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Difference between revisions of "Main Page"
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− | ! style="padding:2px;" | <h3 style="margin:3px; background:#cedff2; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;"> | + | ! style="padding:2px;" | <h3 style="margin:3px; background:#cedff2; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Announcements</h3> |
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− | + | ''From our sister site [http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/ HROARR]:'' | |
− | + | [[File:hroarr-hema-scholar-awards-2014-01.gif|250px|left|thumb|link=http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/|Rules for nomination and other information can be found [http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/ here].]] | |
− | + | As we all know HEMA has many different aspects that are all equally important in our shared effort in recreating these forgotten martial arts. | |
− | + | However, all of our success rests on the hard work of ''researchers'', ''transcribers'', ''translators'' and ''interpreters'', hard work, a work that often receives little recognition or actual reward in the way that tournament fighting does, not least since much work is done silently and generously published online for free. | |
− | + | With this in mind, and acting as a neutral party within the HEMA community, in 2013 HROARR introduced annual awards for Best efforts in HEMA research, with all aspects it includes. The idea was to create a highly prestigious award, our very own ''Oscar'' or ''Nobel Prize'', if you will. | |
+ | |||
+ | Each year 5 winners are awarded. Nominations are up to the community to send in, and decisions are based on actual ''achievements during the preceding year'', not through community voting. At this time, all published work has to have been written in ''English'', except for transcriptions, of course. | ||
+ | |||
+ | Decisions will be made by a quite small panel consisting of last year’s awardees and if needed new elected jury members. As the awards become more and more established, these awards will also be more and more independently managed by the new juries and the growing list of awardees and less so by HROARR. | ||
+ | |||
+ | All winners will be presented on a special awards page, where the winners for each year are listed with their achievements. | ||
+ | |||
+ | I sincerely hope this will serve as both an inspiration and an encouragement for all the hard working people in our community! | ||
+ | |||
+ | Thank you and have a great day, everyone! | ||
+ | |||
+ | :[[Roger Norling]]<br/>Responsible publisher and Chief Editor<br/>[http://www.hroarr.com/ HROARR.com] | ||
|} | |} | ||
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! style="padding:2px;" | <h3 style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">What's New?</h3> | ! style="padding:2px;" | <h3 style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">What's New?</h3> | ||
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− | | style="color:#000; padding:2px 5px 5px;" | {{infobox | + | | style="color:#000; padding:2px 5px 5px;" | {{infobox medieval text |
<!----------Name----------> | <!----------Name----------> | ||
− | | name | + | | name = “Die Blume des Kampfes” |
− | | | + | | alternative title(s) = ''The Flower of Battle'' |
<!----------Image----------> | <!----------Image----------> | ||
− | | image | + | | image = File:Cod.10799 287v288r.png |
− | | width | + | | width = 250px |
− | | caption | + | | caption = |
− | <!---------- | + | <!----------Information----------> |
− | | | + | | full title = |
− | | | + | | also known as = |
− | + | | author(s) = {{plainlist | [[Ludwig VI von Eyb]] | Unknown }} | |
− | + | | ascribed to = {{plainlist | [[Nicholai de Toblem]] (?) | [[Johannes Suvenus]] (?) }} | |
− | + | | compiled by = | |
− | | | + | | illustrated by = Unknown |
− | | | + | | patron = |
− | | | + | | dedicated to = |
− | | | + | | audience = |
− | | | + | | language = [[Early New High German]] |
− | | | + | | date = before 1420s |
− | | | + | | state of existence = Original hypothetical; multiple incomplete copies exist |
− | | | + | <!----------Manuscript Information----------> |
− | | | + | | genre = {{plainlist | [[Fencing manual]] | [[Wrestling manual]] }} |
− | | | + | | series = |
− | <!---------- | + | | archetype(s) = |
− | | | + | | manuscript(s) = {{plainlist | [[Die Blume des Kampfes (Cod.5278)|Cod. 5278]] (1420s?) | [[Gladiatoria (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]] (?) (1465-80) | [[Eyb Kriegsbuch (MS B.26)|MS B.26]] (1500) | [[Bũech von fechter Vnnd Ringstückhen zũ Ross vnnd Fuoß (Cod.10799)|Cod. 10799]] (1623) }} |
− | | | + | | principal manuscript(s)= |
− | | | + | | first printed edition = |
− | | | + | | wiktenauer compilation by=[[Michael Chidester]] |
− | | | + | | below = |
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}} | }} | ||
− | ''''' | + | '''''Die Blume des Kampfes''''' (“The Flower of Battle”) is a nickname given to a group of three German manuscripts that share a common technical syllabus and set of illustrations. It might be based on the tradition of 14th century Italian master [[Fiore de'i Liberi]], from whose treatise ''Fior di Battaglia'' it derives its nickname, given that his works include considerable technical overlap. It is equally likely, though, that they represent an earlier German tradition of which Fiore was himself an initiate. Fiore mentions in his prefaces that he owned books on the art and he also names two older masters in his tradition, [[Johane Suveno]] and [[Nicholai de Toblem]]; it is possible that either or both of those masters authored texts which inspired both this tradition as well as Fiore's own writings. |
