 3711|31r|jpg}}
 
| {{paget|Page:Cgm 3711|31r|jpg}}
Line 1,003: Line 1,053:
 
  | width = 272em
 
  | width = 272em
 
}}
 
}}
{{:Jörg Wilhalm Hutter/Armored fencing}}
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{| class="wikitable floated master"
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|-
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! id="thin" | <p>Images<br/>from the Archetype</p>
 +
! <p>{{rating|start}}<br/>by [[Ondřej Vodička]] and [[Michael Chidester]]</p>
 +
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
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! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
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! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
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! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
 +
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version I]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
 +
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]] (1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
 +
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]] (1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}<br/></p>
 +
! <p>Vienna Version (1600)</p>
 +
 
 +
|-
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| [[File:Cod.I.6.4º.5 Ir.jpg|200px|center]]
 +
| <p>[1] Here stand three persons, one rich, one strong, one weak.</p>
 +
 
 +
<p>If the rich man has neither art nor knowledge, he wastes his possessions and belongings and has nothing left.</p>
 +
 
 +
<p>If the strong man has neither art nor courage, he gains neither possessions nor belongings. What good is his strength to him then?</p>
 +
 
 +
<p>If the weak man has art and knowledge, he may use them rightly<ref>With a good intention/forethought</ref> and thus he may obtain great honor and possession.</p>
 +
|
 +
| {{paget|Page:Cgm 3711|59r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|Ir|jpg}}
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| {{paget|Page:Cgm 3712|156r|jpg}}
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|
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|
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|
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|
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|-
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| [[File:Cod.I.6.4º.5 Iv.jpg|200px|center]]
 +
| <p>[2] Help [me], Lord, thou Eternal Word; help [the body] here, the soul there.<ref>The statement as given in the treatises of [[Paulus Kal]] and [[Hans Talhoffer]] is "God, thou Eternal Word, help the body here, the soul there". See [[Page:MS 1825 05v.jpg|MS 1825, fol. 5v]], [[Page:MS Chart.A.558 002r.png|MS Chart.A.558, fol. 2r]], and [[Page:Ms.XIX.17-3 02r.png|Ms.XIX.17-3, fol. 2r]].</ref></p>
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|
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| {{paget|Page:Cgm 3711|59v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|Iv|jpg}}
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| {{paget|Page:Cgm 3712|156v|jpg}}
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| [[File:Cod.I.6.2º.3 01r.png|200px|center]]
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| <p>[3] Here the master introduces his lord into the list, and thus should he hold himself.</p>
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| {{section|Page:Cod.I.6.2º.3 01r.png|2|lbl=01r}}
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| {{paget|Page:Cgm 3711|60r|jpg}}
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| [[File:Cod.I.6.2º.3 01v.png|200px|center]]
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| <p>[4] </p>
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| {{paget|Page:Cod.I.6.2º.3|01v|png}}
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| {{paget|Page:Cgm 3711|60v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|IIv|jpg}}
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| [[File:Cod.I.6.2º.3 02r.png|200px|center]]
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| <p>[5] </p>
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| {{paget|Page:Cod.I.6.2º.3|02r|png}}
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| {{paget|Page:Cgm 3711|61r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|03r|jpg}}
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| {{paget|Page:Cgm 3712|172r|jpg}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057r|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090r|png}}
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| [[File:Cod.I.6.2º.3 02v.png|200px|center]]
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| <p>[6] </p>
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| {{paget|Page:Cod.I.6.2º.3|02v|png}}
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| {{paget|Page:Cgm 3711|61v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|03v|jpg}}
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| {{paget|Page:Cgm 3712|172v|jpg}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057v|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090v|png}}
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| [[File:Cod.I.6.2º.3 03r.png|200px|center]]
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| <p>[7] </p>
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| {{paget|Page:Cod.I.6.2º.3|03r|png}}
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| {{paget|Page:Cgm 3711|62r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|04r|jpg}}
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| [[File:Cod.I.6.2º.3 03v.png|200px|center]]
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| <p>[8] </p>
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| {{paget|Page:Cod.I.6.2º.3|03v|png}}
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| {{paget|Page:Cgm 3711|62v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|04v|jpg}}
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| [[File:Cod.I.6.2º.3 04r.png|200px|center]]
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| <p>[9] </p>
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| {{paget|Page:Cod.I.6.2º.3|04r|png}}
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| {{paget|Page:Cgm 3711|63r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|05r|jpg|blk=1}}
