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{{Infobox writer
 
{{Infobox writer
| name                = Nicoletto Giganti
+
| name                = [[Ridolfo Capo Ferro da Cagli]]
| image                = File:Nicoletto Giganti portrait.png
+
| image                = File:Ridolfo Capo Ferro da Cagli portrait.png
| imagesize            =  
+
| imagesize            = 200px
 
| caption              =  
 
| caption              =  
  
 
| pseudonym            =  
 
| pseudonym            =  
 
| birthname            =  
 
| birthname            =  
| birthdate            = 1550s-60s
+
| birthdate            = 16th century
| birthplace          = Fossombrone, Italy
+
| birthplace          =  
| deathdate            = unknown
+
| deathdate            = 17th century
 
| deathplace          =  
 
| deathplace          =  
 
| resting_place        =  
 
| resting_place        =  
| occupation          = {{plainlist
+
| occupation          = [[Fencing master]]
| [[Fencing master]]
 
| [[occupation::Soldier]]
 
}}
 
 
| language            = [[Italian]]
 
| language            = [[Italian]]
 
| nationality          =  
 
| nationality          =  
 
| ethnicity            =  
 
| ethnicity            =  
| citizenship          = Republic of Venice
+
| citizenship          =  
 
| education            =  
 
| education            =  
 
| alma_mater          =  
 
| alma_mater          =  
| patron              = {{plainlist
+
| patron              = Federico Ubaldo della Roevere
| Cosimo II de' Medici
+
 
| Christofano Chigi
 
}}
 
 
| period              =  
 
| period              =  
 
| genre                = [[Fencing manual]]
 
| genre                = [[Fencing manual]]
 
| subject              =  
 
| subject              =  
 
| movement            =  
 
| movement            =  
| notableworks        = {{plainlist
+
| notableworks        = ''[[Gran Simulacro dell'Arte e dell'Uso della Scherma (Ridolfo Capo Ferro da Cagli)|Gran Simulacro dell'Arte e dell'Uso della<br/>Scherma]]'' (1610)
| ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' (1606)
 
| ''[[Libro secondo (Nicoletto Giganti)|Libro secondo]]'' (1608)
 
}}
 
 
| manuscript(s)        =  
 
| manuscript(s)        =  
 
| principal manuscript(s)=
 
| principal manuscript(s)=
| first printed edition= Leoni, 2010
+
| first printed edition=  
 
| wiktenauer compilation by=[[Michael Chidester]]
 
| wiktenauer compilation by=[[Michael Chidester]]
  
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| children            =  
 
| children            =  
 
| relatives            =  
 
| relatives            =  
| influences          =  
+
| influences          = [[Camillo Aggrippa]]
| influenced          = [[Bondì di Mazo]] (?)
+
| influenced          = [[Sebastian Heußler]]
 
| awards              =  
 
| awards              =  
 
| signature            =  
 
| signature            =  
 
| website              =  
 
| website              =  
| translations        =
 
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Nicoletto Giganti''' (Niccoletto, Nicolat) was an [[Italian]] soldier and [[fencing master]] around the turn of the [[17th century]]. He was likely born to a noble family in Fossombrone in central Italy, and only later became a citizen of Venice. Little is known of Giganti’s life, but in the dedication to his 1606 treatise he claims 27 years of professional experience, meaning that his career began in 1579 (possibly referring to service in the Venetian military, a long tradition of the Giganti family). Additionally, the preface to his 1608 treatise describes him as a Master of Arms to the Order of Santo Stefano in Pisa, a powerful military order founded by Cosimo I de' Medici, giving some further clues to his career.
+
'''Ridolfo Capo Ferro da Cagli''' (Ridolfo Capoferro, Rodulphus Capoferrus) was a [[17th century]] [[Italian]] [[fencing master]]. He seems to have been born in the town of Cagli in the Province of Pesaro e Urbino, and was a resident of Siena, Tuscany. Little is known about the life of this master, though the dedication to Federico Ubaldo della Roevere, the young son of Duke Francesco Maria Feltrio della Roevere, may indicate that he was associated with the court at Urbino in some capacity. The statement at the beginning of Capo Ferro's treatise describing him as a "master of the great German nation" likely signifies that he was faculty at the University of Siena, either holding a position analogous to dean of all German students, or perhaps merely the fencing master who taught the German students.
 
