View source for Stuck im aufstreichen

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{{infobox medieval text
<!-----------Name---------->
| name                  = ''[[name::Stuck im aufstreichen]]''
| alternative title(s)  = Play in the sweeping-upon
<!----------Image---------->
| image                 = File:Paurenfeyndt 6.jpg
| width                 = 300px
| caption               = 
<!----------Information---------->
| full title            = 
| also known as         = 
| author(s)             = 
| ascribed to           = {{plainlist
 | [[Andre Paurenfeyndt]]
 | [[Sigmund ain Ringeck]]
}}
| compiled by           = 
| illustrated by        = 
| patron                = 
| dedicated to          = 
| audience              = 
| language              = {{plainlist
 | [[language::Early New High German]]
 | [[language::Middle French]]
}}
| date                  = early 1500s (?)
| date of issue         = 
| provenance            = 
| state of existence    = Original hypothetical, several copies exist
| authenticity          = 
| series                = 
| archetype             = Currently lost
| manuscript(s)         = {{plainlist
 | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] (1504-19)
 | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
 | [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
}}
| principal manuscript(s)=
| first printed edition = Tobler, 2001
| wiktenauer compilation by= [[Michael Chidester]]
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| sources               = 
| translations          = {{plainlist
 | {{English translation|http://www.hemac.org/data/Ringeck%20translation%20project%20by%20David%20Rawlings.doc|1}}
 | {{Italian translation|https://fedemalablog.wordpress.com/sigmund-ringeck/|1}}
 | {{Slovak translation|http://sermiari.sk/ringeck-addendum/|1}}
 | {{Spanish translation|https://sites.google.com/view/brenstark-esgrima-antigua/traducciones/traducci%C3%B3n-de-stuck-im-aufstreichen|1}}
<!-- | {{Spanish translation|http://www.aveh.eu/documentos/EdadMedia/Ringekcas.pdf|1}}-->
 | {{Swedish translation|http://www.ghfs.se/langsvard/#tab-id-3|1}}
}}
| below                 = 
}}
'''''Stuck im aufstreichen''''' ("Play in the sweeping-upon") is a brief [[nationality::German]] [[fencing manual]] from the early [[century::16th century]]. The author of this treatise is unknown, though it has been variously attributed to [[Sigmund ain Ringeck]] (due to its presence in the MS Dresd.C.487, which was once erroneously attributed to Ringeck) and [[Andre Paurenfeyndt]] (who includes it in his treatment of long sword fencing, but who also borrows from other authors like [[Andre Lignitzer]] without attribution). 

It consists of several plays of fencing with the two-handed sword, primarily from a low guard called [[iron gate]] or [[side guard]], and it both mentions the Recital and shows familiarity with the principles of [[Liechtenauer]]'s fencing. The iron gate is also discussed in an [[Other Masters (14th Century)|earlier treatise]] by [[Andres Juden]], [[Hans Döbringer]], [[Jobs von der Nissen]], and [[Nicklass Preußen]], but there is little technical overlap between the two works (though both treatises are included in MS E.1939.65.341).

The oldest known copies of this work are two manuscripts from the early 16th century, [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (1504-19) and [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508). It was also published by Freifechter [[Andre Paurenfeyndt]] in 1516 as the final section of the teachings on the two-handed sword in his treatise ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay").<ref>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' is internally dated on [[Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|page 78]].</ref> (Paurenfeyndt's text would be reprinted by [[Christian Egenolff]] four times between 1531 and 1558,<ref>The first three printings of ''Der Allten Fechter gründtliche Kunst'' are undated, but the first edition must have been produced between 1531, when Egenolff set up his shop in Frankfurt-am-Main, and artist Hans Weiditz' death in 1537; the second and third editions were released some time before Egenolff's own death in 1555. The only dated edition was published by Egenolff's heirs in 1558 (see [[page:DAFaK 1558 mIIIv.jpg|page 47v]]).</ref> transcribed by [[Lienhart Sollinger]] into the [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] in 1564,<ref>The material in [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] based on Paurenfeyndt is internally dated on [[page:Cod.I.6.2º.2 71r.jpg|folio 71r]]</ref> and translated to [[Middle French]] and printed by [[Willem Vorsterman]] in 1538.<ref>''La noble science des ioueurs d'espee'' is internally dated on [[Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|page 70]].</ref>)

