View source for Sigmund ain Ringeck

{{infobox writer
| name                 = [[name::Sigmund ain Ringeck]]
| image                = File:Sigmund Ringeck.png
| imagesize            = 250px
| caption              = 

| pseudonym            = 
| birthname            = 
| birthdate            = 
| birthplace           = 
| deathdate            = 
| deathplace           = 
| resting_place        = 
| occupation           = [[Fencing master]]{{#set:occupation=Fencing master}}
| language             = [[language::Early New High German]]
| nationality          = German
| ethnicity            = 
| citizenship          = 
| education            = 
| alma_mater           = 
| patron               = Albrecht, Duke of Bavaria

| period               = 15th century
| genre                = [[Fencing manual]]
| subject              = 
| movement             = [[Fellowship of Liechtenauer]]
| notableworks         = 
| archetype            = Hypothetical
| manuscript(s)        = {{collapsible list
 | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) 
 | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (1504-19)
 | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
 | [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichstadt Nr. 82]] (1553)
 | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1564)
 | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (ca. 1570)
}}
| principal manuscript(s)=
| first printed edition= [[Christian Henry Tobler|Tobler]], 2001
| wiktenauer compilation by=[[Michael Chidester]]

| spouse               = 
| partner              = 
| children             = 
| relatives            = 
| influences           = [[Johannes Liechtenauer]]
| influenced           = {{plainlist
 | [[Hans Medel]]
 | [[Joachim Meÿer]]
 | [[Andre Paurñfeyndt]]
}}
| awards               = 
| signature            = 
| website              = 
| translations         = {{collapsible list
 | {{English translation|http://www.historical-academy.co.uk/files/research/keith-farrell/Ringeck%20Longsword.pdf|1}}
 | {{English translation|http://www.thearma.org/Manuals/Ringeck.htm|1}}
 | {{French translation|http://ardamhe.free.fr/biblio/Tetraptyque.pdf|1}}
 | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/ringeck.php|1}}
 | {{Polish translation|http://feder.org.pl/images/pdfs/MS_DRESD_C_487-puklerz.pdf|1}}
 | {{Slovak translation|http://fecht-kunst.eu/wp/?p{{=}}599|1}}
 | {{Spanish translation|http://www.aveh.eu/documentos/EdadMedia/Ringekcas.pdf|1}}
 | {{Swedish translation|http://www.ghfs.se/Texter/Dresd487SigmundRingeck/tabid/144/language/en-US/Default.aspx|1}}
}}
| below                = 
}}
'''Sigmund ain Ringeck''' (Sigmund ain Ringeck, Sigmund Amring, Sigmund Einring, Sigmund Schining) was a [[century::15th century]] [[nationality::German]] [[fencing master]]. While the meaning of the name "Schining" (assigned him by [[Hans Medel]]) is uncertain, the suffix "ein Ringeck" may indicate that he came from the Rhineland region of south-eastern Germany. He is named in the text as ''Schirmaister'' to Albrecht, Count Palatine of Rhine and Duke of Bavaria. This may signify ''Schirrmeister'', a logistical officer charged with overseeing the wagons and horse-drawn artillery pieces, or potentially ''Schirmmeister'', a title used by lower-class itinerant fencing masters in the Medieval period.<ref>[[Jens P. Kleinau]]. "[http://talhoffer.wordpress.com/2011/07/04/schirrmeister-schermeister-schirmmeister/ Schirrmeister, Schermeister, Schirmmeister]". '' Hans Talhoffer ~ A Historical Martial Arts blog by Jens P. Kleinau], 2011. Retrieved 20 June 2015.</ref> Apart from his service to the duke, the only thing that can be determined about his life is that he was connected in some way to the tradition of [[Johannes Liechtenauer]]—his name was included by [[Paulus Kal]] in his roll of members of the [[Fellowship of Liechtenauer]] in ca. 1470.<ref>The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1570]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref>

The identity of Ringeck's patron remains unclear, as four men named Albrecht ruled Bavaria during the fifteenth century; assuming that Ringeck was a personal student of [[Johannes Liechtenauer]] further narrows the list down to just two. If the [[Nuremberg Hausbuch (MS 3227a)|MS 3227a]] is correctly dated to 1389, then Liechtenauer was a 14th century master and Ringeck's patron was [[wikipedia:Albert I, Duke of Bavaria|Albrecht I]], who reigned from 1353 to 1404. If, on the other hand, Liechtenauer was an early 15th century master (an associate of [[H. Beringer]]) and the Fellowship of Liechtenauer was assembled to fight in the Hussite Wars of the 1420s and 30s, then Ringeck's patron would have been [[wikipedia:Albert III, Duke of Bavaria|Albrecht III]], who carried the title from 1438 to 1460.<ref>For a different perspective, see [[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010.</ref> [[wikipedia:Albert IV, Duke of Bavaria|Albrecht IV]] claimed the title in 1460 and thus also could have been Ringeck's patron; this would probably signify that Ringeck was not a direct student of Liechtenauer at all, but a later inheritor of the tradition. That said, Albrecht IV lived until 1508 and so the Dresden, Glasgow, and Salzburg manuscripts were likely created during his reign.

Ringeck is often erroneously credited as the author of the [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]]. Ringeck was indeed the author of one of the core texts, a complete [[gloss]] of Liechtenauer's [[Recital]] on unarmored [[long sword]] fencing. However, the remainder of the manuscript contains an assortment of treatises by several different masters in the tradition, and it is currently thought to have been composed in the early 16th century<ref name="Hoffman">Werner J. Hoffmann. [http://www.manuscripta-mediaevalia.de/dokumente/html/obj31600186 "Mscr.Dresd.C.487: Siegmund am Ringeck, Fechtlehre"]. ''Tiefenerschließung und Digitalisierung der deutschsprachigen mittelalterlichen Handschriften der Sächsischen Landesbibliothek - Staats- und Universitätsbibliothek (SLUB) Dresden''. Retrieved 26 May 2015.</ref> (putting it after the master's presumed lifetime). Regardless, the fact that he authored one of the few glosses of the Recital makes Ringeck one of the most important masters of the Liechtenauer tradition.

== Stemma ==

While there are four texts commonly attributed to Ringeck, glosses of the three sections of the Recital of Johannes Liechtenauer (long sword fencing, short sword fencing, and fencing from horseback) as well as an addendum to the long sword material covering fencing from a low guard called [[side guard]] or [[iron gate]], only the long sword gloss actually bears his name. The others are associated with Ringeck largely due to the previously mentioned misattribution of the entire [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (Dresden), but this is not an entirely unreasonable attribution to make considering the other two glosses are always accompanied by Ringeck's long sword. All three glosses seem to be based on those of the anonymous author known as "[[pseudo-Peter von Danzig]]", which are attested from the 1450s; it is also possible that Ringeck and pseudo-Danzig were the same person, and the gloss found below is simply the only branch of the larger stemma that retained its attribution (though that can't be demonstrated with existing information).

Compared to the pseudo-Danzig gloss, Ringeck's descriptions are often slightly shorter and contain fewer variations; Ringeck does, however, include a number of unique plays not discussed in the other. Unlike the 15th century versions of pseudo-Danzig, Ringeck's long sword gloss was probably extensively illustrated: both the [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (Glasgow) and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (Rostock) frequently refer readers to these illustrations, and it appears that the Dresden's scribe attempted to remove all such references as he copied it (one remains intact,<ref>Dresden fol. [[page:MS Dresd.C.487 031r.png|31r]].</ref> one merely dropped the word "pictured",<ref>Dresden fol. [[page:MS Dresd.C.487 020r.png|20r]].</ref> and one was inexplicably replaced by the word "gloss"<ref>Dresden fol. [[page:MS Dresd.C.487 027r.png|27r]].</ref>).

[[file:Ringeck stemma.png|300px|left|thumb|Provisional stemma codicum for Ringeck]]

The earliest extant version of Ringeck's gloss (apart from the segments that are identical with the pseudo-Danzig) consists of just eight paragraphs added by [[Hans von Speyer]] as addenda to certain sections of the pseudo-Danzig gloss in his 1491 manuscript [[Codex Speyer (MS M.I.29)|M.I.29]] (Salzburg).<ref>[[Codex Speyer (MS M.I.29)|MS M.I.29]] is signed and internally dated on [[page:MS M.I.29 158r.jpg|folio 158r]].</ref> A ninth paragraph was integrated by Speyer into pseudo-Danzig's introduction to the Krumphaw, so that Ringeck's explanation of how to use the Krump as a counter-cut compliments pseudo-Danzig's explanation of how to use it to break the guard Ochs.

The early 16th century saw three more versions created, two containing substantial portions of the text. Dresden, which has been by far the subject of the most previous research, has been dated by watermark analysis to 1504-19,<ref name="Hoffman"/> and thus was likely created in or shortly after that time-frame. It is the most extensive version of Ringeck's work, but unfortunately it also seems to be a hasty, error-ridden copy with frequent deletions, insertions, spelling errors, word confusion, and critical omissions (including key words like subjects and verbs, and even whole lines of verse); the majority of paragraphs also seem to have been shortened or truncated, most references to Ringeck's illustrations have been dropped (as detailed above), and the text stops abruptly in the middle of gloss of the mounted fencing verses.

The 1508<ref>[[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] is internally dated on [[page:MS E.1939.65.341 022r.jpg|folio 22r]].</ref> Glasgow, in contrast, is written in a clear and tidy hand and its long sword gloss includes 31 painted, if somewhat low-grade, illustrations (presumably copies of the originals). Its text is generally longer than equivalent passages in the Dresden, including additional information and variations, but like the Dresden it appears to be incomplete in its present form: the first 39 paragraphs of the long sword gloss from the Dresden have no equivalent in the extant manuscript, which begins in the middle of the Twerhaw, and only the first 6 paragraphs of the short sword gloss are included before the manuscript switches to the pseudo-Danzig gloss for the remainder of the verses. On the other hand, it contains the full gloss of the mounted fencing verse, including the half missing from the Dresden.

The third version from this period is another fragment, published by Freifechter [[Andre Paurñfeyndt]] in 1516 as part of his treatise ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay")<ref>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' is internally dated on [[page:E.1939.65.357 K4r.jpg|page K4r]].</ref> and containing only the material on fencing from low guards; in characteristic fashion, Paurñfeyndt does not attribute this material to Ringeck. The section is illustrated by the same crude woodblock art as the rest of his book, though their connection to Ringeck's original text is doubtful. (Paurñfeyndt's text would be reprinted by [[Christian Egenolff]] four times between 1531 and 1558,<ref>The first three printings of ''Der Altenn Fechter anfengliche Kunst'' are undated, but the first edition must have been produced between 1531, when Egenolff set up his shop in Frankfurt-am-Main, and Hans Weiditz' death in 1537; the second and third editions were released some time before Egenolff's own death in 1555. The only dated edition was published by Egenolff's heirs in 1558 (see [[page:DAFaK 1558 mIIIv.jpg|page XLVIIv]]).</ref> transcribed by [[Lienhart Sollinger]] into the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] in 1564,<ref>The material in [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] based on Paurñfeyndt is internally dated on [[page:Cod.I.6.2º.2 71r.jpg|folio 71r]]</ref> and translated to Walloon and printed by [[Willem Vorsterman]] in 1538.<ref>''La noble science des ioueurs d'espee'' is internally dated on [[page:Hn 236 35v.jpg|page 35v]].</ref>)

The remaining two versions of Ringeck's text come from later in the 16th century. In 1553, [[Paulus Hector Mair]] produced the [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichstadt Nr. 82]] (Augsburg) based on the papers of the late master [[Antonius Rast]].<ref>The origin of [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichstadt Nr. 82]] is detailed on [[page:Reichsstadt "Schätze" Nr. 82 IIr.jpg|folio IIr]].</ref> Included in this manuscript was a version of the pseudo-Danzig long sword gloss that is largely complete up to couplet 95 of the Recital where, with no explanation, it switches over to Ringeck's gloss for the remainder of the text (speculatively, perhaps the rest of Rast's copy of Ringeck was not among the papers Mair purchased, so he attempted to fill the gap using the copy of pseudo-Danzig that he already possessed).

The final version, Rostock, is third substantial one (along with Dresden and Glasgow); it was probably created in the 1560s and was owned by Freifechter [[Joachim Meÿer]] until his death in 1571.<ref>The only date, 1570, is given on [[page:MS Var.82 123r.png|folio 123]] (between the first and second sections of Meyer's rapier text); the rest of the manuscript shows a few different hands and was likely compiled prior to its acquisition by Meyer. See [[Joachim Meyer]]. ''The Art of Combat. A German Martial Arts Treatise of 1570.'' Trans. [[Jeffrey L. Forgeng]]. London: Frontline Books, 2014. pp 32-33.</ref> It contains nearly all of Ringeck's presumed gloss of the short sword verses, but only an abbreviated (thought still extensive) version of the long sword gloss. Rostock's long sword gloss only includes key passages and omits most of the follow-on plays to each of the Haupstucke, and also omits the entire section on fencing from the low guards; like Glasgow it directs readers to consult Ringeck's illustrations, but unlike Glasgow these illustrations were never added to the manuscript (nor was room left for them).

All six extant versions of Ringeck's gloss are thus fragmentary, but enough text remains in each to demonstrate a lack of interdependence (apart from Augsburg, which could conceivably derive from Glasgow if the scribe were particularly careless). Each of the other five manuscripts has a unique constellation of plays which can be authenticated from other versions as a group, but do not match any other single version to have been copied from it. All appear therefore to proceed separately from the lost original, unless we suppose that someone gathered up multiple copies to compile a new one (but even that supposition could only account for Rostock, not the others).

Due to the fragmentary nature of the stemma at the moment and the lack of anything resembling an autograph or archetype, for the long sword translation below all versions were treated as co-authoritative: whenever feasible the longest sample was given preference, and the differences between versions detailed in the footnotes.

(A final text of interest is the 1539 treatise of [[Hans Medel|Hans Medel von Salzburg]],<ref>Medel's section of the [[Hans Medel Fechtbuch (Cod.I.6.2º.5)|Cod. I.6.2º.5]] is internally dated on [[page:Cod.I.6.2º.5 21r.jpg|folio 21r]].</ref> which was acquired by Mair and bound into the [[Hans Medel Fechtbuch (Cod.I.6.2º.5)|Cod. I.6.2º.5]] after 1566.<ref>The record of the [[Marxbrüder]] in the manuscript ends on [[page:Cod.I.6.2º.5 20r.jpg|folio 20r]] with the year 1566, so Mair couldn't have acquired it before then.</ref> Medel demonstrates familiarity with the teachings of a variety of 15th century Liechtenauer masters, including pseudo-Danzig and [[Hans Seydenfaden von Erfurt]], but his text primarily takes the form of a revision and expansion of Ringeck's long sword gloss. While enough of Ringeck's original text survives Medel's editing that it too can be shown to not derive from any other surviving manuscript, the amount of unique and altered content is such that it is not included in the concordance below, nor used in the translation.)

== Treatise ==

{{master begin
 | title = Long Sword Gloss
 | width = 174em
}}
<section begin="credits1"/>
{| class="floated master" style="clear:right;"
|- 
! id="thin" | <p>Images</p>
! <p>{{rating|A}}<br/>by [[Christian Trosclair]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (ca. 1570){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>Fragments<br/>by [[Dierk Hagedorn]] and [[Werner Ueberschär]]</p><section end="credits1"/>

|- 
| 
| <p>[1] {{red|b=1|Here begins the interpretation of the Recital}}</p>

<p>In this, the knightly art of the long sword lies written, which Johannes Liechtenauer, who was a great master in the art, composed and created. By the grace of god he had let the Recital be written with obscure and disguised words, so that the art shall not become common. And so Master Sigmund ein Ringeck, at the selfsame<ref name="word-d">Word omitted from the Dresden.</ref> time known as<ref>"Known as" omitted from the Dresden.</ref> fencing master<ref>D. ''schirmaiste~'', R. ''schiermeister''.</ref> to the highborn prince and noble Lord Albrecht, Pfalzgraf<ref>Count Palatine</ref> of the Rhine and Herzog<ref>Duke</ref> of Bavaria, had these same obscure and disguised words of the Recital glossed and interpreted as lay written and pictured<ref>"and pictured" omitted from the Dresden.</ref> here in this little book, so that any one fencer who can otherwise fight properly may well go through and understand.</p>
| 
{{paget|Page:MS Dresd.C.487|010v|png|lbl=10v|p=1}} {{section|Page:MS Dresd.C.487 011r.png|1|lbl=11r|p=1}}
| {{paget|page:MS E.1939.65.341|022r|jpg|lbl=22r}}
| {{section|Page:MS Var.82 006r.png|1|lbl=06r}}
| 

|- 
| [[File:MS E.1939.65.341 035r.jpg|300px|center]]
| <p>[2] {{red|b=1|The foreword of the Recital}}</p>
{| class="zettel"
|- 
| <small>1</small>
| Young knight, learn;<br/>&emsp;Loveth god; furthermore honor women
|- 
| <small>2</small>
| Thus cultivate your honor.<br/>&emsp;Practice chivalry and learn<ref name="line-d">Line omitted from the Dresden.</ref>
|- 
| <small>3</small>
| Art which decorates you [and]<br/>&emsp;In combat exalts with honor.
|- 
| <small>4</small>
| Wrestling, good grappler,<br/>&emsp;Lance, spear, sword, and Messer
|- 
| <small>5</small>
| Manfully put to good use<br/>&emsp;And make useless in other's hands.<ref name="line-d"/>
|- 
| <small>6</small>
| Hew therein, charge there;<br/>&emsp;Rush onwards, hit or let drive.
|- 
| <small>7</small>
| Those maturing<ref>lit: hastening. hasten, maturare, accelerare, see Grimm</ref> in this wisdom<ref>alt: instruction</ref>,<br/>&emsp; This one sees praises.
|- 
| <small>8</small>
| Hold yourself to this:<br/>&emsp;All art has length and measure.
|}
| 
{{section|Page:MS Dresd.C.487 011r.png|2|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 011v.png|1|lbl=11v|p=1}}
| 
| {{section|Page:MS Var.82 006r.png|2|lbl=-}}
| 

|- 
| 
| <p>[3] {{red|b=1|This is the text of many good common lessons of the long sword}}</p>
{| class="zettel"
| <small>9</small>
| If you wish to examine the art,<br/>&emsp;Go left and right with hewing
|- 
| <small>10</small>
| And left with right<br/>&emsp;that is, if you desire to fence strongly.
|}
<p>{{red|b=1|Gloss}}. Note, this is the first lesson of the long sword: That you shall learn to hew the hews properly from both sides, that is, if you otherwise wish to fence strongly and correctly. Understand it thusly: When you wish to hew from the right side, so see that your left foot stands forward. If you then hew the over-hew from the right side, so follow-after the hew with the right foot. If you do not do that, then the hew is false and incorrect, because your right foot remains there behind. Therefore the hew is too short and may not attain its correct path below to the correct other side in front of the left foot.</p>
| 
{{section|Page:MS Dresd.C.487 011v.png|2|lbl=-|p=1}} {{paget|Page:MS Dresd.C.487|012r|png|lbl=12r|p=1}} {{section|Page:MS Dresd.C.487 012v.png|1|lbl=12v|p=1}}
| 
| {{section|Page:MS Var.82 006v.png|1|lbl=06v}}
| 

|- 
| 
| <p>[4] The same when you hew from the left side and [you] do not follow-after the hew with the left foot, thus the hew is also false. Therefore note, from whichever side you hew, that you follow-after with the same foot, so you may deploy all your plays with strength and all other hews shall be hewn thusly as well.</p>
| 
{{section|Page:MS Dresd.C.487 012v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 013r.png|1|lbl=13r|p=1}}
| 
| {{section|Page:MS Var.82 006v.png|2|lbl=-}}
| 

|- 
| 
| <p>[5] {{red|b=1|Again, the text about a lesson}}</p>
{| class="zettel"
| <small>11</small>
| Whoever chases after hews,<br/>&emsp;They allow themselves to hardly enjoy the art.
|- 
| <small>12</small>
| Hew nearby, whatever you wish:<br/>&emsp;No change comes in your shield;
|- 
| <small>13</small>
| To the head, to the body,<br/>&emsp;Do not omit the fleshwounds.<ref>D. ''Zeck'': Tick; R. ''Zeckruhr'': Insect bites.</ref>
|- 
| <small>14</small>
| With the entire body fence<br/>&emsp;Whatever you desire to deploy strongly.<ref>Possibly "strongly desire to deploy".</ref>
|}
<p>{{red|b=1|Gloss}}. Note, this is<ref name="mdi-d">"Note, this is" omitted from the Dresden.</ref> when you come to him with the onset: you shall not focus nor wait upon his hew as he deploys it against you. Because all fencers who focus and wait upon another's hew and wish to do nothing else than displace, they permit such art little joy because they often become struck with it.</p>
| 
{{section|Page:MS Dresd.C.487 013r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 013v.png|1|lbl=13v|p=1}}
| 
| {{section|Page:MS Var.82 006v.png|3|lbl=-}}

