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Difference between revisions of "Pseudo-Peter von Danzig/Mike Rasmusson 2004 LS"

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| and left with right <br/>is how you fence correctly and strongly.  
 
| and left with right <br/>is how you fence correctly and strongly.  
 
|}
 
|}
−
Glosa Mark that this is the first tenet of the long sword, that before all things, to learn the strikes rightly, you will always fence strongly, and undertake this thus: When you stand with the left foot forward, and strike from your right side, your step with the right foot will not follow after the strike, thus making the strike weak and incorrect. When your right stays behind, onward the strike will be short. <section end="4"/>
+
Glosa Mark that this is the first tenet of the long sword, that before all things, to learn the strikes rightly, you will always fence strongly, and undertake this thus: When you stand with the left foot forward, and strike from your right side, your step with the right foot will not follow after the strike, thus making the strike weak and incorrect. When your right stays behind, onward the strike will be short. Also don't make your right step go to the other side, putting it under yourself and ahead of your left foot,<section end="4"/>
  
−
<section begin="5"/>Also don't make your right step go to the other side, putting it under yourself and ahead of your left foot, otherwise the play further from the left side shall happen with the step and strike on opposing sides.<section end="5"/>
+
<section begin="5"/>otherwise the play further from the left side shall happen with the step and strike on opposing sides.<section end="5"/>
  
 
<section begin="6"/>'''Text of a lesson'''
 
<section begin="6"/>'''Text of a lesson'''
Line 84: Line 84:
 
Weak and Strong are taken thus, on the sword from the hilt to the middle of the blade, this is the strong of the sword, and farther past the middle to the point is the weak, and how you shall work with the weak and strong of the sword shall be clarified afterward.<section end="13"/>
 
Weak and Strong are taken thus, on the sword from the hilt to the middle of the blade, this is the strong of the sword, and farther past the middle to the point is the weak, and how you shall work with the weak and strong of the sword shall be clarified afterward.<section end="13"/>
  
−
<!--<section begin="14"/>'''This is the text and the gloss of the five cuts.'''
+
<section begin="14"/>'''Text of the Five Strikes'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>21</small>
 
| <small>21</small>
−
| Learn five cuts<br/>From the right hand against the weapon,
+
| Teach Five strikes <br/>from the right hand,
 
|-  
 
|-  
 
| <small>22</small>
 
| <small>22</small>
−
| We swear upon this<br/>To pay off in skills easily.
+
| that the weapon will be exalted <br/>by a praiseworthy art.
 
|}
 
|}
−
Gloss: Note there are five cryptic cuts that many masters of the sword know nothing of which to speak of. You shall learn to hew these from the right side. Whichever fencer that can break the cuts with the proper art without harm, they will be valued by other masters, for their art shall be more worthwhile to them than other fencers. And how one shall hew these cuts with their plays will be explained to you hereafter.<section end="14"/>
+
There are five secret strikes of which many masters of the sword know nothing to say. These you shall learn to strike well from the right side, which you can then strike with proper art to break and damage the fencer, which will be praised by other masters. How these shall be learned fully and how to strike when one fences in your plays will be clarified afterward.<section end="14"/>
  
−
<section begin="15"/><br/><br/>
+
<section begin="15"/>'''Text on the verses' parts.'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>23</small>
 
| <small>23</small>
−
| Wrathcut Crook and Cross,<br/>If the Eye Cocker keeps with the Parter,
+
| Wrathful strike, Arc, Cross, <br/>has Glance, with Vertex,
 
|-  
 
|-  
 
| <small>24</small>
 
| <small>24</small>
−
| The Fool parries.<br/>Pursuing and Overrunn, places the attack
+
| Fool displaces, <br/>Traveling After, Overrun lets strike,
 
|-  
 
|-  
 
| <small>25</small>
 
| <small>25</small>
−
| Disengage, Suddenly withdraw,<br/>Rush through, Cut off, Press the hands
+
| Change through, Disengage, <br/>Run Through, Slice Away, Hand Hit,
 
|-  
 
|-  
 
| <small>26</small>
 
| <small>26</small>
−
| Tilt and Turn to uncover with<br/>Slash, catch, sweep, stab to clash with
+
| Wind with openings, <br/>Slash against strikes, Stab with thrusting,
 
|}
 
|}
−
Gloss: Note here the correct chief components of the Zettel of the long sword have been named for you as they are each designated with its name so that you can better recognize and understand them. The first, these are the five cuts as they are specifically named:
+
Here will be named the proper main parts of the verses of the Long Sword, as they are known, as well as their names, so onward you know well and can understand. The first are the five strikes as they are specially named.
  
−
Item: The first is called the wrathcut<br/>Item: The second, the crooked cut<br/>Item: The third, the crosswise cut<br/>Item: The fourth, the cockeyed cut<br/>Item: The fifth, the part cut<section end="15"/>
+
The first is called the Wrath Strike, <br/>the second the Arc Strike, <br/>the third the Cross Strike, <br/>the fourth the Glance Strike, <br/>the fifth the Vertex Strike.<section end="15"/>
  
−
<section begin="16"/>'''Now note the components'''
+
<section begin="16"/>'''Now mark these elements,'''
  
−
The first, these are the four guards<br/>The second, the four parries<br/>The third, the pursuing<br/>The fourth, the overruning<br/>The fifth, the displacing<br/>The sixth, is the disengaging<br/>the seventh, is the withdrawing suddenly<br/>The eighth, the rushing through<br/>The ninth, the cutting off<br/>The tenth is the hand pressing<br/>The eleventh, these are the hangings<br/>The twelfth, these are the windings<section end="16"/>
+
the first being the four Guards, <br/>the next the four Displacements, <br/>the third the Traveling After, <br/>the fourth Running Over, <br/>the fifth the Parry, <br/>the sixth is Changing Through, <br/>the seventh is Disengaging, <br/>the eighth Charging Through, <br/>the ninth is Slicing Off, <br/>the tenth is Hand Hitting, <br/>the eleventh is Hanging, <br/>the twelfth is the Winding.<section end="16"/>
  
−
<section begin="17"/>And what you should fence from the components and how you should acquire yourself openings by hanging and the winding, you will find these written hereafter one after the other in the order above.<section end="17"/>
+
<section begin="17"/>And how you shall fence with the plays and how you shall gain openings with the Hanging and Winding so that you will go from one to the next, you will find described after here.<section end="17"/>
  
−
<section begin="18"/>'''Here the text and the gloss begin'''
+
<section begin="18"/>'''Mark that you come here to the first text and glosa'''  
  
−
The first is about the wrathcut with its plays
+
'''on the Wrath Strike with its plays'''
  
−
<br/>
+
'''Text'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>27</small>
 
| <small>27</small>
−
| Whoever makes a descending cut at you<br/>The point of wrathcut threatens them
+
| To him who strikes you from above, <br/>Wrath Strike point concludes.
 
|}
 
|}
−
Gloss: Note the wrathcut interrupts any descending cut with the point and is yet nothing other than a simple peasant strike. Conduct it like this: when you come to the opponent with the initiation of fencing, if they subsequently cleave in at your head from high from their right side, then you wrathfully cleave in with them from high from your right side as well, atop their sword without any act of parrying. (marginalia: into the weakness of their sword) If they are then soft against your sword, then shoot the point in at them long, straight ahead and stab them in the face or breast, then lodge against them.<section end="18"/>
+
Glosa The Wrath Strike counters all high strikes with the point. And it is indeed nothing other than a bad peasant strike. Deploy it thus: when you come to him in the pre-fencing: if he strikes to you from his right side high to the head, then to this also strike from high on your right wrathfully displacing with him on his sword, if he is then weak on the sword, then aim to shoot ahead with the point and stab to his face, or attack the chest between the arms.<section end="18"/>
  
−
<section begin="19"/>'''This is the text and the gloss of another play of the wrathcut'''
+
<section begin="19"/>'''Text'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>28</small>
 
| <small>28</small>
−
| If they become aware of it<br/>Then abscond above without concern
+
| If he wards, <br/>then take off high without driving
 
|}
 
|}
−
Gloss: Note this is when you cleave in with the wrathcut, then shoot the point in long into their face or breast as was written before. Then if they become aware of the point and parry strongly and press your sword to your side, then with your sword against their sword's blade, rise high off upwards, away from their sword and cut back in at the opponent's head again on the other side against their blade. This is called absconding above.<section end="19"/>
+
Glosa When you strike him with the Wrath Strike, then thrust the point long to his face or chest as described before. If he is wary of the point and strongly displaces and pushes your point to the side, then wrench off from his sword high above you with your sword on his sword's blade, and strike one to his other side, yet again on his sword's blade, to his head, this is called taking off high.<section end="19"/>
  
−
<section begin="20"/>'''Break it like this'''
+
<section begin="20"/>'''Counter against the take off'''
  
−
When they abscond above, then bind in against their sword from above with the long edge towards their head.<section end="20"/>
+
When he takes off high, then bind strongly on his sword above to his head with the long edge.<section end="20"/>
  
−
<section begin="21"/>'''This is again the text and the gloss of the wrathcut'''<br/><br/>
+
<section begin="21"/>'''Text'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>29</small>
 
| <small>29</small>
−
| Be strong in turn<br/>Wind. Stab. If they see it, then take it below
+
| Be stronger, wind farther, <br/>stab, stab first, then take it farther.
 
|}
 
|}
−
Gloss: Note that this is when you cleave in with the wrathcut. If they parry and remain strong against the sword with their act of parrying, then remain strongly in opposition with your sword against their sword and rise up high with your arms and wind against their sword with your hilt forwards, in front of your head and thrust into their face from above. If they become aware of the thrust and rise up with the arms high and parry with their hilt, then remain standing like this with your hilt in front of your head and set your point below onto their neck or onto their breast between both of their arms.<section end="21"/>
+
Glosa That is when you strike him with a Wrath Strike, if he displaces and stays strong on the sword in the displacement, then also stay with your sword strong on his sword and drive upward with your arms and wind your quillons onto his sword going forward to his head and stab high into his face, if he becomes aware of the stab and (note in margin: with the short edge) drives up high with his arms, and displaces with the quillons, then stay standing with your hilt in front of your head and send your point below to the throat, or to the chest between his arms, as will be told later.<section end="21"/>
  
−
<section begin="22"/>'''This is the text and the gloss of a lesson of the wrathcut'''<br/><br/>
+
<section begin="22"/>'''Text of a lesson on the Wrath Strike'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>30</small>
 
| <small>30</small>
−
| Precisely note this<br/>Cut, stab, position, soft or hard
+
| Mark well, <br/>strike stab stances light or hard,
 
|-  
 
|-  
 
| <small>31</small>
 
| <small>31</small>
−
| Indes and before and after<br/>Without rush, your war is not hasty.
+
| Immediately<ref>Just As // Indes</ref> and truly after, <br/>onward the war will not be awkward.
 
|}
 
|}
−
Gloss: Note this is when the opponent has bound against your sword with a cut or with a stab or however else. You should not let yourself be too hasty with the windings, because it is done this way: You precisely note first whether it is soft or hard when one sword clashes onto another. And after you have perceived that, then work Indes with the winding according to the soft and according to the hard, always to the nearest opening as will be explained and conveyed to you hereafter in the plays.<section end="22"/>
+
Glosa When he has bound on your sword with a strike or stab or otherwise, then you should not let yourself stop even in your winds, the before will be gained by marking if he is weak or strong when one sword slides against the other and, as you have determined this, immediately work first by winding against the light and the hard, always to the next opening, as will be clarified and examined in plays after this.<section end="22"/>
  
−
<section begin="23"/>'''This is the text and the gloss of the war.'''
+
<section begin="23"/>'''Text on the war.'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>32</small>
 
| <small>32</small>
−
| For the one whose war takes aim<br/>Above, they will be shamed below.
+
| When the war roams above, <br/>below he will be shamed.
 
|}
 
|}
−
Gloss: Note the war, these are the winds and the work which continues into the four openings with the point. Conduct it like this: When you cleave in with the wrathcut, then as soon as they parry, rise sufficiently up with your arms and against their sword "wind" in your point to the upper opening of their left side from above. Then, if they displace your upper thrust, remain standing in the winding like this with the hilt in front of your head and still to their left side, let your point sink down to the lower opening. Then if they chase your sword with an act of parrying, seek the lower opening of their right side with your point. Then if they chase your sword further with an act of parrying, then rise up with your sword to your left side and hang in your point to the upper opening of their right side. In this way they become shamed above and below via the war if you otherwise conduct it correctly.<section end="23"/>
+
The War is the Winding and the work to the four openings with the point that comes from it, and deploy this thus: when you strike with the Wrath Strike, as soon as he displaces then drive full forward with your arms and immediately wind the point high on his sword to the upper opening on his left side. If he then displaces the high stab, then stay standing in the wind with your hilt in front of your head, and let your point sink below to your left side, if he follows after your sword in displacement, then drive on to his left side with the sword and send the point up to his upper right opening, thus will he be shamed with the war high and low, in that you drive properly from one to the other.<section end="23"/>
  
−
<section begin="24"/>'''This is again the text and the gloss of a lesson of the wrathcut'''
+
<section begin="24"/>'''Text of a lesson'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>33</small>
 
| <small>33</small>
−
| In all winds<br/>Cut, stab, slice learn to apply
+
| In all windings, <br/>strike stab slice, learn to find,
 
|-  
 
|-  
 
| <small>34</small>
 
| <small>34</small>
−
| Also with that you shall<br/>Gauge cut, stab or slice
+
| also should you not <br/>test, strike stab or slice,
 
|-  
 
|-  
 
| <small>35</small>
 
| <small>35</small>
−
| In all encounters<br/>Of the masters, if you wish to dishonor them.
+
| in all engagements, <br/>you will lose the mastery.
 
|}
 
|}
−
Gloss: Note this is for when you cleave in with the wrathcut. You should be quite well practiced and quite polished with the windings because each winding has three particular plays, that is, a cut, a stab and a slice. And when you wind against the sword, then you should completely make sure that you do not conduct the incorrect play. Therefore you should not cut when you should stab and not slice when you should cut and not stab when you should slice. And you should always know which play to conduct that is rightfully called for in all encounters and binds of the sword else if you wish to dishonor or confound the masters that set themselves against you. And how you shall conduct the windings and how they are numbered, you can find that written in the last play of the Zettel that says: "Who fully commands and correctly breaks..."<section end="24"/>
+
This is when you strike with the Wrath Strike, then you should remember well to end completely with the Windings, and a single wind has three particular elements, that is one strike, one slice, and one stab, and when you wind on the sword, then you should indeed consider well that these elements aren't driven wrongly. Take heed in the winding that you not strike when you should stab, and not slice when you should strike, and not stab when you should slice. Thus you shall always know the elements, that by properly heeding them you will drive all meetings and bindings with the sword, otherwise you will fail or lose the mastery when one displaces against you. How you shall deploy the windings, and how many there are, you will find described in the last part of the verses, which will speak of what will deploy well and what will counter properly.<section end="24"/>
  
−
<section begin="25"/>'''This is the text and the gloss of the four openings'''
+
<section begin="25"/>'''Of the four Openings'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>36</small>
 
| <small>36</small>
−
| Know the four openings<br/>Take aim so that you strike wisely
+
| Know four openings, <br/>space, thus you hit wisely,
 
|-  
 
|-  
 
| <small>37</small>
 
| <small>37</small>
−
| Into any movement<br/>Without doubt however they are situated.
+
| in all attacks <br/>double where he is wary.
 
|}
 
|}
−
Gloss: Note whoever wishes to be a master of the sword, they shall know how one shall seek the openings with art, if they otherwise wish fence correctly and wisely. Above the girdle, the first opening is the right side, the second the left. Below the girdle the other two are the right and left sides. It follows that there are just two applications from which one may seek the openings. In the first one can seek them from the initiation of fencing by pursuing and by the shooting in of the long point. In the second, one shall seek them with the eight winds when one has bound the opponent against the sword. You shall understand it like this. When you come to the opponent with the initiation of fencing, you shall boldly, without any fear, with a cut or a stab, target whichever one of the four openings that you may best get to. And do not heed whatever it is that they conduct or fence against you. By doing this, you constrain your opponent so that they must parry you. And when they have parried, then immediately seek the nearest opening again by winding against their sword in the act of parrying. Always target the openings of the opponent in this fashion and not to the sword like in the play here which says "Lodge against four regions, Learn to remain upon them if you wish to finish"
+
Glosa If one wants to be a master of the sword, he should know how to break the four openings with art, and then he will fence properly and wisely. The first opening is the right side, the second the left, both above the belt, the other two are on the left and right side, both under the belt. One should seek the openings by driving on to two from the pre-fencing by following after and shooting with the long point. The second time one should probe with the eight windings, when one binds from one to another on the sword, this you should also understand when you come to him in pre-fencing that you should always drive as best as one can to all with a strike or a stab into the four openings and pay no attention to what he deploys or fences against you. Thus you will force your opponent so that he must displace and, when he has displaced, then seek quickly for the next opening by winding in the displacement on the sword, and thus always roam to his openings and fence not to his sword, in this part you will achieve placement at four end points, stay there and thus end the lesson.<section end="25"/>
  
−
(marginalia: with the shooting in of the long point and with pursuing, seek the openings)<section end="25"/>
+
<section begin="26"/>'''How one shall break the four openings'''<br/><br/>
−
 
 
−
<section begin="26"/>'''This is the text and the gloss of how one shall break the four openings.'''
 