+ | |||
+ | The oldest manuscript in the ''Blume des Kampfes'' group is the [[Die Blume des Kampfes (Cod.5278)|Cod. 5278]], which dates to the late 1420s and contains only simple line drawings somewhat reminiscent of the art of Fiore de'i Liberi, though lacking many signature characteristics such as garters and crowns and generally less organized than the Friulian master's work. The second entry was completed in ca. 1500 by [[Ludwig VI von Eyb]], and contains a significant degree of overlap with the 5278 but also a wealth of new material. While the artwork, though colored, is of similar quality, Eyb's treatise improves on its predecessor by including detailed German descriptions of the devices in most of its sections. Whether this text was authored by Eyb or present in the sources upon which he based his work cannot currently be determined. | ||
+ | |||
+ | The final manuscript, [[Bũech von fechter Vnnd Ringstückhen zũ Ross vnnd Fuoß (Cod.10799)|Cod. 10799]], is dated 1623 and is again textless. Unlike its fellows, though, it is illustrated with watercolors of high quality; it is also the most extensive of the three by far, encompassing nearly every device from both works as well as a number of unique devices that suggest that it was either not derived directly from the other two known manuscripts or that it used additional sources currently lost to us. The two older manuscripts include [[war book]]s derived from [[Konrad Kyeser]]'s famous treatise on siege warfare ''Bellifortis'', and the artist of the 10799 also included the few ''Bellifortis'' illustrations that seem to portray knights and soldiers, perhaps indicating that he did not understand what he was copying. Aside from the ''Blume des Kampfes'' material, the 10799 also has a good deal of extra content including portrayals of laying down and taking up the sword, Germanic sash wrestling, armored dagger and buckler, and the [[sword dance]]. | ||
+ | |||
+ | There is a fourth Germanic manuscript potentially connected to this tradition, the [[Gladiatoria (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]]. This manuscript, dating to between 1465 and 1480, includes a version of [[Johannes Liechtenauer]]'s [[record]], a complete set of illustrations from [[Gladiatoria]], and a heavily-abridged version of ''Bellifortis''. Tucked away amidst these works are illustrations of fencing with sword, spear, axe, and dagger that parallel the teachings of the ''Blume des Kampfes'' but only occasionally replicate the artwork exactly. While this may simply be a case of an overambitious artist reinterpreting the illustrations he was copying, the differences are too many to include the manuscript in the concordance below. | ||
− | ( | + | (|Read more]]...) |
|- | |- | ||
− | | style="color:#000;" | <div style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">'''Recently Featured: [[Anonymous 15th Century Poem]] – ''[[Das Ander Theil Des Newen Kůnstreichen Fechtbůches (Cod.Guelf.83.4 Aug.8º)|Das Ander Theil Des Newen Kůnstreichen Fechtbůches]]'' – [[Johann Georg Pascha | + | | style="color:#000;" | <div style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">'''Recently Featured: ''[[Verzeichnis etlicher Stücke des Fechtens im Rapier (MS Germ.Fol.1476)|Verzeichnis etlicher Stücke des Fechtens im Rapier]]'' – [[Anonymous 15th Century Poem]] – ''[[Das Ander Theil Des Newen Kůnstreichen Fechtbůches (Cod.Guelf.83.4 Aug.8º)|Das Ander Theil Des Newen Kůnstreichen Fechtbůches]]'' – [[Johann Georg Pascha]]'''</div> |
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Revision as of 20:40, 15 September 2014
Welcome to the Wiktenauer!The free library of Historical European Martial Arts books and manuscripts |
Without books no one can be a good teacher nor even a good student of this art. ~ Master Fiore de'i Liberi, ca. 1405 |
Wiktenauer is an ongoing collaboration among researchers and practitioners from across the Western martial arts community, seeking to collect all of the primary and secondary source literature that makes up the text of historical European martial arts research and to organize and present it in a scholarly but accessible format. The Wiktenauer project started in 2009, later receiving sponsorship from the Historical European Martial Arts Alliance, and is named for Johannes Liechtenauer, grand master of the oldest known longsword fencing style; his tradition was also the best-documented of the early Modern era, the subject of many dozens of manuscripts and books over a period of more than three centuries. Here are a few basic categories of pages that are being constructed:
- Master Pages host biographical information about each master, as well as the transcription and translation of his complete works. In cases of multiple copies of a master's work, the transcriptions are laid out side-by-side to facilitate the most accurate translation possible. To aid in interpretation, the writings will also be illustrated with images from the masters' work as available. A bibliography at the end of each page lists additional transcriptions, translations, and scans that are available in print. The exemplar for this category of pages is Fiore de'i Liberi. Ultimately, every master in all of the traditions of Western Martial Arts will have a dedicated page.
