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{{infobox writer
 
{{infobox writer
| name                = [[name::Francesco Fernando Alfieri]]
+
| name                = [[name::Federico Ghisliero]]
| image                = File:Francesco Fernando Alfieri.png
+
| image                = File:Ghisliero portrait.jpg
| imagesize            = 200px
+
| imagesize            = 250px
| caption              = Portrait from 1640
+
| caption              =  
  
 
| pseudonym            =  
 
| pseudonym            =  
 
| birthname            =  
 
| birthname            =  
| birthdate            = 16th century (?)
+
| birthdate            =  
 
| birthplace          =  
 
| birthplace          =  
| deathdate            = 17th century
+
| deathdate            = 1619
| deathplace          =  
+
| deathplace          = Turino
| resting_place        =
+
| occupation          = [[occupation::Soldier]]  
| occupation          = [[Fencing master]]{{#set:occupation=Fencing master}}
+
| nationality          =  
| language            = [[Italian]]
 
| nationality          = [[Italian]]
 
 
| ethnicity            =  
 
| ethnicity            =  
| citizenship          =  
+
| citizenship          = Bologna
 
| education            =  
 
| education            =  
 
| alma_mater          =  
 
| alma_mater          =  
 
| patron              =  
 
| patron              =  
  
 +
| spouse              =
 +
| children            =
 +
| relatives            =
 
| period              =  
 
| period              =  
| genre                = [[Fencing manual]]
 
| subject              =
 
 
| movement            =  
 
| movement            =  
| notableworks        = {{collapsible list
+
| influences          = {{plainlist
  | ''[[La Bandiera (Francesco Fernando Alfieri)|La Bandiera]]'' (1638)
+
  | [[Camillo Agrippa]]
  | ''[[La Scherma (Francesco Fernando Alfieri)|La Scherma]]'' (1640)
+
  | [[Giovanni dall'Agocchie]] (?)
| ''[[La Picca (Francesco Fernando Alfieri)|La Picca]]'' (1641)
+
  | [[Jerónimo Sánchez de Carranza]] (?)
  | ''[[L’arte di ben maneggiare la spada (Francesco Fernando Alfieri)|L’arte di ben maneggiare la spada]]'' (1653)
 
 
}}
 
}}
| manuscript(s)        =  
+
| influenced          =
 +
 
 +
| genre                = [[Fencing manual]]
 +
| language            = [[language::Italian]]
 +
| notableworks        = ''[[Regole di molti cavagliereschi essercitii (Federico Ghisliero)|Regole di molti cavagliereschi essercitii]]'' (1587)
 +
| archetype            =
 +
| manuscript(s)        = M.A.M. Ghisliero MS (1585)
 
| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition=  
 
| first printed edition=  
 
| wiktenauer compilation by=
 
| wiktenauer compilation by=
  
| spouse              =
 
| partner              =
 
| children            =
 
| relatives            =
 
| influences          =
 
| influenced          =
 
| awards              =
 
 
| signature            =  
 
| signature            =  
| website              =
 
 
| translations        =  
 
| translations        =  
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Francesco Fernando Alfieri''' was a [[century::17th century]] [[nationality::Italian]] [[fencing master]]. Little is known about his life, but ''Alfieri'' means "Ensign" which might be a military title rather than a family name. In his fencing treatise of 1640, he identifies himself as a master-at-arms to the Accademia Delia in Padua, and indicates that he had long experience at that time
+
'''Federico Ghisliero''' (Ghislieri; d. 1619) was a Bolognese soldier and fencer. Little is know about his early life, but he came from a Bolognese family and studied fencing under [[Silvio Piccolomini]]. He lead a long military career that included serving under the famous commander Alessandro, Duke of Parma, in Flanders in 1582. He was also a friend of Galileo Galilei and a prolific writer, though unfortunately most of his writings were destroyed in a fire at the University of Turin in 1904.
 +
 