== Treatise ==

{{master begin
 | title = Sword
 | width = 270em
}}
{| class="master"
|- 
! <p>Images</p>
! <p>{{rating|B|Complete Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p></p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)‎‎|Egenolff's Edition]] (1530s){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Transcription]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf}}<br/>Transcribed by [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michaël&nbsp;Huber]]</p>

|- 
| rowspan="2" | 
| <p>[1] {{red|b=1|Here note how one shall fence with the long sword from the guard which is called the iron-gate [or] side-guard,<ref>D. ''nebenhůtten'': "side-guard"; G. '' Eysenen pfort'', "iron-gate"; P. uses both interchangeably in this section.</ref> and how one shall execute the sweeps<ref>''streichn''.</ref> from it. For there are many good plays which come from this, which many masters of the sword know nothing to speak about them.}}<ref>D. "Here note to fence from the side-guards, that is, also the sweeps"; P. "Play in the sweeping-upon".</ref></p>
| 
| {{section|Page:MS Dresd.C.487 049r.png|1|lbl=49r.1}}
| {{section|Page:MS E.1939.65.341 022v.jpg|1|lbl=22v.1}}
| 
| 
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|- 
| <p>[2] Know that [there] is good fencing from the sweeps, although<ref>''wiewohl''.</ref> they are not named in the Recital. Yet the plays from the Recital arise when one fences from them. And one shall execute the sweeps from the left side, because when they are from the right they are not as certain as from the left.<ref>G. "Item. Know that one shall execute the sweeps from the iron-gate from the left side because it is not as certain from the right."</ref></p>
| 
| {{section|Page:MS Dresd.C.487 049r.png|2|lbl=49r.2}}
| {{section|Page:MS E.1939.65.341 022v.jpg|2|lbl=22v.2}}
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| 

|- 
| rowspan="7" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt A.png|x250px|center]]
| [[File:Paurenfeyndt H.png|x250px|center]]
|}
<br/>
[[File:Egenolff 3.jpg|300px|center|thumb]]
| <p>[3] '''An upsweep play'''<ref name="Title">Title omitted from Dresden and Glasgow.</ref></p>

<p>{{red|b=1|Item.<ref name="word-p">Word omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> Execute the first play thusly}}:<ref name="clause-dp">Clause omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> when you lay in the side-guard to your left side and someone cleaves-in to you downward from above,<ref>P. "from his right shoulder".</ref> so firmly sweep onto his sword with the short edge. If he holds<ref>''wiederhalten'': lit. "hold against"; "to withstand, resist".</ref> strongly against [it] and is not too high with the hands, double-in<ref>''einduplieren''.</ref> with the short edge (between him and his sword) on the left side to his neck.<ref name="ear-p">P. "ear".</ref></p>
| <p>'''Piece on raising'''</p>

<p>When you are in the near guard on your left side and when someone shoots the high cut on your head from his left armpit, raise up from below his sword with the short edge. If he presses strongly against you and if he is not in high point with his hands, double between the man and his sword with the short edge towards his left ear.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 049r.png|3|lbl=49r.3|p=1}} {{section|Page:MS Dresd.C.487 049v.png|1|lbl=49v.1|p=1}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 022v.jpg|3|lbl=22v.3}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}

{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|2|lbl=-}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|4|lbl=9r.4}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|5|lbl=-}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|1|lbl=60r.1}}

{{section|Page:Cod.I.6.2º.2 60r.jpg|2|lbl=-}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|1|lbl=24.1}}

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|2|lbl=-}}

|- 
| <p>[4] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When one sweeps}}-on to the sword {{red|b=1|as before}},<ref>"As before" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> if he holds strongly against, so strike-around quickly<ref>"-Around quickly" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> with the thwart-cut to his left side, and double-in again<ref name="word-g">Word omitted from the Glasgow.</ref> to his right side, between the man and the<ref>"The man and the sword" replaced by "his" in ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> sword, with the long edge on his<ref name="the-g">G. "the".</ref> neck.<ref name="ear-p"/></p>
| <p>'''Another'''</p>

