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{{under construction}}
 
 
{{infobox medieval text
 
{{infobox medieval text
 
<!-----------Name---------->
 
<!-----------Name---------->
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| language              = [[language::Early New High German]]
 
| language              = [[language::Early New High German]]
 
| date                  = before 1452
 
| date                  = before 1452
| state of existence    =
 
 
<!----------Manuscript Information---------->
 
<!----------Manuscript Information---------->
 
| genre                = {{plainlist
 
| genre                = {{plainlist
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| series                =  
 
| series                =  
 
| state of existence    = Original hypothetical;<br/>multiple branches exist
 
| state of existence    = Original hypothetical;<br/>multiple branches exist
| principal manuscript(s)=[[Codex Danzig (Cod.44.A.8)|Cod. 44.A.8]] (1452)
+
| principal manuscript(s)={{plainlist
 +
| [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod. 44.A.8]] (1452)
 +
| [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] (1535-40)
 +
}}
 
| manuscript(s)        = {{plainlist
 
| manuscript(s)        = {{plainlist
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
| [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart.2020]] (1535-40)
+
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1564)
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]] (1564)
 
 
}}
 
}}
 
| first printed edition = [[Christian Henry Tobler|Tobler]], 2010
 
| first printed edition = [[Christian Henry Tobler|Tobler]], 2010
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| below                =  
 
| below                =  
 
}}
 
}}
'''"Pseudo-Peter von Danzig"''' is the name given to an anonymous [[century::15th century]] [[nationality::German]] [[fencing master]].<ref>This name stems from the false assumption of many 20th century writers identifying him with [[Peter von Danzig zum Ingolstadt]].</ref> Some time before the creation of the [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] in 1452, he authored a [[gloss]] of [[Johannes Liechtenauer]]'s [[Recital]] (''Zettel'') which would go on to become the most widespread in the tradition. While the identity of the glossator remains unknown, it is possible that he was in fact [[Jud Lew]], a name associated with one of the branches of the gloss (see below), or [[Sigmund ain Ringeck]], whose gloss shows strong similarities to the work. On the other hand, the introduction to the Rome version of the text could be construed as attributing it to Liechtenauer himself.
+
'''"Pseudo-Peter von Danzig"''' is the name given to an anonymous [[century::15th century]] [[nationality::German]] [[fencing master]].<ref>This name stems from the false assumption of many 20th century writers identifying him with [[Peter von Danzig zum Ingolstadt]]. It has been argued that this name is inappopriate because the treatises attributed to pseudo-Danzig (and also pseudo-Hans Döbringer) are not true pseudepigrapha&mdash;they are internally anonymous. However, many Ancient and Medieval pseudepigraphic texts were originally anonymous and were assigned their false attributions by later readers, and this is also the case with these two glosses in our fledgling tradition.</ref> Some time before the creation of the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]] in 1452, he authored a [[gloss]] of [[Johannes Liechtenauer]]'s [[Recital]] (''Zettel'') which would go on to become the most widespread in the tradition. While the identity of the glossator remains unknown, it is possible that he was in fact [[Lew]], a name associated with one of the branches of the gloss (see below), or [[Sigmund ain Ringeck]], whose gloss shows strong similarities to the work. On the other hand, the introduction to the Rome version of the text could be construed as attributing it to Liechtenauer himself.
  
 
== Stemma ==
 
== Stemma ==
  
Early on in its history, the Pseudo-Peter von Danzig [[gloss]] seems to have split into at least three branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund ain Ringeck]] also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered Branch D).
+
Early on in its history, the prototype of the Pseudo-Peter von Danzig [[gloss]] seems to have split into at least three branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund ain Ringeck]] also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered Branch D).
  
Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more plays overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of [[Andre Liegniczer]] and [[Martin Huntfeltz]] (or, in the case of the 1512 [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna II]], Ringeck's short sword gloss).  Branch A is sometimes called the [[Jud Lew]] gloss, based on a potential attribution at the end of the mounted gloss in a few copies. Apart from the Augsburg, the other principal version in Branch A is the [[Codex Speyer (MS M.I.29)|Salzburg version]] (1491), which was copied independently<ref>Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.</ref> and also incorporates twelve paragraphs from Ringeck's gloss and nineteen paragraphs from an unidentified third source. Branch A was redacted by [[Paulus Hector Mair]] (three mss., 1540s), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Lienhart Sollinger]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Joachim Meyer]] (1570), which despite being the latest is the cleanest extant version and was likely either copied directly from the original or created by comparing multiple versions to correct their errors. It was also one of the bases for [[Johannes Lecküchner]]'s gloss on the [[Messer]] in the late 1470s.
+
Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more plays overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of [[Andre Lignitzer]] and [[Martin Huntsfeld]] (or, in the case of the 1512 [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna II]], Ringeck's short sword gloss).  Branch A is sometimes called the [[Lew]] gloss, based on a potential attribution at the end of the mounted gloss in a few copies. Apart from the Augsburg, the other principal version in Branch A is the [[Codex Speyer (MS M.I.29)|Salzburg version]] (1491), which was copied independently<ref>Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.</ref> and also incorporates twelve paragraphs from Ringeck's gloss and nineteen paragraphs from an unidentified third source. Branch A was redacted by [[Paulus Hector Mair]] (three mss., 1540s), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Lienhart Sollinger]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Joachim Meyer]] (1570), which despite being the latest is the cleanest extant version and was likely either copied directly from the original or created by comparing multiple versions to correct their errors. It was also one of the bases for [[Johannes Lecküchner]]'s gloss on the [[Messer]] in the late 1470s.
  
Branch B, attested first in the [[Codex Danzig (Cod.44.A.8)|Rome version]] (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer plays overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section, and may therefore be considered more complete than Branch A; it also differs from Branch A in that three of the four known copies are illustrated to some extent, where none in the other branch are. The [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow version]] (1535-40) seems to be an incomplete (though extensively illustrated) copy taken from the Rome,<ref>Zabinski, pp 82-83</ref> while [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg II]] (1564) collects only the six illustrated wrestling plays from the Krakow. Even more anomalous is the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow version]] (1508), consisting solely of a nearly complete redaction of the short sword gloss (assigning it to Branch B), which is appended to the opening paragraphs of Ringeck's gloss of the same section; since it accompanies Ringeck's long sword and mounted fencing glosses, a possible explanation is that the scribe lacked a complete copy of Ringeck and tried to fill in the deficit with another similar text.
+
Branch B, attested first in the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome version]] (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer plays overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section, and may therefore be considered more complete than Branch A; it also differs from Branch A in that three of the five known copies are illustrated to some extent, where none in the other branch are. The [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow version]] (1535-40) seems to be an incomplete (though extensively illustrated) copy taken from the Rome,<ref>Zabinski, pp 82-83</ref> while [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg II]] (1564) collects only the six illustrated wrestling plays from the Krakow. Even more anomalous is the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow version]] (1508), consisting solely of a nearly-complete redaction of the short sword gloss (assigning it to Branch B), which is appended to the opening paragraphs of Ringeck's gloss of the same section; since it accompanies Ringeck's long sword and mounted fencing glosses, a possible explanation is that the scribe lacked a complete copy of Ringeck and tried to fill in the deficit with another similar text. The other version of Branch B is the Vienna, which includes the mounted and short sword sections but omits the long sword in favor of Branch C.
  
Branch C is first attested in the [[Paulus Kal Fechtbuch (MS KK5126)|Vienna version]] (1480s). It is unclear whether it was derived independently from the original, represents an intermediate evolutionary step between Branches A and B, or was created by simply merging copies of the other branches together. The structure and contents of this branch very closely align with Branch B, lacking most of the unique plays of Branch A and including the gloss of the short sword, but the actual text is more consistent with that of Branch A (though not identical). The other substantial copy of Branch C is the [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg version II]] (1553), which was created by Paulus Hector Mair based on the writings of [[Antonius Rast]], and which segues into the text of [[Ringeck]]'s gloss for the final eighteen paragraphs. A substantial fragment of Branch C is present in five additional 16th century manuscripts alongside the illustrated treatise of [[Jörg Wilhalm Hutter]]; one of these, [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow II]] (1533) assigns the text a much earlier origin, stating that it was devised by one [[Nicolaüs Augsburger|Nicolaüs]] in 1489. This branch has received the least attention and is currently the least understood.
+
Branch C is first attested in the [[Paulus Kal Fechtbuch (MS KK5126)|Vienna version]] (1480s), and only glosses the long sword. It is unclear whether it was derived independently from the original, represents an intermediate evolutionary step between Branches A and B, or was created by simply merging copies of the other branches together. The structure and contents of this branch very closely align with Branch B, lacking most of the unique plays of Branch A and including the gloss of the short sword, but the actual text is more consistent with that of Branch A (though not identical). The other substantial copy of Branch C is [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg III]] (1553), which was created by Paulus Hector Mair based on the writings of [[Antonius Rast]], and which segues into the text of [[Sigmund ain Ringeck|Ringeck]]'s gloss for the final eighteen paragraphs. A substantial fragment of this gloss is present in five additional 16th century manuscripts alongside the illustrated treatise of [[Jörg Wilhalm Hutter]]; while four appear to be attributed to Hutter in the 1520s, one, [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow II]] (1533), assigns the text a much earlier origin, stating that it was recorded by one [[Nicolaüs]] in 1489. This branch has received the least attention and is currently the least understood.
 +
 
 +
(A final text of interest is the treatise of [[Hans Medel|Hans Medel von Salzburg]], which was acquired by Mair in 1539<ref>Medel's section of the [[Hans Medel Fechtbuch (Cod.I.6.2º.5)|Cod. I.6.2º.5]] is internally dated on [[page:Cod.I.6.2º.5 21r.jpg|folio 21r]].</ref> and bound into the [[Hans Medel Fechtbuch (Cod.I.6.2º.5)|Cod. I.6.2º.5]] after 1566.<ref>The record of the [[Marxbrüder]] in the manuscript ends on [[page:Cod.I.6.2º.5 20r.jpg|folio 20r]] with the year 1566, so Mair couldn't have acquired it before then.</ref> Medel demonstrates familiarity with the teachings of a variety of 15th century Liechtenauer masters, and his text often takes the form of a revision and expansion of the long sword glosses of Ringeck and Nicolaüs. Because of the extent of the original and mixed content, Medel's versions are not included in any of these pages.)
  
 
== Treatise ==
 
== Treatise ==
  
While all branches were originally presented in a single concordance in this article, the differences between them are extensive enough that they merit separate consideration. Thus, Branch A has been placed on the page of [[Jud Lew]], Branch B has been retained here, and branch C is now on the [[Nicolaüs Augsburger|Nicolaüs]] page.
+
While all branches were originally presented in a single concordance in this article, the differences between them are extensive enough that they merit separate consideration. Thus, Branch A has been placed on the page of [[Lew]], Branch B has been retained here, and branch C is now on the [[Nicolaüs]] page.
 +
 
 +
For easier comparison between the two most complete versions, the Kraków has been removed from its chronological position and placed alongside the Rome.
 +
 
 +
The text of the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow]] version of Pseudo-Danzig frequently refers to intended illustrations, some of which were never added to the manuscript. The appropriate blank pages are included in the illustration column for reference. It's possible (though not likely, given what we know about its origins) that this manuscript was replicating another one with a complete set of illustrations; if this ever surfaces, the illustrations will be replaced.
  
 
{{master begin
 
{{master begin
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}}
 
}}
 
<section begin="credits1"/>
 
<section begin="credits1"/>
{| class="floated master"
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{| class="master"
 
|-  
 
|-  
! <p>Images<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow version]]</p>
+
! <p>Illustrations<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków version]]</p>
 
! <p>{{rating|A}}<br/>by [[translator::Cory Winslow]]</p>
 
! <p>{{rating|A}}<br/>by [[translator::Cory Winslow]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Grzegorz Żabiński]]</p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Grzegorz Żabiński]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Transcription]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p><section end="credits1"/>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Transcription]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p><section end="credits1"/>
  
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| {{red|Be Stronger against,<br/>&emsp;Wind, Stab. If he sees, then take it down.}}
 
| {{red|Be Stronger against,<br/>&emsp;Wind, Stab. If he sees, then take it down.}}
 
|}
 
|}
<p>Gloss: Mark, that is when you hew in on him with the Wrath-hew, if he parries and remains Strong with the parrying on the sword, then remain also Strong against with your sword on his, and drive high up with your arms, and Wind your hilt on his sword in front before your head, and stab him above into his face.<includeonly></p></includeonly><section end="wrath-4"/> <section begin="wrath-5"/><includeonly><p></includeonly>If he becomes aware of the stab, and drives high up with his arms and parries with his hilt, then remain standing thus with your hilt before your head, and set the point in below on his neck, or on his breast between both his arms (as painted hereafter).<ref>"As painted hereafter" added in the Krakow.</ref></p><section end="wrath-5"/>
+
<p>Gloss: Mark, that is when you hew in on him with the Wrath-hew, if he parries and remains Strong with the parrying on the sword, then remain also Strong against with your sword on his, and drive high up with your arms, and Wind your hilt on his sword in front before your head, and stab him above into his face.<includeonly></p></includeonly><section end="wrath-4"/> <section begin="wrath-5"/><includeonly><p></includeonly>If he becomes aware of the stab, and drives high up with his arms and parries with his hilt, then remain standing thus with your hilt before your head, and set the point in below on his neck, or on his breast between both his arms (as painted hereafter).<ref>"As painted hereafter" added in the Kraków.</ref></p><section end="wrath-5"/>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 013v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 014r.jpg|1|lbl=14r|p=1}}
 
