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Difference between revisions of "Scienza d'Arme (Salvator Fabris)"
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− | | image = File:Scienza d’Arme (Fabris) Title | + | | image = File:Scienza d’Arme (Fabris) Title 1.jpg |
| width = 200px | | width = 200px | ||
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| translator(s) = | | translator(s) = | ||
| patron = | | patron = | ||
− | | dedicated to = | + | | dedicated to = Christian Ⅳ of Denmark |
− | | place of origin = Copenhagen | + | | place of origin = Copenhagen |
| language = [[language::Italian]] | | language = [[language::Italian]] | ||
| subject = | | subject = | ||
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| images = {{collapsible list | | images = {{collapsible list | ||
| [http://guywindsor.net/blog/2016/04/this-belongs-to-you-fabriss-sienza-darme-the-best-rapier-book-ever-yours-free/ Digital scans] (1606) | | [http://guywindsor.net/blog/2016/04/this-belongs-to-you-fabriss-sienza-darme-the-best-rapier-book-ever-yours-free/ Digital scans] (1606) | ||
− | | [ | + | | [http://digitale-sammlungen.llb-detmold.de/content/titleinfo/9341317 Digital scans] (1606) |
− | | [http:// | + | | [http://soeg.kb.dk/permalink/45KBDK_KGL/1pioq0f/alma99124187949705763 Digital scans] (1606) |
+ | | [http://soeg.kb.dk/permalink/45KBDK_KGL/143rgf3/alma99124188031105763 Digital scans] (1606) | ||
+ | | [http://anet.be/submit.phtml?UDses{{=}}132805157%3A293115&UDstate{{=}}1&UDmode{{=}}&UDaccess{{=}}&UDrou{{=}}%25Start:bopwexe&UDopac{{=}}opacehc&UDextra{{=}}nroclc%3Dlvd:902489370# Digital scans] (1606) | ||
+ | | [http://reader.digitale-sammlungen.de/en/fs1/object/display/bsb10328542_00001.html Digital scans] (1606) | ||
| [http://books.google.com/books?id{{=}}xXpDAAAAcAAJ Digital scans] (1606) | | [http://books.google.com/books?id{{=}}xXpDAAAAcAAJ Digital scans] (1606) | ||
− | + | <!-- | [http://www.faegtekunstensvenner.net/SalvatoreFabris/Index.htm Digital scans] (1606) --> | |
| [https://www.umass.edu/renaissance/sites/default/files/assets/renaissance/lord/Fabris_1606.pdf B&W photocopy] (1606) | | [https://www.umass.edu/renaissance/sites/default/files/assets/renaissance/lord/Fabris_1606.pdf B&W photocopy] (1606) | ||
| [http://mac9.ucc.nau.edu/manuscripts/sfabris.pdf B&W photocopy] (1606) | | [http://mac9.ucc.nau.edu/manuscripts/sfabris.pdf B&W photocopy] (1606) | ||
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}} | }} | ||
− | ''''' | + | '''''De lo Schermo, overo Scienza d’Arme''''' ("On Defense, or the Science of Arms") or '''''Sienza e Pratica d’Arme''''' ("Science and Practice of Arms") is an [[nationality::Italian]] [[fencing manual]] written by [[Salvator Fabris]] in the 1590s and printed in 1606. It treats the use of the [[rapier]], both solo and in conjunction with the cloak, [[dagger]], and [[rotella]] shield; it also discusses unarmed defenses against the dagger. Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors. |
== Publication History == | == Publication History == | ||
− | ''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], heraldry and most illustrations by Christian | + | ''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], heraldry and most illustrations by Christian Ⅳ's court artist [[Jan van Halbeeck]], and additional illustrations by [[Francesco Valesio]]. In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who replaced damaged pages from the first signature and released them under the title ''Della vera pratica et scienza d’armi''. The publication information at the back of the book was further covered by a decorative paper. |
The first translation of Fabris was in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]]. | The first translation of Fabris was in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]]. | ||
