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| alternative title(s)  = Play in the sweeping-upon
 
| alternative title(s)  = Play in the sweeping-upon
 
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| ascribed to          = {{plainlist
 
| ascribed to          = {{plainlist
  | [[Andre Paurñfeyndt]]
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  | [[Andre Paurenfeyndt]]
 
  | [[Sigmund ain Ringeck]]
 
  | [[Sigmund ain Ringeck]]
 
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  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] (1504-19)
 
  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] (1504-19)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1564)
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  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. .6.2º.2]] (1564)
 
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'''''Stuck im aufstreichen''''' ("Play in the sweeping-upon") is a brief [[nationality::German]] [[fencing manual]] from the early [[century::16th century]]. The author of this treatise is unknown, though it has been variously attributed to [[Sigmund ain Ringeck]] (due to its presence in the MS Dresd.C.487, which was once erroneously attributed to Ringeck) and [[Andre Paurñfeyndt]] (who includes it in his treatment of long sword fencing, but who also borrows from other authors like [[Andre Lignitzer]] without attribution).  
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'''''Stuck im aufstreichen''''' ("Play in the sweeping-upon") is a brief [[nationality::German]] [[fencing manual]] from the early [[century::16th century]]. The author of this treatise is unknown, though it has been variously attributed to [[Sigmund ain Ringeck]] (due to its presence in the MS Dresd.C.487, which was once erroneously attributed to Ringeck) and [[Andre Paurenfeyndt]] (who includes it in his treatment of long sword fencing, but who also borrows from other authors like [[Andre Lignitzer]] without attribution).  
  
 
It consists of several plays of fencing with the two-handed sword, primarily from a low guard called [[iron gate]] or [[side guard]], and it both mentions the Recital and shows familiarity with the principles of [[Liechtenauer]]'s fencing. The iron gate is also discussed in an [[Other Masters (14th Century)|earlier treatise]] by [[Andres Juden]], [[Hans Döbringer]], [[Jobs von der Nissen]], and [[Nicklass Preußen]], but there is little technical overlap between the two works (though both treatises are included in MS E.1939.65.341).
 
It consists of several plays of fencing with the two-handed sword, primarily from a low guard called [[iron gate]] or [[side guard]], and it both mentions the Recital and shows familiarity with the principles of [[Liechtenauer]]'s fencing. The iron gate is also discussed in an [[Other Masters (14th Century)|earlier treatise]] by [[Andres Juden]], [[Hans Döbringer]], [[Jobs von der Nissen]], and [[Nicklass Preußen]], but there is little technical overlap between the two works (though both treatises are included in MS E.1939.65.341).
  
The oldest known copies of this work are two manuscripts from the early 16th century, [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (1504-19) and [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508). It was also published by Freifechter [[Andre Paurñfeyndt]] in 1516 as the final section of the teachings on the two-handed sword in his treatise ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay").<ref>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' is internally dated on [[page:E.1939.65.357 K4r.jpg|page K4r]].</ref> (Paurñfeyndt's text would be reprinted by [[Christian Egenolff]] four times between 1531 and 1558,<ref>The first three printings of ''Der Altenn Fechter anfengliche Kunst'' are undated, but the first edition must have been produced between 1531, when Egenolff set up his shop in Frankfurt-am-Main, and artist Hans Weiditz' death in 1537; the second and third editions were released some time before Egenolff's own death in 1555. The only dated edition was published by Egenolff's heirs in 1558 (see [[page:DAFaK 1558 mIIIv.jpg|page XLVIIv]]).</ref> transcribed by [[Lienhart Sollinger]] into the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] in 1564,<ref>The material in [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] based on Paurñfeyndt is internally dated on [[page:Cod.I.6.2º.2 71r.jpg|folio 71r]]</ref> and translated to [[Middle Walloon]] and printed by [[Willem Vorsterman]] in 1538.<ref>''La noble science des ioueurs d'espee'' is internally dated on [[page:Hn 236 35v.jpg|page 35v]].</ref>)
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The oldest known copies of this work are two manuscripts from the early 16th century, [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (1504-19) and [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508). It was also published by Freifechter [[Andre Paurenfeyndt]] in 1516 as the final section of the teachings on the two-handed sword in his treatise ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay").<ref>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' is internally dated on [[Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|page 78]].</ref> (Paurenfeyndt's text would be reprinted by [[Christian Egenolff]] four times between 1531 and 1558,<ref>The first three printings of ''Der Altenn Fechter anfengliche Kunst'' are undated, but the first edition must have been produced between 1531, when Egenolff set up his shop in Frankfurt-am-Main, and artist Hans Weiditz' death in 1537; the second and third editions were released some time before Egenolff's own death in 1555. The only dated edition was published by Egenolff's heirs in 1558 (see [[page:DAFaK 1558 mIIIv.jpg|page 47v]]).</ref> transcribed by [[Lienhart Sollinger]] into the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. .6.2º.2]] in 1564,<ref>The material in [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. .6.2º.2]] based on Paurenfeyndt is internally dated on [[page:Cod.I.6.2º.2 71r.jpg|folio 71r]]</ref> and translated to [[Middle Walloon]] and printed by [[Willem Vorsterman]] in 1538.<ref>''La noble science des ioueurs d'espee'' is internally dated on [[Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|page 70]].</ref>)
  
