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Difference between revisions of "Liber Quodlibetarius (MS B.200)"
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| imageleft = File:MS B.200 117v.png | | imageleft = File:MS B.200 117v.png | ||
| imageright = File:MS B.200 118r.png | | imageright = File:MS B.200 118r.png | ||
− | | width = | + | | width = x200px |
− | | caption = 117v - 118r | + | | caption = ff 117v - 118r |
<!----------General----------> | <!----------General----------> | ||
− | | | + | | Hagedorn's catalog = [[HS::LQ]] |
− | | Wierschin's catalog= | + | | Wierschin's catalog= — |
− | | Hils' catalog = | + | | Hils' catalog = — |
− | | Beck catalog = [ | + | | Beck catalog = [http://kdih.badw.de/datenbank/handschrift/49a/5/1 49a.5.1] {{#set:BC=49a.5.1}} |
− | | Also known as = | + | | Also known as = MS 1463 |
| Type = [[type::Commonplace book]] | | Type = [[type::Commonplace book]] | ||
| Date = [[year::1524]] | | Date = [[year::1524]] | ||
| Place of origin = Nuremberg | | Place of origin = Nuremberg | ||
− | | Language(s) = [[language::Early New High German]] | + | | Language(s) = {{plainlist |
+ | | [[language::Early New High German]] | ||
+ | | [[language::New Latin]] | ||
+ | }} | ||
| Scribe(s) = Benedictus Rughalm | | Scribe(s) = Benedictus Rughalm | ||
| Author(s) = Unknown | | Author(s) = Unknown | ||
Line 26: | Line 29: | ||
<!----------Form and content----------> | <!----------Form and content----------> | ||
| Material = Paper, in a half-leather cover | | Material = Paper, in a half-leather cover | ||
− | | Size = 204 [[folia]] | + | | Size = 204 [[folia]] (210 mm × 290 mm) |
− | | Format = Double-sided; one illustrations <br/> | + | | Format = Double-sided; one or two illustrations per <br/>side, with captions |
| Condition = | | Condition = | ||
− | | Script = | + | | Script = |
| Contents = | | Contents = | ||
| Illumination(s) = | | Illumination(s) = | ||
Line 40: | Line 43: | ||
| below = | | below = | ||
}} | }} | ||
− | The '''MS B.200''' is a [[nationality::German]] commonplace book created in or around 1524; it seems to have been scribed by one [[Benedictus Rughalm]], though he was probably not the author of any of it.<ref>Internally dated on [http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832&childpid=5282456 86v], and both dated and signed on [http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832&childpid=5282603 164r].</ref> The original currently rests in the holdings of the [[Universitätsbibliothek Erlangen-Nürnberg]] in Erlangen, Germany. The manuscript is a compilation of a variety of disparate texts, and includes a brief series of fencing and wrestling | + | The '''MS B.200''' is a [[nationality::German]] commonplace book created in or around 1524; it seems to have been scribed by one [[Benedictus Rughalm]], though he was probably not the author of any of it.<ref>Internally dated on [http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832&childpid=5282456 86v], and both dated and signed on [http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832&childpid=5282603 164r].</ref> The original currently rests in the holdings of the [[Universitätsbibliothek Erlangen-Nürnberg]] in Erlangen, Germany. The manuscript is a compilation of a variety of disparate texts, and includes a brief series of fencing and wrestling pieces based on the only two printed German books on fighting at the time, the anonymous ''[[Das Landshuter Ringerbuch (Hans Wurm)|Landshuter Ringerbuch]]'' ("Landshut Wrestling Manual") and [[Andre Paurenfeyndt]]'s ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay"). |
+ | |||
+ | This manuscript is very similar to [[Ein Hausbuch des mittelalterlichen Wissens (BJ Rkp. Przyb. 35/64)|BJ Rkp. Przyb. 35/64]], and was probably created in the same workshop. | ||
== Provenance == | == Provenance == | ||
Line 50: | Line 55: | ||
{| class="treatise" | {| class="treatise" | ||
|- | |- | ||
− | ! id="page" | [[Andre | + | ! id="page" | [[Andre Paurenfeyndt|118r - 119r]] |