− | + | In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of [[Nicoletto Giganti]]'s 1606 treatise ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' ("School or Theater"), which he published in separate French and German editions titled ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") and ''Newe Fechtkunst Oder Schawplatz'' ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.<ref>This accusation was first made by [[Johann Joachim Hynitzsch]] (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644". | |
− | In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig | + | In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig titled ''Sienza e pratica d’arme''. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, [[Hans von und zum Felde]], as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of [[Hans Wilhelm Schöffer von Dietz|Hans Wilhelm Schöffer]] and [[Sebastian Heußler]]). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713. |
− | Fabris' treatise was translated into English by Tom Leoni and published by [[Chivalry Bookshelf]] in 2005 under the title ''Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reprinted (without its introductory material) through | + | Fabris' treatise was translated into English by [[A. F. Johnson]] in the early 1900s; multiple typescripts were produced of the final draft, but it was not published until the [[HEMA Bookshelf]] edition of 2022. A second English translation was produced by Tom Leoni and published by [[Chivalry Bookshelf]] in 2005 under the title ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by [[Eugenio Garcia-Salmones]] and published under the title ''La esgrima o la ciencia de las armas'' ("Fencing, or the Science of Arms"). |
== Contents == | == Contents == | ||
Line 103: | Line 106: | ||
<h3 style="clear: both;"> Title pages </h3> | <h3 style="clear: both;"> Title pages </h3> | ||
− | {{image|Scienza d’Arme (Fabris) Title 1. | + | {{image|Scienza d’Arme (Fabris) Title 1.png|First title (1606)}} |
{{image|Scienza d’Arme (Fabris) Title 2.jpg|Second title (1606)}} | {{image|Scienza d’Arme (Fabris) Title 2.jpg|Second title (1606)}} | ||
{{image|Fabris 1619 Title.png|1619 German}} | {{image|Fabris 1619 Title.png|1619 German}} | ||
− | |||
{{image|h=1|Fabris 1622 Title.jpg|1522 French/German}} | {{image|h=1|Fabris 1622 Title.jpg|1522 French/German}} | ||
{{image|Fabris 1624 I Title.jpg|1624 Italian}} | {{image|Fabris 1624 I Title.jpg|1624 Italian}} | ||
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{{image|Scienza d’Arme (Fabris) Heraldry.jpg|Heraldry}} | {{image|Scienza d’Arme (Fabris) Heraldry.jpg|Heraldry}} | ||
− | {{image|Scienza d’Arme (Fabris) Portrait 1.jpg|Christian | + | {{image|Scienza d’Arme (Fabris) Portrait 1.jpg|Christian Ⅳ}} |
{{image|Scienza d’Arme (Fabris) Portrait 2.jpg|Salvator Fabris}} | {{image|Scienza d’Arme (Fabris) Portrait 2.jpg|Salvator Fabris}} | ||
{{image|h=1|Scienza d’Arme (Fabris) Segno.jpg|Cutting diagram}} | {{image|h=1|Scienza d’Arme (Fabris) Segno.jpg|Cutting diagram}} | ||
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{{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}} | {{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}} | ||
{{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}} | {{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}} | ||
+ | |||
+ | <h3 style="clear: both;"> Windsor variant </h3> | ||
+ | |||
+ | A copy of Fabris owned by a private collector in UK has the entire second signature and one sheet from the third signature replaced for unknown reasons. These are the replacement pages, which are clearly 17th century work and possibly were added before the original binding. | ||
+ | |||
+ | {{image|Fabris Windsor 007.jpg|7}} | ||
+ | {{image|Fabris Windsor 008.jpg|8}} | ||
+ | {{image|Fabris Windsor 009.jpg|9}} | ||
+ | {{image|Fabris Windsor 010.jpg|10}} | ||
+ | {{image|Fabris Windsor 011.jpg|11}} | ||
+ | {{image|Fabris Windsor 012.jpg|12}} | ||
+ | {{image|Fabris Windsor 013.jpg|13}} | ||
+ | {{image|Fabris Windsor 014.jpg|14}} | ||
+ | {{image|Fabris Windsor 015.jpg|15}} | ||
+ | {{image|Fabris Windsor 016.jpg|16}} | ||
+ | {{image|Fabris Windsor 017.jpg|17}} | ||
+ | {{image|Fabris Windsor 018.jpg|18}} | ||
+ | {{image|Fabris Windsor 023.jpg|23}} | ||
+ | {{image|Fabris Windsor 024.jpg|24}} | ||