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| [[File:Cod.I.6.2º.3 04v.png|200px|center]]
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| <p>[10] </p>
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| {{paget|Page:Cod.I.6.2º.3|04v|png}}
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| {{paget|Page:Cgm 3711|63v|jpg}}
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| [[File:Cod.I.6.2º.3 05r.png|200px|center]]
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| <p>[11] </p>
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| {{paget|Page:Cod.I.6.2º.3|05r|png}}
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| {{paget|Page:Cgm 3711|64r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|06r|jpg}}
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| [[File:Cod.I.6.2º.3 05v.png|200px|center]]
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| <p>[12] </p>
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| {{paget|Page:Cod.I.6.2º.3|05v|png}}
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| {{paget|Page:Cgm 3711|64v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|06v|jpg}}
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| [[File:Cod.I.6.2º.3 06r.png|200px|center]]
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| <p>[13] </p>
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| {{paget|Page:Cod.I.6.2º.3|06r|png}}
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| {{paget|Page:Cgm 3711|65r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|07r|jpg|blk=1}}
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| [[File:Cod.I.6.2º.3 06v.png|200px|center]]
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| <p>[14] </p>
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| {{paget|Page:Cod.I.6.2º.3|06v|png}}
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| {{paget|Page:Cgm 3711|65v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|07v|jpg|blk=1}}
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| [[File:Cod.I.6.2º.3 07r.png|200px|center]]
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| <p>[15] </p>
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| {{paget|Page:Cod.I.6.2º.3|07r|png}}
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| {{paget|Page:Cgm 3711|66r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|08r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|177r|jpg}}
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| [[File:Cod.I.6.2º.3 07v.png|200px|center]]
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| <p>[16] </p>
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| {{paget|Page:Cod.I.6.2º.3|07v|png}}
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| {{paget|Page:Cgm 3711|66v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|08v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|177v|jpg}}
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|-
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| [[File:Cod.I.6.2º.3 08r.png|200px|center]]
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| <p>[17] </p>
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| {{paget|Page:Cod.I.6.2º.3|08r|png}}
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| {{paget|Page:Cgm 3711|67r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|09r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|178r|jpg}}
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| [[File:Cod.I.6.2º.3 08v.png|200px|center]]
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| <p>[18] </p>
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| {{paget|Page:Cod.I.6.2º.3|08v|png}}
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| {{paget|Page:Cgm 3711|67v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|09v|jpg}}
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| {{paget|Page:Cgm 3712|178v|jpg}}
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| [[File:Cod.I.6.2º.3 09r.png|200px|center]]
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| <p>[19] </p>
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| {{paget|Page:Cod.I.6.2º.3|09r|png}}
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| {{paget|Page:Cgm 3711|68r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|10r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|179r|jpg}}
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| [[File:Cod.I.6.2º.3 09v.png|200px|center]]
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| <p>[20] </p>
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| {{paget|Page:Cod.I.6.2º.3|09v|png}}
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| {{paget|Page:Cgm 3711|68v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|10v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|179v|jpg}}
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| [[File:Cod.I.6.2º.3 10r.png|200px|center]]
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| <p>[21] </p>
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| {{paget|Page:Cod.I.6.2º.3|10r|png}}
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| {{paget|Page:Cgm 3711|69r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|11r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|180r|jpg}}
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| [[File:Cod.I.6.2º.3 10v.png|200px|center]]
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| <p>[22] </p>
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| {{paget|Page:Cod.I.6.2º.3|10v|png}}
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| {{paget|Page:Cgm 3711|69v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|11v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|180v|jpg}}
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| [[File:Cod.I.6.2º.3 11r.png|200px|center]]
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| <p>[23] </p>
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| {{paget|Page:Cod.I.6.2º.3|11r|png}}
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| {{paget|Page:Cgm 3711|70r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|12r|jpg}}
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| {{paget|Page:Cgm 3712|181r|jpg}}
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| [[File:Cod.I.6.2º.3 11v.png|200px|center]]
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| <p>[24] </p>