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>38</small>
 
| <small>38</small>
−
| If you wish arrange yourself<br/>To artfully break the four openings
+
| If you will reckon <br/>to break the four openings with art,
 
|-  
 
|-  
 
| <small>39</small>
 
| <small>39</small>
−
| Double high<br/>Mutate down below
+
| double above, <br/>transform below right.
 
|-  
 
|-  
 
| <small>40</small>
 
| <small>40</small>
−
| I say to you truthfully<br/>No one defends themselves without danger
+
| I say to you be aware onward, <br/>you shoot no man without driving,
 
|-  
 
|-  
 
| <small>41</small>
 
| <small>41</small>
−
| If you have understood this,<br/>They can scarcely come to blows, etc.
+
| if you've reached him, <br/>make a close hit, then he won't advance
 
|}
 
|}
−
Gloss: Note when opponent cleaves in at you, if you then wish to set yourself up against them and secure the opening from them with art so that they must allow themselves to be struck without their consent, then conduct the doubling against the strong of their sword and conduct the mutating when they are weak against the sword. For I say to you truthfully, that when facing you they cannot protect themselves from strikes nor can they come to blows themselves.<section end="26"/>
+
Glosa When you have first struck, if you then reckon to wind to his four openings with art so that he must let you strike as you please, then drive a double against the strong of his sword and then transform when he is weak at the sword, thus I say onward be aware that he won't be able to shoot in the Before as he wants, and so cannot come to strike.<section end="26"/>
  
−
<section begin="27"/>'''Here note how you shall conduct doubling to both sides'''<br/><br/>
+
<section begin="27"/>'''How you shall drive the Doubling to both sides'''<br/><br/>
  
−
Note when they initiate a cut from their right shoulder, then also cleave in strongly from above with them at the same time from your right to their head. If they parry and stay strong against the sword, then 'Indes', rise up with your arms and thrust your sword's pommel under your right arm using your left hand and strike them on their head with the long edge and crossed arms and from behind their sword's blade.<section end="27"/>
+
Mark when he strikes high to you from his right shoulder, then also strike similarly strong and high from your right to his head, if he displaces and stays strong on the sword, then drive on Immediately with your arms and thrust your sword's pommel under your right arm with your left hand, and with crossed arms strike the long edge behind his sword's blade onto his head.<section end="27"/>
  
−
<section begin="28"/><br/>
+
<section begin="28"/>'''Another'''
  
−
Note, if they cleave in from above to your head with their long edge and you do it back to them the same way, if they then stay strong against the sword, then immediately rise up with your arms and strike them on their head using your short edge and from behind their sword's blade.<section end="28"/>
+
If he strikes high to your head with the long edge from his left shoulder, then do the same, onward if he then stays strong on the sword, then drive your arms up quickly and strike with the short edge behind his sword's blade to his head.<section end="28"/>
  
−
<section begin="29"/>(marginalia: I have taught it and war with the sword and crossing under to the other side)<section end="29"/>
+
<section begin="29"/>Thus how your sword goes to war and strikes was taught<section end="29"/>
  
−
<section begin="30"/>'''Here note how one shall conduct the mutating to both sides'''
+
<section begin="30"/>'''How one shall drive transforming to both sides'''<br/><br/>
  
−
Note when you cleave in strongly from your right shoulder and they parry and are soft against your sword, then "wind" the short edge against their sword to your left side and rise up sufficiently with your arms and pass over their sword with your sword's blade and stab them in their lower opening.<section end="30"/>
+
When you have struck him strongly above to the head from your right shoulder, if he displaces and is weak on the sword, then wind the short edge on his sword to your left side and, driving well up with your arms, drive your sword's blade high over his sword and stab his lower opening.<section end="30"/>
  
 
<section begin="31"/>'''Another'''
 
<section begin="31"/>'''Another'''
  
−
Note when when you cleave in at their head up from your left side, if they parry and are soft against your sword, then rise up with your arms and hang your point down from up over their sword and stab them in their lower opening. You may also conduct these two plays from any attack from after the point you sense weak and strong against their sword.<section end="31"/>
+
When you have struck high to his head from your left side and he displaces and is weak on the sword, then drive up with your arms and hang the point over his sword from above and stab to his second opening. Thus you will drive the two elements from all strikes as you find him weak and strong on the sword.<section end="31"/>
  
−
<section begin="32"/>These are the trials of the sword and whoever wins them is worthy of praise.<section end="32"/>
+
<section begin="32"/>Thus are fencing and work with the sword retained to be praised.<section end="32"/>
  
−
<section begin="33"/>'''This is the text and the gloss of the crooked cut with its plays'''
+
<section begin="33"/>'''Text on the Arc Strike with its plays'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>42</small>
 
| <small>42</small>
−
| Crook up swiftly<br/>Throw the point onto the hands
+
| Arc out nimbly, <br/>throw your point to the hands,
 
|-  
 
|-  
 
| <small>43</small>
 
| <small>43</small>
−
| Whoever waits well crooked<br/>Disrupts many cuts with stepping.
+
| Arc to whom would attack, <br/>striding much allows strikes.
 
|}
 
|}
−
Note the crooked cut is one of the four parries against the four guards because with them one breaks the guards that are called the ox here and also rising and descending cuts. Conduct it like this. When you come to the opponent with the initiation of fencing, if they then stand against you and hold their sword in front of their head in the guard of the ox on their left side, then advance your left foot and hold your sword in guard on your right shoulder and spring facing them well to your right side with your right foot and strike them across their hands with the long edge from crossed arms.<section end="33"/>
+
Glosa The arc strike is one of the four displacements against the four guards, in that with it one breaks the guard named the Ox, and it also drives onto the Over and Under Strikes. When you come to him in the pre-fencing, if he stands against you holding his sword before his head in the guard of the Ox, on his left side, then put your left foot forward, and hold your sword on your right shoulder, in the guard, and spring with the right foot well to your right side against him, and strike him with the long edge, from crossed arms, over the hands.<section end="33"/>
  
 
<section begin="34"/>'''Another'''
 
<section begin="34"/>'''Another'''
  
−
Note you can also conduct the crooked cut from the barrier guard on both sides. Take yourself into the guard like this. When you come to the opponent with the initiation of fencing, then stand with your left foot forwards and hold your sword such that the long edge is above with your point on the ground by your right side and present yourself open with your left side. Then, if they cut into your opening, spring away from the cut, facing them, with the right foot well to your right side and from the long edge strike them with crossed hands on their hands with your point.<section end="34"/>
+
You should also try the arc strike from the barrier guard, from either side, And thus set yourself in this guard: when you come to him in the pre-fencing, then stand with the left foot forward and hold your sword close on your right side with your point to the ground so that your long edge is above, and give an opening on the left side. If he strikes to the opening, then burst out from the strike with your right foot toward him well to your right side, And strike him with crossed hands and the long edge with the point out to his hands.<section end="34"/>
  
−
<section begin="35"/>'''Item'''
+
<section begin="35"/>'''Of the Barrier Guard'''
  
−
Take yourself to your left side with the barrier guard like this. When you come to the opponent with the initiation of fencing, do it with your right foot forwards and hold your sword upon the ground by your left side with crossed hands such that the short edge is up and present yourself open with your right side. Then if they cut into your opening, then spring away from the cut, facing them, with your left foot well to their right side and strike them in the spring with the short edge across their hands.<section end="35"/>
+
Put yourself thus in the barrier guard to your left side: when you come to him with it in the pre-fencing, then stand with the right foot forward and hold your sword near your left side to the ground with crossed hands, so the short edge is above, and give an opening with your right side, if he Strikes to your opening, then burst out of the strike toward him with the left foot well to his right side, and strike in the burst with the short edge over the hands.<section end="35"/>
  
−
<section begin="36"/>'''This is the text and the gloss of a good play from the crooked cut'''
+
<section begin="36"/>'''A good bit of text regarding the Krumphau'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>44</small>
 
| <small>44</small>
−
| Cut crooked to the flats<br/>Of the masters if you wish to weaken them
+
| Arc strike to the flat <br/>and you will weaken the master.
 
|-  
 
|-  
 
| <small>45</small>
 
| <small>45</small>
−
| When it sparks above<br/>Then dismount, that I will praise
+
| When it glides above <br/>then stand off so I will praise.
 
|}
 
|}
−
Gloss: Note you shall conduct this play against the masters from the bind of the sword. Conduct it like this. When you come to the opponent with the initiation of fencing, then either lay down your sword to the right side into the barrier guard and stand with your left foot forwards or hold it on your right shoulder. Then if they cut at the opening from above, cut across their cut with your long edge from criss-crossed arms. And as soon as the swords spark together, then 'Indes', wind your short edge against their sword facing your left side and stab them in the face. Or if you don't want to thrust, then 'Indes', cut to their head or to their body with your short edge.<section end="36"/>
+
You shall deploy this play against most binds with the sword, and drive it so: When you come to him in the pre-fencing, then lay your sword to your right side in the barrier guard and stand with the left foot forward, or hold it on the right shoulder, if he then strikes high to the opening, then strike strongly with the long edge to cross arms against his strike, and as soon as the swords clash together then immediately wind the short edge on his sword toward your left, and stab him in the face. Or if you will not stab him, then strike him immediately with the short edge, from the sword to the head or body.<section end="36"/>
  
−
<section begin="37"/>'''This is again the text and the gloss of one from the crooked cut'''
+
<section begin="37"/>'''Text on a part of the arc strike'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>46</small>
 
| <small>46</small>
−
| Don't crook, short cut<br/>With that, look for the disengage.
+
| Strike an arc not a short, <br/>show changes through with it.
 
|}
 
|}
−
Gloss: Note this is for when the opponent cleaves in from their right side from above. So rise up with your hands high and act as if you wish to bind against their sword with the crooked cut and pass through below their sword with your point and stab them in the face or in the breast on the other side and take care that you are well covered with your hilt in front of your face. You can also break the guard of the ox with this play. Conduct it like this. When you go to them with the initiation of fencing, if they then stand facing you and hold their sword with their hilt in front of their head on their left side, then throw your sword on your right shoulder and act as if you wish to bind against their sword with the crooked cut and cut short and with that disengage below their sword and shoot your point in long to the other side under their sword into their throat so they must parry. With this you come to strikes and other work with the sword.
+
Glosa That is when he will strike one high from his right side, then drive up high with the hands and as he strikes you will arc strike to bind on his sword, and drive the point through under his sword and stab to his other side into his face or chest, and be sure you wait to keep your hilt high before your head. Also to break the guard of the Ox with this play, you drive so when you go to him in pre-fencing, when he stands against you and holds his sword with the hilt on his left side, in front of the head, then throw your sword to your right shoulder and act as if you would bind onto his sword with the krumphau, strike short and change through with it below his sword, and shoot your point long under his sword to the other side and at his throat so he must displace, then you will come to hit and work with the sword.<section end="37"/>
  
−
[Marginal note in a different hand:] against the ox
+
<section begin="38"/><section end="38"/>
  
−
[Marginal note in a different hand:] crooked cut w. Which breaks the guard of the ox<section end="37"/>
+
<section begin="39"/><section end="39"/>
  
−
<section begin="38"/>'''This is again the text and the gloss of one of the plays from the crooked cut'''
+
<section begin="40"/><section end="40"/>
−
{| class="zettel"
 
−
|-
 
−
| <small>47</small>
 
−
| Crook whoever bewilders you<br/>The noble war bewilders them
 
−
|-
 
−
| <small>48</small>
 
−
| For they truthfully<br/>Do not know where they are without danger
 
−
|}
 
−
Gloss: Note whenever you conduct the crooked cut, you will always make yourself open with it. Look at it like this, when you cleave in or bind against their sword with the crooked cut from your right side, you are open on the left side during this. If they are also crafty and will cut from your sword to your opening and bewilder you with agility, then keep your sword against theirs and track their sword from there onward and wind your point into their face and continue to work with the war, that is, with the windings to the openings so that they become so baffled that they truthfully will not know which regions that they should shield themselves from your cuts and thrusts.<section end="38"/>
 
  
−
<section begin="39"/>'''Here begins the text and the gloss of the crosswise cut with its plays'''
+
<section begin="41"/>'''Here observe the counter against the Cross Strike'''
−
{| class="zettel"
 
−
|-
 
−
| <small>49</small>
 
−
| The crosswise cut seizes<br/>Whatever arrives from the roof
 
−
|}
 
−
Gloss: Note the crosswise cut breaks the roof guard and any cut that is hewn down from above. Conduct the crosswise cut like this, when you come to the opponent with the initiation of fencing, do it with your left foot forwards and hold your sword on your right shoulder. Then if they stand facing you and hold their sword with outstretched arms high over their head and threaten to cleave in from above, come with your cut before they do and spring well to your right side with your right foot and in that spring, wind your sword with your hilt in front of your head such that your thumb comes under and strike them with the short edge against their left side in the head<section end="39"/>
 
−
 
 
−
<section begin="40"/>Or if they come before you do with their cut down from above, then spring away from their cut with your right foot, well to your right side with the previously mentioned act of parrying so that you catch their cut in your hilt and strike them with the crosswise cut on the left side of their head<section end="40"/>
 
−
 
 
−
<section begin="41"/>'''Here note the break against the crosswise cut'''
 
  
−
Note when you stand facing the opponent in the roof guard, boldly cleave in at their head from above. Then if they spring away from your cut and intend to arrive first with the crosswise cut and strike you with it on the left side of your head, fall upon their sword with your long edge. Then if they strike around to your other side with the crosswise cut, 'Indes' you go forth ahead of them under their sword and in front of yourself against their neck so that they slash themselves with your sword.<section end="41"/>
+
When you stand against him in the guard of the roof then strike high to his head, if he then springs from the strike and means to come forward with a cross strike by striking to the left side of your head, then let your sword's long edge fall on his sword, if he then strikes across over to the other side, Immediately strike your sword ahead crossing under his sword to his throat so that he cuts himself with your sword.<section end="41"/>
  
 
<section begin="A"/><section end="A"/>
 
<section begin="A"/><section end="A"/>
  
−
<section begin="42"/><br/>
+
<section begin="42"/>'''Note:'''
  
−
Note when you have bound the opponent against your sword, if they then strike from your sword around to the other side with the crosswise cut, then fall into their hands or upon their arms with your long edge and press their arms away from you with everything you've got with a slice, and from that slice of their arms strike them on their head with your sword.<section end="42"/>
+
Mark that when you have bound on a fencer's sword, if he then flies from the sword over in a cross to the other side, then let the long edge fall on his hand or arm and hit with the edge of the sword with your arms well out from you and snap the sword's edge from his arms up to his head.<section end="42"/>
  
−
<section begin="43"/>'''Here note the break against the upper slice into the arm'''
+
<section begin="43"/>'''Counter against the high cut to the arm'''
  
−
Note when you strike the opponent with the crosswise cut to their right side, if they then fall into your arm with a slice, then strike them in their mouth with your short edge from behind their sword's blade by doubling.<section end="43"/>
+
When you strike across to his right side, if he then feints with a cut to the arm, then strike and double with the short edge behind his blade to his mouth.<section end="43"/>
  
−
<section begin="44"/><section end="44"/>
+
<section begin="44"/>Or if you strike across to his left side, and he then feints a cut to the arm, then strike a double with the long edge behind his blade to his mouth.<section end="44"/>
  
−
<section begin="45"/><section end="45"/>
+
<section begin="45"/>Mark if he counters the doubling when you cut high to his arm, if he doubles high to your head, thus drive on and wind against the blow with your sword below his and drive the sword's short edge to his throat.<section end="45"/>
  
−
<section begin="46"/>'''Again, this is the text and the gloss of a play from the crosswise cut'''
+
<section begin="46"/>'''A bit of verse on the Cross Strike'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>50</small>
 
| <small>50</small>
−
| Cross with the strong<br/>Remember your work with it
+
| Cross with strength, <br/>mark your work with it.
 
|}
 
|}
−
Gloss: Note when you wish to strike the crosswise cut, you shall strike with the entire strength of the body and you shall always bind against their sword with the strong of your sword. With that, you secure their opening. Look at it like this: When you make a crosswise cut from your right side, if they parry and bind strongly against your sword with it, then conduct the doubling or right from of crosswise cut, knock their sword off to the side with your hilt and strike them on the other side with it.<section end="46"/>
+
Glosa That is when you will strike with a Crosser, then you should strike with your body's full strength and always bind on his sword with the strong in order to win and take the openings. Thus when you have struck with a Cross from your right side, if he displaces then drive a double or thrust in from the Cross with the hilt of your sword off to the side and then strike in to the other side.<section end="46"/>
−
 
 
−
<section begin="47"/>'''Yet another'''
 
  
−
When you make a strong crosswise cut from your right side, if they parry and are soft against the sword, then either drive the short edge of your sword against their neck on their right side and spring behind their left foot with your right foot and drag them over it like this with your sword's blade or conduct the mutating into their lower opening.<section end="47"/>
+
<section begin="47"/><section end="47"/>
  
−
<section begin="48"/>'''Break it like this'''
+
<section begin="48"/>'''Counter'''
  
−
When the opponent drives their sword against your neck, rise up inside of their sword with your pommel and let your blade hang down and shove their sword away from your neck and strike in at their head from above by snapping. Or strike them by doubling with your right hand up over their sword and beneath their face while they have their sword against your neck.<section end="48"/>
+
When you have had a sword driven to the throat, then drive your sword inward with the pommel up and let the blade hang down and thrust his sword from your throat and strike high to his head with a snap, or strike a double with the right hand up over his sword and under the face while he has his sword at your throat.<section end="48"/>
  
−
<section begin="49"/>'''This is the text and the gloss of the crosswise strike to the four openings'''
+
<section begin="49"/>'''Text on striking across to the four openings'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>51</small>
 
| <small>51</small>
−
| Cross to the plow<br/>Yoke it hard to the ox
+
| Cross to the Plough, <br/>fly hard to the Ox.
 
|-  
 
|-  
 
| <small>52</small>
 
| <small>52</small>
−
| Whoever crosses themselves well<br/>Threatens the head by spinging
+
| That is you cross <br/>to the head with a spring.
 
|}
 
|}
−
Gloss: Note you have heard before that the ox and the plow are either two positions or two guards, but here they indicate the four openings. The ox, which are the upper two openings, the right and the left side of the head and the plow which are the two lower, the right and the left side below the belt of the opponent. You shall turn to each of these four openings with the crosswise strike in one sortie.<ref>lit: zufechten</ref><section end="49"/>
+
Glosa You heard the Ox and the Plough being named before. These two stances or guards are named here as they address the four openings, for the Ox the upper two openings and the right and left of the head, the plough is to the lower two openings on the left and the right below the opponent's belt. You should also aim for these same four openings with cross strikes in pre-fencing. <section end="49"/>
  