{{section|Page:MS Var.82 007r.png|1|lbl=07r}}
| 

|- 
| 
| <p>[6] Item. You shall<ref>"You shall" omitted from the Rostock.</ref> note that every thing which you wish to fence, deploy it with the entire strength of the body; and cleave him in with that nearby to the head and to the body, so he may not change-through in front of your point; and with that hew, in the binding of the swords you shall not omit the fleshwounds to the nearest opening (which will be delineated hereafter in the five hews and in other plays).</p>
| 
{{section|Page:MS Dresd.C.487 013v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 014r.png|1|lbl=14r|p=1}}
| 
| {{section|Page:MS Var.82 007r.png|2|lbl=-}}
| 

|- 
| 
| <p>[7] {{red|b=1|Again, a lesson}}</p>
{| class="zettel"
| <small>15</small>
| Hear what is bad for that:<br/>&emsp;Do not fence from above left if you are right,
|- 
| <small>16</small>
| And if you are left,<br/>&emsp;In the right [you] are also severely hindered.
|}
<p>{{red|b=1|Gloss}}. Note, this lesson hits upon two people, one left and one right, and understand it thusly: When you come to him with the onset, if you then judge and decide to strike the opponent, then do not hew the first hew from the left side. Because it is weak and with that, may not hold against when one binds strongly upon it. Therefore hew [from] the right side, so you may work strongly with art (whatever you wish).</p>
| 
{{section|Page:MS Dresd.C.487 014r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 014v.png|1|lbl=14v|p=1}}
| 
| {{section|Page:MS Var.82 007r.png|3|lbl=-}}
| 

|- 
| 
| <p>[8] The same is if you are left. So likewise do not hew from the right side, because the art is quite awkward [when] a lefty deploys from the right side. It is also the same [of] a righty from the left side.</p>
| {{section|Page:MS Dresd.C.487 014v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 007r.png|4|lbl=-}}
| 

|- 
| 
| <p>[9] {{red|b=1|This is the text and a lesson about before and after}}</p>
{| class="zettel"
| <small>17</small>
| Before and after, the two things<br/>&emsp;Are the one origin of all art.
|- 
| <small>18</small>
| Weak and strong,<br/>&emsp;In-the-moment; with that mark the word.
|- 
| <small>19</small>
| Thus, you may learn<br/>&emsp;To work and ward with art.
|- 
| <small>20</small>
| If you frighten easily,<br/>&emsp;Never learn any fencing.
|}
<p>{{red|b=1|Gloss}}. Note, this is that before anything, you shall understand the before and the after well, because these two things have one origin which gives rise the entire art of fencing. Understand it thusly: The before, this is so that you shall always come forth with a hew or with a thrust to his opening before the moment he comes with his [strike] to yours.<ref>Lit: "Before the moment he comes with his to you".</ref> Thus he must displace you. Then work swiftly in the displacement in front of you with the sword from one opening to the other, so he may not come before your work with his plays. But if he runs-in to you, then come forth with the wrestling.</p>
| 
{{section|Page:MS Dresd.C.487 014v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 015r.png|1|lbl=15r|p=1}} {{section|Page:MS Dresd.C.487 015v.png|1|lbl=15v|p=1}}
| 
| 
| 

|- 
| 
| <p>[10] {{red|b=1|Here note that which is called the after}}</p>

<p>Note, if you may not come in the before, then wait upon the after. These are the breaks of all plays which he deploys upon you. Understand it thusly: When he comes-before such that you must displace him, so swiftly work in-the-moment with the displacement to the nearest opening, so you hit him the moment before he accomplishes his play. Thus you have seized the before and he remains after.</p>
| 
{{section|Page:MS Dresd.C.487 015v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 016r.png|1|lbl=16r|p=1}}
| 
| 
| 

|- 
| 
| <p>[11] You shall also note in the before and after how you shall work with the word "in-the-moment", according to the weak and according to the strong of his sword, and understand it thusly: The sword has its strength from the hilt of the sword up until the middle of the blade; with that you may resist<ref>''wiederhalten'': lit. "hold against"; to withstand, resist.</ref> when someone binds you thereupon. And farther, from the middle up until the point, has its weak which cannot resist. And when you understand these things properly, you may properly work with art, and with it protect yourself and furthermore teach princes and lords so that they may properly remain steadfast with the same art, in play and in earnest; but if you fear easily, you should not learn the art of fencing, because a fragile discouraged heart, it does no good when it becomes struck by any art.</p>
| 
{{section|Page:MS Dresd.C.487 016r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 016v.png|1|lbl=16v|p=1}}
|  
| 
| 

|- 
| 
| <p>[12] {{red|b=1|This is the text of the five hews}}</p>
{| class="zettel"
| <small>21</small>
| Learn five hews<br/>&emsp;From the right hand against the defense.<ref>Alternately: weapons.</ref><ref>D. ''Wer dz wäre'': "Whoever defends these".</ref>
|- 
| <small>22</small>
| We happily consign<ref>Alternately: avow, legally promise.</ref> them<br/>&emsp;To the rewards<ref>Possibly "wages".</ref> in the Arts.
|}
<p>{{red|b=1|Gloss}}.<ref name="word-d"/> Note, the Recital sets down five obscure hews. Many masters of the sword do know nothing to say about this: that you should not learn to make other hews,<ref>Lit: "hew other hews".</ref> when from the right side, against those who arrange themselves against you in defense. And if you select one hew from the five hews, then one must hit with the first strike. Whoever can break that without their harm will be praised by the masters of the Recital, because his art shall be praised better than another fencer who cannot fence the five hews against it. (And how you shall hew the five hews, you find that in the same five hews written<ref>"In the same five hews" omitted from the Rostock.</ref> written hereafter.)</p>
| 
{{section|Page:MS Dresd.C.487 016v.png|2|lbl=-|p=1}} {{paget|Page:MS Dresd.C.487|017r|png|lbl=17r|p=1}} {{section|Page:MS Dresd.C.487 017v.png|1|lbl=17v|p=1}}
| 
| {{section|Page:MS Var.82 007v.png|1|lbl=07v}}
| <!--
          --><section begin="Hauptstücke"/>
|- 
| 
| <p>[13] {{red|b=1|This is the [text] of the plays of the Recital}}</p>
{| class="zettel"
| <small>23</small>
| Wrath-hew, crooked, thwart<br/>&emsp;Has squinter with parter
|- 
| <small>24</small>
| Fool displaces<br/>&emsp;Following-after, run-over
|- 
| <small>25</small>
| Set the hew, change-through, yank<br/>&emsp;Run-through, cut-off, press the hands
|- 
| <small>26</small>
| Hang and with openings<br/>&emsp;Strike, catch, sweep, thrust with blows.
|}
<p>{{red|b=1|Gloss}}. Note, here the proper principal-plays of the art of the long sword are named, as all are specifically titled with their names so that you can better understand them. They are seventeen in number, and it begins with the five hews.</p>
| 
{{section|Page:MS Dresd.C.487 017v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 018r.png|1|lbl=18r|p=1}} {{section|Page:MS Dresd.C.487 018r.png|2|lbl=-|p=1}}
| 
| 
| 

|- 
| 
| <p>[14] Item. Now note the first hew called the wrath-hew<br/>The second the crooked-hew<br/>The third the thwart-hew<br/>The fourth the squint-hew<br/>The fifth the scalp-hew<br/>The sixth they are the four guards<br/>The seventh the four displacements<br/>The eighth the following-after<br/>The ninth the running-over<br/>The tenth the setting-aside<br/>The eleventh the changing-through<br/>The twelfth the yanking<br/>The thirteenth the running-through<br/>The fourteenth the cutting-off<br/>The fifteenth the hand-pressing<br/>The sixteenth the hanging<br/>The seventeenth they are the windings</p>
| 
{{section|Page:MS Dresd.C.487 018r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 018v.png|1|lbl=18v|p=1}}
| 
| 
| 

|- 
| 
| <p>[15] And how you shall uncover with the hanging and winding, and how you shall deploy all the forenamed plays, you find that entirely written hereafter.</p>
| {{section|Page:MS Dresd.C.487 018v.png|2|lbl=-}}
| 
| 
| <!--
          --><section end="Hauptstücke"/><section begin="Zornhaw"/>
|- 
| 
| <section begin="wrath-1"/><p>[16] {{red|b=1|This is the wrath-hew with its plays}}</p>
{| class="zettel"
|- 
| <small>27</small>
| Whoever hews over<ref>''ober'' is an adjective, ''oben'' is an adverb.</ref> you,<br/>&emsp;The wrath-hew point threatens him.
|}
<p>{{red|b=1|Gloss}}. Understand it thusly: When one cleaves-in above from his right side, so also cleave-in a wrath-hew with him, with the long edge strongly from your<ref>R. "the".</ref> right shoulder. If he is then soft upon the sword, so shoot-in the point forward long to his face and threaten to stab him (as stands done hereafter next to this).<ref name="clause-d">Clause omitted from the Dresden.</ref></p><section end="wrath-1"/>
| {{section|Page:MS Dresd.C.487 019r.png|1|lbl=19r}}
| 
| {{section|Page:MS Var.82 007v.png|2|lbl=-}}
| 

|- 
| 
| <section begin="wrath-2"/><p>[17] {{red|b=1|Again a play from the wrath-hew}}</p>
{| class="zettel"
|- 
| <small>28</small>
| If he becomes aware of it,<br/>&emsp;So take-off above without driving.
|}
<p>{{red|b=1|Gloss}}. This is<ref name="di-d">"This is" omitted from the Dresden.</ref> when you shoot-in the point with the wrath-hew (as stands done before next to this):<ref name="clause-d"/> if he then becomes aware of the point and displaces the thrust with strength, so back-off<ref>''abrucken'': "''removere''" (remove), "''absetzen''" (offset).</ref> your sword up above from his and cleave-in again above to the other side on his sword to his head (as stands done here).<ref name="clause-d"/></p><section end="wrath-2"/>
| 
{{section|Page:MS Dresd.C.487 019r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 019v.png|1|lbl=19v|p=1}}
| 
| {{section|Page:MS Var.82 007v.png|3|lbl=-}}

{{section|Page:MS Var.82 008r.png|1|lbl=08r}}
| 

|- 
| 
| <section begin="wrath-3"/><p>[18] {{red|b=1|Again a play from the wrath-hew}}</p>
{| class="zettel"
|- 
| <small>29</small>
| Be stronger back<br/>&emsp;And thrust. If he sees it, take it down<ref>D. ''wider''[sic]: "again".</ref>
|}
<p>{{red|b=1|Gloss}}. Note, this is<ref name="mdi-d"/> when you cleave-in with the wrath-hew (as stands done before next to this):<ref name="clause-d"/> if he displaces it, and with that remains strongly upon the sword, so be strong back against him upon the sword, and drive up with the strong of your sword into the weak of his sword, and wind your hilt forward in front of your head upon the sword, and so thrust him high to the face (as stands pictured here).<ref name="clause-d"/></p><section end="wrath-3"/>
| 
{{section|Page:MS Dresd.C.487 019v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 020r.png|1|lbl=20r|p=1}}
| 
| {{section|Page:MS Var.82 008r.png|2|lbl=-}}
| 

|- 
| 
| <section begin="wrath-4"/><p>[19] {{red|b=1|Again a play from the wrath-hew}}</p>

<p>When you thrust-in high with the winding (as stands pictured<ref name="word-d"/> before), if he then goes up with the hands and displaces the high thrust with the hilt, so also remain standing in the winding and set the point down between his arms and the chest (as stands pictured here below).<ref name="clause-d"/></p><section end="wrath-4"/>
| 
{{section|Page:MS Dresd.C.487 020r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 020v.png|1|lbl=20v|p=1}}
| 
| {{section|Page:MS Var.82 008r.png|3|lbl=-}}
| 

|- 
| 
| <section begin="wrath-5"/><p>[20] {{red|b=1|A break against the taking-off}}</p>

<p>Note, when you bind with someone strongly on his<ref name="the-d">D. "the".</ref> sword, if he then draws his sword from your sword up above and cleaves-in again on the sword above to the other side toward your head, so wind-in<ref>D. ''bind'': "bind-in".</ref> strongly with the long edge high to his head.</p><section end="wrath-5"/>
| {{section|Page:MS Dresd.C.487 020v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 008r.png|4|lbl=-}}

{{section|Page:MS Var.82 008v.png|1|lbl=08v}}<!--
          --><section begin="Krieg"/>
|- 
| 
| <section begin="wrath-6"/><p>[21] {{red|b=1|Here note a good lesson}}</p>
{| class="zettel"
|- 
| <small>30</small>
| Note this precisely:<br/>&emsp;Cut, thrust, leaguer; soft or hard,
|- 
| <small>31</small>
| In-the-moment<ref>R. ''Jun ger'' [sic].</ref> and drive-after[sic]<br/>&emsp;Without hurry. Do not rush your war:<ref>R. ''dem krieg'': "the war".</ref>
|- 
| <small>32</small>
| Whoever's war aims<br/>&emsp;Above, they become ashamed below.
|}
<p>{{red|b=1|Gloss}}. This is what you shall quite precisely note: when one binds on your sword (with a hew or with a thrust or otherwise), [note] whether he is soft or hard upon the sword. And when you have sensed this, so you shall know in-the-moment which is the best for you: whether you work<ref>D. ''hurten'': "to rush".</ref> upon him with the before or with the after. But with that you shall allow yourself to be without hurry [and] not too rushed with the war, because the war is nothing other than the windings upon the sword.</p><section end="wrath-6"/>
| 
{{section|Page:MS Dresd.C.487 020v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 021r.png|1|lbl=21r|p=1}} {{section|Page:MS Dresd.C.487 021v.png|1|lbl=21v|p=1}}
| 
| {{section|Page:MS Var.82 008v.png|2|lbl=-}}
| 

|- 
| 
| <section begin="wrath-7"/><p>[22] Item. Deploy the war thusly: When you cleave-in with the wrath-hew, then as soon as he displaces, drive up with the arms and wind-in the point upon the sword to the upper opening. If he then displaces the thrust, so keep staying in the winding and stab the low opening with the point. If he then further follows-after the sword with the displacements, then drive-through with the point below his sword and hang-in the point above to the other opening of his right side. Thus he becomes ashamed above and below, because you can otherwise deploy the techniques correctly.</p><section end="wrath-7"/>
| 
{{section|Page:MS Dresd.C.487 021v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 022r.png|1|lbl=22r|p=1}}
| 
| 
{{section|Page:MS Var.82 008v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 009r.png|1|lbl=09r|p=1}}
| <!--
          --><section end="Zornhaw"/>
|- 
| 
| <section begin="wrath-8"/><p>[23] {{red|b=1|How one shall properly find hews and thrusts in all winding}}</p>
{| class="zettel"
|- 
| <small>33</small>
| In all winding,<br/>&emsp;Learn to properly find hew, thrust.
|- 
| <small>34</small>
| You shall also, with<br/>&emsp;Testing, hew, thrust, or cut
|- 
| <small>35</small>
| In all hits<br/>&emsp;If you wish to confound the masters.
|}
<p>{{red|b=1|Gloss}}. This is how you shall properly find hew, thrust, and cut in all winding: so when you wind, you shall immediately test which of the three is best to deploy: the hew, or thrust, or cut.<ref>"The hew, or thrust, or cut" omitted from the Dresden.</ref> Thus, you do not hew when you should thrust, nor cut when you should hew, nor thrust when you should cut.<ref>"Nor thrust… cut" omitted from the Rostock.</ref><includeonly></p></includeonly><section end="wrath-8"/> <section begin="wrath-9"/><includeonly><p></includeonly>And note, when someone displaces the one, that you hit them with the other. So if one displaces your thrust, then deploy the hew. If someone runs-in, then deploy the under-cut into their arm.<ref name="sentence-r">Sentence omitted from the Rostock.</ref> Remember this<ref name="word-d"/> in all hits and bindings of the sword, if you wish to confound the masters who set themselves against you.</p><section end="wrath-9"/>
| 
{{section|Page:MS Dresd.C.487 022r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 022v.png|1|lbl=22v|p=1}}
| 
| {{section|Page:MS Var.82 009r.png|2|lbl=-}}
| <!--
          --><section end="Krieg"/><section begin="Blossen"/>
|- 
| 
| <section begin="wrath-10"/><p>[24] {{red|b=1|About the four openings}}</p>
{| class="zettel"
|- 
| <small>36</small>
| Know to target the four openings;<br/>&emsp;Thus you strike wisely.
|- 
| <small>37</small>
| Go upon all<br/>&emsp;Without doubt how he bears.
|}
<p>{{red|b=1|Gloss}}. You shall here note the four openings on the man which you shall always fence to. The first opening is the right side; the second is<ref name="word-r">Word omitted from the Rostock.</ref> the left side<ref name="word-r"/> above the girdle of the man. The other two are also the right and the left sides below the girdle.<section end="wrath-10"/> <section begin="wrath-11"/>In the onset, precisely observe the openings with which he uncovers himself against you. Artfully target the same without danger with the shooting-in of the long point and<ref name="word-dg"/> with following-after, and also with the winding upon the sword,<ref name="clause-d"/> and otherwise with all techniques, and do not pay attention<ref>Alternately: ponder, weigh, calculate, estimate, consider.</ref> to how he bears against you with his techniques. So you fence wisely and from that make attacks which are excellent, and with those do not allow him to come to his plays.</p><section end="wrath-11"/>
| 
{{section|Page:MS Dresd.C.487 022v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 023r.png|1|lbl=23r|p=1}}
| 
| 
{{section|Page:MS Var.82 009r.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 009v.png|1|lbl=09v|p=1}}
| <p><br/></p>

<p><br/><br/><br/><br/></p>

<br/><br/><br/><br/>{{section|Page:MS M.I.29 017r.jpg|3|lbl=17r|p=1}} {{section|Page:MS M.I.29 017v.jpg|1|lbl=17v|p=1}}<ref>[[Codex Speyer (MS M.I.29)]], ff 17rv</ref>

|- 
| 
| <p>[25] {{red|b=1|The text and the gloss about the doubling and about the mutating: how they break the four openings.}}</p>
{| class="zettel"
|- 
| <small>38</small>
| If you wish to reckon yourself,<ref>Alternately: avenge, take full legal retribution.</ref><br/>&emsp;Artfully break the four openings:
|- 
| <small>39</small>
| Double above,<br/>&emsp;Mutate right<ref>Alternately: straight, upright, properly.</ref> below.
|- 
| <small>40</small>
| I say to you truthfully:<br/>&emsp;No master defends themselves without danger.
|- 
| <small>41</small>
| If you have understood this properly,<br/>&emsp;He may hardly come to blows.
|}
<p>{{red|b=1|Gloss}}. This is when you wish to reckon yourself upon another such that you wish to break the four openings with art: so deploy the doubling to the upper openings against the strong of his sword, and the mutating to the other opening. Thus I say to you truthfully that he cannot defend<ref>D. ''schüczen'', R. ''behuetẽ''.</ref> himself from that, and may neither come to strikes nor to thrusts.</p>
| 
{{section|Page:MS Dresd.C.487 023v.png|1|lbl=23v|p=1}} {{section|Page:MS Dresd.C.487 024r.png|1|lbl=24r|p=1}}
| 
| {{section|Page:MS Var.82 009v.png|2|lbl=-}}
| 

|- 
| 
| <p>[26] {{red|b=1|The doubling}}</p>

<p>Item.<ref name="word-r"/> Note,<ref name="word-d"/> when you cleave-in with the wrath-hew (or otherwise high), if he displaces you with strength, then in-the-moment shove<ref>Rostock hews off at this point and picks up in the middle of the sixth subsequent play, probably indicating a missing page.</ref> your sword's pommel under your right arm with the left hand, and strike him through the maw, with crossed hands, upon the sword behind his sword's blade (between the sword and the man); or strike him with the play<ref>Alternately: part, piece.</ref> upon the head.</p>
| {{section|Page:MS Dresd.C.487 024r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 009v.png|3|lbl=-}}
| 

|- 
| 
| <p>[27] {{red|b=1|Note the mutating}}</p>

<p>Deploy the mutating thusly: When you bind him with the over-hew (or otherwise on the sword), then wind the short edge upon his sword and drive well up with the arms, and wind your sword's blade outside above his sword and thrust him to the low openings, and this deploys to both sides.</p>
| {{section|Page:MS Dresd.C.487 024r.png|3|lbl=-}}

{{section|Page:MS Dresd.C.487 024v.png|1|lbl=24v}}
| 
| 
| <!--
          --><section end="Blossen"/><section begin="Krumphaw"/>
|- 
| 
| <p>[28] {{red|b=1|The crooked-hew with its plays}}</p>
{| class="zettel"
|- 
| <small>42</small>
| Crook on<ref>''aufkrummen'': Lat. ''sursum torquere'', twist, turn or bend up; twist, turn, bend, or cast back; avert, deflect .</ref> swiftly,<br/>&emsp;Throw the point upon the hands.
|}
<p>{{red|b=1|Gloss}}.<ref name="word-s">Word omitted from the Salzburg.</ref> This is how you shall hew crooked to the hands, and deploy the play thusly: When he hews from [his]<ref>Sic, lit. "your".</ref> right side to the opening<ref>"The opening" omitted from the Salzburg.</ref> with over- or under-hews,<ref>S. "the over- or under-hew".</ref> spring away from the hew with the right foot against him well to his left side, and strike him<ref>Possibly "it".</ref> with crossed<ref>S. ''vß gestreckten'': "outstretched".</ref> arms with the point<ref name="word-s"/> upon his<ref name="the-d"/> hands. And also deploy this play against him when he stands against you in the guard of the oxen.<ref>Sentence omitted from the Salzburg; instead, it segues into the [[Jud Lew|Pseudo-Peter von Danzig]] gloss of the same verse, describing how the Crooked hew breaks the Ox.</ref></p>
| 
{{section|Page:MS Dresd.C.487 024v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 025r.png|1|lbl=25r|p=1}}
| 
| 
| <p><br/></p>

<p><br/><br/></p>

{{section|Page:MS M.I.29 018v.jpg|3|lbl=18v|p=1}}<ref>[[Codex Speyer (MS M.I.29)]], ff 18v</ref>

|- 
| 
| <p>[29] {{red|b=1|Again a play from the crooked-hew}}</p>
{| class="zettel"
|- 
| <small>43</small>
| Crook whoever setz well<br/>&emsp;With stepping, he disrupts many hews.
|}
<p>{{red|b=1|Gloss}}. This is how you shall offset the over-hew with the crooked-hew; deploy the play thusly: When he cleaves-in above from his right side to the opening, so step with the right foot to his left side [verb]<ref>Likely a scribal error here, omitting a verb.</ref> above[sic] his sword, with the point upon the earth in the barrier-guard. Deploy this to both sides. You may also strike him to the head from the setting-aside.</p>
| 
{{section|Page:MS Dresd.C.487 025r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 025v.png|1|lbl=25v|p=1}}
| 
| 
| 

|- 
| 
| <p>[30] {{red|b=1|Again a play from the crooked-hew}}</p>
{| class="zettel"
|- 
| <small>44</small>
| Hew crooked to the flats of<br/>&emsp;The masters if you wish to weaken them.
|}
<p>{{red|b=1|Gloss}}. This is when you wish to weaken a master, so deploy the play thusly: When he cleaves-in from his right side, so hew crooked with crossed hands against his hew onto his sword.</p>
| {{section|Page:MS Dresd.C.487 025v.png|2|lbl=-}}
| 
| 
| 

|- 
| 
| <p>[31] {{red|b=1|Again a play from the crooked-hew}}</p>
{| class="zettel"
|- 
| <small>45</small>
| When it sparks above<br/>&emsp;So stand aside, that I will laud.
|}
<p>{{red|b=1|Gloss}}. This is when you hew onto his sword with the crooked-hew: so strike-in again quickly with the short edge up-over from the sword to his head, or with the crooked-hew wind the short edge upon his sword and thrust him to the chest.</p>
| 
{{section|Page:MS Dresd.C.487 025v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 026r.png|1|lbl=26r|p=1}}
| 
| 
| 

<section begin="Kurtzhauw"/>

|- 
| 
| <p>[32] {{red|b=1|Again a play from the crooked-hew}}</p>
{| class="zettel"
|- 
| <small>46</small>
| Do not crooked[-hew]; short-hew,<br/>&emsp;With that seek the changing-through.
|}
<p>{{red|b=1|Gloss}}. This is when he wishes to cleave-in above from his right shoulder:<ref>Rostock begins again at this point.</ref> so you act as if you will bind onto his sword with the crooked-hew, and [then] short-hew<ref>"Cut" omitted from the Dresden.</ref> and drive-through under his sword with the point, and wind your hilt to your right side above your head and thrust him to the face (as stands pictured here), and this play breaks it.<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 026r.png|2|lbl=-}}
| 
| <p>&ensp;</p>

<p><br/><br/></p>

{{section|Page:MS Var.82 010r.png|1|lbl=10r}}
| 

<section end="Kurtzhauw"/>
|- 
| 
| <p>[33] {{red|b=1|Note how one shall break the crooked-hew}}</p>
{| class="zettel"
|- 
| <small>47</small>
| Whoever foils you crooked,<br/>&emsp;The noble war confounds them
|- 
| <small>48</small>
| That they do not truthfully know<br/>&emsp;Where they are without danger.
|}
<p>{{red|b=1|Gloss}}. This is when you begin to hew him from your right side, above or below: if he then also hews crooked onto your sword from his right side with crossed arms, and with that deflects your hew, so remain with the your sword strongly upon his and shoot-in the point long under his sword to the chest.</p>
| {{section|Page:MS Dresd.C.487 026r.png|3|lbl=-}}

