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Difference between revisions of "Scola, overo teatro (Nicoletto Giganti)"
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− | {{ | + | {{DISPLAYTITLE:''Scola, overo teatro'' (Nicoletto Giganti)}} |
+ | {{infobox book | ||
<!-- --------Name----------> | <!-- --------Name----------> | ||
− | | name = Scola, overo teatro | + | | name = ''Scola, overo teatro'' |
− | | subtitle = [[title::School, or | + | | subtitle = [[title::School, or Theater]] |
<!----------Image----------> | <!----------Image----------> | ||
− | | image = File: | + | | image = File:Giganti Title 1606.png |
| width = | | width = | ||
| caption = | | caption = | ||
<!----------Information----------> | <!----------Information----------> | ||
− | | full title = ''Scola, overo teatro, nelquale <br/> | + | | full title = ''Scola, overo teatro, nelquale sono <br/>rappresentate diverse maniere, e modi di <br/>parare, e di ferire di spada sola, e di spada, <br/>e pugnala'' |
| also known as = | | also known as = | ||
| author(s) = [[author::Nicoletto Giganti]] | | author(s) = [[author::Nicoletto Giganti]] | ||
Line 20: | Line 21: | ||
| dedicated to = Cosimo II de' Medici | | dedicated to = Cosimo II de' Medici | ||
| place of origin = Siena, Tuscany | | place of origin = Siena, Tuscany | ||
− | | language = [[language::Italian]] | + | | language = [[language::Italian]]{{#set:language=German|French}} |
| subject = | | subject = | ||
| genre = [[type::Fencing manual]] | | genre = [[type::Fencing manual]] | ||
| sources = | | sources = | ||
− | | publisher = Giovanni Antonio & Giacomo | + | | publisher = Giovanni Antonio & Giacomo de' Franceschi{{#set:publisher=Giovanni Antonio & Giacomo de' Franceschi}} |
− | | pub_date = [[year::1606, 1610, 1619,<br/>1622, 1628, 1644|1606, 1610, 1619, 1622, 1628, | + | | pub_date = [[year::1606, 1610, 1619,<br/>1622, 1628, 1644|1606, 1610, 1619, 1622, 1628, 1644]] |
| first English edition = | | first English edition = | ||
| pages = 95 pages | | pages = 95 pages | ||
Line 31: | Line 32: | ||
| wiktenauer compilation by = | | wiktenauer compilation by = | ||
| images = {{collapsible list | | images = {{collapsible list | ||
− | | B&W photocopy <span class{{=}}"plainlinks">[http://mac9.ucc.nau.edu/manuscripts/giganti.pdf A] / [http://mac9.ucc.nau.edu/manuscripts/Giganti-2.pdf B]</span> (1606) | + | | [http://resolver.libis.be/IE12993121/representation Digital scans] (1606) |
− | | [http://www.umass.edu/renaissance/lord | + | | [http://www.internetculturale.it/jmms/iccuviewer/iccu.jsp?teca{{=}}MagTeca+-+ICCU&id{{=}}oai:www.internetculturale.sbn.it/Teca:20:NT0000:RMLE040288 Digital scans] (1606) |
+ | | B&W photocopy (<span class{{=}}"plainlinks">[http://mac9.ucc.nau.edu/manuscripts/giganti.pdf A] / [http://mac9.ucc.nau.edu/manuscripts/Giganti-2.pdf B]</span>) (1606) | ||
+ | |||
+ | | [http://resolver.libis.be/IE12992137/representation Digital scans] (1619) | ||
+ | | [https://access.bl.uk/item/viewer/ark:/81055/vdc_100049637098.0x000001 Digital scans] (1619) | ||
+ | | [http://books.google.com/books?id{{=}}0AGIgRSjcloC Digital scans] (1619) | ||
+ | | [http://www.umass.edu/renaissance/sites/default/files/assets/renaissance/lord/Giganti_1619.pdf B&W photocopy] (1619) | ||
+ | |||
+ | | [http://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb11234843-6 Digital scans] (1622) | ||
+ | |||
+ | | [http://data.onb.ac.at/rep/109AF678 Digital scans] (1628) | ||
+ | | [http://archive.org/details/scolaoveroteatro00giga Digital scans] (1628) | ||
| [http://books.google.com/books?id{{=}}hvqOu6Paq3gC Digital scans] (1628) | | [http://books.google.com/books?id{{=}}hvqOu6Paq3gC Digital scans] (1628) | ||
| [http://books.google.com/books?id{{=}}kzReAAAAcAAJ Digital scans] (1628) | | [http://books.google.com/books?id{{=}}kzReAAAAcAAJ Digital scans] (1628) | ||
+ | |||
| [http://diglib.hab.de/drucke/xb-7532-1s/start.htm Digital scans] (1644) | | [http://diglib.hab.de/drucke/xb-7532-1s/start.htm Digital scans] (1644) | ||
+ | | [http://data.onb.ac.at/rep/106B1420 Digital scans] (1644) | ||
+ | | [http://books.google.com/books?id{{=}}JxdFM5q5zQoC Digital scans] (1644) | ||
}} | }} | ||
| below = | | below = | ||