<p>When you raise against his sword and if he presses strongly against you, strike the work on his left side and double again between his sword and strike towards his right ear with the long edge.</p>
| 
| <p><br/></p>

{{section|Page:MS E.1939.65.341 022v.jpg|4|lbl=22v.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|6|lbl=9r.5}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|3|lbl=60r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|3|lbl=24.2}}

|- 
| <p>[5] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you sweep underneath<ref name="word-d">Word omitted from the Dresden.</ref> onto his sword}} as before, and<ref name="word-dg">Word omitted from the Dresden and the Glasgow.</ref> if he is then soft upon the sword and low with the hands,<ref>"And low with the hands" omitted from the Glasgow.</ref> so cleave-in straight<ref>"-In straight" omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> above with the long edge to the opening at hand.<ref>"At hand" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref></p>
| <p>'''Another'''</p>

<p>When you raise from low to high against his sword and if he is gentle with the said sword and with lower hands, strike with the long edge high towards his open target.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 049v.png|2|lbl=49v.2}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 022v.jpg|5|lbl=22v.5}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
| 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|4|lbl=60r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|4|lbl=24.3}}

|- 
| <p>[6] {{red|b=1|Item. When you sweep onto his sword}},<ref name="clause-d">Clause omitted from the Dresden.</ref> or<ref name="word-g"/> if he falls with the sword strongly onto yours, so drive quickly above his sword with the pommel, and remain thereupon with the hands<ref name="clause-g">Clause omitted from the Glasgow.</ref> and allow your<ref name="the-d">D. "the".</ref> point backwards to your left side,<ref>"To your left side" omitted from the Glasgow.</ref> and snap-off from the sword and strike<ref>"Off from the sword and strike" omitted from the Dresden.</ref> with the short side to the head.<ref>D. ''haüpt'', G. ''kopf''.</ref></p>
| 
| {{section|Page:MS Dresd.C.487 049v.png|3|lbl=49v.3}}
| {{section|Page:MS E.1939.65.341 022v.jpg|6|lbl=22v.6}}
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|- 
| <p>[7] {{red|b=1|Item. When you sweep}} onto his sword, if he then<ref name="word-d"/> drives high up and winds, so strike him in the right side with outstretched arms, and with that step to the back.</p>
| 
| {{section|Page:MS Dresd.C.487 050r.png|1|lbl=50r.1}}
| {{section|Page:MS E.1939.65.341 022v.jpg|7|lbl=22v.7}}
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|- 
| <p>[8] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you sweep onto his sword}}, if he drives high up and winds, so strengthen with the long edge. If he then strikes-around again<ref name="word-dg"/> with the thwart, so strike him into the left side with a step away.</p>
| <p>'''Another'''</p>

<p>When you touch his sword and if he raises up, turns to strike with the long edge, and strikes again with the work; strike his left side with a step back.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 050r.png|2|lbl=50r.2}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023r.jpg|1|lbl=23r.1}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|7|lbl=9r.6}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|5|lbl=60r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|5|lbl=24.4}}

|- 
| <p>[9] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item}}.<ref name="word-p"/> When you lay in the side-guard or<ref>"You lay… guard, or" omitted from the Dresden and the Glasgow.</ref> {{red|b=1|you execute the sweeps to the man}}, and if he then holds his sword athwart before him and is high with the arms and wishes to fall onto your sword, so sweep onto his sword below and slash him on the arm, or jab<ref>''stoß''; this could either be to stab him or hit him.</ref> him under his sword<ref>"Him under his sword" omitted from the Dresden and Glasgow.</ref> on the<ref name="word-p"/> chest.</p>
| <p>'''Another'''</p>

