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Difference between revisions of "Cartilla y luz en la verdadera destreza"
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{{DISPLAYTITLE:''Cartilla, y luz en la verdadera destreza'' (Nicolás Tamariz)}} | {{DISPLAYTITLE:''Cartilla, y luz en la verdadera destreza'' (Nicolás Tamariz)}} | ||
| − | {{Infobox book | + | {{Infobox book |
<!----------Name----------> | <!----------Name----------> | ||
| − | | name = ''Cartilla, y luz en la verdadera destreza | + | | name = ''Cartilla, y luz en la verdadera destreza'' |
| − | | subtitle = [[title::A Primer | + | | subtitle = [[title::A Primer and light on the Verdadera Destreza]] |
<!----------Image----------> | <!----------Image----------> | ||
| − | | image = | + | | image = |
| width = | | width = | ||
| caption = | | caption = | ||
<!----------Information----------> | <!----------Information----------> | ||
| − | | ustcid1 = | + | | ustcid1 = |
| ustclabel1 = | | ustclabel1 = | ||
| − | | ustcid2 = | + | | ustcid2 = |
| ustclabel2 = | | ustclabel2 = | ||
| − | | full title = | + | | full title = Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere |
| also known as = | | also known as = | ||
| author(s) = {{plainlist | | author(s) = {{plainlist | ||
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| patron = | | patron = | ||
| dedicated to = | | dedicated to = | ||
| − | | place of origin = | + | | place of origin = Seville ([[year::1696]]) |
| − | + | | language = [[language::Spanish]] | |
| − | |||
| − | | language = | ||
| − | |||
| − | |||
| − | |||
| subject = | | subject = | ||
| genre = [[type::Fencing manual]] | | genre = [[type::Fencing manual]] | ||
| Line 42: | Line 37: | ||
| first English edition = | | first English edition = | ||
| pages = | | pages = | ||
| − | | extant copies = | + | | extant copies = |
| − | |||
| − | |||
| wiktenauer compilation by = | | wiktenauer compilation by = | ||
| images = | | images = | ||
}} | }} | ||
| + | '''''Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere''''', ("[A] Primer, and light on the Verdadera Destreza, taken from the writings of D. [[Luis Pacheco de Narvaez]] and the authors he refers to",) is a [[nationality::Spanish]] [[fencing treatise]] in the [[Verdadera Destreza]] tradition, written by [[Nicolás Tamariz]], Deputy Grand Master of the city of Seville. | ||
| + | The book, after the usual front matter of approvals from inquisitors and other religious and political figures, poems from admirers and friends of the author, and the author's own introduction, is composed of seventeen chapters. | ||
| − | + | The first is a Socratic dialogue of questions and answers relating to basic concepts of Verdadera Destreza theory and practice, which offers a relatively thorough foundational vocabulary for students of the style. Next, comes a series of seven chapters which are composed of short essays, or notes, elaborating on some of the most vital practical elements of the style: a pair of notes on how footwork is to be performed and how it can be opposed; a note on choosing an opening measure; a note explaining the concept of "atajo", a vital (and contentious) component of Verdadera Destreza theory; A piece on the "Five Paths", describing the "correct" ways to enter measure safely; a note on the "Nine Medios", which describes the preferred offensive maneuvers of Tamariz' Destreza, and; a note on one of D. Luis Pacheco de Narvaez's conclusions, from [[Las cien conclusiones de la destreza de las armas (MS Phill.1941)]]. | |
| + | Following these notes is a series of chapters which describe "reglas", forms or drills which build on the foundational work laid out by the expository matter of the preceding chapters. Each regla is divided into "términos", or "terms", precisely describing the actions of each combatant during the drill. These reglas are a relatively rare example of direct practial pedagogy in a Verdadera Destreza book- many of which are heavy on theory and short on drills. The penultimate chapter is an adversarial note addressing what Tamariz felt were the errors of the "vulgar" fencers, or "Añasquinos", as he puts it. The final chapter is a short paragraph of moral exhortation to the reader, regarding how, when, and why the teachings of sword-craft ought to be employed, and how, when, and why they ought not be. | ||