 
== Treatise ==
 
== Treatise ==
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! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf}}<br/>by [[Michael Chidester]]</p>
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! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>by [[Michael Chidester]]</p>
 
! <p>''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]'' (1530s){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>by [[Michael Chidester]]</p>
 
! <p>''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]'' (1530s){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
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! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Transcription]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee]]'' (1538){{edit index|La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf}}<br/>by [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]</p>
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! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|La Noble Science des Ioueurs Despee]]'' (1538){{edit index|La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf}}<br/>by [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]</p>
  
 
|-  
 
|-  
| rowspan="3" | [[File:Paurñfeyndt 6.jpg|400px|center]]
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| rowspan="3" | [[File:Paurenfeyndt 6.jpg|400px|center]]
 
| <p>'''Play in the sweeping-upon'''</p>
 
| <p>'''Play in the sweeping-upon'''</p>
 
|  
 
|  
 
|  
 
|  
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|1|lbl=30.1}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|4|lbl=9r.4}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|4|lbl=9r.4}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|1|lbl=60r.1}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|1|lbl=60r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|1|lbl=24.1}}
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{{section|Page:MS Dresd.C.487 049r.png|3|lbl=49r.3|p=1}} {{section|Page:MS Dresd.C.487 049v.png|1|lbl=49v.1|p=1}}
 
{{section|Page:MS Dresd.C.487 049r.png|3|lbl=49r.3|p=1}} {{section|Page:MS Dresd.C.487 049v.png|1|lbl=49v.1|p=1}}
 
| {{section|Page:MS E.1939.65.341 022v.jpg|3|lbl=22v.3}}
 
| {{section|Page:MS E.1939.65.341 022v.jpg|3|lbl=22v.3}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|2|lbl=30.2}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|2|lbl=30.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|5|lbl=9r.5}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|5|lbl=9r.5}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|2|lbl=60r.2}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|2|lbl=60r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|2|lbl=24.2}}
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{{section|Page:MS E.1939.65.341 022v.jpg|4|lbl=22v.4}}
 
{{section|Page:MS E.1939.65.341 022v.jpg|4|lbl=22v.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|3|lbl=30.3}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.3}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|6|lbl=9r.6}}
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|6|lbl=9r.6}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|3|lbl=60r.3}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|3|lbl=60r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|3|lbl=24.3}}
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{{section|Page:MS E.1939.65.341 022v.jpg|5|lbl=22v.5}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|4|lbl=30.4}}
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| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|4|lbl=24.4}}
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{{section|Page:MS E.1939.65.341 023r.jpg|1|lbl=23r.1}}
 
{{section|Page:MS E.1939.65.341 023r.jpg|1|lbl=23r.1}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|5|lbl=30.5}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.5}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|7|lbl=9r.7}}
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|7|lbl=9r.7}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|5|lbl=60r.5}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|5|lbl=60r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|5|lbl=24.5}}
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{{section|Page:MS E.1939.65.341 023r.jpg|2|lbl=23r.2}}
 
{{section|Page:MS E.1939.65.341 023r.jpg|2|lbl=23r.2}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/37|6|lbl=30.6}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.6}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|8|lbl=9r.8|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|1|lbl=9v.1|p=1}}
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|8|lbl=9r.8|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|1|lbl=9v.1|p=1}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|6|lbl=60r.6}}
 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|6|lbl=60r.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/35|6|lbl=24.6}}
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|-  
 
|-  
| rowspan="2" | [[File:Paurñfeyndt 5.jpg|400px|center]]
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| <p>[10]</p>
 
| <p>[10]</p>
  
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{{section|Page:MS E.1939.65.341 023r.jpg|3|lbl=23r.3}}
 