{{section|Page:Cod.44.A.8 013v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 014r.jpg|1|lbl=14r|p=1}}
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|-  
 
|-  
| [[File:MS Germ.Quart.2020 023r.jpg|350px|center]]
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| rowspan="2" | [[File:MS Germ.Quart.2020 023r.jpg|350px|center]]
 +
| <p>[A] {{dec|s|{{red|b=1|With this piece Master Berthold has sliced Master Hans Talhoffer in the hand and hit him on the head in Munich, in front of my Lord's Grace, Duke Albrecht.}}}}</p>
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<p>(Translation by [[Dierk Hagedorn]].)</p>
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| {{section|Page:Cod.44.A.8 019v.jpg|2|lbl=-}}
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|
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|
 +
|
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|-
 
| <p>[46] {{red|b=1|Note}}</p>
 
| <p>[46] {{red|b=1|Note}}</p>
  
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| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:Cod.44.A.8 019v.jpg|2|lbl=-}}
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{{section|Page:Cod.44.A.8 019v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 023v.jpg|1|lbl=23v}}
 
| {{section|Page:MS Germ.Quart.2020 023v.jpg|1|lbl=23v}}
 
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|  
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<p>Mark, when you strike him with the Thwart to his right side, if he then follows you with the slice on the arm, then strike him in his mouth with the Doubling, behind his sword’s blade with the short edge.</p>
 
<p>Mark, when you strike him with the Thwart to his right side, if he then follows you with the slice on the arm, then strike him in his mouth with the Doubling, behind his sword’s blade with the short edge.</p>
 
|  
 
|  
{{section|Page:Cod.44.A.8 019v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 020r.jpg|1|lbl=20r|p=1}}
+
{{section|Page:Cod.44.A.8 019v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 020r.jpg|1|lbl=20r|p=1}}
 
| {{section|Page:MS Germ.Quart.2020 024v.jpg|1|lbl=24v}}
 
| {{section|Page:MS Germ.Quart.2020 024v.jpg|1|lbl=24v}}
 
|  
 
|  
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| {{red|Thwart with the Strong,<br/>&emsp;Your work therewith mark.}}
 
| {{red|Thwart with the Strong,<br/>&emsp;Your work therewith mark.}}
 
|}
 
|}
<p>Gloss: Mark, this is when you will strike with the Thwart: then you shall strike him with the entire strength of your body, and always bind on his sword with the Strong of your sword, with which you win the opening. Undertake it thus: when you hew to him with the Thwart from your right side, if he then parries and binds strongly on your sword therewith,<ref>"and binds strongly on your sword therewith" omitted from the Krakow.</reF> then drive the Doubling. {{red|b=1|Or}} thrust his sword off to the side from the Thwart with your hilt, and strike him therewith to the other side.</p>
+
<p>Gloss: Mark, this is when you will strike with the Thwart: then you shall strike him with the entire strength of your body, and always bind on his sword with the Strong of your sword, with which you win the opening. Undertake it thus: when you hew to him with the Thwart from your right side, if he then parries and binds strongly on your sword therewith,<ref>"and binds strongly on your sword therewith" omitted from the Kraków.</reF> then drive the Doubling. {{red|b=1|Or}} thrust his sword off to the side from the Thwart with your hilt, and strike him therewith to the other side.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 020r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 020v.jpg|1|lbl=20v|p=1}}
 
{{section|Page:Cod.44.A.8 020r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 020v.jpg|1|lbl=20v|p=1}}
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| {{red|Guard yourself against parrying.<br/>&emsp;If that happens it also sorely troubles you.}}
 
| {{red|Guard yourself against parrying.<br/>&emsp;If that happens it also sorely troubles you.}}
 
|}
 
|}
<p>Gloss: Mark, that is that you shall not parry as the common fencers do: when they parry they hold their points high or to the side, and that is to understand that they do not know to seek the Four Openings<ref>"the Four Openings" omitted from the Krakow.</ref> with the point with their parrying, therefore they often become struck. When you will parry, then parry with your hew or with your stab, and seek Meanwhile the nearest opening with the point; so may no Master strike at you without being injured.</p>
+
<p>Gloss: Mark, that is that you shall not parry as the common fencers do: when they parry they hold their points high or to the side, and that is to understand that they do not know to seek the Four Openings<ref>"the Four Openings" omitted from the Kraków.</ref> with the point with their parrying, therefore they often become struck. When you will parry, then parry with your hew or with your stab, and seek Meanwhile the nearest opening with the point; so may no Master strike at you without being injured.</p>
| {{section|Page:Cod.44.A.8 026v.jpg|5|lbl-}}
+
| {{section|Page:Cod.44.A.8 026v.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 040v.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 040v.jpg|4|lbl=-}}
  
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|-  
 
|-  
 
|  
 
|  
| <p>[98] {{red|b=1|Mark}}, you shall travel after him from all hews and from all guards<ref>"from all" omitted from the Krakow.</ref> as quickly as you can when he fore-hews from you or opens himself with the sword. And see that afterward you do not open yourself nor fore-hew with the Travelling-after, and mark that to both sides.</p>
+
| <p>[98] {{red|b=1|Mark}}, you shall travel after him from all hews and from all guards<ref>"from all" omitted from the Kraków.</ref> as quickly as you can when he fore-hews from you or opens himself with the sword. And see that afterward you do not open yourself nor fore-hew with the Travelling-after, and mark that to both sides.</p>
 
| {{section|Page:Cod.44.A.8 028v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 028v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 044v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 044v.jpg|2|lbl=-}}
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| <p>[101] {{red|b=1|Here you shall mark…}}</p>
 
| <p>[101] {{red|b=1|Here you shall mark…}}</p>
  
<p>That the Feeling and the word “Meanwhile” are one thing, and one may not be without the other, and undertake it thus: when you bind on his sword, then you must Feel with the hand (with the word “Meanwhile”) if he is but Soft or Hard on the sword, and when you have Felt, then you must but work Meanwhile after the Soft and after the Hard on the sword; thus are they both naught than one thing. And the word “Meanwhile” is in all techniques previously, and that undertake thus: “Meanwhile” Doubles, “Meanwhile” Mutates, “Meanwhile” Changes through, “Meanwhile” Runs through, “Meanwhile” takes the slice, “Meanwhile” wrestles with,<ref>"with" omitted from the Krakow.</ref> “Meanwhile” takes the sword; “Meanwhile” does what your heart desires. “Meanwhile”: that is a sharp word wherewith all Masters of the Sword who know not to name this word become sliced. That is the key of the Art.</p>
+
<p>That the Feeling and the word “Meanwhile” are one thing, and one may not be without the other, and undertake it thus: when you bind on his sword, then you must Feel with the hand (with the word “Meanwhile”) if he is but Soft or Hard on the sword, and when you have Felt, then you must but work Meanwhile after the Soft and after the Hard on the sword; thus are they both naught than one thing. And the word “Meanwhile” is in all techniques previously, and that undertake thus: “Meanwhile” Doubles, “Meanwhile” Mutates, “Meanwhile” Changes through, “Meanwhile” Runs through, “Meanwhile” takes the slice, “Meanwhile” wrestles with,<ref>"with" omitted from the Kraków.</ref> “Meanwhile” takes the sword; “Meanwhile” does what your heart desires. “Meanwhile”: that is a sharp word wherewith all Masters of the Sword who know not to name this word become sliced. That is the key of the Art.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 029r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 029v.jpg|1|lbl=29v|p=1}}
 
{{section|Page:Cod.44.A.8 029r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 029v.jpg|1|lbl=29v|p=1}}
Line 1,312: Line 1,327:
 
|}
 
|}
 
<p>Gloss: Mark, that is when you come to him with the pre-fencing: if he then hews below to your lower opening, do not parry that, but hew in above strongly to his head. Or, if he hews to you with Under-hewing, then mark before he comes up with the Under-hew, and shoot the long point above into his face or his breast, and Set-on him above so he may not reach you below (since all upper Settings-on break and defeat the lower). If he then drives up and binds below on your sword, then remain with the long edge strongly on his sword, and work nimbly to the nearest opening, or let him work and come Meanwhile so that you hit him.</p>
 
<p>Gloss: Mark, that is when you come to him with the pre-fencing: if he then hews below to your lower opening, do not parry that, but hew in above strongly to his head. Or, if he hews to you with Under-hewing, then mark before he comes up with the Under-hew, and shoot the long point above into his face or his breast, and Set-on him above so he may not reach you below (since all upper Settings-on break and defeat the lower). If he then drives up and binds below on your sword, then remain with the long edge strongly on his sword, and work nimbly to the nearest opening, or let him work and come Meanwhile so that you hit him.</p>
| {{section|Page:Cod.44.A.8 029v.jpg|3|lbl=-}}
+
|  
 +
<p>{{section|Page:Cod.44.A.8 029v.jpg|3|lbl=-|p=1}}<br/><br/></p>
  
 
{{section|Page:Cod.44.A.8 030r.jpg|1|lbl=30r}}
 
{{section|Page:Cod.44.A.8 030r.jpg|1|lbl=30r}}
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| {{red|Whoever binds on you,<br/>&emsp;Changing-through closely finds him.}}
 
| {{red|Whoever binds on you,<br/>&emsp;Changing-through closely finds him.}}
 
|}
 
|}
<p>Gloss: Mark, the Changing-throughs are many and multiple; you shall drive them against the fencers that readily parry and that hew to the sword (and not to the openings of the body). You shall learn to drive it well with prudence, so that one cannot Set-on you or come in with something<ref>"with something" omitted from the Krakow.</ref> while you are Changing-through.</p>
+
<p>Gloss: Mark, the Changing-throughs are many and multiple; you shall drive them against the fencers that readily parry and that hew to the sword (and not to the openings of the body). You shall learn to drive it well with prudence, so that one cannot Set-on you or come in with something<ref>"with something" omitted from the Kraków.</ref> while you are Changing-through.</p>
 
| {{section|Page:Cod.44.A.8 030v.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 030v.jpg|3|lbl=-}}
  
Line 1,690: Line 1,706:
 
| <p>[135] {{red|b=1|This is another stance}}</p>
 
| <p>[135] {{red|b=1|This is another stance}}</p>
  
<p>And is also called the Speaking-Window. Mark, when you come close to him with the pre-fencing, then set your left foot before, and hold the long point with your arms against his face or his breast before you bind him on the sword, and stand freely and see<ref>"and see" omitted from the Krakow.</ref> what he will fence against you. If he then hews in to your head long above, then drive up and Wind against his hew with the sword in the Ox, and stab into his face. Or, if he hews to your sword and not to your body, then Change through and stab in to the other side. If he runs in and is high with his arms, then drive the Under-slice. Or, if he runs in through with wrestling and is low with his arms, then drive the arm wrestling. Thus you may drive all techniques from the Long Point.</p>
+
<p>And is also called the Speaking-Window. Mark, when you come close to him with the pre-fencing, then set your left foot before, and hold the long point with your arms against his face or his breast before you bind him on the sword, and stand freely and see<ref>"and see" omitted from the Kraków.</ref> what he will fence against you. If he then hews in to your head long above, then drive up and Wind against his hew with the sword in the Ox, and stab into his face. Or, if he hews to your sword and not to your body, then Change through and stab in to the other side. If he runs in and is high with his arms, then drive the Under-slice. Or, if he runs in through with wrestling and is low with his arms, then drive the arm wrestling. Thus you may drive all techniques from the Long Point.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 036v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 037r.jpg|1|lbl=37r|p=1}}
 
{{section|Page:Cod.44.A.8 036v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 037r.jpg|1|lbl=37r|p=1}}
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|-  
 
|-  
| [[File:MS Germ.Quart.2020 073v.jpg|350px|center]]
+
| class="noline" | [[File:MS Germ.Quart.2020 073v.jpg|350px|center]]
| <p>[145] [No text]</p>
+
| class="noline" | <p>[145] [No text]</p>
|  
+
| class="noline" |  
| {{paget|Page:MS Germ.Quart.2020|073v|jpg|blk=1|lbl=73v}}
+
| class="noline" | {{paget|Page:MS Germ.Quart.2020|073v|jpg|blk=1|lbl=73v}}
|  
+
| class="noline" |  
  
 
|}
 
|}
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{{master begin
 
{{master begin
 
   | title = Mounted Fencing Gloss
 
   | title = Mounted Fencing Gloss
   | width = 150em
+
   | width = 180em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! <p>Images<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow version]]</p>
+
! <p>Illustrations<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków version]]</p>
 
! <p>{{rating|c|Draft Translation (from the Rome)}}<br/>by [[User:Stephen Cheney|Stephen Cheney]]</p>
 
! <p>{{rating|c|Draft Translation (from the Rome)}}<br/>by [[User:Stephen Cheney|Stephen Cheney]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Michael Chidester]]</p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Michael Chidester]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 +
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
  
 
|-  
 
|-  
Line 1,835: Line 1,852:
  
 
| {{section|Page:Cod.44.A.8 039v.jpg|1|lbl=39v}}
 
| {{section|Page:Cod.44.A.8 039v.jpg|1|lbl=39v}}
 +
|
 
|  
 
|  
 
|  
 
|  
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{{section|Page:Cod.44.A.8 039v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 040r.jpg|1|lbl=40r|p=1}}
 
{{section|Page:Cod.44.A.8 039v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 040r.jpg|1|lbl=40r|p=1}}
 
| {{section|Page:MS Germ.Quart.2020 166v.jpg|1|lbl=166v}}
 
| {{section|Page:MS Germ.Quart.2020 166v.jpg|1|lbl=166v}}
| {{section|Page:MS KK5126 114r.jpg|3|lbl=114r}}
+
|  
 +
{{section|Page:MS KK5126 114r.jpg|3|lbl=114r|p=1}}<ref>The rest of this paragraph appears after paragraph 6, but has been moved here for consistency with the other versions.</ref> {{section|Page:MS KK5126 114r.jpg|7|lbl=-|p=1}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:Cod.44.A.8 040r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 166v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 166v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
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| {{section|Page:MS Germ.Quart.2020 166v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 166v.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|4|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|4|lbl=-}}
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS Germ.Quart.2020 167r.jpg|1|lbl=167r}}
 