<p>When you are in the near guard or if you lead the cuts towards the man, if he pulls his sword crossed in front of himself and wants to fall above you with the arms raised high, strike below his sword to his chest.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 050r.png|3|lbl=50r.3|p=1}} {{section|Page:MS Dresd.C.487 050v.png|1|lbl=50v.1|p=1}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023r.jpg|2|lbl=23r.2}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|8|lbl=9r.7|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|1|lbl=9v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|6|lbl=60r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|6|lbl=24.5}}

|- 
| rowspan="4" | [[File:Paurenfeyndt 5.jpg|400px|center]]
<br/>
[[File:Egenolff 1.jpg|300px|center|thumb]]
| <p>[10] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-dp">Word omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> If he is low with the hands}} and will fall<ref>P. ''farñ'': "drive".</ref> upon you, so sweep-through to the other side and jab him in the chest. So have [you] changed-through.</p>
| <p>'''Another'''</p>

<p>If he is with his hands low and wants to raise up, shoot over and thrust at his chest on the other side and then disengage<ref>Lit. “Pass in change.”</ref>.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 050v.png|2|lbl=50v.2}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023r.jpg|3|lbl=23r.3}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|3|lbl=10v.1}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|1|lbl=60v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|1|lbl=30.1}}

|- 
| <p>[11] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you sweep-through}}, so fall on his sword with the long edge and wind to your left side (such that your thumb comes under), and drive with the long edge upon the right side of<ref>"Side of" omitted from the Dresden and Glasgow.</ref> his neck with the strong, and spring with the right foot behind his left<ref>"Behind his neck" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> and move him with the sword<ref>Marginalia: The word ''schrit'' ("a step") appears over the word "sword" in the Dresden, and ''schret'' ("a step or make a step") appears under.</ref> thereover.</p>
| <p>'''Another'''</p>

<p>When you shoot over, if you run down with the long point or tip on his sword and turn on your left side so that your thumb comes up, move into him forcefully with the long edge to the right of his neck. Step forward with your right foot, and shoot over him.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 050v.png|3|lbl=50v.3}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023r.jpg|4|lbl=23r.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|4|lbl=10v.4|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|1|lbl=11r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|2|lbl=60v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|2|lbl=30.2}}

|- 
| <p>[12] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you change-through from the sweeps}} and arrive on the other side on top<ref>''obenauf''.</ref> of his sword, you may execute the play just as well as before to the other<ref>D. "opposite".</ref> side, with fleshwounds and with all things as before (to all sides).<ref>"As before (to all sides)" omitted from the Dresden and the Glasgow.</ref></p>
| <p><br></p>

<p>When you disengage, come to the other side above his sword so that you can do similar cases well.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 050v.png|4|lbl=50v.4|p=1}} {{section|Page:MS Dresd.C.487 051r.png|1|lbl=51r.1|p=1}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023r.jpg|5|lbl=23r.5}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|3|lbl=32.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|3|lbl=60v.3}}
| <p><br/></p>

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|3|lbl=30.3}}

|- 
| <p>[13] {{red|b=1|Note an onset<ref>P. "Fencing".</ref> from the setting-aside}}</p>

<p>{{red|b=1|Item.<ref name="word-gp">Word omitted from the Glasgow and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> When you fence with someone and when you come closing in to him}}, so approach in the plow, and drive it swiftly with winding from one side to the other and such that your point always<ref name="word-dg"/> stands still in front,<ref>"In front" omitted from the Dresden.</ref> and from that you may execute the parries;<ref>Alternately: "parrying(s)".</ref> this is the “nearing”<ref name="nearing">I.e. closing-in. It is not "the ''nach''" (after) because ''nach'' is neuter and would be ''das nach''. G. also writes ''die neche''. ''næhe'' could also be "the boat".</ref> and into that you may strengthen with the long edge, and from that execute all the afore-named plays. You may also set-aside cuts and thrusts, and break them simply with winding, and seek the openings with the point.</p>
| <p>'''Fight to move in on him.'''</p>

