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Difference between revisions of "Martin Syber/Jens P. Kleinau"
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| − | [1] {{red|b=1|The hereafter written new markverses had been made and written by Martin Siber}}, and it is a piece from various masters plays and is divided in six plays. And in the verses are the Ox and the Plow and Parting Strike, not {to understand} as in the first verses of the book, but in another interpretation. | + | <section begin="1"/>[1] {{red|b=1|The hereafter written new markverses had been made and written by Martin Siber}}, and it is a piece from various masters plays and is divided in six plays. And in the verses are the Ox and the Plow and Parting Strike, not {to understand} as in the first verses of the book, but in another interpretation.<section end="1"/> |
| − | [2] '''Now begins the foreword and lore of the markverses, thereafter the six plays.''' | + | <section begin="2"/>[2] '''Now begins the foreword and lore of the markverses, thereafter the six plays.''' |
{{red|Who will earn honor<br/> | {{red|Who will earn honor<br/> | ||
| Line 34: | Line 34: | ||
 By this you may succeed.<br/> |  By this you may succeed.<br/> | ||
In all your fighting be nimble,<br/> | In all your fighting be nimble,<br/> | ||
| − |  The common lore has an end. | + |  The common lore has an end.<section end="2"/> |
| − | [3] {{red|b=1|The first play}} | + | <section begin="3"/>[3] {{red|b=1|The first play}} |
{{red|Spring}} the weak to the right<br/> | {{red|Spring}} the weak to the right<br/> | ||
| Line 45: | Line 45: | ||
 The Fiddlestick jab, hit fast<br/> |  The Fiddlestick jab, hit fast<br/> | ||
In all your work step slantwise<br/> | In all your work step slantwise<br/> | ||
| − |  The Fiddlestick on the right jab too.< | + |  The Fiddlestick on the right jab too.<section end="3"/> |
| − | [4] {{red|b=1|The other play}} | + | <section begin="4"/>[4] {{red|b=1|The other play}} |
{{red|Crook}} into the strong<br/> | {{red|Crook}} into the strong<br/> | ||
| Line 58: | Line 58: | ||
 On your head you make him weak.<br/> |  On your head you make him weak.<br/> | ||
In all work step slantwise,<br/> | In all work step slantwise,<br/> | ||
| − |  Take part in the engagement. | + |  Take part in the engagement.<section end="4"/> |
| − | [5] {{red|b=1|The third play}} | + | <section begin="5"/>[5] {{red|b=1|The third play}} |
{{red|Squint what}} comes {{red|from the roof}}, <br/> | {{red|Squint what}} comes {{red|from the roof}}, <br/> | ||
| Line 72: | Line 72: | ||
 Overcome him in the strong of his blade. <br/> |  Overcome him in the strong of his blade. <br/> | ||
In all your work step slantwise, <br/> | In all your work step slantwise, <br/> | ||
| − |  Take part in the engagement. | + |  Take part in the engagement.<section end="5"/> |
| − | [6] {{red|b=1|The fourth play}} | + | <section begin="6"/>[6] {{red|b=1|The fourth play}} |
{{red|The Ox}} thrust through<br/> | {{red|The Ox}} thrust through<br/> | ||
| Line 83: | Line 83: | ||
 In the belly and on the neck.<br/> |  In the belly and on the neck.<br/> | ||
In all your work step slantwise,<br/> | In all your work step slantwise,<br/> | ||
| − |  Take part in the engagement etc. | + |  Take part in the engagement etc.<section end="6"/> |
| − | [7] {{red|b=1|The fifth play}} | + | <section begin="7"/>[7] {{red|b=1|The fifth play}} |
Thrust {{red|through}} the Long Point<br/> | Thrust {{red|through}} the Long Point<br/> | ||
| Line 96: | Line 96: | ||
 So you make a fool of him<br/> |  So you make a fool of him<br/> | ||
In all your work step slantwise,<br/> | In all your work step slantwise,<br/> | ||
| − |  Take part in the engagement. | + |  Take part in the engagement.<section end="7"/> |
| − | [8] {{red|b=1|The sixth play}} | + | <section begin="8"/>[8] {{red|b=1|The sixth play}} |
{{red|From the roof}} traverse long<br/> | {{red|From the roof}} traverse long<br/> | ||
| Line 107: | Line 107: | ||
 After all that your lost<br/> |  After all that your lost<br/> | ||
In all your work step slantwise,<br/> | In all your work step slantwise,<br/> | ||
| − |  Take part in the engagement. | + |  Take part in the engagement.<section end="8"/> |
| − | [9] {{red|b=1|End of the thing.}} | + | <section begin="9"/>[9] {{red|b=1|End of the thing.}}<section end="9"/> |
Revision as of 01:58, 10 September 2019
[1] The hereafter written new markverses had been made and written by Martin Siber, and it is a piece from various masters plays and is divided in six plays. And in the verses are the Ox and the Plow and Parting Strike, not {to understand} as in the first verses of the book, but in another interpretation.
[2] Now begins the foreword and lore of the markverses, thereafter the six plays.
Who will earn honor
In front of lords and masters
In fighting with the sword,
{By all} that is good and rightly,
Who follows my lore,
Wins evermore,
The six plays well hold in regard,
They are highly praised good,
In them well included is
Many a good master’s trick[1]
From Hungary, Bohemia, Italy,
From France, England, and Germany,
From Russia, Prussia, Greece,
Holland, Provence, and Swabia.
In them you should step left
Consider to seduce with it,
In thrusts strongly press,
So it may work out for you.
If you see a window open,
Look inside, leave it
And strike or thrust fast.
So you may toughly fall {on him}.
In the working step slantwise,
Take part in the engagement.
If you want to begin this
A strong {courage} you must have.
Proper prudence is also good,
Of great rage you beware.
To such parrying bring him
By this you may succeed.
In all your fighting be nimble,
The common lore has an end.
[3] The first play
Spring the weak to the right
Wind through on engagement
That is how to do the Spring Strike
To both sides two times
By winding engage his ricasso strongly
The Fiddlestick jab, hit fast
In all your work step slantwise
The Fiddlestick on the right jab too.
[4] The other play
Crook into the strong
Notice to wind through with it
Wind run over /
Interweave point and pommel
Thrust him to the face
With the crossbar’s work fights
The misleading pommel as you should remember
On your head you make him weak.
In all work step slantwise,
Take part in the engagement.
[5] The third play
Squint what comes from the roof,
Cross through, step in not crook,
In it behold his case
The Shoulder Strike do with,
Take it of nimbly
Strike again him in the shield, strongly
Push away with Running over
Overcome him in the strong of his blade.
In all your work step slantwise,
Take part in the engagement.
[6] The fourth play
The Ox thrust through
With two great steps
Wind and counter wind
The Parting Strike do nimbly,
wind / the Hitting Strike directly
In the belly and on the neck.
In all your work step slantwise,
Take part in the engagement etc.
[7] The fifth play
Thrust through the Long Point
Twitch counter the Murder Strike
The Blinding Strike let bounce
So you may well want to step
Hang to counter very quick
Step behind {him} again fast
On the head and in the belly
So you make a fool of him
In all your work step slantwise,
Take part in the engagement.
[8] The sixth play
From the roof traverse long
With twisting save yourself
Cross through him {his action} very quick
The Blinding Strike again fast
The Point Strike in his breast
After all that your lost
In all your work step slantwise,
Take part in the engagement.
[9] End of the thing.
- ↑ know-how