{{section|Page:MS Germ.Quart.2020 167r.jpg|1|lbl=167r}}
 
| {{section|Page:MS KK5126 114r.jpg|5|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|5|lbl=-}}
 +
|
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS Germ.Quart.2020 166v.jpg|350px|center]]
+
| [[File:MS Germ.Quart.2020 166v.jpg|350px|center]]
 
| <p>[6] {{red|b=1|Note, this is the third guard on horseback}}</p>
 
| <p>[6] {{red|b=1|Note, this is the third guard on horseback}}</p>
  
Line 1,886: Line 1,909:
 
| {{section|Page:MS Germ.Quart.2020 167r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 167r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|6|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|6|lbl=-}}
 
|-
 
| <p>[7]</p>
 
|
 
 
|  
 
|  
| {{section|Page:MS KK5126 114r.jpg|7|lbl=-}}
 
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS Germ.Quart.2020 167v.jpg|350px|center]]
 
| rowspan="2" | [[File:MS Germ.Quart.2020 167v.jpg|350px|center]]
| <p>[8] {{red|b=1|This is the text and the gloss of the plays from the three guards}}</p>
+
| <p>[7] {{red|b=1|This is the text and the gloss of the plays from the three guards}}</p>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>2</small>
 
| <small>2</small>
| {{red|If it recommends<br/>&emsp;Your end to him, unbuckle}}
+
| {{red|If it falls down<br/>&emsp;Your point undoes him}}
 
|}
 
|}
 
<p>Gloss: Note, drive this play from the first guard as follows: When you have extended your lance against him to the longest from the arm, and he his against you, then ride upon him and do as if you want to stab him to the face, and when you come near to him, then let the front of your lance sink down,<ref>let your lance sink down in front</ref> and change through with it below his lance to his right side. Thus you hit, and he does not.</p>
 
<p>Gloss: Note, drive this play from the first guard as follows: When you have extended your lance against him to the longest from the arm, and he his against you, then ride upon him and do as if you want to stab him to the face, and when you come near to him, then let the front of your lance sink down,<ref>let your lance sink down in front</ref> and change through with it below his lance to his right side. Thus you hit, and he does not.</p>
Line 1,907: Line 1,925:
 
{{section|Page:MS Germ.Quart.2020 167r.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 167v.jpg|1|lbl=167v|p=1}}
 
{{section|Page:MS Germ.Quart.2020 167r.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 167v.jpg|1|lbl=167v|p=1}}
 
| {{section|Page:MS KK5126 114r.jpg|8|lbl=-}}
 
| {{section|Page:MS KK5126 114r.jpg|8|lbl=-}}
 +
|
  
 
|-  
 
|-  
| <p>[9] {{red|b=1|The first figure teaches this,}} which says “Hunt from the chest to his right hand.”</p>
+
| <p>[8] {{red|b=1|The first figure teaches this,}} which says “Hunt from the chest to his right hand.”</p>
 
| {{section|Page:Cod.44.A.8 040v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 167v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 167v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS Germ.Quart.2020 168r.jpg|350px|center]]
 
| rowspan="2" | [[File:MS Germ.Quart.2020 168r.jpg|350px|center]]
| <p>[10] {{red|b=1|Note}}</p>
+
| <p>[9] {{red|b=1|Note}}</p>
  
 
<p>{{red|b=1|Drive this play}} from the second guard. When you ride together with him, let the front of your lance sink down to your left side. If he then drives upon you with the lance, then sweep up simply onto your right side with your lance to his, and raise a little upwards with it. Thus you hit, and he does not.</p>
 
<p>{{red|b=1|Drive this play}} from the second guard. When you ride together with him, let the front of your lance sink down to your left side. If he then drives upon you with the lance, then sweep up simply onto your right side with your lance to his, and raise a little upwards with it. Thus you hit, and he does not.</p>
Line 1,924: Line 1,944:
  
 
{{section|Page:MS KK5126 114r.jpg|9|lbl=-}}
 
{{section|Page:MS KK5126 114r.jpg|9|lbl=-}}
 +
|
  
 
|-  
 
|-  
| <p>[11] {{red|b=1|The eighteenth figure teaches this,}} which says “Hunt to the right hand with your art.”</p>
+
| <p>[10] {{red|b=1|The eighteenth figure teaches this,}} which says “Hunt to the right hand with your art.”</p>
 
| {{section|Page:Cod.44.A.8 040v.jpg|4|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040v.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 168r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 168r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS Germ.Quart.2020 168v.jpg|350px|center]]
 
| rowspan="2" | [[File:MS Germ.Quart.2020 168v.jpg|350px|center]]
| <p>[12]</p>
+
| <p>[11]</p>
  
 
<p>{{red|b=1|Note, drive this play}} from the third guard as follows: When you ride together with him, hold your lance with both hands in the middle athwart in front of you on the saddle bow. If he then rides onto you with the lance, then sweep with the front part of your lance to his right side at his, and strike your lance with it under your right armpit, and ride forward. Thus you hit, and he does not. You shall also, from all three guards, come to half of the lance with the left hand, for the sake of strength.</p>
 
<p>{{red|b=1|Note, drive this play}} from the third guard as follows: When you ride together with him, hold your lance with both hands in the middle athwart in front of you on the saddle bow. If he then rides onto you with the lance, then sweep with the front part of your lance to his right side at his, and strike your lance with it under your right armpit, and ride forward. Thus you hit, and he does not. You shall also, from all three guards, come to half of the lance with the left hand, for the sake of strength.</p>
Line 1,943: Line 1,965:
  
 
{{section|Page:MS KK5126 114r.jpg|10|lbl=-}}
 
{{section|Page:MS KK5126 114r.jpg|10|lbl=-}}
 +
|
  
 
|-  
 
|-  
| <p>[13] {{red|b=1|The sixth figure teaches this,}} which says “Seize the strong with both hands.”</p>
+
| <p>[12] {{red|b=1|The sixth figure teaches this,}} which says “Seize the strong with both hands.”</p>
 
| {{section|Page:Cod.44.A.8 040v.jpg|6|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040v.jpg|6|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 168v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 168v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS Germ.Quart.2020 179r.jpg|350px|center]]
 
| rowspan="2" | [[File:MS Germ.Quart.2020 179r.jpg|350px|center]]
| <p>[14] {{red|b=1|Here note a special play with the short lance against the long}}</p>
+
| <p>[13] {{red|b=1|Here note a special play with the short lance against the long}}</p>
  
<p>Note, when you have a short lance and he a long, ride boldly against him, and hold the point to him from the arm against the face, and when it comes to the hit, let go of the reins,<ref>bridle?</ref> and lead his lance away with the left hand onto your left side, and ride forward and plant to him.</p>
+
<p>Note, when you have a short lance and he a long, ride moderately<ref>“sittigklich,” or “sittiglich,” at the time meant “moderately” in the sense of slowly or not too fast, modern “sittlich” means morally or ethically.</ref> against him, and hold the point to him from the arm against the face, and when it comes to the hit, let go of the reins,<ref>"zaum," literally "bridle," context indicates reins</ref> and lead his lance away with the left hand onto your left side, and ride forward and plant to him.</p>
 
| {{section|Page:Cod.44.A.8 040ar.jpg|1|lbl=40ar}}
 
| {{section|Page:Cod.44.A.8 040ar.jpg|1|lbl=40ar}}
 
| {{section|Page:MS Germ.Quart.2020 179r.jpg|1|lbl=179r}}
 
| {{section|Page:MS Germ.Quart.2020 179r.jpg|1|lbl=179r}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 110v.png|2|lbl=110v}}
  
 
|-  
 
|-  
| <p>[15] {{red|b=1|The twelfth figure teaches this,}} which says “With empty hand, learn two sweeps against all weapons.”</p>
+
| <p>[14] {{red|b=1|The twelfth figure teaches this,}} which says “With empty hand, learn two sweeps against all weapons.”</p>
 
| {{section|Page:Cod.44.A.8 040ar.jpg|2|lbl=40ar}}
 
| {{section|Page:Cod.44.A.8 040ar.jpg|2|lbl=40ar}}
 
| {{section|Page:MS Germ.Quart.2020 179r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 179r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[16] {{red|b=1|This is the text and the gloss about a lesson and about wrestling on horseback}}</p>
+
| <p>[15] {{red|b=1|This is the text and the gloss about a lesson and about wrestling on horseback}}</p>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
Line 1,983: Line 2,009:
  
 
{{section|Page:MS KK5126 114v.jpg|1|lbl=114v}}
 
{{section|Page:MS KK5126 114v.jpg|1|lbl=114v}}
 +
| <p><br/><br/></p>
 +
 +
<p><br/><br/><br/><br/></p>
 +
 +
{{section|Page:MS Dresd.C.487 110v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 111r.png|1|lbl=111r|p=1}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[17] {{red|b=1|Here note two wrestles}}</p>
+
| <p>[16] {{red|b=1|Here note two wrestles}}</p>
  
 
<p>Note, when you come with your left side to his right, grab his right hand with your right, and throw him with the unnamed hold or with the secret hold, and how you shall drive the two wrestles, you find that written hereafter.</p>
 
<p>Note, when you come with your left side to his right, grab his right hand with your right, and throw him with the unnamed hold or with the secret hold, and how you shall drive the two wrestles, you find that written hereafter.</p>
Line 1,995: Line 2,026:
  
 
{{section|Page:MS KK5126 114v.jpg|2|lbl=-}}
 
{{section|Page:MS KK5126 114v.jpg|2|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 111r.png|2|lbl=-}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[18] {{red|b=1|Here note a sword taking}}</p>
+
| <p>[17] {{red|b=1|Here note a sword taking}}</p>
  
<p>Note, when you come with the left side to his right, if he has then drawn your [sic] sword and rises with the arm and wants to strike you, then grab his right arm with the left hand behind the elbow, and shove him above with it from you, and raise his right below with the left foot under the stirrup leather, and grab his sword with the right hand by the pommel, and jolt it to you with it, so you take his sword, and additionally shove him as such from the horse.</p>
+
<p>Note, when you come with the left side to his right, if he has then drawn your [sic] sword and rises with the arm and wants to strike you, then grab his right arm with the left hand behind the elbow, and shove him above with it from you, and raise his right below with the left foot under the stirrup leather,</p>
 
| {{section|Page:Cod.44.A.8 040av.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040av.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 180r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 180r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 114v.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 114v.jpg|3|lbl=-}}
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Dresd.C.487 111v.png|1|lbl=111v}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[19] {{red|b=1|The third figure teaches this,}} which says “With brushing, saddle rim or takes weapon.</p>
+
| <p>[18] and grab his sword with the right hand by the pommel, and jolt it to you with it, so you take his sword, and additionally shove him as such from the horse.</p>
 
| {{section|Page:Cod.44.A.8 040av.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 040av.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 180r.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 180r.jpg|3|lbl=-}}
 +
| {{section|Page:MS KK5126 114v.jpg|4|lbl=-}}
 
|  
 
|  
 +
{{section|Page:MS Dresd.C.487 111v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 112r.png|1|lbl=112r|p=1}}
 +
 +
|-
 +
|
 +
| <p>[19] {{red|b=1|The third figure teaches this,}} which says “With brushing, saddle rim or takes weapon.”</p>
 +
| {{section|Page:Cod.44.A.8 040av.jpg|4|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 180r.jpg|4|lbl=-}}
 +
|
 +
| {{section|Page:MS Dresd.C.487 112r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,017: Line 2,062:
  
 
<p>Note, when you both have missed with the lance, if you may then not come with the left side to his right, then hold and throw him with the “sun showing” or with the sheep hold, and how you shall drive the two wrestles, you shall find that written hereafter.</p>
 
<p>Note, when you both have missed with the lance, if you may then not come with the left side to his right, then hold and throw him with the “sun showing” or with the sheep hold, and how you shall drive the two wrestles, you shall find that written hereafter.</p>
| {{section|Page:Cod.44.A.8 040av.jpg|4|lbl=-}}
+
| {{section|Page:Cod.44.A.8 040av.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|1|lbl=181r}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|1|lbl=181r}}
| {{section|Page:MS KK5126 114v.jpg|4|lbl=-}}
+
| {{section|Page:MS KK5126 114v.jpg|5|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 112r.png|3|lbl=-}}
  
 
|-  
 
|-  
Line 2,027: Line 2,073:
 
<p>Note, when you come with the right side to his right, if he has then drawn his sword and rises with it and wants to strike, then grab his right arm with the left hand behind the elbow, and raise it firmly, and with the right, grip his sword by the pommel, and jolt it out of his hand.</p>
 
<p>Note, when you come with the right side to his right, if he has then drawn his sword and rises with it and wants to strike, then grab his right arm with the left hand behind the elbow, and raise it firmly, and with the right, grip his sword by the pommel, and jolt it out of his hand.</p>
 
|  
 
|  
{{section|Page:Cod.44.A.8 040av.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 041r.jpg|1|lbl=41r|p=1}}
+
{{section|Page:Cod.44.A.8 040av.jpg|6|lbl=-|p=1}} {{section|Page:Cod.44.A.8 041r.jpg|1|lbl=41r|p=1}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|2|lbl=-}}
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS KK5126 114v.jpg|5|lbl=-}}
+
{{section|Page:MS KK5126 114v.jpg|6|lbl=-}}
 +
| <p><br/></p>
 +
 