<p>When you fight with someone and approach him and if you come in the cross and drive him out, calmly turning from one side to the other, let your tip remain in front of you so that you can make the defense. And note this next: strengthen after with the long edge and from that perform all of the aforementioned cases or pieces. You can also defend with the point and break him by striking and disengaging, seeking defense with the tip.</p>
| 
{{section|Page:MS Dresd.C.487 051r.png|2|lbl=51r.2|p=1}} {{section|Page:MS Dresd.C.487 051v.png|1|lbl=51v.1|p=1}}
| {{section|Page:MS E.1939.65.341 023r.jpg|6|lbl=23r.6}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|3|lbl=11r.3}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|4|lbl=60v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|4|lbl=30.4}}

|- 
| rowspan="6" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt E.png|x250px|center]]
| [[File:Paurenfeyndt D.png|x250px|center]]
|}
| <p>[14] {{red|b=1|The barrier-guard, make it thusly:}}<ref>P. "Side guard".</ref></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you fence with someone and come closing into him}}, so stand with the left foot forward and lay the sword with the point upon the ground to your right side and<ref name="word-p"/> such that the long edge is above; and from the left side, the short edge below<ref name="word-g"/> and the right<ref name="word-d"/> foot stands<ref name="word-g"/> forward.<ref>"And from… stands forward" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> This goes to both sides.<ref name="sentence-dg">Sentence omitted from the Dresden and the Glasgow.</ref></p>
| <p>'''Side guard.'''</p>

<p>When you engage with someone and approach him, set your left foot forward, putting the point of the sword to the ground towards your right side, and the long edge up. This goes for both sides.</p>
| {{section|Page:MS Dresd.C.487 051v.png|2|lbl=51v.2}}
| {{section|Page:MS E.1939.65.341 023v.jpg|1|lbl=23v.1}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|2|lbl=12r.2}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|1|lbl=61r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|1|lbl=36.1}}

|- 
| <p>[15] {{red|b=1|This play executes from the barrier-guard thusly:}}<ref>P. "Play from the side guard".</ref></p>

<p>Item.<ref name="word-p"/> If one cuts above to you or from under up (or wherever it otherwise is),<ref name="clause-dg">Clause omitted from the Dresden and the Glasgow.</ref> so cleave-in to him crooked into the opening with a step-out.</p>
| <p>'''Piece.'''</p>

<p>If someone strikes from above or however towards you, strike him inwards or curve or from the side towards his opening with a downwards strike.</p>
| {{section|Page:MS Dresd.C.487 051v.png|3|lbl=51v.3}}
| {{section|Page:MS E.1939.65.341 023v.jpg|2|lbl=23v.2}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|3|lbl=12r.3}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|2|lbl=61r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|2|lbl=36.2}}

|- 
| <p>[16] Item. Or cut him crooked to the flats and as soon as it sparks, seek the “nearing”<ref name="nearing"/> with the short edge.</p>
| 
| 
{{section|Page:MS Dresd.C.487 051v.png|4|lbl=51v.4|p=1}} {{section|Page:MS Dresd.C.487 052r.png|1|lbl=52r.1|p=1}}
| {{section|Page:MS E.1939.65.341 023v.jpg|3|lbl=23v.3}}
| 
| 
| 
| 

|- 
| <p>[17] '''Another'''<ref name="Title"/></p>

<p>Item.<ref name="word-p"/> Or execute the inverter into his face with the point, and when he binds-on to you, so strengthen with the long edge and [you] may execute any plays which are afore named in the striking.</p>
| <p>'''Another.'''</p>

<p>Drive out with the defender<ref>Possibly a mistranslation of “verkerker” as “imprisoner” or "deffendeur" is the French jargon for "verkeren".</ref> inwards. With the tip towards his face and when he moves in, strengthen with the long edge, and you can make the aforementioned pieces regarding the raising.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 052r.png|2|lbl=52r.2}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 023v.jpg|4|lbl=23v.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|4|lbl=12r.4}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|3|lbl=61r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|3|lbl=36.3}}

|- 
| <p>[18] {{red|b=1|This is called the little-wheel}}<ref>P. "Explanation of the advice".</ref></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you fence with another, so stretch your arm from you long}} and such that your thumb remains upon the sword above, and wind the sword<ref name="word-g"/> around with the point in front of you, just like a little-wheel; with that you may execute<ref name="clause-dg"/> from below swiftly to your left side and with that<ref>"With that" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> go to the man, and from that you may change-through or bind-on to whichever side you wish, and when you have bound-upon, you may execute whatever play you wish that you think best,<ref>P. "convenient".</ref> as before.<ref name="clause-g"/><ref>P. "then escape afterwards".</ref></p>
| <p>'''Demonstration on the ring.'''</p>