−
<section begin="50"/><section end="50"/>
+
<section begin="50"/>'''Thus strike the cross to the four openings'''
  
−
<section begin="51"/>You should also remember that in broad terms, you should always spring out off to one side facing the opponent with each and every crosswise strike so that you can fully connect to the head and take care that you are fully covered the entire time with your hilt up in front of your head.<section end="51"/>
+
When you come to your opponent in pre-fencing, stand with your left foot forward and when you are in range spring against his left side with the right foot and strike an artful cross to his left side's lower opening. This is called striking to the Plough. If he displaces then hit him quickly to the upper right opening, which is to the Ox, and then always drive the cross strike nimbly, one to the Ox and another to the Plough, across from one side to the other, that is to the head and to the body.<section end="50"/>
  
−
<section begin="52"/>'''Here note a break against the lower crosswise strikes'''
+
<section begin="51"/>You should also consider that you always shall spring well to his side in every cross strike, thus you will hit well to the head, but be sure that you meanwhile keep your hilt high before your head.<section end="51"/>
  
−
Note when the opponent strikes at your head with the crosswise from their right side to your left side, parry with the long edge and keep your point in front of their breast. Then if they strike around from your sword to your lower right opening using the crosswise strike, then you also make a crosswise strike down through between you and them also against their right side and with that bind against their sword and staying in the bind, stab them 'Indes' in the lower opening<section end="52"/>
+
<section begin="52"/>'''Counter against the Lower Cross Strike'''
  
−
<section begin="53"/>'''This is the text and the gloss of a play that is called the failer'''
+
When he strikes you with a Cross from his right side high to your head's left, then displace with the long edge and stay with the point in front of the chest, if he then strikes from the sword over with a cross to your lower right opening, then you also strike across through low between you and also to his right side, and so bind on his sword and immediately stab to his lower opening.<section end="52"/>
 +
 
 +
<section begin="53"/>'''Text on Feinting'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>53</small>
 
| <small>53</small>
−
| The failer misleads<br/>It wounds according to desire from below
+
| Feints mislead <br/>from below against intent to move
 
|}
 
|}
−
Gloss: The failer is a play whereby many fencers that like to parry and also those that fence to the sword and not to the openings become deceived and wounded according to desire and and are beaten.<section end="53"/>
+
Glosa Feinting is a play in which many elements become blended as in you want to pull out and strike to those who will displace and fence to the sword and not the body.<section end="53"/>
  
−
<section begin="54"/>Note when you come to the opponent with the initiation of fencing, act as if you will strike at their head with a free descending cut and suddenly withdraw the cut and strike at the lower openings of their left or right side, whichever you wish, with the crosswise strike. And take care that you are fully covered by your hilt over your head. You can also conduct crosswise cut like this.<section end="54"/>
+
<section begin="54"/>Mark when you come to him in pre-fencing, then move as if you would strike to the head in a free downstrike, then disengage off the strike and strike him with a cross to his lower opening on either the left or right side as you will, and see that you keep the hilt over your head as you deploy the cross strike.<section end="54"/>
  
−
<section begin="55"/>'''This is the text and the gloss of a play that is here called the inverter'''
+
<section begin="55"/>'''Text on Inverting'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>54</small>
 
| <small>54</small>
−
| The inverter constrains.<br/>The one who rushes through also wrestles with it.
+
| Inverting forces <br/>running through with grappling too,
 
|-  
 
|-  
 
| <small>55</small>
 
| <small>55</small>
−
| Take the elbow surely<br/>Spring into their stance.
+
| know to take the elbow <br/>and spring on the way.
 
|}
 
|}
−
Gloss: Note the inverter is called the halfcut or the hand-turner. With it, one constrains the opponent so that you can rush through and capture with wrestling.<section end="55"/>
+
Glosa The Inverter is the name for fencing with a half strike or the twisting hand which one forces to the opponent in running through and trapping to wrestle.<section end="55"/>
  
−
<section begin="56"/>'''Conduct it like this:'''
+
<section begin="56"/>'''Drive this thus,'''
  
−
When you go toward the opponent with the initiation of fencing, go with the left foot forwards and hew the halfcut from the right side with an inverted long edge over and over, up and down in time with your left foot until you arrive at the opponent. And as soon as you bind against their sword with it, then 'Indes' hang your point inward from above and stab them in the face. If they parry the thrust and rise up high with there arms, then rush through. Or if they remain with their hands low with their act of parrying, then seize their right elbow with your left hand and hold them firmly and spring in front of their right with your left foot and shove them over your foot like this.<section end="56"/>
+
when you have gone to him in pre-fencing, then go with the left foot forward to strike a half strike from the right side and reversed long edge, go and go on with your left foot until you come to him and as soon as you thus bind with the sword, Immediately hang the point and stab at his face, if he displaces and drives his arms high, then charge through to him. If he keeps his hands low in the displacement then grab his right elbow with your left hand, hold it well and spring with the left foot ahead of his right and push him over your foot. <section end="56"/>
  
−
<section begin="57"/>Or if you do not wish to shove them over your foot by the elbow with your left hand as was written above, then pass your left hand back around their body and throw them in front of you across your left hip.<section end="57"/>
+
<section begin="57"/>Or if you would not push him by the elbow with your left hand over your foot as was described before, then drive with the left arm behind him around his body and throw him forward over your hip.<section end="57"/>
  
−
<section begin="58"/>'''This is again the text and the gloss about the failer'''
+
<section begin="58"/>'''Text on just one of the Feints'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>56</small>
 
| <small>56</small>
−
| The failer doubles.<br/>If they make contact, make the slice with it.
+
| Feinting double <br/>makes one hit with the edge.  
 
|-  
 
|-  
 
| <small>57</small>
 
| <small>57</small>
−
| Double it further<br/>Step in left and do not be lazy
+
| Let it double <br/>stride left and forward with it.
 
|}
 
|}
−
Gloss: Note this is called the double failer. Conduct it like this: When you come to the opponent with the initiation of fencing, do it with your left foot forwards and hold your sword on your right shoulder. When it is suitable to you, spring full on toward them with your right foot over to their left side and act as if you would strike them with a free crosswise strike at their head to their left side and suddenly withdraw the strike and spring to their right side with your left foot and strike them from there out into their head. If they parry and you hit their sword, then spring out off next to them on the same side and slice them in their mouth with the short edge from behind their sword by doubling.<section end="58"/>
+
Glosa This names the double feint which is driven thus: when you come to him in pre-fencing then stand with the left foot forward and hold your sword on your right shoulder and when you are near then spring with your right foot to his left side and do as if you would strike a free cross strike to his left side of the head and pull out of the strike and spring with the left foot to his right side and strike to his head, if he displaces and you engage his sword then spring away close to the side and cut him with the short edge behind his sword with a double to the mouth.<section end="58"/>
  
−
<section begin="59"/>Or fall into the slice with your sword across both their arms. In the same way, you can also successfully conduct the failer from descending cuts just like from the crosswise strikes whenever it is available to you or whenever you wish.<section end="59"/>
+
<section begin="59"/>Or fall with the sword over both his arms in the cut to also make the feint from the high strikes, thus driving full to strike from the Crosser when it is open to you or when you wish.<section end="59"/>
  
−
<section begin="60"/>'''Here begins the cockeyed cut with it's plays'''
+
<section begin="60"/>'''Here you rise to the Glance Strike with its plays'''
  
−
<br/>
+
'''Text'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>58</small>
 
| <small>58</small>
−
| The cockeyed cut breaks into<br/>Whatever the buffalo cuts or thrusts
+
| Glance strikes break once <br/>what buffaloes strike or stab,
 
|-  
 
|-  
 
| <small>59</small>
 
| <small>59</small>
−
| Whoever threatens to change,<br/>The cockeyed cut robs them of it.
+
| Changed defense concludes <br/>glancing outward to deny
 
|}
 
|}
−
Gloss: Note the cockeyed cut breaks the guard here called the plow and is a good, strange and grim cut because it breaks into cuts and into thrusts with violence and goes forth with an inverted sword. This is why many masters of the sword have nothing to say about this cut.<section end="60"/>
+
Glosa The Glancer breaks the guard named the Plough and is a particularly well applied strike as it breaks strikes and stabs with force and closes with an inverted sword, many masters of the sword do not know what to say of this strike<section end="60"/>
  
−
<section begin="61"/>'''Here note how one shall conduct the cockeyed cut'''
+
<section begin="61"/>'''How one shall strike the glancer'''
  
−
Note when you come to the opponent with the initiation of fencing, do it with your left foot forwards and hold your sword on your right shoulder. Then if they cleave in at the head from above, twist your sword and hew against their cut up over their sword at their head with your short edge, long with extended arms. Then if they are also cunning and aborts during the cut of your sword and will disengage below, let the point shoot in forward and long during the cut so that they cannot disengage below.<section end="61"/>
+
Mark when you come to him in the pre-fencing to stand with the left foot forward and hold your sword on your right shoulder, if he strikes then to your head from above then twist your sword and strike long against his strike with your arms upward and the short edge right over his sword to his head. If he is then unsuccessful and disabled on your sword and would then change through below, then let your point shoot far forward from yourself so he won't try to change through below.<section end="61"/>
  
 
<section begin="62"/>'''Another'''
 
<section begin="62"/>'''Another'''
  
−
When you stand facing the opponent holding your sword on your right shoulder, if they then stand facing you in the guard of the plow and will initiate a thrust from below, cleave in with the cockeyed cut long from above and shoot in the point long into their breast so they cannot reach you below with their thrust.<section end="62"/>
+
When you stand against him and hold your sword on your right shoulder, if he then stands against you in the guard of the plough and would stab you from below, then strike him with the glancer to point high and long to his chest, thus he will not reach you with the stab from below.<section end="62"/>
  
−
<section begin="63"/>'''This is the text and the gloss on a lesson from the cockeyed cut'''
+
<section begin="63"/>'''Text of a lesson on the Glance Strike'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>60</small>
 
| <small>60</small>
−
| Cock an eye. If they short change you,<br/>Disengaging defeats them.
+
| Glance short on his <br/>Changes Through onto his face
 
|}
 
|}
−
Gloss: Note this lesson. When you come to the opponent with the initiation of fencing, you shall sneak a glance and see whether they fence short against you. You can recognize this whenever they initiate a cut and do not extend their arms out away from themselves while cutting. Thus their sword is shortened.<section end="63"/>
+
Glosa Mark the lesson when you come to him in pre-fencing, then you should glance to the face and see if he would fence short against you, so by it you should know when he would strike right at you, if he does not strike with his arms long from him then his strike will be shortened, <section end="63"/>
  
−
<section begin="64"/>Or if you lie in the guard of the fool and they will then fall upon you with their sword crooked, their sword is again shortened.<section end="64"/>
+
<section begin="64"/>Or when you stand before him in the fool's guard if he will then arc to fall out with the sword, then his sword is shortened,<section end="64"/>
  
−
<section begin="65"/>Or if they move themselves against you into the guard of the ox or the plow, their sword is again shortened. Also know that all windings of the sword ahead of the opponent are short and withdraw the sword. And against whichever fencers that conduct the windings in this way, freely disengage from your cuts and thrusts and shoot in the long point to the closest opening from this, thereby pressuring them so that they must parry and you come to your proper work.<section end="65"/>
+
<section begin="65"/>Or when he stands against you in the guard of the Ox or the Plough, then his sword is shortened. Also know that all windings with the sword are short in front of the opponent and shorten the sword and the Changes which the fencer then drives through freely from strikes and from stabs and shots in the long point, those that you force from one opening to the next so that he must displace, thus you come to work properly.<section end="65"/>
  
−
<section begin="66"/>'''This is the text and the gloss of how one breaks long point with the cockeyed cut'''
+
<section begin="66"/>'''Text on how one breaks the Long Point with the Glancer'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>61</small>
 
| <small>61</small>
−
| Cock an eye at the point<br/>And take the neck without fear
+
| Glance to the point <br/>and take the throat without effort
 
|}
 
|}
−
Gloss: Note when you come to the opponent with the initiation of fencing, if they then stand facing you and hold the long point toward your face or breast, hold your sword on your right shoulder and focus your gaze on their point and act as if you will strike at it and cut strongly against their sword with your short edge using the cockeyed cut. And with that, shoot in your point into their neck using an entrance of your right foot.<section end="66"/>
+
When you come to him in pre-fencing, if he then stands against you and holds the long point to your face or chest then hold your sword on the right shoulder and glance facing the point and act as if you would strike and then strike strongly with the glancer with the short edge against his sword and shoot the point long to his throat with a step ahead with the right foot.<section end="66"/>
  
−
<section begin="67"/>'''This is again the text and the gloss of a play from the cockeyed cut'''
+
<section begin="67"/>'''Text on just one element of the Glance Strike'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>62</small>
 
| <small>62</small>
−
| Cock an eye at the top of the head<br/>If you wish to ruin the hands
+
| Glance high <br/>to the lead hand should you threaten
 
|}
 
|}
−
Gloss: Note this is another break for when your opponent stands in the long point facing you. Focus your gaze upon their head and act as if you will strike them there and strike them on their hands with your point from the cockeyed cut.<section end="67"/>
+
Glosa Mark that this is a second counter when he stands against you in the long point, then glance at him with with your face to his head and act as if you would strike onto it, and strike him from the glance strike with the point over his hands.<section end="67"/>
  
−
<section begin="68"/>'''Here begins the text and the gloss of the part cut'''<br/><br/>
+
<section begin="68"/>'''Of the Vertex Strike'''<br/><br/>
  
−
<br/>
+
'''Text'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>63</small>
 
| <small>63</small>
−
| The part cut<br/>Is a threat to the face
+
| The top <br/>of the face is endangered
 
|-  
 
|-  
 
| <small>64</small>
 
| <small>64</small>
−
| With it's turn<br/>The breast is yet endangered.
+
| with your turn <br/>threatening the chest.
 
|-  
 
|-  
 
| <small>65</small>
 
| <small>65</small>
−
| Whatever comes from them<br/>The crown removes.
+
| That which comes from him <br/>is taken at the Crown,
 
|-  
 
|-  
 
| <small>66</small>
 
| <small>66</small>
−
| Slice through the crown<br/>So that you break it beautifully and hard
+
| cut through the crown <br/>then break hard
 
|-  
 
|-  
 
| <small>67</small>
 
| <small>67</small>
−
| Press the sweeps<br/>By slicing withdraw it
+
| as the strike hits, <br/>pull out with a slice.
 
|}
 
|}
−
Gloss: Note the part cut breaks the guard that is here called the fool and to that end, it is quite dangerous to the face and with it's turn, the breast.<section end="68"/>
+
The Vertex breaks the guard called fool and endangers the face and the chest with your turn.<section end="68"/>
  
−
<section begin="69"/>'''Conduct it like this'''
+
<section begin="69"/>'''Then drive this thus,'''
  
−
When you come to the opponent with the initiation of fencing, if they then move themselves against you into the guard of the fool, advance your left foot and hold your sword on your right shoulder in guard and spring into them and cut down from above at their head strongly with the long edge. Then if they parry the cut such that their point and their hilt both stand up (this is called the crown), remain high with your arms and lift your sword's pommel upwards with your left hand and sink your point over their hilt and into their breast. Then if they rise up with their sword and shove your point upwards with their hilt, then wind your sword through under their crown into their arm using the slice and press. Like this, the crown is again broken. And with the pressing, slice firmly into their arms and withdraw yourself during the slice.<section end="69"/>
+
when you come to him in pre-fencing, and he stands against you in the fool's guard, then put your left foot forward and hold your sword in guard on your right shoulder and spring to him and strike strongly with the long edge from above to his head, when he displaces the strike so his point and grip are above and to each side in the stance called the Crown, then keep your arms high and with your left hand raise the sword's pommel high and sink your point over his guard to his chest, if he thrusts his sword to push your point away, then wind your sword below his crown with a cut to his arm and hit, thus breaking the crown again, and with the hit then cut hard on the arm and pull out with a slice.<section end="69"/>
  
−
<section begin="70"/>'''This is the text and the gloss about the four positions'''
+
<section begin="70"/><section end="70"/>
−
{| class="zettel"
 
−
|-
 
−
| <small>68</small>
 
−
| Four positions alone<br/>Defend from those and eschew the common
 
−
|-
 
−
| <small>69</small>
 
−
| Ox, plow, fool,<br/>From-the-roof are not contemptible to you
 
−
|}
 
−
Gloss: Note the four positions. These are the four guards that you shall fence from.<section end="70"/>
 
−
 
 
−
<section begin="71"/><br/>
 
  
−
The first guard is called the ox. Put yourself together like this here: stand with your left foot forwards and hold your sword next to your right side with your hilt in front of your head such that your thumb is underneath your sword and hang your point toward their face.<section end="71"/>
+
<section begin="71"/><section end="71"/>
  
−
<section begin="72"/>Note, Put yourself in ox on the left like this: stand with your right foot forwards and hold your sword by your left side with your hilt in front of your head such that your thumb is underneath your sword and hang your point toward their face. This is the ox on both sides.<section end="72"/>
+
<section begin="72"/><section end="72"/>
  
 
<section begin="73"/>'''This is the second guard'''
 
<section begin="73"/>'''This is the second guard'''
  
−
Note that the second guard is called the plow. Put yourself together like this here: Set up with the left foot forwards and hold your sword with crossed hands with the pommel down by your right side at the hip such that the short edge is above and your point against their face.<section end="73"/>
+
The second guard is called the Plough and set yourself in it thus, Stand with the left foot forward and hold your sword with crossed hands with the pommel under you near your right side on the hip so that the short edge is above and the point stands against him in his face.<section end="73"/>
−
 
 
−
<section begin="74"/>Note. Put yourself in plow on the left side like this: stand with your right foot forwards and hold your sword by your right side with the pommel low at the hip such that the long edge is above and your point is in line with their face. This is the plow on both sides.<section end="74"/>
 
