Wiktenauer logo.png

Difference between revisions of "Johannes Liechtenauer"

From Wiktenauer
Jump to navigation Jump to search
(85 intermediate revisions by the same user not shown)
Line 1: Line 1:
{{Infobox medieval text
+
{{infobox medieval text
 
<!-- --------Name---------->
 
<!-- --------Name---------->
 
| name                  = Die Zettel
 
| name                  = Die Zettel
Line 5: Line 5:
 
<!----------Image---------->
 
<!----------Image---------->
 
| image                = File:Johannes Liechtenauer.png
 
| image                = File:Johannes Liechtenauer.png
| width                = 250px
+
| width                =  
 
| caption              =  
 
| caption              =  
 
<!----------Information---------->
 
<!----------Information---------->
Line 17: Line 17:
 
| dedicated to          =  
 
| dedicated to          =  
 
| audience              =  
 
| audience              =  
| language              = [[language::Middle High German]]
+
| language              = [[language::Early New High German]]
| date                  = Fourteenth century (?)
+
| date                  = Fifteenth century (?)
 
| state of existence    =  
 
| state of existence    =  
 
<!----------Manuscript Information---------->
 
<!----------Manuscript Information---------->
Line 27: Line 27:
 
| archetype(s)          = Hypothetical
 
| archetype(s)          = Hypothetical
 
| manuscript(s)        = {{collapsible list
 
| manuscript(s)        = {{collapsible list
  | [[Nuremberg Hausbuch (MS 3227a)|MS 3227a]] (ca. 1400s)
+
  | [[Pol Hausbuch (MS 3227a)|MS 3227a]] (ca. 1400s)
  | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1443)
+
  | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448)
  | [[Codex Danzig (Cod.44.A.8)|Cod.44.A.8]] (1452)
+
  | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]] (1452)
 
  | [[Talhoffer Fechtbuch (MS Thott.290.2º)|MS Thott.290.2º]] (1459)
 
  | [[Talhoffer Fechtbuch (MS Thott.290.2º)|MS Thott.290.2º]] (1459)
  | [[Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]] (ca. 1465-80)
+
  | [[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]] (ca. 1465-80)
 
  | [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca.1470)
 
  | [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca.1470)
| [[Die Meisterlieder des Hans Folz (MS Q.566)|MS Q.566]] (1479)
 
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
  | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
+
  | [[Codex Speyer (MS M.I.29)|MS M..29]] (1491)
 
  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (ca. 1504-19)
 
  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (ca. 1504-19)
 
  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1510-20)
 
  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1510-20)
 +
| [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
 
  | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] (1523)
 
  | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] (1523)
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]] (1523)
+
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod..6.2º.2]] (1523)
 
  | [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
 
  | [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
 
  | [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
 
  | [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
Line 57: Line 57:
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a [[nationality::German]] [[fencing master]] in the 14th or [[century::15th century]]. No direct record of his life or teachings currently exists, and all that we know of both comes from the writings of other masters and scholars. The only account of his life was written by the anonymous author of the [[Nuremberg Hausbuch (MS 3227a)|Nuremberg Hausbuch]], one of the oldest texts in the tradition, who stated that "Master Liechtenauer learnt and mastered the Art in a thorough and rightful way, but he did not invent and put together this Art (as was just stated). Instead, he traveled and searched many countries with the will of learning and mastering this rightful and true Art." He may have been alive at the time of the creation of the fencing treatise contained in the Nuremberg Hausbuch, as that source is the only one to fail to accompany his name with a blessing for the dead.
+
'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a [[nationality::German]] [[fencing master]] in the 14th or [[century::15th century]]. No direct record of his life or teachings currently exists, and all that we know of both comes from the writings of other masters and scholars. The only account of his life was written by the anonymous author of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], one of the oldest texts in the tradition, who stated that "Master Liechtenauer learnt and mastered the Art in a thorough and rightful way, but he did not invent and put together this Art (as was just stated). Instead, he traveled and searched many countries with the will of learning and mastering this rightful and true Art." He may have been alive at the time of the creation of the fencing treatise contained in the Pol Hausbuch, as that source is the only one to fail to accompany his name with a blessing for the dead.
  
 
Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and a long poem called the ''Zettel'' ("Recital") is generally attributed to him by these masters. Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
 
Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and a long poem called the ''Zettel'' ("Recital") is generally attributed to him by these masters. Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
  
Additional facts have sometimes been presumed about Liechtenauer based on often-problematic premises. The Nuremberg Hausbuch, often erroneously dated to 1389 and presumed to be written by a direct student of Liechtenauer's, has been treated as evidence placing Liechtenauer's career in the mid-1300s.<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref> However, given that the Nuremberg Hausbuch may date as late as 1494 and the earliest records of the identifiable members of his tradition appear in the early 1400s, it seems more probable that Liechtenauer's career occurred toward the beginning of the 15th century. Ignoring the Nuremberg Hausbuch as being of indeterminate date, the oldest version of the Recital appears in the [[Modus Dimicandi (MS G.B.f.18.a)|MS G.B.f.18.a]], dating to ca. 1418-28 and attributed to an [[H. Beringer]], which both conforms to this timeline and suggests the possibility that Liechtenauer was himself an inheritor of the teaching rather than its original composer (presentations of the Recital that are entirely unattributed exist in other 15th and 16th century manuscripts).
+
Additional facts have sometimes been presumed about Liechtenauer based on often-problematic premises. The Pol Hausbuch, often erroneously dated to 1389 and presumed to be written by a direct student of Liechtenauer's, has been treated as evidence placing Liechtenauer's career in the mid-1300s.<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref> However, given that the Pol Hausbuch may date as late as 1494 and the earliest records of the identifiable members of his tradition appear in the mid 1400s, it seems more probable that Liechtenauer's career occurred toward the beginning of the 15th century. Ignoring the Pol Hausbuch as being of indeterminate date, the oldest version of the Recital that is attributed to Liechtenauer was recorded by [[Hans Talhoffer]] in the [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (ca. 1448), which further supports this timeline.<ref>There is one version of the Recital that predates Talhoffer's, recorded in [[Modus Dimicandi (MS G.B.f.18a)|MS G.B.f.18a]] (ca. 1418-28) and attributed to an [[H. Beringer]]; this also conforms to a 15th century timeline and suggests the possibility that Liechtenauer was himself an inheritor of the teachings contained in the Zettel rather than its original composer (presentations of the Recital that are entirely unattributed exist in other 15th and 16th century manuscripts). Alternatively, the Beringer verse, which includes only portions of the Recital on the Long Sword, may represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in 3227a.</ref>
  
 
== Treatise ==
 
== Treatise ==
  
Liechtenauer's teachings are preserved in a brief poem of rhyming couplets called the ''Zettel'' ("Recital"). These "secret and hidden words" were intentionally cryptic, probably to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Jud Lew]] wrote extensive [[gloss]]es that sought to clarify and expand upon these teachings.
+
Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the ''Zettel'' ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword), the "short" or withdrawn sword (i.e. with one hand at either end), and on horseback. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Lew]] wrote extensive [[gloss]]es that sought to clarify and expand upon these teachings.
  
Twenty-one manuscripts contain a presentation of the Recital as a separate (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is found in the gloss from the [[Nuremberg Hausbuch (MS 3227a)|Nuremberg Hausbuch]], which contains almost twice as many verses as any other. However, given that the additional verses tend to either consist of repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the standard Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only the version attributed to H. Beringer (which is also included in the writings of [[Hans Folz]]).
+
In addition to the verses on mounted fencing, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (''figuren'')—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtneauer's techniques. It is not known why the mounted fencing is the only section of the Recital to receive figures in addition to verse.
  
The following tables include only those manuscripts that quote Liechtenauer's Recital in an unglossed form. Note that in the case of Beringer and Folz, the verse is presented in an alternative sequence; they have been reordered to match the others in this rendition, but you can find the original layout in their articles.
+
Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], which contains almost twice as many verses as any other; however, given that the additional verses tend to either consist of repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only that attributed to Beringer (which is also included in the writings of [[Hans Folz]]).
 +
 
 +
The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.<ref>The figures are often given as a preamble for the [[gloss]] of [[Lew]], and a fragment of the short sword to the teachings of [[Martin Huntsfeld]], but those instances will not be included below and instead treated as part of those treatises.</ref> Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view. For ease of use, this page breaks the general Wiktenauer rule that column format remain consistent across all tables on a page; the sheer number of Liechtenauer sources made this convention entirely unworkable, with more columns empty than filled, so instead the long sword table uses one layout, the mounted and short sword tables use another, and the figures use a third.
  
 
{{master begin
 
{{master begin
 
   | title = Long Sword
 
   | title = Long Sword
   | width = 532em
+
   | width = 480em
 
}}
 
}}
 
<section begin="credits"/>
 
<section begin="credits"/>
{| class="wikitable floated master"
+
{| class="master"
 
|-  
 
|-  
 
! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>Rome Version by [[Christian Tobler]]</p>
 
! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>Rome Version by [[Christian Tobler]]</p>
! <p>[[Nuremberg Hausbuch (MS 3227a)|Nuremberg Transcription]] (1400s){{edit index|Nuremberg Hausbuch (MS 3227a)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] (1443){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
 
 
! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Transcription]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>by [[Dieter Bachmann]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Transcription]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>by [[Dieter Bachmann]]</p>
! <p>[[Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel I Transcription]] (ca. 1465-80){{edit index|Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Transcription]] (ca. 1465-80){{edit index|Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich I Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Die Meisterlieder des Hans Folz (MS Q.566)|Wiemar Transcription]] (1479){{edit index|Die Meisterlieder des Hans Folz (MS Q.566)}}<br/>by [[Andreas Meier]]</p>
+
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] A (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] B (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
 
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1510-20){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Grzegorz Żabiński]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1510-20){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Grzegorz Żabiński]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich II Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>by [[Filip Lampart]] and [[Martin Fabian]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>by [[Filip Lampart]] and [[Martin Fabian]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg I Transcription]] (1523){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Transcription]] (1523){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg II Transcription]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>by [[Werner Ueberschär]]</p>
+
! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Transcription]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/></p>
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich III Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/>
+
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Transcription]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>by [[Werner Ueberschär]]</p>
! <p>[[Hans Endter Fechtbuch|Hans Entner Transcription]] (before 1562){{edit index|Hans Endter Fechtbuch}}<br/>by [[Carl Michael Wiechmann-Kadow]]</p>
+
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/>
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (1563-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Transcription]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>by [[Kevin Maurer]]</p>
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel II Transcription]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>by [[Kevin Maurer]]</p>
 
 
<section end="credits"/>
 
<section end="credits"/>
 
|-  
 
|-  
| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}</p>
+
| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}<br/><br/></p>
  
 
<p>first with the long sword, then with the lance and sword on horseback, and then with the short sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.</p>
 
<p>first with the long sword, then with the lance and sword on horseback, and then with the short sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.</p>
|
 
 
| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r}}
 
| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r}}
 
| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=3r}}
 
| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=3r}}
Line 108: Line 106:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS KK5126 104v.jpg|1|lbl=104v}}
 +
| {{section|Page:MS Dresd.C.487 003r.png|1|lbl=03r}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
| '''[3r] {{red|IN sant Jörgen namen höbt an die kunst deß fechtens die gedicht vnd gemacht hat Johanns liechtnawer der ain hocher maister In den kunste~ gewesen ist dem gott genädig sÿ}}'''
 
{{red|Deß ersten mitt dem langen schwert Dar nach mitt dem spieß Vnnd dem schwert zu° roß Vnnd och mitt dem kurczen schwert zu° dem kampf als her nach geschriben stat ~ ~~ ~~ ~}}
 
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
|
 
|
 
| '''[2r] {{red|Dis ist die vorred. Hans liechtenawers fechter buoch.}}'''
 
 
[The subsequent preface is almost the same as in the [[Codex Danzig (Cod.44.A.8)|Rome Codex]], only with slightly different orthographics. At the bottom of the page is a short horizontal rule with knights fighting whilst riding on goats.]
 
 
|  
 
|  
 
|  
 
|  
Line 153: Line 146:
 
| This you should grasp:<br/>&emsp;All arts have length and measure.
 
| This you should grasp:<br/>&emsp;All arts have length and measure.
 
|}
 
|}
|
 
 
| <p><br/></p>
 
| <p><br/></p>
  
Line 160: Line 152:
 
{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=3v|p=1}}
 
{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=3v|p=1}}
 
|  
 
|  
| <br/><br/>
+
| <p><br/></p>
<poem>'''[Ir]''' Junck ritt° leren
 
got leiff han vñ vroe~ eren
 
So wesset dyn ere
 
vber rut°schaff vñ lere
 
kunst dy dych syret
 
vnd i~ krich ser hoffet°
 
Dagge swert stãge lãse schon
 
Messer bockler has vñ rõken
 
Taegñ darde vnd schilt
 
Miden allen zu ringe~ uff du wilt
 
Och ku~stlich vñ me~lich boderue~
 
vnd eyne~ i~ syne~<sup> hute~ </sup>vñ hãde~ vorderue~
 
haw vrisch dar i~ vñ harren
 
Dar dorch rusch driff lat varre~
 
Das dich dei wissen
 
hassen dei me~ sicht p°sen
 
Dar uff dich lasse
 
alle dinck hat lenge vñ masse</poem>
 
| <br/><br/>
 
<poem>'''[44r]''' {{red|junger Ritter}} Lern
 
got lieb haben vnd frawn Ir ere
 
So wächst dein ere
 
v’ber alle Ritterschaft / vnd lern
 
kunst dye dich Ziernndt
 
vnd In kriegen Zu Ernn Hofiernndt
 
Ringen ist gúet pesser
 
spies Swerrt vnd messer
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|1|lbl=Ⅲr}}
 +
| <p><br/></p>
  
ettlich
+
{{paget|Page:MS 1825|45r|jpg|p=1}}<br/>{{section|Page:MS 1825 45v.jpg|1|lbl=45v|p=1}}
In andern hant[e]n verderben
+
| <p><br/></p>
'''[44v]''' kúndt er kunst er möchte ere
 
erwerben</poem>
 
 
 
(Transcribed from the [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] by [[Carsten Lorbeer]], [[Julia Lorbeer]], [[Andreas Meier]], and [[Marita Wiedner]])
 
| <br/><br/>
 
<poem>'''[104v]''' Junger ritter lern
 
got lieb habenn und frauen zo<ref>Kein eindeutiges z.</ref> ere
 
so [v]ächst<ref>The first letter has been corrected so that the word is ambiguous to identify.</ref> dein ere
 
vber alle Ritterschafft vnd lern
 
chunst die dich ziern
 
vnd in kriegen ser hoffi{{dec|o|er}}t
 
ring[e]n <sup>ist</sup> guet die pesser
 
sper swert <sup>vnd</sup> messer
 
 
 
 
 
degenn mandlich zw peberben
 
vnd in andern henden zu ver derbenn</poem>
 
|
 
|
 
| <br/><br/>
 
<poem>Jüngk ritte~ lere /
 
gott liebhaben frowen ja <del>e</del>ere~
 
so wechst dein ere
 
über ritterschafft vnd lere
 
kunst die dich ziert
 
Vnnd in kriegen zu° eren hofiert
 
Ringes gu°tt '''[3v]''' fesset
 
glefen sper schwert vnnd messer
 
  
 +
{{section|Page:MS KK5126 104v.jpg|2|lbl=-}}
 +
| <p><br/></p>
  
Manlich bederben
+
{{section|Page:MS Dresd.C.487 003r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 003v.png|1|lbl=03v|p=1}}
Vnnd In andern henden verdörben
 
Haw dren vnnd hart dar
 
Rau°schen treffen ode~ la farn
 
Das in die wÿsen
 
hassen die man sicht brÿsen
 
daruff dich fasse
 
Alle kunst haben leng~ vnd masse</poem>
 
 
|  
 
|  
 
|  
 
|  
Line 287: Line 221:
 
|}
 
|}
 
|  
 
|  
|
+
{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=-|p=1}} {{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v|p=1}}
{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v|p=1}}
 
 
| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=-}}
| {{section|Page:Ms.Thott.290.2º 002r.jpg|1|lbl=2r}}
+
| {{section|Page:MS Thott.290.2º 002r.jpg|1|lbl=2r}}
| <br/><br/>
+
| <p><br/><br/></p>
<poem>Wiltu kunst schawe~
 
So saltu linck gein sein vñ recht howe~
 
vnd linck mid rechte~
 
Is dastu recht gerest vechten
 
wer na geit hauwe~
 
Der darff sich kunst clein frowe~
 
haw nacht was du wilt
 
keyn weissel vber kom dine~ schilt
 
Tho coppe oder to lebe
 
Dey tzucke du nicht myde
 
Mid gãse~ luiewe
 
fycht wes du gerst driue~
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|2|lbl=-}}
 +
| {{section|Page:MS 1825 45v.jpg|2|lbl=-}}
 +
| {{section|Page:MS KK5126 104v.jpg|3|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 003v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 004r.png|1|lbl=04r|p=1}} {{section|Page:MS Dresd.C.487 004v.png|1|lbl=04v|p=1}}
 +
|
 +
|
 +
{{section|Page:MS Germ.Quart.2020 001r.jpg|1|lbl=01r|p=1}} {{section|Page:MS Germ.Quart.2020 001v.jpg|1|lbl=01v|p=1}}
 +
| {{section|Page:Cgm 3711 43r.jpg|1|lbl=43r}}
 +
| {{section|Page:Cod.I.6.2º.2 42br.jpg|1|lbl=42br}}
 +
|
 +
|
 +
|
 +
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|1|lbl=48r}}
 +
<section begin="Hauptstücke"/>
 +
|-
 +
| <p>{{red|b=1|This is the text:}}<br/><br/></p>
  
har was dar sclicht ist
+
{| class="zettel"
vicht nicht lick so du recht bist
+
|-
vnd ob du linck bist
+
| <small>23</small>
vñ i~ dem linken biske hi~kest
+
| Wrath Stroke, Crooked, Thwart,<br/>&emsp;Squinter and Scalper,
vor vñ nach dei tze dinck
+
|-
sint aller kunst ey~ orsprunck
+
| <small>24</small>
Swache vñ sterke
+
| Fool parries<br/>&emsp;chasing, overrunning gives strokes,
Indes das mede merke
+
|-
So machstu leren
+
| <small>25</small>
Mid kunsten arbeide~ vñ were~
+
| change through, pull,<br/>&emsp;run through, slice off, press the hands,
Er strickestu geren
+
|-
keyn vechten nu~mer leren
+
| <small>26</small>
ffunff haw dei leren
+
| hang, wind with the openings;<br/>&emsp;strike, catch, slash, thrust with jabs.
van der rechten hant zo weren
+
|}
Dei wi geloben
+
| {{section|Page:MS Chart.A.558 018v.jpg|2|lbl=-}}
In kunsten ser zo loben</poem>
+
|
| '''Ain gemaine lere'''
+
{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=4r|p=1}}
<poem>
+
| {{section|Page:MS Thott.290.2º 002v.jpg|1|lbl=2v}}
 
+
| <p><br/><br/></p>
Wildw kunst schawn
 
siech linck geen vnd recht mit mit(sic) hawn
 
vnd linck mit rechtem.  
 
Jst das du starck gerest Zw vechten
 
wer nach get hawn
 
der bedarf sich kunst wemg</poem>
 
 
 
(Transcribed from the MS 1825 by Carsten Lorbeer, Julia Lorbeer, Andreas Meier, and Marita Wiedner)
 
| '''vnde verso'''<ref>Written larger than normal.</ref>
 
<poem>
 
 
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|3|lbl=-}}
 +
|
 +
| <p><br/><br/></p>
  
 +
{{section|Page:MS KK5126 104v.jpg|4|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 004v.png|2|lbl=-}}
 +
|
 +
| {{section|Page:MS Germ.Quart.2020 001v.jpg|2|lbl=-}}
 +
| {{section|Page:Cgm 3711 43r.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 42br.jpg|2|lbl=-}}
 +
|
 +
|
 +
|
 +
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|2|lbl=-}}
 +
<section end="Hauptstücke"/><section begin="Zornhaw"/>
 +
|-
 +
| <p>{{red|b=1|The Wrath Stroke}}</p>
  
 +
{| class="zettel"
 +
|-
 +
| <small>27</small>
 +
| Who strikes at you above,<br/>&emsp;the Wrath stroke threatens him with the point.
 +
|-
 +
| <small>28</small>
 +
| If he becomes aware of it,<br/>&emsp;take it away above without fear.
 +
|-
 +
| <small>29</small>
 +
| Be strong against it;<br/>&emsp;wind, thrust. If he sees that, take it down.
 +
|-
 +
| <small>30</small>
 +
| Note this:<br/>&emsp;strike, thrust, posture, soft or hard,
 +
|-
 +
| <small>31</small>
 +
| Instantly, and Before and After.<br/>&emsp;Your War should not be in haste.
 +
|}
 +
| {{section|Page:MS Chart.A.558 018v.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 004r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 002v.jpg|2|lbl=-}}
 +
| <p><br/></p>
  
wer nach get haw[e]n
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|4|lbl=-}}
de[r] dorff sich ge kunst [...] frew[e]n
+
| <p><br/></p>
hort vn[d] waß du willt
 
ke[in] wechsler ku[m] an de[in] schiltt
 
  
 +
<p><br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg|p=1}}</p>
 +
| {{section|Page:MS KK5126 104v.jpg|5|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 004v.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|1|lbl=05r|p=1}}
 +
| <p><br/></p>
  
 +
{{section|Page:MS Dresd.C.487 055v.png|3|lbl=55v|p=1}} {{section|Page:MS Dresd.C.487 056r.png|1|lbl=56r|p=1}}
 +
| {{section|Page:MS Germ.Quart.2020 001v.jpg|3|lbl=-}}
  
[...] ficht mit gancz[en] leibe gerstu stet [...]
+
{{section|Page:MS Germ.Quart.2020 002r.jpg|1|lbl=02r}}
 
+
| {{section|Page:Cgm 3711 43r.jpg|3|lbl=-}}
 
+
| {{section|Page:Cod.I.6..2 42br.jpg|3|lbl=-}}
hor wj de schlecht ist
+
|
fecht nit link w[e]n du recht pist
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|1|lbl=15r}}
iß das du lintest
+
|
in dem fechten du sere hinkest
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|3|lbl=-}}
vor nach vn[d] diese zwey di[n]g
+
<section end="Zornhaw"/><section begin="Krieg"/>
Sint diser kunst ein vrsprung
+
|-
Ez wert vn[d] schlecht
+
| <p>{{red|b=1|''The War''}}</p>
jn des
 
  
 +
{| class="zettel"
 +
|-
 +
| <small>32</small>
 +
| Who to the War tends above,<br/>&emsp;gets ashamed below.
 +
|-
 +
| <small>33</small>
 +
| In all winding<br/>&emsp;learn to find stroke, thrust, and slice.
 +
|-
 +
| <small>34</small>
 +
| Also you should<br/>&emsp;Apply stroke, thrust, or slice,
 +
|-
 +
| <small>35</small>
 +
| In all encounters,<br/>&emsp;if you want to fool the masters.
 +
|}
 +
| {{section|Page:MS Chart.A.558 018v.jpg|4|lbl=-}}
 +
| <p><br/></p>
  
der schrikstu g[er]n
+
{{section|Page:Cod.44.A.8 004r.jpg|3|lbl=-}}
ke[in] fecht[e]n [ni[m]] e[r] me[r] gele[r]n</poem>
+
| <p><br/></p>
| '''das ist ein gemaine ler des langenn Swercz vnnd ist das die vor redt'''
 
<poem>[W]jld dw chunnst schauen
 
sich tenncken vnd recht mit hauen
 
vnd tennck mit gerechten
 
jst das dw starck gerst zw fechten
 
wer nach get hewen
 
der darf sich der chunst wenig freien<ref>In the Bavarian dialect: freien = freuen, a freit = eine Freude.</ref>
 
haw nachet was dw wild
 
chain wechsler chumbt an deinen schilt
 
zw ch<del>n</del>op zw leyb
 
die zeck nit vermeid
 
mit ganczem leib
 
ficht was was (sic) dw starck gerest zw treibenn
 
  
 +
{{section|Page:MS Thott.290.2º 002v.jpg|3|lbl=-}}
 +
| <p><br/></p>
  
hor was da slecht ist
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|5|lbl=-}}
ficht nicht oben lingk yst das dw recht pist
 
vnd ob dw linck pist
 
jm rechten auch ser hinckest
 
vor vnd nach die zwai ding
 
Sind aller ding ein vrsprung
 
Swech vnd sterch
 
jnndes das wort da mit merck
 
so magstu lernen
 
mit chunst arbatten vnd wern
 
erschrickest dw gern
 
chain fechten nymer lern
 
funff hew lern
 
von der rechten hand wider die were
 
den wir in chunsten geloben
 
gern zu lonen</poem>
 
 
|  
 
|  
| {{red|b=1|Das ist ain gemain lere des langen schwerts}}
+
| <p><br/></p>
<poem>
 
  
Wilt du kunst schawen
+
{{section|Page:MS KK5126 104v.jpg|6|lbl=-}}
sich linckgen vñ recht mitt hawen
+
| <p><br/></p>
vñ linck mitt rechtem
 
Ist dz du starck gerest fechten
 
Wer nach gät hawen
 
der darff '''[4r]''' sich kunst wenig fröwen
 
Häw nahent waß du wilt •
 
kain wechßler kompt in dinen schilt /
 
zu° kopff zu° lÿbe
 
die recke nitt ver mÿde /
 
mitt ganczem l<del>e</del>ÿbe
 
fechten • waß du starck gerest trÿben
 
  
 +
{{section|Page:MS Dresd.C.487 005r.png|2|lbl=-}}
 +
| <p><br/></p>
  
Höre waß da schlecht ist /
+
<p><br/><br/>{{section|Page:MS Dresd.C.487 056r.png|2|lbl=-|p=1}}</p>
ficht nitt oben linck so du recht bist
+
| <p><br/></p>
  
Im rechte~ och sere hinckest
+
{{section|Page:MS Germ.Quart.2020 002r.jpg|2|lbl=-}}
Vor vñ nach die zwaÿ ding
+
| <p><br/></p>
sind alle~ kunst ain vrspring
 
Schwech vñ störck
 
In des <del>da</del> daß wort damitt mörck
 
So magst du lörnen
 
mitt künst arbetten vñ weren
 
Erschrickstu geren
 
kain fechten nÿme~ mer '''[4v]''' lern
 
Fünff hew lere võ der
 
rechten hand wide~ wider die were /
 
dann wir geloben
 
in kunsten gern zu° lonen ~•</poem>
 
| '''[1r] Ein gemeyne ler des lanngen Schwertz'''
 
<poem>
 
  
Wildu kunst schauen,
+
{{section|Page:Cgm 3711 43r.jpg|4|lbl=-|p=1}} {{section|Page:Cgm 3711 43v.jpg|1|lbl=43v|p=1}}
Sich linck gen und recht / mit hawen,
+
| <p><br/></p>
Und linck mit rechtenn,
 
Ist das / du starck gerest vechten;
 
Wer nach get hau/en,
 
der darff sich kunst wenig frauen,
 
Hau / nahent was du wilt,
 
kain wechsler kumpt an / deinen schilt,
 
Zu kopff, zu leib,
 
die zeczt nicht ver/meid,
 
Mit gantzem leib,
 
ficht, was du starck / gerest treyben:
 
  
 +
{{section|Page:Cod.I.6.2º.2 42br.jpg|4|lbl=-}}
 +
|
 +
| <p><br/></p>
  
Hör was da schlecht ist,
+
{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|2|lbl=-}}
Ficht / nicht oben linck, So du recht pist,
+
|
Und ob du / linck pist,
+
| <p><br/></p>
Im rechten auch sere hinckest;
 
Vor / und nach, die zwei ding,
 
Seind aller ding ein / ursprunck.  
 