<p>When you engage with someone, stretch your hands out from you and turn the sword with the tip away from you. You can quickly raise from below and cross to cross on your left side. In going towards the man, you can also disengage to the side you want, or pick a piece that you like or serves you.</p>
| 
{{section|Page:MS Dresd.C.487 052r.png|3|lbl=52r.3|p=1}} {{section|Page:MS Dresd.C.487 052v.png|1|lbl=52v.1|p=1}}
| {{section|Page:MS E.1939.65.341 023v.jpg|5|lbl=23v.5}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|5|lbl=12r.5}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|4|lbl=61r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|4|lbl=36.4}}

|- 
| <p>[19] {{red|b=1|Item.<ref name="word-dp"/> Break the thwart thusly}}<ref name="word-p"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> When you stand in the<ref name="word-d"/> guard from-the-roof and one}} cuts {{red|you}} with the thwart, simultaneously cleave-in to him with the wrath-cut, and bind on<ref>"Bind on" omitted from the Dresden and the Glasgow.</ref> his sword with strength, and seek the openings with the point;<ref name="clause-p">Clause omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> and if he then<ref name="word-p"/> wishes to strike-around it to the other side<ref>"To the other side" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> with the thwart, so come before with the thwart under his sword to his neck, or slice him with the long edge into the arm when he strikes-around.<ref>P. "So thwart in before to his neck".</ref></p>
| <p>'''Break the strong cut.'''</p>

<p>When you are in high guard and someone strikes towards you with the work, if you strike inside with the soured<ref>Lit. turned as in “soured” or “embittered”.</ref> or anger cut<ref>Zornhau.</ref> to him, and if he wants to strike around with the work, then put it in front of his neck after. So too can you perform all the pieces that are like the launches.</p>
| {{section|Page:MS Dresd.C.487 052v.png|2|lbl=52v.2}}
| 
{{section|Page:MS E.1939.65.341 023v.jpg|6|lbl=23v.6|p=1}} {{section|Page:MS E.1939.65.341 024r.jpg|1|lbl=24r.1|p=1}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|6|lbl=12r.6}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|5|lbl=61r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|5|lbl=36.5}}

|- 
| rowspan="4" class="noline" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt K.png|x250px|center]]
| [[File:Paurenfeyndt B.png|x250px|center]]
|}
| <p>[20] {{red|b=1|A break against the break}}<ref>P. "Another".</ref></p>

<p>Item.<ref name="word-dg"/> {{red|b=1|Note}},<ref name="word-d"/> when you thwart, and one wishes to also come before ahead with the thwart under your sword on the neck, so fall-down<ref name="word-gp"/> in-the-moment<ref name="word-d"/> with the long edge strongly onto his sword, thus is it broken. And<ref name="word-d"/> take the nearest opening which may appear to you.</p>
| <p>'''Another.'''</p>

<p>When you defend and in defending from another you want to first dispatch below your sword, move into him with the long edge strongly on his sword, and he is broken.</p>
| {{section|Page:MS Dresd.C.487 053r.png|1|lbl=53r.1}}
| {{section|Page:MS E.1939.65.341 024r.jpg|2|lbl=24r.2}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|4|lbl=11v.4}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|1|lbl=61v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|1|lbl=34.1}}

|- 
| <p>[21] {{red|b=1|Against the slice below into the arms<ref>P. "From the wrath-cut".</ref>}}</p>

<p>{{red|b=1|Item}}.<ref name="word-p"/> When you fence someone and if [you]<ref>"Fence someone and if [you]" omitted from the Dresden and the Glasgow.</ref> cleave-in to him with the wrath-cut (or otherwise)<ref>"With the wrath-cut or otherwise" omitted from the Dresden and the Glasgow.</ref> from above downward,<ref name="word-dg"/> and he parries it and drives high with the hilt,<ref>P. "arms".</ref> and you as well,<ref name="clause-p"/> and [you] both<ref name="word-dg"/> run-in with each other, so take the under-slice; and if he is then so prudent and wishes to take<ref>D., G. "will take".</ref> the under-slice to you, under your hands into the arms, follow-after underneath his sword with the long edge and press down; thus you have broken it, and seek the openings.</p>
| <p>'''Anger cut.'''</p>