| + | |||
| + | Included in the book are two simple plates, illustrating the Five Paths and the Nine Medios described in the text, in a circular, geometric footwork diagram of a format typical of the Verdadera Destreza tradition. | ||
== Publication History == | == Publication History == | ||
| Line 57: | Line 55: | ||
"Cartilla, y luz..." was first printed and published in Seville by "los Herederos de Thomás Lopez de Haro" ("The heirs of Thomás de Haro"), in 1696 CE. | "Cartilla, y luz..." was first printed and published in Seville by "los Herederos de Thomás Lopez de Haro" ("The heirs of Thomás de Haro"), in 1696 CE. | ||
| − | A | + | A facsimile edition was published in 1902 by Devinne Press, New York, on behalf of the Hispanic Society of America, from an extant copy of the 1696 Edition, then in the library of Archer Milton Huntington, founder of that Society. Archer Huntington's copy of the original is now in the archives of the Hispanic Society. |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
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== Contents == | == Contents == | ||
| Line 71: | Line 61: | ||
{| class="treatise" | {| class="treatise" | ||
|- | |- | ||
| − | ! id="page" | | + | ! id="page" | |
| − | | [[Introduction]] by [[Nicolás Tamariz | + | | [[Introduction]] by [[Nicolás Tamariz]] |
|- | |- | ||
| − | ! | + | ! |
| [[Dialogue]] by [[Nicolás Tamariz]] | | [[Dialogue]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Note on Footwork]] by [[Nicolás Tamariz]] | | [[Note on Footwork]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Note on the Opposition of Footwork]] by [[Nicolás Tamariz]] | | [[Note on the Opposition of Footwork]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[How to Choose the Medio de Proporción]] by [[Nicolás Tamariz]] | | [[How to Choose the Medio de Proporción]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[A Note on the Atajo]] by [[Nicolás Tamariz]] | | [[A Note on the Atajo]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Follow the Five Paths]] by [[Nicolás Tamariz]] | | [[Follow the Five Paths]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Declare the Nine Medios]] by [[Nicolás Tamariz]] | | [[Declare the Nine Medios]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Note on Conclusion Fifty-Five]] by [[Nicolás Tamariz]] | | [[Note on Conclusion Fifty-Five]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[First Rule]] by [[Nicolás Tamariz]] | | [[First Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Second Rule]] by [[Nicolás Tamariz]] | | [[Second Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Third Rule]] by [[Nicolás Tamariz]] | | [[Third Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Fourth Rule]] by [[Nicolás Tamariz]] | | [[Fourth Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Fifth Rule]] by [[Nicolás Tamariz]] | | [[Fifth Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Sixth Rule]] by [[Nicolás Tamariz]] | | [[Sixth Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Seventh Rule]] by [[Nicolás Tamariz]] | | [[Seventh Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Eighth Rule]] by [[Nicolás Tamariz]] | | [[Eighth Rule]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[Note on the Vulgar Terms]] by [[Nicolás Tamariz]] | | [[Note on the Vulgar Terms]] by [[Nicolás Tamariz]] | ||
|- | |- | ||
| − | ! | + | ! |
| [[A Useful Notice]] by [[Nicolás Tamariz]] | | [[A Useful Notice]] by [[Nicolás Tamariz]] | ||
|} | |} | ||
| + | |||
| + | == Gallery == | ||
| + | |||
| + | |||
| + | |||
| + | == Additional Resources == | ||
| + | |||
| + | {{bibliography}} | ||
| + | |||
| + | == References == | ||
| + | |||
| + | {{reflist}} | ||
| + | |||
| + | == Copyright and License Summary == | ||
| + | |||
| + | For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]]. | ||
| + | |||
| + | <section begin="sourcebox"/>{{sourcebox header}} | ||
| + | {{sourcebox | ||
| + | | work = Images | ||