| {{treatise begin | | {{treatise begin | ||
− | | title = Nine of the "Twelve Rules for the Beginning Fencer" by Andre | + | | title = Nine of the "Twelve Rules for the Beginning Fencer" by Andre Paurenfeyndt |
− | | width = | + | | width = 90em |
}} | }} | ||
− | {| class=" | + | {| class="treatisecontent" |
|- | |- | ||
− | ! <p> | + | ! <p>Illustrations</p> |
! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ||
! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ||
|- | |- | ||
− | | [[File:MS B.200 118r-a.png| | + | | [[File:MS B.200 118r-a.png|400px|center]] |
− | | <p>Lively and spirited, [with weapon] in hand; or it will shame the both of us.</p> | + | | <p>Lively and spirited, [with weapon] in hand; <br/>or it will shame the both of us.</p> |
<p>He who steps after cutting, <br/>will not be happy with his luck.</p> | <p>He who steps after cutting, <br/>will not be happy with his luck.</p> | ||
Line 71: | Line 76: | ||
|- | |- | ||
− | | [[File:MS B.200 118r-b.png| | + | | [[File:MS B.200 118r-b.png|400px|center]] |
| <p>Whichever leg is forward, should be bent;<br/>the left extended; hold the body upright.</p> | | <p>Whichever leg is forward, should be bent;<br/>the left extended; hold the body upright.</p> | ||
| {{section|page:MS B.200 118r.png|3|lbl=-}} | | {{section|page:MS B.200 118r.png|3|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 118v-a.png| | + | | [[File:MS B.200 118v-a.png|400px|center]] |
| <p>Fence on high with your body stretched;<br/>make your attacks with force from a distance.</p> | | <p>Fence on high with your body stretched;<br/>make your attacks with force from a distance.</p> | ||
| {{section|page:MS B.200 118v.png|1|lbl=118v}} | | {{section|page:MS B.200 118v.png|1|lbl=118v}} | ||
|- | |- | ||
− | | [[File:MS B.200 118v-b.png| | + | | [[File:MS B.200 118v-b.png|400px|center]] |
| <p>Strike and step with one another; <br/>and set the feet against each other.</p> | | <p>Strike and step with one another; <br/>and set the feet against each other.</p> | ||
Line 90: | Line 95: | ||
|- | |- | ||
− | | [[File:MS B.200 119r-a.png| | + | | [[File:MS B.200 119r-a.png|400px|center]] |
| <p>Step close in the bind; <br/>otherwise you will be wounded.</p> | | <p>Step close in the bind; <br/>otherwise you will be wounded.</p> | ||
Line 99: | Line 104: | ||
|- | |- | ||
− | | [[File:MS B.200 119r-b.png| | + | | class="noline" | [[File:MS B.200 119r-b.png|400px|center]] |
− | | <p>Fight close at the body; <br/>don’t avoid [giving] light hits.</p> | + | | class="noline" | <p>Fight close at the body; <br/>don’t avoid [giving] light hits.</p> |
<p>Strike ‘before’ and ‘after’; <br/>don’t be too quick to run in close.</p> | <p>Strike ‘before’ and ‘after’; <br/>don’t be too quick to run in close.</p> | ||
− | | {{section|page:MS B.200 119r.png|3|lbl=-}} | + | | class="noline" | {{section|page:MS B.200 119r.png|3|lbl=-}} |
{{section|page:MS B.200 119r.png|4|lbl=-}} | {{section|page:MS B.200 119r.png|4|lbl=-}} | ||
Line 111: | Line 116: | ||
|- | |- | ||
− | ! [[Andre | + | ! [[Andre Paurenfeyndt|119v - 121r]] |
| {{treatise begin | | {{treatise begin | ||
− | | title = Additional | + | | title = Additional pieces, possibly based on Andre Paurenfeyndt |
− | | width = | + | | width = 90em |
}} | }} | ||
− | {| class=" | + | {| class="treatisecontent" |
|- | |- | ||
− | ! <p> | + | ! <p>Illustrations</p> |
! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ||
! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ||
|- | |- | ||
− | | [[File:MS B.200 119v-a.png| | + | | [[File:MS B.200 119v-a.png|400px|center]] |
| <p>Give way backwards and retreat.</p> | | <p>Give way backwards and retreat.</p> | ||
| {{section|page:MS B.200 119v.png|1|lbl=119v}} | | {{section|page:MS B.200 119v.png|1|lbl=119v}} | ||
|- | |- | ||
− | | [[File:MS B.200 119v-b.png| | + | | [[File:MS B.200 119v-b.png|400px|center]] |
| <p>Hold still; wait a while.</p> | | <p>Hold still; wait a while.</p> | ||