{{section|Page:MS Dresd.C.487 026v.png|1|lbl=26v}}
| 
| 
| 

|- 
| 
| <p>[34] {{red|b=1|Again<ref>S. "Item".</ref> a break against the crooked-hew}}<ref name="Note on 34-35">Paragraphs 34 and 35 are substantially similar and are likely based on the same original text. However, they contain significant differences in the beginning of the device and it is unclear which represents the original version; the version found in Rostock and Salzburg appears to combine elements of this device with that of paragraph 33 (which they omit), but since Salzburg is the oldest known copy, it may be that the creator of the Dresden decided to split it up into two paragraphs himself. In this compilation, the two versions are displayed separately, fir that of the Rostock and Salzburg (34) and then that of the Dresden (35).</ref></p>

<p>Note, when<ref>S. "if".</ref> you shoot-in the point under his sword into his chest (as written before and stands pictured), if he then presses your sword downwards to the earth with the crooked-hew, then wind against your<ref>S. "his".</ref> right side and drive well up over your<ref>S. "the".</ref> head with the arms, and set the point above onto his chest (as is pictured hereafter). If he displaces that, then remain standing thusly with the hilt before the head and work swiftly with the point from one opening to the other. This is called the noble<ref name="word-s"/> war. With that, you<ref name="word-s"/> confound him so completely that he does not know where he shall remain before you.<ref>S. "where he shall guard himself".</ref></p>
| 
| 
| {{section|Page:MS Var.82 010r.png|2|lbl=-}}
| 
{{section|Page:MS M.I.29 020v.jpg|2|lbl=20v|p=1}} {{section|Page:MS M.I.29 021r.jpg|1|lbl=21r|p=1}}<ref>[[Codex Speyer (MS M.I.29)]], ff 20v-21r</ref>

|- 
| 
| <p>[35] {{red|b=1|Another break above the crooked-hew}}<ref name="Note on 34-35"/></p>

<p>Note when you cleave-in above from your right side, if he also then comes upon your sword from his right side with crossed arms, and with that presses that downwards against the earth, then wind against your right side and drive well up over your head with the arms, and set your point above onto his chest.<ref>D. has the word "{{red|b=1|Gloss}}" here; this appears to be a scribal error, as it corresponds to the position of the phrase "as is pictured here-after" in the Rostock, and all instances of that phrase were removed by the scribe of the Dresden.</ref> If he displaces that, then remain standing thusly with the hilt before your head and work swiftly with the point from one opening to the other. This is called the noble war. With that, you confound him so completely that he does not know where he shall remain before you with certainty.</p>
| 
{{section|Page:MS Dresd.C.487 026v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 027r.png|1|lbl=27r|p=1}}
| 
| 
| <!--
          --><section end="Krumphaw"/><section begin="Twerhaw"/>
|- 
| 
| <p>[36] {{red|b=1|The thwart-hew with its plays}}</p>
{| class="zettel"
|- 
| <small>49</small>
| The thwart takes away<br/>&emsp;Whatever approaches from-the-roof.
|}
<p>{{red|b=1|Gloss}}. Note, the thwart-hew breaks all hews which are hewn from above down; deploy the hew thusly: Stand with the left foot forwards and hold your sword on your right shoulder, and<ref>"Stand with… shoulder, and" omitted from the Dresden.</ref> when he cleaves-in [an] over[-hew] to your head, so spring well<ref name="word-d"/> with the right foot against him from the hew to his left side, and in the springing turn your sword with the hilt high in front of your head, such that your thumb comes under, and strike him with the short edge to his left side such that you catch his hew in your hilt, and hit him in the head (as is pictured here).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 027r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 027v.png|1|lbl=27v|p=1}}
| 
| 
{{section|Page:MS Var.82 010r.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 010v.png|1|lbl=10v|p=1}}
| 

|- 
| 
| <p>[37] {{red|b=1|A play from the thwart-hew}}</p>
{| class="zettel"
|- 
| <small>50</small>
| Thwart with the strong<br/>&emsp;With that note the work.
|}
<p>{{red|b=1|Gloss}}. This is how you shall work with the strong from the thwart, and do it thusly: When you begin to hew him with the thwart, so remember that you wind<ref>D. "thwart".</ref> strongly with the strong of your sword upon his. If he then holds strong against,<ref name="wiederhalten">Alternately, ''wiederhalten'': to struggle or resist.</ref> so strike to the head with crossed arms, upon the sword behind his sword's edge (as is done here),<ref name="clause-d"/> or cut him with the play through the maw.</p>
| 
{{section|Page:MS Dresd.C.487 027v.png|2|lbl=27v|p=1}} {{section|Page:MS Dresd.C.487 028r.png|1|lbl=28r|p=1}}
| 
| {{section|Page:MS Var.82 010v.png|2|lbl=-}}
| 

|- 
| 
| <p>[38] {{red|b=1|Again a play from the thwart-hew}}</p>

<p>Note, when you bind out of the thwart with the strong of your sword upon his sword, if he then holds strongly against [it],<ref name="wiederhalten"/> so shove his sword from you downward to your right side with your hilt (as is pictured here),<ref name="clause-d"/> and strike back-around quickly with the thwart against his right side to his head.</p>
| {{section|Page:MS Dresd.C.487 028r.png|2|lbl=-}}
| 
| 
{{section|Page:MS Var.82 010v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 011r.png|1|lbl=11r|p=1}}
| 

|- 
| 
| <p>[39] {{red|b=1|Again a play from the thwart-hew}}</p>

<p>Item. When you bind onto his sword with the thwart, if he is then weak upon the sword, so lay the short edge to his right side upon the neck, and spring with the right foot behind his left, and back him over that with the sword.</p>
| {{section|Page:MS Dresd.C.487 028r.png|3|lbl=-}}
| 
| 
| 

|- 
| 
| <p>[40] {{red|b=1|Another play}}</p>

<p>Item. When you bind onto his sword with the thwart, if he is then weak upon the sword, so press his sword down with the thwart and lay the short edge afore behind his arms on his neck.</p>
| {{section|Page:MS Dresd.C.487 028r.png|4|lbl=-}}

{{section|Page:MS Dresd.C.487 028v.png|1|lbl=28v}}
| 
| 
| 

|- 
| [[File:MS E.1939.65.341 001r.jpg|300px|center]]
| <p>[41] {{red|b=1|Here note the break against the upper thwart-hew}}</p>

<p>Item.<ref name="word-grs">Word omitted from the Glasgow, the Rostock, and the Salzburg.</ref> Note,<ref name="word-d"/> when you bind him from your right side with an over-hew (or otherwise<ref>"Or otherwise" omitted from the Salzburg.</ref> on his sword), if he then strikes-around with the thwart to the other side, so come forward as well with the thwart-hew<ref>"-Cut" omitted from the Dresden, the Glasgow, and the Rostock.</ref> under his sword on his neck (as stands pictured hereafter next to this),<ref>Clause omitted from the Dresden; struck out in the Rostock.</ref> such that he strikes himself the same with your sword.<ref name="clause-dr">Clause omitted from the Dresden and the Rostock.</ref></p>
| {{section|Page:MS Dresd.C.487 028v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|001r|jpg|lbl=01r}}
| {{section|Page:MS Var.82 011r.png|2|lbl=-}}
| 
{{section|Page:MS M.I.29 021v.jpg|2|lbl=21v|p=1}}<ref>[[Codex Speyer (MS M.I.29)]], f 21v</ref>

|- 
| [[File:MS E.1939.65.341 001v.jpg|300px|center]]
| <p>[42] {{red|b=1|Here note the break against the low thwart-strike}}</p>

<p>Note, when you bind<ref>R. "wind".</ref> [against] him on his sword with the over-hew<ref>"With the over-hew" omitted from the Glasgow.</ref> from your right side, if he then strikes-around from the sword with the thwart to the other<ref>R. ''unternn'': "lower".</ref> opening of your right side, so remain with your hilt above your head and turn your sword's edge downward against his hew and thrust him to the lower opening (as stands pictured hereafter next to<ref>"Next to" omitted from the Rostock.</ref> this).</p>
| 
| {{paget|Page:MS E.1939.65.341|001v|jpg|lbl=01v}}
| {{section|Page:MS Var.82 011r.png|3|lbl=-}}
| 

|- 
| [[File:MS E.1939.65.341 002r.jpg|300px|center]]
| <p>[43] {{red|b=1|This is the text and the gloss: How one shall strike with the thwart to the four openings}}</p>
{| class="zettel"
|- 
| <small>51</small>
| Thwart to the plow,<br/>&emsp;Join hard to the oxen.
|}
<p>{{red|b=1|Gloss}}. This is how one shall strike going-to with the thwart to all<ref name="the-d"/> four openings; understand it thusly: When you come to him with the onset, so note when it is just right, so spring towards him and strike him with the thwart to the lower opening of his left side (as stands pictured next to this).<ref name="clause-d"/> This is called "striking to the plow".</p>
| 
{{section|Page:MS Dresd.C.487 028v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 029r.png|1|lbl=29r|p=1}}
| {{paget|Page:MS E.1939.65.341|002r|jpg|lbl=02r}}
| 
| 

|- 
| [[File:MS E.1939.65.341 002v.jpg|300px|center]]
| <p>[44] {{red|b=1|Again a play from the thwart-hew}}</p>

<p>Note,<ref name="word-d"/> when you have struck with the thwart to the lower opening (as stands pictured before next to this),<ref name="clause-d"/> so quickly strike up above with the thwart to the other side to his head. This is called "striking to the oxen". And then furthermore swiftly strike<ref>Glasgow adds ''albeg'': "always, continually".</ref> a thwart-strike to the oxen and the another to the plow crosswise from one side to the other, and with that cleave-in an over-hew above to the head, and with that withdraw yourself.</p>
| {{section|Page:MS Dresd.C.487 029r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|002v|jpg|lbl=02v}}
| 
| 

|- 
| 
| <p>[45] {{red|b=1|This is the text and a teaching thereof}}<ref name="line-d"/></p>
{| class="zettel"
|- 
| <small>52</small>
| Whoever thwarts themselves well<br/>&emsp;With springing threatens the head.
|}
<p>{{red|b=1|Gloss}}. This is how you shall properly spring-out to the side of him with each and every thwart-strike, so that if you wish to strike him you may hit well to his<ref name="the-d"/> head, and be aware that you are fully covered above in the spring<ref name="word-d"/> with your hilt in front of your head.</p>
| <p>&nbsp;</p>

{{section|Page:MS Dresd.C.487 029v.png|1|lbl=29v}}
| {{paget|Page:MS E.1939.65.341|003r|jpg|lbl=03r}}
| 
| <!--
          --><section end="Twerhaw"/><section begin="Fehler"/>
|- 
| [[File:MS E.1939.65.341 003v.jpg|300px|center]]
| <p>[46] {{red|b=1|This is the text and the gloss of yet another play from the thwart-hew, and is called the failer}}</p>
{| class="zettel"
|- 
| <small>53</small>
| Whoever directs the failer well<br/>&emsp;From below, he hits<ref>Or "connects"; alternately: rouses, stirs (ostensibly your opponent).</ref> according to desire.
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-d"/> this is<ref name="di-gr">"This is" omitted from the Glasgow and the Rostock.</ref> with the failer all fencers who willingly displace become mislead and struck. Deploy the play thusly: When you come to him with the onset, so act as if you will strike<ref>"Will strike" omitted from the Dresden.</ref> with a free over-hew<ref>G. ''twerhaw'': "thwart-hew".</ref> to his left side to the head, and steal-away<ref>R. "wind".</ref> your sword with the hew and strike him with the thwart to the lower opening of his right side or left<ref>"Or left" omitted from the Glasgow.</ref> (as stands pictured hereafter next to this).<ref>Everything from "and steal away" to the end of the sentence is omitted from the Dresden.</ref> Thus is he contacted and struck below according to [your] desire.</p>
| 
{{section|Page:MS Dresd.C.487 029v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 030r.png|1|lbl=30r|p=1}}
| {{paget|Page:MS E.1939.65.341|003v|jpg|lbl=03v}}
| 
{{section|Page:MS Var.82 011r.png|4|lbl=-|p=1}} {{section|Page:MS Var.82 011v.png|1|lbl=11v|p=1}}
| 

|- 
| [[File:MS E.1939.65.341 004r.jpg|300px|center]]
| <p>[47] {{red|b=1|This is the text and the gloss of yet another play from the thwart-hew, and this is called the inverter}}<ref>Alternately: to turn around.</ref></p>
{| class="zettel"
|- 
| <small>54</small>
| The Inverter overwhelms,<br/>&emsp;Running-through with wrestling as well;
|- 
| <small>55</small>
| The elbow wisely take<br/>&emsp;Spring to him in the scales.
|}
<p>{{red|b=1|Gloss}}. Note, you shall also deploy the play when you bind on his sword with an under- or over-hew. So invert your sword such that your thumb comes-under and thrust him above to the face. So you overwhelm him such that he must displace, and in the displacement, seize his right elbow with your left hand and spring with the left foot in front of his right, and shove him over (as stands pictured hereafter next to this).<ref name="clause-d"/> Or run-through with the inverter and wrestle, as you will find written<ref name="word-d"/> hereafter in the running-through.</p>
| {{section|Page:MS Dresd.C.487 030r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|004r|jpg|lbl=04r}}
| 
| 

|- 
| [[File:MS E.1939.65.341 004v.jpg|300px|center]]
| <p>[48] {{red|b=1|This is the text and the gloss of a failer}}</p>
{| class="zettel"
|- 
| <small>56</small>
| Fail twice;<br/>&emsp;If one hits then make the cut with [it].
|}
<p>{{red|b=1|Gloss}}. Note, this is called the double failer for the reason that one shall deploy a double misleading in one onset. Deploy the first thusly: When you come to him with the onset, so spring with the right<ref name="word-d"/> foot against him and act as if you will strike with a thwart-strike to his left side to his head, and [then] steal-away the strike and strike in<ref>"And strike in" omitted from the Dresden.</ref> to his right side onto his head (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 030v.png|1|lbl=30v}}
| {{paget|Page:MS E.1939.65.341|004v|jpg|lbl=04v}}
| 
| 

|- 
| [[File:MS E.1939.65.341 005r.jpg|300px|center]]
| <p>[49] {{red|b=1|This is the text and the gloss of yet another play from the failer}}</p>
{| class="zettel"
|- 
| <small>57</small>
| Double it further;<br/>&emsp;Stride-in left and be not lazy.
|}
<p>{{red|b=1|Gloss}}. This is when you have struck the first misleading to his right side to his head (as stands<ref>D. "is".</ref> pictured before next to this): so<ref>G. inserts "so with that take the cut under his arms and" here, but this seems to be a mistake (based on the fact that it's not possible).</ref> strike quickly back-around to the left<ref name="right-d">D. "right".</ref> side to his head, and drive over his sword with the short edge from<ref>D. ''mit auß'': "with from".</ref> crossed arms, and spring left (that is, to your left side), and cut him with the long edge through the maw (as is there pictured).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 030v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 031r.png|1|lbl=31r|p=1}}
| {{paget|Page:MS E.1939.65.341|005r|jpg|lbl=05r}}
| 
| <!--
          --><section end="Fehler"/><section begin="Schilhaw"/>
|- 
| [[File:MS E.1939.65.341 005v.jpg|300px|center]]
| <p>[50] {{red|b=1|This is the text and the gloss of the squint-hew and of the plays: How a man shall deploy them}}</p>
{| class="zettel"
|- 
| <small>58</small>
| The Squinter breaks-in<ref>As a thief would break into a house.</ref><br/>&emsp;Whatever the buffalo strikes or thrusts.
|- 
| <small>59</small>
| Whoever threatens to change,<br/>&emsp;The squinter robs him of it.
|}
<p>{{red|b=1|Gloss}}. Note here<ref name="word-gr">Word omitted from the Glasgow and the Rostock.</ref> that the squinter is a hew which breaks-in<ref>Word is doubled in the Glasgow.</ref> the hews and thrusts of the buffalo ([one] who acquires<ref>''annehmen'': receive, accept, take up, assume, claim, obtain, etc.</ref> victory with power), and<ref name="word-r"/> deploy the hew thusly: When he cleaves-in above from his right side, so hew from your right against his hew into the weak of his sword,<ref>"Into the weak of his sword" omitted from the Rostock</ref> with the short edge [and] with up-right<ref>"Upright, elevated, straight, at a right angle"; Glasgow gives ''auff gerackten'', which may be a misspelling of pPvD's ''aus gestrackten'', "out-stretched".</ref> arms,<ref>"With up-right arms" omitted from the Rostock.</ref> and strike him upon his right shoulder;<ref>"And strike… right shoulder" omitted from the Rostock.</ref> so you strike and displace with each other and hit him with the hew<ref name="clause-dg"/> (as stands pictured hereafter next to this).<ref>R. "pictured here".</ref><ref name="clause-d"/> If he changes-through, shoot with the hew long into his chest and<ref name="word-g">Word omitted from the Glasgow.</ref> also hew when he stands against you in the guard of the plow or when he will thrust you from below.<ref name="sentence-r"/></p>
| 
{{section|Page:MS Dresd.C.487 031r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 031v.png|1|lbl=31v|p=1}}
| {{paget|Page:MS E.1939.65.341|005v|jpg|lbl=05v}}
| {{section|Page:MS Var.82 011v.png|2|lbl=-}}
| 

|- 
| [[File:MS E.1939.65.341 006r.jpg|300px|center]]
| <p>[50] {{red|b=1|This is the text and the gloss of yet another play from the squinter}}</p>
{| class="zettel"
|- 
| <small>60</small>
| Squint if he shortens upon you<br/>&emsp;Changing-through defeats him.
|}
<p>{{red|b=1|Gloss}}. Note, this is a lesson that you<ref name="word-d"/> shall squint with the visage and quite precisely see whether he fences short against you, because with that, [you] shall recognize when he begins to hew you and his arms do not extend long with the hew. So hew as well, and in the hew drive-through with the point under his sword, and wind your hilt to your right side above your head,<ref name="clause-d"/> and thrust him to the face (as stands pictured next to this).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 031v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 032r.png|1|lbl=32r|p=1}}
| {{section|Page:MS E.1939.65.341 006r.jpg|1|lbl=06r}}
| 
| 

|- 
| 
| <p>[51] {{red|b=1|Item}}. All fencers, they who fence short from the oxen, from the plow, and with all windings before the opponent: freely change-through [against] them out of hews and out of thrusts with the long-point. With that, you plant<ref>S. ''bestetigstu'': "to plant".</ref> it upon the sword so that they must allow you to come to the binding-on<ref>G. ''abent'': "evening", clearly an error; Medel: ''anwinden'': "winding-upon".</ref> and be struck.</p>
| 
| {{section|Page:MS E.1939.65.341 006r.jpg|2|lbl=-}}
| 
| 

|- 
| [[File:MS E.1939.65.341 006v.jpg|300px|center]]
| <p>[52] {{red|b=1|This is the text and the gloss of yet another play from the squint-hew}}</p>
{| class="zettel"
|- 
| <small>61</small>
| Squint to the point<br/>&emsp;And take the neck without fear.
|}
<p>{{red|b=1|Gloss}}. Note, the squinter breaks the long-point <sup>with a deceit of the visage</sup> and deploy it thusly: When he stands against you and holds the point against the face or against<ref name="word-dg">Word omitted from the Dresden and the Glasgow.</ref> the<ref name="word-g"/> chest from extended arms, so stand with the left foot forward and squint with the visage to his point,<ref>"To his point" omitted from the Rostock.</ref> and act as if you wish to hew to his point,<ref>"To his point" omitted from the Glasgow.</ref> and hew strongly onto his sword with the short edge, and with that, shoot the point long to his neck with a tread-in of the right foot (as stands pictured hereafter next to this).<ref name="clause-dr"/></p>
| {{section|Page:MS Dresd.C.487 032r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|006v|jpg|lbl=06v}}
| 
{{section|Page:MS Var.82 011v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 012r.png|1|lbl=12r|p=1}}
| 

|- 
| [[File:MS E.1939.65.341 007r.jpg|300px|center]]
| <p>[53] {{red|b=1|This is the text and the gloss of yet another play from the squint-hew}}</p>
{| class="zettel"
|- 
| <small>62</small>
| Squint to the top of the<br/>&emsp;Head if you wish to ruin the hands.
|}
<p>{{red|b=1|Gloss}}. Note, when he wishes to cleave-in to you from above, so squint with the visage (as if you wish to strike the head), and hew with the short edge against his hew, and strike him upon his sword's blade with the point to the hands (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 032v.png|1|lbl=32v}}
| {{paget|Page:MS E.1939.65.341|007r|jpg|lbl=07r}}
| 
| <!--
          --><section end="Schilhaw"/><section begin="Scheitelhaw"/>
|- 
| [[File:MS E.1939.65.341 007v.jpg|300px|center]]
| <p>[54] {{red|b=1|This is the text and the gloss about the parter, and about the plays thereof}}</p>
{| class="zettel"
|- 
| <small>63</small>
| The Parter<br/>&emsp;Is a danger to the face.<ref>R. includes couplet 64 with this gloss.</ref><br/><br/><br/>
|}
<p>{{red|b=1|Gloss}}.<ref name="word-d"/> Here<ref name="word-gr"/> note the parter is really<ref name="word-d"/> dangerous to the face and to the chest;<ref name="sentence-r"/> deploy it<ref>R. ''denn Schaytler'': "the parter".</ref> thusly: When he stands against you in the guard [of] the<ref name="word-d"/> fool,<ref name="clause-r">Clause omitted from the Rostock.</ref> hew above with the long edge, down from your<ref>D. ''der lange'': "long, high, tall, or lofty".</ref> part to his head,<ref>"To his head" omitted from the Dresden and the Glasgow.</ref> and with the hew remain high with the arms and if he displaces,<ref>"If he displaces" omitted from the Dresden and the Glasgow.</ref> so hang-in<ref>''einhangen'': to adhere, stick to, cleave to, hold on to, engage deeply.</ref> to him with<ref name="word-gr"/> the point, with the long edge above his hilt, and thrust him<ref>"With the long… and thrust him" omitted from the Dresden and the Glasgow.</ref> to the face (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 032v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 033r.png|1|lbl=33r|p=1}}
| {{paget|Page:MS E.1939.65.341|007v|jpg|lbl=07v}}
| {{section|Page:MS Var.82 012r.png|2|lbl=-}}
| 

|- 
| 
| <p>[55] {{red|b=1|Again a play from the parter}}</p>
{| class="zettel"
|- 
| <small>64</small>
| With its turn<ref>''Kehr'' has two etymologies: one is "to turn", the other is "to sweep away" or to "carry off"; the gloss supports the first derivation.</ref><br/>&emsp;The chest is quickly<ref name="fast">Alternately: strongly, firmly, steadfastly.</ref> threatened.<ref>R. includes this couplet with the previous gloss.</ref>
|}
<p>{{red|b=1|Gloss}}.<ref>G., R., S. "Item".</ref> Note,<ref name="word-d"/> this is when you strike-in and hang<ref>D. "hang-in"; "strike-in and" omitted.</ref> the point<ref>"The point" omitted from the Salzburg.</ref> to the face with the parter:<ref name="sentence-gr">Sentence omitted from the Glasgow and the Rostock.</ref> if he then shoves the point<ref>D., G., R. "you".</ref> firmly upward with his<ref>D., G., S. "the".</ref> hilt in the displacement<ref>"In the displacement" omitted from the Salzburg and the Rostock.</ref> of the parter,<ref>"Of the parter" omitted from the Dresden, the Rostock, and the Salzburg.</ref> invert your sword with the hilt high<ref>S. ''fast vber sich'': "firmly upward".</ref> in front of your head (such that the thumb comes below),<ref name="clause-dgs">Clause omitted from the Dresden, the Glasgow, and the Salzburg.</ref> and set the point under his hands<ref>"His hands" omitted from the Dresden, the Glasgow, and the Salzburg.</ref> upon his chest (as stands pictured here).<ref>G. "since".</ref></p>
| {{section|Page:MS Dresd.C.487 033r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|008r|jpg|lbl=08r}}
| <p><br/></p>