Schwech und sterck,
 
Inn des das / wort donnt mit merck,
 
So magstu lernen /
 
Mit kunst arbaiten und veren;
 
Erschrickstu '''[1v]''' Gern
 
kain fechtenn nimmer gelernn
 
Funff hewe lere von der
 
rechten hant Wer /die weret
 
dem wir geloben
 
Zu kunsten gern / zu lonen</poem>
 
| '''[43r] Ein gutt gemain for des langen schwerts'''
 
<poem>
 
  
Wilstu kunst schawen
+
{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|4|lbl=-}}
so bis lingks und rechts hawen
+
<section end="Krieg"/><section begin="Blossen"/>
und lingk mit Rechten
+
|-
ist das du starckh begerest zu vechten
+
| <p>{{red|b=1|The Four Openings}}</p>
wer nach geitt hawen
 
der darff sich kunst wenig frawen
 
haw im nachentt nach was du wiltt
 
kain durchwechsel kummpt an demen schiltt
 
zu kopff zu leib
 
vicht nit vernied
 
mit ganzen lieb
 
vicht was du starckg begerest [zetrei]ben
 
  
 +
{| class="zettel"
 +
|-
 +
| <small>36</small>
 +
| Four openings know,<br/>&emsp;aim: so you hit certainly,
 +
|-
 +
| <small>37</small>
 +
| Without any danger<br/>&emsp;without regard for how he acts;
 +
|}
 +
| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r}}
 +
| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 003r.jpg|1|lbl=3r}}
 +
| <p><br/></p>
  
hernach was du schlechst
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|6|lbl=-}}
vicht nitt oben Lingks so du rechtts bist
+
| <p><br/></p>
und ob du glingks [g]ist
 
im Rechten auch ser hinckst
 
vor und nach die zwai ding
 
und aller kunst ein ursprung
 
schwech und sterckh
 
Indes wartt dein arwaitt damit merckg
 
so magstu lernen
 
mit kunst arwaitten und wer
 
erschrichkt gern
 
kain vechten saler (faler) lernen
 
funnf haw lernen von der
 
Rechten hand [ ]erne wider die gewere
 
wie glauben
 
zu kunsten gern zu kumen</poem>
 
| '''[42r] Ein gutt gemain ler des langen schwertz'''
 
<poem>
 
  
Wilttu kunst schawen
+
{{paget|Page:Cgm 1507|62r|jpg|p=1}} {{paget|Page:Cgm 1507|62v|jpg|p=1}}
so biss lingks vnd Rechts hawen
+
| {{section|Page:MS KK5126 104v.jpg|7|lbl=-}}
vn[d] lingk mit Rechtem
+
|
ist das du starckh begerest zuvechten
+
{{section|Page:MS Dresd.C.487 005r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005v.png|1|lbl=05v|p=1}}
we[r] nach geitt hawen
+
| <p><br/></p>
der darff sich kunst wenig frawen
 
haw im nachent nach was du wilt
 
kain durchwechsler kum an deinen schiltt
 
zu kopff zu leib
 
vicht nit verwend
 
mit g[a]ntzem leib
 
vicht was du starckh begerest zutreiben
 
  
 
+
{{section|Page:MS Dresd.C.487 056r.png|3|lbl=-}}
hernach was du schlechst
 
vicht nit oben lingks so du Rechts bist
 
vnd ob du glingk bist
 
im Rechtñ auch ser hinckst
 
vor vnd nach die zwaÿ ding
 
sind aller kunst ein vrsprung
 
schwech vnd sterckh
 
indes wortt deiner arwait damit d merckh
 
so magstu lernen
 
mit kunst arwaÿtten vnd wer
 
erschrickt gern
 
kain vechten er nimer sol lernen
 
funnff hew lernen von der
 
Rechten handt gerne wider die gewere
 
wir glauben
 
zu künsten gern zu kumen</poem>
 
 
|  
 
|  
 +
{{section|Page:MS Germ.Quart.2020 002r.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 002v.jpg|1|lbl=02v|p=1}}
 +
| {{section|Page:Cgm 3711 43v.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 42bv.jpg|1|lbl=42vb}}
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|3|lbl=-}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|5|lbl=-}}
|  
+
 
<section begin="Hauptstücke"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|This is the text:}}<br/><br/></p>
+
| <p>{{red|b=1|To Counter the Four Openings}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>23</small>
+
| <small>38</small>
| Wrath Stroke, Crooked, Thwart,<br/>&emsp;Squinter and Scalper,
+
| If you want to avenge yourself,<br/>&emsp;break the four openings with skill:
 
|-  
 
|-  
| <small>24</small>
+
| <small>39</small>
| Fool parries<br/>&emsp;chasing, overrunning gives strokes,
+
| Double above,<br/>&emsp;transmute below correctly.
 
|-  
 
|-  
| <small>25</small>
+
| <small>40</small>
| change through, pull,<br/>&emsp;run through, slice off, press the hands,
+
| I say to you truthfully:<br/>&emsp;no one can defend himself without danger;
 
|-  
 
|-  
| <small>26</small>
+
| <small>41</small>
| hang, wind with the openings;<br/>&emsp;strike, catch, slash, thrust with jabs.
+
| If you have correctly learned,<br/>&emsp;he will scarcely manage to strike.
 
|}
 
|}
|
+
| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=-}}
| {{section|Page:MS Chart.A.558 018v.jpg|2|lbl=-}}
+
| {{section|Page:Cod.44.A.8 004r.jpg|5|lbl=-}}
|  
+
| {{section|Page:MS Thott.290.2º 003r.jpg|2|lbl=-}}
{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=4r|p=1}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 002v.jpg|1|lbl=2v}}
 
| <br/><br/>
 
<poem>Tarnhaw kru~phaw thwere
 
Dar und schiller vñ scheitlere
 
An allen vorsatz
 
nach reis vberlauff haw letz
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|7|lbl=-}}
 +
| <p><br/></p>
  
Dorch wessel tzut
+
<p><br/><br/>{{paget|Page:Cgm 1507|61r|jpg|p=1}}<br/>{{paget|Page:Cgm 1507|61v|jpg|p=1}}</p>
Dorch loffer aff snit he~de druck
+
| <p><br/></p>
henge van wyd mid blossen
 
Slach vanck stich stich mid stotze~</poem>
 
|
 
| <br/><br/>
 
<poem>ab[er] haw do her ku[m]p auff jn die zw[er]
 
kru[m]p schile[r] mit scheitle[r] </poem>
 
| <br/><br/>
 
<poem>[Z]orn haw twer
 
schilcher mit schaitler
 
alwer verseczt
 
nachraisen vberlauf haw leczt
 
  
 +
{{section|Page:MS KK5126 104v.jpg|8|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 005v.png|2|lbl=-}}
 +
| <p><br/></p>
  
durch wechsel zuck
+
{{section|Page:MS Dresd.C.487 056r.png|4|lbl=-}}
durch lauff ab sneyd hennd druck
+
| {{section|Page:MS Germ.Quart.2020 002v.jpg|2|lbl=-}}
heng windt mit plossem
+
| {{section|Page:Cgm 3711 43v.jpg|3|lbl=-}}
fach streich stich mit stossenn</poem>
+
| {{section|Page:Cod.I.6.2º.2 42bv.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Das ist der texte}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|4|lbl=-}}
<poem>
+
|  
 
+
|  
Zorn hawe krumpt were
+
{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|6|lbl=-|p=1}} {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|1|lbl=48v|p=1}}
Hawt schiller mit <del>schattel</del> schetteler /
+
<section end="Blossen"/><section begin="Krumphaw"/>
Alber ver seczt
 
Nachraÿsen über lauff ha~et secz
 
 
 
 
 
durch wechsel zu°g
 
du°rch la~ff abschnitt hendru°g
 
henge wind mitt blosem
 
schla<del>gh</del>ch fäch schich mitt stossenn ~•</poem>
 
| '''Text von denn Stucken der Zetl'''
 
<poem>
 
 
 
Zornnhaw, Krump, Zwir,
 
Schiler, Schaitler /
 
Alber, Versetzt,
 
Nachreisen, Uberlauff' hau / letzt
 
 
 
 
 
Durchwechsel Zuck'
 
Durchlauff' Absch/neid, Hende druck
 
Heng Wind mit plosen
 
Schlach vach straich stich mit stossen /</poem>
 
| '''Das ist der text und die auslagung der schaittler'''
 
<poem>
 
 
 
Zornhaw krumphaw zwerch
 
durch haw schilchr
 
 
 
nach raisen uberlauffen haw setst
 
 
 
 
 
durch wechsel
 
auff alber abschnide hend drucklren
 
heng winden mit blosen
 
schwertt schlachen striech stich mitt stössen</poem>
 
| '''+ Das ist der text vnd die auslegung der schaitler'''
 
<poem>
 
 
 
Zornhaw krumphaw zwerch
 
durch haw schilchr~
 
 
 
nachraisen vberlauffen haw setzt
 
 
 
 
 
durchwechsel
 
auff alber abschnidt hendtrucken
 
heng winden mit blosem
 
Schwertt schlachen streich stich mit stössen</poem>
 
|
 
|
 
| <br/><br/>
 
<poem>'''[2v]''' {{red|Zorenhawe. krimp, twirg
 
Hat Schiler mit scheitlar.
 
Alber vorsetzt.
 
Nachryssen. Vberlauff. ha w leezt.
 
 
 
 
 
Dorchwechsel. zuck}}
 
'''[3r]''' {{red|Vberlauff. }}</poem>
 
|
 
|
 
<section end="Hauptstücke"/><section begin="Zornhaw"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|The Wrath Stroke}}</p>
+
| <p>{{red|b=1|The Crooked Stroke}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>27</small>
+
| <small>42</small>
| Who strikes at you above,<br/>&emsp;the Wrath stroke threatens him with the point.
+
| Crooked on him with nimbleness,<br/>&emsp;throw the point on the hands.
 
|-  
 
|-  
| <small>28</small>
+
| <small>43</small>
| If he becomes aware of it,<br/>&emsp;take it away above without fear.
+
| Who performs the crooked well,<br/>&emsp;with stepping he hinders many a stroke.
 +
|-
 +
| <small>44</small>
 +
| Strike crooked to the flats<br/>&emsp;of the Masters if you want to weaken them.
 +
|-
 +
| <small>45</small>
 +
| When it clashes above,<br/>&emsp;Then move away, that I will praise.
 
|-  
 
|-  
| <small>29</small>
+
| <small>46</small>
| Be strong against it;<br/>&emsp;wind, thrust. If he sees that, take it down.
+
| Don't do the Crooked, strike short,<br/>&emsp;Changing through show with this.
 
|-  
 
|-  
| <small>30</small>
+
| <small>47</small>
| Note this:<br/>&emsp;strike, thrust, posture, soft or hard,
+
| Strike crooked to who irritates you,<br/>&emsp;the Noble War will confuse him,
 
|-  
 
|-  
| <small>31</small>
+
| <small>48</small>
| Instantly, and Before and After.<br/>&emsp;Your War should not be in haste.
+
| That he will not know truthfully<br/>&emsp;where he can be without danger.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 018v.jpg|3|lbl=-}}
+
{{section|Page:Cod.44.A.8 004r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=4v|p=1}}
| {{section|Page:Cod.44.A.8 004r.jpg|2|lbl=-}}
+
| {{section|Page:MS Thott.290.2º 003r.jpg|3|lbl=-}}
| {{section|Page:Ms.Thott.290.2º 002v.jpg|2|lbl=-}}
+
| <p><br/></p>
| <br/>
 
<poem>wen dir oben hauwz
 
Tzoharnort em drowz
 
wert er es gewar
 
Nym es oben ane var
 
wys starck wid° en
 
wir° stich schicher ny~ es nyden
 
Das eben merke vñ warte
 
haw stich s leg° weich od° harte
 
Indes far nach
 
An hurt dein krig sey nich gach</poem>
 
| <br/>
 
<poem>
 
  
'''[59r]''' Zorn hauwe ort yme dratt
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|8|lbl=-}}
 +
| <p><br/></p>
  
'''[59v]''' Nym oben abe one fare
+
{{paget|Page:Cgm 1507|66v|jpg}}
 +
| <p><br/></p>
  
'''[60r]''' Wynde stich '''[60v]''' Sicht Er es nimbs nider</poem>
+
{{section|Page:MS KK5126 104v.jpg|9|lbl=-}}
| <br/>
 
<poem>we[r] ub[er] dich hawt
 
zorn haw ort de[m] draw
 
wirt ers gewa[r]
 
nyms ob[e]n ab anefar
 
pis fil sterk[er] wid[er]
 
wind sich sicht ers nims nid[er]
 
daz eb[e]n merk
 
ob de[in] beger sint weich od[er] h[er]t
 
jn des vor vn[d] nach
 
an hute dein krig sey nit gach</poem>
 
| '''zorn haw'''
 
<poem>Wer dier oberhaut
 
zorn ort dem trat
 
wirt er es gewar
 
nym oben ab ame far
 
pis stercker wider
 
windt stich sicht ers nym es nyder
 
das eben merck
 
haw stich leger waich oder hert
 
jnndes vnd far nach
 
an hurt dem krieg sey nit gach</poem>
 
 
|  
 
|  
| {{red|b=1|Der zorn haw°}}
+
{{section|Page:MS Dresd.C.487 005v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 006r.png|1|lbl=06r|p=1}}
<poem>Wer dir ober haw°et
+
| <p><br/></p>
Zorn haw° ort Im dräwet
 
wirt er es gewar
 
'''[5r]''' Nÿm oben ab an far /
 
biß <del>störcks</del> storckñ wider
 
wennde sthich / sicht er es nÿm es nider
 
Daß eben mörcke
 
Haw° st<del>h</del>ich leger waich ode~ hörte
 
In des Vnnd far nach
 
an herte dein krieg sÿ nitt gach</poem>
 
| '''-Zornhaw Volgt-'''
 
<poem>'''[2r]''' Wer dir oberhaut
 
Zonhau ort dem drawt /
 
Wirt er es gewar
 
Nim oben ab öne far /
 
Biß starck herwider
 
Wind stich sicht er's / nim es wider
 
Das ebenn merck
 
Hau stich le/ger waich oder hert
 
Inndes und var nach
 
an / hurt dein krig sei nich gach</poem>
 
| '''Das ist die ausrichtung vom Zornhaw'''
 
<poem>Wilstu merckhen wer dir oberhawtt
 
Zornortt ein darott
 
  
 
+
{{section|Page:MS Dresd.C.487 056r.png|5|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 056v.png|1|lbl=56v|p=1}}
Ser wider
 
wind stich sichters so nim es nider
 
das eben merckh
 
haw stich legr waich oder hörtt
 
Indes vor und nach
 
dem krieg seÿ dir nit gach</poem>
 
| '''+ Das ist die ausrichtung vom zornhaw'''
 
<poem>Wilttu merckhen wer dir oberhawtt
 
zornortt ein dratt
 
 
 
 
 
herwider
 
wind stich sicht ers so nim es wider
 
das eben merckh
 
haw stich legr~ waich oder hörtt
 
Indes vor vnd nach
 
dein krieg seÿ dir nit gach</poem>
 
| '''[15r] Der zornhaw'''
 
<poem>Wer dir vberhaut,
 
zornhaw, ort dem traw,
 
wirt er es gewar
 
nym oben ab ane vor,
 
bis sterckher wieder
 
wind stich sicht er es, nym es nyder,
 
das oben merckh,
 
haw stich beg er weich oder hert
 
jm des, vnnd vor nach
 
an hurt dem krieg sey nit gach,</poem>
 
 
|  
 
|  
 +
{{section|Page:MS Germ.Quart.2020 002v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 003r.jpg|1|lbl=03r|p=1}}
 +
| {{section|Page:Cgm 3711 43v.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 42bv.jpg|3|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 +
{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|1|lbl=15v|p=1}}
 
|  
 
|  
<section end="Zornhaw"/><section begin="Krieg"/>
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|2|lbl=-}}
 +
<section end="Krumphaw"/><section begin="Twerhaw"/>
 
|-  
 
|-  
| <p>{{red|b=1|''The War''}}</p>
+
| <p>{{red|b=1|The Thwart Stroke}}<br/><br/></p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>32</small>
+
| <small>49</small>
| Who to the War tends above,<br/>&emsp;gets ashamed below.
+
| The Thwart Stroke takes<br/>&emsp;whatever comes from the roof.
 +
|-
 +
| <small>50</small>
 +
| Thwart with the strong,<br/>&emsp;note your work with this.
 
|-  
 
|-  
| <small>33</small>
+
| <small>51</small>
| In all winding<br/>&emsp;learn to find stroke, thrust, and slice.
+
| Thwart to the Plow;<br/>&emsp;to the Ox hard together.
 
|-  
 
|-  
| <small>34</small>
+
| <small>52</small>
| Also you should<br/>&emsp;Apply stroke, thrust, or slice,
+
| He who thwarts well<br/>&emsp;with springing he endangers the head.
 
|-  
 
|-  
| <small>35</small>
+
| <small>53</small>
| In all encounters,<br/>&emsp;if you want to fool the masters.
+
| Whoever conducts the Failer<br/>&emsp;from below he hits at his will.
|}
+
|-
|  
+
| <small>54</small>
| {{section|Page:MS Chart.A.558 018v.jpg|4|lbl=-}}
+
| The Reverser enforces the<br/>&emsp;running through and also brings wrestling.
| <p><br/></p>
+
|-
 +
| <small>55</small>
 +
| The elbow take certainly,<br/>&emsp;spring into his balance.
 +
|-
 +
| <small>56</small>
 +
| Double the Failer,<br/>&emsp;if you hit, also make the slice.
 +
|-
 +
| <small>57</small>
 +
| Twice further on,<br/>&emsp;step to the left and do not be slow.
 +
|}
 +
|  
 +
{{section|Page:MS Chart.A.558 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 019r.jpg|5|lbl=-|p=1}}
 +
|
 +
{{section|Page:Cod.44.A.8 004v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|3|lbl=-|p=1}}
 +
|
 +
{{section|Page:MS Thott.290.2º 003v.jpg|1|lbl=3v|p=1}}<br/>{{section|Page:MS Thott.290.2º 003v.jpg|2|lbl=-|p=1}}
 +
| <p><br/><br/></p>
  
{{section|Page:Cod.44.A.8 004r.jpg|3|lbl=-}}
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|9|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|1|lbl=Ⅲv|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|2|lbl=-|p=1}}
| <p><br/></p>
+
| <p><br/><br/></p>
  
{{section|Page:Ms.Thott.290.2º 002v.jpg|3|lbl=-}}
+
<p><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|67r|jpg|p=1}}</p>
| <br/>
+
|
<poem>Wes der krig Rempt
+
{{section|Page:MS KK5126 104v.jpg|10|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|11|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 105r.jpg|1|lbl=105r|p=1}}
Obin nider wirt veschempt
+
|
In allen winden
+
{{section|Page:MS Dresd.C.487 006r.png|2|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006v.png|1|lbl=06v|p=1}}
hau stich ler en vinde~
+
| <p><br/><br/></p>
  
 
+
{{section|Page:MS Dresd.C.487 056v.png|2|lbl=-|p=1}}<br/><br/><br/><br/><br/><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 056v.png|3|lbl=-|p=1}}
In allen zu dreffen
+
|
Dey meisters wiltu sey effen</poem>
+
{{section|Page:MS Germ.Quart.2020 003r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003v.jpg|1|lbl=03v|p=1}}
 
|  
 
|  
| <br/>
+
{{section|Page:Cgm 3711 43v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 43v.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 44r.jpg|1|lbl=44r|p=1}}
<poem>wer d[er] krige remet
 
ob[e]n vnte[n] wirt er beschemet</poem>
 
| <br/>
 
<poem>wes der krieg remet
 
oben nyden wirt es verschemet
 
in allen winden
 
haw stich schnit lere finden
 
auch sold dw nit
 
pruffen hew stich schnit
 
in allenn treffen
 
den maistern wildw sy affenn</poem>
 
 
|  
 
|  
| <br/>
+
{{section|Page:Cod.I.6.2º.2 42bv.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Cod.I.6.2º.2 42bv.jpg|5|lbl=-|p=1}}
<poem>Weß der krieg remet
 
oben In den wirt er beschemet
 
In allen winden
 
Hew° st stich schnitt lern finden
 
Auch solt du mitt
 
<del>briefn</del> brieffe hew stich oder schnitt ~•:•~
 
In allen treffen
 
den maister wilt du sÿ effenn</poem>
 
| <br/>
 
<poem>Wes der krig / rempt
 
oben niden wirt er beschempt
 
In alln / winden.  
 
Haw stich schnidt lerre finden,
 
auch / solstu mit
 
prufen hau stich oder schnyd
 
in alln / treffen
 
den maistern wiltu sie effen</poem>
 
| <br/>
 
<poem>wer das kriegs unden bremett
 
der wirtt oben ösche[ ]tt
 
In allen winden
 
haw und f[ ] stich '''[44r]''' Schneide finden
 
auch so soltt du nit
 
nieden hau stich schneide zuckg
 
in alem treffen wiltu
 
den maister Effen</poem>
 
| <br/>
 
<poem>wer des kriegs vnden beremett
 
der wirtt oben bschemett
 
In allen winden
 
haw vnd stich schneide finden
 
auch so soltt du nit
 
meiden haw stich schneide zuckh
 
in allem treffen wilttu
 
den maistr~ Effen</poem>
 
| <br/>
 
<poem>wer der krieg Remet,
 
oben Nider wirt er beschemet,
 
jn allen winden,
 
haw stich schnite leere winden,
 
auch soltu Brrueffen,
 
mit hawe stich oder schnite,
 
jm allem treffen,
 
den maistern wilt du si <del>treff</del> Effen,</poem>
 
 
|  
 
|  
 
|  
 
|  
 +
{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|3|lbl=-|p=1}}
 
|  
 
|  
 
|  
 
|  
<section end="Krieg"/><section begin="Blossen"/>
+
{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|4|lbl=-|p=1}}
 +
<section end="Twerhaw"/><section begin="Schilhaw"/>
 
|-  
 
|-  
| <p>{{red|b=1|The Four Openings}}</p>
+
| <p>{{red|b=1|The Squinting Stroke}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>36</small>
+
| <small>58</small>
| Four openings know,<br/>&emsp;aim: so you hit certainly,
+
| The Squinter breaks into<br/>&emsp;whatever a buffalo strikes or thrusts.
 +
|-
 +
| <small>59</small>
 +
| Who threatens to change through,<br/>&emsp;the Squinter robs him of it.
 +
|-
 +
| <small>60</small>
 +
| Squint when he is short against you,<br/>&emsp;changing through defeats him.
 +
|-
 +
| <small>61</small>
 +
| Squint to the point,<br/>&emsp;and take the throat without fear.
 
|-  
 
|-  
| <small>37</small>
+
| <small>62</small>
| Without any danger<br/>&emsp;without regard for how he acts;
+
| Squint to the head above<br/>&emsp;if you want to damage the hands.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v}}
 +
| {{section|Page:Cod.44.A.8 004v.jpg|4|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r}}
+
{{section|Page:MS Thott.290.2º 003v.jpg|3|lbl=-|p=1}}<ref>Talhoffer adds an additional couplet: {{section|Page:MS Thott.290.2º 004r.jpg|1|lbl=4r|p=1}}</ref>
| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=-}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 003r.jpg|1|lbl=3r}}
+
 
| <br/>
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|3|lbl=-}}
<poem>Veyr blos dey wisse
 
Tho reme~ so slastu gewisse
 
an alle gevare
 
antzwyuel wy er gebae~</poem>
 
| <br/>
 
<poem>'''[62r]''' Vier blosse wiße
 
zu reme~ '''[62v]''' So slegstu gewisse
 
ane fare</poem>
 
| <br/>
 
<poem>4 ploz
 
reme so schlechstu gewiß
 
an alle vare
 
an zweifel wie<sup> er </sup>gepor</poem>
 
| '''die vier plossenn'''
 
<poem>[V]jer plosse wisse
 
zu ramen so slechstu gewisse
 
an alle far
 
ann[e] zweyffl wild dich rechen </poem>
 
 
|  
 
|  
| {{red|b=1|Die vier blossen zu° breche~}}
+
| {{section|Page:MS KK5126 105r.jpg|2|lbl=-}}
<poem>Vier blossen wisse
+
| {{section|Page:MS Dresd.C.487 006v.png|2|lbl=-}}
reme so schlechstu gewÿsse
+
| <p><br/></p>
An alle far
+
 
'''[5v]''' on zwifel wie er gebar ~ ~~ ~</poem>
+
{{section|Page:MS Dresd.C.487 056v.png|4|lbl=-}}
| '''Die vir Plos'''
+
| {{section|Page:MS Germ.Quart.2020 003v.jpg|2|lbl=-}}
<poem>Vier Plossen wisse
+
| {{section|Page:Cgm 3711 44r.jpg|2|lbl=-}}
zuramen, so schlechstu '''[2v]''' gewisse
+
| {{section|Page:Cod.I.6.2º.2 42bv.jpg|6|lbl=-}}
an alle var
 
an Zweifel wie er geparr</poem>
 
| '''Das ist von den vier blössen'''
 
<poem>Die einer blöss wis zu
 
Remen so schlechst gwiss
 
on alle far
 
on alle zweiuel wie er gebar
 
hastu es vernomen
 
zu kain schlag mag er komen</poem>
 
| '''[42v] Das ist von den 4 blösen +'''
 
<poem>Die vier blöss wisse zu
 
Remen so schlechst gwis
 
on alle far
 
on alle zweiffel wie er gebar
 
hast dus vernomen
 
zu kaim schlag mag er komen</poem>
 
| '''Die vier plössen,'''
 
<poem>Vier plösse<sup>wisse</sup>
 
Remen, so schlechstu gewise,
 
an alle var
 
Der Zweifel wirt er gewar</poem>
 
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|4|lbl=-}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|5|lbl=-}}
|  
+
<section end="Schilhaw"/><section begin="Scheitelhaw"/>
 
 
 
|-  
 
|-  
| <p>{{red|b=1|To Counter the Four Openings}}</p>
+
| <p>{{red|b=1|The Scalp Cut}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>38</small>
+
| <small>63</small>
| If you want to avenge yourself,<br/>&emsp;break the four openings with skill:
+
| The Scalper<br/>&emsp;is a danger to the face,
 +
|-
 +
| <small>64</small>
 +
| with its turn,<br/>&emsp;very dangerous to the breast.
 
|-  
 
|-  
| <small>39</small>
+
| <small>65</small>
| Double above,<br/>&emsp;transmute below correctly.
+
| Whatever comes from him,<br/>&emsp;the Crown will take it.
 
|-  
 
|-  
| <small>40</small>
+
| <small>66</small>
| I say to you truthfully:<br/>&emsp;no one can defend himself without danger;
+
| Slice through the Crown,<br/>&emsp;thus you will break it hard through.
 
|-  
 
|-  
| <small>41</small>
+
| <small>67</small>
| If you have correctly learned,<br/>&emsp;he will scarcely manage to strike.
+
| Press the strokes,<br/>&emsp;with slices pull them away.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=-}}
+
{{section|Page:Cod.44.A.8 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=5r|p=1}}
| {{section|Page:Cod.44.A.8 004r.jpg|5|lbl=-}}
+
| {{section|Page:MS Thott.290.2º 004r.jpg|2|lbl=-}}
| {{section|Page:Ms.Thott.290.2º 003r.jpg|2|lbl=-}}
+
| <p><br/></p>
| <br/>
 
<poem>wiltu dich rechen
 
veir bloß ku~stichlike~ breche~
 
Oben dupple~
 
Dar neden rechte mude~
 
Ich sages dy vorwar
 
Dich schutzet nemãt anevar
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|4|lbl=-}}
 +
|
 +
| <p><br/></p>
  
hastu es vornomen
+
{{section|Page:MS KK5126 105r.jpg|3|lbl=-}}
Tho slage mach er claine kom</poem>
 
| <br/><br/><br/>
 
<poem>'''[61r]''' Oben duplir
 
'''[61v]''' Niden mutier</poem>
 
| <br/>
 
<poem>wiltu die recht[e]n
 
4 plez kunstlich prech[e]n
 
oben duplir
 
vn[d] recht mutire
 
jch sag dir für war
 
keiner schuczt seich [sic] ane var
 
 
 
 
 
hastu dz v[er]nom[e]n
 
so zu schlag mag er kleine kom[e]n</poem>
 
| '''die vier plossen kunstlich prechen'''<br/><br/><br/>
 
<poem>Oben duplier
 
in dem vecht mutier
 
jch sag fur war
 
sich schaczt kain man ane far
 
 
 
 
 
hastu vernumen
 
zu slag mag er klain chumen</poem>
 
 
|  
 
|  
| {{red|b=1|Die vier blossen zu° brechen}}
+
{{section|Page:MS Dresd.C.487 006v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 007r.png|1|lbl=07r|p=1}}
<poem>Wilt du dich rechen
+
| <p><br/></p>
die <del>für</del> vier blossen künstlichen brechen
 
Oben duplir
 
vnden recht ~ mutiern
 
Ich sage dir für war
 
Sich schit kain man an far
 
 
 
 
 
Hast du recht vernom~en
 
zu° schläge mag er clain kum~eñ ~</poem>
 
| '''Die vir Plossen zu prechen'''
 
<poem>Wildu dich rechen
 
die vier plös kunstlich / prechen,
 
Oben duplir
 
niden recht mutirr /
 
Ich sag fur war
 
sich schutzt kam man one / far
 
 
 
 
 
Hastu vernomen
 
zu schlag mag er nit / wol komen</poem>
 
| '''Das ist wie man die vier blöss brechne sol'''
 
<poem>Wilstu dich Rechen
 
die vier blöss kunstlich brechne
 
du oben dupplier
 
unden zu Recht muttier
 
ich sags dir vi[ ] war
 
sich bschust kain man one far
 
 
 
  
hastu vernomen
+
{{section|Page:MS Dresd.C.487 056v.png|5|lbl=-}}
zu schlagen mag ir kainer komen
+
| {{section|Page:MS Germ.Quart.2020 003v.jpg|3|lbl=-}}
das son ich vernomen</poem>
 
| '''+ Das ist wie man die 4 blöss brechen sol'''
 
<poem>Wilttu dich Rechen
 
die vier blöss kunstlichen brechen
 
du oben dupplier
 
vnden zu recht muttier
 
ich sags dir virwar
 
sich bschitzt kain man one far
 
  
 
+
{{section|Page:MS Germ.Quart.2020 004r.jpg|1|lbl=04r}}
hastu vernomen
+
| {{section|Page:Cgm 3711 44r.jpg|3|lbl=-}}
zu schlagen mag ir kainer komen
+
| {{section|Page:Cod.I.6.2º.2 43r.jpg|1|lbl=43r}}
ha das han ich vernomen</poem>
 
| '''Die vier plössen zubrechen'''
 