- Treatise Pages host all relevant data on a book or manuscript, including description, provenance, table of contents (with links to the appropriate master pages), gallery of page scans, and bibliography of additional print resources. The exemplar for manuscripts is the Goliath Fechtbuch, while the exemplar for printed books is Ergrundung Ritterlicher Kunst der Fechterey. Ultimately, every text in the corpus of Historical European Martial Arts literature will have a dedicated page.
- Technique Pages compile all of the relevant information from all of the relevant manuals on a particular technique, including transcriptions, translations, and images. There is also a section at the end of each page where groups may embed videos of their interpretations. The template for techniques is the Zornhaw. Ultimately, every technique mentioned in the manuals will have a dedicated page.
- Weapon Pages provide information about how a specific weapon form is described and used in the treatises, data on surviving artifacts, an overview of archaeological research pertinent to a given weapon, and a comprehensive index of the treatises and writers that discuss each weapon.
The wiki also features pages for HEMA groups, pages for HEMA events, general information pages, and almost other topic of interest to the HEMA community you can think of. If you'd like to pitch in, simply request an account and consult How can I help?
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Wiktenauer parent organizations
Historical European Martial Arts (HEMA) Alliance
A US educational non-profit which provides a range of programs and services for its members and affiliate schools and clubs, as well as serving the wider HEMA community. |
Western Martial Arts Coalition (WMAC)
A pan-American network of researchers and instructors dedicated to the study of traditional European, American, and related fighting arts and martial traditions. |
Historical European Martial Arts Federations
Australia Western Martial Academies of Australia |
Austria Österreichischer Fachverband für Historisches Fechten |
Belgium Societas Belgarum Scientiae Nobilis |
Brazil Associação Brasileira de Artes Marciais Históricas Européias |
Czech Republic Česká asociace šermířů |
France Fédération Française des Arts Martiaux Historiques Européens |
Galicia (Spain) Asociación Galega de Esgrima Antiga |
Germany Deutscher Dachverband Historischer Fechter |
Greece Ελληνική Ομοσπονδία |
Hungary Magyar Hosszúkardvívó Sportszövetség |
Italy Vnione Arti Dimicatorie Italia |
Netherlands H.E.M.A.-bond Nederland |
Poland Polska Federacja Dawnych Europejksich Sztuk Walki |
Portugal Federação Portuguesa de Esgrima Histórica |
Slovenia Historical European Martial Arts Federation of Slovenia |
Spain Asociación Española de Esgrima Antigua Federación Española de Esgrima Histórica |
Sweden Svenska HEMA-förbundet |
Switzerland Swiss Federation for Historical European Martial Arts |
United Kingdom British Federation for Historical Swordplay |
Wiktenauer sponsors
Each year Wiktenauer holds a two-week fundraising drive to cover our server fees and fund new projects and acquisitions. The following are the organizations are official sponsors of the 2015 fundraiser; a full list of donors can be viewed on the Contributors page.
Top three 2015 donors
Kron Martial Arts |
xKdF Network |
Schola Saint George |
Associació Catalana d'Esgrima Antiga |
Boston Armizare |
Fechtschule Victoria |
Longpoint: HEMA Tournaments & Workshops |
Noble Science Academy |
Ottawa Swordplay |
Purpleheart Armoury |
The Rhode Island Fencing Academy and Club |
School of European Swordsmanship |
Sword to Sword - Kunst des Fechtens |
Système d'Armes - New Orleans |
Tattershall School of Defense |