{{section|Page:MS E.1939.65.341 023r.jpg|3|lbl=23r.3}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/39|1|lbl=32.1}}
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| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|3|lbl=10v.1}}
 
| {{section|Page:Cod.I.6.2º.2 60v.jpg|1|lbl=60v.1}}
 
| {{section|Page:Cod.I.6.2º.2 60v.jpg|1|lbl=60v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/41|1|lbl=30.1}}
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{{section|Page:MS E.1939.65.341 023r.jpg|4|lbl=23r.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/39|2|lbl=32.2}}
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| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|4|lbl=10v.4|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|1|lbl=11r.1|p=1}}
 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|4|lbl=10v.4|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|1|lbl=11r.1|p=1}}
 
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| {{section|Page:La noble science des ioueurs d'espee (Andre Paurñfeyndt) 1538.pdf/41|2|lbl=30.2}}
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{{section|Page:MS E.1939.65.341 023r.jpg|5|lbl=23r.5}}
 
{{section|Page:MS E.1939.65.341 023r.jpg|5|lbl=23r.5}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf/39|3|lbl=32.3}}
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| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
 
| {{section|Page:Cod.I.6.2º.2 60v.jpg|3|lbl=60v.3}}
 
| {{section|Page:Cod.I.6.2º.2 60v.jpg|3|lbl=60v.3}}
 
| <p><br/></p>
 
| <p><br/></p>
  
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| <p>[14] {{red|b=1|The barrier-guard,<ref>P. "side-guard".</ref> make it thusly:}}</p>
 
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{{sourcebox
 
{{sourcebox
  | work        = {{nowrap|''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''}}
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  | work        = {{nowrap|''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''}}
 
  | authors    = [[Michael Chidester]]
 
  | authors    = [[Michael Chidester]]
 
  | source link =  
 
  | source link =  
  | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516]]}}
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  | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516]]}}
 
  | license    = noncommercial
 
  | license    = noncommercial
 
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  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee]]''
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  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|La Noble Science des Ioueurs Despee]]''
 
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
 
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
 
  | source link =  
 
  | source link =  

Latest revision as of 05:12, 8 July 2021

Stuck im aufstreichen
Play in the sweeping-upon
Paurenfeyndt 6.jpg
Ascribed to
Date early 1500s (?)
Language
State of Existence Original hypothetical, several copies exist
Manuscript(s)
First Printed
English Edition
Tobler, 2001
Concordance by Michael Chidester

Stuck im aufstreichen ("Play in the sweeping-upon") is a brief German fencing manual from the early 16th century. The author of this treatise is unknown, though it has been variously attributed to Sigmund ain Ringeck (due to its presence in the MS Dresd.C.487, which was once erroneously attributed to Ringeck) and Andre Paurenfeyndt (who includes it in his treatment of long sword fencing, but who also borrows from other authors like Andre Lignitzer without attribution).

It consists of several plays of fencing with the two-handed sword, primarily from a low guard called iron gate or side guard, and it both mentions the Recital and shows familiarity with the principles of Liechtenauer's fencing. The iron gate is also discussed in an earlier treatise by Andres Juden, Hans Döbringer, Jobs von der Nissen, and Nicklass Preußen, but there is little technical overlap between the two works (though both treatises are included in MS E.1939.65.341).

The oldest known copies of this work are two manuscripts from the early 16th century, MS Dresd.C.487 (1504-19) and MS E.1939.65.341 (1508). It was also published by Freifechter Andre Paurenfeyndt in 1516 as the final section of the teachings on the two-handed sword in his treatise Ergrundung Ritterlicher Kunst der Fechterey ("Foundation of the Chivalric Art of Swordplay").[1] (Paurenfeyndt's text would be reprinted by Christian Egenolff four times between 1531 and 1558,[2] transcribed by Lienhart Sollinger into the Cod. Ⅰ.6.2º.2 in 1564,[3] and translated to Middle Walloon and printed by Willem Vorsterman in 1538.[4])