<poem>Wiltdu dich rechen
 
vier plösse kunstlich brechen.
 
obenn Dupliere<ref>Between "Dupliere" and "doniden" there is a lack of space, possibly the "d" was added later.</ref>
 
doniden rechte mutiere,
 
jch sag für war,
 
sich Schucz kain mann an vare,
 
 
 
 
 
hastu vernomen,
 
zu, schlagen mag er Cleine <del>khumen</del> kumen</poem>
 
 
|  
 
|  
 
|  
 
|  
 +
{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|1|lbl=16r|p=1}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|6|lbl=-}}
<section end="Blossen"/><section begin="Krumphaw"/>
+
<section end="Scheitelhaw"/><section begin="Leger"/>
 
|-  
 
|-  
| <p>{{red|b=1|The Crooked Stroke}}</p>
+
| <p>{{red|b=1|The Four Guards}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>42</small>
+
| <small>68</small>
| Crooked on him with nimbleness,<br/>&emsp;throw the point on the hands.
+
| Four guards alone hold;<br/>&emsp;And disdain the common.
 
|-  
 
|-  
| <small>43</small>
+
| <small>69</small>
| Who performs the crooked well,<br/>&emsp;with stepping he hinders many a stroke.
+
| Ox, Plow, Fool,<br/>&emsp;From the Roof should not be unknown to you.
|-
+
|}
| <small>44</small>
+
| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=-}}
| Strike crooked to the flats<br/>&emsp;of the Masters if you want to weaken them.
+
| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=-}}
|-
+
| {{section|Page:MS Thott.290.2º 004r.jpg|3|lbl=-}}
| <small>45</small>
+
| <p><br/></p>
| When it clashes above,<br/>&emsp;Then move away, that I will praise.
 
|-
 
| <small>46</small>
 
| Don't do the Crooked, strike short,<br/>&emsp;Changing through show with this.
 
|-
 
| <small>47</small>
 
| Strike crooked to who irritates you,<br/>&emsp;the Noble War will confuse him,
 
|-
 
| <small>48</small>
 
| That he will not know truthfully<br/>&emsp;where he can be without danger.
 
|}
 
|
 
| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=-}}
 
|  
 
{{section|Page:Cod.44.A.8 004r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=4v|p=1}}
 
| {{section|Page:Ms.Thott.290.2º 003r.jpg|3|lbl=-}}
 
| <br/><br/>
 
<poem>krum uff bohe~de
 
wirff den art uff dei hende
 
krum wer wol setz
 
In strite~ er vil hauve letz
 
haw krüm tzom flechen
 
Dey meiste~ wiltu sey swechen
 
wem es glist oben
 
Der sta abe das ger ich loben
 
kru~ nicht kortze hauwe
 
Dorch wessel dar mede schauwe
 
krum wer dich irre
 
Den edelen krich du fulvore
 
Das er nicht wisse vorwar
 
war er bolerpt ane var</poem>
 
| <br/><br/>
 
<poem>'''[66v]''' Krumpf auf Behende
 
werf den ort auf die hennde</poem>
 
| <br/><br/>
 
<poem>kru[m]pt auff mit lang[en]
 
wirff den ort auff die hende
 
kru[m]p w[er] wol v[er]seczt
 
mit schritt[e]n fil hew leczt
 
hawe zu den flech[e]n
 
den meist[er]n willtu sie swech[e]n
 
wa[n] ez gliczt oben
 
so drit ab dz ger ich lob[e]n
 
ku[m]pt nicht kreuczhaw
 
d[er]ch wechsel<ref>There is probably a missing letter here, making it "durchwechseln".</ref> da[r] [mi]t schaw
 
kru[m]p w[er] v[er]irret
 
d[er] edel krig dz v[er]wirret</poem>
 
| <br/><br/>
 
<poem>[K]rump auf Behende
 
wurf den ort auf die hennde
 
chrump wer wol siczet
 
mit sch reit[e]n vil hew lecz
 
haw chrump mit flechen
 
den maistern wild dw sy swech[e]n
 
wenn es gliczt oben
 
so stand ab das wil ich dich loben
 
chrump nicht churcz haw
 
durch wechsel da mit schaw
 
chrump wer dich irret
 
der edl krieg in ver wiret
 
das er nit wais fur war
 
wo er sey jnen far</poem>
 
|
 
| {{red|b=1|Der <del>Km</del> Krumphaw°}}
 
<poem>
 
  
Krump vff behende
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|5|lbl=-}}
wirff den ort vff die hende
+
| <p><br/></p>
  
 +
{{paget|Page:Cgm 1507|58r|jpg|p=1}}<br/>{{paget|Page:Cgm 1507|58v|jpg|p=1}}
 +
| {{section|Page:MS KK5126 105r.jpg|4|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 007r.png|2|lbl=-}}
 +
| <p><br/></p>
  
Haw krump zu° den flöchen
+
{{section|Page:MS Dresd.C.487 056v.png|6|lbl=-}}
den maÿstern wilt sÿ <del>schaw</del> schwöchen
+
| {{section|Page:MS Germ.Quart.2020 004r.jpg|2|lbl=-}}
Wenn er <del>blitzt</del> klitzt oben
+
| {{section|Page:Cgm 3711 44r.jpg|4|lbl=-}}
so stand ab dz will ich loben
+
| {{section|Page:Cod.I.6.2º.2 43r.jpg|2|lbl=-}}
krüme nitt '''[6r]''' <del>[illegible]</del> kurcz haw~e
 
durch wechsel do mitt schowe
 
<del>kumpt</del> krumpt wer dich Ir°et
 
der edel krieg <del>In</del> In verwirret
 
daß er nitt waist für war
 
wo er sÿ one far ~:•</poem>
 
| '''Krumphau'''
 
<poem>
 
 
 
Krump auff behende
 
wirff dein ort auff die / hende
 
Krump wer wol setzt
 
mit schriten vil
 
'''[3r]''' Krump zu flechn
 
den maisternn / wildu sie schwechen.  
 
Wan es glitzt oben
 
so stand / ab das wil ich loben.  
 
Krump nicht kurtz haw /
 
Durchwechsel domit schaw.  
 
Krump wer dich irret
 
der edel krigk in vorwirret
 
Das er nicht weiß / vor war
 
wo er sey ane far</poem>
 
| '''Das ist die ausrichtung vom krumphaw'''
 
<poem>
 
 
 
Krumphaw auff behend
 
wirff den ortt auff die hend
 
wer wol versecht
 
mit schreitten er vil haw lest
 
haw krumb zu der vlechen
 
wilstu den maistr schwechen
 
wan es glist oben
 
so sets ab das wil ich loben
 
kum und schlecht und kurts haw
 
dein durchwechsel damit schaw
 
haw krumb wer dich erett
 
der edel kriegs in verwirett
 
das er nit waist vir war
 
wie er gebar</poem>
 
| '''+ Das ist die ausrichtung vom krumphaw'''
 
<poem>
 
 
 
Krumphaw auff behend
 
wirff den ortt auff die hend
 
wer wo[l] versetzt
 
mit schreitten er vil hew letzt
 
haw krumb zu de[n] flöchen
 
wilttu den maister schwechen
 
wan es glitzt ob[ñ]
 
so setz ab das wil ich loben
 
krump vnd schlecht vnd kur[tz] haw
 
dein durchwechsel damit schaw
 
haw krumb wer dich Irret
 
der edel krieg in vorwirrett
 
das er nÿt waist virwar
 
wo er ist on alle far wie er gebar</poem>
 
| '''Der krumbhaw'''
 
<poem>Krumb auff behende
 
wirff deinen ort auff die hende,
 
krumb wher wol seczt,
 
mit schriten vil hew leczt,
 
haw krumb zuflech[en]
 
'''[15v]''' den maistern wiltdu si schwechen,
 
wen es kliczt ob,
 
so stannd ab, das will jch loben,
 
krumb mit kurcz hau,
 
durchwechsel damit schaw,
 
krumb wer dich jrret,
 
der Edl krieg verwirrret,
 
das er nicht waiß fur war,
 
wo er seyone var,</poem>
 
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|2|lbl=-}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|7|lbl=-}}
|  
+
<section end="Leger"/><section begin="Vorsetzen"/>
<section end="Krumphaw"/><section begin="Twerhaw"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|The Thwart Stroke}}<br/><br/></p>
+
| <p>{{red|b=1|The Four Oppositions}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>49</small>
+
| <small>70</small>
| The Thwart Stroke takes<br/>&emsp;whatever comes from the roof.
+
| Four are the oppositions<br/>&emsp;that hurt the four guards very much.
 +
|-
 +
| <small>71</small>
 +
| Beware of parrying.<br/>&emsp;If it happens to you, it troubles you greatly.
 
|-  
 
|-  
| <small>50</small>
+
| <small>72</small>
| Thwart with the strong,<br/>&emsp;note your work with this.
+
| If you are parried<br/>&emsp;and when that has happened,
 
|-  
 
|-  
| <small>51</small>
+
| <small>73</small>
| Thwart to the Plow;<br/>&emsp;to the Ox hard together.
+
| Hear what I advise to you:<br/>&emsp;Tear away and strike quickly with surprise.
 
|-  
 
|-  
| <small>52</small>
+
| <small>74</small>
| He who thwarts well<br/>&emsp;with springing he endangers the head.
+
| Set upon the four ends.<br/>&emsp;Stay upon them, learn if you want to bring it to an end.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 004r.jpg|4|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|6|lbl=-}}
 +
|
 +
| {{section|Page:MS KK5126 105r.jpg|5|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019r.jpg|4|lbl=-}}
+
{{section|Page:MS Dresd.C.487 007r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 007v.png|1|lbl=07v|p=1}}
| {{section|Page:Cod.44.A.8 004v.jpg|2|lbl=-}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 003v.jpg|1|lbl=3v}}
 
| <br/><br/>
 
<poem>Twirch bonimpt
 
was van dage kumpt
 
Twirch mid der sterck
 
Den arbeit dar mede merck
 
Twirch tzo dem ploch
 
[Iv] Tho dem ossen hart gevoch
 
waz sich wol weret
 
Mit sprunck dem houede geueret</poem>
 
|
 
| <br/><br/>
 
<poem>Tewr ni[m]pt
 
waz vo[m] himel h[er]ab kimpt
 
  
 +
{{section|Page:MS Dresd.C.487 056v.png|7|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 057r.png|1|lbl=57r|p=1}}
 +
| {{section|Page:MS Germ.Quart.2020 004r.jpg|3|lbl=-}}
  
Haw zu den pfluge
+
{{section|Page:MS Germ.Quart.2020 004v.jpg|1|lbl=04v}}
zu den nest[e]n vngefuge</poem>
+
| {{section|Page:Cgm 3711 44r.jpg|5|lbl=-}}
| '''der twer haw'''<br/><br/>
+
| {{section|Page:Cod.I.6.2º.2 43r.jpg|3|lbl=-}}
<poem>[T]wer benimpt
 
was vom tag her chumbt
 
twer mit der sterck
 
dein arbait damit mercke
 
Twer zu dem pflueg
 
zw dem ochsen hart gefueg
 
was sich wol twert
 
mit sprungenn dem haubt gefert</poem>
 
 
|  
 
|  
| {{red|b=1|Der zwerchhaw°}}<br/><br/>
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|3|lbl=-}}
<poem>Zwerch benimpt
 
was vmtag her <del>kunpt</del> kumpt
 
Zwer mitt der störck
 
dein arbait da mitt mörck
 
Zwer zu° dem pflüg
 
zu° dem ochsen hart gefüg
 
Waß sich wol zwert /
 
mitt spring~ dem haüpt gefert</poem>
 
| '''Zwerhaw'''<br/><br/>
 
<poem>Twer benimpt
 
was vom tag her kumpt
 
Zwer mit / der sterck
 
dain arbait do mit merck
 
Zwer zu dem / Pflug
 
zu dem Ochsen hart gefug
 
Was sich / wol zwert
 
mit sprungen dem haupt geuert.</poem>
 
| '''Die ausrichtung vom Zwerchhaw'''<br/><br/>
 
<poem>Die Zwerchhaw benimptt
 
was vom tag herkompt
 
die Zwerch mit der sterckhe
 
dein arwait damitt mercke
 
ochs pflug alber
 
vom tag ist wol sein fug
 
was sich wol Zwercht
 
mit springen dein haubt (haust) geferet</poem>
 
| '''+ Die ausrichtung vom zwerchhaw'''<br/><br/>
 
<poem>Die zwerchhaw benimpt
 
was vom tag herkompt
 
die zwerch mit der sterckhe
 
dein arwait damit merckhe
 
ochs pflug alber
 
vom tag ist wol sein fug
 
was sich wol zwerchtt
 
mit springem deim haupt geferett</poem>
 
| '''Der Twer haw'''<br/><br/>
 
<poem>Twer benymbt,
 
was von dem tag darkumbt,
 
were mit der sterckhe,
 
dein arbait derh mit merckhe,
 
twere zu dem pluge,
 
zu dem ochsen hart gefuge,
 
was sich wol tweret,
 
mit springen dem haubt gefert,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|1|lbl=49r}}
|  
+
<section end="Vorsetzen"/><section begin="Nachreisen"/>
|  
 
<section end="Twerhaw"/><section begin="Fehler"/>
 
 
|-  
 
|-  
|  
+
| <p>{{red|b=1|Chasing}}</p>
 +
 
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>53</small>
+
| <small>75</small>
| Whoever conducts the Failer<br/>&emsp;from below he hits at his will.
+
| Learn the chasing<br/>&emsp;twice, or slice into the weapon.
 
|-  
 
|-  
| <small>54</small>
+
| <small>76</small>
| The Reverser enforces the<br/>&emsp;running through and also brings wrestling.
+
| Two outer intentions.<br/>&emsp;The work after that begins.
 
|-  
 
|-  
| <small>55</small>
+
| <small>77</small>
| The elbow take certainly,<br/>&emsp;spring into his balance.
+
| And test the attacks<br/>&emsp;if they are soft or hard.
 
|-  
 
|-  
| <small>56</small>
+
| <small>78</small>
| Double the Failer,<br/>&emsp;if you hit, also make the slice.
+
| Learn the feeling.<br/>&emsp;The word Instantly slices sharply.
 
|-  
 
|-  
| <small>57</small>
+
| <small>79</small>
| Twice further on,<br/>&emsp;step to the left and do not be slow.
+
| Chase twice,<br/>&emsp;if you hit, do the Ancient Slice as well.
 
|}
 
|}
|
+
| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=-}}
| {{section|Page:MS Chart.A.558 019r.jpg|5|lbl=-}}
+
| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=-}}
| {{section|Page:Cod.44.A.8 004v.jpg|3|lbl=-}}
+
| {{section|Page:MS Thott.290.2º 004v.jpg|1|lbl=4v}}
| {{section|Page:Ms.Thott.290.2º 003v.jpg|2|lbl=-}}
+
| <p><br/></p>
| <poem>wilcher wer voret
 
Nach wusch er vnden roret
 
vorkerer trwingen
 
Dorch loffer mid ringet
 
Mid dyne~ ellebogen
 
Gewys sprinck i~ dei wagen
 
Den feller tzwwachen
 
Driff man den snyd mid mache
 
Dzwiuachen is vorbas
 
Strit i~ linx wes nicht las</poem>
 
| <poem>
 
  
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|7|lbl=-}}
 +
| <p><br/></p>
  
 +
<br/><br/>{{paget|Page:Cgm 1507|69r|jpg|p=1}}<br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|65v|jpg|p=1}}
 +
| {{section|Page:MS KK5126 105r.jpg|6|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 007v.png|2|lbl=-}}
 +
| <p><br/></p>
  
 
+
{{section|Page:MS Dresd.C.487 057r.png|2|lbl=-}}
'''[67r]''' Nimb den Elnbogen
 
in die wage
 
 
 
 
 
 
 
Schryt in den tag bis nit zulas </poem>
 
| <poem>feiler v[er] firet
 
von vnte[n] nach wunsche rurt
 
vor kerer twingz
 
durch lauff werff auch mit ringz
 
 
 
 
 
failer zwifach[e]n
 
den allt[e]n snit mitte mache
 
zweifachz furbaz
 
drit jn hut nit pis laß</poem>
 
| <poem>feler <del>wer</del> füeret<ref>W has been corrected to V.</ref>
 
nach wunnsch er ruret
 
verkerer twinget
 
durchlauf ser auch mit ringet
 
den elpogenn gewis nym
 
spring in die wage
 
'''[105r]''' feler zwifach
 
trift man den schnit mit macht
 
zwifach es furwas
 
schreit in linck vnd pis nit los</poem>
 
 
|  
 
|  
| <poem>Welcher vor füret
+
{{section|Page:MS Germ.Quart.2020 004v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 005r.jpg|1|lbl=05r|p=1}}
von vndenn nach wunsch rüret
+
| {{section|Page:Cgm 3711 44r.jpg|6|lbl=-}}
Ver kerer <del>st</del> zwinget
+
| {{section|Page:Cod.I.6.2º.2 43r.jpg|4|lbl=-}}
Durch lauffer auch mitt ringet
 
Den <del>el</del> elnpogen gwÿß nÿm
 
springe eine In die wäge
 
weler zwifach
 
'''[6v]''' trifft man den schnit mit mach
 
zwifach fürbaß
 
schreÿt In linck vñ bÿß nit las ~:•</poem>
 
| <poem>Feler wer furt
 
von unden nach wunsch er rürt
 
'''[3v]''' Verkerrer zwingt
 
durchlauffer auch mit ringt /
 
den elpogen gewis nim
 
spring in die wage.  
 
Feler / zwifach
 
trift mann den schnit mit mach
 
zwi/fach es furpas
 
schreit in linck und pis nicht laß</poem>
 
| <poem>was veler verfier[ ]itt
 
unden nach wunsch hervierett
 
verkerer Zwingr
 
durchlauffr damit Ringett
 
nim dein elenpagen
 
gewiss '''[44v]''' Spring im wol in dir wage
 
nim den glingken ellenpogen
 
 
 
Zwifach mit macht virbas
 
schreitt in lingkn und bis nit lass</poem>
 
| <poem>was veler verfiern
 
vnden nach wunsch heruerent [?]
 
verkerer zwinger
 
durchlauffer damit Ringett
 
nim dein ellenpogen
 
gewiss sprin[g] Im wol in die wage
 
nim den glingken elenpogen
 
 
 
zwische[n] mit macht virbas
 
schreitt in lingken vnd bis nit lass</poem>
 
| <poem>veller verfüret,
 
von vnden nach wunsche, er ruret,
 
verkert zwinget,
 
durch lauffen Ouch mit Ringet,
 
den elenbogen gewis nym,
 
spring jn[n] die wage,
 
veller zwifach,
 
drifft man den snit mit mache,
 
zwiefachs furbas
 
schret jn linckh vnd bes nicht laß,</poem>
 
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|4|lbl=-}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|2|lbl=-}}
|  
+
<section end="Nachreisen"/>
<section end="Fehler"/><section begin="Schilhaw"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|The Squinting Stroke}}</p>
+
| <p>{{red|b=1|Overrunning}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>58</small>
+
| <small>80</small>
| The Squinter breaks into<br/>&emsp;whatever a buffalo strikes or thrusts.
+
| Who wants to strike below,<br/>&emsp;overrun him, and he will be shamed.
 
|-  
 
|-  
| <small>59</small>
+
| <small>81</small>
| Who threatens to change through,<br/>&emsp;the Squinter robs him of it.
+
| When it clashes above,<br/>&emsp;then strengthen: this I truly do praise.
 
|-  
 
|-  
| <small>60</small>
+
| <small>82</small>
| Squint when he is short against you,<br/>&emsp;changing through defeats him.
+
| Do your work,<br/>&emsp;or press hard twice.
|-
 
| <small>61</small>
 
| Squint to the point,<br/>&emsp;and take the throat without fear.
 
|-
 
| <small>62</small>
 
| Squint to the head above<br/>&emsp;if you want to damage the hands.
 
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v}}
+
{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=5v|p=1}}
| {{section|Page:Cod.44.A.8 004v.jpg|4|lbl=-}}
+
| {{section|Page:MS Thott.290.2º 004v.jpg|2|lbl=-}}
 +
| <p><br/></p>
 +
 
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|8|lbl=-}}
 
|  
 
|  
{{section|Page:Ms.Thott.290.2º 003v.jpg|3|lbl=-|p=1}}<ref>Talhoffer adds an additional couplet: {{section|Page:Ms.Thott.290.2º 004r.jpg|1|lbl=4r|p=1}}</ref>
+
| {{section|Page:MS KK5126 105r.jpg|7|lbl=-}}
| <br/>
+
| {{section|Page:MS Dresd.C.487 007v.png|3|lbl=-}}
<poem>Scheller ein bricht
 
was puffel slät od° sticht
 
wer wessel drauwz
 
Scheller em dar i~ borouz
 
Schilt er kort dich an
 
Dorsch wessel gesicht em an
 
Schilt tzu dem arte
 
ny~ den hals ane varte
 
Schil zo dem obeñ
 
hobt hende wiltu bodobeñ</poem>
 
|
 
| <br/>
 
<poem>
 
 
 
 
 
 
 
 
 
  
 +
{{section|Page:MS Dresd.C.487 008r.png|1|lbl=08r}}
 +
| <p><br/></p>
  
Tewre zu dem orte
+
{{section|Page:MS Dresd.C.487 057r.png|3|lbl=-}}
ny[m] den halz ane forchte
+
| {{section|Page:MS Germ.Quart.2020 005r.jpg|2|lbl=-}}
Schil zu den ob[er]n
+
| {{section|Page:Cgm 3711 44v.jpg|1|lbl=44v}}
ist daz du jn wilt bedek[er]n</poem>
+
| {{section|Page:Cod.I.6.2º.2 43r.jpg|5|lbl=-}}
| '''der schilhaw'''
 
<poem>[Sch]ilcher ein pricht
 
was puffel slecht oder sticht
 
wer wechsel drawt
 
schilcher dar aus pe raubt
 
schil kurczt er dichk ann
 
vnd durch wechsel gesigt im an
 
schilch zu dem ort
 
vnd nym den hals an ne forcht
 
schilch dem obern
 
haupt hennd wild dw bederbenn</poem>
 
 
|  
 
|  
| {{red|b=1|Der schilhaw°}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|5|lbl=-}}
<poem>Schiller In bricht
 
waß buffel schlöcht oder <del>sch</del> sticht /
 
wer wechsel drawet
 
Schiller in daruß beraubet
 
Schill körczt er dich / an
 
durchwechsel gesigst Im an /
 
Schill zu° dem ort
 
vñ nÿm den halß on forcht
 
Schill zu° dem obern
 
ho~upt hend wilt du bedebern ~~:•</poem>
 
| '''Schilhaw'''
 
<poem>Schiler am pricht
 
was puffel schlecht oder sticht /
 
wer Wechsel drawt
 
Schiler daraus er inn berabt /
 
Schil kurtzt er dich an
 
Durch wechsel gesigt im / an.  
 
schill zu dem ort
 
und nim den hals ane vorcht /
 
Schil zu dem öbern
 
haupt hend wildu bedöbern</poem>
 
| '''Die ausrichtung vom schilthaw'''
 
<poem>Schilchr ein bricht
 
was buffel schlecht oder sticht
 
wer wechsol treibt
 
mit schilchr wirtt er daraus beraubt
 
schilcht er dich kurzan dein
 
durchwechsel gsigt Im an
 
schilch zu dem ortt
 
und nim den halss on vorcht
 
schilch zu dem haubt oben
 
wilstu in betoben</poem>
 
| '''+ Die ausrichtung vom schilthaw'''
 
<poem>Schilcher enibricht
 
was buffel schlecht oder sticht
 
wer wechsel treibt
 
mit schilcher wirtt er darauß beraubt
 
schilcht er dich kurtz an dein
 
durchwechsel gsigt Im an
 
schilch zu dem ortt
 
vnd nim den hals one vorchtt
 
schilch zu dem haubtt oben
 
wiltu in betoben</poem>
 
| '''Der von schilhaw'''
 
<poem>Schiller einpricht,
 
was puffel [sc]hlecht oder sticht,
 
wer wechsel draut,
 
schiller darumb in beraut,
 
[sc]hil kurczt er dich an,
 
durchwechsel, das sigt jm an,
 
[sc]hil zu dem ort,
 
vnd nym den hals one forcht,
 
[sc]hill zu dem [o?]ben[?] haubt vnd hende,
 
wilt du bedobern,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|3|lbl=-}}
|  
+
<section begin="Absetzen"/>
|  
+
|-  
<section end="Schilhaw"/><section begin="Scheitelhaw"/>
+
| <p>{{red|b=1|Setting Aside}}</p>
|-  
 
| <p>{{red|b=1|The Scalp Cut}}</p>
 
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>63</small>
+
| <small>83</small>
| The Scalper<br/>&emsp;is a danger to the face,
+
| Learn to set aside,<br/>&emsp;To skillfully hinder stroke and thrust.
 
|-  
 
|-  
| <small>64</small>
+
| <small>84</small>
| with its turn,<br/>&emsp;very dangerous to the breast.
+
| Who thrusts at you,<br/>&emsp;your point hits and counters his.
 
|-  
 
|-  
| <small>65</small>
+
| <small>85</small>
| Whatever comes from him,<br/>&emsp;the Crown will take it.
+
| From both sides<br/>&emsp;hit every time if you want to step.
|-
 
| <small>66</small>
 
| Slice through the Crown,<br/>&emsp;thus you will break it hard through.
 
|-
 
| <small>67</small>
 
| Press the strokes,<br/>&emsp;with slices pull them away.
 
 
|}
 
|}
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 004v.jpg|3|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|9|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=-}}
+
| {{section|Page:MS KK5126 105r.jpg|8|lbl=-}}
|
+
| {{section|Page:MS Dresd.C.487 008r.png|2|lbl=-}}
{{section|Page:Cod.44.A.8 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=5r|p=1}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 004r.jpg|2|lbl=-}}
 
| <br/>
 
<poem>Der scheitler
 
Dem antlat is gar geitler
 
An syner kare
 
Der brust vast gewae~
 
was von em kumpt
 
Dey kron das abe nympt
 
Snyt dorch dey cron
 
So brichstu sey hart vñ schon
 
Dey sterke drucke
 
Mit sniten sey abe rucke</poem>
 
|
 
| <br/>
 
<poem>de[r] schaitler
 
deinß antlicz ist geforn
 
mit seyn[e]n korn</poem>
 
| <br/>
 
<poem>[D]er schaitler
 
ist dem antlucz geuar
 
mit seiner kar
 
der prust geuar
 
was von im chumbt
 
die kron
 
  
so prichstu sy hart schon
+
{{section|Page:MS Dresd.C.487 057r.png|4|lbl=-}}
die stucke druck
+
| {{section|Page:MS Germ.Quart.2020 005r.jpg|3|lbl=-}}
mit sniten sy abruck</poem>
+
| {{section|Page:Cgm 3711 44v.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 43r.jpg|6|lbl=-}}
 
|  
 
|  
| {{red|b=1|Der schaittelhaw°}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|1|lbl=16v}}
<poem>Der schille~
 
ist dem antlitz ge'''[7r]'''fere
 
mitt seine~ kere
 
Der brust fast geu~er /
 
waß võ im <del>kunpt</del> kumpt
 
die krone daß abnÿmpt
 
<del>schy</del> schnÿde <del>???</del>der doch die krone
 
so brichst du sÿ hart schone
 
Die stich druck
 
mitt schnitt~ sÿ ab <del>zuch</del> zeüch ~:•</poem>
 
| '''Schaittelhau'''
 
<poem>'''[4r]''' Der scheitler
 
dem antlützt ist gevar
 
mit seiner kar /
 
der pruft ist gefer
 
was von im kumpt
 
die Kron / das abnimpt,
 
schneid durch die kron
 
so prichstu / sie hart schon
 
die strich druck
 
mit schnytten sy / ab zuck</poem>
 
| '''Die ausrichtung von dem schaitelhaw'''
 
<poem>Der schaitler
 
dem antlis ist gefar
 
mit seiner kar
 
der brist vast unewar
 
was von im kumpt
 
dar die kron das abnimpt
 
schneid durch die kron
 
so brichstu sÿ hartt und schon
 
die straich druckg durch
 
mitt schniedn Sÿ ab zuckg</poem>
 
| '''[43r] + Die ausrichtung von dem schaitelhaw'''
 
<poem>Der schaitler
 
dem antlitz ist gefar
 
mit seiner kar
 
der brust vas[t] virwar
 
was von im kumptt
 
dar die kron das abnimpt
 
schneid durch die kron
 
so brichstu sÿ hartt vnd schon
 
die straich druckh durch
 
mit schneiden sÿ abzuckh</poem>
 
| '''Der scheitler'''
 
<poem>Der [sc]heitler
 
dem antlicz ist gever,
 
[sc]heitler mit seiner kar
 
der Brust vast gewer,
 
was [sc]heitler von jm kumbt,
 
'''[16r]''' Die [E?]ron das abnymbt,
 
schneid durch die [E?]ron,
 
so prichstu si gar schon,
 
die straich drucke,
 
mit schneiden si abzuckhe,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|4|lbl=-}}
|  
+
<section end="Absetzen"/><section begin="Durchwechseln"/>
|  
 
<section end="Scheitelhaw"/><section begin="Leger"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|The Four Guards}}</p>
+
| <p>{{red|b=1|Changing Through}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>68</small>
+
| <small>86</small>
| Four guards alone hold;<br/>&emsp;And disdain the common.
+
| Learn the changing through<br/>&emsp;from both sides, thrust with intent.
 
|-  
 
|-  
| <small>69</small>
+
| <small>87</small>
| Ox, Plow, Fool,<br/>&emsp;From the Roof should not be unknown to you.
+
| Whoever binds to you,<br/>&emsp;changing through will find him indeed.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 004v.jpg|4|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|10|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{paget|Page:Cgm 1507|66r|jpg}}
 +
| {{section|Page:MS KK5126 105r.jpg|9|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 008r.png|3|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Dresd.C.487 057r.png|5|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 005v.jpg|1|lbl=05v}}
 +
| {{section|Page:Cgm 3711 44v.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 43v.jpg|1|lbl=43v}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=-}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|2|lbl=-}}
| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 004r.jpg|3|lbl=-}}
 
| <br/>
 
<poem>veir leger alleyn
 
Dar vã halt fluch de gemey~
 
osse pluch alle veir // allebeir
 
van dage sy dy nicht vmer </poem>
 
| <br/>
 
<poem>die erste húte haist der ochse
 
Die annder húte haisst der pflúeg
 
die dritte hute haisst der Alber
 
die vierde haisst vom tage</poem>
 
| <br/>
 
<poem>4 leger alle[in]
 
ny[m] vn[d] fleuch die geme[in]</poem>
 
| '''die vier leger'''
 
<poem>[V]ier leger allain
 
da von halt vnd fleuch die gemain
 
ochs pflueg alber
 
vom tag sey dier nit vnmar </poem>
 
|
 
| {{red|b=1|Die vier leger}}
 
<poem>Vier leger allain
 
da von halt vnnd fleüch de gmain
 
Ochß pflu°g alber
 
vom tag sÿ dir nitt vnmer ~:•</poem>
 
| '''Vir leger'''
 
<poem>Vir leger allain
 
da von halt und fleuch die gemain /
 
Ochs. Pflug. Alber.
 