 +
In 1587, he published a fencing treatise called ''[[Regole di molti cavagliereschi essercitii (Federico Ghisliero)|Regole di molti cavagliereschi essercitii]]'' ("Rules for Many Knightly Exercises"); two versions of the book exist, and it's unclear which was created first. One is dedicated to Antonio Pio Bonello, a well-known soldier and distant relative of Ghisliero, and the other to Ranuccio Farnese, who was 18 years old at the time and Alessandro's heir.
 +
 
 +
Ghisliero's treatise is notable for his use of geometry in relation to fencing, using concentric circles centered on where the fencer has placed most of their weight (often, but not always, the back foot), and sometimes including multiple versions of each figure in an illustration to show the progression of the movements he describes. He also seems to be the first author to reference the ''Vitruvian Man'' in a fencing treatise. However, his treatise is unique in that it was printed without any illustrations at all, and they had to be drawn in by hand. It's unclear whether this indicates that he intended to have printing plates made but was unable to do so, or that his plan from the start was to have the books vary based on how much art each buyer was willing to pay for.
  
In 1638, Alfieri published a treatise on flag drill entitled ''[[La Bandiera (Francesco Fernando Alfieri)|La Bandiera]]'' ("The Banner"). This was followed in 1640 by ''[[La Scherma (Francesco Fernando Alfieri)|La Scherma]]'' ("On Fencing"), in which he treats the use of the [[rapier]]. Not content with these works, in 1641 he released ''[[La Picca (Francesco Fernando Alfieri)|La Picca]]'' ("The Pike"), which not only covers [[pike]] drill, but also includes a complete reprint of ''La Bandiera'' (complete with title page dated 1638). His treatise on rapier seems to have been especially popular, as it was reprinted in 1646 and then received a new edition in 1653 titled ''[[L’arte di ben maneggiare la spada (Francesco Fernando Alfieri)|L’arte di ben maneggiare la spada]]'' ("The Art of Handling the Sword Well"), which not only includes the entirety of the 1640 edition, but also adds a concluding section on the [[spadone]].
+
Ghisliero died in Turino in 1619.
  
([[Francesco Fernando Alfieri|Read more]]…)
+
([[Federico Ghisliero|Read more]]…)
  
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Latest revision as of 00:51, 29 March 2024

Federico Ghisliero
Died 1619
Turino
Occupation Soldier
Citizenship Bologna
Influences
Genres Fencing manual
Language Italian
Notable work(s) Regole di molti cavagliereschi essercitii (1587)
Manuscript(s) M.A.M. Ghisliero MS (1585)

Federico Ghisliero (Ghislieri; d. 1619) was a Bolognese soldier and fencer. Little is know about his early life, but he came from a Bolognese family and studied fencing under Silvio Piccolomini. He lead a long military career that included serving under the famous commander Alessandro, Duke of Parma, in Flanders in 1582. He was also a friend of Galileo Galilei and a prolific writer, though unfortunately most of his writings were destroyed in a fire at the University of Turin in 1904.

In 1587, he published a fencing treatise called Regole di molti cavagliereschi essercitii ("Rules for Many Knightly Exercises"); two versions of the book exist, and it's unclear which was created first. One is dedicated to Antonio Pio Bonello, a well-known soldier and distant relative of Ghisliero, and the other to Ranuccio Farnese, who was 18 years old at the time and Alessandro's heir.

Ghisliero's treatise is notable for his use of geometry in relation to fencing, using concentric circles centered on where the fencer has placed most of their weight (often, but not always, the back foot), and sometimes including multiple versions of each figure in an illustration to show the progression of the movements he describes. He also seems to be the first author to reference the Vitruvian Man in a fencing treatise. However, his treatise is unique in that it was printed without any illustrations at all, and they had to be drawn in by hand. It's unclear whether this indicates that he intended to have printing plates made but was unable to do so, or that his plan from the start was to have the books vary based on how much art each buyer was willing to pay for.

Ghisliero died in Turino in 1619.

(Read more…)

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