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| {{paget|Page:Cod.I.6.2º.3|11v|png}}
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| {{paget|Page:Cgm 3711|70v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|12v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|181v|jpg}}
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| [[File:Cod.I.6.2º.3 12r.png|200px|center]]
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| <p>[25] </p>
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| {{paget|Page:Cod.I.6.2º.3|12r|png}}
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| {{paget|Page:Cgm 3711|71r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|13r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|182r|jpg}}
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| [[File:Cod.I.6.2º.3 12v.png|200px|center]]
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| <p>[26] </p>
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| {{paget|Page:Cod.I.6.2º.3|12v|png}}
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| {{paget|Page:Cgm 3711|71v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|13v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|182v|jpg}}
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| [[File:Cod.I.6.2º.3 13r.png|200px|center]]
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| <p>[27] </p>
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| {{paget|Page:Cod.I.6.2º.3|13r|png}}
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| {{paget|Page:Cgm 3711|72r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|14r|jpg}}
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| {{paget|Page:Cgm 3712|183r|jpg}}
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| [[File:Cod.I.6.2º.3 13v.png|200px|center]]
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| <p>[28] </p>
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| {{paget|Page:Cod.I.6.2º.3|13v|png}}
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| {{paget|Page:Cgm 3711|72v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|14v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|183v|jpg}}
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| [[File:Cod.I.6.2º.3 14r.png|200px|center]]
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| <p>[29] </p>
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| {{paget|Page:Cod.I.6.2º.3|14r|png}}
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| {{paget|Page:Cgm 3711|73r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|15r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|184r|jpg}}
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| [[File:Cod.I.6.2º.3 14v.png|200px|center]]
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| <p>[30] </p>
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| {{paget|Page:Cod.I.6.2º.3|14v|png}}
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| {{paget|Page:Cgm 3711|73v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|15v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|184|jpg}}
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| [[File:Cod.I.6.2º.3 15r.png|200px|center]]
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| <p>[31] </p>
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| {{paget|Page:Cod.I.6.2º.3|15r|png}}
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| {{paget|Page:Cgm 3711|74r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|16r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|185r|jpg}}
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| [[File:Cod.I.6.2º.3 15v.png|200px|center]]
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| <p>[32] </p>
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| {{paget|Page:Cod.I.6.2º.3|15v|png}}
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| {{paget|Page:Cgm 3711|74v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|16v|jpg}}
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| {{paget|Page:Cgm 3712|185v|jpg}}
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| [[File:Cod.I.6.2º.3 16r.png|200px|center]]
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| <p>[33] </p>
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| {{paget|Page:Cod.I.6.2º.3|16r|png}}
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| {{paget|Page:Cgm 3711|75r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|17r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|186r|jpg}}
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| [[File:Cod.I.6.2º.3 16v.png|200px|center]]
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| <p>[34] </p>
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| {{paget|Page:Cod.I.6.2º.3|16v|png}}
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| {{paget|Page:Cgm 3711|75v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|17v|jpg}}
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| {{paget|Page:Cgm 3712|186v|jpg}}
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| [[File:Cod.I.6.2º.3 17r.png|200px|center]]
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| <p>[35] </p>
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| {{paget|Page:Cod.I.6.2º.3|17r|png}}
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| {{paget|Page:Cgm 3711|76r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|18r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|187r|jpg}}
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| [[File:Cod.I.6.2º.3 17v.png|200px|center]]
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| <p>[36] </p>
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| {{paget|Page:Cod.I.6.2º.3|17v|png}}
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| {{paget|Page:Cgm 3711|76v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|18v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|187v|jpg}}
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| [[File:Cod.I.6.2º.3 18r.png|200px|center]]
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| <p>[37] </p>
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| {{paget|Page:Cod.I.6.2º.3|18r|png}}
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| {{paget|Page:Cgm 3711|77r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|19r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|188r|jpg}}