}} | }} | ||
− | '''''Scola, overo teatro''''' ("School, or | + | '''''Scola, overo teatro''''' ("School, or Theater") is an [[nationality::Italian]] [[fencing manual]] written by [[Nicoletto Giganti]] and printed in 1606. It treats the use of the single [[rapier]] and the rapier and dagger. The treatise is structured as a series of progressively more complex lessons, and Tom Leoni opines that this treatise is the best pedagogical work on rapier fencing of its time.<ref>Leoni, p xi.</ref> Based on the number of republications over the succeeding decades it seems to have been quite popular, and fencing historians have praised it both for its organization and as the first text to fully describe the use of the lunge. |
== Publication History == | == Publication History == | ||
− | ''Scola, overo teatro'' was first printed in Venice in 1606 by Giovanni Antonio and Giacomo de' Franceschi. The Grand Duchy of Tuscany granted Giganti a special protection against unauthorized reprints for a term of 30 years, | + | ''Scola, overo teatro'' was first printed in Venice in 1606 by Giovanni Antonio and Giacomo de' Franceschi, with illustrations by [[Odoarco Fialetti]]. The Grand Duchy of Tuscany granted Giganti a special protection against unauthorized reprints for a term of 30 years, including a fine of 300 ducats. This copyright was repeatedly ignored, however, including a 1628 edition published in Padua by Paolo Frambotto, which included an additional dedication from the publisher to Lazaro Stubick di Kœnigstein. Bibliographies also list printings in 1608 and 1610; the first is probably a mistaken reference to ''[[Libro secondo (Nicoletto Giganti)|Libro secondo]]'', whereas the second seems to be spurious (or possibly a mistaken reference to the treatise of [[Ridolfo Capo Ferro da Cagli|Ridolfo Capo Ferro]]). |
− | In 1619, still within the copyright period, the treatise was translated into French and German and published in Frankfurt by | + | In 1619, still within the copyright period, the treatise was translated into French and German and published in Frankfurt by Jacob de Zeter. He published it under separate French and German titles, ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") and ''Newe Fechtkunst Oder Schawplatz'' ("New Fencing Art or Show Place") respectively, containing the main text in both languages but the preface in only one. This edition is often bound with Zetter's 1622 translation of book II of [[Salvator Fabris]]' treatise,<ref>The Fabris edition might also have been published in 1619, but no extant copies of the 1619 seem to include it.</ref>, but it's unclear if this represents a new printing of the Giganti edition or a separate work that was added to it in order to increase sales.<ref>All extant copies are dated 1619 in the Giganti portion and 1622 in the Fabris portion.</ref> This edition has oddly lead various fencing historians to accuse Giganti himself of plagiarism.<ref>This accusation was first made by [[Johann Joachim Hynitzsch]], who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> In 1644, unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of the second section with a paper saying "1644". |
In 2010, ''Scola, overo teatro'' was translated into English by Tom Leoni and published by [[Freelance Academy Press]] under the title ''Venetian Rapier: The School, or Salle''. A second English translation, titled ''Nicoletto Giganti's the School of the Sword'' was released in 2014 by Aaron Taylor Mediema. | In 2010, ''Scola, overo teatro'' was translated into English by Tom Leoni and published by [[Freelance Academy Press]] under the title ''Venetian Rapier: The School, or Salle''. A second English translation, titled ''Nicoletto Giganti's the School of the Sword'' was released in 2014 by Aaron Taylor Mediema. | ||
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{| class="treatise" | {| class="treatise" | ||
|- | |- | ||
− | ! id="page" | [[Nicoletto Giganti| | + | ! id="page" | [[Nicoletto Giganti|i - v]] |
| Preface by Nicoletto Giganti | | Preface by Nicoletto Giganti | ||
|- | |- | ||
− | ! [[Nicoletto Giganti| | + | ! [[Nicoletto Giganti|vii - xiv]] |
| Publisher's preface | | Publisher's preface | ||