+ | {{image|Fabris Windsor 025.jpg|25}} | ||
+ | {{image|Fabris Windsor 026.jpg|26}} | ||
+ | |||
+ | <h3 style="clear: both;"> 1624 edition </h3> | ||
+ | |||
+ | The second edition was apparently created using unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages follow. Additionally, the date and printing information on the final page were covered up with a decorative scrap of paper. | ||
+ | |||
+ | {{image|Fabris 1624 I Title.jpg|A1}} | ||
+ | {{image|Fabris 1624 A1v.png|A1v}} | ||
+ | {{image|Fabris 1624 A3r.png|A3}} | ||
+ | {{image|Fabris 1624 A3v.png|A3v}} | ||
+ | {{image|Fabris 1624 001.png|1}} | ||
+ | {{image|Fabris 1624 002.png|2}} | ||
+ | {{image|Fabris 1624 005.png|5}} | ||
+ | {{image|Fabris 1624 006.png|6}} | ||
+ | {{image|Fabris 1624 256.png|256}} | ||
+ | |||
{{-}} | {{-}} | ||
== Additional Resources == | == Additional Resources == | ||
− | * [[Salvator Fabris| | + | * [[Johnson, A. F.]] ''Fencing or the Science of Arms by Salvator Fabris: Illustrated Edition''. Somerville, MA: [[HEMA Bookshelf]], 2022. ISBN 978-1-953683-23-6 |
+ | * [[Johnson, A. F.]] ''Fencing or the Science of Arms by Salvator Fabris: Unillustrated Edition''. Somerville, MA: [[HEMA Bookshelf]], 2022. ISBN 978-1-953683-21-2 | ||
+ | * [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro primero, 1606''. [[Editorial Sacauntos]], 2010. ISBN 978-84-937207-8-0 | ||
+ | * [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro segundo, 1606''. [[Editorial Edizer]], 2011. ISBN 978-84-938120-8-9 | ||
+ | * Leoni, Tom. ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''. | ||
** First Edition: Highland Village, TX: [[Chivalry Bookshelf]], 2005. ISBN 1-891448-23-4 | ** First Edition: Highland Village, TX: [[Chivalry Bookshelf]], 2005. ISBN 1-891448-23-4 | ||
** Second Edition: Self-published, 2016. | ** Second Edition: Self-published, 2016. | ||
− | |||
− | |||
== References == | == References == | ||
Line 334: | Line 374: | ||
| work = Images | | work = Images | ||
| authors = [[Nicolaus Andrea of Flensburg]], [[Jan van Halbeeck]], [[Francesco Valesio]] | | authors = [[Nicolaus Andrea of Flensburg]], [[Jan van Halbeeck]], [[Francesco Valesio]] | ||
− | | source link = | + | | source link = https://guywindsor.net/2016/04/this-belongs-to-you-fabriss-sienza-darme-the-best-rapier-book-ever-yours-free/ |
− | | source title= | + | | source title= Guy Windsor |
| license = public domain | | license = public domain | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = | + | | work = Transcription (1606) |
| authors = [[transcriber::Michael Chidester]] | | authors = [[transcriber::Michael Chidester]] | ||
| source link = | | source link = | ||
| source title= [[Index:Scienza d’Arme (Salvator Fabris) 1606.pdf|Index:Scienza d’Arme (Salvator Fabris) 1606]] | | source title= [[Index:Scienza d’Arme (Salvator Fabris) 1606.pdf|Index:Scienza d’Arme (Salvator Fabris) 1606]] | ||
− | | license = | + | | license = noncommercial |
}} | }} | ||
{{sourcebox | {{sourcebox | ||
Line 363: | Line 403: | ||
[[Category:Treatises]] | [[Category:Treatises]] | ||
[[Category:Books]] | [[Category:Books]] | ||
− | + | [[Category:Painted Prints]] | |
− | [[Category: | ||
− |
Revision as of 02:48, 14 February 2023
Scienza d’Arme | |
---|---|
The Science of Arms | |
200px | |
Author(s) | Salvator Fabris |
Illustrated by | |
Dedicated to | Christian Ⅳ of Denmark |
Place of origin | Copenhagen |
Language | Italian |
Genre(s) | Fencing manual |
Sources | GI.kgl.Saml.1868 4040 (1601) |
Publisher | Henrico Waltkirch |
Publication date | 1606, 1619, 1622, 1624, 1650, 1672, 1676, 1713 |
First english edition |
Leoni, 2005 |
Pages | 256 pages |
Treatise scans |
|
De lo Schermo, overo Scienza d’Arme ("On Defense, or the Science of Arms") or Sienza e Pratica d’Arme ("Science and Practice of Arms") is an Italian fencing manual written by Salvator Fabris in the 1590s and printed in 1606. It treats the use of the rapier, both solo and in conjunction with the cloak, dagger, and rotella shield; it also discusses unarmed defenses against the dagger. Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors.