−
 
 
−
<section begin="75"/>'''This is the third guard'''
 
  
−
Note the third guard is called the fool. Put yourself together like this here: stand with your right foot forwards and hold your sword in front of you with extended arms with the point upon the ground with your short edge turned upwards<section end="75"/>
+
<section begin="74"/>On the left side set yourself in the guard of the plough thus, Stand with the right foot forward and hold your sword near the left side with the pommel under you to the hip so that the long edge is above and the point stands in his face. This is the plough on both sides. <section end="74"/>
  
−
<section begin="76"/>'''This is the fourth guard'''
+
<section begin="75"/><section end="75"/>
  
−
Note the fourth guard is called roof guard. Put yourself together like this here: stand with your left foot forwards and hold your sword on your right shoulder or with upstretched arms high over your head and stand in guard like this.<section end="76"/>
+
<section begin="76"/><section end="76"/>
  
−
<section begin="77"/>'''This is the text and the gloss of the four parries'''
+
<section begin="77"/>'''Text of the four Displacements'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>70</small>
 
| <small>70</small>
−
| Four are the parries<br/>Which also severely disrupt the positions
+
| Four are the displacements <br/>also used for addressing the stances
 
|}
 
|}
−
Gloss: Note you have heard before that there are four guards. You shall also know this about the four parries: they break these same four guards. Furthermore, there is no actual parrying is called for in these, because the four parries are four cuts that break them.<section end="77"/>
+
Glosa You heard before what the four guards are, now you shall also know the four displacements that break those four guards, also know to use no other displacement as there are four strikes that you shall counter with,<section end="77"/>
  
−
<section begin="78"/>Note the first cut is the crooked cut which breaks the guard that here is called the ox.<section end="78"/>
+
<section begin="78"/>the first strike is the Arc Strike. This breaks the guard named the Ox.<section end="78"/>
  
−
<section begin="79"/>Note the second cut. This is the crosswise cut which breaks the roof guard<section end="79"/>
+
<section begin="79"/>The second strike is the Cross Strike. This breaks the guard of the Roof.<section end="79"/>
  
−
<section begin="80"/>Note the third cut. This is the cockeyed cut which breaks the guard that here is called the plow<section end="80"/>
+
<section begin="80"/>The third strike is the Glancer. This breaks the guard called the Plough.<section end="80"/>
  
−
<section begin="81"/>Note the fourth cut. This is the part cut which breaks the guard that here is called the fool<section end="81"/>
+
<section begin="81"/>The fourth strike is the Vertex. This breaks the guard called Fool.<section end="81"/>
  
−
<section begin="82"/>And how you should break the four guards with the cuts shall be found written previously in these same cuts.<section end="82"/>
+
<section begin="82"/>And how to break the four guards with the strikes is found described before this under the same named strikes.<section end="82"/>
  
−
<section begin="83"/>'''This is the text and the gloss about how one shall not parry'''
+
<section begin="83"/>'''Text when one shall not displace'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>71</small>
 
| <small>71</small>
−
| Guard yourself from parrying<br/>If this happens, it also severely beleaguers you.
+
| Before displacing guard yourself, <br/>place it to your best advantage
 
|}
 
|}
−
Gloss. Note this is about how one shall not parry like the common fencers do. When they parry, they keep their point up in the air or to one side. This shows that they do not know to seek the four openings in the act of parrying. Therefore, they often become struck. But when you parry, parry with your cut or with your thrust and 'Indes' seek the nearest opening with the point so no master can strike you without their own harm.<section end="83"/>
+
That is you should not displace as the common fencer does. When they displace then they hold their point high or to one side, so understand that they do not know how to use the point in the displacement to seek onward and are often hit. Thus when you would displace, then displace with your strike or with your stab and Immediately search for the next opening with the point, thus you will not be mastered and struck to your damage.<section end="83"/>
  
−
<section begin="84"/>'''This is the text and the gloss about when someone has parried you and what you should conduct against that.'''
+
<section begin="84"/>'''Text how one shall drive the displacement farther'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>72</small>
 
| <small>72</small>
−
| If you are parried<br/>And as that is arriving
+
| If you are displaced <br/>as it comes in
 
|-  
 
|-  
 
| <small>73</small>
 
| <small>73</small>
−
| Heed what I advise:<br/>Break loose, cut quickly with violence.
+
| now hear what I advise, <br/>wrench off, strike fast in line.
 
|}
 
|}
−
Gloss. Note this is about when someone has parried you and will not withdraw themselves from your sword and intends to not allow you to come to any plays. In this case, rise up on their sword's blade with your sword as if you would abscond from their sword, but stay against their sword and cut back in against their blade directly at their head using your long edge.<section end="84"/>
+
That is when one has displaced you and will not extract from the sword and intends that you will not be allowed to come to a play, then wrench upward with your sword on his sword's blade, as if you would take off from his sword from above, and stay on the sword and strike him hitting on the blade again with the long edge onto his head.<section end="84"/>
  
−
<section begin="85"/>'''This is the text and the gloss about the four lodgings'''
+
<section begin="85"/>'''Text on four attacks'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>74</small>
 
| <small>74</small>
−
| Lodge against four regions<br/>Learn to remain upon them if you wish to finish
+
| Attack to four endings, <br/>onward stay would you end the lesson
 
|}
 
|}
−
Gloss. Note there are four lodgings that are called for in earnest combat. You shall conduct them when you wish to immediately slay or injure your opponent. Conduct them like this: When you initiate fencing with the opponent with your sword, move yourself with your sword into the guard of the ox or the guard of the plow. If they will then cleave in from above or initiate a thrust from below, note during the moment when they lift up their sword and will strike or will draw down toward themselves to thrust at you, that you go first and shoot in the long point to their nearest opening before they bring forth their cut or thrust and see if you can lodge against them. Do the same thing when they initiate an rising cut. When this happens, shoot in the point the moment before they go up with their rising cut. Conduct this to both sides. Then if they become aware of the lodging against, keep your sword against theirs and swiftly work to the nearest opening<section end="85"/>
+
Glosa There are four attacks to know should you drive in earnest, when you would soon hit or drive when you approach him in pre-fencing, then stand yourself with the sword in the Ox guard or the Plough, if he would then strike from above or stab below, then observe as he raises his sword up to hit or pulls back low in order to stab you, then come forward and shoot into the long point to the next opening. As and when he brings forth the strike or stab, look to see if you may attack. Similarly also do this when he strikes low to you then shoot the point to him as and when he comes with the low strike and drive it to both sides. If he becomes wary of the attack then stay with your sword toward him and work nimbly to the next opening.<section end="85"/>
  
−
<section begin="86"/>'''This is the text and the gloss of the pursuing'''
+
<section begin="86"/><section end="86"/>
−
{| class="zettel"
 
−
|-
 
−
| <small>75</small>
 
−
| Learn to pursue<br/>Double or slice into the weapon
 
−
|-
 
−
| <small>76</small>
 
−
| Two enticements to the outside<br/>The work begins thereafter
 
−
|-
 
−
| <small>77</small>
 
−
| And gauge the application<br/>Whether they are soft or hard
 
−
|}
 
−
Gloss. Note pursuing is diverse and varied and is required to be conducted with great caution from cuts and thrusts against the fencers that fight from free and lengthy cuts or will not otherwise keep to the proper art of the sword.<section end="86"/>
 
  
−
<section begin="87"/>'''Conduct pursuing like this'''
+
<section begin="87"/><br/>
  
−
When you come to the opponent with the initiation of fencing, do it with your left foot forwards in the roof guard and watch quite attentively to what they fence against you. If they cleave in long from above, take heed that they do not reach you with their cut and not during the cut when their sword goes toward the ground, then spring in with your right foot, cleave in at their head from above before they can come up with their sword so that they are stricken.<section end="87"/>
+
When you come to him in pre-fencing, then stand with the left foot forward in the guard of the roof and be well aware of what he would fence against you. If he strikes high to your left, then wait so that he will not reach you with the strike, and meanwhile observe when his sword goes below him to the ground then spring with the right foot and strike him high to the head as and when his sword goes farther out, thus he is struck.<section end="87"/>
  
−
<section begin="88"/>'''The play written hereafter is called enticement to the outside'''
+
<section begin="88"/>'''The following play is called the outside take.'''<br/><br/>
  
−
Note when the opponent misses their attack and you pursue into the opening with their cut, if they then rise up with their sword and come against your sword from below, remain strong upon it. Then if they firmly lift your sword upwards with theirs, spring behind their right foot with your left and strike them on the right side of their head with the crosswise cut or whatever, immediately working back around to their left side or otherwise with other plays thereafter, as you sense whether they are soft or hard at the sword.<section end="88"/>
+
When he would strike to you and you travel after him with a strike to the opening, if he then soon drives off with the sword and comes below you onto your sword then stay strong on the sword with yours hard over his then spring behind his right with your left foot and hit him with a cross or similar to the right of his head and work soon again over to his left side with doubling or other similar elements as you find if he is soft or hard on the sword.<section end="88"/>
  
−
<section begin="89"/>'''Here note a good pursuing at the sword from rising cuts'''<br/><br/>
+
<section begin="89"/>'''A good travel-after on the sword out of low strikes'''<br/><br/>
  
−
Note when you fence against your opponent from rising cuts or from the sweeps or lay against them in the guard that is here called the fool. Then if they fall upon your sword with theirs before you can come upwards with something, stay against their sword like this with yours below and lift upwards. Then if they wind in their point into your face or breast while on your sword, do not let them get away from your sword and adhering to it and work with your point to their nearest opening. But if they strike around away from your sword then either follow behind or pursue them again with your point like before.<section end="89"/>
+
When you fence against him from low strikes or out of a strike, or stand against him in the guard named Fool, if he feints then with the sword onto yours as and when you so come forth, then stay low with your sword on his and lift upward, if he winds on the sword bringing his point at your face or chest, then don't let him come off the sword and from there follow after him to work your point to the next opening. If he strikes over from the sword then follow or travel after him with the point but, as before,<section end="89"/>
  
−
<section begin="90"/>Note you shall pursue them from all cuts and from all guards as soon as you recognize when they miss their attack or they open themselves with their sword. But take care that you neither open yourself up nor miss your attack with your pursuing. Note this on both sides.<section end="90"/>
+
<section begin="90"/>see that you shall, from all strikes and guards, follow after him as soon as you can when he has struck or opened with the sword before you, and when you yourself have opened or struck, wait so that you will not be followed after, observe this on both sides.<section end="90"/>
  
−
<section begin="91"/>'''Precisely note here the text and the gloss about feeling and about the word that is here called Indes.'''
+
<section begin="91"/>'''Mark here the lesson on Feeling and on the word Immediately'''<br/><br/>
  
−
<br/>
+
'''Text'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>78</small>
 
| <small>78</small>
−
| Learn to feel<br/>Indes, this word cuts sharply
+
| Teach feeling. <br/>The word Immediately cuts sharply.
 
|}
 
|}
−
Gloss. Note that feeling and the word 'Indes' are the greatest and the best arts of the sword and whoever is or wishes to be a master of the sword yet cannot feel and cannot perceive the term 'Indes' in it, they are in fact not a master, rather they are a buffalo of the sword. Therefore you shall quite fully study the two things for all situations so that you correctly comprehend it.<section end="91"/>
+
<section end="91"/>
  
−
<section begin="92"/>'''Here note the lesson about feeling and about the word that is called Indes'''
+
<section begin="92"/><br/><br/>
  
−
Note when you come to the opponent with the initiation of fencing and one binds the other on the sword, in this, immediately feel as the swords clash together whether they have bound on soft or hard and as soon as you have sensed this, then reflect on the Indes. This means that you shall work swiftly at the sword within that perception before the opponent comes to their senses.<section end="92"/>
+
When you come to him in pre-fencing and one or another has bound on the sword, then you should, just as the swords clash together, feel by hand if he has bound soft or hard and, as soon as you have determined this, then think of the word Immediately in that by it you will find how you will work nimbly on the sword so that he is hit even as he would ward.<section end="92"/>
  
−
<section begin="93"/>'''Here you shall note'''
+
<section begin="93"/>'''Mark'''
  
−
That feeling and the word Indes are one thing, for one cannot be without the other. Look at it like this: When you bind against their sword, you must immediately feel whether they are soft or hard at the sword using the word Indes. And when you have felt that, then you must work 'Indes' according to the soft and according to the hard. Like this, they are nothing but one thing. And the word Indes, this is for all plays from beginning to end. Look at it like this:<br/><br/>
+
that Feeling and the word Immediately are one thing and one is not considered without the other when you bind on his sword. Thus take full to hand the word Immediately, if he is soft or hard and when you have felt this then you must now work against the soft and against the hard at the sword. So  when both are not one thing, the word Immediately is foremost of all concepts and use it thus:<br/><br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
|  
 
|  
−
| Indes doubles,<br/>Indes mutates,
+
| Immediately doubles, <br/>Immediately transforms,
 
|-  
 
|-  
 
|  
 
|  
−
| Indes disengages,<br/>Indes rushes through,
+
| Immediately changes through, <br/>Immediately charges through,
 
|-  
 
|-  
 
|  
 
|  
−
| Indes takes the slice,<br/>Indes wrestles with,
+
| Immediately gains the slice, <br/>Immediately gains the grapple,
 
|-  
 
|-  
 
|  
 
|  
−
| Indes takes the sword,<br/>Indes does what your heart desires.
+
| Immediately takes the sword, <br/>Immediately does what your heart desires,
 
|}
 
|}
−
Indes, this is a sharp word. With it, all masters of the sword that neither know nor understand it will be carved up. This is the key of the art.<section end="93"/>
+
Immediately is a sharp word that cuts all masters of the sword, the word is not ingrained without knowing that this is the key to the art.<section end="93"/>
  
−
<section begin="94"/>'''Here again note the text and the gloss about pursuing'''
+
<section begin="94"/>'''Text regarding the Traveling After'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>79</small>
 
| <small>79</small>
−
| Pursuing twice,<br/>If one hits, make the old slice with it.
+
| Traveling after hits one twice <br/>done with the olden slice
 
|}
 
|}
−
Gloss. Note this is about how you shall not forget to conduct the pursuing to both sides nor the slices therein. Look at it like this: When the opponent misses their attack before you, be it from the right or from the left side, boldly cut into the opening and follow them closely. Then if they rise up and bind against your sword from below, then note as soon as one sword clashes onto the other and then 'Indes', continue with a slice towards their neck or fall upon their arms with your long edge and slice firmly.<section end="94"/>
+
Glosa That is you shall travel after to both sides and don't forget the slices inward. Take this on when he would strike before you from high on the right or left side, then strike after him driving to the opening he makes and bind below on the sword, so mark as soon as one sword glides on the other, then slice him Immediately to his throat or let your long edge fall on his arm and slice closely.<section end="94"/>
  
−
<section begin="95"/>'''Here note the text and the gloss about the overrunning'''
+
<section begin="95"/>'''Text on the overunning'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>80</small>
 
| <small>80</small>
−
| Whoever takes aim from below<br/>Overrun, then they will be shamed.
+
| He who roams below <br/>overrunning will then shame him.  
 
|-  
 
|-  
 
| <small>81</small>
 
| <small>81</small>
−
| When it clashes above,<br/>Strengthen, This I wish to praise.
+
| When it thus glides strong above <br/>I will praise that well,
 
|-  
 
|-  
 
| <small>82</small>
 
| <small>82</small>
−
| Make your work<br/>Or press hard twice.
+
| make your work <br/>or hit hard twice.  
 
|}
 
|}
−
Gloss. Note that this is about when you come to the opponent with the initiation of fencing, if they then cut from below to the lower openings, do not parry that, rather cleave in strong at their head from above. Or if they initiate a cut with rising cuts, then before they come up with their rising cut, shoot in the point into their face or breast long from above and lodge against them from above so they cannot reach you below. Because all of the upper lodgings break and free you from the lower. Then if they rise up and bind against your sword from below, then stay strong on their sword with your long edge and work swiftly to the nearest opening or let them work and if you come Indes then you hit them.<section end="95"/>
+
That is when you come to him with pre-fencing, if he then strikes you below to the low openings then don't displace him but strike him strongly from above to his head, or if he strikes to you with low strikes, then be aware as and when he comes out with the low strike, then shoot the point long to his face or chest and attack him high so he won't want to reach you below. All high attacks break and baffle the low ones. If he drives then to you below on your sword, then stay with the long edge strong on his sword and work nimbly to the next opening, or let him work and Immediately you can hit him.<section end="95"/>
  
−
<section begin="96"/>'''Here note that this is the text and the gloss of how one shall displace thrust and cut'''
+
<section begin="96"/>'''Text on how one shall parry stabs and strikes'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>83</small>
 
| <small>83</small>
−
| Learn to displace<br/>Skillfully disrupt cuts and thrusts
+
| Teach setting aside <br/>weapons artfully laid strike stab,
 
|-  
 
|-  
 
| <small>84</small>
 
| <small>84</small>
−
| Whoever thrusts at you<br/>Your point hits and their's breaks
+
| stab out from you, <br/>your point hits and counters his,
 
|-  
 
|-  
 
| <small>85</small>
 
| <small>85</small>
−
| From both sides<br/>You will hit every time, if you step.
+
| hit from both sides, <br/>at all times you will stride
 
|}
 
|}
−
Gloss. Note the displacing. Conduct it like this: When you come to the opponent with the initiation of fencing, if they then set themselves against you as if they will thrust, then advance your left foot and setup against them in the guard of plow from your right side and offer yourself open on your left side. Then, if they thrust into that opening, wind to your left side, your short edge against their sword engaging their thrust and displace it with that and step in with your right foot with that and stab them Indes in their face or in their breast.<section end="96"/>
+
Glosa Observe the setting aside, when you come to him in pre-fencing drive thus if he stands against you as if he would stab: put your left foot forward and stand against him in the guard of the Plough on your right side and give an opening with your left side, if he stabs to that opening then wind the sword onto his stab to your left side with the short edge on his sword, setting it aside, and stride then with your right foot and stab him Immediately to his face or chest.<section end="96"/>
  
 
<section begin="97"/>'''Another play'''
 
<section begin="97"/>'''Another play'''
  
−
Note when you setup in plow from your right side, if they then cleave in from above at your head on your left side, rise up with your sword, and with that wind to your left side against their cut such that your hilt is in front of your head and also step in with it with your right foot and stab them in their face or their breast. Conduct this play to both sides from the plow.<section end="97"/>
+
When you stand in the guard of the plough on your right side and he strikes high to your head's left side, then ward off with the sword and wind it against his strike on your left side with the hilt in front of your head, and stride then with your right foot, and stab to his face or chest driving this play to both sides.<section end="97"/>
  
−
<section begin="98"/>'''This is the text with the gloss about how one shall disengage'''
+
<section begin="98"/>'''Text on how one shall change through'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>86</small>
 
| <small>86</small>
−
| Whoever binds upon you<br/>Disengaging surely finds them
+
| Teach changing through <br/>from both sides,
 
|-  
 
|-  
 
| <small>87</small>
 
| <small>87</small>
−
| Learn to disengage<br/>From both sides stabbing sharply with it
+
| with weapons bound well on yours, <br/>change through in finding the blade
 
|}
 
|}
−
Gloss. Note disengaging is many and varied. You shall conduct it against the fencers that like to parry and those that cut to the sword and not to the openings of the body. You shall learn quite well to conduct this with caution so that the opponent does not lodge against you nor otherwise come in while you disengage.<section end="98"/>
+
The change through is much and you shall drive it properly against the fencer who likes to displace and strike to the sword, not to the body's openings, this you shall learn well, drive with leading ahead to the man who does not attack or come forward while you are changing through.<section end="98"/>
  
−
<section begin="99"/>'''Conduct the disengaging like this'''
+
<section begin="99"/>'''Drive the change through thus.'''
  