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| [[File:Cod.I.6.2º.3 18v.png|200px|center]]
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| <p>[38] </p>
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| {{paget|Page:Cod.I.6.2º.3|18v|png}}
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| {{paget|Page:Cgm 3711|77v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|19v|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|188v|jpg}}
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| [[File:Cod.I.6.2º.3 19r.png|200px|center]]
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| <p>[39] </p>
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| {{paget|Page:Cod.I.6.2º.3|19r|png}}
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| {{paget|Page:Cgm 3711|78r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|20r|jpg|blk=1}}
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| {{paget|Page:Cgm 3712|189r|jpg}}
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| [[File:Cod.I.6.2º.3 19v.png|200px|center]]
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| <p>[40] </p>
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| {{paget|Page:Cod.I.6.2º.3|19v|png}}
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| {{paget|Page:Cgm 3711|78v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|20v|jpg}}
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| {{paget|Page:Cgm 3712|189v|jpg}}
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| [[File:Cod.I.6.2º.3 20r.png|200px|center]]
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| <p>[41] </p>
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| {{paget|Page:Cod.I.6.2º.3|20r|png}}
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| {{paget|Page:Cgm 3711|79r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|21r|jpg}}
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| {{paget|Page:Cgm 3712|190r|jpg}}
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| [[File:Cod.I.6.2º.3 20v.png|200px|center]]
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| <p>[42] </p>
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| {{paget|Page:Cod.I.6.2º.3|20v|png}}
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| {{paget|Page:Cgm 3711|79v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|21v|jpg}}
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| {{paget|Page:Cgm 3712|190v|jpg}}
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| [[File:Cod.I.6.2º.3 21r.png|200px|center]]
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| <p>[43] </p>
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| {{paget|Page:Cod.I.6.2º.3|21r|png}}
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| {{paget|Page:Cgm 3711|80r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|22r|jpg}}
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| {{paget|Page:Cgm 3712|191r|jpg}}
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|-
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| [[File:Cod.I.6.2º.3 21v.png|200px|center]]
 +
| <p>[44] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|21v|png}}
 +
| {{paget|Page:Cgm 3711|80v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|22v|jpg}}
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| {{paget|Page:Cgm 3712|191v|jpg}}
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 22r.png|200px|center]]
 +
| <p>[45] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|22r|png}}
 +
| {{paget|Page:Cgm 3711|81r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|23r|jpg}}
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| {{paget|Page:Cgm 3712|192r|jpg}}
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|
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|
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|-
 +
| [[File:Cod.I.6.2º.3 22v.png|200px|center]]
 +
| <p>[46] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|22v|png}}
 +
| {{paget|Page:Cgm 3711|81v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|23v|jpg}}
 +
| {{paget|Page:Cgm 3712|192v|jpg}}
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 +
{{paget|Page:Cgm 3712|193v|jpg}} [No text]
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 23r.png|200px|center]]
 +
| <p>[47] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|23r|png}}
 +
| {{paget|Page:Cgm 3711|82r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|24r|jpg}}
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| {{paget|Page:Cgm 3712|193r|jpg}}
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|-
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| [[File:Cod.I.6.2º.3 23v.png|200px|center]]
 +
| <p>[48] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|23v|png}}
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| {{paget|Page:Cgm 3711|82v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|24v|jpg}}
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| {{paget|Page:Cgm 3712|194r|jpg}}
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|-
 +
| [[File:Cod.I.6.2º.3 24r.png|200px|center]]
 +
| <p>[49] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|24r|png}}
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| {{paget|Page:Cgm 3711|83r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|25r|jpg}}
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| {{paget|Page:Cgm 3712|194v|jpg}}
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|-
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| [[File:Cod.I.6.2º.3 24v.png|200px|center]]
 +
| <p>[50] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|24v|png}}
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| {{paget|Page:Cgm 3711|83v|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|25v|jpg}}
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| {{paget|Page:Cgm 3712|195r|jpg}}
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|
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|-
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| [[File:Cod.I.6.2º.3 25r.png|200px|center]]
 +
| <p>[51] </p>
 +
| {{paget|Page:Cod.I.6.2º.3|25r|png}}
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| {{paget|Page:Cgm 3711|84r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|26r|jpg}}
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| {{paget|Page:Cgm 3712|195v|jpg}}
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|}
 