| {{section|page:MS B.200 119v.png|2|lbl=-}} | | {{section|page:MS B.200 119v.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 120r-a.png| | + | | [[File:MS B.200 120r-a.png|400px|center]] |
| <p>Strike quickly, I tell you; {{red|or I will give you a thrust.}}</p> | | <p>Strike quickly, I tell you; {{red|or I will give you a thrust.}}</p> | ||
| {{section|page:MS B.200 120r.png|1|lbl=120r}} | | {{section|page:MS B.200 120r.png|1|lbl=120r}} | ||
|- | |- | ||
− | | [[File:MS B.200 120r-b.png| | + | | [[File:MS B.200 120r-b.png|400px|center]] |
| <p>{{red|Strike, step—and cut together with [him].}}</p> | | <p>{{red|Strike, step—and cut together with [him].}}</p> | ||
| {{section|page:MS B.200 120r.png|2|lbl=-}} | | {{section|page:MS B.200 120r.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 120v-a.png| | + | | [[File:MS B.200 120v-a.png|400px|center]] |
| <p>[No text]</p> | | <p>[No text]</p> | ||
| {{paget|MS B.200|120v|png|blk=1}} | | {{paget|MS B.200|120v|png|blk=1}} | ||
|- | |- | ||
− | | [[File:MS B.200 120v-b.png| | + | | [[File:MS B.200 120v-b.png|400px|center]] |
| <p>[No text]</p> | | <p>[No text]</p> | ||
| <p>[No text]</p> | | <p>[No text]</p> | ||
|- | |- | ||
− | | [[File:MS B.200 121r-a.png| | + | | [[File:MS B.200 121r-a.png|400px|center]] |
| <p>Take note, that wreath is mine!</p> | | <p>Take note, that wreath is mine!</p> | ||
| {{section|page:MS B.200 121r.png|1|lbl=121r}} | | {{section|page:MS B.200 121r.png|1|lbl=121r}} | ||
|- | |- | ||
− | | [[File:MS B.200 121r-b.png| | + | | class="noline" | [[File:MS B.200 121r-b.png|400px|center]] |
− | | <p>{{red|I cannot prevent you from closing in;}} use ''Indes''.</p> | + | | class="noline" | <p>{{red|I cannot prevent you from closing in;}} use ''Indes''.</p> |
− | | {{section|page:MS B.200 121r.png|2|lbl=-}} | + | | class="noline" | {{section|page:MS B.200 121r.png|2|lbl=-}} |
|} | |} | ||
Line 166: | Line 171: | ||
|- | |- | ||
− | ! [[Das Landshuter Ringerbuch (Hans Wurm)|121v - 125r]] | + | ! [[Das Landshuter Ringerbuch (Hans Wurm)|121v - 125r]] |
| {{treatise begin | | {{treatise begin | ||
− | | title = | + | | title = Wrestling based on the ''Landshuter Ringerbuch'' |
− | | width = | + | | width = 90em |
}} | }} | ||
− | {| class=" | + | {| class="treatisecontent" |
|- | |- | ||
− | ! <p> | + | ! <p>Illustrations</p> |
! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ! <p>{{rating|C}}<br/>by [[Matt Galas]]</p> | ||
! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ! <p>Transcription{{edit index|Liber Quodlibetarius (MS B.200)}}<br/>by [[Dierk Hagedorn]]</p> | ||
|- | |- | ||
− | | [[File:MS B.200 121v-a.png| | + | | [[File:MS B.200 121v-a.png|400px|center]] |
| <p>In Saint George’s name, begin; and watch to see whether your opponent goes high or low: That is the beginning [lesson] of wrestling.</p> | | <p>In Saint George’s name, begin; and watch to see whether your opponent goes high or low: That is the beginning [lesson] of wrestling.</p> | ||
| {{section|page:MS B.200 121v.png|1|lbl=121v}} | | {{section|page:MS B.200 121v.png|1|lbl=121v}} | ||
|- | |- | ||
− | | [[File:MS B.200 121v-b.png| | + | | [[File:MS B.200 121v-b.png|400px|center]] |
| <p>If he grabs at you with his hand, then use the technique that is called ''Zucken'' (pulling).</p> | | <p>If he grabs at you with his hand, then use the technique that is called ''Zucken'' (pulling).</p> | ||
| {{section|page:MS B.200 121v.png|2|lbl=-}} | | {{section|page:MS B.200 121v.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 122r-a.png| | + | | [[File:MS B.200 122r-a.png|400px|center]] |
| <p>{{gold|If he has lifted you up, then use the technique which you see here.}}</p> | | <p>{{gold|If he has lifted you up, then use the technique which you see here.}}</p> | ||
| {{section|page:MS B.200 122r.png|1|lbl=122r}} | | {{section|page:MS B.200 122r.png|1|lbl=122r}} | ||
|- | |- | ||
− | | [[File:MS B.200 122r-b.png| | + | | [[File:MS B.200 122r-b.png|400px|center]] |