Vom Tag. / sey dir nit unmer</poem>
 
| '''Die ausrichtung von den vier legern'''
 
<poem>Die vier leger allain
 
durinen heltt man und fleuchts die gemain
 
ochs pflug alber
 
vom tag ist wol sein fug</poem>
 
| '''+ Die ausrichtung von den vier legern'''
 
<poem>Die vier leger allain
 
daruon heltt man vnd fleuchts die gemain
 
ochss pflug alber
 
vom tag ist wol sein fug</poem>
 
| '''Die vier leger'''
 
<poem>Vier Leger allein,
 
davon halt vnd fleuch die gemain,
 
ochs pflug alber,
 
vom tag sein dir nicht vnmer,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|5|lbl=-}}
|  
+
<section end="Durchwechseln"/><section begin="Zucken"/>
|  
 
<section end="Leger"/><section begin="Vorsetzen"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|The Four Oppositions}}</p>
+
| <p>{{red|b=1|Pulling}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>70</small>
+
| <small>88</small>
| Four are the oppositions<br/>&emsp;that hurt the four guards very much.
+
| Step close in binding.<br/>&emsp;The pulling provides good finds.
 
|-  
 
|-  
| <small>71</small>
+
| <small>89</small>
| Beware of parrying.<br/>&emsp;If it happens to you, it troubles you greatly.
+
| Pull—if he meets, pull more.<br/>&emsp;Find the work that will hurt him.
 
|-  
 
|-  
| <small>72</small>
+
| <small>90</small>
| If you are parried<br/>&emsp;and when that has happened,
+
| Pull in all encounters<br/>&emsp;against the Masters, if you want to fool them.
|-
+
|}
| <small>73</small>
+
| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=-}}
| Hear what I advise to you:<br/>&emsp;Tear away and strike quickly with surprise.
+
| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=-}}
|-  
 
| <small>74</small>
 
| Set upon the four ends.<br/>&emsp;Stay upon them, learn if you want to bring it to an end.
 
|}
 
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=-}}
+
{{section|Page:MS Thott.290.2º 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.005r.jpg|1|lbl=5r|p=1}}
| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=-}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 004r.jpg|4|lbl=-}}
+
 
| <br/>
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|11|lbl=-}}
<poem>veir sint vorsetzen
 
De dey leger sere letzen
 
vor vorsetzen wae~ dich
 
Geschicht es dy not es magz dich
 
Off dir vor sat ist
 
Off wijt dar vm gekom ist
 
har wes ich di rate
 
Tuch aff slach snel mid drate
 
Setze an veir ende
 
Dar uff bliff wistu we~den</poem>
 
 
|  
 
|  
| <br/><br/><br/>
+
| {{section|Page:MS KK5126 105r.jpg|10|lbl=-}}
<poem>verseczens hut dich
+
| {{section|Page:MS Dresd.C.487 008v.png|1|lbl=08v}}
geschicht ez sere mut dich
+
| <p><br/></p>
ist daz dir v[er]s[e]czt ist
+
 
slach wie ez dir kom[en] ist
+
<p><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|6|lbl=-|p=1}}</p>
hor wi ich rate
+
| {{section|Page:MS Germ.Quart.2020 005v.jpg|2|lbl=-}}
drit ab schnel hawe mit drate
+
| {{section|Page:Cgm 3711 44v.jpg|4|lbl=-}}
Secz an fier end
+
| {{section|Page:Cod.I.6.2º.2 43v.jpg|2|lbl=-}}
pleib dar auff wiltu end[en]</poem>
 
| '''die vier versecz[e]nn'''
 
<poem>[V]jer seind der verseczen
 
die die (sic) leger auch ser leczenn
 
vor verseczen huet dich
 
geschicht das auch ser nucz dich
 
ob dir verseczt ist
 
vnd wie das dar chumen ist
 
hor was ich dir rate
 
reis ab haw snel mit trate
 
secz an vier enden
 
beleib dar auf wildw wenndenn</poem>
 
 
|  
 
|  
| {{red|b=1|Die vier verseczen}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|3|lbl=-}}
<poem>Vier sind verseczten
 
die die lege~ ser leczen
 
Vor verseczten hiet dich
 
geschicht es ser es müt dich
 
'''[7v]''' Ob dir <del>s</del> verseczt ist
 
vñ wie daß komen ist
 
Hör waß ich dir rate
 
raÿß abhaw~ schnell mitt drate
 
Setz an vier enden
 
belÿb daruff ler wilt du° wennden ~:•</poem>
 
| '''Vier vörsetzen'''
 
<poem>'''[4v]''' Vir seind vorsetzen
 
die dy leger auch sere letzen /
 
Vor fursetzen huet dich
 
geschicht das auch sere / es müt dich.  
 
Ob dir vorsetzt ist
 
und wie das / dar komen ist
 
Hör was ich dir ratte
 
raiß / ab hau schnel mit drate
 
Setz an vir enden /
 
pleib darauff lere wildu enden</poem>
 
| '''Die ausrichtung von den vier versetsen'''
 
<poem>Vier sind der versetsen
 
und die legr auch serr letsen
 
gach vor versetsen hiett dich
 
gschuht es dir wort es miett dich
 
ab dir versetst ist
 
und wie das darkumen ist
 
her was ich die Rast
 
kum frie und nit zu spott striech auff haw schnel mit dritten
 
selban vier enden
 
und bleib darumff so lernestu Enden</poem>
 
| '''+ Die ausrichtung von den vier versetzenn'''
 
<poem>Vier sind der versetzen
 
vnd die leger auch serr letzen
 
doch vor versetzen hiett dich
 
gschicht es dir nott es miett dich
 
ob dir versetzt ist
 
vnd wie das dar kumen ist
 
hör was ich dir Ratt
 
kum frie vnd nitt zu spatt streich auff haw schnel mit dritten
 
selb an vier enden
 
vnd bleib darauff so lernestu Enden</poem>
 
| '''Die vier versecz[en]'''
 
<poem>Vier sind verseczen,
 
die di leger auch seer Leczen,
 
vor versecz[en] Huet dich,
 
geschicht das auch seer Nücz dicht,
 
ob dir verseczt ist,
 
vnd wie das dar kumen ist,
 
Hör was jch dir Rate
 
streich ab Haw [sc]hnel mit drate,
 
secz an vier enden,
 
bleib darauff ` lere wiltu enden,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|6|lbl=-}}
|  
+
<section end="Zucken"/><section begin="Durchlaufen"/>
|  
 
<section end="Vorsetzen"/><section begin="Nachreisen"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Chasing}}</p>
+
| <p>{{red|b=1|Running Through}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>75</small>
+
| <small>91</small>
| Learn the chasing<br/>&emsp;twice, or slice into the weapon.
+
| Run through, let hang<br/>&emsp;with the pommel. Grasp if you want to wrestle.
 
|-  
 
|-  
| <small>76</small>
+
| <small>92</small>
| Two outer intentions.<br/>&emsp;The work after that begins.
+
| Who comes strongly at you,<br/>&emsp;the running through then remember.
|-  
+
|}
| <small>77</small>
+
| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=-}}
| And test the attacks<br/>&emsp;if they are soft or hard.
+
| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=-}}
|-  
+
| {{section|Page:MS Thott.290.2º 005r.jpg|2|lbl=-}}
| <small>78</small>
+
| <p><br/></p>
| Learn the feeling.<br/>&emsp;The word Instantly slices sharply.
+
 
|-  
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|12|lbl=-}}
| <small>79</small>
 
| Chase twice,<br/>&emsp;if you hit, do the Ancient Slice as well.
 
|}
 
 
|  
 
|  
| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=-}}
+
| {{section|Page:MS KK5126 105r.jpg|11|lbl=-}}
| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=-}}
+
| {{section|Page:MS Dresd.C.487 008v.png|2|lbl=-}}
| {{section|Page:Ms.Thott.290.2º 004v.jpg|1|lbl=4v}}
+
| <p><br/></p>
| <br/>
 
<poem>nachreisen lere
 
Twizvachen snit i~ de were
 
vn pruff syn geuerte
 
  
 +
<p><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|7|lbl=-|p=1}}</p>
 +
| {{section|Page:MS Germ.Quart.2020 005v.jpg|3|lbl=-}}
  
Off hei sy weich od° harte
+
{{section|Page:MS Germ.Quart.2020 006r.jpg|1|lbl=06r}}
das fulle~ lere~
+
| {{section|Page:Cgm 3711 44v.jpg|5|lbl=-}}
Indes das snidz sere~
+
| {{section|Page:Cod.I.6.2º.2 43v.jpg|3|lbl=-}}
Reisen tzwiuachen
 
Den alden snid mid mache</poem>
 
| <br/>
 
<poem>'''[65v]''' Nachreysen
 
zwyfacht
 
'''[69r]''' Die vszer myñe
 
dein arbait damit begynne</poem>
 
 
|  
 
|  
| '''von nachrais[e]n'''
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|4|lbl=-}}
<poem>nach raissenn lern
 
zwifach oder sneyd im die were
 
zwai aussere nyme
 
der arbait dar nach pegine
 
vnd prusz die geferte
 
ob sy hert sein oder waiche
 
das fulen lare
 
jnndes das wort sneydet sere
 
nach raisen zwifach
 
trifft man den alten snit da mit mach</poem>
 
 
|  
 
|  
| {{red|b=1|Von Nachraÿsen}}
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|7|lbl=-}}
<poem>Nachraÿsen lere /
+
 
zwifach ode~ schnitt die were /
+
{{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|1|lbl=49v}}
Zwaÿ ausser nÿm /
+
<section end="Durchlaufen"/><section begin="Abschneiden"/>
<del>der</del> der arbait darnach begim
 
Vñ brüff die geferte
 
Ob sÿ sind waich oder herte
 
Daß fulen lere
 
In des / daß wort schnidet sere
 
Nachraisen zwifach
 
trifft man den alten schnidet man mitt macht ~:•</poem>
 
| '''Nachraisen'''
 
<poem>Nachraisen lere
 
zwifach oder schneid in die were /
 
Zwey ewssere nimne
 
der arbeit dar nach begynne
 
unnd pruff die gefert
 
ob sie sind weich / oder hert
 
Das fulenn lerre
 
Inndes das wort '''[5r]''' schneidet sere
 
Nachraisen zwifach
 
trifft man / den alten schnit mit mach</poem>
 
| '''Von dem Nachraisenn'''
 
<poem>Nachraisen lere
 
Zwiuach scheneidett in der were
 
zway darauss nim
 
dein arwaitt darauss begine
 
und brieff sein gfert
 
sein leger weich oder hertt
 
das selbug lere
 
Indes das wortt schniedett sere
 
nachraisen zwaiuach
 
nim du den altten schnid mit [ ]acht</poem>
 
| '''+ Von dem nachRaisen'''
 
<poem>Nachraisen lere
 
zwifach schneidet in der were
 
zwaÿ darau[ß] nim
 
dein arwaitt darauß begine
 
vnd brieff sein gfertt
 
sein leger waich oder hertt
 
das selbig lere
 
Indes das wortt schneidett sere
 
nachraisen zwiuach
 
nim du den altten schnidt mitt macht</poem>
 
| '''Von Nachraisen,'''
 
<poem>Nachraisen Leere,
 
zwifach oder, schneid Jnn die wehre,
 
zway außre nyme,
 
der arbait darnach beginne,
 
vnd pruff die gefertte,
 
ob si waich sind oder herte,
 
das [fe?]llen Leere,
 
Jnndas wort findet seere,
 
Nachraysen zwifach,
 
Trifft man den alten schnit mit mache</poem>
 
|
 
|
 
|
 
|
 
<section end="Nachreisen"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Overrunning}}</p>
+
| <p>{{red|b=1|Slicing Off}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>80</small>
+
| <small>93</small>
| Who wants to strike below,<br/>&emsp;overrun him, and he will be shamed.
+
| Slice off the hard ones,<br/>&emsp;from below in both attacks.
 
|-  
 
|-  
| <small>81</small>
+
| <small>94</small>
| When it clashes above,<br/>&emsp;then strengthen: this I truly do praise.
+
| Four are the slices:<br/>&emsp;two below and two above.
|-
 
| <small>82</small>
 
| Do your work,<br/>&emsp;or press hard twice.
 
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 005r.jpg|3|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|13|lbl=-}}
 +
| <p><br/></p>
 +
 +
<p><br/><br/><br/>{{paget|Page:Cgm 1507|69v|jpg|p=1}} {{paget|Page:Cgm 1507|70r|jpg|p=1}}</p>
 +
| <p><br/></p>
 +
 +
{{section|Page:MS KK5126 105r.jpg|12|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 008v.png|3|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Dresd.C.487 057r.png|8|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 006r.jpg|2|lbl=-}}
 +
| {{section|Page:Cgm 3711 44v.jpg|6|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 43v.jpg|4|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|5|lbl=-}}
 
|  
 
|  
{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=5v|p=1}}
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|2|lbl=-}}
| {{section|Page:Ms.Thott.290.2º 004v.jpg|2|lbl=-}}
+
<section end="Abschneiden"/><section begin="Hande Trucken"/>
| <br/>
+
|-
<poem>wer vnde~ ramz
+
| <p>{{red|b=1|Pressing Hands}}</p>
ober lauffen schamz
+
 
wem es glist obe~
+
{| class="zettel"
der sta abe das ich lobe
+
|-
Dyne~ arbeit machen
+
| <small>95</small>
Od° hart druck tzwi vachen</poem>
+
| Turn your edge,<br/>&emsp;press the hands to the flats.
|
+
|}
|
+
| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=-}}
| '''von vberlauffenn'''
+
| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=-}}
<poem>er vnden rempt
+
 
vberlauffen den da wiert beschembt
+
{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=6r}}
wenn es gliczt oben
+
| {{section|Page:MS Thott.290.2º 005r.jpg|4|lbl=-}}
so sterck das ger ich lobe
+
| <p><br/></p>
dein arbait mach
+
 
hert oder waich durch zwifach</poem>
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|14|lbl=-}}
|
 
| {{red|b=1|Von v~berlauffen ~}}
 
<poem>'''[8r]''' Wer vnden rempt /
 
überlaüff den der wirt beschempt
 
Wenn er gliczt oben /
 
so sterck gar ich loben
 
Dein arbait mach /
 
oder hört drück fast zwifach ~:•</poem>
 
| '''Uberlauffen'''
 
<poem>Wer unden rempt
 
uberlauff denn der wirt beschempt /
 
Wan es glitzt oben
 
so sterck das gere ich loben /
 
dein arbait mache
 
oder hert druck zwifache</poem>
 
| '''[45r] Das die ausrichtung von dem uberlauffen'''
 
<poem>Der unden Remet
 
und uberlauft der wirtt eben gschemett
 
wan es glitzt oben
 
so setz ab das wil ich leben
 
dein arwait mach waich
 
oder hertt und druckh das zwiuach</poem>
 
| '''Die ausrichtung von dem <del>l</del> vberlauffen'''
 
<poem>Der vnden Römett
 
vnd vberlaufft der wirtt oben gschemet[t]
 
wan es glitzt oben
 
so setz das ab das wil ich lobñ
 
dein arwait mach waich
 
oder hertt vnd druckh das zwifach</poem>
 
| '''Von vberlauffen,'''
 
<poem>Wer vnnden remet
 
vberlauffen den der wirt be schemet,
 
wen es gliczt oben,
 
so truckst das gerich loben
 
dein arbait schwache,
 
oder hört druckh zwifache</poem>
 
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS KK5126 105r.jpg|13|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 009r.png|1|lbl=09r}}
 
|  
 
|  
 +
| {{section|Page:MS Germ.Quart.2020 006r.jpg|3|lbl=-}}
 +
| {{section|Page:Cgm 3711 44v.jpg|7|lbl=-}}
 +
| {{section|Page:Cod.I.6.2º.2 43v.jpg|5|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|6|lbl=-}}
 
|  
 
|  
<section begin="Absetzen"/>
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|3|lbl=-}}
 +
<section end="Hande Trucken"/>
 
|-  
 
|-  
| <p>{{red|b=1|Setting Aside}}</p>
+
| <p>{{red|b=1|Two Hangings}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>83</small>
+
| <small>96</small>
| Learn to set aside,<br/>&emsp;To skillfully hinder stroke and thrust.
+
| There are two hangings<br/>&emsp;from one side from the ground.
 
|-  
 
|-  
| <small>84</small>
+
| <small>97</small>
| Who thrusts at you,<br/>&emsp;your point hits and counters his.
+
| In all attacks<br/>&emsp;strike, thrust, posture—soft or hard.
|-
 
| <small>85</small>
 
| From both sides<br/>&emsp;hit every time if you want to step.
 
 
|}
 
|}
|  
+
| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Thott.290.2º 005r.jpg|5|lbl=-}}
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=-}}
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|15|lbl=-}}
| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 004v.jpg|3|lbl=-}}
 
| <br/>
 
<poem>ler aff setze~
 
hav stich ku~stich letze~ /
 
wer uff dich sticht
 
Syne~ art driff myd dyne~ brich
 
van beiden syden
 
Driff almal wultu striden</poem>
 
 
|  
 
|  
| <br/>
+
| {{section|Page:MS KK5126 105r.jpg|14|lbl=-}}
<poem>
+
| {{section|Page:MS Dresd.C.487 009r.png|2|lbl=-}}
 
 
 
 
we[r] auff dich sticht
 
<del>seyne</del> sein[e]n ort mit twer driff<sup> vn[d] </sup>prich</poem>
 
| '''von abseczenn'''
 
<poem>Lern ab seczenn
 
haw stich chunnstlich leczen
 
wer auf dich sticht
 
dein ort trifft vnnd seinen trift
 
von paiden seytten
 
trif alle wol schreitenn</poem>
 
 
|  
 
|  
| {{red|b=1|Von abseczen}}
+
| {{section|Page:MS Germ.Quart.2020 006v.jpg|1|lbl=06v}}
<poem>Lere abseczen
+
| {{section|Page:Cgm 3711 44v.jpg|8|lbl=-}}
haw <del>sch</del> stich kunstlichen
+
| {{section|Page:Cod.I.6.2º.2 43v.jpg|6|lbl=-}}
wer vff dich sch sticht /
 
dein ort trifft vnnd sein an pricht
 
Von baiden <del>saiten</del> sÿtten /
 
triff all mal wilt du schrÿtten ~~:•</poem>
 
| '''Absetzen'''
 
<poem>Lere absetzen
 
haw stich kunstlich letzen
 
Wer auf / dich sticht
 
dein ort trifft und seinen pricht
 
von / paiden seytn
 
triff allemal wiltu schreyten</poem>
 
| '''Die ausrichtung von dem absetsen'''
 
<poem>Lere absetsen
 
haw stich krum schnielgkeichen letzen
 
wer auff dich sticht
 
so lug das dein ortt [ ]riff und den seinen bricht
 
von baiden seitten
 
briff alln mal wilstu schreitten</poem>
 
| '''+ Die ausrichtung von dem absetzen'''
 
<poem>Lere absetzen
 
haw stich krum schneligklichen letzen
 
wer auff dich sticht
 
so lug das dein ortt drift vnd dem seinen bricht
 
von baiden seiten
 
driff alle mal wilttu schreitten</poem>
 
| '''[16v] Von abseczen,'''
 
<poem>Leere abseczen,
 
haw stich kunstlichen leczen,
 
wer auff dich sticht,
 
dein orte Trifft, vnd seiner pricht,
 
von baiden syten,
 
triff alle mal wilu schreiten</poem>
 
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|1|lbl=17r}}
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|4|lbl=-}}
|  
+
 
<section end="Absetzen"/><section begin="Durchwechseln"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Changing Through}}</p>
+
| <p>{{red|b=1|The Speaking Window}}</p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>86</small>
+
| <small>98</small>
| Learn the changing through<br/>&emsp;from both sides, thrust with intent.
+
| Do the Speaking Window,<br/>&emsp;stand blithely and look at his actions.
 +
|-
 +
| <small>99</small>
 +
| Strike him until he is defeated.<br/>&emsp;When he withdraws from you,
 +
|-
 +
| <small>100</small>
 +
| I say to you truthfully:<br/>&emsp;no one protects himself without danger.
 
|-  
 
|-  
| <small>87</small>
+
| <small>101</small>
| Whoever binds to you,<br/>&emsp;changing through will find him indeed.
+
| If you have learned this,<br/>&emsp;he can scarcely manage to strike.
 
|}
 
|}
 +
| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v}}
 +
| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=-}}
+
{{section|Page:MS Thott.290.2º 005r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.005v.jpg|1|lbl=5v|p=1}}
| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=-}}
+
| <p><br/></p>
| {{section|Page:Ms.Thott.290.2º 004v.jpg|4|lbl=-}}
+
 
| <br/>
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|16|lbl=-}}
<poem>Dorch wessel lere
+
| <p><br/></p>
van beiden siden stich und se°
+
 
wer uff dy windz
+
{{section|Page:Cgm 1507 70v.jpg|1|lbl=70v|p=1}}
Dorch wessel em schire vindz</poem>
+
| <p><br/></p>
| <br/>
+
 
<poem>'''[66r]''' Durch wechsel lere
+
{{section|Page:MS KK5126 105r.jpg|15|lbl=-}}
von baiden seytten</poem>
+
| {{section|Page:MS Dresd.C.487 009r.png|3|lbl=-}}
 
|  
 
|  
| '''vom durchwechsl'''
+
| {{section|Page:MS Germ.Quart.2020 006v.jpg|2|lbl=-}}
<poem>durch wechsel lere
+
| {{section|Page:Cgm 3711 45r.jpg|1|lbl=45r}}
von paiden seyten stich mit sere
+
| {{section|Page:Cod.I.6.2º.2 43v.jpg|7|lbl=-}}
wer auf dich pindet
 
durchwechsel jn schier findet</poem>
 
 
|  
 
|  
| {{red|b=1|Von durchwechslen}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|2|lbl=-}}
<poem>Durchwechslen lere /
 
von baÿden sÿten <del>strich</del> stich mitt söre
 
Wer vff dich bindet
 
durch wechsel In schier findet ~:•</poem>
 
| '''[5v] Durchwechseln'''
 
<poem>Durchwechsell lerre
 
von paiden seitten stich mit / sere
 
wer auff dich pint
 
Durchwechsel in schir / findt</poem>
 
| '''Von dem duchwechsell'''
 
<poem>Der durchwechsel lere
 
von baiden seitten stich mitt Sere
 
und wer auff dich sticht bÿndett
 
durchwechsel in schier windett</poem>
 
| '''[43v] + Von dem durchwechsel'''
 
<poem>Der durchwechsel lere
 
von baiden seitten stich mit serre
 
vnd wer auff dich sticht bindett
 
durchwechsell in schie[r] windett</poem>
 
| '''Von Durchwechsel,'''
 
<poem>Durchwechsel Leere,
 
von baiden seiten stich mit seere
 
wer auf dich bindet,
 
durchwechsel jn schier findet,</poem>
 
 
|  
 
|  
|  
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|5|lbl=-}}
|  
+
 
|  
 
<section end="Durchwechseln"/><section begin="Zucken"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Pulling}}</p>
+
| <p>{{red|b=1|This is the Conclusion of the Epitome}}<br/><br/></p>
  
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
| <small>88</small>
+
| <small>102</small>
| Step close in binding.<br/>&emsp;The pulling provides good finds.
+
| Who conducts well and breaks properly<br/>&emsp;and finally makes it all right
 +
|-
 +
| <small>103</small>
 +
| And splits particularly<br/>&emsp;everything into three wounders
 
|-  
 
|-  
| <small>89</small>
+
| <small>104</small>
| Pull—if he meets, pull more.<br/>&emsp;Find the work that will hurt him.
+
| Who properly well hangs<br/>&emsp;and also executes the windings,
 
|-  
 
|-  
| <small>90</small>
+
| <small>105</small>
| Pull in all encounters<br/>&emsp;against the Masters, if you want to fool them.
+
| And the eight windings<br/>&emsp;views in a righteous way,
 +
|-
 +
| <small>106</small>
 +
| And each one of<br/>&emsp;those same winds I consider to be triple
 +
|-
 +
| <small>107</small>
 +
| So they are<br/>&emsp;twenty-four.
 +
|-
 +
| <small>108</small>
 +
| And count them only, from both sides.<br/>&emsp;Eight windings learn with stepping.
 +
|-
 +
| <small>109</small>
 +
| And test the bind<br/>&emsp;no more than soft or hard.
 
|}
 
|}
|
+
| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=-}}
| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=-}}
+
| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=-}}
| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=-}}
+
| {{section|Page:MS Thott.290.2º 005v.jpg|2|lbl=-}}
|  
+
| <p><br/><br/></p>
{{section|Page:Ms.Thott.290.2º 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Ms.Thott.290.2º 005r.jpg|1|lbl=5r|p=1}}
 
| <br/>
 
<poem>Drit nachet i~ binden
 
Dei tzucke geue~ gude fu~de
 
Tzuch driff er so tzucke mer
 
Arbeit wint so dostu em we
 
Tzucke alle dressen
 
Dey meiste~ wiltu sey effen</poem>
 
|
 
| <br/>
 
<poem>
 
 
 
  
zuk zukle[r] zuk[...] me[r]
+
{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|17|lbl=-}}
er besint orbt die drit jm we</poem>
+
| <p>'''{{section|Page:Cgm 1507 70v.jpg|2|lbl=-|p=1}}'''</p>
| '''von zuckenn'''
+
| {{section|Page:MS KK5126 105r.jpg|16|lbl=-}}
<poem>drit nachet in punndenn
+
| {{section|Page:MS Dresd.C.487 009v.png|1|lbl=09v}}
das zucken gibt guet funde
 
zuck trifft er zuck mer
 
arbait er vinde das thuet im we
 
zuck allenn treffen
 
den maistern wild dw sy affenn</poem>
 
 
|  
 
|  
| '''[8v] {{red|von Zucken}}'''
 
<poem>Tritt nahent Inbinden /
 
dz zucken gÿt gu°t fünde
 
Zeuch truft er zeuch mer /
 
arbait wind dz tu°t Im we
 
Zuck allen treffenn /
 
den maistern wilt du sÿ effen ~:•</poem>
 
| '''Zucken'''
 
<poem>Trit nahent in pinden
 
das zucken gibt gut funde
 
Zuck trift er zuck mer
 
arbait erfinde das / thut ime we
 
Zuck allen treffen
 
den maistern / wiltu sy effen</poem>
 
| '''Die ausrichtung von dem Treffn und Zuckn'''
 
<poem>Dritt mein die binder
 
Zucken geitt gutte vinden
 
drist er so zuckh mer
 
 
zuckh aus allen treffen
 
wilstu den maistr Effen</poem>
 
| '''Die ausrichtung von dem treffen vnd zuckhe[n]'''
 
<poem>Dritt nein die binden
 
zuckhe geit gütte vinden
 
dri[ft] er so zuckh mer
 
 
zuckh auß allen treffenn
 
wilttu den maister Äffen</poem>
 
| '''Von zucken,'''
 