{{master end}}
 
{{master end}}
  
Line 1,010: Line 1,693:
 
  | width = 272em
 
  | width = 272em
 
}}
 
}}
{{:Jörg Wilhalm Hutter/Mounted fencing}}
+
{| class="wikitable floated master"
 +
|-
 +
! id="thin" | <p>Images<br/>from the Archetype</p>
 +
! <p>{{rating|start}}<br/>by [[Ondřej Vodička]] and [[Michael Chidester]]</p>
 +
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
 +
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
 +
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version I]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
 +
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]] (1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
 +
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]] (1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}<br/></p>
 +
! <p>Vienna Version (1600)</p>
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 26r.png|200px|center]]
 +
| <p>[1]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|26r|png}}
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| {{paget|Page:Cgm 3711|85r|jpg}}
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| {{paget|Page:Cod.I.6.4º.5|26v|jpg}}
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| {{paget|Page:Cgm 3712|138r|png}}
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|
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|
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|
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|
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|-
 +
| [[File:Cod.I.6.2º.3 26v.png|200px|center]]
 +
| <p>[2]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|26v|png}}
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| {{paget|Page:Cgm 3711|85v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|27r|jpg}}
 +
| {{paget|Page:Cgm 3712|138v|png}}
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|
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|
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|
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|
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 +
 