| <p>If he shoves you away from him when you are in the ''Haken'' (hook), then grab a piece of his jacket near the hip.</p> | | <p>If he shoves you away from him when you are in the ''Haken'' (hook), then grab a piece of his jacket near the hip.</p> | ||
| {{section|page:MS B.200 122r.png|2|lbl=-}} | | {{section|page:MS B.200 122r.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 122v-a.png| | + | | [[File:MS B.200 122v-a.png|400px|center]] |
| <p>This technique is called the ''Inwendig Schlent Hagkl'' (inside [?] hook). If you use that at full force, you will throw him.</p> | | <p>This technique is called the ''Inwendig Schlent Hagkl'' (inside [?] hook). If you use that at full force, you will throw him.</p> | ||
| {{section|page:MS B.200 122v.png|1|lbl=122v}} | | {{section|page:MS B.200 122v.png|1|lbl=122v}} | ||
|- | |- | ||
− | | [[File:MS B.200 122v-b.png| | + | | [[File:MS B.200 122v-b.png|400px|center]] |
| <p>{{red|If your opponent grabs you first, then use this technique, which is called the ''Abstoss'' (shove-away).}}</p> | | <p>{{red|If your opponent grabs you first, then use this technique, which is called the ''Abstoss'' (shove-away).}}</p> | ||
| {{section|page:MS B.200 122v.png|2|lbl=-}} | | {{section|page:MS B.200 122v.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 123r-a.png| | + | | [[File:MS B.200 123r-a.png|400px|center]] |
| <p>If he stands upright and positions himself in the Balance.</p> | | <p>If he stands upright and positions himself in the Balance.</p> | ||
| {{section|page:MS B.200 123r.png|1|lbl=123r}} | | {{section|page:MS B.200 123r.png|1|lbl=123r}} | ||
|- | |- | ||
− | | [[File:MS B.200 123r-b.png| | + | | [[File:MS B.200 123r-b.png|400px|center]] |
| <p>If he pulls your head [under his arm] when you try to run in at him with the ''Hacken'' (hook), then use the technique called the ''Aüsser Hacken'' (outer hook).</p> | | <p>If he pulls your head [under his arm] when you try to run in at him with the ''Hacken'' (hook), then use the technique called the ''Aüsser Hacken'' (outer hook).</p> | ||
| {{section|page:MS B.200 123r.png|2|lbl=-}} | | {{section|page:MS B.200 123r.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 123v-a.png| | + | | [[File:MS B.200 123v-a.png|400px|center]] |
| <p>If your opponent grabs hold of you with fury, then use the ''Abwinden'' (turning aside). If he has lifted you up, act as if you are going to fall, [but instead] grasp hold of his right thigh and shove him away from you.</p> | | <p>If your opponent grabs hold of you with fury, then use the ''Abwinden'' (turning aside). If he has lifted you up, act as if you are going to fall, [but instead] grasp hold of his right thigh and shove him away from you.</p> | ||
| {{section|page:MS B.200 123v.png|1|lbl=123v}} | | {{section|page:MS B.200 123v.png|1|lbl=123v}} | ||
|- | |- | ||
− | | [[File:MS B.200 123v-b.png| | + | | [[File:MS B.200 123v-b.png|400px|center]] |
| <p>If he stands completely upright and strains backwards, then use the technique called the ''Schragen''.</p> | | <p>If he stands completely upright and strains backwards, then use the technique called the ''Schragen''.</p> | ||
| {{section|page:MS B.200 123v.png|2|lbl=-}} | | {{section|page:MS B.200 123v.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 124r-a.png| | + | | [[File:MS B.200 124r-a.png|400px|center]] |
| <p>If he stands with his legs wide apart, then use the technique called the ''Halb Hufft'' (half hip).</p> | | <p>If he stands with his legs wide apart, then use the technique called the ''Halb Hufft'' (half hip).</p> | ||
| {{section|page:MS B.200 124r.png|1|lbl=124r}} | | {{section|page:MS B.200 124r.png|1|lbl=124r}} | ||
|- | |- | ||
− | | [[File:MS B.200 124r-b.png| | + | | [[File:MS B.200 124r-b.png|400px|center]] |
| <p>This is the hip in the ''Aüsser Hacken'' (outer hook). Use this with force. Wrestle with the legs and step forwards [to the?] hip.</p> | | <p>This is the hip in the ''Aüsser Hacken'' (outer hook). Use this with force. Wrestle with the legs and step forwards [to the?] hip.</p> | ||
