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| − | {{ | + | {{infobox writer |
| − | | name = | + | | name = Martin Syber |
| − | | image = | + | | image = |
| − | | imagesize = | + | | imagesize = |
| − | | caption = | + | | caption = |
| pseudonym = | | pseudonym = | ||
| birthname = | | birthname = | ||
| − | | birthdate = | + | | birthdate = 15th century (?) |
| − | | birthplace = | + | | birthplace = |
| − | | deathdate = | + | | deathdate = 15th century (?) |
| − | | deathplace = | + | | deathplace = |
| resting_place = | | resting_place = | ||
| − | | occupation = | + | | occupation = [[Fencing master]] |
| − | + | | language = Early New High German | |
| − | + | | nationality = | |
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| − | | language = | ||
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| − | | nationality = | ||
| ethnicity = | | ethnicity = | ||
| citizenship = | | citizenship = | ||
| education = | | education = | ||
| alma_mater = | | alma_mater = | ||
| − | | patron = | + | | patron = |
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| period = | | period = | ||
| − | | genre = | + | | genre = [[Fencing manual]] |
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| subject = | | subject = | ||
| movement = | | movement = | ||
| − | | notableworks = '' | + | | notableworks = ''New Zettel'' |
| − | | manuscript(s) = {{ | + | | manuscript(s) = {{plainlist |
| − | + | | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | |
| − | + | | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508) | |
| − | | [[ | + | | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1570) |
| − | | [[ | ||
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}} | }} | ||
| principal manuscript(s)= | | principal manuscript(s)= | ||
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| partner = | | partner = | ||
| children = | | children = | ||
| − | | relatives = | + | | relatives = |
| − | | influences = | + | | influences = [[Johannes Liechtenauer]] (?) |
| − | + | | influenced = | |
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| − | | influenced = | ||
| awards = | | awards = | ||
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}} | }} | ||
| − | ''' | + | '''Martin Syber''' (Mertin Siber, Martein Syber) was a 15th century German [[fencing master]]. Hardly anything is known of Syber beyond his ''New Zettel'' ("New [[Zettel|Recital]]"). His surname signifies that he came from a family of sieve makers, but gives us no indication of his birthplace. According to Syber's own account, he learned the art from a variety of masters from across Europe, including men from Bohemia, Brabant (or possibly Provence), England, France, Germany, Greece, Holland, Hungary, Italy, Prussia, Russia, and Swabia. The inclusion of his Recital in [[Codex Speyer (MS M.I.29)|Codex Speyer]] and the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Fechtbuch]] suggests a connection to the tradition of [[Johannes Liechtenauer]], and his mention of an "earlier ''Zettel''" is likely a reference to that of Liechtenauer; however, Syber does not appear on the roll of the [[Fellowship of Liechtenauer]] recorded by [[Paulus Kal]] in ca. 1470, so the extent of his relationship is unclear. |
| − | + | Syber's Recital comes in the form a cryptic poem describing six ''Gänge'', set sequences of strikes and parries. Unfortunately, no [[gloss]] is currently known to exist for Syber's verse, so its meaning is difficult to decipher. Conversely, it is worth noting that the 16th century [[Freifechter]] [[Joachim Meÿer]] not only had access to Syber's verse (which is included in [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|his final manuscript]]), but also employed much of the master's unique terminology in his own teachings. Meÿer may thus hold the key to interpreting Syber's techniques. | |
| − | + | The Salzburg version of Syber's text is followed by an [[Anonymous 15th Century Poem|additional page of verse]]. This poem shares some common terminology with Syber's writings and has been attributed to Syber by some authors in the past, but its omission from the other two versions of his text call this attribution into question. In addition, another version of the poem was included in one of [[Hans Talhoffer]]'s manuscripts almost fifty years earlier, which indicates that if Syber were indeed the author, his career must have been much earlier than currently believed. | |
| − | ([[ | + | ([[Martin Syber|Read more]]...) |
<dl> | <dl> | ||
<dt style="font-size:90%;">Recently Featured:</dt> | <dt style="font-size:90%;">Recently Featured:</dt> | ||
| − | <dd style="font-size:90%;">[[Sigmund Schining ain Ringeck]] – [[Joachim Meÿer | + | <dd style="font-size:90%;">[[Fiore de'i Liberi]] – [[Sigmund Schining ain Ringeck]] – [[Joachim Meÿer]] – [[Die Blume des Kampfes]]</dd> |
</dl> | </dl> | ||
Revision as of 14:54, 29 April 2016
| Martin Syber | |
|---|---|
| Born | 15th century (?) |
| Died | 15th century (?) |
| Occupation | Fencing master |
| Influences | Johannes Liechtenauer (?) |
| Genres | Fencing manual |
| Language | Early New High German |
| Notable work(s) | New Zettel |
| Manuscript(s) |
|
| Concordance by | Michael Chidester |
Martin Syber (Mertin Siber, Martein Syber) was a 15th century German fencing master. Hardly anything is known of Syber beyond his New Zettel ("New Recital"). His surname signifies that he came from a family of sieve makers, but gives us no indication of his birthplace. According to Syber's own account, he learned the art from a variety of masters from across Europe, including men from Bohemia, Brabant (or possibly Provence), England, France, Germany, Greece, Holland, Hungary, Italy, Prussia, Russia, and Swabia. The inclusion of his Recital in Codex Speyer and the Glasgow Fechtbuch suggests a connection to the tradition of Johannes Liechtenauer, and his mention of an "earlier Zettel" is likely a reference to that of Liechtenauer; however, Syber does not appear on the roll of the Fellowship of Liechtenauer recorded by Paulus Kal in ca. 1470, so the extent of his relationship is unclear.
Syber's Recital comes in the form a cryptic poem describing six Gänge, set sequences of strikes and parries. Unfortunately, no gloss is currently known to exist for Syber's verse, so its meaning is difficult to decipher. Conversely, it is worth noting that the 16th century Freifechter Joachim Meÿer not only had access to Syber's verse (which is included in his final manuscript), but also employed much of the master's unique terminology in his own teachings. Meÿer may thus hold the key to interpreting Syber's techniques.
The Salzburg version of Syber's text is followed by an additional page of verse. This poem shares some common terminology with Syber's writings and has been attributed to Syber by some authors in the past, but its omission from the other two versions of his text call this attribution into question. In addition, another version of the poem was included in one of Hans Talhoffer's manuscripts almost fifty years earlier, which indicates that if Syber were indeed the author, his career must have been much earlier than currently believed.
(Read more...)
- Recently Featured:
- Fiore de'i Liberi – Sigmund Schining ain Ringeck – Joachim Meÿer – Die Blume des Kampfes