<p>When you engage with someone and strike him with an anger cut or however from high to low and when he defends against you, reaching with his arms upwards, and when both of you move in on one another; if he then wants to block or break your tip from below the hands in between to the arms, therefore follow his sword, pulling with the long edge, and press strongly down. Thus you have broken him.</p>
| 
{{section|Page:MS Dresd.C.487 053r.png|2|lbl=53r.2|p=1}} {{section|Page:MS Dresd.C.487 053v.png|1|lbl=53v.1|p=1}}
| {{section|Page:MS E.1939.65.341 024r.jpg|3|lbl=24r.3}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|5|lbl=11v.5}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|2|lbl=61v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|2|lbl=34.2}}

|- 
| <p>[22] '''Another'''<ref name="Title"/></p>

<p>{{red|b=1|Item.<ref name="word-p"/> But when you come high with the arms, and if he also goes}} thusly and again runs-in, and if he will then jab with the pommel [either] through the arms, under your hands, under the eyes, or on the chest, then drive below with the pommel strongly with the arms, and move into him<ref>Sic, lit. "you".</ref> and strike him with your sword upon his head;<ref>"And move… his head" omitted from the Dresden and the Glasgow.</ref> thus you have broken it.<ref name="clause-p"/></p>
| <p>'''Another.'''</p>

<p>Or when you come with the arms high and another does too and runs in at you, if he wants with the pommel through your arms and below your hips to bash into your face or the chest; then move in with the pommel strongly below your hands. And in pulling towards yourself, strike with the sword on his head.</p>
| <p><br/></p>

{{section|Page:MS Dresd.C.487 053v.png|2|lbl=53v.2}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 024r.jpg|4|lbl=24r.4}}
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|6|lbl=11v.6|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|1|lbl=12r|p=1}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|3|lbl=61v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|3|lbl=34.3}}

|- 
| class="noline" | <p>[23] {{red|b=1|Item. When you have bound-upon with someone and if he}} changes-through with the pommel and falls with the half-sword, this breaks simply with the over-slice; and in the slice,<ref name="clause-g"/> you may fall into the half sword and set-upon him.</p>
| class="noline" | 
| class="noline" | 
{{section|Page:MS Dresd.C.487 053v.png|3|lbl=53v.3|p=1}} {{section|Page:MS Dresd.C.487 054r.png|1|lbl=54r|p=1}}
| class="noline" | {{section|Page:MS E.1939.65.341 024r.jpg|5|lbl=24r.5}}
| class="noline" | 
| class="noline" | 
| class="noline" | 
| class="noline" | 

|}
{{master end}}

{{master begin
  | title = Copyright and License Summary
  | width = 100%
}}
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].

<section begin="sourcebox"/>{{sourcebox header}}
{{sourcebox
 | work        = Images
 | authors     = [[Herzog August Bibliothek]]
 | source link = http://diglib.hab.de/drucke/hn-236/start.htm
 | source title= Herzog August Bibliothek
 | license     = noncommercial
}}
{{sourcebox
 | work        = Translation (German)
 | authors     = [[translator::Christian Trosclair]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
{{sourcebox
 | work        = Translation (French)
 | authors     = [[translator::John Tse]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Glasgow Fechtbuch (E.1939.65.341)|Glasgow Transcription]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Glasgow Fechtbuch (MS E.1939.65.341)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516]]}}
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Der Allten Fechter gründtliche Kunst (Christian Egenolff)‎‎|Egenolff's Edition]]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= [[Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]]
 | authors     = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michaël&nbsp;Huber]]
 | source link = 
 | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}}
 | license     = copyrighted
}}
{{sourcebox footer}}<section end="sourcebox"/>
{{master end}}

== Additional Resources ==

{{bibliography}}

== References ==

{{reflist|2}}
{{Liechtenauer tradition}}
__FORCETOC__
[[Category:Orphan Treatise]]

[[Category:German]]
[[Category:French]]

[[Category:Longsword]]

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[[Category:Modular display candidate]]