Line 72: | Line 87: | ||
== Gallery == | == Gallery == | ||
− | + | <h3 style="clear:both;"> Title pages </h3> | |
− | {{image| | + | {{image|h=1|Giganti Title 1606.png|1606}} |
− | {{image| | + | {{image|h=1|Giganti French Title 1619.png|1619 (French)}} |
− | {{image| | + | {{image|h=1|Giganti German Title 1619.png|1619 (German)}} |
− | {{image| | + | {{image|h=1|Giganti Title 1628.png|1628}} |
− | {{image| | + | {{image|h=1|Giganti French Title 1644.png|1644 (French)}} |
− | {{image| | + | {{image|h=1|Giganti German Title 1644.jpg|1644 (German)}} |
− | {{image| | + | |
− | {{image| | + | <h3 style="clear:both;"> Illustrations </h3> |
− | {{image| | + | |
− | {{image| | + | {{image|h=1|Giganti Medici Heraldry.png|Medici Heraldry}} |
− | {{image| | + | {{image|h=1|Nicoletto Giganti portrait.png|Portrait}} |
− | {{image| | + | {{image|h=1|Giganti 01.png|Figure 1}} |
− | {{image| | + | {{image|h=1|Giganti 02.png|Figure 2}} |
− | {{image| | + | {{image|h=1|Giganti 03.png|Figure 3}} |
− | {{image| | + | {{image|h=1|Giganti 04.png|Figure 4}} |
− | {{image| | + | {{image|h=1|Giganti 05.png|Figure 5}} |
− | {{image| | + | {{image|h=1|Giganti 06.png|Figure 6}} |
− | {{image| | + | {{image|h=1|Giganti 07.png|Figure 7}} |
+ | {{image|h=1|Giganti 08.png|Figure 8}} | ||
+ | {{image|h=1|Giganti 09.png|Figure 9}} | ||
+ | {{image|h=1|Giganti 10.png|Figure 10}} | ||
+ | {{image|h=1|Giganti 11.png|Figure 11}} | ||
+ | {{image|h=1|Giganti 12.png|Figure 12}} | ||
+ | {{image|h=1|Giganti 13.png|Figure 13}} | ||
+ | {{image|h=1|Giganti 14.png|Figure 14}} | ||
+ | {{image|h=1|Giganti 15.png|Figure 15}} | ||
+ | {{image|h=1|Giganti 16.png|Figure 16}} | ||
+ | {{image|h=1|Giganti 17.png|Figure 17}} | ||
+ | {{image|h=1|Giganti 18.png|Figure 18}} | ||
+ | {{image|h=1|Giganti 19.png|Figure 19}} | ||
+ | {{image|h=1|Giganti 20.png|Figure 20}} | ||
+ | {{image|h=1|Giganti 21.png|Figure 21}} | ||
+ | {{image|h=1|Giganti 22.png|Figure 22}} | ||
+ | {{image|h=1|Giganti 23.png|Figure 23}} | ||
+ | {{image|h=1|Giganti 24.png|Figure 24}} | ||
+ | {{image|h=1|Giganti 25.png|Figure 25}} | ||
+ | {{image|h=1|Giganti 26.png|Figure 26}} | ||
+ | {{image|h=1|Giganti 27.png|Figure 27}} | ||
+ | {{image|h=1|Giganti 28.png|Figure 28}} | ||
+ | {{image|h=1|Giganti 29.png|Figure 29}} | ||
+ | {{image|h=1|Giganti 30.png|Figure 30}} | ||
+ | {{image|h=1|Giganti 31.png|Figure 31}} | ||
+ | {{image|h=1|Giganti 32.png|Figure 32}} | ||
+ | {{image|h=1|Giganti 33.png|Figure 33}} | ||
+ | {{image|h=1|Giganti 34.png|Figure 34}} | ||
+ | {{image|h=1|Giganti 35.png|Figure 35}} | ||
+ | {{image|h=1|Giganti 36.png|Figure 36}} | ||
+ | {{image|h=1|Giganti 37.png|Figure 37}} | ||
+ | {{image|h=1|Giganti 38.png|Figure 38}} | ||
+ | {{image|h=1|Giganti 39.png|Figure 39}} | ||
+ | {{image|h=1|Giganti 40.png|Figure 40}} | ||
+ | {{image|h=1|Giganti 41.png|Figure 41}} | ||
+ | {{image|h=1|Giganti 42.png|Figure 42}} | ||
+ | {{-}} | ||
== Additional Resources == | == Additional Resources == | ||
− | + | {{bibliography}} | |
− | |||
== References == | == References == | ||
Line 109: | Line 159: | ||
{{sourcebox | {{sourcebox | ||
| work = Images | | work = Images | ||
− | | authors = | + | | authors = [[Odoarco Fialetti]] |
− | | source link = | + | | source link = http://resolver.libis.be/IE12993121/representation |
− | | source title= | + | | source title= Corble Collection |
| license = public domain | | license = public domain | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
| work = Transcription | | work = Transcription | ||
− | | authors = | + | | authors = [[Jeff Vansteenkiste]] |
| source link = | | source link = | ||
− | | source title= | + | | source title= [[Index:Scola, overo teatro (Nicoletto Giganti) 1606.pdf|Index:Scola, overo teatro (Nicoletto Giganti)]] |
− | | license = | + | | license = noncommercial |
}} | }} | ||
{{sourcebox footer}}<section end="sourcebox"/> | {{sourcebox footer}}<section end="sourcebox"/> | ||
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[[Category:Books]] | [[Category:Books]] | ||
− | [[Category: | + | [[Category:Image Processing]] |
− | |||
− |
Latest revision as of 22:49, 25 May 2024
Scola, overo teatro | |
---|---|
School, or Theater | |