<p><br/><br/></p>

{{section|Page:MS Var.82 012r.png|3|lbl=-}}
| <p><br/></p>

<p><br/><br/></p>

{{section|Page:MS M.I.29 028v.jpg|2|lbl=28v|p=1}}<ref name="S28v">[[Codex Speyer (MS M.I.29)]], f 28v</ref>

|- 
| 
| <p>[56] {{red|b=1|How the crown breaks the parter}}<ref>Rostock combines the glosses for couplets 65-67 into a single paragraph; they have been separated here according to their presentation in Dresden and Glasgow.</ref></p>
{| class="zettel"
|- 
| <small>65</small>
| Whatever comes from him,<br/>&emsp;The crown takes it away.<br/><br/><br/><br/><br/>
|}
<p>{{red|b=1|Gloss}}. Note, when you cleave-in above with the parter: if he displaces with the hilt high over his head, this displacement is called the crown, and with it [he] runs-in to you.</p>
| 
{{section|Page:MS Dresd.C.487 033r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 033v.png|1|lbl=33v|p=1}}
| {{paget|Page:MS E.1939.65.341|008v|jpg|lbl=08v}}
| {{section|Page:MS Var.82 012r.png|4|lbl=-}}
| 

|- 
| [[File:MS E.1939.65.341 009r.jpg|300px|center]]
| <p>[57] {{red|b=1|This is the text and the gloss: how the cut breaks the crown}}</p>
{| class="zettel"
|- 
| <small>66</small>
| Cut through the crown,<br/>&emsp;So you break the hard beautifully;<ref>D., G. ''Schon'', lit. "already", "yet".</ref>
|- 
| <small>67</small>
| Press the strike,<ref>D. ''stuch'', R. ''stich'': "press the thrust".</ref><br/>&emsp;Withdraw it with cutting.
|}
<p>{{red|b=1|Gloss}}. Note, when he displaces the parter (or otherwise another hew) with the crown and with that runs in:<ref name="clause-r"/> so take the under-cut<ref>D., G., S. "cut".</ref> below his hands into his arm and press firmly upwards (as stands pictured next to this);<ref name="clause-drs">Clause omitted from the Dresden, the Rostock, and the Salzburg.</ref> so the crown is broken again,<ref>S. "well broken".</ref> and wind your sword from the under-cut<ref>"From the under-cut" omitted from the Salzburg.</ref> into the over-cut,<ref name="word-dg"/> and with that withdraw yourself.<ref name="word-s"/><ref>"And wind your sword… withdraw yourself" omitted from the Rostock.</ref></p>
| {{section|Page:MS Dresd.C.487 033v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|009r|jpg|lbl=09r}}
| <p><br/><br/></p>

<p><br/><br/><br/><br/></p>

{{section|Page:MS Var.82 012r.png|5|lbl=-|p=1}} {{section|Page:MS Var.82 012v.png|1|lbl=12v|p=1}}
| <p><br/><br/></p>

<p><br/><br/><br/><br/></p>

{{section|Page:MS M.I.29 028v.jpg|1|lbl=28v|p=1}}<ref name="S28v"/><!--
          --><section end="Scheitelhaw"/><section begin="Leger"/>
|- 
| rowspan="3" | [[File:MS E.1939.65.341 009v.jpg|300px|center]]
| <p>[58] {{red|b=1|This is the text and the gloss on the four leaguers}}</p>
{| class="zettel"
|- 
| <small>68</small>
| Four leaguers alone:<br/>&emsp;Keep to those and flee<ref>Imperative of ''fliehen''.</ref> the common;
|- 
| <small>69</small>
| Ox, plow, fool,<br/>&emsp;From-the-roof are not disgusting<ref>alt: unpleasant, repugnant</ref> to you.
|}
<p>{{red|b=1|Gloss}}. Note, this<ref name="md-d">"Note, this" omitted from the Dresden.</ref> is that you<ref name="word-g"/> shall not hold to any leaguer other<ref name="word-d"/> than solely to the four which will be<ref>"Will be" omitted from the Glasgow.</ref> named here.</p>
| 
{{section|Page:MS Dresd.C.487 033v.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 034r.png|1|lbl=34r|p=1}}
| {{section|Page:MS E.1939.65.341 009v.jpg|1|lbl=09v}}
| 
| 

|- 
| <p>[59] {{red|b=1|Item.<ref name="word-d"/> The first guard}} is called<ref name="haist-r">"Is called" omitted from the Dresden</ref> the ox; arrange yourself thusly: Stand with the left foot forwards and hold your sword near your right side with the hilt<ref>"With the hilt" omitted from the Dresden.</ref> in front of your head, and let the point hang<ref name="word-g"/> against the face (as stands pictured next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 034r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 009v.jpg|2|lbl=-}}
| 
| 

|- 
| <p>[60] {{red|b=1|Item.<ref name="word-d"/> The second guard}} is called<ref name="haist-r">"Is called" omitted from the Dresden</ref> the plow; arrange yourself thusly: Stand with the left foot forward and hold your sword with<ref name="word-d"/> crossed hands near your right side over your knee such that the point stands against the face (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 034r.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 009v.jpg|3|lbl=-}}
| 
| 

|- 
| rowspan="2" | [[File:MS E.1939.65.341 010r.jpg|300px|center]]
| <p>[61] {{red|b=1|Item.<ref name="word-d"/> The third guard}} is called<ref name="haist-r">"Is called" omitted from the Dresden</ref> the fool; arrange yourself thusly: Stand with the right foot forward and hold your sword with outstretched arms with the point upon the ground (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 034r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 034v.png|1|lbl=34v|p=1}}
| {{section|Page:MS E.1939.65.341 010r.jpg|1|lbl=10r}}
| 
| 

|- 
| <p>[62] {{red|b=1|Item.<ref name="word-d"/> The fourth guard}} is called<ref name="haist-r">"Is called" omitted from the Dresden</ref> from-the-roof; arrange yourself thusly: Stand with the left foot forwards and hold your sword upon your right shoulder (as stands pictured hereafter next to this),<ref name="clause-d"/> or hold it with outstretched<ref>G. ''auß gestrackten'': "upstretched".</ref> arms over your head; and how you shall fence from the guards, you find it all<ref>"It all" omitted from the Dresden.</ref> written in this book.<ref>"In this book" omitted from the Glasgow.</ref></p>
| {{section|Page:MS Dresd.C.487 034v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 010r.jpg|2|lbl=-}}
| 
| <!--
          --><section end="Leger"/><section begin="Vorsetzen"/>
|- 
| 
| <p>[63] {{red|b=1|This is the text and the gloss of the four displacements which break the four leaguers}}</p>
{| class="zettel"
|- 
| <small>70</small>
| Four are the displacements<br/>&emsp;Which also severely injure the leaguers.
|- 
| <small>71</small>
| Guard yourself from displacing<ref>G. "Guard yourself displacing crossed in front".</ref><br/>&emsp;If it happens, it severely beleaguers you.
|}
<p>{{red|b=1|Gloss}}. Note, you have heard before that you shall fence solely from the four leaguers, so you should also just know<ref>D. instead continues "that the four displacings, they are the four hews".</ref> that the same four [displacements] break the four leaguers. And the four settings,<ref>''Setzen", possibly a shortening of ''versetzen'', "displaces".</ref> they are the four hews.</p>
| 
{{section|Page:MS Dresd.C.487 034v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 035r.png|1|lbl=35r|p=1}}
| {{section|Page:MS E.1939.65.341 010v.jpg|1|lbl=10v}}
| 
| 

|- 
| 
| <p>[64] {{red|b=1|The first hew}}<ref name="word-g"/> is the crooked-hew, which breaks the guard that is named the ox.<ref>D. "oxen".</ref></p>
| {{section|Page:MS Dresd.C.487 035r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 010v.jpg|2|lbl=-}}
| 
| 

|- 
| 
| <p>[65] {{red|b=1|Item.<ref name="word-d"/> The second}} is the thwart-hew, which breaks the guard from-the-roof.</p>
| {{section|Page:MS Dresd.C.487 035r.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 010v.jpg|3|lbl=-}}
| 
| 

|- 
| 
| <p>[66] {{red|b=1|Item.<ref name="word-d"/> The third}} is the squint-hew, which breaks the guard of the plow.</p>
| {{section|Page:MS Dresd.C.487 035r.png|4|lbl=-}}
| {{section|Page:MS E.1939.65.341 010v.jpg|4|lbl=-}}
| 
| 

|- 
| 
| <p>[67] {{red|b=1|Item.<ref name="word-d"/> The fourth}} is the parter, which breaks the guard that is named the fool.</p>
| {{section|Page:MS Dresd.C.487 035r.png|5|lbl=-}}
|{{section|Page:MS E.1939.65.341 010v.jpg|5|lbl=-}}
| 
| 

|- 
| 
| <p>[68] And guard yourself from all displacements which the simple fencers deploy, and note when he hews, so you also hew; and when he thrusts, so thrust as well; and how you shall hew and thrust, you find that written in the five hews and in the setting-aside.</p>
| {{section|Page:MS Dresd.C.487 035r.png|6|lbl=-}}
| {{section|Page:MS E.1939.65.341 010v.jpg|6|lbl=-}}
| 
| 

|- 
| [[File:MS E.1939.65.341 011r.jpg|300px|center]]
| <p>[69] {{red|b=1|This is the text and the gloss of a play against the displacement}}</p>
{| class="zettel"
|- 
| <small>72</small>
| If you are parried,<br/>&emsp;And as it is arriving,
|- 
| <small>73</small>
| Hear what I advise:<br/>&emsp;Rip off. Cut quickly with hurry.
|}
<p>{{red|b=1|Gloss}}.<ref>S. Item</ref> This is as it arrives that you are becoming parried: so note if one displaces an over-hew,<ref>R. "This is when one displaces your over-hew"; S. "If your over-hew is parried and it comes nearing upon him".</ref> go to him in the displacing with the pommel over<ref>D. "in front of".</ref> his forward-placed<ref>G., S. ''versetzte'': "shifted, misplaced, displaced, parried".</ref> hand, and with that wrench downwards, and with the wrenching strike him there<ref name="word-dgr">Word omitted from the Dresden, the Glasgow, and the Rostock.</ref> on the head with the sword (as stands pictured hereafter next to this).<ref name="clause-drs"/></p>
| {{section|Page:MS Dresd.C.487 035v.png|1|lbl=35v}}
| {{paget|Page:MS E.1939.65.341|011r|jpg|lbl=11r}}
| {{section|Page:MS Var.82 012v.png|2|lbl=-}}
| <p><br/><br/></p>

<p><br/><br/><br/><br/></p>

{{section|Page:MS M.I.29 031r.jpg|1|lbl=31r|p=1}}<ref name="S31r">[[Codex Speyer (MS M.I.29)]], f 31r</ref>

|- 
| [[File:MS E.1939.65.341 011v.jpg|300px|center]]
| <p>[70] {{red|b=1|Yet another play against the displacement}}</p>

<p>Item.<ref name="word-dg"/> Note, when you hew an under-hew from the right side: if he then falls with the sword onto yours so you cannot come up with it, swiftly drive over his sword with the pommel and wrench your blade from his [from] below<ref>"And wrench… his below" omitted from the Dresden and the Glasgow.</ref> and strike him with the snapping, with the long edge to the head<ref>"The head" omitted from the Salzburg.</ref> (as stands pictured hereafter next to this);<ref name="clause-ds">Clause omitted from the Dresden and the Salzburg.</ref> or,<ref>S. "also".</ref> if he falls onto your sword against your left side, so strike him with the short edge.</p>
| 
{{section|Page:MS Dresd.C.487 035v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 036r.png|1|lbl=36r|p=1}}
| {{paget|Page:MS E.1939.65.341|011v|jpg|lbl=11v}}
| 
| 
{{section|Page:MS M.I.29 031r.jpg|2|lbl=31r|p=1}}<ref name="S31r"/>

|- 
| [[File:MS E.1939.65.341 012r.jpg|300px|center]]
| <p>[71] {{red|b=1|This is the text and the gloss of yet another play against the displacing}}</p>
{| class="zettel"
|- 
| <small>74</small>
| Set-upon four ends;<br/>&emsp;Learn to remain thereupon if you wish to finish.
|}
<p>{{red|b=1|Gloss}}. This is<ref name="di-d"/> when you cleave-in from your right shoulder: if you wish to quickly finish with him,<ref>G. ''mit dem schwert'': "with the sword".</ref> so note when he displaces [and] strike quickly around with the thwart, and with the strike grasp your sword<ref>D. "grasp with the sword".</ref> in the middle of the blade with the left hand, and set the point into the face (as stands pictured next),<ref name="clause-d"/> or set-upon him to the four openings to whichever you can<ref>G. ''magst'': "may".</ref> best come.</p>
| {{section|Page:MS Dresd.C.487 036r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|012r|jpg|lbl=12r}}
| 
| 

|- 
| [[File:MS E.1939.65.341 012v.jpg|300px|center]]
| <p>[72] {{red|b=1|This is the text and the gloss of yet another play against the displacement}}</p>

<p>Item.<ref name="word-g"/> Note,<ref name="word-d"/> when you set the point into his<ref name="the-g">G. "the".</ref> face with the half-sword (as stands done before next to this):<ref name="clause-d"/> if he displaces that, jab him with the pommel to the other side to his head, or spring with the right foot behind his left and with the pommel drive around his neck, over his right shoulder, [and] around the front of the neck, and with that, back him over your right leg (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 036v.png|1|lbl=36v}}
| {{paget|Page:MS E.1939.65.341|012v|jpg|lbl=12v}}
| 
| <!--
          --><section end="Vorsetzen"/>
|- 
| 
| <p>[73] {{red|b=1|This is about racing-after}}</p>
{| class="zettel"
|- 
| <small>75</small>
| Learn the racing-after,<br/>&emsp;Doubly or cut into the weapon<ref>Alternately: defense.</ref>
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-d"/> this is so that you shall learn the racings-after quite well, because they are dual,<ref name="clause-r"/> and<ref name="word-d"/> the first<ref name="word-r"/> deploy thusly:<ref name="word-d"/> when he wishes to cleave-in above him,<ref name="word-r"/> so note while he yanks up the sword to the strike, [and] race-after him with a strike,<ref>"A strike" omitted from the Dresden.</ref> a hew, or with a thrust, and hit him<ref>"And hit him" omitted from the Rostock.</ref> to the upper<ref name="word-r"/> opening before the moment<ref name="moment-d">"The moment" omitted from the Dresden.</ref> he descends<ref>D. ''wieder-kommen'': to meet, to encounter, to run into".</ref> with the hew, or fall with the long edge above him onto his arm and with that, press him from you.<ref>"Or fall… from you" omitted from the Rostock.</ref></p>
| 
{{section|Page:MS Dresd.C.487 036v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 037r.png|1|lbl=37r|p=1}}
| 
| {{section|Page:MS Var.82 012v.png|3|lbl=-}}
| 

|- 
| 
| <p>[74] {{red|b=1|Yet another racing-after}}<ref name="line-r">Line omitted from the Rostock.</ref></p>

<p>Item.<ref>R. "or".</ref> When he begins to hew you downward<ref name="word-d"/> from above, and<ref name="word-d"/> if he then<ref>"If he then" omitted from the Rostock".</ref> allows his sword to go down to the earth with the hew: so<ref name="word-d"/> race-after him with an over-hew<ref>D. ''haw'': "hew".</ref> to the head before the moment<ref name="moment-d"/> he comes-up with the sword, so is he struck.<ref name="clause-d"/> Or if he will thrust you, note the moment he yanks the sword to him for the thrust, so race-after him and thrust him before he completes his thrust.<ref name="sentence-r"/></p>
| {{section|Page:MS Dresd.C.487 037r.png|2|lbl=-}}
| 
| <p><br/></p>

{{section|Page:MS Var.82 012v.png|4|lbl=-}}
| 

|- 
| 
| <p>[75] {{red|b=1|About the outer-cattle-drives}}</p>
{| class="zettel"
|- 
| <small>76</small>
| Two outer-cattle-drives,<ref>Mähnen, menen, mennen. To drive cattle, to impel an animal to move(in particular a driver or rider with a cattle-drive). To exert command over something reacting. To lead.</ref><br/>&emsp;You work begins thereafter,
|- 
| <small>77</small>
| And test the attacks,<br/>&emsp;Whether they are soft or hard.
|}
<p>{{red|b=1|Gloss}}. Note, the two outer-cattle-drives are the two racings-after upon the sword; deploy it thusly: When he mis-hews himself before you, race-after him. If he then displaces you, so remain with the sword upon his and test whether he is soft or hard with the attack. If he then, with the sword, lifts that of yours upwards with strength, then extend your sword outside over that of his and thrust to his low opening.</p>
| {{section|Page:MS Dresd.C.487 037v.png|1|lbl=37v}}
| 
| 
| 

|- 
| 
| <p>[76] {{red|b=1|The other outer-cattle-drives}}</p>

<p>Item. When you fence cautiously<ref>''geim'': "watchfully, to observe, cautiously, with foresight".</ref> from the under-hews (or otherwise from the under-attacks): if he then lays over you and winds upon your sword before you come up with that, [and] then remains strong with your sword below upon his winding and works to your upper opening, so follow-after with the sword and take weak of his sword with the long edge, and press down and stab him in the face.</p>
| 
{{section|Page:MS Dresd.C.487 037v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 038r.png|1|lbl=38r|p=1}}
| 
| 
| 

|- 
| 
| <p>[77] {{red|b=1|This is the text and the gloss about the feeling and about the word "in-the-moment"}}</p>
{| class="zettel"
|- 
| <small>78</small>
| Learn the feeling;<br/>&emsp;In-the-moment, that word hews severely.
|}
<p>{{red|b=1|Gloss}}. This is so that you properly learn the feeling and the word "in-the-moment", and shall understand that the two things belong to the same and are the greatest arts of fencing.</p>
| {{section|Page:MS Dresd.C.487 038r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 013r.jpg|1|lbl=13r}}
| 
| 

|- 
| 
| <p>[78] {{red|b=1|Item}}.<ref name="word-d"/> And<ref name="word-gs">Word omitted from the Glasgow and the Salzburg.</ref> understand it thusly:<ref>S. "the feeling work thusly".</ref> When you come to him with the onset and<ref>"You come… onset and" omitted from the Dresden and the Glasgow.</ref> one binds another on the sword, so in that you shall feel with the hand (that is, perceive),<ref name="clause-ds"/> just as the swords spark together, whether they have bound soft or hard, and as soon as you have perceived that,<ref>S. "soft or hard".</ref> think of the word "in-the-moment"; that is, in that same swift perceiving<ref>S. "feeling".</ref> of the soft and of the hard, you shall work to the nearest opening,<ref>"To the nearest opening" omitted from the Salzburg.</ref> so [he] becomes struck before he will have his insight.<ref>D., G. ''gewar'', S. ''ÿnnen''.</ref></p>
| 
{{section|Page:MS Dresd.C.487 038r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 038v.png|1|lbl=38v|p=1}}
| {{section|Page:MS E.1939.65.341 013r.jpg|2|lbl=-}}
| 
| 
{{section|Page:MS M.I.29 033v.jpg|1|lbl=33v|p=1}}<ref>[[Codex Speyer (MS M.I.29)]], f 33v</ref>

|- 
| 
| <p>[79] {{red|b=1|Item}}. Note,<ref name="word-ds">Word omitted from the Dresden and the Salzburg.</ref> you shall think of the word "in-the-moment" in all bindings of the sword, because in-the-moment doubles and<ref name="word-g"/> in-the-moment mutates, in-the-moment runs-through, in-the-moment changes-through,<ref name="clause-d"/> and<ref name="word-g"/> in-the-moment takes the cut; in-the-moment wrestles, and with in-the-moment, take the sword. In the art, In-the-moment does whatever your heart desires. In-the-moment is a sharp word; with it, any fencer who knows nothing of the word becomes hew. And the word "in-the-moment" is also<ref name="word-g"/> the key in which all of the art of fencing becomes unlocked.</p>
| 
{{section|Page:MS Dresd.C.487 038v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 039r.png|1|lbl=39r|p=1}}
| {{section|Page:MS E.1939.65.341 013r.jpg|3|lbl=-}}
| 
| 

|- 
| [[File:MS E.1939.65.341 013v.jpg|300px|center]]
| <p>[80] {{red|b=1|This is yet another play text and gloss about racing-after}}</p>
{| class="zettel"
|- 
| <small>79</small>
| Traveling-after twice:<br/>&emsp;If one hits, make-with<ref>''mitmachen'': "join, unite, combine, participate".</ref> the old cut.
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-d"/> this is when he mis-hews himself before you: so race after him with a hew to the upper opening; if he then drives up and winds under you upon the sword, so note just as soon as one sword sparks<ref>D. ''blitzscht'': "flashes".</ref> on the other, [and] so fall upon him from the sword with the long-edge over his arm, and also press him from you (as stands pictured next),<ref name="clause-d"/> or cut him from the sword through the mouth. Deploy this to both sides.</p>
| 
{{section|Page:MS Dresd.C.487 039r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 039v.png|1|lbl=39v|p=1}}
| {{paget|Page:MS E.1939.65.341|013v|jpg|lbl=13v}}
| 
| 

|- 
| [[File:MS E.1939.65.341 014r.jpg|300px|center]]
| <p>[81] {{red|b=1|This is the text and the gloss about running-over}}</p>
{| class="zettel"
|- 
| <small>80</small>
| Whoever aims below,<br/>&emsp;Run-over, then they become shamed.
|- 
| <small>81</small>
| When it sparks above<br/>&emsp;Then strengthen, this I will laud.
|- 
| <small>82</small>
| Make your work<br/>&emsp;Or press hard twice.
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-d"/> this is when he targets the lower openings with a hew or with a thrust in the onset: you shall not displace him, rather await, such that you run-over with a hew above into the head or set-upon the point above (as stands pictured hereafter next to this)<ref name="clause-d"/> so that he becomes shamed from you, because all over-hews and all settings-upon over-reach the lower.</p>
| {{section|Page:MS Dresd.C.487 039v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|014r|jpg|lbl=14r}}
| 
| 
<section begin="Absetzen"/>
|- 
| [[File:MS E.1939.65.341 014v.jpg|300px|center]]
| <p>[82] <ref>D. "Item".</ref>{{red|b=1|This is the text and the gloss: how one shall offset hews and thrusts}}</p>
{| class="zettel"
|- 
| <small>83</small>
| Learn to offset:<br/>&emsp;Skillfully injure, hew, thrust
|- 
| <small>84</small>
| Whoever thrusts upon you,<br/>&emsp;Such that your point hits and his breaks,
|- 
| <small>85</small>
| From both sides;<br/>&emsp;Hit any time if you wish to step.
|}
<p>{{red|b=1|Gloss}}. This is so that you shall learn to offset hews and thrusts alike with art, such that your point hits him and, in that, his becomes broken, and<ref name="word-d"/> understand<ref>G. "note".</ref> it thusly: When someone stands against you and holds his sword as if he will stab you from below, so stand counter against him in the guard of the plow from your right side, and give yourself an opening with the left. If he then under-thrusts to the same opening, wind with the<ref name="word-g"/> sword against his thrust to your left side and step into him with the right foot, so that your point hits and his fails (as stands pictured next).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 040r.png|1|lbl=40r|p=1}} {{section|Page:MS Dresd.C.487 040v.png|1|lbl=40v|p=1}}
| {{paget|Page:MS E.1939.65.341|014v|jpg|lbl=14v}}
| 
| 

|- 
| [[File:MS E.1939.65.341 015r.jpg|300px|center]]
| <p>[83] {{red|b=1|Yet another play from setting-aside}}</p>