 +
{{section|Page:MS Dresd.C.487 112r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 112v.png|1|lbl=112v|p=1}}
  
 
|-  
 
|-  
Line 2,041: Line 2,090:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS KK5126 114v.jpg|6|lbl=-}}
+
{{section|Page:MS KK5126 114v.jpg|7|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 112v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,047: Line 2,097:
 
| {{section|Page:Cod.44.A.8 041r.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 041r.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 181r.jpg|4|lbl=-}}
 +
|
 
|  
 
|  
  
Line 2,058: Line 2,109:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS KK5126 114v.jpg|7|lbl=-}}
+
{{section|Page:MS KK5126 114v.jpg|8|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 112v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 113r.png|1|lbl=113r|p=1}}
  
 
|-  
 
|-  
Line 2,067: Line 2,120:
 
| {{section|Page:MS Germ.Quart.2020 182r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 182r.jpg|2|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 113r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,078: Line 2,132:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS KK5126 114v.jpg|8|lbl=-}}
+
{{section|Page:MS KK5126 114v.jpg|9|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 113r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 113v.png|1|lbl=113v|p=1}}
  
 
|-  
 
|-  
Line 2,089: Line 2,145:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS KK5126 114v.jpg|9|lbl=-}}
+
{{section|Page:MS KK5126 114v.jpg|10|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 113v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,096: Line 2,153:
 
| {{section|Page:MS Germ.Quart.2020 183r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 183r.jpg|2|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 113v.png|3|lbl=-}}
  
 
|-  
 
|-  
Line 2,103: Line 2,161:
 
|-  
 
|-  
 
| <small>5</small>
 
| <small>5</small>
| {{red|So that lances stab<br/>&emsp;Fence boldly, learn to break without hurry}}
+
| {{red|So that lances stab<br/>&emsp;Fence moderately, learn to break without hurry}}
 
|}
 
|}
<p>Note the lesson: When he rides upon you with a lance, if you then want to work against him with art, then you shall ride against him quite boldly, so you may well set aside his [lance] with your lance, and otherwise win other advantages with the sword, or if you will rush or run to the man, then you may drive no play correctly, and additionally not be similarly secure on the horse.</p>
+
<p>Note the lesson: When he rides upon you with a lance, if you then want to work against him with art, then you shall ride against him quite moderately, so you may well set aside his [lance] with your lance, and otherwise win other advantages with the sword, or if you will rush or run to the man, then you may drive no play correctly, and additionally not be similarly secure on the horse.</p>
 
| {{section|Page:Cod.44.A.8 041v.jpg|4|lbl=-}}
 
| {{section|Page:Cod.44.A.8 041v.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|1|lbl=183v}}
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|1|lbl=183v}}
 
|  
 
|  
{{section|Page:MS KK5126 114v.jpg|10|lbl=-|p=1}} {{section|Page:MS KK5126 115r.jpg|1|lbl=115r|p=1}}
+
{{section|Page:MS KK5126 114v.jpg|11|lbl=-|p=1}} {{section|Page:MS KK5126 115r.jpg|1|lbl=115r|p=1}}
 +
|
 +
{{section|Page:MS Dresd.C.487 114r.png|1|lbl=114r|p=1}} {{section|Page:MS Dresd.C.487 114v.png|1|lbl=114v|p=1}}
  
 
|-  
 
|-  
Line 2,116: Line 2,176:
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|2|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 114v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,124: Line 2,185:
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 183v.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|2|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 115v.png|1|lbl=115v}}
  
 
|-  
 
|-  
Line 2,136: Line 2,198:
  
 
{{section|Page:MS KK5126 115r.jpg|3|lbl=-}}
 
{{section|Page:MS KK5126 115r.jpg|3|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 115v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,145: Line 2,208:
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|4|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|4|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 115v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 116r.png|1|lbl=116r|p=1}}
  
 
|-  
 
|-  
Line 2,153: Line 2,218:
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|5|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|5|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 116r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,161: Line 2,227:
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|4|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|6|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|6|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 116r.png|3|lbl=-}}
  
 
|-  
 
|-  
Line 2,169: Line 2,236:
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 184r.jpg|5|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|7|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|7|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 116r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 116v.png|1|lbl=116v|p=1}}
  
 
|-  
 
|-  
Line 2,186: Line 2,255:
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|1|lbl=173v}}
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|1|lbl=173v}}
 
| {{section|Page:MS KK5126 115r.jpg|8|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|8|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 116v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 117r.png|1|lbl=117r|p=1}}
  
 
|-  
 
|-  
Line 2,194: Line 2,265:
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|9|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|9|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 117r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,200: Line 2,272:
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 173v.jpg|3|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 117r.png|3|lbl=-}}
  
 
|-  
 
|-  
Line 2,216: Line 2,289:
 
| {{section|Page:MS Germ.Quart.2020 174v.jpg|1|lbl=174v}}
 
| {{section|Page:MS Germ.Quart.2020 174v.jpg|1|lbl=174v}}
 
| {{section|Page:MS KK5126 115r.jpg|10|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|10|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 117v.png|1|lbl=117v|p=1}} {{section|Page:MS Dresd.C.487 118r.png|1|lbl=118r|p=1}}
  
 
|-  
 
|-  
Line 2,222: Line 2,297:
 
| {{section|Page:MS Germ.Quart.2020 174v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 174v.jpg|2|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 118r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,232: Line 2,308:
 
| {{section|Page:MS Germ.Quart.2020 175v.jpg|1|lbl=175v}}
 
| {{section|Page:MS Germ.Quart.2020 175v.jpg|1|lbl=175v}}
 
| {{section|Page:MS KK5126 115r.jpg|11|lbl=-}}
 
| {{section|Page:MS KK5126 115r.jpg|11|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 118r.png|3|lbl=}}
  
 
|-  
 
|-  
Line 2,238: Line 2,315:
 
| {{section|Page:MS Germ.Quart.2020 175v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 175v.jpg|2|lbl=-}}
 
|  
 
|  
 +
|
 +
{{section|Page:MS Dresd.C.487 118r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 118v.png|1|lbl=118v|p=1}}
  
 
|-  
 
|-  
Line 2,248: Line 2,327:
  
 
{{section|Page:MS KK5126 115r.jpg|12|lbl=-}}
 
{{section|Page:MS KK5126 115r.jpg|12|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 118v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,259: Line 2,339:
  
 
{{section|Page:MS KK5126 115r.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 115v.jpg|1|lbl=115v|p=1}}
 
{{section|Page:MS KK5126 115r.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 115v.jpg|1|lbl=115v|p=1}}
 +
| {{section|Page:MS Dresd.C.487 118v.png|3|lbl=-}}
 +
 +
{{section|Page:MS Dresd.C.487 119r.png|1|lbl=119r}}
  
 
|-  
 
|-  
Line 2,270: Line 2,353:
  
 
{{section|Page:MS KK5126 115v.jpg|2|lbl=-}}
 
{{section|Page:MS KK5126 115v.jpg|2|lbl=-}}
 +
|
 +
{{section|Page:MS Dresd.C.487 119r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 119v.png|1|lbl=119v|p=1}}
  
 
|-  
 
|-  
Line 2,279: Line 2,364:
 
| {{section|Page:MS Germ.Quart.2020 176v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 176v.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|3|lbl=-}}
 +
| {{section|Page:MS Dresd.C.487 119v.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,285: Line 2,371:
 
| {{section|Page:MS Germ.Quart.2020 176v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 176v.jpg|3|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 119v.png|3|lbl=-}}
  
 
|-  
 
|-  
Line 2,294: Line 2,381:
 
| {{section|Page:MS Germ.Quart.2020 177r.jpg|1|lbl=177r}}
 
| {{section|Page:MS Germ.Quart.2020 177r.jpg|1|lbl=177r}}
 
|  
 
|  
 +
|
 +
{{section|Page:MS Dresd.C.487 119v.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 120r.png|1|lbl=120r|p=1}}
  
 
|-  
 
|-  
Line 2,302: Line 2,391:
 
| {{section|Page:MS Germ.Quart.2020 177v.jpg|1|lbl=177v}}
 
| {{section|Page:MS Germ.Quart.2020 177v.jpg|1|lbl=177v}}
 
|  
 
|  
 +
|
 +
{{section|Page:MS Dresd.C.487 120r.png|2|lbl=120r|p=1}} {{section|Page:MS Dresd.C.487 120v.png|1|lbl=120v|p=1}}
  
 
|-  
 
|-  
Line 2,322: Line 2,413:
 
| {{section|Page:MS Germ.Quart.2020 178r.jpg|1|lbl=178r}}
 
| {{section|Page:MS Germ.Quart.2020 178r.jpg|1|lbl=178r}}
 
|  
 
|  
 +
|
 +
{{section|Page:MS Dresd.C.487 120v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 121r.png|1|lbl=121r|p=1}}
  
 
|-  
 
|-  
Line 2,329: Line 2,422:
 
| {{section|Page:MS Germ.Quart.2020 178r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 178r.jpg|2|lbl=-}}
 
|  
 
|  
 +
| {{section|Page:MS Dresd.C.487 121r.png|2|lbl=-}}
  
 
|-  
 
|-  
Line 2,342: Line 2,436:
  
 
<br/><br/><br/>{{section|Page:MS KK5126 115v.jpg|4|lbl=115v|p=1}}
 
<br/><br/><br/>{{section|Page:MS KK5126 115v.jpg|4|lbl=115v|p=1}}
 +
|
 +
{{section|Page:MS Dresd.C.487 121r.png|3|lbl=121r|p=1}} {{section|Page:MS Dresd.C.487 121v.png|1|lbl=121v|p=1}}
  
 
|-  
 
|-  
Line 2,353: Line 2,449:
  
 
{{section|Page:MS KK5126 115v.jpg|5|lbl=-}}
 
{{section|Page:MS KK5126 115v.jpg|5|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,358: Line 2,455:
 
| {{section|Page:Cod.44.A.8 044v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 044v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 185r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 185r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
  
Line 2,369: Line 2,467:
  
 
{{section|Page:MS KK5126 115v.jpg|6|lbl=-}}
 
{{section|Page:MS KK5126 115v.jpg|6|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,380: Line 2,479:
 
{{section|Page:MS Germ.Quart.2020 185v.jpg|1|lbl=185v}}
 
{{section|Page:MS Germ.Quart.2020 185v.jpg|1|lbl=185v}}
 
| {{section|Page:MS KK5126 115v.jpg|7|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|7|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,391: Line 2,491:
 
| {{section|Page:MS Germ.Quart.2020 185v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 185v.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|8|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|8|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,404: Line 2,505:
 
|  
 
|  
 
| {{section|Page:MS KK5126 115v.jpg|9|lbl=-}}
 
| {{section|Page:MS KK5126 115v.jpg|9|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,409: Line 2,511:
 
| <p>[60] {{red|b=1|The tenth figure teaches this,}} which says “Search for the openings, arm, leather, glove, under the eyes.”</p>
 
| <p>[60] {{red|b=1|The tenth figure teaches this,}} which says “Search for the openings, arm, leather, glove, under the eyes.”</p>
 
| {{section|Page:Cod.44.A.8 045r.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 045r.jpg|3|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 2,426: Line 2,529:
 
|  
 
|  
 
{{section|Page:MS KK5126 115v.jpg|10|lbl=-|p=1}} {{section|Page:MS KK5126 116r.jpg|1|lbl=116r|p=1}}
 
{{section|Page:MS KK5126 115v.jpg|10|lbl=-|p=1}} {{section|Page:MS KK5126 116r.jpg|1|lbl=116r|p=1}}
 +
|
  
 
|-  
 
|-  
Line 2,431: Line 2,535:
 
| <p>[62] {{red|b=1|The 12th figure teaches this,}} which says “With empty hand, two sweeps against all weapons.”</p>
 
| <p>[62] {{red|b=1|The 12th figure teaches this,}} which says “With empty hand, two sweeps against all weapons.”</p>
 
| {{section|Page:Cod.44.A.8 045v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 045v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 2,449: Line 2,554:
 
|  
 
|  
 
| {{section|Page:MS KK5126 116r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 116r.jpg|2|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,459: Line 2,565:
 
|  
 
|  
 
| {{section|Page:MS KK5126 116r.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 116r.jpg|3|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,464: Line 2,571:
 
| <p>[65] {{red|b=1|The 13th figure teaches this,}} which says “The sheep hold wards all holds, wrestle under eyes.”</p>
 
| <p>[65] {{red|b=1|The 13th figure teaches this,}} which says “The sheep hold wards all holds, wrestle under eyes.”</p>
 
| {{section|Page:Cod.44.A.8 046r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 046r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 2,482: Line 2,590:
 
|  
 
|  
 
| {{section|Page:MS KK5126 116r.jpg|4|lbl=-}}
 
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{{section|Page:Cod.44.A.8 046v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 047r.jpg|1|lbl=47r|p=1}}
 
{{section|Page:Cod.44.A.8 046v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 047r.jpg|1|lbl=47r|p=1}}
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| {{section|Page:MS Germ.Quart.2020 186r.jpg|1|lbl=186r}}
 
| {{section|Page:MS Germ.Quart.2020 186r.jpg|1|lbl=186r}}
 
| {{section|Page:MS KK5126 116r.jpg|10|lbl=-}}
 
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| {{section|Page:MS KK5126 116r.jpg|11|lbl=-}}
 
| {{section|Page:MS KK5126 116r.jpg|11|lbl=-}}
  
<p><br/><br/><br/><br/><br/><br/></p>
+
<p><br/><br/><br/><br/><br/><br/><br/></p>
  
 
{{section|Page:MS KK5126 116v.jpg|1|lbl=116v}}
 
{{section|Page:MS KK5126 116v.jpg|1|lbl=116v}}
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| {{section|Page:Cod.44.A.8 047v.jpg|5|lbl=-}}
 
| {{section|Page:Cod.44.A.8 047v.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 169r.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 169r.jpg|3|lbl=-}}
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|  
 
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| {{section|Page:MS KK5126 116v.jpg|6|lbl=-}}
 
| {{section|Page:MS KK5126 116v.jpg|6|lbl=-}}
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|-  
 
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| {{section|Page:Cod.44.A.8 048r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 048r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 169v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 169v.jpg|2|lbl=-}}
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|  
 
|  
  
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{{section|Page:MS KK5126 116v.jpg|7|lbl=-}}
 
{{section|Page:MS KK5126 116v.jpg|7|lbl=-}}
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS KK5126 116v.jpg|8|lbl=-}}
 