<poem>Trit nahendt in pinde,
 
das zuckhen gibt guet fünde,
 
zuckht trifft er, zuckht mer
 
arbaitere, vnnd das met jm wee,
 
zuckht aller treffen,
 
den maistern wilt du sy äff[en]</poem>
 
 
|  
 
|  
 +
{{section|Page:MS Germ.Quart.2020 006v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 007r.jpg|1|lbl=07r|p=1}}
 +
| {{section|Page:Cgm 3711 45r.jpg|2|lbl=-}}
 
|  
 
|  
 +
{{section|Page:Cod.I.6.2º.2 43v.jpg|8|lbl=-|p=1}} {{section|Page:Cod.I.6.2º.2 44r.jpg|1|lbl=44r|p=1}}
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|3|lbl=-}}
 
|  
 
|  
<section end="Zucken"/><section begin="Durchlaufen"/>
+
| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|6|lbl=-}}
 +
 
 
|-  
 
|-  
| <p>{{red|b=1|Running Through}}</p>
+
| class="noline" | Thus ends Master Liechtenauer's Art of the Long Sword
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" | {{section|Page:MS Thott.290.2º 005v.jpg|3|lbl=-}}
 +
| class="noline" | {{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|18|lbl=-}}
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" | {{section|Page:MS Germ.Quart.2020 007r.jpg|2|lbl=-}}
 +
| class="noline" | {{section|Page:Cgm 3711 45r.jpg|3|lbl=-}}
 +
| class="noline" | {{section|Page:Cod.I.6.2º.2 44r.jpg|2|lbl=-}}
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |  
 +
| class="noline" | {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|7|lbl=-}}
  
{| class="zettel"
+
|}
 +
{{master end}}
 +
{{master begin
 +
  | title = Mounted Fencing
 +
  | width = 300em
 +
}}
 +
{| class="master"
 
|-  
 
|-  
| <small>91</small>
+
! <p>{{rating|A}}<br/>Rome Version by [[Christian Tobler]]</p>
| Run through, let hang<br/>&emsp;with the pommel. Grasp if you want to wrestle.
+
! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Transcription]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1510-20){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Per Magnus Haaland]]</p>
 +
! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Transcription]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Transcription]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>by [[Werner Ueberschär]]</p>
 +
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
 +
 
 
|-  
 
|-  
| <small>92</small>
+
| {{red|b=1|This is Master Johannes Liechtenauer’s Fighting on Horseback}}
| Who comes strongly at you,<br/>&emsp;the running through then remember.
+
| {{section|Page:MS 3227a 53r.jpg|1|lbl=53r|p=1}}
|}
+
| {{section|Page:MS Chart.A.558 021av.jpg|1|lbl=21Av}}
 +
| {{section|Page:Cod.44.A.8 006r.jpg|5|lbl=06r}}
 +
| {{section|Page:MS KK5126 105r.jpg|17|lbl=105r}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=-}}
 
| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 005r.jpg|2|lbl=-}}
 
| <br/>
 
<poem>Dorloff das hange~
 
Mid dem knoff driff wiltu rãge~
 
Twer jege~ de sterke
 
Dorch loff dar mede m°ke</poem>
 
 
|  
 
|  
| <br/>
 
<poem>las den ort hang[e]n
 
greif d[e]n knauf wildu rang[e]n</poem>
 
| '''von durchlauffenn'''
 
<poem>durchlauf lass hangen
 
mit dem knauf greif wildw ringen
 
wer gegen dir sterchk
 
durch lauff da mit merck</poem>
 
 
|  
 
|  
| {{red|b=1|von durchlau°ffen}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|4|lbl=17r}}
<poem>Durchlauff laß hangen
 
mitt dem knopf greÿff wilt du rangen
 
Wer gege~ dir sterckt
 
durchlauff damitt mörck ~:•</poem>
 
| '''Durchlauffen'''
 
<poem>'''[6r]''' Durchlauffen las hangen
 
mit dem knopff greiff / wiltu rangen
 
Wer gegen dir sterckt
 
durchlauff / do mit merck</poem>
 
| '''Die ausrichtung von dem durchlauffen'''
 
<poem>Durchlauff las hengen
 
mit dem knopff und greiff wilstu Ringen
 
und wer gegen dir stricht
 
ster[kh]e durchlauff damitt merckhe</poem>
 
| '''+ Die ausrichtung von dem durchlauffen'''
 
<poem>Durchlaüff lass hengen
 
mit dem knopff vnd greiff wi[l?] Ringen
 
vnd wer gegen dir streicht
 
sterckhe durchlauff wilttu damit merckhen</poem>
 
| '''Von Durchlauffen,'''
 
<poem>Durchlauff laß hangen,
 
mit dem knopff greiff wiltdu reng[en]
 
wer gegen dir sterckh,
 
durchlauff damit merckh,</poem>
 
 
|  
 
|  
 +
 +
|-
 
|  
 
|  
|  
+
{| class="zettel"
|
 
<section end="Durchlaufen"/><section begin="Abschneiden"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Slicing Off}}</p>
+
| <small>1</small>
 +
| Direct your spear<br/>&emsp;Riding against destroys
  
{| class="zettel"
 
 
|-  
 
|-  
| <small>93</small>
+
| <small>2</small>
| Slice off the hard ones,<br/>&emsp;from below in both attacks.
+
| If it drops<br/>&emsp;The end undoes him
 +
 
 
|-  
 
|-  
| <small>94</small>
+
| &nbsp;
| Four are the slices:<br/>&emsp;two below and two above.
+
| &nbsp;<br/>&nbsp;
|}
 
|
 
| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=-}}
 
| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 005r.jpg|3|lbl=-}}
 
| <br/>
 
<poem>Snid aff dei hertzen
 
van vnden i~ beiden geu°te~
 
ver so sint snytze
 
tzwen vnde~ tzwe~ obe~ nutze</poem>
 
| <br/>
 
<poem>
 
  
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
  
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
  
'''[69v]''' Der vnderschniet '''[70r]''' Der oberschniet</poem>
+
|-
| <br/>
+
| &nbsp;
<poem>
+
| &nbsp;<br/>&nbsp;
  
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
  
4 sint d[er] schnit
 
2 ob[e]n 2 vnd[en]</poem>
 
| <br/>
 
<poem>sneid ab die herten
 
von vnden jn paiden geferten
 
vier sind der snidt
 
zwen vnden zwen oben mit</poem>
 
|
 
|
 
| '''Abschneiden'''
 
<poem>Schneit ab die hertten,
 
Von unnden in baiden geferten.
 
Vier seinn der schnit.
 
Zwen unden zwen / oben mit</poem>
 
| '''Die ausrichtung von dem abschneiden'''
 
<poem>Sschneidt ab die hertte
 
von unden yn baiden gsertte
 
vier send der schnidt
 
zwen unden zwen oben mitt</poem>
 
| '''Die ausrichtung von dem abschneiden'''
 
<poem>Schneid ab die hörtte
 
von vnden in baiden gfertte
 
vier sind der schnidt
 
zwen vnden zwen oben mit</poem>
 
| '''Von abschneiden'''
 
<poem>Schneid ab die hannd,
 
von vnden jnn baiden gewerten,
 
vier sind der [sc]hnit,
 
zwen vnden zwen oben mit,</poem>
 
|
 
|
 
|
 
|
 
<section end="Abschneiden"/><section begin="Hande Trucken"/>
 
 
|-  
 
|-  
| <p>{{red|b=1|Pressing Hands}}</p>
+
| <small>3</small>
 +
| Strike in, don’t pull<br/>&emsp;From the scabbard, left to him jerk
  
{| class="zettel"
 
 
|-  
 
|-  
| <small>95</small>
+
| &nbsp;
| Turn your edge,<br/>&emsp;press the hands to the flats.
+
| &nbsp;<br/>&nbsp;
 +
 
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
 +
 
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
 +
 
 +
|-
 +
| &nbsp;
 +
| &nbsp;<br/>&nbsp;
 +
 
 +
|-
 +
| <small>4</small>
 +
| Grasp to his right<br/>&emsp;Thus you catch him without weapons work
 +
 
 +
|-
 +
| <small>5</small>
 +
| The fighting of lance-thrusting<br/>&emsp;Learn to counter calmly without haste
 +
 
 
|}
 
|}
 +
| {{section|Page:MS 3227a 53r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Chart.A.558 021av.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 006v.jpg|1|lbl=06v}}
 +
| {{section|Page:MS KK5126 105v.jpg|1|lbl=105v}}
 +
|
 +
| {{section|Page:MS Germ.Quart.2020 163r.jpg|1|lbl=163r}}
 +
|
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|5|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=-}}
 
| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=-}}
 
  
{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=6r}}
+
|-
| {{section|Page:Ms.Thott.290.2º 005r.jpg|4|lbl=-}}
+
|  
| <br/><br/><br/>
+
| {{paget|Page:MS 3227a|53v|jpg}}
<poem>Dyne snyden went
+
|  
zu den vlechen drucke de hent</poem>
 
 
|  
 
|  
 
|  
 
|  
| <br/><br/><br/>
 
<poem>dem snidt wend
 
zu fliehen durch die hennde</poem>
 
 
|  
 
|  
| '''[9r] {{red|von hende trucken}}<br/><br/><br/>
 
<poem>Dein schnÿde wende
 
zu° flechenn drück dein hende ~:•</poem>
 
| '''Hend druckhen.'''<br/><br/><br/>
 
<poem>Dein schneiden wennt
 
zu flechen druckh die hennde</poem>
 
| '''Von dem hend truckhen'''
 
<poem>Das schwertt bind zu der flöche
 
truckh in die hend von die
 
dein schneid wend
 
zu der flech durch die hend</poem>
 
| '''Von dem hend truckhen'''
 
<poem>Das schwertt bind zu der flöche
 
truckh in die hend von die
 
dein schneid wend
 
zu der flech durch die hend</poem>
 
| '''Von hennd truckhen,'''<br/><br/><br/>
 
<poem>Dein schneid wennde
 
zuflechen druckh die hende,</poem>
 
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
<section end="Hande Trucken"/>
+
 
 
|-  
 
|-  
| <p>{{red|b=1|Two Hangings}}</p>
+
|  
 +
{| class="zettel"
 +
|-
 +
| <small>6</small>
 +
| If it changes<br/>&emsp;So that the sword is used against the sword
  
{| class="zettel"
 
 
|-  
 
|-  
| <small>96</small>
+
| <small>7</small>
| There are two hangings<br/>&emsp;from one side from the ground.
+
| Truly seize the strong<br/>&emsp;You seek the Slapping Stroke
 +
 
 
|-  
 
|-  
| <small>97</small>
+
| <small>8</small>
| In all attacks<br/>&emsp;strike, thrust, posture—soft or hard.
+
| And remember: learn well to strongly defend<br/>&emsp;In all meetings, press him without danger
 +
 
 
|}
 
|}
 +
| {{section|Page:MS 3227a 55r.jpg|1|lbl=55r}}
 +
| {{section|Page:MS Chart.A.558 021av.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 006v.jpg|2|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|2|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=-}}
 
| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 005r.jpg|5|lbl=-}}
 
| <br/><br/><br/>
 
<poem>Tzwe~ hengen w°den
 
van yed° hant uff dey erden
 
In allem geuerte
 
haw stiht leg° weich od° harte</poem>
 
|
 
| <br/><br/><br/>
 
<poem>zwei heng[en] w[er]den
 
von ped[e]n henden auff erd[en]</poem>
 
| '''von zwain hengen von durchlauffen'''<br/><br/><br/>
 
<poem>[Z]wai henngen wern
 
aus einer hannd von der erdenn
 
in allem geferte
 
haw stich leger waich ader<ref>"oder"</ref> herte</poem>
 
|
 
| {{red|b=1|von zwaÿen hengen}}<br/><br/><br/>
 
<poem>Zwaÿ hengen werden /
 
vß aine~ handt võ der erden
 
In alle~ Gefärte /
 
haw stich leger waich oder herte ~:•</poem>
 
| '''[6v] Zwei henngen'''<br/><br/><br/>
 
<poem>Zwey henngen werden
 
aus ainer hannt, Von der erde /
 
In allen geferte.
 
Hau stich leger waich ader herte</poem>
 
| '''Von den Zwaien hengen die ausrichtung'''<br/><br/><br/>
 
<poem>Zway hengen werden
 
auff einer hand von der andern
 
in allem gfertt
 
haw stich leger waich oder hörtt In irem gfertt</poem>
 
| '''Von den zwaien hengen die ausrichtung'''<br/><br/><br/>
 
<poem>Zwaÿ hengen werden
 
auss einer hand von der andern
 
in alem gfertt
 
haw stich läger waich oder hörtt in Irem gfertt</poem>
 
| '''[17r] Von zwayen hengen'''<br/><br/><br/>
 
<poem>Zway hengen werden,
 
aus ainer hannd von der erd[en]
 
Jn allen gevert,
 
haw stich leger waich oder hert,</poem>
 
 
|  
 
|  
 +
{{section|Page:MS Germ.Quart.2020 163r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 163v.jpg|1|lbl=163v|p=1}}
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|1|lbl=17v}}
 
|  
 
|  
 +
 +
|-
 
|  
 
|  
 +
{| class="zettel"
 +
|-
 +
| <small>9</small>
 +
| Plant upon without danger<br/>&emsp;Who grazes, hang to him to the hair
  
 
|-  
 
|-  
| <p>{{red|b=1|The Speaking Window}}</p>
+
| <small>10</small>
 +
| If you want to calmly<br/>&emsp;Charge long, this troubles greatly
  
{| class="zettel"
 
 
|-  
 
|-  
| <small>98</small>
+
| <small>11</small>
| Do the Speaking Window,<br/>&emsp;stand blithely and look at his actions.
+
| Whoever now defends that<br/>&emsp;Then wind that hurts also
|-  
+
 
| <small>99</small>
+
|-
| Strike him until he is defeated.<br/>&emsp;When he withdraws from you,
+
| <small>12</small>
 +
| If he defends against this further<br/>&emsp;Grasp the bridle and do not let it go
 +
 
 +
|-  
 +
| <small>13</small>
 +
| Be mindful of the openings<br/>&emsp;Search for the Messer, do not tend to the pommel
 +
 
 
|-  
 
|-  
| <small>100</small>
+
| &nbsp;
| I say to you truthfully:<br/>&emsp;no one protects himself without danger.
+
| &nbsp;<br/>&nbsp;
 +
 
 
|-  
 
|-  
| <small>101</small>
+
| <small>14</small>
| If you have learned this,<br/>&emsp;he can scarcely manage to strike.
+
| Learn two strokes<br/>&emsp;With the empty hand against the weapon
 +
 
 
|}
 
|}
 +
| {{section|Page:MS 3227a 55r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Chart.A.558 021av.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 006v.jpg|3|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|3|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v}}
+
| {{section|Page:MS Germ.Quart.2020 163v.jpg|2|lbl=-}}
| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=-}}
 
 
|  
 
|  
{{section|Page:Ms.Thott.290.2º 005r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Ms.Thott.290.2º 005v.jpg|1|lbl=5v|p=1}}
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|2|lbl=-}}
| <br/>
 
<poem>Spreck vinster mache
 
stat vrolich bosich syn sake
 
Slach en das er snabe
 
wer sich vor dy tzukz abe
 
Ich sag~ dyr vorwar
 
di schutzet nemãt ane var
 
hastu es var name~
 
tho slage mach er clain kom</poem>
 
| <br/>
 
<poem>'''[70v]''' Sprech finster mach
 
stand frylich besiech sein sach</poem>
 
| <br/>
 
<poem>Sprech fenst[er] mache
 
stand freilich sich se[in] sache
 
wer sich vor dir zewet abe
 
how schnell daz e[r] schnabe</poem>
 
| <br/>
 
<poem>sprechfenster mache
 
stand freylich besich sein sache
 
slach in das er snabe
 
wer sich von dir zeucht abe
 
ich sag dir fur ware
 
sich schuczt kain man anne far
 
hast dw es vernomen
 
zw slag mag er chlaine chomen</poem>
 
 
|  
 
|  
| {{red|b=1|von sprechfenster}}
 
<poem>Sprechfenste~ mach
 
Ste frölich besich sein sach
 
Schlach nider dz er erßnab
 
Wer sich võ dir zücht ab
 
Ich sag dir für war /
 
sich schiczt kain man on far
 
Hastu es vernom~en
 
zu° schlachen mag es clain kum~en ~</poem>
 
| '''Sprechfennster'''
 
<poem>Sprechfennster mach.
 
stannt frolich besich sein sach /
 
schlag in das er schnabe.
 
Wer sich von dir zeucht / abe.
 
Ich sag dir fur war,
 
sich schutzt kein man on / far,
 
hastu vernumen
 
zu schlag mag er klainn / kumen</poem>
 
| '''[45v] Von dem sprechfenstr die ausrichtung'''
 
<poem>Das sprechfenster machen
 
sten frolich und sich sein sache
 
wer sich vor dir zichett abe
 
schlachen das er schnabe
 
  
 
+
|-
thutt er sich gegen dir greisen
+
|
schlagen das er seisse</poem>
+
| {{section|Page:MS 3227a 55r.jpg|3|lbl=-}}
| '''Von dem sprechfenstr~ die ausrichtgung'''
+
|  
<poem>Das sprechfenster machen
+
|
stee frölich vnd sich sein sache
+
|
wer sich vor dir ziechett abe
+
|  
schlachen das er schnabe
 
 
 
 
 
thutt er sich gegen dir greifen
 
schlagen das er Seise</poem>
 
| '''Von Sprechvenster'''
 
<poem>Sprechvenster machen,
 
stannd Freilichen, besich sein sachen,
 
schlag jn das er schnabe,
 
wehr sich vor der zeucht abe,
 
Jch sag furwar,
 
sich schucz kain mann on var,
 
hast du es vernomen
 
zu schlageen mag er clein khumen</poem>
 
 
|  
 
|  
 
|  
 
|  
Line 2,600: Line 1,353:
  
 
|-  
 
|-  
| <p>{{red|b=1|This is the Conclusion of the Epitome}}<br/><br/></p>
+
|  
 
+
| {{section|Page:MS 3227a 55r.jpg|4|lbl=-}}
{| class="zettel"
+
|
|-
+
|
| <small>102</small>
+
|
| Who conducts well and breaks properly<br/>&emsp;and finally makes it all right
+
|
 +
|  
 +
|  
 +
|  
 +
|  
 +
 
 
|-  
 
|-  
| <small>103</small>
+
|  
| And splits particularly<br/>&emsp;everything into three wounders
+
| {{section|Page:MS 3227a 55r.jpg|5|lbl=-}}
|-  
+
|
| <small>104</small>
+
|
| Who properly well hangs<br/>&emsp;and also executes the windings,
+
|
 +
|
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-  
 +
|  
 +
{| class="zettel"
 
|-  
 
|-  
| <small>105</small>
+
| <small>15</small>
| And the eight windings<br/>&emsp;views in a righteous way,
+
| The Sheep Grip fends off<br/>&emsp;Him who turns to you with wrestling.
 +
 
 
|-  
 
|-  
| <small>106</small>
+
| <small>16</small>
| And each one of<br/>&emsp;those same winds I consider to be triple
+
| While under the eyes<br/>&emsp;Grasp him truly with flying
 +
 
 
|-  
 
|-  
| <small>107</small>
+
| <small>17</small>
| So they are<br/>&emsp;twenty-four.
+
| Who attacks you<br/>&emsp;While riding towards you will be felled
 +
 
 
|-  
 
|-  
| <small>108</small>
+
| <small>18</small>
| And count them only, from both sides.<br/>&emsp;Eight windings learn with stepping.
+
| Hanging to the ground<br/>&emsp;Grasp over against him truly with conduct
 +
 
 
|-  
 
|-  
| <small>109</small>
+
| <small>19</small>
| And test the bind<br/>&emsp;no more than soft or hard.
+
| To both sides<br/>&emsp;You should learn to ride against him
 +
 
 
|}
 
|}
 +
| {{section|Page:MS 3227a 57v.jpg|1|lbl=57v}}
 +
| {{section|Page:MS Chart.A.558 021av.jpg|5|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 006v.jpg|4|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|4|lbl=-}}
 
|  
 
|  
| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=-}}
 
| {{section|Page:Ms.Thott.290.2º 005v.jpg|2|lbl=-}}
 
| <br/><br/>
 
<poem>wer wol bricht
 
vñ endelich boricht
 
vñ bringz bi su~der
 
Itlyches i~ drey wu~d°
 
wer wol recht he~gz
 
vñ wi~de~ dar mid bre~gz
 
vñ wi~de~ achte
 
Mit rechte~ sine~ betrachte
 
vñ ie er ane
 
Der wi~de~ selff dritte mane
 
So sint er Andtzich [?]
 
vñ ver
 
vã beiden siden
 
Ach wi~de~ sint dar mid ler striden
 
vñ pruff dei geuerte
 
off sey syn weich od° harte</poem>
 
| '''besliessunge der gantzñ zettel '''
 
 
|  
 
|  
| '''der zetl pesliessung'''<br/><br/>
+
{{section|Page:MS Germ.Quart.2020 163v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164r.jpg|1|lbl=164r|p=1}}
<poem>[W]er wol fueret vnd recht pricht
+
|
vnd entlich gar pericht
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|3|lbl=-}}
vnd pricht besunnder
+
|
yedlichs in trew wunder
+
 
 +
|-
 +
|
 +
{| class="zettel"
 +
|-
 +
| <small>20</small>
 +
| If you want to ride<br/>&emsp;The horse run to the other side
 +
 
 +
|-
 +
| <small>21</small>
 +
| Defend strongly<br/>&emsp;Plant upon him threaten him with this
 +
 
 +
|-
 +
| <small>22</small>
 +
| Who defends against that<br/>&emsp;Grasp his sword from afar, get to the handle
 +
 
 +
|-
 +
| <small>23</small>
 +
| Or turn around<br/>&emsp;To calmly charge for the weapon
 +
 
 +
|-
 +
| <small>24</small>
 +
| With all skill<br/>&emsp;He who charges acts to his advantage
 +
 
 +
|-
 +
| <small>25</small>
 +
| If you have charged past him<br/>&emsp;And unintentionally charge to the left
  
da mit sprenget
+
|-
vnd winden achte
+
| <small>26</small>
mit rechtem wege betrachte
+
| Follow his sword upwards<br/>&emsp;And wrestle, push also hard
vnd ir aine
+
 
der winden selb drit ich maine
+
|}
so sind ir zwainczig
+
| {{section|Page:MS 3227a 58r.jpg|1|lbl=58r}}
vnd vier zelt sy ainczig
+
| {{section|Page:MS Chart.A.558 021av.jpg|6|lbl=-}}
von paiden seytenn
 
acht winden lere mit schritenn
 
vnd pruff die geferte
 
nicht mer nur waich oder herte</poem>
 
 
|  
 
|  
| '''[9v] {{red|Die beschliessung der zedel}}<br/><br/>
+
{{section|Page:Cod.44.A.8 006v.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 007r.jpg|1|lbl=07r|p=1}}
<poem>Wer wol füret Vñ recht bricht
+
| {{section|Page:MS KK5126 105v.jpg|5|lbl=-}}
Vnd entlich gar bericht
 
Vnd bricht besunder
 
ÿegclicheß / in drÿ wü~der
 
Wer recht wol hengett
 
vnd windet do mitt bringet /
 
vnd winde~<del>t</del> acht~
 
mitt rechten weg betrachten
 
Vnd ir aine /
 
der Winde salb drette Ich gemaine
 
so sein die zwen züg /
 
vñ fur zelt sie anzig
 
von baÿden sÿtten
 
Acht vnden lerrn mitt schrÿtten
 
vñ brüff die gefört
 
nicht mer newe weich oder hert ~:•</poem>
 
| '''Besliessung der Zetl.'''<br/><br/>
 
<poem>Wer woll furt, unnd recht bricht
 
Unnd '''[7r]''' enndlich gar bericht
 
und pricht besunder
 
yglichs in drey / wunder.  
 
Wer recht wol hengt
 
und winden do mit / pringt
 
und winden acht
 
mit rechten wegen betracht /
 
und ye ir eine
 
der selben winden selb dritt ich meine /
 
so seind ir zwentzig
 
und vier zel sye eintzig
 
von pai/den seiten.  
 
Acht winde lere mit schreiten
 
unnd / pruff die gefert
 
nicht mer nur waich oder hert; /</poem>
 
| '''[45v] Das ist die ausrichtung und die beschliesung der grunsn kunst'''
 
<poem>wer vol sicht
 
und endlich bricht
 
es bricht
 
ettlchr in dreien vinden
 
wer Recht wol hengett
 
und windett da mit es bringett
 
wachett
 
mit rechtem betrachten
 
und einer
 
der da windett
 
und 24 sind
 
der winden und vierzal mitt versatsung
 
von baiden seitten
 
acht winden vere mit schreitten
 
tritt und brieff das gfertte
 
ob sÿ Sind waich oder hertte</poem>
 
| '''[43v] Das ist die ausrichtung vnd bschliesung der gantzen kunst'''
 
<poem>wer wol sicht
 
vnd endlich bricht
 
es bricht
 
ettlichr~ in dre[i] vinden
 
wer Recht wol hengett
 
vnd windett damit '''[44r]''' bringett
 
wachett
 
mit Rechtñ betrachten
 
vnd einer
 
der da windett
 
vnd 24 sind
 
der winden vnd viertzal mit versatzung
 
von baiden seiten
 
acht winden fer mit schreitten
 
tritt vnd brieff des gfertts
 
ob sÿ sind waich oder hörtte</poem>
 
| '''Das ist die beschliessung der zetl'''<br/><br/>
 
<poem>Wer wol furet
 
vnd recht bricht, vnd mitlich gar bericht
 
bricht besunder,
 
jeczlichs jm dren wunder,
 
wer recht wol hawet
 
do bringet
 
vnd winden achten,
 
mit rechte[n] wegen betrechten,
 
vnd so jr eine,
 
der winden selbtrit ich meine,
 
so sind jr zwainczig,
 
vnd vier, zele si ainczig,
 
von baiden seiten,
 
acht winden lerne mit schreiten,
 
vnd pruff die gefert,
 
nicht mer nur waich oder hert,</poem>
 
 
|  
 
|  
 
|  
 
|  
 +
{{section|Page:MS Germ.Quart.2020 164r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164v.jpg|1|lbl=164v|p=1}}
 
|  
 
|  
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|4|lbl=-}}
 
|  
 
|  
  
 
|-  
 
|-  
| Thus ends Master Liechtenauer's Art of the Long Sword
 
 
|  
 
|  
 +
{| class="zettel"
 +
 +
|-
 +
| <small>27</small>
 +
| If one charges on the right<br/>&emsp;Stop; turn around; tend to the fight
 +
 +
|-
 +
| <small>28</small>
 +
| With the arm catch<br/>&emsp;Thus he cannot manage to harm you
 +
 +
|}
 +
| {{section|Page:MS 3227a 58v.jpg|1|lbl=58v}}
 +
| {{section|Page:MS Chart.A.558 021av.jpg|7|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007r.jpg|2|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|6|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Germ.Quart.2020 164v.jpg|2|lbl=-}}
 
|  
 
|  
| spricht hannß talhofergot lauß unnß aller schwer
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|5|lbl=-}}
| Et[cetera et] finis
 
 
|  
 
|  
 +
 +
|-
 
|  
 
|  
 +
{| class="zettel"
 +
|-
 +
| <small>29</small>
 +
| The messer take<br/>&emsp;Hold, learn to shame him
 +
 +
|-
 +
| <small>30</small>
 +
| The Unnamed<br/>&emsp;Against the strong to turn
 +
 +
|-
 +
| <small>31</small>
 +
| Their strike, their thrust<br/>&emsp;Is being defeated without any fencing
 +
 +
|}
 +
| {{section|Page:MS 3227a 58v.jpg|2|lbl=-}}
 
|  
 
|  
 +
{{section|Page:MS Chart.A.558 021av.jpg|8|lbl=-|p=1}} {{section|Page:MS Chart.A.558 022r.jpg|1|lbl=22r|p=1}}
 +
| {{section|Page:Cod.44.A.8 007r.jpg|3|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|7|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Germ.Quart.2020 164v.jpg|3|lbl=-}}
 
|  
 
|  
| ennd des text der Fechtzelt
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|6|lbl=-}}
| also endett sich maister Liechtnauers kunst des langen schwertts
 
| also endett sich maistr~ liechtnauers kunst des langen Schwertz
 
 
|  
 
|  
 +
 +
|-
 
|  
 
|  
| {{red|guot gesneiet segt meister liechtenawer.}}
+
{| class="zettel"
|  
+
|-
|  
+
| <small>32</small>
 
+
| If you want to grasp<br/>&emsp;You should not fail to ride beside him
|}
 
{{master end}}
 
  
{{master begin
 
  | title = Mounted Fencing
 
  | width = 535em
 
}}
 
{| class="wikitable floated master"
 
 
|-  
 
|-  
! style="width:3em;" |  
+
| <small>33</small>
! <p>{{rating|A}}<br/>Rome Version by [[Christian Tobler]]</p>
+
| The Sun Pointer<br/>&emsp;Take the left sleeve if you want to bend
! <p>[[Nuremberg Hausbuch (MS 3227a)|Nuremberg Version]] (ca. 1389)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1443)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Version]] (1452)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459)<br/>by [[Dieter Bachmann]]</p>
 
! <p>[[Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Version I]] (ca. 1465-80)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version I]] (ca.1470)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Die Meisterlieder des Hans Folz (MS Q.566)|Wiemar Version]] (1479)<br/>by [[Andreas Meier]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s)<br/>by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]</p>
 
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (ca. 1504-19)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1510-20)<br/></p>
 
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version II]] (1523)<br/>by [[Filip Lampart]] and [[Martin Fabian]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version I]] (1523)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version II]] (1553)<br/></p>
 
! <p>[[Lienhart Sollinger Fechtbuch (Cgm 3712)|Munich Version III]] (1556)<br/></p><br/>
 
! <p>[[Hans Entner Fechtbuch|Hans Entner]] (before 1562)<br/>by [[Carl Michael Wiechmann-Kadow]]</p>
 
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1563-71)<br/></p>
 
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version II]] (ca. 1588)<br/></p>
 
  
 
|-  
 
|-  
| <br/><br/>
+
| <small>34</small>
<poem>&nbsp;
+
| Touch the forehead<br/>&emsp;Against the nape of the neck press very hard
  
 +
|-
 +
| <small>35</small>
 +
| So that he sways<br/>&emsp;And rarely makes it up again.
  