<p>{{red|b=1|Item}}.<ref name="word-g"/> Note,<ref name="word-d"/> when you stand against him in the guard of the plow from the left side: if he then hews to the upper opening of your left side, then drive up with the sword, and wind<ref name="word-d"/> to the left side against his hew (such that the hilt is in front of your head), and step into him with your<ref name="the-d"/> right foot and stab him in the face (as stands pictured hereafter next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 040v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|015r|jpg|lbl=15r}}
| 
| 
<section end="Absetzen"/><section begin="Durchwechseln"/>
|- 
| [[File:MS E.1939.65.341 015v.jpg|300px|center]]
| <p>[84] {{red|b=1|This is the text and the gloss about Changing-through}}</p>
{| class="zettel"
|- 
| <small>86</small>
| Learn to change-through<br/>&emsp;From both sides; stab with violence
|- 
| <small>87</small>
| Whoever binds upon you,<br/>&emsp;The Changing-through finds him swiftly.<ref>''Schier'' has the sense of approaching quickly and closely.</ref>
|}
<p>{{red|b=1|Gloss}}. This is so that you shall learn the changing-through well, and deploy it thusly: When you cleave-in or thrust to him in the onset, if he will<ref name="word-g"/> then bind on the sword with a hew or with a displacement, allow the point under his sword and slip through, and with that, thrust-in to him violently at the other side, thus you find the opening upon him swiftly (as stands pictured).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 040v.png|3|lbl=-}}

{{section|Page:MS Dresd.C.487 041r.png|1|lbl=41r}}
| {{section|Page:MS E.1939.65.341 015v.jpg|1|lbl=15v}}
| 
| 

|- 
| 
| <p>[85] Item. If he then becomes aware of the thrust and drives after it with the displacing, then but change-through to the other side.</p>
| 
| {{section|Page:MS E.1939.65.341 015v.jpg|2|lbl=-}}
| 
| 

|- 
| 
| <p>[86] {{red|b=1|Item. Another.}}</p>

<p>As you come to him, set your left foot forward and hold the long [point] against his face. If he then hews to the sword (over or under) and will strike it away, allow your point to sink downwards and stab him to the other opening of the other side, and do that against all hews.</p>
| 
| {{section|Page:MS E.1939.65.341 015v.jpg|3|lbl=-}}
| 
| <section end="Durchwechseln"/><!--
          --><section begin="Pulling"/>
|- 
| [[File:MS E.1939.65.341 016r.jpg|300px|center]]
| <p>[87] {{red|b=1|This is the text and the gloss about yanking}}</p>
{| class="zettel"
|- 
| <small>88</small>
| Tread near in binding;<ref>''Zucken'' has the connotation of yanking something hard or quickly, like yanking or snatching; there is an essence of agitation in the yank.</ref><br/>&emsp;The yanking gives good opportunities.
|- 
| <small>89</small>
| Pull: if it connects, yank more.<br/>&emsp;If he works, cut so that it does him woe.
|- 
| <small>90</small>
| Pull in all hits<br/>&emsp;Of the masters if you wish to deceive them.
|}
<p>{{red|b=1|Gloss}}. This is when you come to him with the onset: so cleave-in strongly above from the right shoulder to the head. If he then binds you with displacing (or otherwise on the sword), so tread near to him in the bind on the sword<ref>"On the sword" omitted from the Dresden.</ref> and withdraw your sword from his above, and cleave-in again above to the other side to his head (as it stands pictured next to this).<ref name="clause-d"/> If he displaces that too a second time, so strike-in again above to the other side, and work swiftly according to the upper openings which may occur to you with the doublings<ref>Beginning of sentence in Glasgow reads "and work swiftly with the doubling.</ref> (or otherwise with other plays to his nearest opening);<ref>D. "(and with other plays)".</ref> or act as if you will yank and [then] remain upon the sword, and quickly thrust-in again upon the sword to the face.<ref name="clause-d"/> If you then do not quite hit him with the thrust, so work with the doubling or otherwise with other plays.<ref name="sentence-d">Sentence omitted from the Dresden.</ref></p>
| 
{{section|Page:MS Dresd.C.487 041r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 041v.png|1|lbl=41v|p=1}}
| {{paget|Page:MS E.1939.65.341|016r|jpg|lbl=16r}}
| 
| <!--
          --><section end="Pulling"/><section begin="Durchlaufen"/>
|- 
| [[File:MS E.1939.65.341 016v.jpg|300px|center]]
| <p>[88] {{red|b=1|This is the text and the gloss about running-through}}</p>
{| class="zettel"
|-
| <small>91</small>
| Run-through, allow to hang<br/>&emsp;With the pommel, grasp if you wish to wrestle.
|- 
| <small>92</small>
| Whoever strengthens against you,<br/>&emsp;Run-through. With that note.
|}
<p>{{red|b=1|Gloss}}. Note, this is when one runs-in to the other: if he then drives up with the arms and wishes to overwhelm you above with strength, so drive up as well with the arms, and hold your sword with the left hand near the pommel over your head and allow the blade to hang behind over your back,<ref name="back-r">R. "hang down behind you".</ref> and run-through with your head under his right arm and spring with the right foot behind his right, and with the spring, drive him well forward with the right arm around the body, and clasp him thusly to the right hip and throw him in front of you (as stands pictured here).<ref>G. "next to this".</ref><ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 042r.png|1|lbl=42r|p=1}} {{section|Page:MS Dresd.C.487 042v.png|1|lbl=42v|p=1}}
| {{paget|Page:MS E.1939.65.341|016v|jpg|lbl=16v}}
| {{section|Page:MS Var.82 012v.png|5|lbl=-}}

{{section|Page:MS Var.82 013r.png|1|lbl=13r}}
| 

|- 
| [[File:MS E.1939.65.341 017r.jpg|300px|center]]
| <p>[89] {{red|b=1|This is yet another play about running-through}}</p>

<p>Item.<ref name="word-gr"/> Note,<ref name="word-d"/> when he wishes to overpower you with strength by running-in with the sword high:<ref>R. "when in the running-in he also drives-up with the arms".</ref> so hold your sword with the left hand near the pommel and let the blade hang over your back.<ref name="back-r"/> Run-through with the head under his right arm, and remain with the right foot forward<ref name="word-dg"/> before his right and drive in<ref name="word-dr">Word omitted from the Dresden and the Rostock.</ref> well behind him with the right arm around the body, and clasp him upon your right hip and throw him behind you (as stands pictured here).<ref name="word-g"/><ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 042v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|017r|jpg|lbl=17r}}
| {{section|Page:MS Var.82 013r.png|2|lbl=-}}
| 

|- 
| 
| <p>[90] {{red|b=1|A wresting at the sword}}</p>

<p>Item. When one runs-in to the other: so release your sword from the left hand and hold it with the right, and shove his sword from you to your right side with your hilt, and spring with the left foot in front of his right and drive him well back with your left arm around the body, and clasp him to your left hip and throw him in front of you.</p>

<p>'''Though watch that it does not fail you.'''</p>
| {{section|Page:MS Dresd.C.487 042v.png|3|lbl=-}}

{{section|Page:MS Dresd.C.487 043r.png|1|lbl=43r}}
| 
| 
| 

|- 
| 
| <p>[91] {{red|b=1|Yet another wresting at the sword}}</p>

<p>Item. When one runs-in to the other: so release your sword from the left hand and hold it in the right, and shove his sword from you to your right side with the hilt, and spring with the left foot behind his right and drive him forward with the left arm under his chest (well around the body), and throw him backward over your foot.</p>
| 
{{section|Page:MS Dresd.C.487 043r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 043v.png|1|lbl=43v|p=1}}
| 
| 
| 

|- 
| [[File:MS E.1939.65.341 017v.jpg|300px|center]]
| <p>[92] {{red|b=1|Yet another wresting at the sword}}</p>

<p>Item.<ref name="word-g"/> Note,<ref name="word-d"/> when you run-in with another: so release your sword from the left hand and hold it in the right, and drive him outside<ref name="word-g"/> with the pommel over his right arm and with that yank downwards, and seize his right elbow with the left hand<ref name="word-g"/> and spring with the left foot in front of his right, and back him thusly over the foot to your right side (as stands pictured next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 043v.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|017v|jpg|lbl=17v}}
| 
| 

|- 
| 
| <p>[93] {{red|b=1|Yet another wresting at the sword}}<ref name="line-g">Line omitted from the Glasgow.</ref></p>

<p>Item.<ref name="word-g"/> Note,<ref name="word-d"/> when one runs-in to the other: so drive with the left arm<ref>D. "left hand inverted".</ref> over his right, and with that seize his<ref name="your-d">D. "your".</ref> right arm with an inverted hand<ref>"With an inverted hand" omitted from the Dresden.</ref> and press his left<ref name="right-d"/> over your left with the<ref name="your-d"/> right arm, and spring with your<ref name="the-g"/> right foot behind his right and turn yourself away from him to your<ref name="his-g">G. "his".</ref> left side, and<ref name="word-d"/> thus you<ref>"Thus you" omitted from the Glasgow.</ref> throw him over your<ref name="his-g"/> right hip (as stands pictured next to this).<ref name="clause-d"/></p>
| 
{{section|Page:MS Dresd.C.487 043v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 044r.png|1|lbl=44r|p=1}}
| <p><br/></p>

{{section|Page:MS E.1939.65.341 018r.jpg|1|lbl=18r}}
| 
| 

|- 
| 
| <p>[94] {{red|b=1|Yet another wresting}}</p>

<p>Item. When someone runs-in at the sword, etc.: so let your sword fall and invert your right hand, and with that seize his right hand outside and clasp it near the right elbow with the left, and spring with the left foot in front of his right and shove his right arm over your left with the right hand, and with that lift it upwards; thus is he locked and thus [you] may break the arm, or throw him in front of you over the leg.</p>
| 
| {{section|Page:MS E.1939.65.341 018r.jpg|2|lbl=-}}
| 
| 

|- 
| 
| <p>[95] {{red|b=1|A sword taking}}<ref>D. "One other wrestling at the sword".</ref></p>

<p>Item.<ref name="word-g"/> Note,<ref name="word-d"/> when one runs-in to the other: so invert your left hand and with that drive over his right arm, and with that seize his sword by the grip between both hands, and back to your left side (as stands pictured next to this);<ref name="clause-d"/> so you take the sword from him.<ref name="clause-g">Clause omitted from the Glasgow.</ref></p>

<p>'''This will vex him badly.'''<ref name="sentence-g">Sentence omitted from the Glasgow.</ref></p>
| {{section|Page:MS Dresd.C.487 044r.png|2|lbl=-}}
| {{paget|Page:MS E.1939.65.341|018v|jpg|lbl=18v}}
| 
| 

|- 
| [[File:MS E.1939.65.341 019r.jpg|300px|center]]
| <p>[96] {{red|b=1|This is yet another sword taking}}<ref>D. "A sword taking".</ref></p>

<p>Item.<ref name="word-g"/> Note,<ref name="word-d"/> when he binds on your sword (with displacing or otherwise): so seize both swords in the middle<ref name="word-d"/> of the blade with the left hand inverted<ref name="word-g"/> and hold them tightly together, and drive through below with the pommel with the right hand against the left side over both his hands, and with that back yourself upward to the right side. So you keep both swords (as stands pictured next to this).<ref name="clause-d"/></p>
| {{section|Page:MS Dresd.C.487 044v.png|1|lbl=44v}}
| {{paget|Page:MS E.1939.65.341|019r|jpg|lbl=19r}}
| 
| 
<section end="Durchlaufen"/><section begin="Abschneiden"/>
|- 
| [[File:MS E.1939.65.341 019v.jpg|300px|center]]
| <p>[97] {{red|b=1|This is the text and gloss about cutting-off}}</p>
{| class="zettel"
|- 
| <small>93</small>
| Cut away the hard [ones]<br/>&emsp;From below in both drivings.<ref>Read: "attacks".</ref>
|- 
| <small>94</small>
| Four are the cuts:<br/>&emsp;With two below, two above.
|}
<p>{{red|b=1|Gloss}}. Note, there are four cuts; deploy the first thusly: when he runs-in and drives up high with the arms, and will<ref name="word-g"/> overpower you above against your left side with strength,<ref>"With strength" omitted from the Glasgow.</ref> so twist your sword and fall<ref name="far-g">G. ''far'': "drive".</ref> under his hilt, into his arms with the long edge with crossed hands, and press-upward with the cut (as stands pictured next to this);<ref name="clause-d"/> or, if he runs-in against your right side, fall<ref name="far-g"/> into his arm with the short edge and press upwards as before.</p>
| 
{{section|Page:MS Dresd.C.487 044v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 045r.png|1|lbl=45r|p=1}}
| {{paget|Page:MS E.1939.65.341|019v|jpg|lbl=19v}}
| 
| 

|- 
| 
| <p>[98] {{red|b=1|Yet another cut}}</p>

<p>Item. When you bind strongly on his sword (with a hew or otherwise): if he then allows his sword to snap-away from yours and strikes you above to the head, so twist your sword with the hilt in front of your head and cut-through his arm below, and with the cut, set the point below upon his chest.</p>
| {{section|Page:MS Dresd.C.487 045r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 045v.png|1|lbl=45v|p=1}}
| 
| 
| 

|- 
| 
| <p>[99] {{red|b=1|This is the over-cut}}<ref>D. "Yet another cut".</ref></p>

<p>Item.<ref name="word-r"/> Note,<ref name="word-d"/> deploy the cut thusly: when one binds on the sword against your left side, and<ref name="word-r"/> he then<ref>"He then" omitted from the Dresden.</ref> strikes around from the sword to the right side (with the thwart or otherwise),<ref name="clause-r"/> so spring from the hew with the left foot to his right side, and fall with the long edge above over both arms and press him from you (as stands pictured here).<ref>"And press… pictured here" omitted from the Dresden.</ref> Deploy this to both sides.<ref name="sentence-r"/></p>
| 
{{section|Page:MS Dresd.C.487 045v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 046r.png|1|lbl=46r|p=1}}
| 
| {{section|Page:MS Var.82 013v.png|1|lbl=13v}}
| 
<section end="Abschneiden"/><section begin="Hande Trucken"/>
|- 
| 
| <p>[100] {{red|b=1|This is the text and the gloss about the transformation of the cut}}</p>
{| class="zettel"
|- 
| <small>95</small>
| Turn the edge<br/>&emsp;To flatten; press the hands.
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-d"/> this is when you come in your running-in with the under-cut below<ref name="word-d"/> into his arm (such that your point goes out against his<ref>G. "your".</ref> right side): so with that,<ref>"With that" omitted from the Dresden.</ref> press firmly upwards with the cut,<ref>"With the cut" omitted from the Augsburg and the Glasgow.</ref> and amid the pressing spring with the left foot to his right side, and turn your sword with the long edge above over his arms (such that your point goes-out against his left side), and with that, press his arm from you.<ref name="clause-ag">Clause omitted from the Augsburg and the Glasgow.</ref> Thus have you transformed the under-cut into the over; deploy this to both sides.<ref name="sentence-d"/></p>
| {{section|Page:MS Dresd.C.487 046r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 020r.jpg|1|lbl=20r}}
| 
| 
{{section|Page:Reichsstadt "Schätze" Nr. 82 013r.jpg|4|lbl=13r|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|1|lbl=13v|p=1}}<ref>Remainder of fragments from [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)]], ff 13r-14v</ref>
<section end="Hande Trucken"/>
|- 
| 
| <p>[101] {{red|b=1|This is the text and the gloss about the two hangings}}</p>
{| class="zettel"
|- 
| <small>96</small>
| The two hangings happen<br/>&emsp;From one hand from the earth.
|- 
| <small>97</small>
| In every drive,<br/>&emsp;Hew, thrust, leaguer; soft or hard.
|}
<p>{{red|b=1|Gloss}}. Note, there are two hangings from one hand and from one side from the earth; deploy it thusly: When you bind onto his sword against your left side with the lower setting-aside, so hang your sword's<ref name="word-g"/> pommel against the earth, and thrust-up to him from below out of the hanging to the face. If he then shoves your point upward with the displacing, so remain thusly upon the sword and also<ref name="word-d"/> drive up with him,<ref>"With him" omitted from the Augsburg and the Glasgow.</ref> and hang the point from above down to the face, and in the two hangings you shall swiftly deploy hew, thrust, and cut [with] every drive. Thereafter, as you [are] in the binding-on of the sword, with that, perceive (or test)<ref>"Or test" omitted from the Dresden.</ref> whether he is soft or hard. (The hangings from both sides, this is the plow from both sides.)<ref name="sentence-ad">Sentence omitted from the Augsburg and the Dresden.</ref></p>
| 
{{section|Page:MS Dresd.C.487 046r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 046v.png|1|lbl=46v|p=1}}
| {{section|Page:MS E.1939.65.341 020r.jpg|2|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|2|lbl=-}}

|- 
| 
| <p>[102] {{red|b=1|This is the text and the gloss about the speaking-window}}</p>
{| class="zettel"
|- 
| <small>98</small>
| Make the speaking-window;<br/>&emsp;Stand freely, seek out his thing,<ref>''sach'': thing, or disagreement, contention, dispute, or the thing underlying the disagreement, contention or dispute.</ref>
|- 
| <small>99</small>
| Strike him such that it snaps<br/>&emsp;Whoever withdraws before you.
|- 
| <small>100</small>
| I say to you in truth:<br/>&emsp;No one protects themselves without danger.
|- 
| <small>101</small>
| If you have correct understanding,<br/>&emsp;He may barely come to strikes.
|}
<p>{{red|b=1|Gloss}}. Note,<ref name="word-ag">Word omitted from the Augsburg and the Glasgow.</ref> this called the speaking-window: when he binds you on the sword with hews or<ref>A. "and".</ref> with<ref name="word-ad">Word omitted from the Augsburg and the Dresden.</ref> displacing, so remain strong from extended arms with the long edge upon the sword, with the point in front of the face, and stand freely and seek out his thing (whatever he will deploy against you).</p>
| {{section|Page:MS Dresd.C.487 047r.png|1|lbl=47r}}
| {{section|Page:MS E.1939.65.341 020v.jpg|1|lbl=20v}}
| 
| <p><br/><br/></p>

{{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|3|lbl=-}}

|- 
| 
| <p>[103] {{red|b=1|Item}}.<ref name="word-a">Word omitted from the Augsburg.</ref> If he strikes-around from the sword with an over-hew to the other side, so bind-after<ref>''nachbinden'': "attach to the end or behind something".</ref> with the long edge<ref>"With the long edge" omitted from the Augsburg and the Glasgow.</ref> against<ref name="word-d"/> his hew with strength, above into the head.</p>
| 
{{section|Page:MS Dresd.C.487 047r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 047v.png|1|lbl=47v|p=1}}
| {{section|Page:MS E.1939.65.341 020v.jpg|2|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|4|lbl=-}}

|- 
| 
| <p>[104] Or<ref name="word-a"/> if he strikes-around from the sword<ref>"From the sword" omitted from the Dresden.</ref> with the thwart, so fall into his arms with the over-cut.</p>
| {{section|Page:MS Dresd.C.487 047v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 020v.jpg|3|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|5|lbl=-}}

|- 
| 
| <p>[105] Or<ref name="word-a"/> if he yanks his sword to himself and wishes to thrust you below, so race-after him upon the sword with the point,<ref>"With the point" omitted from the Dresden.</ref> and set-upon him above.</p>
| {{section|Page:MS Dresd.C.487 047v.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 020v.jpg|4|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|6|lbl=-}}

|- 
| 
| <p>[106] {{red|b=1|Item.<ref name="word-ag"/> Note,}}<ref>D. "or"; word omitted from the Augsburg.</ref> if he does not wish to withdraw<ref>''abziechen''.</ref> nor strike-around from the sword, so work upon the sword with the doubling (or otherwise with other plays) as you thereafter perceive the soft and the hard upon the sword.</p>
| {{section|Page:MS Dresd.C.487 047v.png|4|lbl=-}}
| {{section|Page:MS E.1939.65.341 020v.jpg|5|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 013v.jpg|7|lbl=-}}

|- 
| 
| <p>[107] {{red|b=1|Here note how you shall stand in the long-point and what plays you shall deploy from it}}</p>

<p>Item.<ref name="word-dg"/> Note,<ref>D. ''Mörck Ee'': "Note, before".</ref> when you come just near<ref>"just near" omitted from the Augsburg and the Glasgow.</ref> to him with the onset: so set your left foot forward before when he binds you on the sword,<ref>"When he… the sword" omitted from the Dresden.</ref> and hold your<ref>A., D. "the".</ref> point long with<ref name="word-ad"/> extended arms against the face or against<ref name="word-ad"/> the chest. If he then hews-in from above<ref>D. "hews from above to below".</ref> to your head, so wind against his hew with the sword and thrust into his face.</p>
| 
{{section|Page:MS Dresd.C.487 047v.png|5|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 123r.png|1|lbl=124r|p=1}}
| {{section|Page:MS E.1939.65.341 020v.jpg|6|lbl=-}}
| 
| <p><br/><br/></p>

{{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|1|lbl=14r}}

|- 
| 
| <p>[108] Or if he hews from above to below, or from below up into the sword, and wishes to strike the point away, so change-through and thrust to the other opening or side.<ref>D. "to the other side to the opening".</ref></p>
| {{section|Page:MS Dresd.C.487 123r.png|2|lbl=-}}
| 
{{section|Page:MS E.1939.65.341 020v.jpg|7|lbl=-|p=1}} {{section|Page:MS E.1939.65.341 021r.jpg|1|lbl=21r|p=1}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|2|lbl=-}}

|- 
| 
| <p>[109] Or if he hits your sword with strength with the hew, so allow your sword<ref>"Your sword" omitted from the Augsburg and the Glasgow.</ref> to snap-around, so you hit him in the head.</p>
| {{section|Page:MS Dresd.C.487 123r.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 021r.jpg|2|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|3|lbl=-}}

|- 
| 
| <p>[110] {{red|b=1|Or}}<ref name="word-ad"/> if he runs-in, so deploy the cut or await<ref name="word-d"/> the wrestling.</p>