{{section|Page:MS KK5126 116v.jpg|8|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:Cod.44.A.8 048v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 048v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 170r.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 170r.jpg|3|lbl=-}}
 +
|
 
|  
 
|  
  
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| {{section|Page:MS Germ.Quart.2020 170v.jpg|1|lbl=170v}}
 
| {{section|Page:MS Germ.Quart.2020 170v.jpg|1|lbl=170v}}
 
| {{section|Page:MS KK5126 116v.jpg|9|lbl=-}}
 
| {{section|Page:MS KK5126 116v.jpg|9|lbl=-}}
 +
|
  
 
|-  
 
|-  
 
| <p>[88] {{red|b=1|Note, sword against the spear}}</p>
 
| <p>[88] {{red|b=1|Note, sword against the spear}}</p>
  
<p>When you have a sword and he a lance, then lay your sword on the left arm in the guard. If he then rides onto you with the lance to your left side, then ride boldly against him, and when he comes to the hit, rise with the pommel and leave the blade in the hand against your left side, and set his lance aside with it.</p>
+
<p>When you have a sword and he a lance, then lay your sword on the left arm in the guard. If he then rides onto you with the lance to your left side, then ride moderately against him, and when he comes to the hit, rise with the pommel and leave the blade in the hand against your left side, and set his lance aside with it.</p>
  
 
<p>Or, if he rides to your right side, then sweep up simply with the sword to his lance to his right side, and rise into the upper hanging, and plant to him in the face.</p>
 
<p>Or, if he rides to your right side, then sweep up simply with the sword to his lance to his right side, and rise into the upper hanging, and plant to him in the face.</p>
Line 2,742: Line 2,872:
  
 
{{section|Page:MS KK5126 116v.jpg|10|lbl=-}}
 
{{section|Page:MS KK5126 116v.jpg|10|lbl=-}}
 +
|
  
 
|-  
 
|-  
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|  
 
|  
 
| {{section|Page:MS KK5126 116v.jpg|11|lbl=-}}
 
| {{section|Page:MS KK5126 116v.jpg|11|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| <p>[90] {{red|b=1|The 15th figure<ref>Typo in the source, should be 25 (xxv)</ref> teaches this,}} which says “Think about the knife taking and keeping, etc.”</p>
 
| <p>[90] {{red|b=1|The 15th figure<ref>Typo in the source, should be 25 (xxv)</ref> teaches this,}} which says “Think about the knife taking and keeping, etc.”</p>
 
| {{section|Page:Cod.44.A.8 049r.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 049r.jpg|3|lbl=-}}
 +
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|  
 
|  
 
|  
 
|  
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{{section|Page:MS KK5126 116v.jpg|12|lbl=-}}  
 
{{section|Page:MS KK5126 116v.jpg|12|lbl=-}}  
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS KK5126 116v.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 117r.jpg|1|lbl=117r|p=1}}
 
{{section|Page:MS KK5126 116v.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 117r.jpg|1|lbl=117r|p=1}}
 +
|
  
 
|-  
 
|-  
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| <p>[93] {{red|b=1|The twenty-third figure teaches this,}} which says “The unnamed hold, takes weapons or falls him.”</p>
 
| <p>[93] {{red|b=1|The twenty-third figure teaches this,}} which says “The unnamed hold, takes weapons or falls him.”</p>
 
| {{section|Page:Cod.44.A.8 049v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 049v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
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{{section|Page:MS KK5126 117r.jpg|2|lbl=-}}
 
{{section|Page:MS KK5126 117r.jpg|2|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:MS Germ.Quart.2020 171r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 171r.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|3|lbl=-}}
 +
|
  
 
|-  
 
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| {{section|Page:Cod.44.A.8 050r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 050r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 171v.jpg|1|lbl=171v}}
 
| {{section|Page:MS Germ.Quart.2020 171v.jpg|1|lbl=171v}}
 +
|
 
|  
 
|  
  
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| {{section|Page:MS Germ.Quart.2020 172r.jpg|1|lbl=172r}}
 
| {{section|Page:MS Germ.Quart.2020 172r.jpg|1|lbl=172r}}
 
| {{section|Page:MS KK5126 117r.jpg|4|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|4|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:MS Germ.Quart.2020 172v.jpg|1|lbl=172v}}
 
| {{section|Page:MS Germ.Quart.2020 172v.jpg|1|lbl=172v}}
 
| {{section|Page:MS KK5126 117r.jpg|5|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|5|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:MS Germ.Quart.2020 172v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 172v.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|6|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|6|lbl=-}}
 +
|
  
 
|-  
 
|-  
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| {{section|Page:MS Germ.Quart.2020 187v.jpg|1|lbl=187v}}
 
| {{section|Page:MS Germ.Quart.2020 187v.jpg|1|lbl=187v}}
 
| {{section|Page:MS KK5126 117r.jpg|7|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|7|lbl=-}}
 +
|
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS Germ.Quart.2020 188v.jpg|350px|center]]
 
| rowspan="2" | [[File:MS Germ.Quart.2020 188v.jpg|350px|center]]
| <p>[101] {{red|b=1|Here note the fencing with the short sword on horseback}}<br/><br/></p>
+
| <p>[101] {{red|b=1|Here note the fencing with the short sword on horseback}}</p>
  
 
<p>When you ride against him, hold your sword with the right hand by the handle, and with the left, grip the middle of the blade, and lie it as such in front of you onto the saddle bow. If he then rides onto your right side against you, and hews in above to the head, then parry with the sword from your left hand, and stab him to the face.</p>
 
<p>When you ride against him, hold your sword with the right hand by the handle, and with the left, grip the middle of the blade, and lie it as such in front of you onto the saddle bow. If he then rides onto your right side against you, and hews in above to the head, then parry with the sword from your left hand, and stab him to the face.</p>
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{{section|Page:MS Germ.Quart.2020 188r.jpg|1|lbl=188r}}
 
{{section|Page:MS Germ.Quart.2020 188r.jpg|1|lbl=188r}}
 
| {{section|Page:MS KK5126 117r.jpg|8|lbl=-}}
 
| {{section|Page:MS KK5126 117r.jpg|8|lbl=-}}
 +
|
  
 
|-  
 
|-  
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|  
 
|  
 
{{section|Page:MS KK5126 117r.jpg|9|lbl=-|p=1}} {{section|Page:MS KK5126 117v.jpg|1|lbl=117v|p=1}}
 
{{section|Page:MS KK5126 117r.jpg|9|lbl=-|p=1}} {{section|Page:MS KK5126 117v.jpg|1|lbl=117v|p=1}}
 +
|
  
 
|-  
 
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{{section|Page:MS KK5126 117v.jpg|2|lbl=-}}
 
{{section|Page:MS KK5126 117v.jpg|2|lbl=-}}
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS KK5126 117v.jpg|3|lbl=-}}
 
{{section|Page:MS KK5126 117v.jpg|3|lbl=-}}
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS KK5126 117v.jpg|4|lbl=-}}
 
{{section|Page:MS KK5126 117v.jpg|4|lbl=-}}
 +
|
  
 
|-  
 
|-  
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{{section|Page:MS KK5126 117v.jpg|5|lbl=-}}
 
{{section|Page:MS KK5126 117v.jpg|5|lbl=-}}
 +
|
  
 
|-  
 
|-  
Line 2,978: Line 3,127:
 
{{section|Page:MS Germ.Quart.2020 191r.jpg|1|lbl=191r}}
 
{{section|Page:MS Germ.Quart.2020 191r.jpg|1|lbl=191r}}
 
| {{section|Page:MS KK5126 117v.jpg|6|lbl=-}}
 
| {{section|Page:MS KK5126 117v.jpg|6|lbl=-}}
 +
|
  
 
|-  
 
|-  
| [[File:MS Germ.Quart.2020 192r.jpg|350px|center]]
+
| class="noline" | [[File:MS Germ.Quart.2020 192r.jpg|350px|center]]
| <p>[108] {{red|b=1|Again a play with the short sword on horseback against the lance}}</p>
+
| class="noline" | <p>[108] {{red|b=1|Again a play with the short sword on horseback against the lance}}</p>
  
 
<p>Note, when you ride with the half sword, if he then hunts upon you with the lance to your left side and wants to plant to you, then rise with the pommel against your left side, and leave the point hanging down next to you also to your left side, and set aside with the short sword, and ride to him with it, and plant to him. If you may not come to the planting, then wait for the wrestling, etc.</p>
 
<p>Note, when you ride with the half sword, if he then hunts upon you with the lance to your left side and wants to plant to you, then rise with the pommel against your left side, and leave the point hanging down next to you also to your left side, and set aside with the short sword, and ride to him with it, and plant to him. If you may not come to the planting, then wait for the wrestling, etc.</p>
| {{section|Page:Cod.44.A.8 052r.jpg|3|lbl=-}}
+
| class="noline" | {{section|Page:Cod.44.A.8 052r.jpg|3|lbl=-}}
| {{section|Page:MS Germ.Quart.2020 192r.jpg|1|lbl=192r}}
+
| class="noline" | {{section|Page:MS Germ.Quart.2020 192r.jpg|1|lbl=192r}}
| <p><br/><br/></p>
+
| class="noline" | <p><br/><br/></p>
  
 
{{section|Page:MS KK5126 117v.jpg|7|lbl=-}}
 
{{section|Page:MS KK5126 117v.jpg|7|lbl=-}}
 +
| class="noline" |
  
 
|}
 
|}
 
{{master end}}
 
{{master end}}
  
== Temp ==
 
 
{{master begin
 
{{master begin
 
   | title = Short Sword Gloss
 
   | title = Short Sword Gloss
 
   | width = 180em
 
   | width = 180em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! <p>Images<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow version]]</p>
+
! <p>Illustrations<br/>from the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków version]]</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[translator::Stephen Cheney]]</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[translator::Stephen Cheney]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Michael Chidester]]</p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Michael Chidester]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
Line 3,532: Line 3,682:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[File:MS Germ.Quart.2020 218v.jpg|350px|center]]
 
| <p>[35] {{red|b=1|This is an arm break}}</p>
 
| <p>[35] {{red|b=1|This is an arm break}}</p>
  
Line 3,544: Line 3,694:
  
 
|-  
 
|-  
|
 
 
| <p>[36] {{red|b=1|An underhold and an arm break}}</p>
 
| <p>[36] {{red|b=1|An underhold and an arm break}}</p>
  
Line 3,650: Line 3,799:
  
 
|-  
 
|-  
| rowspan="3" | [[File:MS Germ.Quart.2020 223r.jpg|350px|center]]
+
| [[File:MS Germ.Quart.2020 223r.jpg|350px|center]]
 
| <p>[43] {{red|b=1|Again a play}}</p>
 
| <p>[43] {{red|b=1|Again a play}}</p>
  
Line 3,663: Line 3,812:
  
 
|-  
 
|-  
 +
| rowspan="2" | [[File:MS Germ.Quart.2020 224r.jpg|350px|center]]
 
| <p>[44] {{red|b=1|Again a play}}</p>
 
| <p>[44] {{red|b=1|Again a play}}</p>
  
Line 3,900: Line 4,050:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[File:MS Germ.Quart.2020 232v.jpg|350px|center]]
 
| <p>[64] {{red|b=1|Break that play as follows}}</p>
 
| <p>[64] {{red|b=1|Break that play as follows}}</p>
  
Line 3,910: Line 4,060:
  
 
|-  
 
|-  
|
 
 
| <p>[65] {{red|b=1|This is another play}}</p>
 
| <p>[65] {{red|b=1|This is another play}}</p>
  
Line 3,920: Line 4,069:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[File:MS Germ.Quart.2020 233v.jpg|350px|center]]
 
| <p>[66] {{red|b=1|The eighth play}}</p>
 
| <p>[66] {{red|b=1|The eighth play}}</p>
  
Line 3,931: Line 4,080:
  
 
|-  
 
|-  
|
 
 
| <p>[67] {{red|b=1|Break that play as follows}}</p>
 
| <p>[67] {{red|b=1|Break that play as follows}}</p>
  
Line 4,002: Line 4,150:
  
 
|-  
 
|-  
|  
+
| rowspan="3" | [[File:MS Germ.Quart.2020 236v.jpg|350px|center]]
 
| <p>[73] {{red|b=1|The 13th play}}</p>
 
| <p>[73] {{red|b=1|The 13th play}}</p>
  
 
<p>Note, when you stab him from the lower guard, if he then falls with the left hand to your sword, and you against him to his, then throw your sword to him with the pommel in front of the feet, and grab his left hand with your left, and his left elbow with the right, and drive the arm break.</p>
 
<p>Note, when you stab him from the lower guard, if he then falls with the left hand to your sword, and you against him to his, then throw your sword to him with the pommel in front of the feet, and grab his left hand with your left, and his left elbow with the right, and drive the arm break.</p>
 
<p>Or, when you have thrown your sword to him in front of the feet, shove him with the left hand forward to the chest, and grab him with the right in the back of his left knee, and jolt him to you with it, and shove with the left above from you, so he falls.</p>
 
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 066r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 066v.jpg|1|lbl=66v|p=1}}
 
{{section|Page:Cod.44.A.8 066r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 066v.jpg|1|lbl=66v|p=1}}
Line 4,018: Line 4,164:
  
 
|-  
 
|-  
|
+
| <p>[74] Or, when you have thrown your sword to him in front of the feet, shove him with the left hand forward to the chest, and grab him with the right in the back of his left knee, and jolt him to you with it, and shove with the left above from you, so he falls.</p>
| <p>[74] {{red|b=1|You shall also know,}} that you may also well strike with the pommel from the lower guard, as from the upper, when it is even to you.</p>
 
 
| {{section|Page:Cod.44.A.8 066v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 066v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 236r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 236r.jpg|2|lbl=-}}
 +
| {{section|Page:MS KK5126 121r.jpg|5a|lbl=-}}
 +
| {{section|Page:MS E.1939.65.341 091v.jpg|2|lbl=-}}
 +
 +
|-
 +
| <p>[75] {{red|b=1|You shall also know,}} that you may also well strike with the pommel from the lower guard, as from the upper, when it is even to you.</p>
 +
| {{section|Page:Cod.44.A.8 066v.jpg|3|lbl=-}}
 +
| {{section|Page:MS Germ.Quart.2020 236r.jpg|3|lbl=-}}
 
|  
 
|  
| {{section|Page:MS E.1939.65.341 091v.jpg|2|lbl=-}}
+
| {{section|Page:MS E.1939.65.341 091v.jpg|3|lbl=-}}
  
