Wiktenauer logo.png

Difference between revisions of "Wiktenauer:Main page/Featured"

From Wiktenauer
Jump to navigation Jump to search
Line 1: Line 1:
 
{{Infobox writer
 
{{Infobox writer
| name                = [[Ridolfo Capo Ferro da Cagli]]
+
| name                = Ridolfo Capo Ferro da Cagli
 
| image                = File:Ridolfo Capo Ferro da Cagli portrait.png
 
| image                = File:Ridolfo Capo Ferro da Cagli portrait.png
 
| imagesize            = 300px
 
| imagesize            = 300px

Revision as of 03:09, 18 December 2020

Ridolfo Capo Ferro da Cagli
Born 16th century
Died 17th century
Occupation Fencing master
Patron Federico Ubaldo della Roevere
Influences Camillo Aggrippa
Influenced Sebastian Heußler
Genres Fencing manual
Language Italian
Notable work(s) Gran Simulacro dell'Arte e dell'Uso della
Scherma
(1610)
Concordance by Michael Chidester

Ridolfo Capo Ferro da Cagli (Ridolfo Capoferro, Rodulphus Capoferrus) was a 17th century Italian fencing master.

He seems to have been born in the town of Cagli in the Province of Pesaro e Urbino, and was a resident of Siena, Tuscany. Little is known about the life of this master, though the dedication to Federico Ubaldo della Roevere, the young son of Duke Francesco Maria Feltrio della Roevere, may indicate that he was associated with the court at Urbino in some capacity. The statement at the beginning of Capo Ferro's treatise describing him as a "master of the great German nation" likely signifies that he was faculty at the University of Siena, either holding a position analogous to dean of all German students, or perhaps merely the fencing master who taught the German students.

At the age of 52, Capo Ferro authored a treatise on the rapier entitled Gran Simulacro dell'Arte e dell'Uso della Scherma ("Great Representation of the Art and Use of Fencing"); it was published in Siena in 1610, but refers to Federico by the ducal title. Though this treatise is highly praised by modern fencing historians, it is neither comprehensive nor particularly innovative and does not seem to have been influential in its own time.

Treatise

This concordance uses the watercolor illustrations from the 1629 edition where they are available, except for a few in which the paint obscures the actual fencing actions. You can view all of the painted illustrations on the treatise page.

(Read more…)


Recently Featured:
Antonio Manciolino – Nicoletto Giganti – Hans Talhoffer – Adam van Breen – Francesco Fernando Alfieri