Full title | Scola, overo teatro, nelquale sono rappresentate diverse maniere, e modi di parare, e di ferire di spada sola, e di spada, e pugnala |
Author(s) | Nicoletto Giganti |
Illustrated by | Odoarco Fialetti |
Dedicated to | Cosimo II de' Medici |
Place of origin | Siena, Tuscany |
Language | Italian |
Genre(s) | Fencing manual |
Publisher | Giovanni Antonio & Giacomo de' Franceschi |
Publication date | 1606, 1610, 1619, 1622, 1628, 1644 |
Pages | 95 pages |
Treatise scans |
|
Scola, overo teatro ("School, or Theater") is an Italian fencing manual written by Nicoletto Giganti and printed in 1606. It treats the use of the single rapier and the rapier and dagger. The treatise is structured as a series of progressively more complex lessons, and Tom Leoni opines that this treatise is the best pedagogical work on rapier fencing of its time.[1] Based on the number of republications over the succeeding decades it seems to have been quite popular, and fencing historians have praised it both for its organization and as the first text to fully describe the use of the lunge.
Contents
Publication History
Scola, overo teatro was first printed in Venice in 1606 by Giovanni Antonio and Giacomo de' Franceschi, with illustrations by Odoarco Fialetti. The Grand Duchy of Tuscany granted Giganti a special protection against unauthorized reprints for a term of 30 years, including a fine of 300 ducats. This copyright was repeatedly ignored, however, including a 1628 edition published in Padua by Paolo Frambotto, which included an additional dedication from the publisher to Lazaro Stubick di Kœnigstein. Bibliographies also list printings in 1608 and 1610; the first is probably a mistaken reference to Libro secondo, whereas the second seems to be spurious (or possibly a mistaken reference to the treatise of Ridolfo Capo Ferro).
In 1619, still within the copyright period, the treatise was translated into French and German and published in Frankfurt by Jacob de Zeter. He published it under separate French and German titles, Escrime Novvelle ov Theatre ("New Fencing or Theater") and Newe Fechtkunst Oder Schawplatz ("New Fencing Art or Show Place") respectively, containing the main text in both languages but the preface in only one. This edition is often bound with Zetter's 1622 translation of book II of Salvator Fabris' treatise,[2], but it's unclear if this represents a new printing of the Giganti edition or a separate work that was added to it in order to increase sales.[3] This edition has oddly lead various fencing historians to accuse Giganti himself of plagiarism.[4] In 1644, unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of the second section with a paper saying "1644".
In 2010, Scola, overo teatro was translated into English by Tom Leoni and published by Freelance Academy Press under the title Venetian Rapier: The School, or Salle. A second English translation, titled Nicoletto Giganti's the School of the Sword was released in 2014 by Aaron Taylor Mediema.
Contents
i - v | Preface by Nicoletto Giganti |
---|---|
vii - xiv | Publisher's preface |
1 - 47 | Rapier by Nicoletto Giganti |
48 - 95 | Rapier and dagger by Nicoletto Giganti |
Gallery
Title pages
Illustrations
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- Giganti, Nicoletto (2010). Venetian Rapier: The School, or Salle. Nicoletto Giganti's 1606 Rapier Fencing Curriculum. Trans. by Tom Leoni. Wheaton, IL: Freelance Academy Press. ISBN 978-0-9825911-2-3.
- Giganti, Nicoletto (2014). Nicoletto Giganti's the School of the Sword: A New Translation by Aaron Taylor Miedema. Trans. by Aaron Taylor Miedema. Legacy Books Press. ISBN 978-1927537077.
References
- ↑ Leoni, p xi.
- ↑ The Fabris edition might also have been published in 1619, but no extant copies of the 1619 seem to include it.
- ↑ All extant copies are dated 1619 in the Giganti portion and 1622 in the Fabris portion.
- ↑ This accusation was first made by Johann Joachim Hynitzsch, who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
Work | Author(s) | Source | License |
---|---|---|---|
Images | Odoarco Fialetti | Corble Collection | |
Transcription | Jeff Vansteenkiste | Index:Scola, overo teatro (Nicoletto Giganti) |