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[75] {{red|b=1|Here note, this is the third guard with the short sword in combat, with its plays and arrangement }}</p>
+
| <p>[76] {{red|b=1|Here note, this is the third guard with the short sword in combat, with its plays and arrangement }}</p>
  
 
<p>Note, arrange yourself as follows in the third guard in combat: Stand with the left foot forward, and hold your sword with the right hand by the handle, and with the left, grip the middle of the blade, and lay it athwart on top of your left knee in the guard. Break his plays from it with parry.</p>
 
<p>Note, arrange yourself as follows in the third guard in combat: Stand with the left foot forward, and hold your sword with the right hand by the handle, and with the left, grip the middle of the blade, and lay it athwart on top of your left knee in the guard. Break his plays from it with parry.</p>
| {{section|Page:Cod.44.A.8 066v.jpg|3|lbl=-}}
+
| {{section|Page:Cod.44.A.8 066v.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 237r.jpg|1|lbl=237r}}
 
| {{section|Page:MS Germ.Quart.2020 237r.jpg|1|lbl=237r}}
 
| {{section|Page:MS KK5126 121r.jpg|7|lbl=-}}
 
| {{section|Page:MS KK5126 121r.jpg|7|lbl=-}}
| {{section|Page:MS E.1939.65.341 091v.jpg|3|lbl=-}}
+
| {{section|Page:MS E.1939.65.341 091v.jpg|4|lbl=-}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[76] {{red|b=1|The first play}}</p>
+
| <p>[77] {{red|b=1|The first play}}</p>
  
 
<p>Note, when you have your sword on top of your left knee in the guard, if he then stabs you from the upper guard to the face, then set the stab aside with the sword in front of your left hand against his right side, and rise into the upper guard, and plant to him.</p>
 
<p>Note, when you have your sword on top of your left knee in the guard, if he then stabs you from the upper guard to the face, then set the stab aside with the sword in front of your left hand against his right side, and rise into the upper guard, and plant to him.</p>
| {{section|Page:Cod.44.A.8 066v.jpg|4|lbl=-}}
+
| {{section|Page:Cod.44.A.8 066v.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 237v.jpg|1|lbl=237v}}
 
| {{section|Page:MS Germ.Quart.2020 237v.jpg|1|lbl=237v}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:MS KK5126 121r.jpg|8|lbl=-}}
 
{{section|Page:MS KK5126 121r.jpg|8|lbl=-}}
| {{section|Page:MS E.1939.65.341 091v.jpg|4|lbl=-}}
+
| {{section|Page:MS E.1939.65.341 091v.jpg|5|lbl=-}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[77] Or, parry the stab between both of your hands to the sword’s blade, and move with the pommel over his front placed hand, and jolt downwards with it, and plant to him.</p>
+
| <p>[78] Or, parry the stab between both of your hands to the sword’s blade, and move with the pommel over his front placed hand, and jolt downwards with it, and plant to him.</p>
| {{section|Page:Cod.44.A.8 066v.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 067r.jpg|1|lbl=67r|p=1}}
+
| {{section|Page:Cod.44.A.8 066v.jpg|6|lbl=-|p=1}} {{section|Page:Cod.44.A.8 067r.jpg|1|lbl=67r|p=1}}
 
| {{section|Page:MS Germ.Quart.2020 237v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 237v.jpg|2|lbl=-}}
 
| {{section|Page:MS KK5126 121r.jpg|9|lbl=-}}
 
| {{section|Page:MS KK5126 121r.jpg|9|lbl=-}}
| {{section|Page:MS E.1939.65.341 091v.jpg|5|lbl=-}}
+
| {{section|Page:MS E.1939.65.341 091v.jpg|6|lbl=-}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[78] {{red|b=1|Again a play}}</p>
+
| <p>[79] {{red|b=1|Again a play}}</p>
  
 
<p>Note, when you have your sword over the left knee in the guard, if he then stabs you to the face, then move through his sword with the pommel below, and set his stab aside with it in front of his left hand, and plant to him.</p>
 
<p>Note, when you have your sword over the left knee in the guard, if he then stabs you to the face, then move through his sword with the pommel below, and set his stab aside with it in front of his left hand, and plant to him.</p>
Line 4,067: Line 4,219:
 
{{section|Page:MS KK5126 121r.jpg|10|lbl=-}}
 
{{section|Page:MS KK5126 121r.jpg|10|lbl=-}}
 
|  
 
|  
{{section|Page:MS E.1939.65.341 091v.jpg|6|lbl=-|p=1}} {{section|Page:MS E.1939.65.341 092r.jpg|1|lbl=92r|p=1}}
+
{{section|Page:MS E.1939.65.341 091v.jpg|7|lbl=-|p=1}} {{section|Page:MS E.1939.65.341 092r.jpg|1|lbl=92r|p=1}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[79] {{red|b=1|Again a play}}</p>
+
| <p>[80] {{red|b=1|Again a play}}</p>
  
 
<p>Note, when you have your sword over the left knee in the guard, if he then stabs to the face, then move through below with the pommel over his sword behind his front placed hand, and jolt his hand downwards with it, and plant to him.</p>
 
<p>Note, when you have your sword over the left knee in the guard, if he then stabs to the face, then move through below with the pommel over his sword behind his front placed hand, and jolt his hand downwards with it, and plant to him.</p>
Line 4,082: Line 4,234:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[File:MS Germ.Quart.2020 239r.jpg|350px|center]]
| <p>[80] Or</p>
+
| <p>[81] Or</p>
  
 
<p>If he is too strong so that you may not jolt his hand from the sword, then wind the pommel up from below outside to the top of his left hand, and shove him from you, and plant to him with it.</p>
 
<p>If he is too strong so that you may not jolt his hand from the sword, then wind the pommel up from below outside to the top of his left hand, and shove him from you, and plant to him with it.</p>
Line 4,092: Line 4,244:
  
 
|-  
 
|-  
|
+
| <p>[82] {{red|b=1|You shall also know,}} that you may not continue to parry the hits with the pommel, than from the guard from the left knee, that you find written hereafter in the play which says “with his striking point…”</p>
| <p>[81] {{red|b=1|You shall also know,}} that you may not continue to parry the hits with the pommel, than from the guard from the left knee, that you find written hereafter in the play which says “with his striking point…”</p>
 
 
| {{section|Page:Cod.44.A.8 067r.jpg|5|lbl=-}}
 
| {{section|Page:Cod.44.A.8 067r.jpg|5|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 239r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 239r.jpg|2|lbl=-}}
Line 4,102: Line 4,253:
 
|-  
 
|-  
 
|  
 
|  
| <p>[82] {{red|b=1|Here note, this is the fourth guard with the short sword in combat with its plays and its arrangement}}</p>
+
| <p>[83] {{red|b=1|Here note, this is the fourth guard with the short sword in combat with its plays and its arrangement}}</p>
  
 
<p>Note, arrange yourself into the fourth guard in combat as follows: Hold your sword with the right hand by the handle, and with the left grip the middle of the blade, and hold it under your right armpit, and plant the one hilt forward firmly to the chest, and hold the point against the man.</p>
 
<p>Note, arrange yourself into the fourth guard in combat as follows: Hold your sword with the right hand by the handle, and with the left grip the middle of the blade, and hold it under your right armpit, and plant the one hilt forward firmly to the chest, and hold the point against the man.</p>
Line 4,114: Line 4,265:
 
|-  
 
|-  
 
|  
 
|  
| <p>[83] {{red|b=1|Note a good lesson}}</p>
+
| <p>[84] {{red|b=1|Note a good lesson}}</p>
  
 
<p>Know, you shall come to the fourth guard from all other guards with planting, hear it as follows: When you stab to him from a guard, if it is then the case that you land your hit correctly, so that your point sticks in the armor, then immediately wind the hilt to your chest into the guard, and force him in front of you as such, and don’t let him come away from the point, so he may not stab nor strike again.</p>
 
<p>Know, you shall come to the fourth guard from all other guards with planting, hear it as follows: When you stab to him from a guard, if it is then the case that you land your hit correctly, so that your point sticks in the armor, then immediately wind the hilt to your chest into the guard, and force him in front of you as such, and don’t let him come away from the point, so he may not stab nor strike again.</p>
Line 4,125: Line 4,276:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[File:MS Germ.Quart.2020 240v.jpg|350px|center]]
| <p>[84] {{red|b=1|This is again a lesson}}</p>
+
| <p>[85] {{red|b=1|This is again a lesson}}</p>
  
 
<p>Note, everything that you want to plant, set it to the face, or to the neck, or to his left shoulder, or under his left armpit, and when you have planted to him, note if he is taller than you are, then force him as such in front of you, and assess that your point rises upwards, and is set well into the ring.</p>
 
<p>Note, everything that you want to plant, set it to the face, or to the neck, or to his left shoulder, or under his left armpit, and when you have planted to him, note if he is taller than you are, then force him as such in front of you, and assess that your point rises upwards, and is set well into the ring.</p>
Line 4,137: Line 4,288:
  
 
|-  
 
|-  
|
+
| <p>[86] Or, if he is shorter than you, then let your sword sink away downwards with the hand until onto your right hip, and so that your point stands upwards, and is set well in the armor, and force him as such in front of you.</p>
| <p>[85] Or, if he is shorter than you, then let your sword sink away downwards with the hand until onto your right hip, and so that your point stands upwards, and is set well in the armor, and force him as such in front of you.</p>
 
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 067v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 068r.jpg|1|lbl=68r|p=1}}
 
{{section|Page:Cod.44.A.8 067v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 068r.jpg|1|lbl=68r|p=1}}
Line 4,148: Line 4,298:
 
|-  
 
|-  
 
|  
 
|  
| <p>[86] {{red|b=1|This is the text and the gloss about the two things, the first called the “before”, the second called the “after”}}</p>
+
| <p>[87] {{red|b=1|This is the text and the gloss about the two things, the first called the “before”, the second called the “after”}}</p>
  
 
<p><br/></p>
 
<p><br/></p>
Line 4,164: Line 4,314:
 
|-  
 
|-  
 
|  
 
|  
| <p>[87] {{red|b=1|Here note what is called the “after”}}</p>
+
| <p>[88] {{red|b=1|Here note what is called the “after”}}</p>
  
 
<p>The “after,” those are the breaks against all plays which one drives upon you, hear it as follows: When he comes “before” with the stab or hit before you, so that you must parry him, note as soon as your sword sparks on his with the parry, then search indes with the point for the nearest opening, or wait for the wrestling, so you win his “before” with the parry, that is with the “after.”</p>
 
<p>The “after,” those are the breaks against all plays which one drives upon you, hear it as follows: When he comes “before” with the stab or hit before you, so that you must parry him, note as soon as your sword sparks on his with the parry, then search indes with the point for the nearest opening, or wait for the wrestling, so you win his “before” with the parry, that is with the “after.”</p>
Line 4,175: Line 4,325:
 
|-  
 
|-  
 
|  
 
|  
| <p>[88] {{red|b=1|Here note how one shall step away in combat}}</p>
+
| <p>[89] {{red|b=1|Here note how one shall step away in combat}}</p>
  
 
<p>Know that no more than one step away pertains to combat fencing, and one step forth, and otherwise stand firmly, so that one will not become tired in the armor, and hear it as follows: If it is the case that he has rushed over you so that you may not come to any parry with the sword or otherwise, then step quickly backwards with the front placed foot, and assess that you plant to him indes quickly against, or grapple with wrestling with a step forth of the same foot with which you have previously stepped away.</p>
 
<p>Know that no more than one step away pertains to combat fencing, and one step forth, and otherwise stand firmly, so that one will not become tired in the armor, and hear it as follows: If it is the case that he has rushed over you so that you may not come to any parry with the sword or otherwise, then step quickly backwards with the front placed foot, and assess that you plant to him indes quickly against, or grapple with wrestling with a step forth of the same foot with which you have previously stepped away.</p>
Line 4,189: Line 4,339:
 
|-  
 
|-  
 
|  
 
|  
| <p>[89] {{red|b=1|This is the text and the gloss about pursuit in combat}}</p>
+
| <p>[90] {{red|b=1|This is the text and the gloss about pursuit in combat}}</p>
  
 
<p><br/></p>
 
<p><br/></p>
Line 4,208: Line 4,358:
 
|-  
 
|-  
 
|  
 
|  
| <p>[90] {{red|b=1|Here note the play}}</p>
+
| <p>[91] {{red|b=1|Here note the play}}</p>
  
 
<p>Note, when you shall fight, if it then seems to you that your fighter wards too strong, then hold your sword in a guard, and step to him artfully, and note quite precisely when pulls his sword to himself and wants to stab or strike with the pommel. At the same time, follow after him quickly, and rush him with the point, and plant to him before he brings the stab or the hit. If he then becomes aware of the planting and moves wide in front with the sword and parries so that his point goes out next to you beside, then jerk through and stab him to the other side. If he wards that to the second time, then again jerk through, and do that as often as he parries, and jolt or rush quickly to him through with it at will. If you had not landed your hit on him correctly with the planting, then you may grapple with wrestling. Know, that is the art against all the fencers who parry long and wide, and fence to the sword and not to the openings of the body.</p>
 