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|-
 +
| [[File:Cod.I.6.2º.3 27r.png|200px|center]]
 +
| <p>[3]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|27r|png}}
 +
| {{paget|Page:Cgm 3711|86r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|27v|jpg}}
 +
| {{paget|Page:Cgm 3712|139r|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.4º.5 28r.jpg|200px|center]]
 +
| <p>[4]</p>
 +
|
 +
| {{section|Page:Cgm 3711 102r.jpg|1|lbl=102r}}
 +
| {{paget|Page:Cod.I.6.4º.5|28r|jpg}}
 +
| {{paget|Page:Cgm 3712|155r|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.4º.5 28v.jpg|200px|center]]
 +
| <p>[5]</p>
 +
|
 +
| {{section|Page:Cgm 3711 102r.jpg|2|lbl=-}}
 +
| {{paget|Page:Cod.I.6.4º.5|28v|jpg}}
 +
| {{paget|Page:Cgm 3712|155v|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 27v.png|200px|center]]
 +
| <p>[6]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|27v|png}}
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| {{paget|Page:Cgm 3711|86v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|29r|jpg}}
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| {{paget|Page:Cgm 3712|139v|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 28r.png|200px|center]]
 +
| <p>[7]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|28r|png}}
 +
| {{paget|Page:Cgm 3711|87r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|29v|jpg}}
 +
| {{paget|Page:Cgm 3712|140r|png}}
 +
|
 +
|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 28v.png|200px|center]]
 +
| <p>[8]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|28v|png}}
 +
| {{paget|Page:Cgm 3711|87v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|30r|jpg}}
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| {{paget|Page:Cgm 3712|140v|png}}
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|
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|
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|
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|
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|-
 +
| [[File:Cod.I.6.2º.3 29r.png|200px|center]]
 +
| <p>[9]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|29r|png}}
 +
| {{paget|Page:Cgm 3711|88r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|30v|jpg}}
 +
| {{paget|Page:Cgm 3712|141r|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 29v.png|200px|center]]
 +
| <p>[10]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|29v|png}}
 +
| {{paget|Page:Cgm 3711|88v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|31r|jpg}}
 +
| {{paget|Page:Cgm 3712|141v|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 30r.png|200px|center]]
 +
| <p>[11]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|30r|png}}
 +
| {{paget|Page:Cgm 3711|89r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|31v|jpg}}
 +
| {{paget|Page:Cgm 3712|142r|png}}
 +
|
 +
|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 30v.png|200px|center]]
 +
| <p>[12]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|30v|png}}
 +
| {{paget|Page:Cgm 3711|89v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|32r|jpg}}
 +
| {{paget|Page:Cgm 3712|142v|png}}
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|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 31r.png|200px|center]]
 +
| <p>[13]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|31r|png}}
 +
| {{paget|Page:Cgm 3711|90r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|32v|jpg}}
 +
| {{paget|Page:Cgm 3712|143r|png}}
 +
|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 31v.png|200px|center]]
 +
| <p>[14]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|31v|png}}
 +
| {{paget|Page:Cgm 3711|90v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|33r|jpg}}
 +
| {{paget|Page:Cgm 3712|143v|png}}
 +
|
 +
|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 32r.png|200px|center]]
 +
| <p>[15]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|32r|png}}
 +
| {{paget|Page:Cgm 3711|91r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|33v|jpg}}
 +
| {{paget|Page:Cgm 3712|144r|png}}
 +
|
 +
|
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|
 +
|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 32v.png|200px|center]]
 +
| <p>[16]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|32v|png}}
 +
| {{paget|Page:Cgm 3711|91v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|34r|jpg}}
 +
| {{paget|Page:Cgm 3712|144v|png}}
 +
|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 33r.png|200px|center]]
 +
| <p>[17]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|33r|png}}
 +
| {{paget|Page:Cgm 3711|92r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|34v|jpg}}
 +
| {{paget|Page:Cgm 3712|145r|png}}
 +
|
 +
|
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|
 +
|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 33v.png|200px|center]]
 +
| <p>[18]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|33v|png}}
 +
| {{paget|Page:Cgm 3711|92v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|35r|jpg}}
 +
| {{paget|Page:Cgm 3712|145v|png}}
 +
|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 34r.png|200px|center]]
 +
| <p>[19]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|34r|png}}
 +
| {{paget|Page:Cgm 3711|93r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|35v|jpg}}
 +
| {{paget|Page:Cgm 3712|146r|png}}
 +
|
 +
|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 34v.png|200px|center]]
 +
| <p>[20]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|34v|png}}
 +
| {{paget|Page:Cgm 3711|93v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|36r|jpg}}
 +
| {{paget|Page:Cgm 3712|146v|png}}
 +
|
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|
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|
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|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 35r.png|200px|center]]
 +
| <p>[21]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|35r|png}}
 +
| {{paget|Page:Cgm 3711|94r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|36v|jpg}}
 +
| {{paget|Page:Cgm 3712|147r|png}}
 +
|
 +
|
 +
|
 +
|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 35v.png|200px|center]]
 +
| <p>[22]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|35v|png}}
 +
| {{paget|Page:Cgm 3711|94v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|37r|jpg}}
 +
| {{paget|Page:Cgm 3712|147v|png}}
 +
|
 +
|
 +
|
 +
|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 36r.png|200px|center]]
 +
| <p>[23]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|36r|png}}
 +
| {{paget|Page:Cgm 3711|95r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|37v|jpg}}
 +
| {{paget|Page:Cgm 3712|148r|png}}
 +
|
 +
|
 +
|
 +
|
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 +
|-
 +
| [[File:Cod.I.6.2º.3 36v.png|200px|center]]
 +
| <p>[24]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|36v|png}}
 +
| {{paget|Page:Cgm 3711|95v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|38r|jpg}}
 +
| {{paget|Page:Cgm 3712|148v|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 37r.png|200px|center]]
 +
| <p>[25]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|37r|png}}
 +
| {{paget|Page:Cgm 3711|96r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|38v|jpg}}
 +
| {{paget|Page:Cgm 3712|149r|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 37v.png|200px|center]]
 +
| <p>[26]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|37v|png}}
 +
| {{paget|Page:Cgm 3711|96v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|39r|jpg}}
 +
| {{paget|Page:Cgm 3712|149v|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 38r.png|200px|center]]
 +
| <p>[27]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|38r|png}}
 +
| {{paget|Page:Cgm 3711|97r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|39v|jpg}}
 +
| {{paget|Page:Cgm 3712|150r|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 38v.png|200px|center]]
 +
| <p>[28]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|38v|png}}
 +
| {{paget|Page:Cgm 3711|97v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|40r|jpg}}
 +
| {{paget|Page:Cgm 3712|150v|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 39r.png|200px|center]]
 +
| <p>[29]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|39r|png}}
 +
| {{paget|Page:Cgm 3711|98r|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|40v|jpg}}
 +
| {{paget|Page:Cgm 3712|151r|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 39v.png|200px|center]]
 +
| <p>[30]</p>
 +
| {{paget|Page:Cod.I.6.2º.3|39v|png}}
 +
| {{paget|Page:Cgm 3711|98v|jpg}}
 +
| {{paget|Page:Cod.I.6.4º.5|41r|jpg}}
 +
| {{paget|Page:Cgm 3712|151v|png}}
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| [[File:Cod.I.6.2º.3 40r.png|200px|center]]
 +
| <p>[31]</p>
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{{:Jörg Wilhalm Hutter/Secondary}}
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! id="thin" | <p>Images<br/></p>
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! <p>{{rating|B}}<br/>by [[Michael Chidester]]</p>
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! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
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! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
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! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
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Revision as of 03:23, 1 February 2017