 
In 1606, Giganti published a treatise on the use of the rapier (both single and with the dagger) titled ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' ("School or Theater"). It is dedicated to Cosimo II de' Medici. This treatise is structured as a series of progressively more complex lessons, and Tom Leoni opines that this treatise is the best pedagogical work on rapier fencing of the early 17th century. It is also the first treatise to fully articulate the principle of the lunge.
 
 
 
In 1608, Giganti made good on the promise in his first book that he would publish a second volume. Titled ''[[Libro secondo (Nicoletto Giganti)|Libro secondo di Niccoletto Giganti]]'' ("Second Book of Niccoletto Giganti"), it is dedicated to Christofano Chigi, a Knight of Malta, and covers the same weapons as the first as well as rapier and buckler, rapier and cloak, rapier and shield, single dagger, and mixed weapon encounters. This text in turn promises additional writings on the dagger and on cutting with the rapier, but there is no record of further books by Giganti ever being published.
 
  
While Giganti's second book quickly disappeared from history, his first seems to have been quite popular: reprints, mostly unauthorized, sprang up many times over the subsequent decades, both in the original Italian and, beginning in 1619, in French and German translations. This unauthorized dual-language edition also included book 2 of [[Salvator Fabris]]' 1606 treatise ''[[Scienza d’Arme (Salvator Fabris)|Lo Schermo, overo Scienza d’Arme]]'' which, coupled with the loss of Giganti's true second book, is probably what has lead many later bibliographers to accuse Giganti himself of plagiarism.
+
At the age of 52, Capo Ferro authored a treatise on the [[rapier]] entitled ''[[Gran Simulacro dell'Arte e dell'Uso della Scherma (Ridolfo Capo Ferro da Cagli)|Gran Simulacro dell'Arte e dell'Uso della Scherma]]'' ("Great Representation of the Art and Use of Fencing"); it was published in Siena in 1610, but refers to Federico by the ducal title. Though this treatise is highly praised by modern fencing historians, it is neither comprehensive nor particularly innovative and does not seem to have been influential in its own time.
  
([[Nicoletto Giganti|Read more]]…)
+
([[Ridolfo Capo Ferro da Cagli|Read more]]…)
  
 
<dl style="clear:right;">
 
<dl style="clear:right;">
 
<dt style="font-size:90%;">Recently Featured:</dt>
 
<dt style="font-size:90%;">Recently Featured:</dt>
<dd style="font-size:90%;">[[Hans Talhoffer]]&ensp;–&ensp;[[Andre Lignitzer]]&ensp;–&ensp;[[Adam van Breen]]&ensp;–&ensp;[[Francesco Fernando Alfieri]]</dd>
+
<dd style="font-size:90%;">[[Nicoletto Giganti]]&ensp;–&ensp;[[Hans Talhoffer]]&ensp;–&ensp;[[Andre Lignitzer]]&ensp;–&ensp;[[Adam van Breen]]</dd>
 
</dl>
 
</dl>

Revision as of 03:17, 29 July 2020

Ridolfo Capo Ferro da Cagli
Born 16th century
Died 17th century
Occupation Fencing master
Patron Federico Ubaldo della Roevere
Influences Camillo Aggrippa
Influenced Sebastian Heußler
Genres Fencing manual
Language Italian
Notable work(s) Gran Simulacro dell'Arte e dell'Uso della
Scherma
(1610)
Concordance by Michael Chidester

Ridolfo Capo Ferro da Cagli (Ridolfo Capoferro, Rodulphus Capoferrus) was a 17th century Italian fencing master. He seems to have been born in the town of Cagli in the Province of Pesaro e Urbino, and was a resident of Siena, Tuscany. Little is known about the life of this master, though the dedication to Federico Ubaldo della Roevere, the young son of Duke Francesco Maria Feltrio della Roevere, may indicate that he was associated with the court at Urbino in some capacity. The statement at the beginning of Capo Ferro's treatise describing him as a "master of the great German nation" likely signifies that he was faculty at the University of Siena, either holding a position analogous to dean of all German students, or perhaps merely the fencing master who taught the German students.

At the age of 52, Capo Ferro authored a treatise on the rapier entitled Gran Simulacro dell'Arte e dell'Uso della Scherma ("Great Representation of the Art and Use of Fencing"); it was published in Siena in 1610, but refers to Federico by the ducal title. Though this treatise is highly praised by modern fencing historians, it is neither comprehensive nor particularly innovative and does not seem to have been influential in its own time.

(Read more…)

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