−
When you come to the opponent with the initiation of fencing, cleave in strongly from above. Then if they cut back at you but to your sword and not to your body, then during your cut, let your point rush through below their sword before they bind onto your sword and stab them in the breast on the other side. Then if they become aware of the thrust, and immediately chase that thrust with an act of parrying, then disengage again. Always do this when they move behind your sword with a parry.<section end="99"/>
+
When you come to him with pre-fencing then strike him a high strong one, if he strikes then in return against your sword and not your body, then in the strike let the point sink through, swiping below the sword as and when he binds on your sword, and stab to his chest on the other side. If he is aware of the stab and drives the sword stabbing right after with displacement, then change through and always do this when he drives with displacement against the sword.<section end="99"/>
  
−
<section begin="100"/>'''Or'''
+
<section begin="100"/>'''Another'''
  
−
When you come to the opponent with the initiation of fencing, advance your left foot and hold the long point against your opponent's face. Then if they strike at your sword either down from above or up from below and will bat it away or bind against it strongly, then let your point sink down and stab them on the other side. Conduct this against all cuts where the opponent strikes at your sword.<section end="100"/>
+
When you come to him with pre-fencing then set your left foot forward and hold the long point into his face, if he strikes from above down onto or from below onto your sword and will smite it away or bind strong on it, then let your point sink below it and stab to the other side. This drives against all strikes where your opponent strikes to the sword.<section end="100"/>
  
−
<section begin="101"/>'''Precisely note,'''
+
<section begin="101"/>'''Mark this'''
  
−
How you should disengage in such a way that the opponent does not lodge against you while you disengage. Look at it like this: When the opponent parries you and allow their point to go off to your side, boldly disengage and stab them on the other side. Or, if they remain with their point in front of your face or toward your other openings, then do not disengage. Remain on the sword and work with that to the nearest opening such that they cannot pursue, nor lodge against you.<section end="101"/>
+
You should change through while the opponent truly engages, then you change through and do it thus, when he displaces you and lets his point go outward to the side, then change through inward and stab him on the other side. If he stays with the point at your face or against other openings then don't change through but stay on his sword and work on it to the next opening so he can't travel or engage again.<section end="101"/>
  
−
<section begin="102"/>'''Here note the text and the gloss about the withdrawing suddenly at the sword'''
+
<section begin="102"/>'''Text on Disengaging on the sword'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>88</small>
 
| <small>88</small>
−
| Tread close in binds,<br/>So that withdrawing suddenly gives good opportunities.
+
| Step close in binding <br/>so disengaging gives good finding.  
 
|-  
 
|-  
 
| <small>89</small>
 
| <small>89</small>
−
| Suddenly withdraw. If they engage, suddenly withdraw more.<br/>Uncover the work that does them harm.
+
| Disengage his hits, <br/>disengaging finds more work,
 
|-  
 
|-  
 
| <small>90</small>
 
| <small>90</small>
−
| Suddenly withdraw all engagements<br/>If you wish to make a fool of the masters
+
| do this always as disengaging all engagements <br/>will attain you the mastery.
 
|}
 
|}
−
Gloss. Note withdrawing suddenly is appropriate to conduct against the masters that bind strongly against the sword and remain still in the bind of the sword and await to see whether one will cut off in front of them or withdraw from the sword so that they might then pursue into the opening. To make a fool of or mislead these masters, conduct the withdrawing suddenly against them like this: Cut in strongly from above at their head from your right side. Then if they drive forwards strongly with their sword during your cut and will either parry or cut into your sword, then suddenly withdraw your sword towards yourself before they bind you and stab them on the other side. Do this against all engagements and binds of the sword.<section end="102"/>
+
Know to drive the Disengaging against masters who bind strongly on the sword and stay on the sword in the bind, and wait to see if he would strike off from you or pull off of the sword, that you can then follow after to the opening to reach or touch the same master, then drive the disengaging against him thus: strike him strongly from the right side high to the head, if he drives forward in the strike strongly with the sword and will displace or strike to the sword, then disengage your sword nimbly as and when you bind on and stab him on the other side, do this against all hits and binds of the sword.<section end="102"/>
  
−
<section begin="103"/>'''Note another withdrawing suddenly'''
+
<section begin="103"/>'''Mark here another disengaging'''
  
−
When the opponent has bound against you against your sword, if they subsequently stand opposing you in the bind and watch whether or not you withdraw from the sword, then act as if you will suddenly withdraw and stay at the sword and withdraw suddenly your sword towards yourself just to the mid-part of the blade and suddenly thrust back against their sword into their face or breast. If you do not rightly connect with your thrust, then work by doubling or otherwise with other plays, whatever seems best to you.<section end="103"/>
+
When he has bound onto your sword and then stays against you in the bind waiting to see if you would pull off of the sword, then do as if you would disengage yet stay on the sword and pull your sword on the half edge to you and stab him soon again on the sword to the face or chest, if you don't hit rightly with the stab then work with doubling or any other element that is the best for you.<section end="103"/>
  
−
<section begin="104"/>'''Here note the text and the gloss about the runing through and about the wrestling with the sword'''
+
<section begin="104"/>'''Text on charging through with grappling on the sword'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>91</small>
 
| <small>91</small>
−
| Rush through, let hang<br/>Grab with the pommel if you wish to grapple.
+
| Let Charging Through hang <br/>with the pommel grab should you wrestle.  
 
|-  
 
|-  
 
| <small>92</small>
 
| <small>92</small>
−
| Whoever strengthens up against you,<br/>Remember to rush through with it.
+
| He who would charge through strongly against you, <br/>you mark with it.  
 
|}
 
|}
−
Gloss. Note rushing through and wrestling are double in the sword. For rushing through is both body wrestlings and then thereafter, the arm wrestlings and they are appropriate to conduct against the fencers that like to rush in.<section end="104"/>
+
The charging through and grappling are doubled when charging through with the sword, that is to grapple the body, So the arm grapple is afterward, and pay attention to drive against the fencer who charges openly.<section end="104"/>
  
−
<section begin="105"/>'''Conduct the first rushing through like this'''
+
<section begin="105"/>'''At first drive the charge through thus'''
  
−
Note when the opponent rushes in on you and rises up high with their arms and wishes to overwhelm you with strength from above, rise up with your arms as well and hold your sword over your head with your left hand by the pommel and let your blade hang down behind over your back and pass your head down through their arms toward their right side and spring with your right foot behind their right and with that spring, drive ahead of them toward their left side with your right arm well around their body and fasten them like this to your right hip and throw them backwards on their head in front of yourself.<section end="105"/>
+
Mark when he charges and drives high with the arms and would overpower you from above with the strong, then you also drive out your arms out and hold your sword with the left hand close over your head and let your blade hang back behind you and charge through with your head through the arms to his right side and spring with the right foot behind his right and in the spring drive with your right arm against his left side ahead well around the body and trap him thus on your right hip and throw him over backward on his head.<section end="105"/>
  
−
<section begin="106"/>'''Yet another body wrestling'''
+
<section begin="106"/>'''Wrestling a body'''
  
−
Note when the opponent rushes in on you with upstretched arms and you do the same, then rush through them with your head to their right side and let your sword hang back over your back as was written before and step ahead with your right foot in front of their right and drive through under their right arm back around their body with your right arm and fasten them to your right hip and throw them behind you. These two wrestlings go to both sides.<section end="106"/>
+
When he charges you with outreaching arms and you to him, then charge through him with your head to his right side and let your sword hang behind over your back, as was described before, stand and stride with your right foot ahead in front of his right and drive through behind him with your right arm under his right arm throw his body behind you over your right hip. These two wrestles drive to both sides.<section end="106"/>
  
−
<section begin="107"/>'''Yet another body wrestling'''
+
<section begin="107"/>'''Still wrestling a body'''
  
−
Note when the opponent rushes in on you to your right side and is high with their arms and you are as well, hold your sword in your right hand with your pommel shored against and shove their arm and their sword away from you with your hilt and spring ahead with your left foot in front of both their feet and pass your left arm way back around their body and fasten them to your left hip and throw them in front of you<section end="107"/>
+
When he charges to your right and has his arms high and you are also thus, then hold your sword in the right hand with the pommel overhead and thrust the hilt to his arm and your sword away from you and spring with the left foot forward in front of both his feet and drive the left arm fully behind and around the body and hold him on the left hip to throw him in front of you.<section end="107"/>
  
−
<section begin="108"/>'''Yet another body wrestling'''
+
<section begin="108"/>'''Still wrestling a body'''
  
−
Note when the opponent rushes in on you and is high with their arms and you are as well, you shall hold your sword in your right hand and shove their arm away from you with that and spring behind their right foot with your left and pass your left arm down through in front of their breast to their left side and fasten them to your left hip and throw them behind you. Conduct these two wrestlings on both sides.<section end="108"/>
+
When he charges to you with his arms high and you do so too, then hold your sword in the right hand and thrust your arm to him and spring with the left foot behind his right and drive through from below with the left arm in front of his chest on the left side and trap him on the left hip and throw him behind you. These two wrestles drive to both sides.<section end="108"/>
  
−
<section begin="109"/>'''Now note the arm wrestlings with the sword here:'''
+
<section begin="109"/>'''The following is arm wrenching in the sword'''
  
−
Note when the opponent rushes in on you at the sword and holds their hands low, invert your left hand and between both of their hands seize their right with it and with that drag them to your left side and using your right, strike them with your sword across their head.<section end="109"/>
+
Mark when he charges to you with the sword and holds his hands low, then turn your left hand and grasp to his right with it inward between both his hands and shove in with it to the left and with the right hand hit him atop the head with the sword.<section end="109"/>
  
−
<section begin="110"/>'''Or'''
+
<section begin="110"/>'''Another'''
  
−
If you do not wish to strike, then spring behind their left foot with your right and pass your right arm around their neck, ahead or behind and throw them over your right knee in this way.<section end="110"/>
+
If you would not hit him then spring with your right foot behind his left and drive ahead to him with the right arm or backward around the throat and then throw him over your right knee.<section end="110"/>
  
−
<section begin="111"/>'''Another arm wrestling'''
+
<section begin="111"/>'''An arm grapple'''
  
−
Note when the opponent rushes in at the sword and is low with their hands, let your left hand go from the sword and with your right crosswise out over their right hand and press down with that and seize them by their right elbow with your left hand and spring in front of their right foot with your left and shove them over it like this.<section end="111"/>
+
When he charges to you with the sword and is low with his hands, then release your left from your sword and with the right drive with the pommel out over his right hand and push down with it and with your left hand grab him by his right elbow and spring with the left foot in front of his right and then push him over.<section end="111"/>
  
−
<section begin="112"/>'''Another arm wrestling'''
+
<section begin="112"/>'''Still an arm grapple'''
  
−
Note when one rushes in on you at the sword, let your sword completely go and invert your right hand. And using that, take an outside grip of their right and with your left grasp them by their right elbow and spring in front of their right foot with your left and shove their right arm over your left with your right hand and lift them upwards with this. Like this, you can either break their arm or throw them over your left leg in front of you, whichever you wish.<section end="112"/>
+
When he charges to you with the sword, then let your sword fall and turn your right hand and grasp outward to his right and with the left grip him by the right elbow and spring with the left foot ahead of his right and with your right hand thrust his right arm over your left and so lift him upward, thus you can break his arm or throw him from yourself over the left leg if you want.<section end="112"/>
  
−
<section begin="113"/>'''Here note a sword disarm'''
+
<section begin="113"/>'''Mark here a taking of the sword'''
  
−
Note when the opponent rushes in on you at the sword, invert your left hand and pass over their right arm with it and seize their sword between both of their hands and drag them to your left side with that so that you take their sword from them.<section end="113"/>
+
Mark when one charges in to you with the sword, then turn your left hand and drive it over his right arm and then grasp his sword between both hands on the grip and push it to your left side. Thus you have taken his sword.<section end="113"/>
  
−
<section begin="114"/>'''Another sword disarm'''
+
<section begin="114"/>'''Still a sword taking.'''
  
−
Note when the opponent parries you or otherwise binds against your sword, seize both swords in the crossing of the blades with your left hand and hold them both firmly together and drive forwards, down through with your pommel and over both their hands and drag them up to your right side with it, so that you keep both swords.<section end="114"/>
+
When he displaces or otherwise binds on your sword then grasp the sword's middle with the left hand and hold both tight and drive the right hand through down with the pommel forward over both his hands and then pull upward to your right side, thus you keep both swords.<section end="114"/>
  
−
<section begin="115"/>'''Here note the text and the gloss about cutting off'''
+
<section begin="115"/>'''Of the cutting off'''
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>93</small>
 
| <small>93</small>
−
| Cut off the hard ones<br/>From below in both paths
+
| Cut off hard <br/>from below ward in both.
 
|}
 
|}
−
Gloss. Note this is what you shall do when the opponent strongly binds atop your sword from above (or falls upon it). Look at it like this: When you initiate fencing from rising cuts or from sweeps or lay against your opponent in the guard of the fool, if they then fall upon that with their sword before your come up with yours, keep against their sword from below and lift upwards with your short edge. If they subsequently press your sword down firmly, then from their sword, sweep off backwards from beneath with your sword against their sword's blade, away from their sword and immediately cut back in against their sword from above on the other side at their mouth<section end="115"/>
+
That is what you shall deploy when one binds strongly on your sword from above or feints from there, and so use this when you pre-fence from the low strike or from striking up from or when standing against him in the Fool's guard, if he feints out then with the sword as and when you come out from this, then stay low on your sword and raise the short edge closely above you, if he then hits your sword hard downward then strike low with your sword on his sword's blade, take off from his sword behind you, and quickly again strike to the other side onto his sword and high to his mouth.<section end="115"/>
  
 
<section begin="116"/>'''Yet another'''
 
<section begin="116"/>'''Yet another'''
  
−
When you initiate fencing with rising cuts or lay in the guard of the fool, if the opponent subsequently falls onto that close to your hilt, before you come up with it such that their point goes out toward your right side, then swiftly rise up over their sword with your pommel and strike them in the head with your long edge. Or if they bind atop your sword such that their point goes out to your left side, then rise up over their sword with your pommel and strike them in their head with your short edge. This is called snapping.<section end="116"/>
+
When you pre-fence with low strikes or rush in the Fool's guard, if he feints out then with the sword near to your hilt as and when you come out from this so that your point goes out to your right side, then drive out nimbly with the pommel over his sword and hit him on the head with the long edge, or if he binds onto your sword so that your point goes off to the left side, then drive with the pommel over his sword and hit to his head with the short edge. This is called the clipping.<section end="116"/>
  
−
<section begin="117"/>'''Here note the text and the gloss about the four slices'''
+
<section begin="117"/>'''Text on the four cuts'''<ref>Note: cut as in slice</ref>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>94</small>
 
| <small>94</small>
−
| Four are the slices<br/>With two from below, two from above.
+
| Four are the slices, <br/>with two below and two above
 
|}
 
|}
−
Gloss. Note the four slices. Firstly, know that the upper two are appropriate to conduct against the fencers that like to strike around from the bind of the sword or from an act of parrying to the other side with the crosswise cut or what have you.<section end="117"/>
+
Know the four slices, the first being the two above to know to drive against the fencer that would slash well over from the displacement or from the bind of the sword to the other side with the thwart or similar.<section end="117"/>
  
−
<section begin="118"/>'''Break that like this'''
+
<section begin="118"/>'''To counter this,'''
  
−
When they bind against your sword on your left side and immediately strike back around from that with their left foot on your right side, fall across both their arms from above with your long edge and press them away from you with a slice. You shall always conduct this to either side when they strike around from an act of parrying or cuts away from the sword.<section end="118"/>
+
when he binds on your sword to your left side and soon slashes with it around again with the left foot on his right side, then drop with the long edge above over both his arms and punch the edge away from you. This you should always drive to both sides when he slashes around or strikes off the sword from the displacement.<section end="118"/>
  
−
<section begin="119"/>'''Note'''
+
<section begin="119"/>'''Mark'''
  