Jörg Wilhalm Hutter
Born 15th century
Died 16th century
Occupation
Citizenship Augsburg, Germany
Movement Augsburg tradition
Influences
Influenced
Genres Fencing manual
Language Early New High German
Notable work(s) Jörg Wilhalm Hutters kunst zu
Augspurg
Archetype(s)
Manuscript(s)
Concordance by Michael Chidester
Signature Jörg Wilhalm sig.jpg

Jörg Wilhalm Hutter was a 16th century German fencing master. In addition to his fencing practice, his surname signifies that he was a hatter by trade, a fact that is confirmed in the tax records of Augsburg, Germany in 1501, 1504, and 1516.[citation needed]

Treatise

There are four works commonly attributed to Hutter: a work on unarmored longsword fencing in the tradition of Johannes Liechtenauer, works on armored and mounted dueling that appear to be based on those of the early 15th century (relying on obsolete armor designs), and a fourth series of 32 uncaptioned illustrations portraying scenes of judicial dueling. However, it is unclear if Hutter authored all of these works or, like Lienhart Sollinger and Paulus Hector Mair afterward, he merely compiled existing works together and placed his name on them as an indication of ownership. The development of the armored dueling treatise can be traced through a draftbook and rough early complete draft, but the same is not true of the unarmored longsword, which appears to be based on the MS Cl. 23842 from the 1490s and is accompanied by a version of the pseudo-Peter von Danzig gloss that Gregor Erhart attributes to one Nicolaüs in 1489.[1]

There are three extant manuscripts of Hutter's treatises written between 1522 and 1523. The oldest of Hutter's manuscripts, Cod. I.6.4º.5,[2] consists of numbered but uncaptioned illustrations of armored fencing and mounted fencing; for this reason, Hils assumed it was the draftbook used to develop the others.[citation needed] This draftbook, along with the completed Cod. I.6.2º.3, were created in 1522. In 1523, Hutter seems to have created an accompanying longsword treatise, preserved in the Cod. I.6.2º.2.