<p>'''Watch that it does not fail you.'''<ref name="sentence-ag">Sentence omitted from the Augsburg and the Glasgow.</ref></p>
| {{section|Page:MS Dresd.C.487 123r.png|4|lbl=-}}
| {{section|Page:MS E.1939.65.341 021r.jpg|3|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|4|lbl=-}}

|- 
| 
| <p>[111] {{red|b=1|This is the text about the conclusion of the entire Recital}}</p>
{| class="zettel"
|- 
| <small>102</small>
| Whoever commands well and properly breaks,<br/>&emsp;And tenaciously corrects completely,
|- 
| <small>103</small>
| And breaks apart,<br/>&emsp;Each into three wounders;
|- 
| <small>104</small>
| Whoever properly hangs well,<br/>&emsp;And with that brings the winding,
|- 
| <small>105</small>
| And considers the eight windings,<br/>&emsp;With proper movement<ref>shifting, balance</ref>;
|- 
| <small>106</small>
| And yet I mean your one<br/>&emsp;Of the windings are triple,
|- 
| <small>107</small>
| So are they simply counted<br/>&emsp;Twenty and four.
|- 
| <small>108</small>
| From both sides<br/>&emsp;Learn eight windings with stepping,
|- 
| <small>109</small>
| And test the drives [for]<br/>&emsp;Nothing more than soft or hard.
|}
<p>{{red|b=1|Gloss}}. This is a lesson, therein the art of<ref>"Art of" omitted from the Dresden.</ref> the record is skillfully understood.<ref>A., D. "shortened for you to understand".</ref> It is taught thusly so that you shall be quite well<ref>"Quite well" omitted from the Augsburg.</ref> practiced and accomplished<ref>Dresden reverses these.</ref> in the art. Also, so that you can appropriately command any attack and play<ref>"Also so that… play" omitted from the Dresden.</ref> according to that which you fence with, so that you therefore correctly<ref name="word-d"/> know to deploy your break against his plays, so that you may work with three wounders from each particular break.</p>
| 
{{section|Page:MS Dresd.C.487 123v.png|1|lbl=123v|p=1}} {{section|Page:MS Dresd.C.487 124r.png|1|lbl=124r|p=1}}
| {{section|Page:MS E.1939.65.341 021r.jpg|4|lbl=-}}
| {{section|Page:MS Var.82 013v.png|2|lbl=-}}
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|5|lbl=-}}

|- 
| 
| <p>[112] {{red|b=1|Item}}.<ref name="word-ad"/> You shall also properly hang upon the sword and from the hangings you shall bring eight windings, and you shall also consider and properly estimate<ref>''wägen'': "to have weight, to lay on a scale, to estimate"; it has a bunch of other senses that are provocative to the action at hand, such as: "to poise, balance, to stir up or agitate, to incite a response", but there's not enough in the text to make it a defensible choice.</ref><ref>"And properly estimate" omitted from the Dresden.</ref> the windings, so that you know to deploy which one of the said three.</p>
| {{section|Page:MS Dresd.C.487 124r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 021r.jpg|5|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|6|lbl=-}}

|- 
| 
| <p>[113] {{red|b=1|Here note how you shall deploy the hangings and the windings}}</p>

<p>Item.<ref name="word-d"/> Understand it thusly: there are four bindings-on of the sword, two over and<ref name="word-a"/> two under. You shall only deploy two particular windings from each binding-on of the sword.<ref>"The sword" omitted from the Augsburg and the Glasgow.</ref></p>
| {{section|Page:MS Dresd.C.487 124r.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 021v.jpg|1|lbl=21v}}
| 
| <p><br/><br/></p>

{{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|7|lbl=-}}

|- 
| 
| <p>[114] {{red|b=1|Item}}.<ref name="word-ad"/> Do<ref>D. "understand".</ref> it thusly: When you come to him with the onset,<ref name="clause-d"/> if he then binds-on to you above against your left side, so wind the short edge upon his sword and drive well up with the arms, and hang-in your point to him above and thrust into his face. If he displaces the thrust with strength,<ref>"With strength" omitted from the Dresden.</ref> allow your point to hang-in above upon the sword, and wind to your right side and thrust.<ref>"And thrust" omitted from the Dresden.</ref> These are two windings on one side of the<ref>"Of the" omitted from the Glasgow.</ref> sword.</p>
| 
{{section|Page:MS Dresd.C.487 124r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 124v.png|1|lbl=124v|p=1}}
| {{section|Page:MS E.1939.65.341 021v.jpg|2|lbl=-}}
| 
| 
{{section|Page:Reichsstadt "Schätze" Nr. 82 014r.jpg|8|lbl=-|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 014v.jpg|1|lbl=14v|p=1}}

|- 
| 
| <p>[115] {{red|b=1|Item.<ref name="word-ag"/> Or}}<ref name="word-a"/> if he binds-on above against your right side, wind the long edge upon his sword also against your right side and drive well up with the arms, and hang-in your point to him above, and thrust-in the point above<ref>"-In the point above" omitted from the Dresden and the Glasgow.</ref> into his face. If he displaces the thrust with strength, allow your point to hang-in above upon the sword, and wind to your left side and thrust. These are four windings from the two over-bindings-on,<ref>A. "over-windings-upon".</ref> from<ref>A. "and".</ref> the left and from<ref name="word-g"/> the right sides.</p>
| 
{{section|Page:MS Dresd.C.487 124v.png|2|lbl=124v|p=1}} {{section|Page:MS Dresd.C.487 048r.png|1|lbl=48r|p=1}}
| {{section|Page:MS E.1939.65.341 021v.jpg|3|lbl=-}}
| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014v.jpg|2|lbl=-}}

|- 
| 
| <p>[116] {{red|b=1|Item.<ref name="word-a"/> Now you shall know}} that you shall also deploy four windings from the two under-bindings-on with all attacks, as from the over[-bindings-on]. Thus the windings, over and under, become eight. And<ref name="word-g"/> remember that you shall deploy one particular hew, or<ref name="word-ag"/> one<ref name="word-d"/> cut, or<ref>D. "and"; omitted from the Augsburg and the Glasgow.</ref> one thrust, from each winding. And<ref name="word-ag"/> this is called the<ref name="word-ag"/> three wounders. From those, one can and shall<ref>"And shall" omitted from the Augsburg and the Glasgow.</ref> deploy them from the eight windings into twenty-four instances. And you shall properly learn to deploy the eight windings from both sides, so that you step in<ref>"You step towards" omitted from the Dresden.</ref> with each winding,<ref>D. "wounder".</ref> and you test his attack, no more than<ref name="word-ag"/> if he is soft or hard upon the sword. And when you have sensed these two things, deploy the play into the winding which is called for. Whenever you do not do this, you become struck by all windings.</p>
| 
{{section|Page:MS Dresd.C.487 048r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 048v.png|1|lbl=48v|p=1}}
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| 
| {{section|Page:Reichsstadt "Schätze" Nr. 82 014v.jpg|3|lbl=-}}

|}
{{master end}}

{{master begin
 | title = Additional Long Sword Teachings
 | width = 174em
}}
{| class="floated master" style="clear:right;"
|- 
! id="thin" | <p>Images</p>
! <p>{{rating|C}}<br/>by [[Christian Trosclair]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (ca. 1570){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516)<br/> by [[Michael Chidester]]</p>

|- 
| 
| <p>[117] {{red|b=1|Here note how one shall fence with the long sword from the guard which is called the iron-gate [or] side-guard,<ref>D. ''nebenhůtten'': "side-guard"; G. '' Eysenen pfort'', "iron-gate"; P. uses both interchangeably in this section.</ref> and how one shall execute the sweeps<ref>''streichn''.</ref> from it. For there are many good plays which come from this, which many masters of the sword know nothing to speak about them.}}<ref>D. "Here note to fence from the side-guards, that is, also the sweeps"; P. "Play in the sweeping-upon".</ref></p>
| {{section|Page:MS Dresd.C.487 049r.png|1|lbl=49r}}
| {{section|Page:MS E.1939.65.341 022v.jpg|1|lbl=22v}}
| 
| <p><small style="font-weight:normal; vertical-align:text-bottom;">[D4r]</small> '''STVCK ym auftreichñ'''</p>

|- 
| 
| <p>[118] Know that [there] is good fencing from the sweeps, although<ref>''wiewohl''.</ref> they are not named in the Recital. Yet the plays from the Recital arise when one fences from them. And one shall execute the sweeps from the left side, because when they are from the right they are not as certain as from the left.<ref>G. "Item. Know that one shall execute the sweeps from the iron-gate from the left side because it is not as certain from the right."</ref></p>
| {{section|Page:MS Dresd.C.487 049r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 022v.jpg|2|lbl=-}}
| 
| 

|- 
| [[File:Paurñfeyndt 6.jpg|300px|center]]
| <p>[119] {{red|Item.<ref name="word-p">Word omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> Execute the first play thusly}}:<ref name="clause-dp">Clause omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> when you lay in the side-guard to your left side and someone cleaves-in to you downward from above,<ref>P. "from his right shoulder".</ref> so firmly sweep onto his sword with the short edge. If he holds<ref>''wiederhalten'': lit. "hold against"; "to withstand, resist".</ref> strongly against [it] and is not too high with the hands, double-in<ref>''einduplieren''.</ref> with the short edge (between him and his sword) on the left side to his neck.<ref name="ear-p">P. "ear".</ref></p>
| 
{{section|Page:MS Dresd.C.487 049r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 049v.png|1|lbl=49v|p=1}}
| {{section|Page:MS E.1939.65.341 022v.jpg|3|lbl=-}}
| 
| <p>Wan du lei&#383;t yn der nebñ huet auf deiner linckñ &#383;eitñ / vud ainer haut auf dich ain oberhau von &#383;einer rechten axel &#383;o &#383;treich von vndñ auf va&#383;t yn &#383;ein &#383;chwert mit der kurc&#658;ñ &#383;cneid / helt er &#383;tarck wider vñ i&#383;t nit hoch mit den hendñ / &#383;o duplier c&#658;wi&#383;chñ dem man vñ &#383;einem &#383;chwert ein / mit der kurc&#658;en &#383;chneid c&#658;u &#383;einem lincken or</p>

|- 
| 
| <p>[120] {{red|Item.<ref name="word-p"/> When one sweeps}}-on to the sword {{red|as before}},<ref>"As before" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> if he holds strongly against, so strike-around quickly<ref>"-Around quickly" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> with the thwart-cut to his left side, and double-in again<ref name="word-g"/> to his right side, between the man and the<ref>"The man and the sword" replaced by "his" in ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> sword, with the long edge on his<ref name="the-g"/> neck.<ref name="ear-p"/></p>
| 
| {{section|Page:MS E.1939.65.341 022v.jpg|4|lbl=-}}
| 
| <p>Wan du auff &#383;treich&#383;t an &#383;ein &#383;chwert helt er &#383;tarck wider / &#383;o &#383;clach mit der twer &#383;eine lin/cken &#383;eittñ / vnd duplier aber c&#658;wi&#383;chñ &#383;einem &#383;chwert vñ &#383;clach c&#658;u &#383;einem rechtñ or mit der langen &#383;chneidt</p>

|- 
| 
| <p>[121] {{red|Item.<ref name="word-p"/> When you sweep underneath<ref name="word-d"/> onto his sword}} as before, and<ref name="word-dg"/> if he is then soft upon the sword and low with the hands,<ref>"And low with the hands" omitted from the Glasgow.</ref> so cleave-in straight<ref>"-In straight" omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> above with the long edge to the opening at hand.<ref>"At hand" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref></p>
| {{section|Page:MS Dresd.C.487 049v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 022v.jpg|5|lbl=-}}
| 
| <p>Wen du vndñ auf &#383;treich&#383;t an &#383;ein &#383;chwert vnd i&#383;t er waich am &#383;chwert vñ nider mit den hendñ &#383;o hav ym mit der langñ &#383;chneid obñ nach der ple&#383;&#658;</p>

|- 
| 
| <p>[122] {{red|Item. When you sweep onto his sword}},<ref name="clause-d"/> or<ref name="word-g"/> if he falls with the sword strongly onto yours, so drive quickly above his sword with the pommel, and remain thereupon with the hands<ref name="clause-g"/> and allow your<ref name="the-d"/> point backwards to your left side,<ref>"To your left side" omitted from the Glasgow.</ref> and snap-off from the sword and strike<ref>"Off from the sword and strike" omitted from the Dresden.</ref> with the short side to the head.<ref>D. ''haüpt'', G. ''kopf''.</ref></p>
| {{section|Page:MS Dresd.C.487 049v.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 022v.jpg|6|lbl=-}}
| 
| 

|- 
| 
| <p>[123] {{red|Item. When you sweep}} onto his sword, if he then<ref name="word-d"/> drives high up and winds, so strike him in the right side with outstretched arms, and with that step to the back.</p>
| {{section|Page:MS Dresd.C.487 050r.png|1|lbl=50r}}
| {{section|Page:MS E.1939.65.341 022v.jpg|7|lbl=-}}
| 
| 

|- 
| 
| <p>[124] {{red|Item.<ref name="word-p"/> When you sweep onto his sword}}, if he drives high up and winds, so strengthen with the long edge. If he then strikes-around again<ref name="word-dg"/> with the thwart, so strike him into the left side with a step away.</p>
| {{section|Page:MS Dresd.C.487 050r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 023r.jpg|1|lbl=23r}}
| 
| <p>Wan du ym &#383;treich&#383;t an das &#383;chwert fert er hoch auf vnd windt / &#383;o &#383;teck mit der langen &#383;chneidt / &#383;chlecht er aber mit der twer / &#383;o &#383;chlach yn indie linck &#383;eitten mit ainem ab trit</p>

|- 
| 
| <p>[125] {{red|Item}}.<ref name="word-p"/> When you lay in the side-guard or<ref>"You lay… guard, or" omitted from the Dresden and the Glasgow.</ref> {{red|you execute the sweeps to the man}}, and if he then holds his sword athwart before him and is high with the arms and wishes to fall onto your sword, so sweep onto his sword below and slash him on the arm, or jab<ref>''stoß''; this could either be to stab him or hit him.</ref> him under his sword<ref>"Him under his sword" omitted from the Dresden and Glasgow.</ref> on the<ref name="word-p"/> chest.</p>
| 
{{section|Page:MS Dresd.C.487 050r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 050v.png|1|lbl=50v|p=1}}
| {{section|Page:MS E.1939.65.341 023r.jpg|2|lbl=-}}
| 
| <p>Wan du lig&#383;t in der neben huet / oder treib&#383;t die &#383;treichñ c&#658;u dem man / helt er dan &#383;ein &#383;ch/wert twerchs vor ym / vñ wil dir auf dein &#383;chwert vallñ / vnd i&#383;t er hoch mit den armen / &#383;o &#383;treich ym vnden an das &#383;chwert / vnd &#383;to&#383;&#658; yn vnder &#383;einem &#383;chwert in pru&#383;t</p>

|- 
| rowspan="2" | [[File:Paurñfeyndt 5.jpg|300px|center]]
| <p>[126] {{red|Item.<ref name="word-dp">Word omitted from the Dresden and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> If he is low with the hands}} and will fall<ref>P. ''farñ'': "drive".</ref> upon you, so sweep-through to the other side and jab him in the chest. So have [you] changed-through.</p>
| {{section|Page:MS Dresd.C.487 050v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 023r.jpg|3|lbl=-}}
| 
| <p><small style="font-weight:normal; vertical-align:text-bottom;">[E1r]</small> IST er nider mit den henden / vnd wil auff farñ / &#383;o &#383;treich durch / vnd &#383;to&#383;&#658; yn c&#658;v der pru&#383;t auf die ander &#383;eittñ da&#383;&#658; i&#383;t durch gewech&#383;elt</p>

|- 
| <p>[127] {{red|Item.<ref name="word-p"/> When you sweep-through}}, so fall on his sword with the long edge and wind to your left side (such that your thumb comes under), and drive with the long edge upon the right side of<ref>"Side of" omitted from the Dresden and Glasgow.</ref> his neck with the strong, and spring with the right foot behind his left<ref>"Behind his neck" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> and move him with the sword<ref>Marginalia: The word ''schrit'' ("a step") appears over the word "sword" in the Dresden, and ''schret'' ("a step or make a step") appears under.</ref> thereover.</p>
| {{section|Page:MS Dresd.C.487 050v.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 023r.jpg|4|lbl=-}}
| 
| <p>Wandu durch &#383;treich&#383;t / &#383;o fall ym mit der langñ &#383;chneidt auf &#383;ein &#383;chwerdt / vñ windt auf dein lincke &#383;eittñ das dein daum vnden kumpt / vnd var ym mit der langen &#383;chneidt mit der &#383;terck an &#383;ein rechte &#383;eittñ de&#383;&#658; hal&#383;&#658; / vnd &#383;pring mit dem rechtñ fu&#383;&#658; vnd ruck yn mit deim &#383;cwerdt dar vber</p>

|- 
| 
| <p>[128] {{red|Item.<ref name="word-p"/> When you change-through from the sweeps}} and arrive on the other side on top<ref>''obenauf''.</ref> of his sword, you may execute the play just as well as before to the other<ref>D. "opposite".</ref> side, with fleshwounds and with all things as before (to all sides).<ref>"As before (to all sides)" omitted from the Dresden and the Glasgow.</ref></p>
| 
{{section|Page:MS Dresd.C.487 050v.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 051r.png|1|lbl=51r|p=1}}
| {{section|Page:MS E.1939.65.341 023r.jpg|5|lbl=-}}
| 
| <p>Wan du au&#383;&#658; dem &#383;treichñ durch wech&#383;el&#383;t / vñ kumb&#383;t &#658;v der anderñ &#383;eittñ obñ auff &#383;ein &#383;chwerdt / &#383;o mag&#383;tu die &#383;tuck gleich als wol treibñ als vor mit c&#658;eckrurñ / vñ mit allñ din/gñ al&#383;&#658; vor auff allñ &#383;eitñ</p>

|- 
| 
| <p>[129] {{red|b=1|Note an onset from the setting-aside}}</p>

<p>{{red|Item.<ref name="word-gp">Word omitted from the Glasgow and ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> When you fence with someone and when you come closing in to him}}, so approach in the plow, and drive it swiftly with winding from one side to the other and such that your point always<ref name="word-dg"/> stands still in front,<ref>"In front" omitted from the Dresden.</ref> and from that you may execute the parries;<ref>Alternately: "parrying(s)".</ref> this is the “nearing”<ref name="nearing">I.e. closing-in. It is not "the ''nach''" (after) because ''nach'' is neuter and would be ''das nach''. G. also writes ''die neche''. ''næhe'' could also be "the boat".</ref> and into that you may strengthen with the long edge, and from that execute all the afore-named plays. You may also set-aside cuts and thrusts, and break them simply with winding, and seek the openings with the point.</p>
| 
{{section|Page:MS Dresd.C.487 051r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 051v.png|1|lbl=51v|p=1}}
| {{section|Page:MS E.1939.65.341 023r.jpg|6|lbl=-}}
| 
| <p>'''Fechtñ au&#383;&#658; dem ab&#383;ec&#658;en'''</p>

<p>Wan du mit ainem fich&#383;t / vnd nahendt c&#658;u ym kum&#383;t / &#383;o kum in den phflug / vnd treib den behendlich mit wendñ von ainer &#383;eitñ c&#658;u der andrñ / vnd da&#383;&#658; dein ort alweg vor dir pleib / au&#383;&#658; dem mag&#383;tu treibñ da&#383;&#658; ver&#383;ec&#658;ñ / da&#383;&#658; i&#383;t die nech / vnd yn dem mag&#383;tu &#383;terckñ mit der langen &#383;chneidt / vnd dar au&#383;&#658; treiben alle vor geende &#383;tuch / auch mag&#383;tu hew vnd &#383;tich ab&#383;ec&#658;ñ vnd die flechlichñ prechñ / vnd mit dem ort die ple&#383;&#658; &#383;uchen</p>

|- 
| [[File:Paurñfeyndt 14.jpg|300px|center]]
| <p>[130] {{red|b=1|The barrier-guard,<ref>P. "side-guard".</ref> make it thusly:}}</p>

<p>{{red|Item.<ref name="word-p"/> When you fence with someone and come closing into him}}, so stand with the left foot forward and lay the sword with the point upon the ground to your right side and<ref name="word-p"/> such that the long edge is above; and from the left side, the short edge below<ref name="word-g"/> and the right<ref name="word-d"/> foot stands<ref name="word-g"/> forward.<ref>"And from… stands forward" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> This goes to both sides.<ref name="sentence-dg">Sentence omitted from the Dresden and the Glasgow.</ref></p>
| {{section|Page:MS Dresd.C.487 051v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 023v.jpg|1|lbl=23v}}
| 
| <p><small style="font-weight:normal; vertical-align:text-bottom;">[E2r]</small> '''Nebñ Hut'''</p>

<p>Wan du mit ainem fich&#383;t / vñ nahendt c&#658;u ym kum&#383;t / &#383;o &#383;te mit dem linckñ fu&#383;&#658; vor vnd leg das &#383;chwerdt mit dem ort auf die erdt c&#658;u deiner rechtñ &#383;eittñ/das die lang &#383;chneid obñ &#383;ey da&#383;&#658; get c&#658;u paiden &#383;eittñ</p>

|- 
| 
| <p>[131] {{red|b=1|This play executes from the barrier-guard<ref>P. "side-guard".</ref> thusly:}}</p>

<p>Item.<ref name="word-p"/> If one cuts above to you or from under up (or wherever it otherwise is),<ref name="clause-dg">Clause omitted from the Dresden and the Glasgow.</ref> so cleave-in to him crooked into the opening with a step-out.</p>
| {{section|Page:MS Dresd.C.487 051v.png|3|lbl=-}}
| {{section|Page:MS E.1939.65.341 023v.jpg|2|lbl=-}}
| 
| <p>'''Stuck au&#383; der Nebñ hut'''</p>

<p>Haut dir ainer obñ c&#658;u / oder &#383;un&#383;t wo e&#383;&#658; &#383;ey / &#383;o haw du ym krump ein &#658;u der ple&#383;&#658; mit ainẽ au&#383;&#658; trit</p>

|- 
| 
| <p>[132] Item. Or cut him crooked to the flats and as soon as it sparks, seek the “nearing”<ref name="nearing"/> with the short edge.</p>
| 
{{section|Page:MS Dresd.C.487 051v.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 052r.png|1|lbl=52r|p=1}}
| {{section|Page:MS E.1939.65.341 023v.jpg|3|lbl=-}}
| 
| 

|- 
| 
| <p>[133] Item.<ref name="word-p"/> Or execute the inverter into his face with the point, and when he binds-on to you, so strengthen with the long edge and [you] may execute any plays which are afore named in the striking.</p>
| {{section|Page:MS Dresd.C.487 052r.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 023v.jpg|4|lbl=-}}
| 
| <p>Treib den verkerer ein mit dem ort c&#658;u &#383;einem g&#383;icht / vnd wan er anpindt / &#383;o &#383;terk mit der langñ &#383;chneidt / vnd mag&#383;t alle &#383;tuck treiben die vorgeendt &#383;eindt in dem &#383;treichñ</p>

|- 
| 
| <p>[134] {{red|b=1|This is called the little-wheel}}</p>

<p>{{red|Item.<ref name="word-p"/> When you fence with another, so stretch your arm from you long}} and such that your thumb remains upon the sword above, and wind the sword<ref name="word-g"/> around with the point in front of you, just like a little-wheel; with that you may execute<ref name="clause-dg"/> from below swiftly to your left side and with that<ref>"With that" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> go to the man, and from that you may change-through or bind-on to whichever side you wish, and when you have bound-upon, you may execute whatever play you wish that you think best,<ref>P. "convenient".</ref> as before.<ref name="clause-g"/><ref>P. "then escape afterwards".</ref></p>
| 
{{section|Page:MS Dresd.C.487 052r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 052v.png|1|lbl=52v|p=1}}
| {{section|Page:MS E.1939.65.341 023v.jpg|5|lbl=-}}
| 
| <p>'''Au&#383;&#658; legung de&#383;&#658; Rac&#658;'''</p>