−
The two lower slices are appropriate to conduct against the fencers that like to rush in with outstretched arms. Conduct them like this: When they bind against your sword and rises up high with their arms and rush in on your left side, twist your sword such that your thumb comes under it and drop into their arms with your long edge below their pommel and press them upwards with your slice.<section end="119"/>
+
So that driving the two lower cuts against the fencer can be understood, do these well charging in with arms stretched out above in the drive, thus when he binds on your sword and drives out high with the arms and strides to your left side, then twist your sword ahead so that your thumb comes under it and let your long edge fall below the pommel and hit with an upward cut to his arms.<section end="119"/>
  
−
<section begin="120"/>Or if they rush in on you on your right side with outstretched arms, rotate your sword such that your thumb comes under it and drop into their arms with your short edge below their pommel and press them upwards with your slice. These are the four slices.<section end="120"/>
+
<section begin="120"/>If he strides to you with arms stretched above to your right side then twist your sword ahead so that your thumb comes below it and let the short edge fall below his pommel and hit with an upward cut to the arms. These are the four cuts.<section end="120"/>
  
−
<section begin="121"/>'''Here note the text and the gloss about the transformation of the slice'''
+
<section begin="121"/>'''Text on converting the cut'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>95</small>
 
| <small>95</small>
−
| Turn your slice<br/>To flatten, press the hands
+
| Your edge twisted <br/>to flat presses the hands
 
|}
 
|}
−
Gloss. Note that this is how you should conduct the upper two slices from the lower two. Look at it like this: When the opponent rushes in on you with upstretched arms on your left side, invert your sword and drop into their arms with your long edge below their pommel and press firmly upwards and with that step to their right side and wind your pommel down through underneath and do not comr away from their arms with your sword. And turn your sword into the upper slice from the lower slice with your long edge across their arms.<section end="121"/>
+
Analysis This is how you shall drive from the two lower cuts to the two high ones, take this thus, when he strides in to your left side with arms stretched overhead then twist your sword ahead and let your long edge fall under his pommel to his arm and almost push upward and stride with it on his right side and wind the pommel through below and don't come away from his arms with the sword then wind the sword from below to cut above over his arm with the long edge.<section end="121"/>
−
 
 
−
<section begin="122"/>'''Or'''
 
  
−
If the opponent rushes in on you on your right side with upstretched arms, then turn your sword into their arms and under their pommel and press firmly upwards and with that step to their left side, also let your pommel cross through below and turn your sword up over their arms with your long edge and press them away from you with that.<section end="122"/>
+
<section begin="122"/>[Missing from Zabinski's transcription]<section end="122"/>
  
−
<section begin="123"/>'''Here note the text and the gloss of the two lower hangings'''
+
<section begin="123"/>'''Text on the two low hangings'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>96</small>
 
| <small>96</small>
−
| Two hangings emerge<br/>From the ground out of each hand
+
| Two hangings will be up <br/>from the earth on one hand,
 
|-  
 
|-  
 
| <small>97</small>
 
| <small>97</small>
−
| In every application<br/>Cut, Thrust, Position, Soft or Hard
+
| in all driven <br/>strikes stab stances light or hard
 
|}
 
|}
−
Gloss. Note that the two hangings from the ground, this is the plow on both sides and when you fence or wish to fence from those, you shall also have the feeling of whether they are soft or hard therein, in cuts and in thrusts and in all binds of the sword. You shall also conduct four winds from those and from each winding appropriately conduct one cut, one thrust or one slice and in other situations conduct all other applications as you would from the two upper hangings.<section end="123"/>
+
The two hangings from the ground would be the plough on both sides and when you would fence or have fenced from it then in striking and in stabbing and in all bindings of the swords you should feel in them if he is light or hard on the sword, from this you shall drive four windings and from each winding specifically one strike, one slice, one stab and still all other deployments driveable from the two high hangings.<section end="123"/>
  
−
<section begin="124"/>'''Here note the text and the gloss about the speaking window'''
+
<section begin="124"/>'''Text on the Window Breaker'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>98</small>
 
| <small>98</small>
−
| Make the speaking window<br/>Stand freely, watch their situation.
+
| Make the Window Breaker <br/>straightly into his intent,  
 
|-  
 
|-  
 
| <small>99</small>
 
| <small>99</small>
−
| Strike them so that it snaps<br/>Whoever withdraws themselves before you.
+
| strike so that he snaps <br/>to the weapon you display to him before you,
 
|-  
 
|-  
 
| <small>100</small>
 
| <small>100</small>
−
| I say to you truthfully<br/>No one defends themselves without danger
+
| yet I say onward <br/>you shoot no man without driving,
 
|-  
 
|-  
 
| <small>101</small>
 
| <small>101</small>
−
| If you have understood<br/>They cannot come to blows
+
| if you seek to hit <br/>he will not come forth
 
|}
 
|}
−
Gloss. Note you have heard before about how you should place yourself with your sword into the four guards and how you should fence from them. You should now know about the speaking window, which is also a guard that you can stand fully secure in. And this guard is the long point which is the noblest and the best guard of the sword. Whoever fences from it correctly can constrain the opponent with it, such that they must allow themselves to be struck without their consent and cannot come back to neither strikes nor thrusts before your point.<section end="124"/>
+
You have heard before that when you are before the man with the sword, you should place yourself in the four guards from which you shall fence, so now you shall also know that the window breaker is also a guard with which you can stand securely, and this guard is the long point, the noblest and best sword ward out from which you can fence that forces the man so he must let you hit as you please and make the point come forward again still to hit and to stab <section end="124"/>
  
−
<section begin="125"/>'''Arrange yourself in the speaking window like this:'''
+
<section begin="125"/>'''How you shall put yourself in the Window Breaker '''
  
−
Whenever you move toward your opponent with the initiation of fencing, with whichever cut you approach them, be it a rising or descending cut, always let your point shoot in long to their face or to their breast during your cut. With that you constrain them such so that they must parry or bind on the sword. And when they have bound on, remain strong with your long edge against their sword and stand freely and watch their situation and for whatever they will fence against you. If they draw themselves back off from your sword then follow after them with your point to their opening. Or if they strike around to the other side leaving your sword, then bind in behind their cut strongly from above into their head. Or if they neither withdraw from your sword nor strike around, then work by doubling or otherwise using other plays as you subsequently sense weakness or strength in their sword.<section end="125"/>
+
When you go to him in pre-fencing with whichever strike, coming then onward as with a low or high strike, then let your point always shoot in long to his face or chest by which you force him to displace or bind on the sword and, when when he has thus bound, then stay freely with the long edge strong on his sword and straight into the intent of what he would fence against you, if he seems to go back off of the sword, then follow with it or to an opening; or if he flies off the sword striking around to your other side, then bind strongly against his strike high to the head; or if he will not pull away from the sword after striking around then work by doubling or with other similar elements afterward as you find him weak or strong on the sword.<section end="125"/>
  
−
<section begin="126"/>'''This is another stance'''
+
<section begin="126"/>'''This is another mode.'''
  
−
And is also called the speaking window. Note when you have almost arrived at the opponent with the initiation of fencing, advance your left foot and hold your point long from your arms and against their face or breast before you bind on their sword and stand freely and watch what they will fence against you. If they will subsequently cut long and deep at your head, then rise up and wind into the ox with your sword against their cut and stab them in their face. But if they will cut at your sword and not to your body, then disengage and stab them on the other side. If the opponent rushes in and is high with their arms, then conduct the lower slice or rush through with wrestling. If they are low with their arms, then seek the arm wrestling. You can conduct all plays from the long point like this.<section end="126"/>
+
And this is also the Window Breaker. Mark when you have come to him with pre-fencing, then set your left foot forward and hold your arms in the long point toward his face or chest, like  when you bind onto his sword, and stand freely against what he would fence to you, if he strikes long and high to your head, then drive out and wind the sword into the Ox against his strike and stab to his face; or if he strikes to your sword and not your body then change through and stab him on the other side; If he strides in and his arms are high, then drive below the cut or charge through to him with wrestling; If his arms are low, then resort to grappling the arms; thus you drive all aspects of the long point.<section end="126"/>
  
−
<section begin="127"/>'''Here note the text and the gloss of the explanation of the four hangings and the eight windings of the sword to which the Zettel adheres to.'''
+
<section begin="127"/>'''Text on aiming with the four hangings and the eight windings of the sword as told by the verses'''<br/><br/>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
 
| <small>102</small>
 
| <small>102</small>
−
| Who fully commands and correctly breaks<br/>And makes complete irrefutable judgement
+
| He who would direct and counter rightly, <br/>and would conclude,
 
|-  
 
|-  
 
| <small>103</small>
 
| <small>103</small>
−
| And breaks each one individually<br/>Into three wounders,
+
| will judge and counter <br/>with only three particular wisdoms.
 
|-  
 
|-  
 
| <small>104</small>
 
| <small>104</small>
−
| Who hangs consumately and correctly<br/>And delivers the winding with it
+
| He who would properly hang <br/>and wind
 
|-  
 
|-  
 
| <small>105</small>
 
| <small>105</small>
−
| And considers the eight winds<br/>With correct judgement
+
| will consider eight windings <br/>rightly.
 
|-  
 
|-  
 
| <small>106</small>
 
| <small>106</small>
−
| And unites them.<br/>The windings, I differentiate trebly
+
| Indeed one <br/>in these windings will step through
 
|-  
 
|-  
 
| <small>107</small>
 
| <small>107</small>
−
| Thus they are twenty<br/>And four counting them individually.
+
| my twenty-<br/>four verses the same
 
|-  
 
|-  
 
| <small>108</small>
 
| <small>108</small>
−
| From both sides<br/>Learn eight windings with steps
+
| on both sides. <br/>Teach eight windings with lessons
 
|-  
 
|-  
 
| <small>109</small>
 
| <small>109</small>
−
| And gauge these applications<br/>Nothing more than soft or hard
+
| and tests, driving <br/>no longer only soft or hard;
 
|}
 
|}
−
Note this is a lesson and an exhortation of hanging and winding. You have to be well practiced and accomplished in this so that you can both swiftly take lead and correctly conduct a break against one of another fencer's plays from them. The hangings are four and Zettel for the ox above from both sides which are the two upper hangings and the plow below from both sides which are the two lower hangings. From the four hangings you shall deliver eight winds, four from the ox and four from the plow. And you shall further consider and correctly judge these eight winds in such a way that you shall conduct from each wind one of the three wounders, that is, a cut, a thrust or a slice.<section end="127"/>
+
This is a meaningful lesson in the hanging and the winding of the sword, which you shall use well and aim so that you can nimbly lead and then counter against one's opponent's plays properly, driving against him with art. There are four hangings, the Ox above on both sides, these are the upper two hangings, and the plough below on both sides, these are the lower two hangings. From the four hangings you shall deploy eight windings, four from the Ox and four from the Plough, and you shall deploy these very eight windings, so consider and judge that you shall deploy the three wisdoms from every winding, that is one strike, one stab, and one slice.<section end="127"/>
  
−
<section begin="128"/>'''Precisely note hereafter how you shall conduct the four winds from the two upper hangings, that is, from the ox both from the right side and from the left side.'''
+
<section begin="128"/>'''How one shall deploy the four windings from the two upper hangings, that is the Ox from both sides.'''<br/><br/>
  
−
Conduct the first two winds just from the right side like this: When you come to the opponent with the initiation of fencing, do it with your left foot forwards and hold your sword in front of your head on your right side in the ox. If they subsequently cleave in from above from their right side, wind your short edge against their cut, your short edge against their sword, again in ox and thrust in at their face from above. This is one wind.<section end="128"/>
+
How you deploy the first two windings from the Ox only on the right side is thus: When you come to him in pre-fencing, then stand with the left foot forward and hold your sword before your head to your right side in the Ox. If he strikes one high to you from his right side, then wind the short edge on his sword to your left side in his strike into the Ox and stab him one high to the face, that is one winding.<section end="128"/>
  
−
<section begin="129"/>'''Note'''
+
<section begin="129"/><br/>
  
−
If the opponent parries your thrust with strength and force your sword off to the side, then remain on their sword and wind back to your right side up into ox and thrust in at their face from above. These are the two winds of the sword from the upper hanging of the right side.<section end="129"/>
+
If he then displaces the stab with strength and forces your sword to the side, then stay on the sword and wind again to your right side into the Ox and stab him high to the face. These are the two windings on the sword from the first high hanging on the right side.<section end="129"/>
  
−
<section begin="130"/>'''Here note that there are two winds from the ox on the left side. Conduct them like this:'''
+
<section begin="130"/>'''Following are the other two windings from the Ox, on the left side, thus:'''
  
−
When you come to the opponent with the initiation of fencing, setup in ox from your left side. If they subsequently cleave in from above from their left side, wind your long edge against their sword to your right side opposing their cut and thrust in at their face from above. This is one wind.<section end="130"/>
+
When you come to him with pre-fencing then stand in the guard of the Ox on the left side, if he strikes one high to you from his left side then wind against his strike with the long edge to your right side on his sword and stab him one high to his face, this is one winding.<section end="130"/>
  
−
<section begin="131"/>'''Note'''
+
<section begin="131"/><br/>
  
−
If the opponent parries the thrust and press your sword to the side, then remain on their sword and wind the long edge onto their sword back to your left side and thrust in at their face from above. These are the four winds from the two upper hangings both from the left and from the right sides.<section end="131"/>
+
If he displaces the stab and pushes the sword to the side, then stay on the sword and wind the long edge to your left side into the Ox on his sword and stab him one high to the face. These are the four windings from the two upper hangings on the left and right side.<section end="131"/>
  
 
<section begin="132"/>'''Now you shall know'''
 
<section begin="132"/>'''Now you shall know'''
  
−
That the plow from both sides, they are the two lower hangings. When you either move yourself into them or wish to fence from them, you shall conduct four winds both from the left and from the right sides, with all of their applications as you would from the upper hangings. In this way the windings become eight. And note every time you wind, in each one of the windings, you decide on the cut or on the thrust or on the slice. In this way, the twenty four plays come from the eight winds. And how you shall conduct the twenty four plays from the eight windings, you shall find all of this written in the glosses before.<section end="132"/>
+
That the plough on both sides comprises the lower two hangings, when you stand in it or will fence from it, then you shall deploy four windings from the left and right sides with all your drives, as was done from the upper hangings, to make the windings eight. And especially mark whenever you wind to think of the strike, the stab, and the slice in each winding. Thus twenty four plays come from the eight windings, you shall find how you drive these twenty four elements written before in the glosa.<section end="132"/>
  
−
<section begin="133"/>'''Quite precisely note here'''
+
<section begin="133"/>'''Here listen very well'''
  
−
That you cannot correctly conduct the eight windings unless they are done with stepping from both sides and also that you must quite precisely gauge ahead of time nothing more than the two applications. They are: First, when they bind against your sword, whether they are soft or hard in their application. Second, wind and work to the four openings as is written before. Also know that all fencers that wind on the sword and do not know the feeling in the sword, they become struck. Therefore educate yourself so that you fully understand feeling and the word Indes, because all the art of fencing comes from these two things.<section end="133"/>
+
That if you want to drive the eight windings right, that it is with striding from both sides and above all testing nothing more than the two forces that are there when he binds on your sword, if he is weak or hard in his drive. First when you have found this then wind and work to the four openings as was written before, and know that all fencers who wind on the sword and do not know how to feel, they will be hit by winding on the sword. Onward thus be diligent that you mark well the feeling and the word Immediately since from these two things comes all the arts of fencing.<section end="133"/>
  
 
<section begin="134"/>[No text]<section end="134"/>
 
<section begin="134"/>[No text]<section end="134"/>

Latest revision as of 04:50, 3 November 2022

The text expanding from the verses follows from here;



Text

9 If you will show art,
send yourself to Left and Right in striking,
10 and left with right
is how you fence correctly and strongly.

Glosa Mark that this is the first tenet of the long sword, that before all things, to learn the strikes rightly, you will always fence strongly, and undertake this thus: When you stand with the left foot forward, and strike from your right side, your step with the right foot will not follow after the strike, thus making the strike weak and incorrect. When your right stays behind, onward the strike will be short. Also don't make your right step go to the other side, putting it under yourself and ahead of your left foot,

otherwise the play further from the left side shall happen with the step and strike on opposing sides.

Text of a lesson

11 He who strikes after
deserves a joyless art.

Glosa That is when you come to him in fencing, then you shall not stay still and wait to see with what strike he would fight against you. Know that all fencers who wait to see the other's strike and who will do nothing but displace the other, deserve indeed less joy in their art when they are overcome and struck.

Text

12 Strike closely at him as you will,
that nothing comes unto your hilt,
13 head, or body,
allow no attack.
14 With the entire body
fence as strongly as you can drive.

Glosa When you come to him in pre-fencing, as you would then fence, then drive with your body's full strength, and strike closely to him, one to his head, and to his body, and always keep your point ahead at his face or chest, Thus he can't change through past the point. If he displaces strongly, and your point goes off to the side, then give him a withdrawing slice to the arm,

Or if his arms go high in the displacement, then hit him with a free strike below to his body and step backward with it. Thus he is struck even as he would (strike) himself.

Text

15 Hear what is bad,
fight not to left, if you are right,
16 and if you are left,
the right is very limiting

Glosa This lesson is intended for two people, one right handed and one left, and regards how you should strike, that one is weak when he strikes the first strike not to engage, and this is shown thus: when you come to him in pre-fencing, and are on the right, then undertake not to strike the first strike from the left side where he is weak and does not want to engage against and strike strong with you, so onward strike from the right where you will engage strongly and work at the sword. Similarly if you are left then strike the first not from the right side, as it is wild for the leftie to drive the art entirely from the right side, similarly for the right from the left side.

Text

17 Before and After, the two things,
all arts are from one spring.
18 Weak and Strong,
Immediately, do mark this word,
19 thus you will learn
work and weapon with Art,
20 know well that
no fencing is never learned

Glosa You should first of all rightly undertake and understand two things, that is the Before and the After, and thereafter the weak and strong of the sword and then the word Immediately.[1] From here grows the whole foundation of all fencing arts. When you undertake and understand these things rightly and not forget the word Immediately in all plays, you will drive. Thus will you be a good master of the sword and princes and nobles shall learn well with what proper art of the sword one would choose to fight best and in earnest.