Treatise

Additional Resources

References

  1. Ergrundung Ritterlicher Kunst der Fechterey is internally dated on page 78.
  2. The first three printings of Der Altenn Fechter anfengliche Kunst are undated, but the first edition must have been produced between 1531, when Egenolff set up his shop in Frankfurt-am-Main, and artist Hans Weiditz' death in 1537; the second and third editions were released some time before Egenolff's own death in 1555. The only dated edition was published by Egenolff's heirs in 1558 (see page 47v).
  3. The material in Cod. Ⅰ.6.2º.2 based on Paurenfeyndt is internally dated on folio 71r
  4. La noble science des ioueurs d'espee is internally dated on page 70.
  5. D. nebenhůtten: "side-guard"; G. Eysenen pfort, "iron-gate"; P. uses both interchangeably in this section.
  6. streichn.
  7. D. "Here note to fence from the side-guards, that is, also the sweeps"; P. "Play in the sweeping-upon".
  8. wiewohl.
  9. G. "Item. Know that one shall execute the sweeps from the iron-gate from the left side because it is not as certain from the right."
  10. 10.00 10.01 10.02 10.03 10.04 10.05 10.06 10.07 10.08 10.09 10.10 10.11 10.12 10.13 10.14 10.15 10.16 Word omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  11. Clause omitted from the Dresden and Ergrundung Ritterlicher Kunst der Fechterey.
  12. P. "from his right shoulder".
  13. wiederhalten: lit. "hold against"; "to withstand, resist".
  14. einduplieren.
  15. 15.0 15.1 P. "ear".
  16. "As before" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  17. "-Around quickly" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  18. 18.0 18.1 18.2 18.3 18.4 Word omitted from the Glasgow.
  19. "The man and the sword" replaced by "his" in Ergrundung Ritterlicher Kunst der Fechterey.
  20. G. "the".
  21. 21.0 21.1 21.2 21.3 21.4 21.5 21.6 Word omitted from the Dresden.
  22. 22.0 22.1 22.2 22.3 22.4 22.5 Word omitted from the Dresden and the Glasgow.
  23. "And low with the hands" omitted from the Glasgow.
  24. "-In straight" omitted from the Dresden and Ergrundung Ritterlicher Kunst der Fechterey.
  25. "At hand" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  26. Clause omitted from the Dresden.
  27. 27.0 27.1 27.2 Clause omitted from the Glasgow.
  28. D. "the".
  29. "To your left side" omitted from the Glasgow.
  30. "Off from the sword and strike" omitted from the Dresden.
  31. D. haüpt, G. kopf.
  32. "You lay… guard, or" omitted from the Dresden and the Glasgow.
  33. stoß; this could either be to stab him or hit him.
  34. "Him under his sword" omitted from the Dresden and Glasgow.
  35. Word omitted from the Dresden and Ergrundung Ritterlicher Kunst der Fechterey.
  36. P. farñ: "drive".
  37. "Side of" omitted from the Dresden and Glasgow.
  38. "Behind his neck" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  39. Marginalia: The word schrit ("a step") appears over the word "sword" in the Dresden, and schret ("a step or make a step") appears under.
  40. obenauf.
  41. D. "opposite".
  42. "As before (to all sides)" omitted from the Dresden and the Glasgow.
  43. 43.0 43.1 Word omitted from the Glasgow and Ergrundung Ritterlicher Kunst der Fechterey.
  44. "In front" omitted from the Dresden.
  45. Alternately: "parrying(s)".
  46. 46.0 46.1 I.e. closing-in. It is not "the nach" (after) because nach is neuter and would be das nach. G. also writes die neche. næhe could also be "the boat".
  47. Corrected from »dem«.
  48. Corrected from »dim«.
  49. P. "side-guard".
  50. "And from… stands forward" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  51. Sentence omitted from the Dresden and the Glasgow.
  52. P. "side-guard".
  53. 53.0 53.1 Clause omitted from the Dresden and the Glasgow.
  54. "With that" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  55. P. "convenient".
  56. P. "then escape afterwards".
  57. "Bind on" omitted from the Dresden and the Glasgow.
  58. 58.0 58.1 58.2 Clause omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  59. "To the other side" omitted from Ergrundung Ritterlicher Kunst der Fechterey.
  60. P. "So thwart in before to his neck".
  61. P. "From the wrath-cut".
  62. "Fence someone and if [you]" omitted from the Dresden and the Glasgow.
  63. "With the wrath-cut or otherwise" omitted from the Dresden and the Glasgow.
  64. P. "arms".
  65. D., G. "will take".
  66. Sic, lit. "you".
  67. "And move… his head" omitted from the Dresden and the Glasgow.
  68. Corrected from »dinem«.