<p>Wan du mit ainem fich&#383;t / &#383;o &#383;treck dein arm͂ lang von dir / vñ da&#383;&#658; dein daum obñ pleib auff dem &#383;chwerdt / vñ wendt da&#383;&#658; &#383;chwerdt von dir mit dem ort / darmit du auftreiben mag&#383;t / von vndñ auff deiner linckñ &#383;eittñ behendt / vñ gee c&#658;u dem man / dar au&#383;&#658; mag&#383;tu auff wel/che &#383;eitten du wildt durchwech&#383;lñ / oder wa&#383;&#658; &#383;tuck dir fuglich i&#383;t / dẽ pfortail nach</p>

|- 
| 
| <p>[135] {{red|b=1|Also break the thwart}}</p>

<p>{{red|Item.<ref name="word-p"/> When you stand in the<ref name="word-d"/> guard from-the-roof and one}} cuts {{red|you}} with the thwart, simultaneously cleave-in to him with the wrath-cut, and bind on<ref>"Bind on" omitted from the Dresden and the Glasgow.</ref> his sword with strength, and seek the openings with the point;<ref name="clause-p">Clause omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> and if he then<ref name="word-p"/> wishes to strike-around it to the other side<ref>"To the other side" omitted from ''Ergrundung Ritterlicher Kunst der Fechterey''.</ref> with the thwart, so come before with the thwart under his sword to his neck, or slice him with the long edge into the arm when he strikes-around.<ref>P. "So thwart in before to his neck".</ref></p>
| {{section|Page:MS Dresd.C.487 052v.png|2|lbl=-}}
| 
{{section|Page:MS E.1939.65.341 023v.jpg|6|lbl=-|p=1}} {{section|Page:MS E.1939.65.341 024r.jpg|1|lbl=24r|p=1}}
| 
| <p>'''Twer Hew prechñ'''</p>

<p>Wan du &#383;te&#383;t in der hut vom tag / vñ ainer auf dich haut mit der twer / &#383;o haw den &#658;orñhaw gleich mit ym ein vnd pindt ym &#383;tarck mitten auff &#383;ein &#383;chwerdt vñ wil er vm&#383;chlahñ mit der twer / &#383;o twer ym vorñ c&#658;u &#383;einẽ hal&#383;&#658; / auch mag&#383;tu alle &#383;tuck treibñ als in dem &#383;treichñ</p>

|- 
| [[File:Paurñfeyndt 15.jpg|300px|center]]
| <p>[136] {{red|b=1|A break against the break}}</p>

<p>Item.<ref name="word-dg"/> {{red|Note}},<ref name="word-d"/> when you thwart, and one wishes to also come before ahead with the thwart under your sword on the neck, so fall-down<ref name="word-gp"/> in-the-moment<ref name="word-d"/> with the long edge strongly onto his sword, thus is it broken. And<ref name="word-d"/> take the nearest opening which may appear to you.</p>
| {{section|Page:MS Dresd.C.487 053r.png|1|lbl=53r}}
| {{section|Page:MS E.1939.65.341 024r.jpg|2|lbl=-}}
| 
| <p><small style="font-weight:normal; vertical-align:text-bottom;">[E3r]</small> '''Ain Anders'''</p>

<p>MERCK wan du twer&#383;t vnd dir ainer auch mit der twer wil uorñ vor kumen vnder dein &#383;chwerdt an den hal&#383;&#658; / &#383;o vall ym indes mit der langñ &#383;chneidt &#383;tarck auff &#383;ein &#383;chwerdt / &#383;o i&#383;t es geprochen / vnd nym die nech&#383;t ple&#383;&#658; an dye dir werden mag</p>

|- 
| 
| <p>[137] {{red|b=1|Against the slice below into the arms<ref>P. "From the wrath-cut".</ref>}}</p>

<p>{{red|Item}}.<ref name="word-p"/> When you fence someone and if [you]<ref>"Fence someone and if [you]" omitted from the Dresden and the Glasgow.</ref> cleave-in to him with the wrath-cut (or otherwise)<ref>"With the wrath-cut or otherwise" omitted from the Dresden and the Glasgow.</ref> from above downward,<ref name="word-dg"/> and he parries it and drives high with the hilt,<ref>P. "arms".</ref> and you as well,<ref name="clause-p"/> and [you] both<ref name="word-dg"/> run-in with each other, so take the under-slice; and if he is then so prudent and wishes to take<ref>D., G. "will take".</ref> the under-slice to you, under your hands into the arms, follow-after underneath his sword with the long edge and press down; thus you have broken it, and seek the openings.</p>
| 
{{section|Page:MS Dresd.C.487 053r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 053v.png|1|lbl=53v|p=1}}
| {{section|Page:MS E.1939.65.341 024r.jpg|3|lbl=-}}
| 
| <p>'''Vom &#658;orn haw'''</p>

<p>Wan du mit ainem fich&#383;t / vnd hau&#383;t ym ein mit dem &#658;orñhaw / oder &#383;un&#383;t von oben nider / vud er dir das ver&#383;ec&#658;t / vnd fert hoch auff mit den armen / vnd lauft paidt einander ein / vñ i&#383;t er dan &#383;o fur&#383;ichtig vñ will dir dein &#383;chnidt nemen vnder den hendñ in die arm͂ / &#383;o volg &#383;einem &#383;chwerdt nach vndr&#383;ich mit der langñ &#383;chneidt vñ truck nider / &#383;o ha&#383;tus prochñ</p>

|- 
| 
| <p>[138] {{red|Item.<ref name="word-p"/> But when you come high with the arms, and if he also goes}} thusly and again runs-in, and if he will then jab with the pommel [either] through the arms, under your hands, under the eyes, or on the chest, then drive below with the pommel strongly with the arms, and move into him<ref>Sic, lit. "you".</ref> and strike him with your sword upon his head;<ref>"And move… his head" omitted from the Dresden and the Glasgow.</ref> thus you have broken it.<ref name="clause-p"/></p>
| {{section|Page:MS Dresd.C.487 053v.png|2|lbl=-}}
| {{section|Page:MS E.1939.65.341 024r.jpg|4|lbl=-}}
| 
| <p>Wan du aber hoch mit den armen kum&#383;t / vnd ainer auch al&#383;o/ vnd laufft dir ein vñ wolt er dich den mit dem knopf durch dein arm͂ vnder deinen lendñ / vnder die augñ / oder in die pru&#383;t &#383;to&#383;&#383;ñ / &#383;o var vnder&#383;ich mit dem knopf &#383;tarck mit den armen / vud ruck an dich / vnd &#383;chlach yn mit deim &#383;chwerdt auff &#383;ein kopf</p>

|- 
| 
| <p>[139] {{red|Item. When you have bound-upon with someone and if he}} changes-through with the pommel and falls with the half-sword, this breaks simply with the over-slice; and in the slice,<ref name="clause-g"/> you may fall into the half sword and set-upon him.</p>
| 
{{section|Page:MS Dresd.C.487 053v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 054r.png|1|lbl=54r|p=1}}
| {{section|Page:MS E.1939.65.341 024r.jpg|5|lbl=-}}
| 
| 

|}
{{master end}}

{{master begin
 | title = Short Sword Gloss
 | width = 174em
}}
{| class="floated master" style="clear:right;"
|- 
! id="thin" | <p>Images</p>
! <p>{{rating|Start|Verse}} by [[Mike Rasmusson]]<br/>{{rating|Start|Dresden Gloss}} by [[David Rawlings]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (ca. 1570){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Transcription]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>by [[Dierk Hagedorn]]</p>

|- 
| rowspan="2" | [[File:MS Dresd.C.487 088r.png|300px|center]]
| <p>'''In St George's name here begins the art.'''</p>
| {{section|Page:MS Dresd.C.487 088r.png|1|lbl=88r}}
| 
| 
| 

|- 
| <p>[1] {{red|b=1|Here begins the earnest fight on horse and foot}}</p>

<p>It begins here with Mr Johann Liechtenaurs fence in the mail coat. This he has put down in secret words. That stands now laid out and explained, therefore every fencer can understand the art, who already understands how to fence.</p>
| {{section|Page:MS Dresd.C.487 089r.png|1|lbl=89r}}
| <p><br/></p>

{{section|page:MS E.1939.65.341 083r.jpg|1|lbl=83r}}
| <p><br/></p>

{{section|Page:MS Var.82 098r.png|2|lbl=98r}}
| <p><br/></p>

{{section|Page:MS 26-232 105r.png|1|lbl=105r}}

|- 
| 
| <p>[2] {{red|b=1|Fight with the spear}}</p>

<p>He who dismounts<br/>begins fencing on foot<br/>He places his spear<br/>two stances to wield weapons right</p>

<p>When two fight together in coats of mail, then each of them will have three different weapons: A spear, a sword and a dagger. And the begining of the fight will occur with the spear. So you should prepare yourself with two ground positions, just as is now explained.</p>
| 
{{section|Page:MS Dresd.C.487 089r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 089v.png|1|lbl=89v|p=1}}
| {{section|page:MS E.1939.65.341 083r.jpg|2|lbl=-}}
| 
{{section|Page:MS Var.82 098r.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 098v.png|1|lbl=98v|p=1}}
| {{section|Page:MS 26-232 105r.png|2|lbl=-}}

|- 
| 
| <p>[3] {{red|b=1|The first ground position}}</p>

<p>Spear and point then before stabs,<br/>stab without force<br/>Spring wind attack him<br/>onward disengage to face him on</p>

<p>When you are both down from the horses, Then stand with your left foot forward and hold the spear ready to throw. And close to him thus; so that the left foot always stays in front. And wait, so that you can throw before him. And follow on at once shooting forward with the sword, then he cannot safely cast against you, and grip the sword.</p>
| 
{{section|Page:MS Dresd.C.487 089v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 090r.png|1|lbl=90r|p=1}}
| {{section|page:MS E.1939.65.341 083r.jpg|3|lbl=-}}
| {{section|Page:MS Var.82 098v.png|2|lbl=-}}
| 
{{section|Page:MS 26-232 105r.png|3|lbl=-|p=1}} {{section|Page:MS 26-232 105v.png|1|lbl=105v|p=1}}

|- 
| 
| <p>[4] {{red|b=1|The second ground position}}</p>

<p><br/><br/></p>

<p>When you would not shoot [throw] your spear, then hold it next to your right side in the lower guard and go to him thus. And stab him bravely from underneath at his face, before he does it [to you]. If he jabs at the same time or sets aside, then drive up in the high guard. So that his point remains on your left arm. Stab him at once with the point over his arm into his face. If he then drives up and sets aside with his left arm then jerk down and set the point in the opening of his left arm pit.</p>
| 
{{section|Page:MS Dresd.C.487 090r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 090v.png|1|lbl=90v|p=1}}
| 
{{section|page:MS E.1939.65.341 083r.jpg|4|lbl=-|p=1}} {{section|page:MS E.1939.65.341 083v.jpg|1|lbl=83v|p=1}}
| 
{{section|Page:MS Var.82 098v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 109r.png|4|lbl=109r|p=1}} {{section|Page:MS Var.82 109v.png|1|lbl=109v|p=1}}
| <p><br/></p>

<p><br/><br/></p>

<p>{{section|Page:MS 26-232 105v.png|2|lbl=-|p=1}} {{section|Page:MS 26-232 107v.png|3|lbl=107v|p=1}}</p>

|- 
| 
| <p>[5] {{red|b=1|The jerk with the spear}}</p>

<p>If you will stab ahead<br/>with disengaging break the defense</p>

<p>When you stab from the lower guard, and he sets [it] aside with his spear, and his point to the side and goes beyond you [pushes out], then jerk through and stab him to the other side. Or if he stays with the point before his face, then don't jerk. But remain with the spear on his and wind to the next opening, that he opens to you.</p>
| 
{{section|Page:MS Dresd.C.487 090v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 091r.png|1|lbl=91r|p=1}}
| {{section|page:MS E.1939.65.341 083v.jpg|2|lbl=-}}
| {{section|Page:MS Var.82 109v.png|2|lbl=-}}
| {{section|Page:MS 26-232 107v.png|4|lbl=-}}

|- 
| 
| <p>[6] {{red|b=1|The traveling after with the spear.}}</p>

<p>Mark if he will pull back<br/>from injury and will fly<br/>Then you should close<br/>to wisely deploy blocks</p>

<p>When you stab and he sets aside and loosens himself from the bind, then follow quickly with the point. Strike him with it. Then press [push] him in that way back. If he now wishes to flee backwards before the stab and turns aside close to you. Then run in on this side and grip him with such wrestleing grips and arm breaks, just as you find described in the following.</p>
| 
{{section|Page:MS Dresd.C.487 091r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 091v.png|1|lbl=91v|p=1}}
| 
{{section|page:MS E.1939.65.341 083v.jpg|3|lbl=-|p=1}} {{section|page:MS E.1939.65.341 084r.jpg|1|lbl=84r|p=1}}
| {{section|Page:MS Var.82 110r.png|1|lbl=110r}}
| {{section|Page:MS 26-232 108r.png|1|lbl=108r}}

|- 
| 
| <p>[7] {{red|b=1|The battle wrestle.}}</p>

<p>If you would wrestle<br/>legs back rightly teach springing<br/>trap before shooting<br/>That you shoot front leg artfully</p>

<p>When you come in to fight him, then you should know, just as you should step in front or behind his leg, you should no longer need to step.</p>
| {{section|Page:MS Dresd.C.487 091v.png|2|lbl=-}}
| 
| 
{{section|Page:MS Var.82 110r.png|2|lbl=-|p=1}} {{section|Page:MS Var.82 103r.png|2|lbl=103r|p=1}}
| {{section|Page:MS 26-232 108r.png|2|lbl=-}}

|- 
| 
| <p>[8] </p>

<p>When you [come to] each other, then be aware which foot he sets forward, then strike him to the left side with your right [foot]. From the beating aside, spring to him with your right foot behind his left, and press behind his knee joint with your right knee, and using both hands tear him backwards over your knee.</p>
| 
{{section|Page:MS Dresd.C.487 091v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 092r.png|1|lbl=92r|p=1}}
| 
| {{section|Page:MS Var.82 103r.png|3|lbl=-}}
| 
{{section|Page:MS 26-232 108r.png|3|lbl=-|p=1}} {{section|Page:MS 26-232 108v.png|1|lbl=108v|p=1}}

|- 
| 
| <p>[9] '''Or try the following.'''</p>

<p>When you spring with your right foot behind his left, then go with your left foot between his legs. Clamp his left knee between both of your legs and hold it firmly. Push/thrust him in front against his forehead with your left hand, and with your right draw him backwards to behind him.</p>
| {{section|Page:MS Dresd.C.487 092r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 103r.png|4|lbl=-}}
| 
{{section|Page:MS 26-232 108v.png|2|lbl=-}}

|- 
| 
| <p>[10] {{red|b=1|The Text}}</p>

<p>From both hands<br/>if you would conclude well with art</p>

<p>You should control all wrestling techniques on both sides. therefor you'll counter all that he attempts against you. When you have sprung with your right foot behind his left foot and he climbs back with his left foot, then follow him quickly to the other side with your left foot to behind his right foot. And throw him over over your knee with or lock his knee with both of your legs, as described earlier.</p>
| 
{{section|Page:MS Dresd.C.487 092r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 092v.png|1|lbl=92v|p=1}}
| 
| {{section|Page:MS Var.82 103r.png|5|lbl=-}}

{{section|Page:MS Var.82 103v.png|1|lbl=103v}}
| {{section|Page:MS 26-232 108v.png|3|lbl=-}}

|- 
| 
| <p>[11] {{red|b=1|Sword against spear. Parry with the halfsword.}}<ref>R. and V. seems to match the [[Pseudo-Peter von Danzig]] gloss.</ref><br/></p>

<p>If you've been reversed<br/>the sword against spear will go seek<br/>The weapon will take the stab<br/>Spring to wrestle reach to him</p>

<p>When you have thrown your spear and he has kept his, then place yourself in the following position: Grip your sword in the middle of the blade and place it before your left knee in the guard. Or hold it next to your right side in the lower guard.</p>
| 
{{section|Page:MS Dresd.C.487 092v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 093r.png|1|lbl=93r|p=1}}
| 
| 
{{section|Page:MS Var.82 103v.png|2|lbl=-|p=1}} {{section|Page:MS Var.82 104r.png|1|lbl=104r|p=1}}
| 
{{section|Page:MS 26-232 108v.png|4|lbl=-|p=1}} {{section|Page:MS 26-232 109r.png|1|lbl=109r|p=1}}

|- 
| 
| <p>[12]</p>
| 
| 
| {{section|Page:MS Var.82 104r.png|2|lbl=-}}
| {{section|Page:MS 26-232 109r.png|2|lbl=-}}

|- 
| 
| <p>[13] If he then jabs with the spear, drive high and parry the stab before your left hand with sword the on the left side, and spring to him and set the point on him. If this is not possible, then let your sword fall [drop it] and go over in the wrestle.</p>
| {{section|Page:MS Dresd.C.487 093r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 104r.png|3|lbl=-}}
| {{section|Page:MS 26-232 109r.png|3|lbl=-}}

|- 
| 
| <p>[14] When he jabs towards you and you stand in the lower guard, then set [aside] his stab from with the sword before your left hand on his right side, and go over in setting aside or the wrestle.</p>
| 
{{section|Page:MS Dresd.C.487 093r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 093v.png|1|lbl=93v|p=1}}
| 
| 
| 

|- 
| 
| <p>[15] {{red|b=1|Parry with the open hand.}}</p>

<p>Hit long from left hand<br/>Spring wisely and then see<br/>If he will seek away<br/>from injury and hit<br/>so that his openings<br/>are harassed by the sword's point</p>

<p>When you stand in the lower guard, and he jabs above to you, and he holds the spear, so that the point in front broadly juts over the hands. Then strike his spear down to the side with your left hand , and spring to him setting the point on him.</p>
| {{section|Page:MS Dresd.C.487 093v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 104r.png|4|lbl=-}}

{{section|Page:MS Var.82 104v.png|1|lbl=104v}}
| {{section|Page:MS 26-232 109r.png|4|lbl=-}}

|- 
| 
| <p>[16] When he stabs underneeth with his spear, to your guts. Then grab his spear with your left hand and hold it firmly. At the same time stab him underneath in the gut. And if he then wants to pull strongly on the spear and jerk it from your hand, then press the spear up over and let him go. So that he gives you an opening. Grab your sword at once with your left hand, follow to him and set the point on him.</p>
| {{section|Page:MS Dresd.C.487 094r.png|1|lbl=94r}}
| 
| {{section|Page:MS Var.82 104v.png|2|lbl=-}}
| <p>{{section|Page:MS 26-232 109r.png|5|lbl=-|p=1}} {{section|Page:MS 26-232 109v.png|1|lbl=109v|p=1}}</p>

|- 
| 
| <p>[17] {{red|b=1|When you set the point to an equipped (armoured) man.}}</p>

<p>Leather and gloves<br/>under the eyes seek the openings rightly</p>

<p>Then you must quickly recognise his openings. At first try and strike him in the face, but also in the armpits, in the palms of the hands, or in from behind the gloves, or in the knee pits, between the legs and on all the limbs, where the coat of mail joins inside. Because these are the best place in which to strike him. And you should know precisely, how you can strike these openings. Therefore you will not aim at a more remote one, when you could hit a closer one with greater ease.</p>
Practice with all the arms, that pertain to the fight.
| 
{{section|Page:MS Dresd.C.487 094r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 094v.png|1|lbl=94v|p=1}}
| 
| {{section|Page:MS Var.82 104v.png|3|lbl=-}}

{{section|Page:MS Var.82 105r.png|1|lbl=105r}}
| {{section|Page:MS 26-232 109v.png|2|lbl=-}}

|- 
| 
| <p>[18] {{red|b=1|Secret wrestling techniques.}}</p>

<p>Bring the forbidden wrestlings<br/>to the lesson wisely,<br/>to lock find<br/>the strength to wend over with</p>

<p>When he runs in, then drop your sword and use carefully the wrestling, that belong to the battle fight. These shall not be taught or shown in publicly accessible fencing schools, so is it from all to show sword mastery closed. Because he will to the earest fight to use dignity, and there are arm breaks, leg pieces, testicle thrusts, death strikes, knee thrusts, finger breaks and eye grips [gouges] and more.</p>
| 
{{section|Page:MS Dresd.C.487 094v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 095r.png|1|lbl=95r|p=1}}
| 
| 
{{section|Page:MS Var.82 105r.png|2|lbl=-|p=1}} {{section|Page:MS Var.82 105v.png|1|lbl=105v|p=1}}
| <p>{{section|Page:MS 26-232 109v.png|3|lbl=-|p=1}} {{section|Page:MS 26-232 110r.png|1|lbl=110r|p=1}}</p>

|- 
| 
| <p>[19] {{red|b=1|The first technique.}}</p>

<p>The cast over the leg to behind: When he seizes you you above and then draws you to him with strength to him or will thrust you from him, then strike the right arm outside over his left hand, just behind his hand. Press his arm with both hands at the breast, spring with your right foot behind his left and throw him over your knee.</p>
| 
{{section|Page:MS Dresd.C.487 095r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 095v.png|1|lbl=95v|p=1}}
| 
| {{section|Page:MS Var.82 105v.png|2|lbl=-}}
| {{section|Page:MS 26-232 110r.png|2|lbl=-}}

|- 
| 
| <p>[20] Cast over the leg in front, and break the arm when he siezes you above but doesn't grip firmly. Then grab his right hand with your right, draw him to you with your left hand and grab his elbow. Step with your left foot in front of his right and pull him over that. Or fall with your breast onto his arm and break it so.</p>
| 
{{section|Page:MS Dresd.C.487 095v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 095v.png|3|lbl=-|p=1}}
| 
| 
{{section|Page:MS Var.82 105v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 106r.png|1|lbl=106r|p=1}} {{section|Page:MS Var.82 106r.png|2|lbl=-|p=1}}
| {{section|Page:MS 26-232 110r.png|3|lbl=-}}

|- 
| 
| <p>[21] Grip his left hand with your left hand, just above the hand, and tear him to you. Strike your right arm strongly over his left arm (in the bend) and break it over your right using your left. Spring with your right foot behind his right and throw him over that.</p>
| {{section|Page:MS Dresd.C.487 095v.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 096r.png|1|lbl=96r|p=1}}
| 
| {{section|Page:MS Var.82 106r.png|3|lbl=-}}
| {{section|Page:MS 26-232 110r.png|4|lbl=-}}

|- 
| 
| <p>[22] When he drives through under your right arm with his left arm and wants to catch you around the body, then strike with your right arm strongly from above and outside into his left elbow joint and turn away from him.</p>
| {{section|Page:MS Dresd.C.487 096r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 106r.png|4|lbl=-}}
| {{section|Page:MS 26-232 110r.png|5|lbl=-}}

|- 
| 
| <p>[23] When he has you gathered in his arms and you also have him in the same way, and he stands with a straight leg. Then stamp against his straight leg, so you break his leg.</p>
| {{section|Page:MS Dresd.C.487 096r.png|3|lbl=-}}
| 
| 
{{section|Page:MS Var.82 106r.png|5|lbl=-|p=1}} {{section|Page:MS Var.82 106v.png|1|lbl=106v|p=1}}
| <p>{{section|Page:MS 26-232 110r.png|6|lbl=-|p=1}} {{section|Page:MS 26-232 110v.png|1|lbl=110v|p=1}}</p>

|- 
| 
| <p>[24] You will also thrust with the knee or foot into the testicles. But be aware that he does not catch your leg.</p>
| {{section|Page:MS Dresd.C.487 096r.png|4|lbl=-}}
| 
| {{section|Page:MS Var.82 106v.png|2|lbl=-}}
| {{section|Page:MS 26-232 110v.png|2|lbl=-}}

|- 
| 
| <p>[25] When he approaches you with an open hand or outstretched fingers, then try to seize a finger. Break it above, then you'll lead him to the edge of the arena, also weaken him on this side and win ever more advantage.</p>
| 
{{section|Page:MS Dresd.C.487 096v.png|1|lbl=96v|p=1}} {{section|Page:MS Dresd.C.487 096v.png|2|lbl=-|p=1}}
| 
| 
{{section|Page:MS Var.82 106v.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 106v.png|4|lbl=-|p=1}}
| {{section|Page:MS 26-232 110v.png|3|lbl=-}}

|- 
| 
| <p>[26] {{red|b=1|Text of another teaching}}</p>

<p>With all weapons<br/>turn the point to the openings</p>
| {{section|Page:MS Dresd.C.487 096v.png|3|lbl=-}}
| 
| {{section|Page:MS Var.82 106v.png|5|lbl=-}}
| {{section|Page:MS 26-232 110v.png|4|lbl=-}}

|- 
| 
| <p>[27] {{red|b=1|The serious fight sword vs sword}}<br/><br/></p>

<p>Where one in defense<br/>draws the sword visibly to him<br/>That one shall strongly<br/>defend right mark well</p>