<p>Note, when you shall fight, if it then seems to you that your fighter wards too strong, then hold your sword in a guard, and step to him artfully, and note quite precisely when pulls his sword to himself and wants to stab or strike with the pommel. At the same time, follow after him quickly, and rush him with the point, and plant to him before he brings the stab or the hit. If he then becomes aware of the planting and moves wide in front with the sword and parries so that his point goes out next to you beside, then jerk through and stab him to the other side. If he wards that to the second time, then again jerk through, and do that as often as he parries, and jolt or rush quickly to him through with it at will. If you had not landed your hit on him correctly with the planting, then you may grapple with wrestling. Know, that is the art against all the fencers who parry long and wide, and fence to the sword and not to the openings of the body.</p>
Line 4,224: Line 4,374:
 
|-  
 
|-  
 
|  
 
|  
| <p>[91] {{red|b=1|This is the text and the gloss, how you shall free yourself away from the sword when one has planted to you with it, and forces you with it}}</p>
+
| <p>[92] {{red|b=1|This is the text and the gloss, how you shall free yourself away from the sword when one has planted to you with it, and forces you with it}}</p>
  
 
<p><br/></p>
 
<p><br/></p>
Line 4,244: Line 4,394:
 
|-  
 
|-  
 
|  
 
|  
| <p>[92] {{red|b=1|Another}}</p>
+
| <p>[93] {{red|b=1|Another}}</p>
  
 
<p>Or, stab through with both hands above between the sword and his front placed hand, and press the pommel against the ground, and wind the point at his sword against his right side, and plant to him.</p>
 
<p>Or, stab through with both hands above between the sword and his front placed hand, and press the pommel against the ground, and wind the point at his sword against his right side, and plant to him.</p>
Line 4,255: Line 4,405:
 
|-  
 
|-  
 
|  
 
|  
| <p>[93] {{red|b=1|Again a solution}}</p>
+
| <p>[94] {{red|b=1|Again a solution}}</p>
  
 
<p>When he has planted to you and forced, stab him below in the palm of the hand, by which he holds his sword in the middle.</p>
 
<p>When he has planted to you and forced, stab him below in the palm of the hand, by which he holds his sword in the middle.</p>
Line 4,269: Line 4,419:
 
|-  
 
|-  
 
|  
 
|  
| <p>[94] {{red|b=1|Another}}</p>
+
| <p>[95] {{red|b=1|Another}}</p>
  
 
<p>Or, stab him outwards of the arm, by which he holds the sword in the middle, behind in the glove, and when the stab sticks, run forwards with the hand to the circle. You also win his side with it, and other great advantages.</p>
 
<p>Or, stab him outwards of the arm, by which he holds the sword in the middle, behind in the glove, and when the stab sticks, run forwards with the hand to the circle. You also win his side with it, and other great advantages.</p>
Line 4,284: Line 4,434:
 
|-  
 
|-  
 
|  
 
|  
|  
+
| <p>[96]</p>
 
|  
 
|  
 
|  
 
|  
Line 4,294: Line 4,444:
 
|-  
 
|-  
 
|  
 
|  
| <p>[95] {{red|b=1|Again a solution}}</p>
+
| <p>[97] {{red|b=1|Again a solution}}</p>
  
 
<p>Note, if he has planted to you to your left shoulder, and you against him at his, then step backwards with the left foot, and also turn your left side from him, so your point sticks, and his does not.</p>
 
<p>Note, if he has planted to you to your left shoulder, and you against him at his, then step backwards with the left foot, and also turn your left side from him, so your point sticks, and his does not.</p>
Line 4,308: Line 4,458:
 
|-  
 
|-  
 
|  
 
|  
| <p>[96] {{red|b=1|Again a solution}}</p>
+
| <p>[98] {{red|b=1|Again a solution}}</p>
  
 
<p>Note, when he has planted to your left shoulder and you again at his, jolt your pommel forward to your chest, and force forwards as such, so you have overpowered him.</p>
 
<p>Note, when he has planted to your left shoulder and you again at his, jolt your pommel forward to your chest, and force forwards as such, so you have overpowered him.</p>
Line 4,320: Line 4,470:
 
|-  
 
|-  
 
|  
 
|  
| <p>[97] {{red|b=1|This is the text and the gloss of the parries against the hits with the pommel}}</p>
+
| <p>[99] {{red|b=1|This is the text and the gloss of the parries against the hits with the pommel}}</p>
  
 
<p><br/></p>
 
<p><br/></p>
Line 4,343: Line 4,493:
 
|-  
 
|-  
 
|  
 
|  
| <p>[98] {{red|b=1|This is the first parry against the hit with the pommel}}<br/><br/></p>
+
| <p>[100] {{red|b=1|This is the first parry against the hit with the pommel}}<br/><br/></p>
  
 
<p>Note, if one is strong, and he means well to strike you down with the pommel, then stand against him and hold your sword on top of your left knee in the guard. If he then strikes in with the pommel from his right shoulder above to the head, then sweep his strike away with the sword in front of your left hand from your left side against his right, and rise into the upper guard, and set the point into the face.</p>
 
<p>Note, if one is strong, and he means well to strike you down with the pommel, then stand against him and hold your sword on top of your left knee in the guard. If he then strikes in with the pommel from his right shoulder above to the head, then sweep his strike away with the sword in front of your left hand from your left side against his right, and rise into the upper guard, and set the point into the face.</p>
Line 4,357: Line 4,507:
 
|-  
 
|-  
 
|  
 
|  
| <p>[99] Or, if he strikes in with the pommel from his left side above to the head, then sweep his strike away with the sword in front of your left hand from your right side against his left, and plant to him.</p>
+
| <p>[101] Or, if he strikes in with the pommel from his left side above to the head, then sweep his strike away with the sword in front of your left hand from your right side against his left, and plant to him.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 070r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 070v.jpg|1|lbl=70v|p=1}}
 
{{section|Page:Cod.44.A.8 070r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 070v.jpg|1|lbl=70v|p=1}}
Line 4,366: Line 4,516:
 
|-  
 
|-  
 
|  
 
|  
| <p>[100] {{red|b=1|Again a parry}}</p>
+
| <p>[102] {{red|b=1|Again a parry}}</p>
  
 
<p>Note, when you have your sword over the left knee in the guard, if he is then not strong and strikes in with the pommel above, then step in artfully, and catch the strike between both of your hands in the middle of the sword’s blade, and rise into the upper guard and plant to him.</p>
 
<p>Note, when you have your sword over the left knee in the guard, if he is then not strong and strikes in with the pommel above, then step in artfully, and catch the strike between both of your hands in the middle of the sword’s blade, and rise into the upper guard and plant to him.</p>
Line 4,378: Line 4,528:
 
|-  
 
|-  
 
|  
 
|  
| <p>[101] Or, move to him with the pommel to the top of his front placed hand, and jolt him to you and plant to him.</p>
+
| <p>[103] Or, move to him with the pommel to the top of his front placed hand, and jolt him to you and plant to him.</p>
 
| {{section|Page:Cod.44.A.8 070v.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 070v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 247v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 247v.jpg|2|lbl=-}}
Line 4,386: Line 4,536:
 
|-  
 
|-  
 
|  
 
|  
| <p>[102] {{red|b=1|Note, a parry and a sword taking}}</p>
+
| <p>[104] {{red|b=1|Note, a parry and a sword taking}}</p>
  
 
<p>Note, when you have your sword over the left knee in the guard, if he is then not strong and strikes with the pommel to the head, then catch the strike in the middle of the blade, and move with the pommel outside over his sword nearing behind the hilt, and wrench downwards with it onto your right side, so you take his sword, and also plant to him. </p>
 
<p>Note, when you have your sword over the left knee in the guard, if he is then not strong and strikes with the pommel to the head, then catch the strike in the middle of the blade, and move with the pommel outside over his sword nearing behind the hilt, and wrench downwards with it onto your right side, so you take his sword, and also plant to him. </p>
Line 4,398: Line 4,548:
 
|-  
 
|-  
 
|  
 
|  
| <p>[103] {{red|b=1|Note, again a parry and a sword taking}}</p>
+
| <p>[105] {{red|b=1|Note, again a parry and a sword taking}}</p>
  
 
<p>When you have your sword over the left knee in the guard, if he then strikes with the pommel to your left knee, then turn your pommel to the ground and the point upwards, and catch the strike in the middle of your sword’s blade, and move through to him below with the pommel above to the top of his sword, nearing behind his hilt, and jolt upwards onto your right side, so you take his sword.</p>
 
<p>When you have your sword over the left knee in the guard, if he then strikes with the pommel to your left knee, then turn your pommel to the ground and the point upwards, and catch the strike in the middle of your sword’s blade, and move through to him below with the pommel above to the top of his sword, nearing behind his hilt, and jolt upwards onto your right side, so you take his sword.</p>
Line 4,412: Line 4,562:
 
|-  
 
|-  
 
|  
 
|  
| <p>[104] {{red|b=1|Again a parry}}</p>
+
| <p>[106] {{red|b=1|Again a parry}}</p>
  
 
<p>Note, when you have your sword over the left knee, or stand otherwise in another guard, if he then strikes with the pommel below to the ankle of your left foot, then hold your sword firmly in the left hand, and throw it with the pommel out of the right hand against his hit into the ground onto your left side, and jump to him with it, and wait for the arm break or otherwise other wrestles.</p>
 
<p>Note, when you have your sword over the left knee, or stand otherwise in another guard, if he then strikes with the pommel below to the ankle of your left foot, then hold your sword firmly in the left hand, and throw it with the pommel out of the right hand against his hit into the ground onto your left side, and jump to him with it, and wait for the arm break or otherwise other wrestles.</p>
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|-  
 
|-  
 
|  
 
|  
|  
+
| <p>[107]</p>
 
|  
 
|  
 
|  
 
|  
Line 4,432: Line 4,582:
 
|-  
 
|-  
 
|  
 
|  
| <p>[105] {{red|b=1|This is the text and the gloss, how one shall strike with the pommel}}</p>
+
| <p>[108] {{red|b=1|This is the text and the gloss, how one shall strike with the pommel}}</p>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
Line 4,448: Line 4,598:
 
|-  
 
|-  
 
|  
 
|  
| <p>[106] Hold your sword in the upper guard over the head, and do as if you want to stab or plant into the face from it. With it, let go of the sword with the right hand and come with it to help the left hand in the middle of the blade, and strike him with the pommel to the knee of his front placed foot, or to his front placed hand, with which he holds the sword in the middle. You may also strike with it to the head or to the elbow or to the shoulder, when it is even to you.</p>
+
| <p>[109] Hold your sword in the upper guard over the head, and do as if you want to stab or plant into the face from it. With it, let go of the sword with the right hand and come with it to help the left hand in the middle of the blade, and strike him with the pommel to the knee of his front placed foot, or to his front placed hand, with which he holds the sword in the middle. You may also strike with it to the head or to the elbow or to the shoulder, when it is even to you.</p>
 
| {{section|Page:Cod.44.A.8 071v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 071v.jpg|2|lbl=-}}
 
|  
 
|  
Line 4,457: Line 4,607:
 
|-  
 
|-  
 
|  
 
|  
| <p>[107] {{red|b=1|Here note the work with the dagger in combat}}</p>
+
| <p>[110] {{red|b=1|Here note the work with the dagger in combat}}</p>
  
 
<p>Now you shall know that the greatest part of all combat fencing in armor comes to the last to the dagger fencing, and to the wrestling. Therefore note, when you run in with him, otherwise don’t wait when wrestling, and let your dagger stick in the scabbard, because you may not hurt him with it through the armor while he stands in front of you, and hinders you in the hand, because you shall grasp him with wrestling, or when you have thrown him, and have been powerful, then first work with the dagger to the openings of the armor which will be explained to you next, and are to be explained.</p>
 
<p>Now you shall know that the greatest part of all combat fencing in armor comes to the last to the dagger fencing, and to the wrestling. Therefore note, when you run in with him, otherwise don’t wait when wrestling, and let your dagger stick in the scabbard, because you may not hurt him with it through the armor while he stands in front of you, and hinders you in the hand, because you shall grasp him with wrestling, or when you have thrown him, and have been powerful, then first work with the dagger to the openings of the armor which will be explained to you next, and are to be explained.</p>
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|-  
 
|-  
 
|  
 
|  
| <p>[108] {{red|b=1|Another}}</p>
+
| <p>[111] {{red|b=1|Another}}</p>
  
 
<p>Note, when you come to wrestle with him, if you then throw him on the back, then fall to him with the body on top of his face, and grasp him by the neck under an arm, thus he is pinned, and may additionally not well come up with whichever hand he then grips to you, then stab him after to the opening of the palm, or stab him under the armpit.</p>
 
<p>Note, when you come to wrestle with him, if you then throw him on the back, then fall to him with the body on top of his face, and grasp him by the neck under an arm, thus he is pinned, and may additionally not well come up with whichever hand he then grips to you, then stab him after to the opening of the palm, or stab him under the armpit.</p>
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|-  
 
|-  
 
|  
 
|  
| <p>[109] {{red|b=1|Another}}</p>
+
| <p>[112] {{red|b=1|Another}}</p>
  
 
<p>Note, if you throw him onto the belly with wrestling, then quickly sit on him and grab his right hand with your right hand, and pull it behind on his back, and hold it firmly with the left hand, and with the right, stab him into the same hand to the opening of the palm, or to the opening under the armpit.</p>
 
<p>Note, if you throw him onto the belly with wrestling, then quickly sit on him and grab his right hand with your right hand, and pull it behind on his back, and hold it firmly with the left hand, and with the right, stab him into the same hand to the opening of the palm, or to the opening under the armpit.</p>
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|-  
 
|-  
|  
+
| class="noline" |  
| <p>''Finish''</p>
+
| class="noline" | <p>''Finish''</p>
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{section|Page:MS E.1939.65.341 095v.jpg|4|lbl=-}}
+
| class="noline" | {{section|Page:MS E.1939.65.341 095v.jpg|4|lbl=-}}
  
 
|}
 
|}
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<section begin="sourcebox"/>{{sourcebox header}}
 