Some time soon after this, all of Hutter's works, including the brief series of uncaptioned illustrations, were compiled into the Cgm 3711. This manuscript has some oddities not found in the others, including carnival costumes on some of the fighters and a pretzel salesman appearing in the illustration on folio 11r. It's currently unclear whether Hutter was involved in the creation of this manuscript or not, but it appears to be a presentation copy of the collected works and includes content unique to each of the three earlier manuscripts.

Hutter's longsword treatise was copied by scultor Gregor Erhart into the MS E.1939.65.354 in 1533, which was later acquired by Lienhart Sollinger and used as a source for his Cgm 3712. The Cod. I.6.2º.2 was acquired by Paulus Hector Mair in 1544, the Codex I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Codex I.6.2º.3 in 1561. The second was used as the primary source for his writings on armored and mounted fencing; due to its lack of text, he inserted his own descriptions of the devices—descriptions which diverge noticeably from Hutter's own explanations in the Cod. I.6.2º.3.

A final set of manuscripts containing Hutter's work were prepared by Jeremias Schemels von Augsburg in 1589. These contain Hutter's original text, unlike Mair's presentation, but the artwork is not entirely consistent with any known version of Hutter's work, suggesting that more remain to be discovered.

Additional Resources

References

  1. MS E.1939.65.354, folio 189r.
  2. Generally we refer to manuscripts by their locations for ease of communication, but with three of the ten manuscripts in Augsburg, three in Wolfenbüttel, and two in Munich, that's not really feasible here.
  3. windest
  4. korrigiert aus »halben«
  5. from ehert
  6. loss
  7. Treibn?
  8. Meaning as though armored
  9. At the end of the first line “zwiuach” is written with an “h” which is a scribal error.
  10. Note: different hand
  11. Same hand as previous.
  12. Change in scribe's hand?
  13. schnidt
  14. Change in hand
  15. With a good intention/forethought
  16. Disappears into the margin.
  17. The rest of the paragraph is cut off.
  18. The statement as given in the treatises of Paulus Kal and Hans Talhoffer is "God, thou Eternal Word, help the body here, the soul there". See MS 1825, fol. 5v, MS Chart.A.558, fol. 2r, and Ms.XIX.17-3, fol. 2r.
  19. Word disappears into margin.
  20. unleserliche Notiz zweier Wörter am unteren Seitenrand
  21. The last word disappears partly in trimming.
  22. The rest of the text is badly damaged at the bottom, disappears in the trimming and is not decipherable.
  23. The text disappears in trimming and is not decipherable.
  24. The rest of the text disappears in trimming and is not decipherable.
  25. The text disappears in trimming and is not decipherable.
  26. The text disappears in trimming.
  27. The rest of the text disappears in trimming and is not decipherable.
  28. The text disappears in trimming and is not decipherable.
  29. The text disappears in trimming and is not decipherable.
  30. The text disappears in trimming and is not decipherable.
  31. The rest of the text disappears in trimming and is not decipherable.
  32. In a second hand.
  33. In a third hand.
  34. In a different hand.
  35. In a different hand.
  36. korrigiert aus »mich«
  37. korrigiert aus »tengke«
  38. Notiz Mairs
  39. Notiz Mairs
  40. At the lower edge are remnants of a line written by another hand, but which is unreadable and lost to a later recutting of the manuscript.