 +
|-
 +
| <small>36</small>
 +
| Who attacks you with that<br/>&emsp;Grasp over against him and he will be shamed
  
 +
|-
 +
| <small>37</small>
 +
| Press the arm to the head<br/>&emsp;This grip often robs the saddle
  
 +
|}
 +
| {{section|Page:MS 3227a 59r.jpg|1|lbl=59r}}
 +
| {{section|Page:MS Chart.A.558 022r.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007r.jpg|4|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|8|lbl=-}}
 +
|
 +
|
 +
{{section|Page:MS Germ.Quart.2020 164v.jpg|4|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 165r.jpg|1|lbl=165r|p=1}}
 +
|
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|1|lbl=18r}}
 +
|
  
 +
|-
 +
| class="noline" |
 +
{| class="zettel"
 +
|-
 +
| <small>38</small>
 +
| If you want to retain yourself<br/>&emsp;From seizing
 +
|-
 +
| <small>39</small>
 +
| Then take him into custody without wrestling<br/>&emsp;Without any rope
 +
|-
 +
| <small>40</small>
 +
| The Before Grip remember<br/>&emsp;This indeed breaks his strength
 +
|}
 +
| class="noline" | {{section|Page:MS 3227a 59r.jpg|2|lbl=-}}
 +
| class="noline" | {{section|Page:MS Chart.A.558 022r.jpg|3|lbl=-}}
 +
| class="noline" | {{section|Page:Cod.44.A.8 007r.jpg|5|lbl=-}}
 +
| class="noline" | {{section|Page:MS KK5126 105v.jpg|9|lbl=-}}
 +
| class="noline" |
 +
| class="noline" | {{section|Page:MS Germ.Quart.2020 165r.jpg|2|lbl=-}}
 +
| class="noline" |
 +
| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|2|lbl=-}}
 +
| class="noline" |
  
 +
|}
 +
{{master end}}
  
<small>1</small>
+
{{master begin
 
+
  | title = Short Sword
 
+
  | width = 300em
 
+
}}
 +
{| class="master"
 +
|-
 +
! <p>{{rating|A}}<br/>Rome Version by [[Christian Tobler]]</p>
 +
! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Transcription]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1510-20){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Michael Chidester]]</p>
 +
! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Transcription]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Transcription]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>by [[Werner Ueberschär]]</p>
 +
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
  
 +
|-
 +
| <p>{{red|b=1|Here begins the Art with the Short Sword in Dueling, of Master Johannes Liechtenauer, God have mercy on him,}}</p>
  
 +
<p><br/></p>
  
 +
{| class="zettel"
 +
|-
 +
| <small>1</small>
 +
| Who dismounts<br/>&emsp;Fighting on foot begins
 +
|-
 +
| <small>2</small>
 +
| This do with the spear<br/>&emsp;Two positions to begin truly
 +
|-
 +
| <small>3</small>
 +
| Spear and point<br/>&emsp;Thrust the initial thrust without fear
 +
|-
 +
| <small>4</small>
 +
| Spring, wind set truly upon<br/>&emsp;If he defends pull, that will defeat him
 +
|-
 +
| <small>5</small>
 +
| If you want to thrust before<br/>&emsp;With pulling learn to break his defense
 +
|-
 +
| <small>6</small>
 +
| Note if he wants to pull back<br/>&emsp;From harm and flee
 +
|-
 +
| <small>7</small>
 +
| Then approach him<br/>&emsp;To surely attend to grasp
 +
|}
 +
| <p><br/><br/></p>
  
 +
<p><br/></p>
  
 +
{{paget|Page:MS 3227a|60r|jpg|p=1}}
 +
| {{section|Page:MS Chart.A.558 048v.jpg|1|lbl=48v}}
 +
| {{section|Page:Cod.44.A.8 008v.jpg|1|lbl=08v}}
 +
| {{section|Page:MS KK5126 105v.jpg|10|lbl=105v}}
 +
|
 +
|
 +
{{paget|Page:MS Germ.Quart.2020|199r|jpg|p=1}} {{section|Page:MS Germ.Quart.2020 199v.jpg|1|lbl=199v|p=1}}
 +
|
 +
|
 +
{{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|15|lbl=18v|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|1|lbl=19r|p=1}}
 +
|
  
 +
|-
 +
| <p>{{red|b=1|This is the wrestling in dueling}}</p>
  
 +
{| class="zettel"
 +
|-
 +
| <small>8</small>
 +
| If you want to wrestle<br/>&emsp;learn to spring correctly behind the leg
 +
|-
 +
| <small>9</small>
 +
| A bar shoot forth<br/>&emsp;That skillfully locks the leg
 +
|-
 +
| <small>10</small>
 +
| From both sides<br/>&emsp;If you want to skillfully end
 +
|}
 +
| {{paget|Page:MS 3227a|61v|jpg}}
 +
| <p><br/></p>
  
<small>2</small>
+
{{section|Page:MS Chart.A.558 048v.jpg|2|lbl=-}}
 
+
| {{section|Page:Cod.44.A.8 008v.jpg|2|lbl=-}}
<small>3</small>
+
| {{section|Page:MS KK5126 105v.jpg|11|lbl=105v}}
 
+
| {{section|Page:MS M.I.29 129r.jpg|1|lbl=129r}}
 
+
|
 
+
{{section|Page:MS Germ.Quart.2020 199v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 200r.jpg|1|lbl=200r|p=1}}
 
+
| {{section|Page:MS 26-232 100v.png|4|lbl=100v}}
 
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|2|lbl=-}}
 
+
| <p><br/></p>
 
 
 
 
 
 
<small>4</small>
 
  
 +
{{section|Page:MS Var.82 074v.png|2|lbl=74v|p=1}} {{section|Page:MS Var.82 075r.png|1|lbl=75r|p=1}}
  
 +
|-
 +
|
 +
{| class="zettel"
 +
|-
 +
| <small>11</small>
 +
| If it happens that<br/>&emsp;The sword against the spear is drawn
 +
|-
 +
| <small>12</small>
 +
| Then behold the thrusts.<br/>&emsp;Spring, catch, hasten to him to wrestle
 +
|-
 +
| <small>13</small>
 +
| Strike long with the left hand<br/>&emsp;Spring wisely and seize him
 +
|-
 +
| <small>14</small>
 +
| If he wants to draw<br/>&emsp;from the scabbard, grasp and press in
 +
|-
 +
| <small>15</small>
 +
| So that his openings<br/>&emsp;With the sword point are troubled
 +
|-
 +
| <small>16</small>
 +
| Leather and gauntlets<br/>&emsp;Under the eyes seek the openings correctly
 +
|-
 +
| <small>17</small>
 +
| The forbidden wrestling<br/>&emsp;surely learn to use
 +
|-
 +
| <small>18</small>
 +
| To lock your foe<br/>&emsp;The strong thereby overcome
 +
|-
 +
| <small>19</small>
 +
| In all teachings<br/>&emsp;Turn the point against the openings
 +
|}
 +
| {{paget|Page:MS 3227a|59v|jpg}}
 +
| {{section|Page:MS Chart.A.558 048v.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008v.jpg|3|lbl=-}}
 +
| {{section|Page:MS KK5126 105v.jpg|12|lbl=-}}
 +
|
 +
{{section|Page:MS M.I.29 129r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 129v.jpg|1|lbl=129v|p=1}}
 +
|
 +
{{section|Page:MS Germ.Quart.2020 200r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 200v.jpg|1|lbl=200v|p=1}}
 +
| {{section|Page:MS 26-232 100v.png|5|lbl=100v}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|3|lbl=-}}
 +
| {{section|Page:MS Var.82 075r.png|2|lbl=-}}
  
 +
|-
 +
| class="noline" |
 +
{| class="zettel"
 +
|-
 +
| <small>20</small>
 +
| When one sees that from the scabbard<br/>&emsp;Both swords are being drawn
 +
|-
 +
| <small>21</small>
 +
| Then shall one strengthen<br/>&emsp;The protection now truly remember
 +
|-
 +
| <small>22</small>
 +
| Before and After, these two things<br/>&emsp;Explore surely, learn also to spring away
 +
|-
 +
| <small>23</small>
 +
| Follow in all meetings<br/>&emsp;If you want to fool the strong.
 +
|-
 +
| <small>24</small>
 +
| If he defends, then pull<br/>&emsp;Thrust, if he defends, move to him
 +
|-
 +
| <small>25</small>
 +
| If he fights extended<br/>&emsp;Then be artfully instructed
 +
|-
 +
| <small>26</small>
 +
| If he also attacks strongly<br/>&emsp;The thrusting defeats him
 +
|-
 +
| <small>27</small>
 +
| With his battering point<br/>&emsp;He defends himself—hit without fear
 +
|-
 +
| <small>28</small>
 +
| With both hands<br/>&emsp;Learn to turn your point to the eyes
 +
|-
 +
| <small>29</small>
 +
| The forward foot<br/>&emsp;With striking you must protect.
 +
|}
 +
| class="noline" | {{paget|Page:MS 3227a|60v|jpg}}
 +
| class="noline" | {{section|Page:MS Chart.A.558 048v.jpg|4|lbl=-}}
 +
| class="noline" |
 +
{{section|Page:Cod.44.A.8 008v.jpg|4|lbl=-|p=1}} {{paget|Page:Cod.44.A.8|009r|jpg|1|lbl=09r|p=1}}
 +
| class="noline" |
 +
{{section|Page:MS KK5126 105v.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 106r.jpg|1|lbl=106r|p=1}}
 +
| class="noline" |
 +
{{section|Page:MS M.I.29 129v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 130r.jpg|1|lbl=130r|p=1}}
 +
| class="noline" |
 +
{{section|Page:MS Germ.Quart.2020 200v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 201r.jpg|1|lbl=201r|p=1}}
 +
| class="noline" | {{section|Page:MS 26-232 100v.png|6|lbl=-}}
 +
| class="noline" |
 +
{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 019v.jpg|1|lbl=-|p=1}}
 +
| class="noline" | {{section|Page:MS Var.82 075r.png|3|lbl=-}}
  
 +
|}
 +
{{master end}}
  
 +
{{master begin
 +
  | title = Figures
 +
  | width = 210em
 +
}}
 +
{| class="master"
 +
|-
 +
! <p>Images<br/>from the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]]</p>
 +
! <p>{{rating|A|Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
 +
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1510-20){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Per Magnus Haaland]]</p>
 +
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Transcription]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>by [[Werner Ueberschär]]</p>
  
 +
|-
 +
| rowspan="15" | [[File:Cod.44.A.8 7v.jpg|300px|center]]
 +
| <p>'''Figures of the Fight on Horseback'''</p>
 +
|
 +
|
 +
|
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|1|lbl=165v}}
 +
|
  
 +
|-
 +
| <p>{{red|Direct your spear etc, If it falls etc, Strike in, don't pull, etc.}}<br/><br/></p>
  
 +
<p>Gloss: Pull to his left, grasp in his right, so you catch him there without fencing.</p>
 +
|
 +
| {{section|Page:Cod.44.A.8 007v.jpg|14|lbl=07v}}
 +
|
 +
|
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|4|lbl=18r}}
  
 +
|-
 +
| <p>The 1st Figure: {{red|Charge from the breast to his right hand.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|1|lbl=22v}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|1|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|1|lbl=74r}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|2|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|3|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 2nd Figure:}} Turn around with the horse, pull his right hand with your left.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|2|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|3|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|5|lbl=-}}
  
 +
|-
 +
| <p>The 3rd Figure: {{red|Upon the encounter, take the stirrup-strap or the weapon.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|3|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|3|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|4|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|6|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 4th Figure:}} Plant upon him high, swing, go through or break the sword.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|4|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|4|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|5|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|7|lbl=-}}
  
 +
|-
 +
| <p>The 5th Figure: {{red|The defense precedes all meetings, striking, or thrusting.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|5|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|5|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|5|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|6|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|8|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 6th Figure:}} Take the strong with both hands.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|6|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|6|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|6|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|7|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|9|lbl=-}}
  
 +
|-
 +
| <p>The 7th Figure: {{red|Now begin to seek the opponent with the Slapping Stroke.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|9|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|7|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|7|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|8|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|10|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 8th Figure:}} Turn his right hand, set the point to his eyes.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|7|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|8|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|8|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|9|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|11|lbl=-}}
  
 +
|-
 +
| <p>The 9th Figure: {{red|Who defends against the thrust, grasp his right hand in your left.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|8|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|9|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|9|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|10|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|12|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 10th Figure:}} Seek the openings: arms, leather, gauntlets, under the eyes.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|11|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|10|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|11|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|11|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|13|lbl=-}}
  
<small>5</small>
+
|-
 
+
| <p>The 11th Figure: {{red|Press hard, push from the reins and seek his messer.}}</p>
<small>6</small>
+
| {{section|Page:MS Chart.A.558 022v.jpg|10|lbl=-}}
 
+
| {{section|Page:Cod.44.A.8 007v.jpg|11|lbl=-}}
<small>7</small>
+
| {{section|Page:MS E.1939.65.341 074r.jpg|10|lbl=-}}
 
+
| {{section|Page:MS Germ.Quart.2020 165v.jpg|12|lbl=-}}
<small>8</small>
+
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|14|lbl=-}}
 
 
<small>9</small>
 
 
 
<small>10</small>
 
 
 
<small>11</small>
 
 
 
<small>12</small>
 
 
 
<small>13</small>
 
 
 
 
 
 
 
<small>14</small>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 +
|-
 +
| <p>{{red|The 12th Figure:}} With the empty hand learn two strokes against all weapons.</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|12|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|12|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074r.jpg|12|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|13|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|15|lbl=-}}
  
 +
|-
 +
| <p>The 13th Figure: {{red|The Sheep Grip defends against all wrestling grips under the eyes.}}</p>
 +
| {{section|Page:MS Chart.A.558 022v.jpg|13|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 007v.jpg|13|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|1|lbl=74v}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|14|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|16|lbl=-}}
  
 +
|-
 +
| class="noline" rowspan="14" | [[File:Cod.44.A.8 8r.jpg|300px|center]]
 +
| <p>{{red|The 14th Figure:}} Turn around again to where the horses hasten.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|1|lbl=23r}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|1|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|2|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 165v.jpg|15|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|1|lbl=18v}}
  
 +
|-
 +
| <p>The 15th Figure: {{red|Up close, catch the hand, turn over his face to where the nape is.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|2|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|2|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|3|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|1|lbl=166r}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|2|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 16th Figure:}} Catch the weapon from afar while you ride against him.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|3|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|3|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|4|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|2|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|3|lbl=-}}
  
 +
|-
 +
| <p>The 17th Figure: {{red|If you charge to the left, then fall to the sword pommel, jab under the eyes.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|7|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|4|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|6|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|3|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|4|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 18th Figure:}} Charge to the right side with its skill.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|6|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|5|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|5|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|4|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|5|lbl=-}}
  
 +
|-
 +
| <p>The 19th Figure: {{red|Plant the point upon him to the face.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|6|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|7|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|5|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|6|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 20th Figure:}} Shatter against all hits that ever happen.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|5|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|7|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|8|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|6|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|7|lbl=-}}
  
 +
|-
 +
| <p>The 21st Figure: {{red|The strong in the beginning position yourself therein correctly.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|10|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|8|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|9|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|7|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|8|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 22nd Figure:}} He who rushes the spear to the other is met beneath the eyes.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|11|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|9|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|10|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|8|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|9|lbl=-}}
  
 +
|-
 +
| <p>The 23rd Figure: {{red|The Unnamed Grip takes the weapon or fells him.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|8|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|10|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|11|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|9|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|10|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 24th Figure:}} If an opponent charges you to both sides, turn around left and thus he rightly comes.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|9|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|11|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 074v.jpg|12|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|10|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|11|lbl=-}}
  
 +
|-
 +
| <p>The 25th Figure: {{red|Be mindful to take and hold the messer.}}</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|12|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|12|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 075r.jpg|1|lbl=75r}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|11|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|12|lbl=-}}
  
 +
|-
 +
| <p>{{red|The 26th Figure:}} Grasp over an opponent who falls upon you or ride against him.</p>
 +
| {{section|Page:MS Chart.A.558 023r.jpg|13|lbl=-}}
 +
| {{section|Page:Cod.44.A.8 008r.jpg|13|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 075r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 166r.jpg|12|lbl=-}}
 +
| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|13|lbl=-}}
  
 +
|-
 +
| class="noline" | <p>{{red|If you want to grasp, you should not fail to ride beside him. Execute the Sun Pointer to the left sleeve if you want to bend.}}</p>
  
 +
<p>Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.</p>
 +
| class="noline" |
 +
| class="noline" | {{section|Page:Cod.44.A.8 008r.jpg|14|lbl=08r}}
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|14|lbl=-}}
  
 +
|}
 +
{{master end}}
  
 +
{{master begin
 +
  | title = Copyright and License Summary
 +
  | width = 100%;
 +
}}
 +
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].
  
 +
<section begin="sourcebox"/>{{sourcebox header}}
 +
{{sourcebox
 +
| work        = Translation
 +
| authors    = [[Christian Tobler]]
 +
| source link = http://www.freelanceacademypress.com/insaintgeorgesname.aspx
 +
| source title= ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Talhoffer Fechtbuch (MS Chart.A.558)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Starhemberg Fechtbuch (Cod.44.A.8)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Transcription]]
 +
| authors    = [[Dieter Bachmann]]
 +
| source link =
 +
| source title= [[Index:Talhoffer Fechtbuch (MS Thott.290.2º)]]
 +
| license    = public domain 0
 +
}}
 +
{{sourcebox
 +
| work        = [[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Ⅰ Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Paulus Kal Fechtbuch (MS 1825)|Bologna Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Paulus Kal Fechtbuch (MS 1825)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Ⅰ Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Paulus Kal Fechtbuch (Cgm 1507)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]]
 +
| authors    = [[Per Magnus Haaland]], [[Grzegorz Żabiński]]
 +
| source link =
 +
| source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]]
 +
| license    = various
 +
}}
 +
{{sourcebox
 +
| work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Ⅱ Transcription]]
 +
| authors    = [[Filip Lampart]], [[Martin Fabian]]
 +
| source link =
 +
| source title= [[Index:Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Ⅰ Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Transcription]]
 +
| authors    =
 +
| source link =
 +
| source title= [[Index:Gregor Erhart Fechtbuch (MS E.1939.65.354)]]
 +
| license    =
 +
}}
 +
{{sourcebox
 +
| work        = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Transcription]]
 +
| authors    = [[Werner Ueberschär]]
 +
| source link =
 +
| source title= [[Index:Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)]]
 +
| license    = noncommercial
 +
}}
 +
{{sourcebox
 +
| work        = [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅲ Transcription]]
 +
| authors    =
 +
| source link =
 +
| source title= [[Index:Maister Liechtenawers Kunstbuech (Cgm 3712)]]
 +
| license    =
 +
}}
 +
{{sourcebox
 +
| work        = [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Ⅱ Transcription]]
 +
| authors    = [[Kevin Maurer]]
 +
| source link =
 +
| source title= [[Index:Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)]]
 +
| license    = noncommercial
 +
}}
  
<small>15</small>
+
{{sourcebox
 
+
| work        = [[Pol Hausbuch (MS 3227a)|Nuremberg Transcription]]
<small>16</small>
+
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Pol Hausbuch (MS 3227a)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Codex Speyer (MS M.I.29)|Salzburg Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Codex Speyer (MS M.I.29)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Transcription Ⅱ]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Ⅱ Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Glasgow Fechtbuch (MS E.1939.65.341)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox footer}}
  
<small>17</small>
+
'''Additional translation notes:''' ''In Saint George's Name: An Anthology of Medieval German Fighting Arts'' ©2010 Freelance Academy Press, Inc.<section end="sourcebox"/>
 +
{{master end}}
  
<small>18</small>
+
== Additional Resources ==
  
<small>19</small>
+
* [[Hans-Peter Hils|Hils, Hans-Peter]] (in German). ''Meister Johann Liechtenauers Kunst des langen Schwertes''. P. Lang, 1985. ISBN 978-38-204812-9-7
 +
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 +
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-6
 +
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''Secrets of German Medieval Swordsmanship''. Highland Village, TX: Chivalry Bookshelf, 2001. ISBN 1-891448-07-2
 +
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''[http://www.academia.edu/1035644/Knightly_Dueling_the_Fighting_Arts_of_German_Chivalry Knightly Dueling: The Fighting Arts of German Chivalry]''. Boulder, CO: [[Paladin Press]], 2007. ISBN 978-1581606744
 +
* [[Martin Wierschin|Wierschin, Martin]] (in German). ''Meister Johann Liechtenauers Kunst des Fechtens''. Muunich: C. H. Beck, 1965.
 +
* [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript.'' Poland: [[Adam Marshall]], 2010. ISBN 978-83-7611-662-4
 +
* [[Grzegorz Żabiński|Żabiński, Grzegorz]]. "Unarmored Longsword Combat by Master Liechtenauer via Priest Döbringer." ''Masters of Medieval and Renaissance Martial Arts''. Ed. Jeffrey Hull. Boulder, CO: Paladin Press, 2008. ISBN 978-1-58160-668-3
 +
* ''[http://www.archive.org/details/anzeigerfurkunde01germ Anzeiger für Kunde der deutschen Vorzeit]'' (in German). Nuremberg: [[Germanisches Nationalmuseum|Verlag der Artistisch-literarischen Anstalt des Germanischen Museums]], 1854.
  
 +
== References ==
  
 +
{{reflist|2}}
 +
{{DEFAULTSORT:Liechtenauer, Johannes}}
 +
{{Liechtenauer tradition}}
 +
__FORCETOC__
  
<small>20</small>
+
[[Category:Masters]]
  
<small>21</small>
+
[[Category:German]]
  
<small>22</small>
+
[[Category:Armored Fencing]]
 
+
[[Category:Longsword]]
<small>23</small>
+
[[Category:Mounted Fencing]]
 
 
<small>24</small>
 
 
 
<small>25</small>
 
 
 
<small>26</small>
 
 
 
<small>27</small>
 
 
 
<small>28</small>
 
 
 
 
 
 
 
<small>29</small>
 
 
 
<small>30</small>
 
 
 
<small>31</small>
 
 
 
<small>32</small>
 
 
 
<small>33</small>
 
 
 
<small>34</small>
 
 
 
<small>35</small>
 
 
 
<small>36</small>
 
 
 
<small>37</small>
 
 
 
<small>38</small>
 
 
 
<small>39</small>
 
 
 
<small>40</small></poem>
 
| {{red|b=1|This is Master Johannes Liechtenauer’s Fighting on Horseback}}
 
<poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Direct your spear
 
:Riding against destroys
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
If it drops
 
:The end undoes him
 
Strike in, don’t pull
 
:From the scabbard, left to him jerk
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Grasp to his right
 
:thus you catch him without weapons work
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The fighting of lance-thrusting
 
:Learn to counter calmly without haste
 
If it changes
 
:So that the sword is used against the sword
 
Truly seize the strong
 
:You seek the Slapping Stroke
 
And remember: learn well to strongly defend
 
:In all meetings, press him without danger
 
plant upon without danger
 
:Who grazes, hang to him to the hair
 
If you want to calmly
 
:charge long, this troubles greatly
 
Whoever now defends that
 
:Then wind that hurts also
 
If he defends against this further
 
:Grasp the bridle and do not let it go
 
Be mindful of the openings
 
:search for the Messer, do not tend to the pommel
 
 
 
 
 
Learn two strokes
 
:With the empty hand against the weapon
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The Sheep Grip fends off
 
:him who turns to you with wrestling.
 
While under the eyes
 
:Grasp him truly with flying
 
Who attacks you
 
:While riding towards you will be felled
 
Hanging to the ground
 
:Grasp over against him truly with conduct
 
To both sides
 
:You should learn to ride against him
 
 
 
 
 
If you want to ride
 
:The horse run to the other side
 
Defend strongly
 
:Plant upon him threaten him with this
 
Who defends against that
 
:Grasp his sword from afar, get to the handle
 
Or turn around
 
:To calmly charge for the weapon
 
With all skill
 
:He who charges acts to his advantage
 
If you have charged past him
 
:And unintentionally charge to the left
 
Follow his sword upwards
 
:And wrestle, push also hard
 
If one charges on the right
 
:Stop; turn around; tend to the fight
 
With the arm catch
 
:Thus he cannot manage to harm you
 
 
 
 
 
The messer take
 
:Hold, learn to shame him
 
The Unnamed
 
:Against the strong to turn
 
Their strike, their thrust
 
:Is being defeated without any fencing
 
If you want to grasp
 
:you should not fail to ride beside him
 
The Sun Pointer
 
:Take the left sleeve if you want to bend
 
touch the forehead
 
:Against the nape of the neck press very hard
 
So that he sways
 
:And rarely makes it up again.
 