<section begin="sourcebox"/>{{sourcebox header}}
 
{{sourcebox
 
{{sourcebox
  | work        = Krakow Images
+
  | work        = Kraków Illustrations
 
  | authors    = [[Biblioteka Jagiellońska]]
 
  | authors    = [[Biblioteka Jagiellońska]]
 
  | source link = http://www.bj.uj.edu.pl/
 
  | source link = http://www.bj.uj.edu.pl/
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Codex Danzig (Cod.44.A.8)|Rome Transcription]]
+
  | work        = [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Codex Danzig (Cod.44.A.8)]]
+
  | source title= [[Index:Starhemberg Fechtbuch (Cod.44.A.8)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]]
+
  | work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Transcription]]
 
  | authors    = [[Grzegorz Żabiński]]
 
  | authors    = [[Grzegorz Żabiński]]
 
  | source link =  
 
  | source link =  
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6..2)|Augsburg Transcription]]
+
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6..2)|Augsburg Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
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== Additional Resources ==
 
== Additional Resources ==
  
 +
* [[Stephen Cheney|Cheney, Stephen]]. ''Ringeck &middot; Danzig &middot; Lew Longsword''. Self-published, 2020. ISBN 978-8649845441
 +
* [[Dierk Hagedorn|Hagedorn, Dierk]] and [[Christian Henry Tobler]]. ''The Peter von Danzig Fight Book''. [[Freelance Academy Press]], 2021. ISBN 978-1-937439-53-8
 
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''[http://www.academia.edu/1035644/Knightly_Dueling_the_Fighting_Arts_of_German_Chivalry Knightly Dueling: The Fighting Arts of German Chivalry]''. Boulder, CO: [[Paladin Press]], 2007. ISBN 1-58160-674-4
 
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''[http://www.academia.edu/1035644/Knightly_Dueling_the_Fighting_Arts_of_German_Chivalry Knightly Dueling: The Fighting Arts of German Chivalry]''. Boulder, CO: [[Paladin Press]], 2007. ISBN 1-58160-674-4
 +
* R., Harry. ''Peter von Danzig''. Self-published, 2019. ISBN 978-0-36-870245-7
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 +
* [[Rainer Welle|Welle, Rainer]]. "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?" ''Codices manuscripti & impressi.'' Supplementum 12. Purkersdorf: Verlag Brüder Hollinek, 2017.
 
* Żabiński, Grzegorz. ''The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript.'' Poland: [[Adam Marshall]], 2010. ISBN 978-83-7611-662-4
 
* Żabiński, Grzegorz. ''The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript.'' Poland: [[Adam Marshall]], 2010. ISBN 978-83-7611-662-4
 
* ''[http://www.archive.org/details/anzeigerfurkunde01germ Anzeiger für Kunde der deutschen Vorzeit]''. Nuremberg: [[Germanisches Nationalmuseum|Verlag der Artistisch-literarischen Anstalt des Germanischen Museums]], 1854.
 
* ''[http://www.archive.org/details/anzeigerfurkunde01germ Anzeiger für Kunde der deutschen Vorzeit]''. Nuremberg: [[Germanisches Nationalmuseum|Verlag der Artistisch-literarischen Anstalt des Germanischen Museums]], 1854.
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[[Category:German]]
 
[[Category:German]]
  
[[Category:Copy/Pasting]]
 
 
[[Category:Translation]]
 
[[Category:Translation]]
  
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[[Category:Longsword]]
 
[[Category:Longsword]]
 
[[Category:Mounted Fencing]]
 
[[Category:Mounted Fencing]]
 +
 +
[[Category:New format]]

Revision as of 17:55, 17 July 2021

Gloss and Interpretation of the Recital
die gloss und die auslegung der zettel des langen schwerts
Johannes Liechtenauer.jpg
Author(s) Unknown
Ascribed to Pseudo-Peter von Danzig
Illustrated by Unknown
Date before 1452
Genre
Language Early New High German
State of Existence Original hypothetical;
multiple branches exist
Principal
Manuscript(s)
Manuscript(s)
First Printed
English Edition
Tobler, 2010
Concordance by Michael Chidester
Translations

"Pseudo-Peter von Danzig" is the name given to an anonymous 15th century German fencing master.[1] Some time before the creation of the Starhemberg Fechtbuch in 1452, he authored a gloss of Johannes Liechtenauer's Recital (Zettel) which would go on to become the most widespread in the tradition. While the identity of the glossator remains unknown, it is possible that he was in fact Lew, a name associated with one of the branches of the gloss (see below), or Sigmund ain Ringeck, whose gloss shows strong similarities to the work. On the other hand, the introduction to the Rome version of the text could be construed as attributing it to Liechtenauer himself.

Stemma

Early on in its history, the prototype of the Pseudo-Peter von Danzig gloss seems to have split into at least three branches, and no definite copies of the unaltered original are known to survive. The gloss of Sigmund ain Ringeck also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered Branch D).

Branch A, first attested in the Augsburg version (1450s) and comprising the majority of extant copies, has more plays overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of Andre Lignitzer and Martin Huntsfeld (or, in the case of the 1512 Vienna II, Ringeck's short sword gloss). Branch A is sometimes called the Lew gloss, based on a potential attribution at the end of the mounted gloss in a few copies. Apart from the Augsburg, the other principal version in Branch A is the Salzburg version (1491), which was copied independently[2] and also incorporates twelve paragraphs from Ringeck's gloss and nineteen paragraphs from an unidentified third source. Branch A was redacted by Paulus Hector Mair (three mss., 1540s), Lienhart Sollinger (1556), and Joachim Meyer (1570), which despite being the latest is the cleanest extant version and was likely either copied directly from the original or created by comparing multiple versions to correct their errors. It was also one of the bases for Johannes Lecküchner's gloss on the Messer in the late 1470s.

Branch B, attested first in the Rome version (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer plays overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section, and may therefore be considered more complete than Branch A; it also differs from Branch A in that three of the five known copies are illustrated to some extent, where none in the other branch are. The Krakow version (1535-40) seems to be an incomplete (though extensively illustrated) copy taken from the Rome,[3] while Augsburg II (1564) collects only the six illustrated wrestling plays from the Krakow. Even more anomalous is the Glasgow version (1508), consisting solely of a nearly-complete redaction of the short sword gloss (assigning it to Branch B), which is appended to the opening paragraphs of Ringeck's gloss of the same section; since it accompanies Ringeck's long sword and mounted fencing glosses, a possible explanation is that the scribe lacked a complete copy of Ringeck and tried to fill in the deficit with another similar text. The other version of Branch B is the Vienna, which includes the mounted and short sword sections but omits the long sword in favor of Branch C.

Branch C is first attested in the Vienna version (1480s), and only glosses the long sword. It is unclear whether it was derived independently from the original, represents an intermediate evolutionary step between Branches A and B, or was created by simply merging copies of the other branches together. The structure and contents of this branch very closely align with Branch B, lacking most of the unique plays of Branch A and including the gloss of the short sword, but the actual text is more consistent with that of Branch A (though not identical). The other substantial copy of Branch C is Augsburg III (1553), which was created by Paulus Hector Mair based on the writings of Antonius Rast, and which segues into the text of Ringeck's gloss for the final eighteen paragraphs. A substantial fragment of this gloss is present in five additional 16th century manuscripts alongside the illustrated treatise of Jörg Wilhalm Hutter; while four appear to be attributed to Hutter in the 1520s, one, Glasgow II (1533), assigns the text a much earlier origin, stating that it was recorded by one Nicolaüs in 1489. This branch has received the least attention and is currently the least understood.

(A final text of interest is the treatise of Hans Medel von Salzburg, which was acquired by Mair in 1539[4] and bound into the Cod. I.6.2º.5 after 1566.[5] Medel demonstrates familiarity with the teachings of a variety of 15th century Liechtenauer masters, and his text often takes the form of a revision and expansion of the long sword glosses of Ringeck and Nicolaüs. Because of the extent of the original and mixed content, Medel's versions are not included in any of these pages.)

Treatise

While all branches were originally presented in a single concordance in this article, the differences between them are extensive enough that they merit separate consideration. Thus, Branch A has been placed on the page of Lew, Branch B has been retained here, and branch C is now on the Nicolaüs page.

For easier comparison between the two most complete versions, the Kraków has been removed from its chronological position and placed alongside the Rome.

The text of the Krakow version of Pseudo-Danzig frequently refers to intended illustrations, some of which were never added to the manuscript. The appropriate blank pages are included in the illustration column for reference. It's possible (though not likely, given what we know about its origins) that this manuscript was replicating another one with a complete set of illustrations; if this ever surfaces, the illustrations will be replaced.

Additional Resources

References

  1. This name stems from the false assumption of many 20th century writers identifying him with Peter von Danzig zum Ingolstadt. It has been argued that this name is inappopriate because the treatises attributed to pseudo-Danzig (and also pseudo-Hans Döbringer) are not true pseudepigrapha—they are internally anonymous. However, many Ancient and Medieval pseudepigraphic texts were originally anonymous and were assigned their false attributions by later readers, and this is also the case with these two glosses in our fledgling tradition.
  2. Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.
  3. Zabinski, pp 82-83
  4. Medel's section of the Cod. I.6.2º.5 is internally dated on folio 21r.
  5. The record of the Marxbrüder in the manuscript ends on folio 20r with the year 1566, so Mair couldn't have acquired it before then.
  6. Per Trosclair, Goliath text reads "In the same way, the counterpart from the left side through, you shall always render hew and tread with each other as one."
  7. Or "tap-hit".
  8. "As painted hereafter" added in the Kraków.
  9. Couplets 102-109.
  10. Couplet 74.
  11. Literally "from crossed arms".
  12. "and binds strongly on your sword therewith" omitted from the Kraków.
  13. Squint here means “an askew glance”, referring to both the sword's direction of travel and also the use of deception with the eyes with this hew.
  14. "the Four Openings" omitted from the Kraków.
  15. K. "The Following Technique".
  16. "from all" omitted from the Kraków.
  17. "with" omitted from the Kraków.
  18. Letter erased and overwritten.
  19. "with something" omitted from the Kraków.
  20. This text is a repetition of the first paragraph on folio 68r, but this is the illustration that corresponds to the text in Goliath (folio 54v).
  21. K. "with both hands".
  22. 22.0 22.1 Indecipherable due to an ink blotch.
  23. "and see" omitted from the Kraków.
  24. K. "Here you should drive four windings from both hands from the two over-hangings, that is, the ox".
  25. The rest of this paragraph appears after paragraph 6, but has been moved here for consistency with the other versions.
  26. Steht nach der nächsten Zeile.
  27. crosswise? across? obliquely?
  28. satelbogen, maybe saddle horn?
  29. let your lance sink down in front
  30. “sittigklich,” or “sittiglich,” at the time meant “moderately” in the sense of slowly or not too fast, modern “sittlich” means morally or ethically.
  31. "zaum," literally "bridle," context indicates reins
  32. Steht nach der nächsten Zeile.
  33. Steht nach der nächsten Zeile.
  34. A “tasset” is a piece of armor that covers the side of the thigh. It is possible that the last part of this hew aims for a gap in the armor on the back of the leg.
  35. zu hilff - to help
  36. This is wrong, it is the 5th figure.
  37. Different ink, original text possibly scraped off and replaced.
  38. eysenhuet - iron hat
  39. move him? move to him?
  40. Could be bridle. Have it as "reins" because it makes more sense in the context of the play below.
  41. Letter I smudged.
  42. The text ends here abruptly, in the middle of a play. Since the page isn't full, it's unclear why the scribe stopped at this point. The subsequent folia come from earlier in the manuscript; they were removed and then added back in at the end.
  43. Other one says "too".
  44. Typo in the source, should be 25 (xxv)
  45. Steht nach der nächsten Zeile.
  46. Somewhere else it says "strike a glancing blow," I think that's the same idea
  47. This quatrain is a mess
  48. Scribal error, doubling this phrase.
  49. Make a note, "zu dem schuß," literally "to the shot"
  50. "Nachent in weyshait" is reversed in the text, with markings indicating the correct word order"
  51. This paragraph is displaced in the text, and appears between paragraphs 18 and 19.
  52. Glasgow version adds "him"
  53. G. "wisely and masterfully".
  54. G. "students".
  55. Nota is written in the margin in a different hand, with a line pointing to kainen.
  56. Wie hienach conterfct[?] written below in a different hand.
  57. Corrected from »sein«.
  58. Added in a different hand.
  59. Corrected from »seinem«.
  60. Glasgow contains extensive differences.
  61. And you shall... with the point" omitted from the Glasgow.
  62. G. "work to the openings".
  63. The rest vanishes in the binding.
  64. "the face" omitted in the Glasgow.
  65. Clause omitted from the Glasgow.
  66. Clause omitted from the Glasgow.
  67. Tricky. The rome says "vrbrigen," the Glasgow says "verpringen," and the Vienna says "vbaring." Since we see this exact same construction in a lance play earlier, I'm going with "urbaring," and going to say that the author of the Glasgow didn't understand the word, so he went with "verbringen."
  68. Illegible deletion
  69. This paragraph and the next one are displaced in the text, and appear between paragraphs 54 and 55.
  70. U changed to an I
  71. I don't get this or the following one.
  72. This paragraph is displaced in the text, and appears between paragraphs 74 and 75.
  73. Corrected from »dam«.
  74. Corrected from »dem«.
  75. Corrected from »vchsel«.
  76. It is "er" in the text because "ee wenn" is a conjunction, so it resets the case. It wouldn't do that in english I think, or I'm just an idiot.
  77. These two paragraphs are reversed in the text.
  78. This paragraph is displaced in the text, and appears between paragraphs 96 and 97.
  79. Korrigiert aus »sein«.
  80. The verses are placed before the title in the text.
  81. Corrected from »mit«.
  82. Text was effaced and "unnder ein arm" written over it.