What the Before is

That is that you shall always come before, be it with the strike or with the stab, as when you come to him with a strike or otherwise so that he must displace you, Immediately work ahead nimbly with the sword in the displacement or else with other plays, that he can then come to no work.

What the After is

Is to counter all plays away, and strike to drive the opponent from you, And to take this on even as he comes with the strike, so you must displace. Immediately work nimbly to the next opening and thus break his Before with your After.

Of the Weak and Strong of the Sword

Weak and Strong are taken thus, on the sword from the hilt to the middle of the blade, this is the strong of the sword, and farther past the middle to the point is the weak, and how you shall work with the weak and strong of the sword shall be clarified afterward.

Text of the Five Strikes

21 Teach Five strikes
from the right hand,
22 that the weapon will be exalted
by a praiseworthy art.

There are five secret strikes of which many masters of the sword know nothing to say. These you shall learn to strike well from the right side, which you can then strike with proper art to break and damage the fencer, which will be praised by other masters. How these shall be learned fully and how to strike when one fences in your plays will be clarified afterward.

Text on the verses' parts.

23 Wrathful strike, Arc, Cross,
has Glance, with Vertex,
24 Fool displaces,
Traveling After, Overrun lets strike,
25 Change through, Disengage,
Run Through, Slice Away, Hand Hit,
26 Wind with openings,
Slash against strikes, Stab with thrusting,

Here will be named the proper main parts of the verses of the Long Sword, as they are known, as well as their names, so onward you know well and can understand. The first are the five strikes as they are specially named.

The first is called the Wrath Strike,
the second the Arc Strike,
the third the Cross Strike,
the fourth the Glance Strike,
the fifth the Vertex Strike.

Now mark these elements,

the first being the four Guards,
the next the four Displacements,
the third the Traveling After,
the fourth Running Over,
the fifth the Parry,
the sixth is Changing Through,
the seventh is Disengaging,
the eighth Charging Through,
the ninth is Slicing Off,
the tenth is Hand Hitting,
the eleventh is Hanging,
the twelfth is the Winding.

And how you shall fence with the plays and how you shall gain openings with the Hanging and Winding so that you will go from one to the next, you will find described after here.

Mark that you come here to the first text and glosa

on the Wrath Strike with its plays

Text

27 To him who strikes you from above,
Wrath Strike point concludes.

Glosa The Wrath Strike counters all high strikes with the point. And it is indeed nothing other than a bad peasant strike. Deploy it thus: when you come to him in the pre-fencing: if he strikes to you from his right side high to the head, then to this also strike from high on your right wrathfully displacing with him on his sword, if he is then weak on the sword, then aim to shoot ahead with the point and stab to his face, or attack the chest between the arms.

Text

28 If he wards,
then take off high without driving

Glosa When you strike him with the Wrath Strike, then thrust the point long to his face or chest as described before. If he is wary of the point and strongly displaces and pushes your point to the side, then wrench off from his sword high above you with your sword on his sword's blade, and strike one to his other side, yet again on his sword's blade, to his head, this is called taking off high.

Counter against the take off

When he takes off high, then bind strongly on his sword above to his head with the long edge.

Text

29 Be stronger, wind farther,
stab, stab first, then take it farther.

Glosa That is when you strike him with a Wrath Strike, if he displaces and stays strong on the sword in the displacement, then also stay with your sword strong on his sword and drive upward with your arms and wind your quillons onto his sword going forward to his head and stab high into his face, if he becomes aware of the stab and (note in margin: with the short edge) drives up high with his arms, and displaces with the quillons, then stay standing with your hilt in front of your head and send your point below to the throat, or to the chest between his arms, as will be told later.

Text of a lesson on the Wrath Strike

30 Mark well,
strike stab stances light or hard,
31 Immediately[2] and truly after,
onward the war will not be awkward.

Glosa When he has bound on your sword with a strike or stab or otherwise, then you should not let yourself stop even in your winds, the before will be gained by marking if he is weak or strong when one sword slides against the other and, as you have determined this, immediately work first by winding against the light and the hard, always to the next opening, as will be clarified and examined in plays after this.

Text on the war.

32 When the war roams above,
below he will be shamed.

The War is the Winding and the work to the four openings with the point that comes from it, and deploy this thus: when you strike with the Wrath Strike, as soon as he displaces then drive full forward with your arms and immediately wind the point high on his sword to the upper opening on his left side. If he then displaces the high stab, then stay standing in the wind with your hilt in front of your head, and let your point sink below to your left side, if he follows after your sword in displacement, then drive on to his left side with the sword and send the point up to his upper right opening, thus will he be shamed with the war high and low, in that you drive properly from one to the other.

Text of a lesson

33 In all windings,
strike stab slice, learn to find,
34 also should you not
test, strike stab or slice,
35 in all engagements,
you will lose the mastery.

This is when you strike with the Wrath Strike, then you should remember well to end completely with the Windings, and a single wind has three particular elements, that is one strike, one slice, and one stab, and when you wind on the sword, then you should indeed consider well that these elements aren't driven wrongly. Take heed in the winding that you not strike when you should stab, and not slice when you should strike, and not stab when you should slice. Thus you shall always know the elements, that by properly heeding them you will drive all meetings and bindings with the sword, otherwise you will fail or lose the mastery when one displaces against you. How you shall deploy the windings, and how many there are, you will find described in the last part of the verses, which will speak of what will deploy well and what will counter properly.

Of the four Openings

36 Know four openings,
space, thus you hit wisely,
37 in all attacks
double where he is wary.

Glosa If one wants to be a master of the sword, he should know how to break the four openings with art, and then he will fence properly and wisely. The first opening is the right side, the second the left, both above the belt, the other two are on the left and right side, both under the belt. One should seek the openings by driving on to two from the pre-fencing by following after and shooting with the long point. The second time one should probe with the eight windings, when one binds from one to another on the sword, this you should also understand when you come to him in pre-fencing that you should always drive as best as one can to all with a strike or a stab into the four openings and pay no attention to what he deploys or fences against you. Thus you will force your opponent so that he must displace and, when he has displaced, then seek quickly for the next opening by winding in the displacement on the sword, and thus always roam to his openings and fence not to his sword, in this part you will achieve placement at four end points, stay there and thus end the lesson.

How one shall break the four openings

38 If you will reckon
to break the four openings with art,
39 double above,
transform below right.
40 I say to you be aware onward,
you shoot no man without driving,
41 if you've reached him,
make a close hit, then he won't advance

Glosa When you have first struck, if you then reckon to wind to his four openings with art so that he must let you strike as you please, then drive a double against the strong of his sword and then transform when he is weak at the sword, thus I say onward be aware that he won't be able to shoot in the Before as he wants, and so cannot come to strike.

How you shall drive the Doubling to both sides

Mark when he strikes high to you from his right shoulder, then also strike similarly strong and high from your right to his head, if he displaces and stays strong on the sword, then drive on Immediately with your arms and thrust your sword's pommel under your right arm with your left hand, and with crossed arms strike the long edge behind his sword's blade onto his head.

Another

If he strikes high to your head with the long edge from his left shoulder, then do the same, onward if he then stays strong on the sword, then drive your arms up quickly and strike with the short edge behind his sword's blade to his head.

Thus how your sword goes to war and strikes was taught

How one shall drive transforming to both sides

When you have struck him strongly above to the head from your right shoulder, if he displaces and is weak on the sword, then wind the short edge on his sword to your left side and, driving well up with your arms, drive your sword's blade high over his sword and stab his lower opening.

Another

When you have struck high to his head from your left side and he displaces and is weak on the sword, then drive up with your arms and hang the point over his sword from above and stab to his second opening. Thus you will drive the two elements from all strikes as you find him weak and strong on the sword.

Thus are fencing and work with the sword retained to be praised.

Text on the Arc Strike with its plays

42 Arc out nimbly,
throw your point to the hands,
43 Arc to whom would attack,
striding much allows strikes.

Glosa The arc strike is one of the four displacements against the four guards, in that with it one breaks the guard named the Ox, and it also drives onto the Over and Under Strikes. When you come to him in the pre-fencing, if he stands against you holding his sword before his head in the guard of the Ox, on his left side, then put your left foot forward, and hold your sword on your right shoulder, in the guard, and spring with the right foot well to your right side against him, and strike him with the long edge, from crossed arms, over the hands.

Another

You should also try the arc strike from the barrier guard, from either side, And thus set yourself in this guard: when you come to him in the pre-fencing, then stand with the left foot forward and hold your sword close on your right side with your point to the ground so that your long edge is above, and give an opening on the left side. If he strikes to the opening, then burst out from the strike with your right foot toward him well to your right side, And strike him with crossed hands and the long edge with the point out to his hands.

Of the Barrier Guard

Put yourself thus in the barrier guard to your left side: when you come to him with it in the pre-fencing, then stand with the right foot forward and hold your sword near your left side to the ground with crossed hands, so the short edge is above, and give an opening with your right side, if he Strikes to your opening, then burst out of the strike toward him with the left foot well to his right side, and strike in the burst with the short edge over the hands.

A good bit of text regarding the Krumphau

44 Arc strike to the flat
and you will weaken the master.
45 When it glides above
then stand off so I will praise.

You shall deploy this play against most binds with the sword, and drive it so: When you come to him in the pre-fencing, then lay your sword to your right side in the barrier guard and stand with the left foot forward, or hold it on the right shoulder, if he then strikes high to the opening, then strike strongly with the long edge to cross arms against his strike, and as soon as the swords clash together then immediately wind the short edge on his sword toward your left, and stab him in the face. Or if you will not stab him, then strike him immediately with the short edge, from the sword to the head or body.

Text on a part of the arc strike

46 Strike an arc not a short,
show changes through with it.

Glosa That is when he will strike one high from his right side, then drive up high with the hands and as he strikes you will arc strike to bind on his sword, and drive the point through under his sword and stab to his other side into his face or chest, and be sure you wait to keep your hilt high before your head. Also to break the guard of the Ox with this play, you drive so when you go to him in pre-fencing, when he stands against you and holds his sword with the hilt on his left side, in front of the head, then throw your sword to your right shoulder and act as if you would bind onto his sword with the krumphau, strike short and change through with it below his sword, and shoot your point long under his sword to the other side and at his throat so he must displace, then you will come to hit and work with the sword.

Here observe the counter against the Cross Strike

When you stand against him in the guard of the roof then strike high to his head, if he then springs from the strike and means to come forward with a cross strike by striking to the left side of your head, then let your sword's long edge fall on his sword, if he then strikes across over to the other side, Immediately strike your sword ahead crossing under his sword to his throat so that he cuts himself with your sword.

Note:

Mark that when you have bound on a fencer's sword, if he then flies from the sword over in a cross to the other side, then let the long edge fall on his hand or arm and hit with the edge of the sword with your arms well out from you and snap the sword's edge from his arms up to his head.

Counter against the high cut to the arm

When you strike across to his right side, if he then feints with a cut to the arm, then strike and double with the short edge behind his blade to his mouth.

Or if you strike across to his left side, and he then feints a cut to the arm, then strike a double with the long edge behind his blade to his mouth.

Mark if he counters the doubling when you cut high to his arm, if he doubles high to your head, thus drive on and wind against the blow with your sword below his and drive the sword's short edge to his throat.

A bit of verse on the Cross Strike

50 Cross with strength,
mark your work with it.

Glosa That is when you will strike with a Crosser, then you should strike with your body's full strength and always bind on his sword with the strong in order to win and take the openings. Thus when you have struck with a Cross from your right side, if he displaces then drive a double or thrust in from the Cross with the hilt of your sword off to the side and then strike in to the other side.

Counter

When you have had a sword driven to the throat, then drive your sword inward with the pommel up and let the blade hang down and thrust his sword from your throat and strike high to his head with a snap, or strike a double with the right hand up over his sword and under the face while he has his sword at your throat.

Text on striking across to the four openings

51 Cross to the Plough,
fly hard to the Ox.
52 That is you cross
to the head with a spring.

Glosa You heard the Ox and the Plough being named before. These two stances or guards are named here as they address the four openings, for the Ox the upper two openings and the right and left of the head, the plough is to the lower two openings on the left and the right below the opponent's belt. You should also aim for these same four openings with cross strikes in pre-fencing.

Thus strike the cross to the four openings

When you come to your opponent in pre-fencing, stand with your left foot forward and when you are in range spring against his left side with the right foot and strike an artful cross to his left side's lower opening. This is called striking to the Plough. If he displaces then hit him quickly to the upper right opening, which is to the Ox, and then always drive the cross strike nimbly, one to the Ox and another to the Plough, across from one side to the other, that is to the head and to the body.

You should also consider that you always shall spring well to his side in every cross strike, thus you will hit well to the head, but be sure that you meanwhile keep your hilt high before your head.

Counter against the Lower Cross Strike

When he strikes you with a Cross from his right side high to your head's left, then displace with the long edge and stay with the point in front of the chest, if he then strikes from the sword over with a cross to your lower right opening, then you also strike across through low between you and also to his right side, and so bind on his sword and immediately stab to his lower opening.

Text on Feinting

53 Feints mislead
from below against intent to move

Glosa Feinting is a play in which many elements become blended as in you want to pull out and strike to those who will displace and fence to the sword and not the body.

Mark when you come to him in pre-fencing, then move as if you would strike to the head in a free downstrike, then disengage off the strike and strike him with a cross to his lower opening on either the left or right side as you will, and see that you keep the hilt over your head as you deploy the cross strike.

Text on Inverting

54 Inverting forces
running through with grappling too,
55 know to take the elbow
and spring on the way.

Glosa The Inverter is the name for fencing with a half strike or the twisting hand which one forces to the opponent in running through and trapping to wrestle.

Drive this thus,

when you have gone to him in pre-fencing, then go with the left foot forward to strike a half strike from the right side and reversed long edge, go and go on with your left foot until you come to him and as soon as you thus bind with the sword, Immediately hang the point and stab at his face, if he displaces and drives his arms high, then charge through to him. If he keeps his hands low in the displacement then grab his right elbow with your left hand, hold it well and spring with the left foot ahead of his right and push him over your foot.

Or if you would not push him by the elbow with your left hand over your foot as was described before, then drive with the left arm behind him around his body and throw him forward over your hip.

Text on just one of the Feints

56 Feinting double
makes one hit with the edge.
57 Let it double
stride left and forward with it.

Glosa This names the double feint which is driven thus: when you come to him in pre-fencing then stand with the left foot forward and hold your sword on your right shoulder and when you are near then spring with your right foot to his left side and do as if you would strike a free cross strike to his left side of the head and pull out of the strike and spring with the left foot to his right side and strike to his head, if he displaces and you engage his sword then spring away close to the side and cut him with the short edge behind his sword with a double to the mouth.

Or fall with the sword over both his arms in the cut to also make the feint from the high strikes, thus driving full to strike from the Crosser when it is open to you or when you wish.

Here you rise to the Glance Strike with its plays

Text

58 Glance strikes break once
what buffaloes strike or stab,
59 Changed defense concludes
glancing outward to deny

Glosa The Glancer breaks the guard named the Plough and is a particularly well applied strike as it breaks strikes and stabs with force and closes with an inverted sword, many masters of the sword do not know what to say of this strike

How one shall strike the glancer

Mark when you come to him in the pre-fencing to stand with the left foot forward and hold your sword on your right shoulder, if he strikes then to your head from above then twist your sword and strike long against his strike with your arms upward and the short edge right over his sword to his head. If he is then unsuccessful and disabled on your sword and would then change through below, then let your point shoot far forward from yourself so he won't try to change through below.

Another

When you stand against him and hold your sword on your right shoulder, if he then stands against you in the guard of the plough and would stab you from below, then strike him with the glancer to point high and long to his chest, thus he will not reach you with the stab from below.

Text of a lesson on the Glance Strike

60 Glance short on his
Changes Through onto his face

Glosa Mark the lesson when you come to him in pre-fencing, then you should glance to the face and see if he would fence short against you, so by it you should know when he would strike right at you, if he does not strike with his arms long from him then his strike will be shortened,

Or when you stand before him in the fool's guard if he will then arc to fall out with the sword, then his sword is shortened,

Or when he stands against you in the guard of the Ox or the Plough, then his sword is shortened. Also know that all windings with the sword are short in front of the opponent and shorten the sword and the Changes which the fencer then drives through freely from strikes and from stabs and shots in the long point, those that you force from one opening to the next so that he must displace, thus you come to work properly.

Text on how one breaks the Long Point with the Glancer

61 Glance to the point
and take the throat without effort

When you come to him in pre-fencing, if he then stands against you and holds the long point to your face or chest then hold your sword on the right shoulder and glance facing the point and act as if you would strike and then strike strongly with the glancer with the short edge against his sword and shoot the point long to his throat with a step ahead with the right foot.

Text on just one element of the Glance Strike

62 Glance high
to the lead hand should you threaten

Glosa Mark that this is a second counter when he stands against you in the long point, then glance at him with with your face to his head and act as if you would strike onto it, and strike him from the glance strike with the point over his hands.

Of the Vertex Strike

Text

63 The top
of the face is endangered
64 with your turn
threatening the chest.
65 That which comes from him
is taken at the Crown,
66 cut through the crown
then break hard
67 as the strike hits,
pull out with a slice.

The Vertex breaks the guard called fool and endangers the face and the chest with your turn.

Then drive this thus,

when you come to him in pre-fencing, and he stands against you in the fool's guard, then put your left foot forward and hold your sword in guard on your right shoulder and spring to him and strike strongly with the long edge from above to his head, when he displaces the strike so his point and grip are above and to each side in the stance called the Crown, then keep your arms high and with your left hand raise the sword's pommel high and sink your point over his guard to his chest, if he thrusts his sword to push your point away, then wind your sword below his crown with a cut to his arm and hit, thus breaking the crown again, and with the hit then cut hard on the arm and pull out with a slice.