Who attacks you with that
 
:Grasp over against him and he will be shamed
 
Press the arm to the head
 
:This grip often robs the saddle
 
If you want to retain yourself
 
:from seizing
 
then take him into custody without wrestling
 
:without any rope
 
The Before Grip remember
 
:This indeed breaks his strength</poem>
 
| '''[53r] {{red|Hie hebt sich nu an das fechten czu Rosse in harnüsche / mit sper vnd sw°te etc}}'''
 
<poem>{{red|J}}Vng / Ritter lere /
 
got lib habñ frawen io ere /
 
So wechst deyn ere /
 
v<sup>e</sup>be ritterschaft vnd lere •
 
kunst / dy dich cziret /
 
vnd in krigen etc
 
<u>ut sup~ In p~amb~lo etc</u>
 
 
 
{{red|D}}Eyn sper berichte /
 
kegen reite~ mache czu nichte /
 
Vnd vor an wisse /
 
dyn roz das gorte gewisse /
 
Du salt wol merken •
 
dy glefney bederbñ mit sterke /
 
Wiltu czu / rynen /
 
zo fasse den czam lang mit syñen /
 
Dornoch zo streiche •
 
dy glefney czwer öber eyn seite /
 
So merk dy seite~ /
 
zo du mit ku~st gerest streite~ /
 
 
 
 
 
Haw dreyn nicht czücke /
 
von scheiden / link czu im rücke /
 
So reit mit syñen •
 
zo du abesetcze~ ruchest gewyñen /
 
Wiltu abesetcze~ /
 
vnd breche~ / syne ku~st do mete letcze~ /
 
Dy glefney czu vorne •
 
rücke dor vnder vnd nym sy ane czorne /
 
Hoch an du setcze /
 
swenke durchfar wiltu in letcze~ /
 
greif im sey~ rechte /
 
zo vestu in ane fechte~ /
 
begreif sey~ were •
 
mit dem ros dich vm~ekere /
 
Och magstu range~ /
 
we~ du in hast vm~evangen /
 
Wiltu aber vorflien /
 
zo schicke deyn pfert czu vm~eczihen /
 
Dornoch abesetcze /
 
mit winde~ in sere letcze /
 
aber schicke dich vm~e /
 
daz<sup> du </sup>sitzt ynder krüm~e /
 
'''[53v]''' Vör allen sachen •
 
saltu mit fleysse achten /
 
Der edlen leren /
 
dy im blozfechten ist geschreben /
 
<u>Indes</u> • vnd • <u>vor</u> • <u>noch</u> /
 
saltu hie wol merken och /
 
Rischeit vnd kunheit /
 
vorsichtikeit list vnd klugheit /
 
 
 
 
 
'''[55r]''' Ab sichs vorwandelt •
 
das swert key~ sw°te <del>wit</del> wirt gehandelt /
 
Recht fasse dy sterke /
 
taschenhawe du in süche~ merke /
 
lere wol stark schoten •
 
alle treffen ane var / mit nöten /
 
An setze ane vare /
 
wer stroiff heng in czu dem hare /
 
Wiltu gernet /
 
lang iage~ sere müet /
 
wer das nü weret /
 
zo wind das selbe awge vorseret /
 
Wert her das vörbas /
 
vach den czawm weze nicht las /
 
Bedenke dy bloße~ •
 
suche messer nicht warte klößen /
 
In aller were /
 
deyn ort / keyn der bloße~ kere /
 
Czwene striche lere /
 
mit lerer hant key~ der were /
 
Der schofgriff / weret
 
alle griffe vnd°n awge~ veret /
 
Auch merke dy seiten •
 
do du of vorteil gerest reiten /
 
Wer of dich wil hawe~ •
 
vorsetczen saltu dich frawe~ /
 
Vnd vinde~ snete /
 
hinden vnd vorne stich sere mete /
 
Dornoch abehawe •
 
zawm hant / recht beyn zonder drawe /
 
Wen du erst windest /
 
ruche ansetze~ / etwas du vindest /
 
wer of dich syñet /
 
vnd synt swert czu durchryñen gewyñet /
 
An czweiuel wint an •
 
wiltu keyne~ schade~ von im han /
 
Dy link seite merke /
 
deyn erbeit auch mete sterke /
 
winden vorsetzt •
 
swert lang / los hange~ zo ist her geletzt /
 
Dornoch in blende •
 
der dich mit vorsetze~ wil sche~den /
 
Ane sorge nym war •
 
var im balde vnder arm dar /
 
Recht lang los hange~ •
 
das lobe ich gancz wiltu range~ /
 
Drük vast mit stösse~ /
 
vom czawm / süche messer reme der blossen /
 
Vebe dy ku~st czu vorne /
 
in schimpf / zo gedenkstu ir in czorne /
 
'''[57v]''' {{red|D}}Er schofgrif weret /
 
wer ringe~s sich czu dir keret /
 
Als vnd°n awgen /
 
ane greife lere mete flawgen /
 
Wer dich an fellet /
 
weder reitens der wirt gefellet /
 
Hange~s czur erden •
 
öbergreif in recht mit geberden /
 
Czu beiden seiten /
 
du in an ler dich al weder reiten /
 
Der schofgrif mit lobe /
 
wert alle griffe vnd°n ogen /
 
'''[58r]''' {{red|A}}b du wilt reiten •
 
roslawfens czur and°n seiten /
 
der sterke schote •
 
ane setcze do mete nöte /
 
wer weret dir das •
 
weite swert vach natrag der handlas /
 
Ader vm~e kere /
 
ruet czu iagen der were /
 
Mit allen künsten •
 
der iagt den schicke noch günsten /
 
Ab du voriagest •
 
vnd ane danke linke iagst /
 
Seyn swert auf taste /
 
vnd rangen stoz sere mete vaste /
 
'''[58v]''' {{red|I}}agt man rechtens /
 
halb kere link / warte vechtens /
 
Mit armen vahen /
 
zo mag dir keyn schade nahen /
 
kere anderweit vm~e /
 
ab dy roz nü hin sprüngen /
 
{{red|D}}y messer nemen •
 
behalden ler ane schemen /
 
den vngenanten •
 
dy starke~ in io vorwanten /
 
Irslaen irstechin /
 
vorterbet an alle fechten /
 
'''[59r]''' Wiltu an fassen •
 
neben reitens nicht saltu lassen /
 
Das zuñe czeigen /
 
linke ermel treib wiltu neigen /
 
Das vorhawp taste •
 
kegen nacken drük zere vaste /
 
das her sich swenket •
 
selten weder auf/sich gelenket /
 
wer dir do remet /
 
öbirgreif den der wirt beschemet /
 
Druk arm an hawpt /
 
der grif ofte zatel rawbet /
 
Wilt aber dy masen •
 
des vahens leicht von dir lasen /
 
Ringe~e den fure •
 
gevangen hin ane snüre /
 
Den vorgrif merke •
 
der bricht vörbas syne sterke /</poem>
 
| '''[21av] Alhye hebt sich an dy chunst deß langñ swerts deß Roß vechtenn'''
 
<poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Dein sper bericht
 
gege~ reytñ mach czu nicht
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ab eß enpfalle
 
dein end Im ab snelle
 
hawe drey~ nicht czucke
 
von schayden linck czu Im rucke
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
greiff In sey~ rechten
 
so vechstu du In an vechten
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
das gleuen vechtenn
 
sitlich an hurt ler were brechenn
 
ab sich verwandelt
 
das swert gege~ swert wirt gehandelt
 
recht vaß dy sterck
 
taschen hawe du such In merck
 
lere wol stercke schawen
 
allen treffenn an da mit noete
 
An secz anevare
 
wer stauff heng Im zu dem hare
 
Wiltu mit Im
 
lang Jagñ das ser muet
 
wer das nw° weret
 
so wind das aug verseret
 
wert er das furbaß
 
vach czawm vnd vest nit hab
 
bedenck dÿ ploß
 
such meßer Nit wart claffenn
 
 
 
 
 
czwenfach lere
 
mit lerer hãt gegen der were
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Der Schaff griff weret
 
der stich weichens czu dir keret
 
als vntter augñ
 
an greifft In recht nit fleuch in
 
wer dich an vellet
 
wider reittenß der wirt gesellet
 
hangens czu der erden
 
vber greiff In recht mit geberdenn
 
zu beyden seytñ
 
du In an were dich al wider reytñ
 
 
 
 
 
ab du wilt reytñ
 
roß lauffens zu der andern seytenn
 
dÿ stercke schute
 
an secz do mit not
 
In wer wert das
 
weÿt swert vahenn tragenn oder hant hals
 
oder vmb ker
 
gerut zu jagñ der wer
 
mit allen chunstenn
 
schick dich nach chunsten
 
ob Du veriagest
 
vnd andacht linck Jagest
 
kein swert auß taste
 
Vnd ring stoß nicht vaste
 
iagt man rechtens-
 
halb ker vmb wart vest vechtens
 
mit eine~ vahen
 
so mag dir key~ schad nahñ
 
 
 
 
 
dÿ '''[22r]''' messer neme~
 
behalten lere an schame
 
dem vngnnten
 
dem starckenn in jo ver wante
 
Ir slagñ Ir stechenn
 
verderbt in alles vechtñ
 
wiltu an vaßenn
 
neben reÿtens nicht soltu loßen
 
das sonne~ czeigñ
 
linck ermel I treibt wiltu neig
 
das võ hewbt dast
 
gege~ nack truck ser vast
 
das er sich swencket
 
vnd selten wider auff lencket
 
wer dir das remet
 
vber greiff den der wirt beschemet
 
truck an czu heubt
 
der greifft offt satell raw~pt
 
wiltu aber dich maßenn
 
deß vahens leich von dir laßenn
 
lãgens den
 
fur gefangenn hin ane var
 
den vor griff merck
 
der pricht fur pas sein sterck</poem>
 
| '''[6r] {{red|Das Ist Maister Johansen liechtenäwer ross vechten}}'''<br/><br/>
 
<poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[6v]''' {{red|/}} Dein sper bericht {{red|/}}
 
Gegen reiten mach zu° nicht {{red|/}}
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Ob es empfalle {{red|/}}
 
Dein end ÿm ab schnalle {{red|/}}
 
Haw drein nicht zu°cke {{red|/}}
 
Von schaiden link zw° ÿm rucke {{red|/}}
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Greiff in sein rechten {{red|/}}
 
So fechstu in ane fechten {{red|/}}
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Das gleffen stechen fechten {{red|/}}
 
Sittigklich an hurt lere prechen {{red|/}}
 
Ob es <del>es</del> sich vor wandelt {{red|/}}
 
Das swert gegen swert wirt gehandelt {{red|/}}
 
Recht vaß dÿ sterck
 
taschñ haw tü süch {{red|/}} vnd merck
 
ler wol starck schüttñ {{red|/}}
 
Allen treffen an far do mit nött in {{red|/}}
 
An setz an far {{red|/}}
 
wer straifft heng im zu° dem har {{red|/}}
 
wiltu gerüt
 
lanck {{red|/}} jagen das sere müt {{red|/}}
 
wer das nu wert {{red|/}}
 
So wind das aug vorsert {{red|/}}
 
wert ers fürpas {{red|/}}
 
Vach zawm vnd wes nicht las {{red|/}}
 
Bedenck die plöß {{red|/}}
 
Suech <del>plöss</del> messer nicht wartt klöss {{red|/}}
 
 
 
 
 
Zwen strich ler {{red|/}}
 
Mit lärer hant gegen <del>di</del> der wer {{red|/}}
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Der schaff grif weret {{red|/}}
 
wer sich ringens {{red|/}} Zu° dir keret {{red|/}}
 
Als vnder augen {{red|/}}
 
Angreif in recht mit flaugen {{red|/}}
 
wer dich an felt {{red|/}}
 
wider reittens der wirt gefelt {{red|/}}
 
Hangens zw° der erden {{red|/}}
 
vber greiff in recht mit geperden {{red|/}}
 
Zw paiden seittñ {{red|/}}
 
Dw in an ler dich alle wider reitten {{red|/}}
 
 
 
 
 
Ab du° wilt reitñ {{red|/}}
 
Ross lauffs zw der anderñ seÿten {{red|/}}
 
Dÿe sterck schütte {{red|/}}
 
An setz da mit in nöte {{red|/}}
 
wer wert dir das {{red|/}}
 
weit swert vach trag na der handt haß {{red|/}}
 
Oder vmb ker {{red|/}}
 
geru°et zu° {{red|/}} jagen der were {{red|/}}
 
Mit allen künsten {{red|/}}
 
Der {{red|/}} jagt der schick nach günstñ {{red|/}}
 
Ab dw ver jagst {{red|/}}
 
vnd an danck linck iagst {{red|/}}
 
Sein swert auff taste {{red|/}}
 
vnd ring stös mit '''[7r]''' faste {{red|/}}
 
Jagt man rechtens {{red|/}}
 
Halt ker vmb wart vechtens {{red|/}}
 
Mit armen vahen {{red|/}}
 
So mag dir kain schad nachen {{red|/}}
 
 
 
 
 
Dÿe messer nemen {{red|/}}
 
Behalten ler an schomen {{red|/}}
 
Den vngenattñ
 
den starcken {{red|/}} In verwant {{red|/}}
 
Ir slacher ir stechen {{red|/}}
 
verdirbt an als vechten {{red|/}}
 
wiltu anfassen {{red|/}}
 
Neben reittens soltu nicht lassen {{red|/}}
 
Das sunnen zaigen {{red|/}}
 
linck ermel treib wiltu naigen {{red|/}}
 
Das vor haubt taste {{red|/}}
 
Gegen nack drvck sere faste {{red|/}}
 
Das er sich swencket {{red|/}}
 
vnd selden wider au°ff gelencket {{red|/}}
 
wer dir das rempt {{red|/}}
 
vber greiff den der wirt beschempt {{red|/}}
 
Druck arm~ zw haubt {{red|/}}
 
Der griff offt satel beraupt {{red|/}}
 
wiltu aber dich massen {{red|/}}
 
des vahens liecht von dir lassen {{red|/}}
 
Ringens den
 
gefangen hin ane schnure {{red|/}}
 
Den vor griff merck
 
Der pricht furpas sein sterck ~{{red|~}}~{{red|~}}</poem>
 
|
 
|
 
|
 
|
 
| '''[105r] Maister hanns[e]n liechtenauers ross fechtenn'''
 
<poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[105v]''' dein Sper bericht
 
gegen reüten m<del>i</del><sup>a</sup>ch zw v nicht
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ob es enpfalle
 
dein ennde im absnalle
 
haw drein nicht zuck
 
von schaidenn linck zw im ruck
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Greyff jm sein rechte
 
so fachestu in ane fechtenn
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
das glafney stechen fechten
 
sitikleich an hurt lern prechenn
 
ob sich ver wandelt
 
das swert gegen swert wiert gewandlt
 
recht fasse die sterck
 
daschenhaw dw suech vnd mercke
 
lern wol//schutten starch //
 
allenn treffenn anne far da mit in net
 
secz an fare
 
wer scheuset hing im zue dem hare
 
wildw geruet
 
lang jagen das es ser muet
 
wer das im wert
 
so wind das aug versert
 
wert er im nu fur pas
 
fach zaum vnd vese<ref>The meaning is unknown, but may be a part of the bridle.</ref> nicht las
 
pedenck die ploss
 
suech meser nicht ward kosse
 
 
 
 
 
zwen strich lere
 
mit larer hant gegen der were
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
der schaf griff weret
 
sich ringen zu dir keret
 
als vnder augen
 
angriff in recht mit mit (sic) ringen
 
wer dich an strecket
 
wider reytens der wiert geuellet
 
zu der erdenn hangens
 
vber greiff in recht mit geparden
 
zu paiden seyten
 
dw in an ler dich alle wider rewten
 
 
 
 
 
ob dw wild rewten
 
roslaufs zu den andern seyten
 
die sterck schutt
 
an secz da mit nott
 
in wer wert dir das
 
weit swert fach no der hannd has
 
oder vmb kere
 
 
 
mit allen chunsten
 
der jagt der schick
 
ob dw verjagest
 
vnd an dannck linck tagest
 
sein swert auf taste
 
vnd ring stos mit faste
 
jagt man rechtens
 
halbm ker vmb wart recht[e]ns
 
halb mit armen fachen
 
so mag dw kain schad nachen
 
 
 
 
 
die messer nemen
 
pehaltn lere an schemen
 
den vngenant
 
der starcken ja verbant
 
ir slachenn jr stechen
 
verdirbt an alles fechtenn
 
wildw an wassenn
 
neben rewtens nicht soltu lassenn
 
das sunnen zaigenn
 
linck erml treib wild dw naigen
 
das vorhaubt taste
 
gegen nach truck sere veste
 
das er sich swencket
 
vnd selten wider auf gelencket
 
wer dir das rempt
 
vber greys den<ref>There are dots above the e, but it is not clear whether it really is an umlaut.</ref> der wirt geschampt
 
druck arm zw haubt
 
der greiff offt satel peraubt
 
wild dw dich aber massen
 
des fachens becht<ref>"Vecht" (sound shift b→v)</ref> von dir lassen
 
ringens den
 
fure gefangen an der snure
 
den vor griff merck
 
der pricht fur was sein sterck</poem>
 
|
 
|
 
| <poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[163r]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[163v]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[164r]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[164v]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[165r]''' </poem>
 
|
 
|
 
|
 
|
 
|
 
|
 
|
 
 
 
|}
 
{{master end}}
 
 
 
{{master begin
 
  | title = Short Sword
 
  | width = 535em
 
}}
 
{| class="wikitable floated master"
 
|-
 
! style="width:3em;" |
 
! <p>{{rating|A}}<br/>Rome Version by [[Christian Tobler]]</p>
 
! <p>[[Nuremberg Hausbuch (MS 3227a)|Nuremberg Version]] (ca. 1389)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1443)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Version]] (1452)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459)<br/>by [[Dieter Bachmann]]</p>
 
! <p>[[Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Version I]] (ca. 1465-80)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version I]] (ca.1470)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Die Meisterlieder des Hans Folz (MS Q.566)|Wiemar Version]] (1479)<br/>by [[Andreas Meier]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s)<br/>by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]</p>
 
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (ca. 1504-19)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1510-20)<br/></p>
 
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version II]] (1523)<br/>by [[Filip Lampart]] and [[Martin Fabian]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version I]] (1523)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version II]] (1553)<br/></p>
 
! <p>[[Lienhart Sollinger Fechtbuch (Cgm 3712)|Munich Version III]] (1556)<br/></p><br/>
 
! <p>[[Hans Entner Fechtbuch|Hans Entner]] (before 1562)<br/>by [[Carl Michael Wiechmann-Kadow]]</p>
 
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1563-71)<br/></p>
 
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version II]] (ca. 1588)<br/></p>
 
 
 
|-
 
| <br/><br/><br/>
 
<poem><small>1</small>
 
 
 
<small>2</small>
 
 
 
<small>3</small>
 
 
 
<small>4</small>
 
 
 
<small>5</small>
 
 
 
<small>6</small>
 
 
 
<small>7</small></poem>
 
| {{red|b=1|Here begins the Art with the Half-Sword in Dueling, of Master Johannes Liechtenauer, God have mercy on him,}}
 
<poem>Who dismounts
 
:Fighting on foot begins
 
This do with the spear
 
:Two positions to begin truly
 
Spear and point
 
:Thrust the initial thrust without fear
 
Spring, wind set truly upon
 
:If he defends pull, that will defeat him
 
If you want to thrust before
 
:With pulling learn to break his defense
 
Note if he wants to pull back
 
:From harm and flee
 
Then approach him
 
:To surely attend to grasp</poem>
 
| <br/><br/><br/>
 
<poem>'''[60r]''' {{red|W}}Er abesynnet •
 
vechtens czu fuße begyñet /
 
Der schicke syn sper •
 
czwey sten am anheben rechte wer /
 
Sper vnd orte •
 
den vorstich ane vorchte /
 
Sprink vnd setz recht an •
 
wert her czuk das sigt ym an /
 
Wiltu vorstechen /
 
mit czücken lere were brechen /
 
Merk wil her czihen •
 
von scheiden vnd wil her flyen /
 
So salt im nahen /
 
y warte weislich des vahen /</poem>
 
| '''[48v] Kampffechten hebt sich Hye an'''<br/><br/><br/>
 
<poem>Wer absynnet
 
vechtens czu fueß beginnet
 
der sterck sein sper
 
czu sten am an hebñ reich vber
 
sper vnd ort
 
dem verstich ane vorcht
 
spring wind vnd recht secz an
 
wer erß czuck du gesiest In an
 
wiltu vor streichen
 
mit czucken ler were prechñ
 
merck wil er preche~
 
von schaÿde~ vñ wil er flihñ
 
so soltu Im nahen
 
ye weislicher wart deß vahñ </poem>
 
| '''[8v] {{red|Hye hebt sich an Maister Johansen Liechtenawers kunst Dem got genädig sey mit dem kurtzen swert zu° kampff /}}'''
 
<poem>Wer absynt {{red|/}}
 
ffechtens zu° fuess begint {{red|/}}
 
Der schick sein sper
 
zway sten {{red|/}} An heben recht wer {{red|/}}
 
Sper vnd ort {{red|/}}
 
den vorstich stich an vorcht {{red|/}}
 
Spring wind setz recht an {{red|/}}
 
wert er zuckt das gesigt im an {{red|/}}
 
wiltu vor stechen {{red|/}}
 
mit zucken lere wer prechen {{red|/}}
 
Merck wil er zÿhen {{red|/}}
 
von schaiden vnd wil er er fliechen {{red|/}}
 
So soltu im nahen {{red|/}}
 
zu° weißleich wart des vahen</poem>
 
|
 
|
 
|
 
|
 
| '''[105v] Das seind maister hansen liecht[e]nauers fechtenn im harnasch zum champf'''<br/><br/>
 
<poem>wer absinnet
 
fechtens zw ross peginet
 
der schick sein sper
 
zwen sten an heben rechte wer
 
sper vnnd ort
 
den vorstich /an stich// vorcht
 
spring wind secz recht an
 
wer ee zuckt das gesigt im an
 
wild dw verstechen
 
mit zuckenn lere wer prechen
 
merck wil er zuckenn
 
von schaidenn vnd wil er fliechen
 
so solt dw im nachen
 
ja weyslich ward des fachens</poem>
 
|
 
|
 
| '''[199r]'''
 
<poem>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[199v]'''</poem>
 
|
 
|
 
|
 
|
 
|
 
|
 
|
 
 
 
|-
 
| &nbsp;
 
<poem><small>8</small>
 
 
 
<small>9</small>
 
 
 
<small>10</small>
 
 
 
<small>11</small>
 
 
 
<small>12</small>
 
 
 
<small>13</small>
 
 
 
<small>14</small>
 
 
 
<small>15</small>
 
 
 
<small>16</small>
 
 
 
<small>17</small>
 
 
 
<small>18</small>
 
 
 
<small>19</small>
 
 
 
<small>20</small>
 
 
 
<small>21</small>
 
 
 
<small>22</small>
 
 
 
<small>23</small>
 
 
 
<small>24</small>
 
 
 
<small>25</small>
 
 
 
<small>26</small>
 
 
 
<small>27</small>
 
 
 
<small>28</small>
 
 
 
<small>29</small></poem>
 
| {{red|b=1|This is the wrestling in dueling}}
 
<poem>If you want to wrestle
 
:learn to spring correctly behind the leg
 
A bar shoot forth
 
:That skillfully locks the leg
 
From both sides
 
:If you want to skillfully end
 
If it happens that
 
:The sword against the spear is drawn
 
Then behold the thrusts.
 
:Spring, catch, hasten to him to wrestle
 
Strike long with the left hand
 
:Spring wisely and seize him
 
If he wants to draw
 
:from the scabbard, grasp and press in
 
So that his openings
 
:With the sword point are troubled
 
Leather and gauntlets
 
:Under the eyes seek the openings correctly
 
The forbidden wrestling
 
:surely learn to use
 
To lock your foe
 
:The strong thereby overcome
 
In all teachings
 
:Turn the point against the openings
 
When one sees that from the scabbard
 
:Both swords are being drawn
 
Then shall one strengthen
 
:The protection now truly remember
 
Before and After, these two things
 
:Explore surely, learn also to spring away
 
Follow in all meetings
 
:If you want to fool the strong.
 
If he defends, then pull
 
:Thrust, if he defends, move to him
 
If he fights extended
 
:Then be artfully instructed
 
If he also attacks strongly
 
:The thrusting defeats him
 
With his battering point
 
:He defends himself—hit without fear
 
With both hands
 
:Learn to turn your point to the eyes
 
The forward foot
 
:With striking you must protect.</poem>
 
| '''[62r] {{red|Das ist nü von Ringen / etc etc}}'''
 
<poem>{{red|A}}b du wilt ringen /
 
hinder beyne recht lere springen /
 
Regel vörschißen /
 
das vorbeyn künstlichen slyßen /
 
Von beiden henden /
 
ab du mit ku~st gerest enden /
 
'''[59v]''' Ab sich vorrukt •
 
das swert keyn sper wirt geczukt /
 
Der strich ia war nym •
 
sprink vach ringens yle czu ym /
 
link lang von hant slach •
 
sprink weislich vnd den vach /
 
Ab her wil czücken
 
von scheiden vach vnd drük in /
 
das her dy blöße
 
mit sw°tes orte vordröße /
 
leder vnde hantschuch •
 
vnder dy awgen dy bloße recht zuch /
 
Vorboten ringen •
 
weislichen czu lere bre~gen /
 
Czu fleißen vinde
 
dy dy starken do mete vinde /
 
In aller lere •
 
den ort kegen der bloßen kere /
 
'''[60v]''' {{red|W}}O man von scheiden •
 
swert czücken siet von in beide~ /
 
Do sal man sterken •
 
dy schrete eben mete merken /
 
<u>Vor</u> • <u>noch</u> • dy czwey dink <del>sint alle</del> /
 
prüfe mit lere abesprink /
 
Volge allen treffen •
 
den starken wiltu sye / effen /
 
Wert her czo czücke /
 
stich • wert her ia czu ym rücke /
 
Ab her lank fichtet /
 
zo bistu künslich berichtet /
 
greift her auch sterke an /
 
das <del>sciße</del> schißen sigt ym an /
 
Mit synem slaen • harte •
 
schützt her sich • trif ane forte /
 
Mit beiden henden /
 
czu~ awgen ort lere bre~gen •
 
Des fürdern fußes /
 
mit slegen du hüten müsest /</poem>
 
| <br/>
 
<poem>ab du wilt ringñ
 
hinter In lern recht springe
 
rigel vorschissen
 
das vor beyn chunstlich slißenn
 
võ beyden henden
 
ab du mit chunst gerst czu enden
 
ab sich verruckt
 
das sper gege~ sper wirt geczuckt
 
der stich Jo võ Im
 
spri~g Jach ringens eil czu Im
 
linck lang võ hant slahe
 
spring weißlich vnd den vach <del>v</del>
 
ob er wil czuckñ
 
võ schaÿd~ vahe vnd truck In
 
das er dÿ ploße
 
mit swerteß ort vor droße
 
leder vñ hantschuch
 
vnd augñ dÿ ploß recht suech
 
vechtñ ringen
 
weißlich czu lere springñ
 
czu schlissenn findenn
 
dy starckenn do mit findenn
 
In aller ler
 
den ort gege~ der ploße kere
 
wo mã võ scheyden
 
wirt czuckñ sich võ In beydenn
 
do sol mã stercke~
 
den schadenn recht obñ merckenn
 
vor vnd nach dye czwey ding
 
prueff weißlich ler mit abspringñ
 
volg alle treffen
 
den starckenn wiltu sye effenn
 
wert er so zucke
 
wert er io zu Im winck
 
ab er lang vichtet
 
so bistu chunstlichen berichtet
 
greifft er auch sterck an
 
das schiessñ sigt Im an
 
mit deine~ lindenn ort
 
schuczt er sich triff ane vorcht
 
mit peÿd~ hend~
 
czum auge~ ort lere bre~gen
 
des vorder fußes
 
mit slegenn huten maßest etc ~</poem>
 
| {{red|b=1|Das sind dye ringen zu° champff /}}
 
<poem>Ob dw wild ringen {{red|/}}
 
hinder pain recht lere springen {{red|/}}
 
Rigel für schiessen
 
das vor pain künstlich schliessen {{red|/}}
 
von paiden henden {{red|/}}
 
ob du mit kunst gerest enden {{red|/}}
 
Ob es sich vor ruckt {{red|/}}
 
Das swert gegen sper wirt gezuckt {{red|/}}
 
Der stich Jü war nÿm {{red|/}}
 
Spring vach ringens eil zu° ÿm {{red|/}}
 
linck lanck von hant slach {{red|/}}
 
Spring weisleich vnd deñ vach {{red|/}}
 
Aber wil zucken
 
von schaiden vach {{red|/}} vnd druck In
 
das er dy plöss {{red|/}}
 
Mit swertes ort verdroß {{red|/}}
 
leder vnd hantschuech {{red|/}}
 
vnder augen dÿ plöss recht suech {{red|/}}
 
Verpotne ringen {{red|/}}
 
Weisleich zu° lere pringen {{red|/}}
 
Zu° schliessen viende {{red|/}}
 
Die starken do mit vber winde {{red|/}}
 
In aller lere {{red|/}}
 
Dein ort gegen der plöss kere {{red|/}}
 
Wo man von schaiden
 
swert zuck sicht von in paiden {{red|/}}
 
So sol man stercken {{red|/}}
 
Die schütten recht eben mercken {{red|/}}
 
Vor vnd '''[9r]''' nach dÿe zway dingk {{red|/}}
 
Prueff weysleich lere mit ob spring {{red|/}}
 
volg allen treffen
 
den starcken wiltu sÿ effen {{red|/}}
 
Wert er so zuck {{red|/}}
 
Stich wert er {{red|/}} Jü zu° ÿm ruck {{red|/}}
 
Ob er lanck vichtet {{red|/}}
 
So pistu kunstlich berichtet {{red|/}}
 
Greift er auch sterck an {{red|/}}
 
Das schiessen gesigt ÿm an {{red|/}}
 
Mit seinem slahenden ort {{red|/}}
 
Schützt er sich triff anne vorcht {{red|/}}
 
Mit paiden hendñ {{red|/}}
 
Dein ort zu° den augen lere wenden {{red|/}}
 
Des vorderñ fuess {{red|/}}
 
Mit slegen du hütten müest</poem>
 
|
 
|
 
|
 
|
 
| '''Das seind die kingen (sic) zu dem champf'''
 
<poem>[O]b dw wild ringenn
 
hinder pain recht lere springen
 
rigel fur schiessenn
 
<del>das</del> vorpain kunstleichen sliessenn
 
von uaidenn hennden
 
ob dw mit chunst gerest zu enden
 
ob es sich ver ruckt
 
das swert gegen sper wiert gezuckt
 
der stich ja wer nym
 
spring vach ringens eyl zw im
 
linck lannck von hanndt slach
 
spring weislich vnd den stich
 
ob er wil zuckenn
 
von schaiden stich vnd druck in
 
das er die ploss
 
mit swertes ort verdrosse
 
leder vnd hantschuech
 
vnd aug[e]n die ploss recht suech
 
verpotne ringen
 
weyslich zw lere pringenn
 
zw sliessenn winde
 
die sterck da mit vber winde
 
in aller
 
den ort gegenn der ploss cher
 
wo man von schaiden
 
swert zucken sicht von in paidenn
 
So sol man streckenn
 
die schutt[e]n von in paiden mercken
 
vor nach die zwai ding
 
pruff weyslich lere mit ab springen
 
volg allenn treffen
 
den starcken wildw / affen sy //
 
wert es zuck
 
stich werd es ja zu im ruck
 
ob er lannck ficht
 
so pist dw kunstleich '''[106r]''' berichtet
 
greifft er mit sterck an
 
die sliessung gesigt im an
 
mit seinem slachenn dem ort
 
schuczt er sich triff ane vorcht
 
mit paidenn hennden
 
den ort zu den augen kere wenden
 
des vodern fuess
 
mit slegenn zw huetten muesst</poem>
 
| '''[129r] {{red|Die zÿttel weist ringen züm kanff zu fuß}}'''
 
<poem>{{red|Ob du wilt ringen}}
 
hinter beyn recht ler springen
 
Rigel Schiessenn
 
daß vor beyn recht schlissenn
 
von beden henden
 
Ob du mit künst gerest enden
 
Ab es sich ver rucket
 
das schwert geny~ wurt gezu<sup>e</sup>ckett
 
der stich vernÿm
 
Spring vach ringes eyl zu Im
 
Linck lang von hant schlag
 
Spring weyßlichen dem vach
 
Ob er wil zu<sup>e</sup>cken
 
von scheiden vach vnd drueckenn
 
das er die ploß
 
Mit schwertz ort ver droß
 
Leder vnd hantschuch
 
vnder augen bloß recht su<sup>e</sup>ch
 
'''[129v]''' Verborgen ringen
 
Weyßlich ler zu springenn
 
Ernstlichen wendte
 
dÿ starcken do mit vber windt
 
In aller lere
 
den ort gen dem gesicht kere
 
Wie man von scheydenn
 
Swert zucken sich von ÿn beydenn
 
So sol man sterckenn
 
die schutte~ eben recht mercken
 
vor vnd noch dÿ zweÿ ding
 
Bruff weyßlich ler mit ab spring
 
Volg allem treffenn
 
den starckenn wiltu sie effenn
 
Werter so zu<sup>e</sup>ck
 
Stich / wert er / zu ym ru<sup>e</sup>ck
 
Ob er lang vicht
 
So bistü künstig bericht
 
Griff er auch starck an
 
daß schiessenn gie sich ym an
 
Mit sinem schliechendenn ortt
 
Schutz er sich trifft on vorcht
 
'''[130r]''' Mit beden hendenn
 
dein ort zu den ougen lere wendenn
 
des vorderenn fusses
 
Mit schlegenn du huete~ mu<sup>e</sup>st</poem>
 
|
 
| <br/>
 
<poem>
 
 
 
 
 
 
 
 
 
'''[200r]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[200v]'''
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
'''[201r]''' </poem>
 
|
 
|
 
|
 
|
 
|
 
|
 
|
 
 
 
|}
 
{{master end}}
 
 
 
In addition to the verses on mounted fencing, several treatises in the Liechtenauer tradition include a group of twenty-six ''figuren'' ("figures")—single line abbreviations of the longer couplets, generally drawn in circles, which seem to sum up the most important points. The precise reason for the existence of these figures remains unknown, as does the reason why there are no equivalents for the armored fencing or unarmored fencing verses.
 