Contents
Publication History
Scienza d’Arme was first printed in Copenhagen, Denmark, in 1606 by Henrico Waltkirch. It was based on Fabris' earlier manuscript treatise Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by Nicolaus Andrea of Flensburg, heraldry and most illustrations by Christian Ⅳ's court artist Jan van Halbeeck, and additional illustrations by Francesco Valesio. In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who replaced damaged pages from the first signature and released them under the title Della vera pratica et scienza d’armi. The publication information at the back of the book was further covered by a decorative paper.
The first translation of Fabris was in 1619, a German edition published in Leiden by Isack Elzevier under the title Des Kunstreichen Italiänische Fechtkunst ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the MS Dresd.C.94a.
In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of Nicoletto Giganti's 1606 treatise Scola, overo teatro ("School or Theater"), which he published in separate French and German editions titled Escrime Novvelle ov Theatre ("New Fencing or Theater") and Newe Fechtkunst Oder Schawplatz ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.[1] Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".
In 1676, Johann Joachim Hynitzsch published an Italian-German parallel text in Leipzig titled Sienza e pratica d’arme. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, Hans von und zum Felde, as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of Hans Wilhelm Schöffer and Sebastian Heußler). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.
Fabris' treatise was translated into English by A. F. Johnson in the early 1900s; multiple typescripts were produced of the final draft, but it was not published until the HEMA Bookshelf edition of 2022. A second English translation was produced by Tom Leoni and published by Chivalry Bookshelf in 2005 under the title The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by Eugenio Garcia-Salmones and published under the title La esgrima o la ciencia de las armas ("Fencing, or the Science of Arms").
Contents
1 - 76 | Book 1 part 1 - Rapier by Salvator Fabris |
---|---|
76 - 133 | Book 1 part 2 - Rapier and dagger by Salvator Fabris |
134 - 149 | Book 1 part 3 - Rapier and cloak by Salvator Fabris |
151 - 218 | Book 2 part 1 - Rapier by Salvator Fabris |
218 - 242 | Book 2 part 2 - Rapier and dagger by Salvator Fabris |
243 - 256 | Book 2 part 3 - Grappling, dagger, and cloak |
Gallery
Title pages
Illustrations
Windsor variant
A copy of Fabris owned by a private collector in UK has the entire second signature and one sheet from the third signature replaced for unknown reasons. These are the replacement pages, which are clearly 17th century work and possibly were added before the original binding.
1624 edition
The second edition was apparently created using unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages follow. Additionally, the date and printing information on the final page were covered up with a decorative scrap of paper.
Additional Resources
- Johnson, A. F. Fencing or the Science of Arms by Salvator Fabris: Illustrated Edition. Somerville, MA: HEMA Bookshelf, 2022. ISBN 978-1-953683-23-6
- Johnson, A. F. Fencing or the Science of Arms by Salvator Fabris: Unillustrated Edition. Somerville, MA: HEMA Bookshelf, 2022. ISBN 978-1-953683-21-2
- Garcia-Salmones, Eugenio. La esgrima o la ciencia de las armas: Libro primero, 1606. Editorial Sacauntos, 2010. ISBN 978-84-937207-8-0
- Garcia-Salmones, Eugenio. La esgrima o la ciencia de las armas: Libro segundo, 1606. Editorial Edizer, 2011. ISBN 978-84-938120-8-9
- Leoni, Tom. The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606.
- First Edition: Highland Village, TX: Chivalry Bookshelf, 2005. ISBN 1-891448-23-4
- Second Edition: Self-published, 2016.
References
- ↑ This accusation was first made by Johann Joachim Hynitzsch (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
Work | Author(s) | Source | License |
---|---|---|---|
Images | Nicolaus Andrea of Flensburg, Jan van Halbeeck, Francesco Valesio | Guy Windsor | |
Transcription (1606) | Michael Chidester | Index:Scienza d’Arme (Salvator Fabris) 1606 | |
French Translation (1619) | Index:Escrime Novvelle ou Theatre (Salvator Fabris) Book 2 | ||
German Translation (1677) | Alex Kiermayer | Index:Sienza e pratica d’arme (Johann Joachim Hynitzsch) |