This is the second guard

The second guard is called the Plough and set yourself in it thus, Stand with the left foot forward and hold your sword with crossed hands with the pommel under you near your right side on the hip so that the short edge is above and the point stands against him in his face.

On the left side set yourself in the guard of the plough thus, Stand with the right foot forward and hold your sword near the left side with the pommel under you to the hip so that the long edge is above and the point stands in his face. This is the plough on both sides.

Text of the four Displacements

70 Four are the displacements
also used for addressing the stances

Glosa You heard before what the four guards are, now you shall also know the four displacements that break those four guards, also know to use no other displacement as there are four strikes that you shall counter with,

the first strike is the Arc Strike. This breaks the guard named the Ox.

The second strike is the Cross Strike. This breaks the guard of the Roof.

The third strike is the Glancer. This breaks the guard called the Plough.

The fourth strike is the Vertex. This breaks the guard called Fool.

And how to break the four guards with the strikes is found described before this under the same named strikes.

Text when one shall not displace

71 Before displacing guard yourself,
place it to your best advantage

That is you should not displace as the common fencer does. When they displace then they hold their point high or to one side, so understand that they do not know how to use the point in the displacement to seek onward and are often hit. Thus when you would displace, then displace with your strike or with your stab and Immediately search for the next opening with the point, thus you will not be mastered and struck to your damage.

Text how one shall drive the displacement farther

72 If you are displaced
as it comes in
73 now hear what I advise,
wrench off, strike fast in line.

That is when one has displaced you and will not extract from the sword and intends that you will not be allowed to come to a play, then wrench upward with your sword on his sword's blade, as if you would take off from his sword from above, and stay on the sword and strike him hitting on the blade again with the long edge onto his head.

Text on four attacks

74 Attack to four endings,
onward stay would you end the lesson

Glosa There are four attacks to know should you drive in earnest, when you would soon hit or drive when you approach him in pre-fencing, then stand yourself with the sword in the Ox guard or the Plough, if he would then strike from above or stab below, then observe as he raises his sword up to hit or pulls back low in order to stab you, then come forward and shoot into the long point to the next opening. As and when he brings forth the strike or stab, look to see if you may attack. Similarly also do this when he strikes low to you then shoot the point to him as and when he comes with the low strike and drive it to both sides. If he becomes wary of the attack then stay with your sword toward him and work nimbly to the next opening.


When you come to him in pre-fencing, then stand with the left foot forward in the guard of the roof and be well aware of what he would fence against you. If he strikes high to your left, then wait so that he will not reach you with the strike, and meanwhile observe when his sword goes below him to the ground then spring with the right foot and strike him high to the head as and when his sword goes farther out, thus he is struck.

The following play is called the outside take.

When he would strike to you and you travel after him with a strike to the opening, if he then soon drives off with the sword and comes below you onto your sword then stay strong on the sword with yours hard over his then spring behind his right with your left foot and hit him with a cross or similar to the right of his head and work soon again over to his left side with doubling or other similar elements as you find if he is soft or hard on the sword.

A good travel-after on the sword out of low strikes

When you fence against him from low strikes or out of a strike, or stand against him in the guard named Fool, if he feints then with the sword onto yours as and when you so come forth, then stay low with your sword on his and lift upward, if he winds on the sword bringing his point at your face or chest, then don't let him come off the sword and from there follow after him to work your point to the next opening. If he strikes over from the sword then follow or travel after him with the point but, as before,

see that you shall, from all strikes and guards, follow after him as soon as you can when he has struck or opened with the sword before you, and when you yourself have opened or struck, wait so that you will not be followed after, observe this on both sides.

Mark here the lesson on Feeling and on the word Immediately

Text

78 Teach feeling.
The word Immediately cuts sharply.



When you come to him in pre-fencing and one or another has bound on the sword, then you should, just as the swords clash together, feel by hand if he has bound soft or hard and, as soon as you have determined this, then think of the word Immediately in that by it you will find how you will work nimbly on the sword so that he is hit even as he would ward.

Mark

that Feeling and the word Immediately are one thing and one is not considered without the other when you bind on his sword. Thus take full to hand the word Immediately, if he is soft or hard and when you have felt this then you must now work against the soft and against the hard at the sword. So when both are not one thing, the word Immediately is foremost of all concepts and use it thus:


Immediately doubles,
Immediately transforms,
Immediately changes through,
Immediately charges through,
Immediately gains the slice,
Immediately gains the grapple,
Immediately takes the sword,
Immediately does what your heart desires,

Immediately is a sharp word that cuts all masters of the sword, the word is not ingrained without knowing that this is the key to the art.

Text regarding the Traveling After

79 Traveling after hits one twice
done with the olden slice

Glosa That is you shall travel after to both sides and don't forget the slices inward. Take this on when he would strike before you from high on the right or left side, then strike after him driving to the opening he makes and bind below on the sword, so mark as soon as one sword glides on the other, then slice him Immediately to his throat or let your long edge fall on his arm and slice closely.

Text on the overunning

80 He who roams below
overrunning will then shame him.
81 When it thus glides strong above
I will praise that well,
82 make your work
or hit hard twice.

That is when you come to him with pre-fencing, if he then strikes you below to the low openings then don't displace him but strike him strongly from above to his head, or if he strikes to you with low strikes, then be aware as and when he comes out with the low strike, then shoot the point long to his face or chest and attack him high so he won't want to reach you below. All high attacks break and baffle the low ones. If he drives then to you below on your sword, then stay with the long edge strong on his sword and work nimbly to the next opening, or let him work and Immediately you can hit him.

Text on how one shall parry stabs and strikes

83 Teach setting aside
weapons artfully laid strike stab,
84 stab out from you,
your point hits and counters his,
85 hit from both sides,
at all times you will stride

Glosa Observe the setting aside, when you come to him in pre-fencing drive thus if he stands against you as if he would stab: put your left foot forward and stand against him in the guard of the Plough on your right side and give an opening with your left side, if he stabs to that opening then wind the sword onto his stab to your left side with the short edge on his sword, setting it aside, and stride then with your right foot and stab him Immediately to his face or chest.

Another play

When you stand in the guard of the plough on your right side and he strikes high to your head's left side, then ward off with the sword and wind it against his strike on your left side with the hilt in front of your head, and stride then with your right foot, and stab to his face or chest driving this play to both sides.

Text on how one shall change through

86 Teach changing through
from both sides,
87 with weapons bound well on yours,
change through in finding the blade

The change through is much and you shall drive it properly against the fencer who likes to displace and strike to the sword, not to the body's openings, this you shall learn well, drive with leading ahead to the man who does not attack or come forward while you are changing through.

Drive the change through thus.

When you come to him with pre-fencing then strike him a high strong one, if he strikes then in return against your sword and not your body, then in the strike let the point sink through, swiping below the sword as and when he binds on your sword, and stab to his chest on the other side. If he is aware of the stab and drives the sword stabbing right after with displacement, then change through and always do this when he drives with displacement against the sword.

Another

When you come to him with pre-fencing then set your left foot forward and hold the long point into his face, if he strikes from above down onto or from below onto your sword and will smite it away or bind strong on it, then let your point sink below it and stab to the other side. This drives against all strikes where your opponent strikes to the sword.

Mark this

You should change through while the opponent truly engages, then you change through and do it thus, when he displaces you and lets his point go outward to the side, then change through inward and stab him on the other side. If he stays with the point at your face or against other openings then don't change through but stay on his sword and work on it to the next opening so he can't travel or engage again.

Text on Disengaging on the sword

88 Step close in binding
so disengaging gives good finding.
89 Disengage his hits,
disengaging finds more work,
90 do this always as disengaging all engagements
will attain you the mastery.

Know to drive the Disengaging against masters who bind strongly on the sword and stay on the sword in the bind, and wait to see if he would strike off from you or pull off of the sword, that you can then follow after to the opening to reach or touch the same master, then drive the disengaging against him thus: strike him strongly from the right side high to the head, if he drives forward in the strike strongly with the sword and will displace or strike to the sword, then disengage your sword nimbly as and when you bind on and stab him on the other side, do this against all hits and binds of the sword.

Mark here another disengaging

When he has bound onto your sword and then stays against you in the bind waiting to see if you would pull off of the sword, then do as if you would disengage yet stay on the sword and pull your sword on the half edge to you and stab him soon again on the sword to the face or chest, if you don't hit rightly with the stab then work with doubling or any other element that is the best for you.

Text on charging through with grappling on the sword

91 Let Charging Through hang
with the pommel grab should you wrestle.
92 He who would charge through strongly against you,
you mark with it.

The charging through and grappling are doubled when charging through with the sword, that is to grapple the body, So the arm grapple is afterward, and pay attention to drive against the fencer who charges openly.

At first drive the charge through thus

Mark when he charges and drives high with the arms and would overpower you from above with the strong, then you also drive out your arms out and hold your sword with the left hand close over your head and let your blade hang back behind you and charge through with your head through the arms to his right side and spring with the right foot behind his right and in the spring drive with your right arm against his left side ahead well around the body and trap him thus on your right hip and throw him over backward on his head.

Wrestling a body

When he charges you with outreaching arms and you to him, then charge through him with your head to his right side and let your sword hang behind over your back, as was described before, stand and stride with your right foot ahead in front of his right and drive through behind him with your right arm under his right arm throw his body behind you over your right hip. These two wrestles drive to both sides.

Still wrestling a body

When he charges to your right and has his arms high and you are also thus, then hold your sword in the right hand with the pommel overhead and thrust the hilt to his arm and your sword away from you and spring with the left foot forward in front of both his feet and drive the left arm fully behind and around the body and hold him on the left hip to throw him in front of you.

Still wrestling a body

When he charges to you with his arms high and you do so too, then hold your sword in the right hand and thrust your arm to him and spring with the left foot behind his right and drive through from below with the left arm in front of his chest on the left side and trap him on the left hip and throw him behind you. These two wrestles drive to both sides.

The following is arm wrenching in the sword

Mark when he charges to you with the sword and holds his hands low, then turn your left hand and grasp to his right with it inward between both his hands and shove in with it to the left and with the right hand hit him atop the head with the sword.

Another

If you would not hit him then spring with your right foot behind his left and drive ahead to him with the right arm or backward around the throat and then throw him over your right knee.

An arm grapple

When he charges to you with the sword and is low with his hands, then release your left from your sword and with the right drive with the pommel out over his right hand and push down with it and with your left hand grab him by his right elbow and spring with the left foot in front of his right and then push him over.

Still an arm grapple

When he charges to you with the sword, then let your sword fall and turn your right hand and grasp outward to his right and with the left grip him by the right elbow and spring with the left foot ahead of his right and with your right hand thrust his right arm over your left and so lift him upward, thus you can break his arm or throw him from yourself over the left leg if you want.

Mark here a taking of the sword

Mark when one charges in to you with the sword, then turn your left hand and drive it over his right arm and then grasp his sword between both hands on the grip and push it to your left side. Thus you have taken his sword.

Still a sword taking.

When he displaces or otherwise binds on your sword then grasp the sword's middle with the left hand and hold both tight and drive the right hand through down with the pommel forward over both his hands and then pull upward to your right side, thus you keep both swords.

Of the cutting off

93 Cut off hard
from below ward in both.

That is what you shall deploy when one binds strongly on your sword from above or feints from there, and so use this when you pre-fence from the low strike or from striking up from or when standing against him in the Fool's guard, if he feints out then with the sword as and when you come out from this, then stay low on your sword and raise the short edge closely above you, if he then hits your sword hard downward then strike low with your sword on his sword's blade, take off from his sword behind you, and quickly again strike to the other side onto his sword and high to his mouth.

Yet another

When you pre-fence with low strikes or rush in the Fool's guard, if he feints out then with the sword near to your hilt as and when you come out from this so that your point goes out to your right side, then drive out nimbly with the pommel over his sword and hit him on the head with the long edge, or if he binds onto your sword so that your point goes off to the left side, then drive with the pommel over his sword and hit to his head with the short edge. This is called the clipping.

Text on the four cuts[3]

94 Four are the slices,
with two below and two above

Know the four slices, the first being the two above to know to drive against the fencer that would slash well over from the displacement or from the bind of the sword to the other side with the thwart or similar.

To counter this,

when he binds on your sword to your left side and soon slashes with it around again with the left foot on his right side, then drop with the long edge above over both his arms and punch the edge away from you. This you should always drive to both sides when he slashes around or strikes off the sword from the displacement.

Mark

So that driving the two lower cuts against the fencer can be understood, do these well charging in with arms stretched out above in the drive, thus when he binds on your sword and drives out high with the arms and strides to your left side, then twist your sword ahead so that your thumb comes under it and let your long edge fall below the pommel and hit with an upward cut to his arms.

If he strides to you with arms stretched above to your right side then twist your sword ahead so that your thumb comes below it and let the short edge fall below his pommel and hit with an upward cut to the arms. These are the four cuts.

Text on converting the cut

95 Your edge twisted
to flat presses the hands

Analysis This is how you shall drive from the two lower cuts to the two high ones, take this thus, when he strides in to your left side with arms stretched overhead then twist your sword ahead and let your long edge fall under his pommel to his arm and almost push upward and stride with it on his right side and wind the pommel through below and don't come away from his arms with the sword then wind the sword from below to cut above over his arm with the long edge.

[Missing from Zabinski's transcription]

Text on the two low hangings

96 Two hangings will be up
from the earth on one hand,
97 in all driven
strikes stab stances light or hard

The two hangings from the ground would be the plough on both sides and when you would fence or have fenced from it then in striking and in stabbing and in all bindings of the swords you should feel in them if he is light or hard on the sword, from this you shall drive four windings and from each winding specifically one strike, one slice, one stab and still all other deployments driveable from the two high hangings.

Text on the Window Breaker

98 Make the Window Breaker
straightly into his intent,
99 strike so that he snaps
to the weapon you display to him before you,
100 yet I say onward
you shoot no man without driving,
101 if you seek to hit
he will not come forth

You have heard before that when you are before the man with the sword, you should place yourself in the four guards from which you shall fence, so now you shall also know that the window breaker is also a guard with which you can stand securely, and this guard is the long point, the noblest and best sword ward out from which you can fence that forces the man so he must let you hit as you please and make the point come forward again still to hit and to stab

How you shall put yourself in the Window Breaker

When you go to him in pre-fencing with whichever strike, coming then onward as with a low or high strike, then let your point always shoot in long to his face or chest by which you force him to displace or bind on the sword and, when when he has thus bound, then stay freely with the long edge strong on his sword and straight into the intent of what he would fence against you, if he seems to go back off of the sword, then follow with it or to an opening; or if he flies off the sword striking around to your other side, then bind strongly against his strike high to the head; or if he will not pull away from the sword after striking around then work by doubling or with other similar elements afterward as you find him weak or strong on the sword.

This is another mode.

And this is also the Window Breaker. Mark when you have come to him with pre-fencing, then set your left foot forward and hold your arms in the long point toward his face or chest, like when you bind onto his sword, and stand freely against what he would fence to you, if he strikes long and high to your head, then drive out and wind the sword into the Ox against his strike and stab to his face; or if he strikes to your sword and not your body then change through and stab him on the other side; If he strides in and his arms are high, then drive below the cut or charge through to him with wrestling; If his arms are low, then resort to grappling the arms; thus you drive all aspects of the long point.

Text on aiming with the four hangings and the eight windings of the sword as told by the verses

102 He who would direct and counter rightly,
and would conclude,
103 will judge and counter
with only three particular wisdoms.
104 He who would properly hang
and wind
105 will consider eight windings
rightly.
106 Indeed one
in these windings will step through
107 my twenty-
four verses the same
108 on both sides.
Teach eight windings with lessons
109 and tests, driving
no longer only soft or hard;

This is a meaningful lesson in the hanging and the winding of the sword, which you shall use well and aim so that you can nimbly lead and then counter against one's opponent's plays properly, driving against him with art. There are four hangings, the Ox above on both sides, these are the upper two hangings, and the plough below on both sides, these are the lower two hangings. From the four hangings you shall deploy eight windings, four from the Ox and four from the Plough, and you shall deploy these very eight windings, so consider and judge that you shall deploy the three wisdoms from every winding, that is one strike, one stab, and one slice.

How one shall deploy the four windings from the two upper hangings, that is the Ox from both sides.

How you deploy the first two windings from the Ox only on the right side is thus: When you come to him in pre-fencing, then stand with the left foot forward and hold your sword before your head to your right side in the Ox. If he strikes one high to you from his right side, then wind the short edge on his sword to your left side in his strike into the Ox and stab him one high to the face, that is one winding.


If he then displaces the stab with strength and forces your sword to the side, then stay on the sword and wind again to your right side into the Ox and stab him high to the face. These are the two windings on the sword from the first high hanging on the right side.

Following are the other two windings from the Ox, on the left side, thus:

When you come to him with pre-fencing then stand in the guard of the Ox on the left side, if he strikes one high to you from his left side then wind against his strike with the long edge to your right side on his sword and stab him one high to his face, this is one winding.


If he displaces the stab and pushes the sword to the side, then stay on the sword and wind the long edge to your left side into the Ox on his sword and stab him one high to the face. These are the four windings from the two upper hangings on the left and right side.

Now you shall know

That the plough on both sides comprises the lower two hangings, when you stand in it or will fence from it, then you shall deploy four windings from the left and right sides with all your drives, as was done from the upper hangings, to make the windings eight. And especially mark whenever you wind to think of the strike, the stab, and the slice in each winding. Thus twenty four plays come from the eight windings, you shall find how you drive these twenty four elements written before in the glosa.

Here listen very well

That if you want to drive the eight windings right, that it is with striding from both sides and above all testing nothing more than the two forces that are there when he binds on your sword, if he is weak or hard in his drive. First when you have found this then wind and work to the four openings as was written before, and know that all fencers who wind on the sword and do not know how to feel, they will be hit by winding on the sword. Onward thus be diligent that you mark well the feeling and the word Immediately since from these two things comes all the arts of fencing.

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  1. ↑ Just As
  2. ↑ Just As // Indes
  3. ↑ Note: cut as in slice
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