 
 
One clue to their significance may be a parallel set of teachings first recorded by [[Andre Paurñfeyndt]] in 1516, called the "Twelve Teachings for the Beginning Fencer".<ref>[[Andre Paurñfeyndt]], et al. [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]. [[Hieronymus Vietor]]: Vienna, 1516.</ref> These teachings are also generally abbreviations of longer passages in the Bloßfechten, and are similarly repeated in many treatises throughout the 16th century. It may be that the figures are a mnemonic that represent the initial stage of mounted fencing instruction, and that the full verse was taught only afterward.
 
 
 
{{master begin
 
  | title = Figures
 
  | width = 252em
 
}}
 
{| class="wikitable floated master"
 
|-
 
! <p>Images<br/>from the [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]]</p>
 
! <p>{{rating|A|Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
 
! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1443)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Version]] (1452)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version I]] (1450s)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1510-20)<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1538)<br/></p>
 
! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version II]] (1553)<br/></p>
 
 
 
|-
 
| rowspan="14" | [[File:Cod.44.A.8 7v.jpg|300px|center]]
 
| <br/>
 
The 1st Figure:
 
 
 
{{red|Charge from the breast to his right hand.}}
 
| <br/>
 
'''[22v]''' [1]
 
 
 
Jag võ der prust zu seiner rechtñ hant
 
| <br/>
 
'''[7v]''' Die erst figur
 
 
 
{{red|Jag von der prust zu seiner rechten hand}}
 
| '''[95r] {{red|Item zu Rosß mit Ritterlicher wëre}}'''
 
[1]
 
 
 
JAgen von der prust zu seiner rechten hant ~
 
| <br/>
 
'''[74r]''' {{red|1}}
 
 
 
Jag von deiner prust zw seiner rechten handt
 
| '''[165v]'''
 
| '''[61r]'''
 
|
 
 
 
|-
 
| {{red|The 2nd Figure:}}
 
Turn around with the horse, pull his right hand with your left.
 
| [2]
 
vmbker mit roß sein rechte hant mit deyner lincken
 
| {{red|Die ander figur}}
 
Vmbkere mitt dem Rozz Zewch sein rechte handt mitt deiner lingken
 
| [2]
 
Vmb ker mit dem Rosß Czeuch sein rechte hant mit dein’ lincken~
 
| {{red|2}}
 
Vmb ker mit dem roß / zeuch sein rechte handt mit deiner lincken
 
|
 
|
 
|
 
 
 
|-
 
| The 3rd Figure:
 
{{red|Upon the encounter, take the stirrup-strap or the weapon.}}
 
| [3]
 
mit stechñ satel In oder ver plent
 
| Die dritt figur
 
{{red|Mitt strayffen Satel ryem • oder wer nymbe}}
 
| [3]
 
Mit straiffen sattel oder nÿme Im die wer ~
 
| {{red|3}}
 
Mit Straÿffen satel riem / oder wer nymbt
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 4th Figure:}}
 
Plant upon him high, swing, go through or break the sword.
 
| [4]
 
Secz an hoch swenck durch var oder swert pricht
 
| {{red|Die vyerdt figur}}
 
Setz an hoch swing durch var • oder Swert prich
 
| [4]
 
Setz an hoch geswind durch far oder prich ~
 
| {{red|4}}
 
Setz an hoch / schwing / durchfar / oder schwert prich
 
|
 
|
 
|
 
 
 
|-
 
| The 5th Figure:
 
{{red|The defense precedes all meetings, striking, or thrusting.}}
 
| [5]
 
des schute~ vorgeng allen treffenn hawe~ stechen
 
| Die funfft figur
 
{{red|Daz schuten vorgeñgk allen treffenn hawen vnnd stechen}}
 
| [5]
 
Das schutten für henck allen treffen hawen oder stechen ~
 
| {{red|5}}
 
Das schutten / vor geng allen treffen / hawen stechen
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 6th Figure:}}
 
Take the strong with both hands.
 
| [6]
 
Greiff mit peyde~ henden an dye strick
 
| {{red|Die sechst figur}}
 
Greyff an mitt payden henndten die sterck
 
| [6]
 
Greiff an mit beden henden die sterck ~
 
| {{red|6}}
 
Greyff an mit paiden henden die sterck
 
|
 
|
 
|
 
 
 
|-
 
| The 7th Figure:
 
{{red|Now begin to seek the opponent with the Slapping Stroke.}}
 
| [9]
 
Hye hebt mã den tasche~ hawe czu such
 
| Die sybendt figur
 
{{red|Hie heb an den mañ taschen haw zu suechen}}
 
| '''[95v]''' [7]
 
Hie heb an den man taschen hawen zu suchen ~
 
| {{red|7}}
 
Hie heb an den man taschen haw zw suechen
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 8th Figure:}}
 
Turn his right hand, set the point to his eyes.
 
| [7]
 
Went Im dy recht hant secz dein ort czu seine~ gesicht
 
| {{red|Die Achtt figur}}
 
Wenndt Im die recht hanndt • setze den ortt zu den augen sein
 
| [8]
 
Wind Im die rechten hant setz Im den ort zu dem gesicht ~
 
| {{red|8}}
 
Went im die recht handt setz dein ortt zw seinem gesicht
 
|
 
|
 
|
 
 
 
|-
 
| The 9th Figure:
 
{{red|Who defends against the thrust, grasp his right hand in your left.}}
 
| [8]
 
weyl der stich wert den vahe sey~ rechte hant dey~ lincke
 
| Die Newnt figur
 
{{red|Wer den stich wertt dem vach sein rechte handt in dein lincken}}
 
| [9]
 
Wer den stich weret dem vah sein rechte hant mit d’ lincken ~
 
| {{red|9}}
 
Wer den stich went dem vach sein rechte handt in dem glincke /
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 10th Figure:}}
 
Seek the openings: arms, leather, gauntlets, under the eyes.
 
| [11]
 
such dy ploß arm dÿ hant scheuch vnter dÿ auge~
 
| {{red|Die Zechent figur}}
 
Suechee die ploss arm leder hanndtschuech vndtir den augen
 
| [10]
 
Such die ploß arm leder handtschuch vntter augen ~
 
| {{red|11}}
 
Suech die plos arm~ leder handt schuech vndter den augen
 
|
 
|
 
|
 
 
 
|-
 
| The 11th Figure:
 
{{red|Press hard, push from the reins and seek his messer.}}
 
| [10]
 
truck vast stoß von czam vnd such sey~ meßer
 
| Die ayndlifft figur
 
{{red|Druck vast stoss von tzawm • sueche sein Messer}}
 
| [11]
 
Truck vast stoß vom zawm vnd such sein messer ~
 
| {{red|10}}
 
Drück vast stoß vom zaüm vnd suech sein messer
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 12th Figure:}}
 
With the empty hand learn two strokes against all weapons.
 
| [12]
 
mit lerer hant lere czwen stich gege~ aller wer
 
| {{red|Die Zwolfft figur}}
 
Mitt lerer hanndt lere zwen strich gegen aller were
 
| [12]
 
Mit lerer hant ler zwen strich gegen aller wër ~
 
| {{red|12}}
 
Mit lerer handt lern straich gegen aller were /
 
|
 
|
 
|
 
 
 
|-
 
| The 13th Figure:
 
{{red|The Sheep Grip defends against all wrestling grips under the eyes.}}
 
| [13]
 
Der schaff griff weret alle griff rings vnt° augñ
 
| Die dreitzechent figur
 
{{red|Der schaf grif wertt • alle griff Ringens vndter augenn}}
 
| [13]
 
Der Schaff griff weret alle ringen vntter augen ~
 
| '''[74v]''' {{red|13}}
 
Der Schaffgriff werdt alle griff ringes vndter auge~
 
|
 
|
 
|
 
 
 
|-
 
| {{red|Direct your spear etc, If it falls etc, Strike in, don't pull, etc.}}
 
Pull to his left, grasp in his right, so you catch him there without fencing.
 
|
 
| {{red|Dein Sper bericht etc Ob es emphal etc Haw dreyn nichtt Zuckch etcettera}}
 
Glosa lingck zu Im ruck • Greyff in sein rechten • so vechst du In ane vechttenn
 
|
 
|
 
|
 
|
 
|
 
 
 
|-
 
| rowspan="14" | [[File:Cod.44.A.8 8r.jpg|300px|center]]
 
| {{red|The 14th Figure:}}
 
Turn around again to where the horses hasten.
 
| '''[23r]''' [14]
 
Anderweyt kere vmb so dy roß hin hurtñ
 
| '''[8r]''' {{red|Die viertzendt figur}}
 
Anderwayd kere vmb • so die Rozz hynn hurtten
 
| [25]
 
Anderwet’ ker vmb so die Roß hin hertten
 
| {{red|14}}
 
An der weidt ker vmb / so die roß hyn hurttñ /
 
|
 
|
 
|
 
 
 
|-
 
| The 15th Figure:
 
{{red|Up close, catch the hand, turn over his face to where the nape is.}}
 
| [15]
 
In der auch so vach dy hant v°ber sein antlicz do der nack ist
 
| Die funfftzend figur
 
{{red|In der nech vach die hanndt • verkere sein anttlitz da der nack ist}}
 
| '''[96r]''' [14]
 
In der nehe vah die hant v’ker sein antlutz do der nack ist ~
 
| {{red|15}}
 
In der nech fach die handt verker sein antlutz do der nacke ist
 
| '''[166r]'''
 
|
 
|
 
 
 
|-
 
| {{red|The 16th Figure:}}
 
Catch the weapon from afar while you ride against him.
 
| [16]
 
dye wer fach in der weyt in dem wider treibñ
 
| {{red|Die sechtzechend figur}}
 
Die were vach in der weytt • In dem wider Reytten
 
| [15]
 
Die wer nach In der weitten In dem widerreitten ~
 
| {{red|16}}
 
Die weer fach in der weitt in dem wider reÿttñ
 
|
 
|
 
|
 
 
 
|-
 
| The 17th Figure:
 
{{red|If you charge to the left, then fall to the sword pommel, jab under the eyes.}}
 
| [20]
 
Jagstu linck so greiff auff des swertes ploß stoß In vntter augenn
 
| Daz sybentzechend figur
 
{{red|Jagst du lingk so vall auf Swertes Kloss • stoss vndter augenn}}
 
| [16]
 
Jagstu dinck so val auf swertes klos stoß vntter augen ~
 
| {{red|18}}
 
Jagstu linck fall aüfs schwertz knopf stos vndter augen
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 18th Figure:}}
 
Charge to the right side with its skill.
 
| [19]
 
Jag czu seiner rechte~ hant mit Irenn chunstenn
 
| {{red|Die achttzechendt figur}}
 
Jage Zu der rechtten hanndt mitt Iren Kunsten
 
| [17]
 
Jag zu der rechten hant mit yren künsten ~
 
| {{red|17}}
 
Jag zw der rechtñ handt / mit irñ kunstñ
 
|
 
|
 
|
 
 
 
|-
 
| The 19th Figure:
 
{{red|Plant the point upon him to the face.}}
 
| [17]
 
Secz Im dein ort gege~ dem gesicht
 
| Die Nëwntzechent figur
 
{{red|Setz an den ortt gegen dem gesichtte}}
 
| [18]
 
Setz an den ort gegen dem gesicht ~
 
| {{red|19}}
 
Setz an den ortt gegen dem gesicht
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 20th Figure:}}
 
Shatter against all hits that ever happen.
 
| [18]
 
Schut gege~ allenn treffenn dye ÿmer werdenn
 
| {{red|Die tzwaintzigist figur}}
 
Schutt gegen allen treffen • Diee ymmer werdenn
 
| [19]
 
Schutt gegen allen treffen die ÿm~er werden ~
 
| {{red|20}}
 
Schutt gegen allen treffen die ym~er werdñ
 
|
 
|
 
|
 
 
 
|-
 
| The 21st Figure:
 
{{red|The strong in the beginning position yourself therein correctly.}}
 
| [23]
 
dÿ strich zum anhebñ dar Inn schick dich recht
 
| Die ain vnd tzwayntzigist figur
 
{{red|Die sterck in dem anheben • Dar Inn dich rechtt schicke}}
 
| [20]
 
Die sterck In dem anheben darInn dich recht schick ~
 
| {{red|21}}
 
Die stercke in dem an hebñ daryn dich recht schick /
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 22nd Figure:}}
 
He who rushes the spear to the other is met beneath the eyes.
 
| [24]
 
das ist nwe der sper lauff der de~ andñ begege~t vnt° augñ
 
| {{red|Die tzwo vnd tzwaintzigst figur}}
 
Das ist nun der sper lawff • der dem andern begegendt vndter augen
 
| '''[96v]''' [21]
 
Das ist In dem sper lauff der dem andern ~
 
 
 
[22]
 
 
 
Begeget vntter augen ~
 
| {{red|22}}
 
Das ist nun der sper lauff der dem anderñ begegnet vndter augen /
 
|
 
|
 
|
 
 
 
|-
 
| The 23rd Figure:
 
{{red|The Unnamed Grip takes the weapon or fells him.}}
 
| [21]
 
dye vngnnten griff wer nym oder fell In
 
| Die drey vnd tzwaintzigist figur
 
{{red|Der vngenant griff • wer nymbtt oder velt In}}
 
| [23]
 
Der vngenant griff wer nymant oder velt In
 
| {{red|23}}
 
Der vngenant griff weer ny~t oder felt in
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 24th Figure:}}
 
If an opponent charges you to both sides, turn around left and thus he rightly comes.
 
| [22]
 
ob mã dich jagt võ peyde~ seÿte~ ker linck vmb so er rech ku~pt
 
| {{red|Die vier vnd tzwaintzigist figur}}
 
ob man dich Jagt zu° bayden seytten kere vmb lingk so er rechtte kumbt
 
| [24]
 
Ob man dich iaget von beidenseitten ker vmb so er rechtt kompt ~
 
| {{red|24}}
 
Ob man dich jagt von paidñ seÿttñ ker vmb linck so er recht kumbt
 
|
 
|
 
|
 
 
 
|-
 
| The 25th Figure:
 
{{red|Be mindful to take and hold the messer.}}
 
| [25]
 
Der meßer neme~ vnd behaltñ gedenck
 
| Die funff vnd tzwaintzigist figur
 
{{red|Der Mezzer nemenn • vnd behalden gedenck}}
 
| [26]
 
Der messer nemen vnd behalt’ gedenck ~
 
| '''[75r]''' {{red|25}}
 
Der messer nemen vnd behalden gedenck
 
|
 
|
 
|
 
 
 
|-
 
| {{red|The 26th Figure:}}
 
Grasp over an opponent who falls upon you or ride against him.
 
| [26]
 
vber greiff wer dich an velt thue In wider treyben
 
| {{red|Die sechßvndtzwaintzigist figur}}
 
vbergreif wer dich anvelet • oder thue Im wider Reyttens
 
| [27]
 
Vbergreiff wer dich an vellet oder thue Im wider reittes ~
 
| {{red|26}}
 
Vber greÿff wer dich an felt oder thue im wider reÿttens /
 
|
 
|
 
|
 
 
 
|-
 
| {{red|If you want to grasp, you should not fail to ride beside him. Execute the Sun Pointer to the left sleeve if you want to bend.}}
 
Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.
 
|
 
| {{red|Wild du anfazzen neben reittens nit solt du lasen daz sunnen tzaigen lingk ermel treib wildu naygen}}
 
Wer dir daz rembt vbergreifft den der wierd beschämbt druck arm zu haubt der griff offt sattel berawbett
 
|
 
|
 
|
 
|
 
|
 
 
 
|}
 
{{master end}}
 
 
 
{{master begin
 
  | title = Copyright and License Summary
 
  | width = 100%;
 
}}
 
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].
 
 
 
<section begin="sourcebox"/>{{sourcebox header}}
 
{{sourcebox
 
| work        = Translation
 
| authors    = [[Christian Tobler]]
 
| source link = http://www.freelanceacademypress.com/insaintgeorgesname.aspx
 
| source title= ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Nuremberg Hausbuch (MS 3227a)|Nuremberg Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/3227a/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/talhoffer_gotha_a558/02_liechtenauer.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Codex Danzig (Cod.44.A.8)|Rome Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/peter_von_danzig/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]]
 
| authors    = [[Dieter Bachmann]]
 
| source link = http://freywild.ch/wiki/index.php?title=Thott
 
| source title= Freywild.ch
 
| license    = public domain 0
 
}}
 
{{sourcebox
 
| work        = [[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/jude_lew/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Wolfenbüttel Sketchbook (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/gladiatoria_wolfenbuettel/01_fechtbuch.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version I]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/paulus_kal/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Die Meisterlieder des Hans Folz (MS Q.566)|Wiemar Version]]
 
| authors    = [[Andreas Meier]]
 
| source link = http://www.pragmatische-schriftlichkeit.de/transkription/trans_q566.pdf
 
| source title= Gesellschaft für pragmatische Schriftlichkeit
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]]
 
| authors    = [[Carsten&nbsp;orbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]
 
| source link = http://www.pragmatische-schriftlichkeit.de/transkription/edition_paulus_kal.pdf
 
| source title= Gesellschaft für pragmatische Schriftlichkeit
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Codex Speyer (MS M.I.29)|Salzburg Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/hans_von_speyer/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/sigmund_ringeck/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/emring_glasgow/index.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]]
 
| authors    = [[Bartłomiej Walczak]]
 
| source link = http://www.arma.lh.pl/badania.html
 
| source title= ARMA Poland
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''
 
| authors    = [[Michael Chidester]]
 
| source link =
 
| source title= Wiktenauer
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|Der Altenn Fechter anfengliche kunst]]''
 
| authors    = [[Alex Kiermayer]]
 
| source link = http://www.hauppauge.de/~freifechter/egenolph.html
 
| source title= Die Freifechter Gesellschaft für Historische Fechtkunst e.V.
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version II]]
 
| authors    = [[Filip Lampart]], [[Martin Fabian]]
 
| source link = http://fecht-kunst.eu/files/wilhalm_prepis.pdf
 
| source title= Fecht-Kunst
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version II]]
 
| authors    = [[Dierk Hagedorn]]
 
| source link = http://www.hammaborg.de/en/transkriptionen/wilhalm_sollinger/04_sollinger.php
 
| source title= Hammaborg Historischer Schwertkampf
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]]
 
| authors    =
 
| source link =
 
| source title=
 
| license    =
 
}}
 
{{sourcebox
 
| work        = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version III]]
 
| authors    = [[Werner Ueberschär]]
 
| source link = http://www.schwertbund-nurmberg.de/TranskriptionAnthonyRast.pdf
 
| source title= Schwertbund Nurmberg e.V.
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Munich Version III]]
 
| authors    =
 
| source link =
 
| source title=
 
| license    =
 
}}
 
{{sourcebox
 
| work        = [[Hans Endter Fechtbuch|Hans Endter]]
 
| authors    = [[Carl Michael Wiechmann-Kadow]]
 
| source link =
 
| source title=
 
| license    = fair use
 
}}
 
{{sourcebox
 
| work        = [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]]
 
| authors    = [[Hans Talhoffer (Blogger)|Anonymous]]
 
| source link = http://talhoffer.wordpress.com/
 
| source title= The fencing and life of Hans Talhoffer
 
| license    = linkware
 
}}
 
{{sourcebox
 
| work        = [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version II]]
 
| authors    =
 
| source link =
 
| source title=
 
| license    =
 
}}
 
{{sourcebox footer}}
 
 
 
'''Additional translation notes:''' ''In Saint George's Name: An Anthology of Medieval German Fighting Arts'' ©2010 Freelance Academy Press, Inc.<section end="sourcebox"/>
 
{{master end}}
 
 
 
== Additional Resources ==
 
 
 
* [[Hans-Peter Hils|Hils, Hans-Peter]] (in German). ''Meister Johann Liechtenauers Kunst des langen Schwertes''. P. Lang, 1985. ISBN 978-38-204812-9-7
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''Secrets of German Medieval Swordsmanship''. Highland Village, TX: Chivalry Bookshelf, 2001. ISBN 1-891448-07-2
 
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''Knightly Dueling: The Fighting Arts of German Chivalry''. Boulder, CO: [[Paladin Press]], 2007. ISBN 978-1581606744
 
* [[Martin Wierschin|Wierschin, Martin]] (in German). ''Meister Johann Liechtenauers Kunst des Fechtens''. Muunich: C. H. Beck, 1965.
 
* [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript.'' Poland: [[Adam Marshall]], 2010. ISBN 978-83-7611-662-4
 
* [[Grzegorz Żabiński|Żabiński, Grzegorz]]. "Unarmored Longsword Combat by Master Liechtenauer via Priest Döbringer." ''Masters of Medieval and Renaissance Martial Arts''. Ed. Jeffrey Hull. Boulder, CO: Paladin Press, 2008. ISBN 978-1-58160-668-3
 
* ''[http://www.archive.org/details/anzeigerfurkunde01germ Anzeiger für Kunde der deutschen Vorzeit]'' (in German). Nuremberg: [[Germanisches Nationalmuseum|Verlag der Artistisch-literarischen Anstalt des Germanischen Museums]], 1854.
 
 
 
== References ==
 
 
 
{{reflist|2}}
 
{{DEFAULTSORT:Liechtenauer, Johannes}}
 
{{Liechtenauer tradition}}
 
__FORCETOC__
 
 
 
[[Category:Masters]]
 
 
 
[[Category:German]]
 
  
[[Category:Armored Fencing]]
+
[[Category:New format]]
[[Category:Longsword]]
 
[[Category:Mounted Fencing]]
 

Revision as of 21:06, 19 February 2021

Die Zettel
The Recital
Johannes Liechtenauer.png
Full Title A Recital on the Chivalric
Art of Fencing
Ascribed to Johannes Liechtenauer
Illustrated by Unknown
Date Fifteenth century (?)
Genre
Language Early New High German
Archetype(s) Hypothetical
Manuscript(s)
First Printed
English Edition
Tobler, 2010
Concordance by Michael Chidester
Translations

Johannes Liechtenauer (Hans Lichtenauer, Lichtnawer) was a German fencing master in the 14th or 15th century. No direct record of his life or teachings currently exists, and all that we know of both comes from the writings of other masters and scholars. The only account of his life was written by the anonymous author of the Pol Hausbuch, one of the oldest texts in the tradition, who stated that "Master Liechtenauer learnt and mastered the Art in a thorough and rightful way, but he did not invent and put together this Art (as was just stated). Instead, he traveled and searched many countries with the will of learning and mastering this rightful and true Art." He may have been alive at the time of the creation of the fencing treatise contained in the Pol Hausbuch, as that source is the only one to fail to accompany his name with a blessing for the dead.

Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and a long poem called the Zettel ("Recital") is generally attributed to him by these masters. Later masters in the tradition often wrote extensive glosses (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on Paulus Kal's roll of the Fellowship of Liechtenauer were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the Marxbrüder and the Veiterfechter.

Additional facts have sometimes been presumed about Liechtenauer based on often-problematic premises. The Pol Hausbuch, often erroneously dated to 1389 and presumed to be written by a direct student of Liechtenauer's, has been treated as evidence placing Liechtenauer's career in the mid-1300s.[1] However, given that the Pol Hausbuch may date as late as 1494 and the earliest records of the identifiable members of his tradition appear in the mid 1400s, it seems more probable that Liechtenauer's career occurred toward the beginning of the 15th century. Ignoring the Pol Hausbuch as being of indeterminate date, the oldest version of the Recital that is attributed to Liechtenauer was recorded by Hans Talhoffer in the MS Chart.A.558 (ca. 1448), which further supports this timeline.[2]

Treatise

Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the Zettel ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword), the "short" or withdrawn sword (i.e. with one hand at either end), and on horseback. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as Sigmund ain Ringeck, Peter von Danzig zum Ingolstadt, and Lew wrote extensive glosses that sought to clarify and expand upon these teachings.

In addition to the verses on mounted fencing, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (figuren)—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtneauer's techniques. It is not known why the mounted fencing is the only section of the Recital to receive figures in addition to verse.

Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of the Pol Hausbuch, which contains almost twice as many verses as any other; however, given that the additional verses tend to either consist of repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only that attributed to Beringer (which is also included in the writings of Hans Folz).

The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.[3] Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view. For ease of use, this page breaks the general Wiktenauer rule that column format remain consistent across all tables on a page; the sheer number of Liechtenauer sources made this convention entirely unworkable, with more columns empty than filled, so instead the long sword table uses one layout, the mounted and short sword tables use another, and the figures use a third.

Additional Resources

References

  1. Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p6
  2. There is one version of the Recital that predates Talhoffer's, recorded in MS G.B.f.18a (ca. 1418-28) and attributed to an H. Beringer; this also conforms to a 15th century timeline and suggests the possibility that Liechtenauer was himself an inheritor of the teachings contained in the Zettel rather than its original composer (presentations of the Recital that are entirely unattributed exist in other 15th and 16th century manuscripts). Alternatively, the Beringer verse, which includes only portions of the Recital on the Long Sword, may represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in 3227a.
  3. The figures are often given as a preamble for the gloss of Lew, and a fragment of the short sword to the teachings of Martin Huntsfeld, but those instances will not be included below and instead treated as part of those treatises.
  4. The text diverges here, omitting Liechtenauer's couplet and inserting this quatrain instead:
    Dagge swert stãge lãse schon
    Messer bockler has vñ rõken
    Taegñ darde vnd schilt
    Miden allen zu ringe~ uff du wilt
  5. First letter almost illegible.
  6. First letter illegible.
  7. Talhoffer adds the following couplet: "Nun merck aber furbaß / und verstand ouch gar rechte daz".
  8. Text terminates at this point. The leaves with the rest of the text are gone, probably lost.
  9. kam
  10. deinen
  11. faler
  12. Talhoffer breaks up the Haupstucke differently, and inserts the following additional couplet: "überlouffen bind wol an / nit stand luog waß er kan".
  13. Gotha inserts the title Das ist der krieck in this position, but no other version separates it in that way.
  14. Text adds an additional couplet: "hastu es vernomen zu kain / schlag mag er komen".
  15. Text adds an additional couplet: "hast dus vernomen / zu kaim schlag mag er komen".
  16. Text adds an additional couplet: "hastu es vernomen / zu kainen schlag mag er komen."
  17. Talhoffer expands upon Liechtenauer's couplet and adds two additional lines: "und erschrick ab kainem man / stand und sich in ernstlich an".
  18. Text adds an additional line: "das son ich vernomen".
  19. Text adds an additional line: "ha das han ich vernomen".
  20. There is no space between "Dupliere" and "doniden", the "D" was possibly added later.
  21. Text adds an additional line: "dz haw ich vermunen??".
  22. Corrected from »Im«.
  23. The text doubles the title of this section.
  24. 24.0 24.1 Corrected from »Twir«.
  25. haust
  26. Talhoffer adds an additional couplet: [4r] "So machst du in wol betöwben / Die faller in kunst berowben"
  27. Hier hat der Schreiber offensichtlich ein Häkchen vergessen.
  28. should be "dreffen"
  29. This section is followed by one titled "Von durchlauffen ab seczen", which repeat the verse on Absetzen.
  30. Talhoffer adds four additional verses: "und gang nach an den man / stoss mit dem ghiltz schon / wiltu denn nit schallen / so hastu zway eynfallen".
  31. Text adds an additional couplet: "Das schwertt bind / zu der fleche truck in die hend".
  32. Text adds an additional couplet: "Das schwert binden / zu der flech trukh in die hand"
  33. Talhoffer begins this section with two additional verses: "wer dir zestarck welle sin / heng fall im oben eyn".
  34. Text adds an additional couplet: "thutt er sich gegen dir greisen / schlagen das er seisse".
  35. Text adds an additional couplet: "thutt er sich gegen dir greifen / schlagen das er Seise".
  36. Text adds an additional couplet: "thuet er sich gegen dir raisen / schlagen dz er seisse."
  37. ";" in a circle
  38. A guide letter “w” is visible under the “U” (apparently ignored by the rubricator), making the intended word “Wer”.
  39. Hier ist anscheinend dem Schreiber das Leerzeichen verrutscht.