| + | | authors = | ||
| + | | source link = | ||
| + | | source title= | ||
| + | | license = public domain | ||
| + | }} | ||
| + | {{sourcebox | ||
| + | | work = Transcription | ||
| + | | authors = | ||
| + | | source link = | ||
| + | | source title= | ||
| + | | license = | ||
| + | }} | ||
| + | {{sourcebox footer}}<section end="sourcebox"/> | ||
| + | |||
| + | [[Category:Treatises]] | ||
| + | [[Category:Books]] | ||
| + | |||
| + | [[Category:Transcription]] | ||
Latest revision as of 04:08, 20 October 2023
| Cartilla, y luz en la verdadera destreza | |
|---|---|
| A Primer and light on the Verdadera Destreza | |
| Full title | Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere |
| Author(s) | |
| Illustrated by | Unknown |
| Place of origin | Seville (1696) |
| Language | Spanish |
| Genre(s) | Fencing manual |
| Publisher | |
Cartilla, y luz en la verdadera destreza, sacada de los escritos de D. Luis Pacheco de Narvaez y de los autores que refiere, ("[A] Primer, and light on the Verdadera Destreza, taken from the writings of D. Luis Pacheco de Narvaez and the authors he refers to",) is a Spanish fencing treatise in the Verdadera Destreza tradition, written by Nicolás Tamariz, Deputy Grand Master of the city of Seville.
The book, after the usual front matter of approvals from inquisitors and other religious and political figures, poems from admirers and friends of the author, and the author's own introduction, is composed of seventeen chapters.
The first is a Socratic dialogue of questions and answers relating to basic concepts of Verdadera Destreza theory and practice, which offers a relatively thorough foundational vocabulary for students of the style. Next, comes a series of seven chapters which are composed of short essays, or notes, elaborating on some of the most vital practical elements of the style: a pair of notes on how footwork is to be performed and how it can be opposed; a note on choosing an opening measure; a note explaining the concept of "atajo", a vital (and contentious) component of Verdadera Destreza theory; A piece on the "Five Paths", describing the "correct" ways to enter measure safely; a note on the "Nine Medios", which describes the preferred offensive maneuvers of Tamariz' Destreza, and; a note on one of D. Luis Pacheco de Narvaez's conclusions, from Las cien conclusiones de la destreza de las armas (MS Phill.1941).
Following these notes is a series of chapters which describe "reglas", forms or drills which build on the foundational work laid out by the expository matter of the preceding chapters. Each regla is divided into "términos", or "terms", precisely describing the actions of each combatant during the drill. These reglas are a relatively rare example of direct practial pedagogy in a Verdadera Destreza book- many of which are heavy on theory and short on drills. The penultimate chapter is an adversarial note addressing what Tamariz felt were the errors of the "vulgar" fencers, or "Añasquinos", as he puts it. The final chapter is a short paragraph of moral exhortation to the reader, regarding how, when, and why the teachings of sword-craft ought to be employed, and how, when, and why they ought not be.
Included in the book are two simple plates, illustrating the Five Paths and the Nine Medios described in the text, in a circular, geometric footwork diagram of a format typical of the Verdadera Destreza tradition.
Contents
Publication History
"Cartilla, y luz..." was first printed and published in Seville by "los Herederos de Thomás Lopez de Haro" ("The heirs of Thomás de Haro"), in 1696 CE.
A facsimile edition was published in 1902 by Devinne Press, New York, on behalf of the Hispanic Society of America, from an extant copy of the 1696 Edition, then in the library of Archer Milton Huntington, founder of that Society. Archer Huntington's copy of the original is now in the archives of the Hispanic Society.
Contents
Gallery
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- None.
References
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
| Work | Author(s) | Source | License |
|---|---|---|---|
| Images |  |
||
| Transcription |  |