<p>When both javelins have been thrown and the sword fight begins, then you should before all things pay attention to the four guards with the half sword. From them stab always to his upper opening. If he then jabs or binds with your sword. Then your should immediately notice if he is hard or soft at the sword. And when you have noted that, then use the strong against him, as is described in the following.</p>
| 
{{section|Page:MS Dresd.C.487 097r.png|1|lbl=97r|p=1}} {{section|Page:MS Dresd.C.487 097v.png|1|lbl=97v|p=1}}
| 
| 
{{section|Page:MS Var.82 106v.png|6|lbl=-|p=1}}

{{section|Page:MS Var.82 107r.png|1|lbl=107r}}
| <p>{{section|Page:MS 26-232 110v.png|5|lbl=-|p=1}} {{section|Page:MS 26-232 111r.png|1|lbl=111r|p=1}}</p>

|- 
| 
| <p>[28] {{red|b=1|The first guard from the half sword.}}<br/></p>

<p>Holding your sword with the right hand on the grip and the left in the middle of your sword, keeping it on your right side above your head and let the point hang down towards his face.</p>
| {{section|Page:MS Dresd.C.487 097v.png|2|lbl=-}}
| 
| 
{{section|Page:MS Var.82 107r.png|2|lbl=-|p=1}} {{section|Page:MS Var.82 107v.png|1|lbl=107v|p=1}}
| {{section|Page:MS 26-232 111r.png|2|lbl=-}}

|- 
| 
| <p>[29] If he then stands in the lower guard and wants to stab you underneath, then stab down from above between the sword and his closest hand. Press the pommel underneath, wind the point on his sword under and through to his right side and set the point on him.</p>
| {{section|Page:MS Dresd.C.487 097v.png|3|lbl=-}}
| 
| {{section|Page:MS Var.82 107v.png|2|lbl=-}}
| {{section|Page:MS 26-232 111r.png|3|lbl=-}}

|- 
| 
| <p>[30] Stab him in the face from the first guard. If he fends that off then jerk or go through with the point to the other side, just as before. When you have set the point against him then put your sword under your right armpit with the hilt on your breast and push him from you.</p>
| {{section|Page:MS Dresd.C.487 098r.png|1|lbl=98r}}
| 
| {{section|Page:MS Var.82 107v.png|3|lbl=-}}
| {{section|Page:MS 26-232 111r.png|4|lbl=-}}

|- 
| 
| <p>[31]</p>

<p>Stab him in the face from the first guard, hust as before. If he puts the sword in front of him with the left hand in front and keeps the point in front of the face, and sets it sround to you. Then grip with the left hand the point of his sword and hold it tight. With your right hand stab him hard in the face. </p>
| 
{{section|Page:MS Dresd.C.487 098r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 098v.png|1|lbl=98v|p=1}}
| 
| 
{{section|Page:MS Var.82 107v.png|4|lbl=-|p=1}} {{section|Page:MS Var.82 108r.png|1|lbl=108r|p=1}}
| {{section|Page:MS 26-232 111r.png|5|lbl=-}}

|- 
| 
| <p>[32] If he then wants to jerk on the sword and pull it from your hand, then suddenly let it go, so he gives you an opening. Straight away grip your sword again in the middle with your left hand and follow straight away to him.</p>
| {{section|Page:MS Dresd.C.487 098v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 108r.png|2|lbl=-}}
| <p>{{section|Page:MS 26-232 111r.png|6|lbl=-|p=1}} {{section|Page:MS 26-232 111v.png|1|lbl=111v|p=1}}</p>

|- 
| 
| <p>[33]</p>

<p>If you grab his sword and he grabs yours, then let go of his sword and grip yours again in the middle with your left hand, wind the point out and over his left hand and set the point at him.</p>
| 
{{section|Page:MS Dresd.C.487 098v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 099r.png|1|lbl=99r|p=1}}
| 
| {{section|Page:MS Var.82 108r.png|3|lbl=-}}
| {{section|Page:MS 26-232 111v.png|2|lbl=-}}

|- 
| 
| <p>[34] Or throw the sword in front of his feet. Grab his left hand with your left hand and set an arm break, or some other wrestle on.</p>
| {{section|Page:MS Dresd.C.487 099r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 108r.png|4|lbl=-}}
| 

|- 
| 
| <p>[35] When you stab him to the face from the upper guard. And he with his left hand siezes your sword between your hands, then drives through with his pommel outside or inside above his left hand. Tear to your right side and set the point on him. When you do, you'll also strike him with the pommel from the upper guard.</p>
| 
{{section|Page:MS Dresd.C.487 099r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 099v.png|1|lbl=99v|p=1}} {{section|Page:MS Dresd.C.487 099v.png|2|lbl=-|p=1}}
| 
| 
{{section|Page:MS Var.82 108r.png|5|lbl=-|p=1}} {{section|Page:MS Var.82 108v.png|1|lbl=108v|p=1}} {{section|Page:MS Var.82 108v.png|2|lbl=-|p=1}}
| 

|- 
| 
| <p>[36] {{red|b=1|The second guard with the half sword}}</p>

<p>Hold your sword with both hands, down to your right side, with the grip next to your knee. Your left foot will stand forward and the point shall be directed at the face of your opponent.</p>
| {{section|Page:MS Dresd.C.487 099v.png|3|lbl=-}}
| 
| {{section|Page:MS Var.82 108v.png|3|lbl=-}}
| 

|- 
| 
| <p>[37] When you stand in this guard and he faces you in the upper guard and wants to set it in from above (stab at you). Then stab him first and set the point on his forward hand in the opening of the flat of the hand. Or stab through over his forward hand, press down with your pommel and set him to the other side.</p>
| {{section|Page:MS Dresd.C.487 100r.png|1|lbl=100r}}
| 
| {{section|Page:MS Var.82 108v.png|4|lbl=-}}
| 

|- 
| 
| <p>[38] When he jabs at you from above, grab his sword with your left hand in front of his left hand, place the hilt on your breast and set the point against him.</p>
| 
{{section|Page:MS Dresd.C.487 100r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 100v.png|1|lbl=100v|p=1}}
| 
| {{section|Page:MS Var.82 109r.png|1|lbl=109r}}
| 

|- 
| 
| <p>[39] {{red|b=1|A break against the setting through}}</p>

<p>When you stab him from the lower guard and he stabs you from the upper guard between your forward hand and your sword and pushes his pommel down. Then go in to the upper guard and set on him at once.</p>
| {{section|Page:MS Dresd.C.487 100v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 109r.png|2|lbl=-}}
| 

|- 
| 
| <p>[40] When you want to stab at him from the lower guard and he wants to drive through with the pommel under your sword and thus parry, then keep the point strong in front of his face and press his right hand down (underneath) then set upon him. You can also change through with the pommel and set aside his thrust.</p>
| 
{{section|Page:MS Dresd.C.487 100v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 122r.png|1|lbl=122r|p=1}}
| 
| {{section|Page:MS Var.82 109r.png|3|lbl=-}}
| <p><br/>{{section|Page:MS 26-232 111v.png|3|lbl=-|p=1}}</p>

|- 
| 
| <p>[41] Note: Thrust to him strongly from the lower guard to the face. If he thrusts the same way to you, grasp his sword in the center to yours with your left hand inverted and hold the two swords fast together. And go through with the pommel under his sword, with the right arm jerking it over to your right side, so that you can take his sword.</p>
| {{section|Page:MS Dresd.C.487 122r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 099r.png|1|lbl=99r}}
| {{section|Page:MS 26-232 111v.png|4|lbl=-}}

|- 
| 
| <p>[42] {{red|b=1|Note: this is the counter:}}</p>

<p>When he grabs your sword in the center and wants to take it away from you, note: when he has your sword held fast in his left hand, drive up into the upper guard and set upon him.</p>
| 
{{section|Page:MS Dresd.C.487 122r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 122v.png|1|lbl=122v|p=1}}
| 
| {{section|Page:MS Var.82 099r.png|2|lbl=-}}
| {{section|Page:MS 26-232 111v.png|5|lbl=-}}

|- 
| 
| <p>[43] Note: Thrust to his face from the lower guard while turning. If he displaces, yank and thrust to his face. If he displaces, move your pommel over his right shoulder and around his neck, jumping with your right foot behind his left, and tearing him over your leg with the pommel so that he falls.</p>
| {{section|Page:MS Dresd.C.487 122v.png|2|lbl=-}}
| 
| 
{{section|Page:MS Var.82 099r.png|3|lbl=-|p=1}} {{section|Page:MS Var.82 099v.png|1|lbl=99v|p=1}}
| {{section|Page:MS 26-232 111v.png|6|lbl=-}}

|- 
| 
| <p>[44] {{red|b=1|Note: This is the counter:}}</p>

<p>When he moves his pommel over your right shoulder and around your neck jumps with his right foot behind your left, grasp his left hand, And press it toward your breast, and turn from him to the right side; and throw him over your left hip.</p>
| {{section|Page:MS Dresd.C.487 125r.png|1|lbl=125r}}
| 
| {{section|Page:MS Var.82 099v.png|2|lbl=-}}
| 
{{section|Page:MS 26-232 111v.png|7|lbl=-|p=1}} {{section|Page:MS 26-232 112r.png|1|lbl=112r|p=1}}

|- 
| 
| <p>[45] Note, you will also want to strike him from the lower guard, when he likewise has you.</p>
| {{section|Page:MS Dresd.C.487 125r.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 099v.png|3|lbl=-}}
| {{section|Page:MS 26-232 112r.png|2|lbl=-}}

|- 
| 
| <p>[46] {{red|b=1|Third Half-Sword Guard}}<br/><br/></p>

<p>Hold your sword with both hands, as described before, over the left knee. And from it, break all his techniques by displacing.</p>
| 
{{section|Page:MS Dresd.C.487 125r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 125v.png|1|lbl=125v|p=1}}
| 
| {{section|Page:MS Var.82 099v.png|4|lbl=-}}
| {{section|Page:MS 26-232 112r.png|3|lbl=-}}

|- 
| 
| <p>[47] If he thrusts to your face from the upper guard, set the thrust aside to his right side with your sword in front of your left hand driving into the upper guard and setting the point upon him.</p>
| {{section|Page:MS Dresd.C.487 125v.png|2|lbl=-}}
| 
| {{section|Page:MS Var.82 099v.png|5|lbl=-}}
| {{section|Page:MS 26-232 112r.png|4|lbl=-}}

|- 
| 
| <p>[48] Or drive up with the sword, displacing the thrust from above between your two hands. And drive with the pommel over his forward hand and with it jerk down; setting the point upon him.</p>
| {{section|Page:MS Dresd.C.487 125v.png|3|lbl=-}}
| 
| {{section|Page:MS Var.82 100r.png|1|lbl=100r}}
| {{section|Page:MS 26-232 112r.png|5|lbl=-}}

|- 
| 
| <p>[49] Move the pommel over his forward hand and then back through, and jerk him down with it. You can also change through below with the pommel and set aside his thrust.</p>
| {{section|Page:MS Dresd.C.487 125v.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 101r.png|1|lbl=101r|p=1}} {{section|Page:MS Dresd.C.487 101r.png|2|lbl=-|p=1}}
| 
| 
| 

|- 
| 
| <p>[50] Note, you wind and hereafter is described how you should do the third guard and how to strike your opponent with the pommel.</p>
| {{section|Page:MS Dresd.C.487 101r.png|3|lbl=-}}
| 
| 
| {{section|Page:MS 26-232 112r.png|6|lbl=-}}

|- 
| 
| <p>[51] {{red|b=1|The fourth guard with the half sword}}<br/><br/></p>

<p>As above hold your sword with both hands - holding it with the grip under the right armpit and place the hilt (in) on your breast on the right, so that the point sticks out to your opponent.</p>
| 
{{section|Page:MS Dresd.C.487 101r.png|4|lbl=-|p=1}}
| 
| 
| 
{{section|Page:MS 26-232 112r.png|7|lbl=-|p=1}} {{section|Page:MS 26-232 112v.png|1|lbl=112v|p=1}}

|- 
| 
| <p>[52] In this guard you should come from all previous mentioned. Also when you have stabbed him to the opening and fixed the point in his armour then wind the hilt constantly in front of your breast and push him from you. And don't let him detatch from your point. So he can neither stand still, hew or stab.</p>
| 
{{section|Page:MS Dresd.C.487 101r.png|5|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 101v.png|1|lbl=101v|p=1}}
| 
| 
| {{section|Page:MS 26-232 112v.png|2|lbl=-}}

|- 
| 
| <p>[53] When you have applied it and he has a longer reach than you, then push him thus from you, so that the point sticks out above and is set well into the rings of the chain mail.</p>
| {{section|Page:MS Dresd.C.487 101v.png|2|lbl=-}}
| 
| 
| {{section|Page:MS 26-232 112v.png|3|lbl=-}}

|- 
| 
| <p>[54] If he has a shorter reach than you let the pommel of your sword drop to your right hip and the point will jut out above and stick in the rings, just as above. Thus press him away from you and don't release him from the sword.</p>
| 
{{section|Page:MS Dresd.C.487 101v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 102r.png|1|lbl=102r|p=1}}
| 
| 
| {{section|Page:MS 26-232 112v.png|4|lbl=-}}

|- 
| 
| <p>[55] {{red|b=1|The before and the after in the fight/fence}}</p>

<p>Before and after the two things<br/>teach testing wisely with springing away</p>

<p>You should in all things know the before and after. Because all skill in the fight comes from it. Take note, that you come before him with strikes and stabs, then he must move. And straight away, when he binds with his sword, set your techniques on, so he cannot get his techniques through your assult. This is the before.</p>
| 
{{section|Page:MS Dresd.C.487 102r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 102v.png|1|lbl=102v|p=1}}
| 
| <p><br/></p>

<p><br/><br/></p>

<p><br/><br/>{{section|Page:MS Var.82 102r.png|2|lbl=102r|p=1}}</p>
| 
{{section|Page:MS 26-232 112v.png|5|lbl=-|p=1}} {{section|Page:MS 26-232 105v.png|3|lbl=105v|p=1}}

|- 
| 
| <p>[56] </p>

<p>The after are all pieces (breaks) against the techniques that he sets against you. When it occurs, that you must set him aside. Then from that setting aside immediately use your point to find his next opening. So you go straight away from being defensive to being offensive. This is the after.</p>
| 
{{section|Page:MS Dresd.C.487 102v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 103r.png|1|lbl=103r|p=1}}
| 
| {{section|Page:MS Var.82 102r.png|3|lbl=-}}
| {{section|Page:MS 26-232 105v.png|4|lbl=-}}

|- 
| 
| <p>[57] You should therefore respect that in the fight/fence you take no more than a step towards or away from him. When he is faster than you and you can no longer set him aside, then go backwards one step only with your left foot and be aware that you can step back in with the left foot and set in again or seize him with the wrestle.</p>
| {{section|Page:MS Dresd.C.487 103r.png|2|lbl=-}}
| 
| 
{{section|Page:MS Var.82 102r.png|4|lbl=-|p=1}} {{section|Page:MS Var.82 102v.png|1|lbl=102v|p=1}}
| {{section|Page:MS 26-232 105v.png|5|lbl=-}}

|- 
| 
| <p>[58] {{red|b=1|The travelling after with the sword in the battle fence.}}<br/><br/></p>

<p>Follow all hits<br/>with strength if you will weaken him<br/>If he guards then disengage<br/>stab as he goes backward<br/>If he fights extended, <br/>then be artfully instructed</p>

<p>You should use the travelling after against the strong fencer, that with outstretched arms, long reach fights. But otherwise possesses nothing else from the art.</p>
| {{section|Page:MS Dresd.C.487 103v.png|1|lbl=103v}}
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| {{section|Page:MS Var.82 102v.png|2|lbl=-}}
| {{section|Page:MS 26-232 105v.png|6|lbl=-}}

{{section|Page:MS 26-232 106r.png|1|lbl=106r}}

|- 
| 
| <p>[59] Position yourself against him in a guard. Stands he also in a guard opposite. That if he pulls his sword, if he wants to rake or lift up to strike, then go with your point to his next opening before he can complete his strike or stab. If he comes really early before with the sword (pulls out) at the same time without aiming for your opening. Then you can jerk through suddenly. And always set the jerk on, when he only strikes at the sword. So you come to the arm breaks and to other breaks (pieces) and this is the art against those.</p>
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{{section|Page:MS Dresd.C.487 103v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 104r.png|1|lbl=104r|p=1}} {{section|Page:MS Dresd.C.487 104v.png|1|lbl=104v|p=1}}
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| {{section|Page:MS 26-232 106r.png|2|lbl=-}}

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| <p>[60] {{red|b=1|The set to}}</p>

<p>If he grabs on strong<br/>in the shot face him on</p>

<p>When he has set to you and pushes you back, then stab him in the palm of the hand, which holds the sword in the middle. When he the hands reversed, then stab up from below again in the same guard.</p>
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| <p>[61] Or stab him into the arm, in from behind the glove (gauntlet), and when the stab fits, then step to the front, then you open this side and moreover win the advantage.</p>
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| <p>[62] Or stab through over his forward hand and press down from above. Place your hilt on your breast and set to him.</p>
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| <p>[63] When he has set to your left armpit, then step back with the left foot, therefore his point goes under with it. But yours stays fixed. You can also increase your sword's reach, when you set your pommel against your breast.</p>
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| <p>[64] {{red|b=1|The strike with the pommel. Defence against the strike with the pommel.}}</p>

<p>If he shoots with the striking point<br/>Meet without force<br/>Teach to twist the point<br/>with both hands to the eyes</p>

<p>The "percussive point" is the strike with the pommel. When he comes over with a strong strike in this way, then hold the sword over your left knee in the lower guard. If he then strikes to your head - and is a strong man - then strike his strike with your swoord in front of your left hand over to his right. And drive in with the sword in the upper guard.</p>
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{{section|Page:MS Var.82 101r.png|5|lbl=-|p=1}}<br/><br/>

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| <p>[65] The second defence: If he is as weak as you, then step into him, catch the strike on your sword between your hands and set your point at his face.</p>
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| <p>[66] When you catch the pommel strike in the middle of your sword under the hilt, then tear over with your pommel to your right side, then you'll take his sword.</p>
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| <p>[67] If he strikes to your left knee, then catch the strike between your hands so that your pommel juts down and drive the pommel through under his sword and tear it up on your right side, so you tear the sword from his hands.</p>
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{{section|Page:MS Dresd.C.487 106r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 106v.png|1|lbl=106v|p=1}}
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| <p>[68] If he strikes underneath at your foot then strike down against his strike with your pommel. Then jump to him and wrestle.</p>
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{{section|Page:MS Dresd.C.487 106v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 107r.png|1|lbl=107r|p=1}}
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| <p>[69] When you hold your sword on your right side in the lower guard, and he strikes with the pommel to your point, and takes it out wide. Then straight way jump near to him, so that he strikes over beyond you - at the same time you cannot pass - and set the point on him.</p>
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| <p>[70] You will always use travelling after and setting in, whilst he draws out with the pommel.</p>
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| <p>[71] {{red|b=1|Assault with the pommel}}<br/><br/></p>

<p>You must guard<br/>the forward foot with the strike</p>

<p>When you strike with the pommel, then you should aim at all his extremities that he sets forward. When you would strike, then hold your sword in the guard over your head and do so, as if you where going to stab him in the face. Then release the sword with your right hand and grab the blade next to your left. Strike with the pommel to his forward foot or his forward hand, whilst he holds the sword on the blade. You will also strike from the right lower guard.</p>
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{{section|Page:MS Dresd.C.487 107v.png|1|lbl=107v|p=1}} {{section|Page:MS Dresd.C.487 108r.png|1|lbl=108r|p=1}}
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| <p>[72] Beware therefore if he strikes to your forward knee or forward hand and set him aside with the pieces described earlier so that he cannot hurt you.</p>
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{{master end}}

{{master begin
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{| class="floated master" style="clear:right;"
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! id="thin" | <p>Images</p>
! <p>{{rating}}</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]] (ca. 1570){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>by [[Dierk Hagedorn]]</p>

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{{master end}}

{{master begin
  | title = Copyright and License Summary
  | width = 100%
}}
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].

<section begin="sourcebox"/>{{sourcebox header}}
{{sourcebox
 | work        = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Images]]
 | authors     = Unknown
 | source link = 
 | source title= 
 | license     = public domain
}}
{{sourcebox
 | work        = Translation (Long Sword)
 | authors     = [[Christian Trosclair]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
{{sourcebox
 | work        = Translation (Short Sword)
 | authors     = [[David Rawlings]]
 | source link = 
 | source title= Document circulated online
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Codex Speyer (MS M.I.29)|Salzburg Fragments]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Codex Speyer (MS M.I.29)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Glasgow Fechtbuch (E.1939.65.341)|Glasgow Transcription]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Glasgow Fechtbuch (MS E.1939.65.341)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|''Ergrundung Ritterlicher Kunst der Fechterey'']]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Fragments]]
 | authors     = [[Werner Ueberschär]]
 | source link = 
 | source title= [[Index:Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)]]
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Transcription]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Fechtbuch zu Ross und zu Fuss (MS Var.82)]]
 | license     = copyrighted
}}
{{sourcebox footer}}<section end="sourcebox"/>
{{master end}}

== Additional Resources ==

* [[David Lindholm|Lindholm, David]] and Svard, Peter. ''Sigmund Ringeck's Knightly Art of the Longsword''. Boulder, CO: [[Paladin Press]], 2003. ISBN 978-1-58160-410-8
* Lindholm, David and Svard, Peter. ''Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor''. Boulder, CO: Paladin Press, 2006. ISBN 978-1-58160-499-3
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''Secrets of German Medieval Swordsmanship''. Highland Village, TX: [[Chivalry Bookshelf]], 2001. ISBN 1-891448-07-2
* [[Martin Wierschin|Wierschin, Martin]]. ''Meister Johann Liechtenauers Kunst des Fechtens''. München: Beck, 1965.
* [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript.'' Poland: [[Adam Marshall]], 2010. ISBN 978-83-7611-662-4

== References ==

{{reflist|2}}
{{DEFAULTSORT:Ringeck, Sigmund ain}}
{{Liechtenauer tradition}}
__FORCETOC__

[[Category:Masters]]

[[Category:Translation]]

[[Category:German]]

[[Category:Armored Fencing]]
[[Category:Longsword]]
[[Category:Mounted Fencing]]