| {{section|page:MS B.200 124r.png|2|lbl=-}} | | {{section|page:MS B.200 124r.png|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS B.200 124v-a.png| | + | | [[File:MS B.200 124v-a.png|400px|center]] |
| <p>[No text]</p> | | <p>[No text]</p> | ||
| {{paget|MS B.200|124v|png|blk=1}} | | {{paget|MS B.200|124v|png|blk=1}} | ||
|- | |- | ||
− | | [[File:MS B.200 124v-b.png| | + | | [[File:MS B.200 124v-b.png|400px|center]] |
| <p>[No text]</p> | | <p>[No text]</p> | ||
| <p>[No text]</p> | | <p>[No text]</p> | ||
|- | |- | ||
− | | [[File:MS B.200 125r-a.png| | + | | class="noline" | [[File:MS B.200 125r-a.png|400px|center]] |
− | | <p>[No text]</p> | + | | class="noline" | <p>[No text]</p> |
− | | {{section|page:MS B.200 125r.png|1|lbl=125r|blk=1 | + | | class="noline" | {{section|page:MS B.200 125r.png|1|lbl=125r|blk=1}} |
− | |||
− | |||
− | |||
− | |||
− | |||
|} | |} | ||
Line 284: | Line 284: | ||
== Additional Resources == | == Additional Resources == | ||
− | + | {{bibliography}} | |
== References == | == References == | ||
Line 300: | Line 300: | ||
| source link = http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832 | | source link = http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832 | ||
| source title= Universitätsbibliothek Erlangen-Nürnberg | | source title= Universitätsbibliothek Erlangen-Nürnberg | ||
− | | license = | + | | license = public domain |
}} | }} | ||
{{sourcebox | {{sourcebox | ||
| work = Translation | | work = Translation | ||
− | | authors = [[Matt Galas]] | + | | authors = [[translator::Matt Galas]] |
| source link = | | source link = | ||
| source title= Private communication | | source title= Private communication | ||
Line 311: | Line 311: | ||
{{sourcebox | {{sourcebox | ||
| work = Transcription | | work = Transcription | ||
− | | authors = [[Dierk Hagedorn]] | + | | authors = [[transcriber::Dierk Hagedorn]] |
| source link = | | source link = | ||
| source title= [[Index:Liber Quodlibetarius (MS B.200)]] | | source title= [[Index:Liber Quodlibetarius (MS B.200)]] | ||
Line 320: | Line 320: | ||
[[Category:Treatises]] | [[Category:Treatises]] | ||
[[Category:Manuscripts]] | [[Category:Manuscripts]] | ||
+ | [[Category:Content]] | ||
[[Category:Research/Background Information]] | [[Category:Research/Background Information]] | ||
Line 328: | Line 329: | ||
[[Category:Longsword]] | [[Category:Longsword]] | ||
[[Category:Staff Weapons]] | [[Category:Staff Weapons]] | ||
+ | |||
+ | [[Category:New format]] |
Latest revision as of 21:22, 26 August 2024
Liber Quodlibetarius | |||||
---|---|---|---|---|---|
MS B.200, Universitätsbibliothek Erlangen Erlangen, Germany | |||||
| |||||
| |||||
Also known as | MS 1463 | ||||
Type | Commonplace book | ||||
Date | 1524 | ||||
Place of origin | Nuremberg | ||||
Language(s) | |||||
Author(s) | Unknown | ||||
Scribe(s) | Benedictus Rughalm | ||||
Illustrator(s) | Unknown | ||||
Material | Paper, in a half-leather cover | ||||
Size | 204 folia (210 mm × 290 mm) | ||||
Format | Double-sided; one or two illustrations per side, with captions | ||||
Identified | Jan Dovica | ||||
External data | Library catalog entry | ||||
Treatise scans | Digital scans (1500x2000) |
The MS B.200 is a German commonplace book created in or around 1524; it seems to have been scribed by one Benedictus Rughalm, though he was probably not the author of any of it.[1] The original currently rests in the holdings of the Universitätsbibliothek Erlangen-Nürnberg in Erlangen, Germany. The manuscript is a compilation of a variety of disparate texts, and includes a brief series of fencing and wrestling pieces based on the only two printed German books on fighting at the time, the anonymous Landshuter Ringerbuch ("Landshut Wrestling Manual") and Andre Paurenfeyndt's Ergrundung Ritterlicher Kunst der Fechterey ("Foundation of the Chivalric Art of Swordplay").
This manuscript is very similar to BJ Rkp. Przyb. 35/64, and was probably created in the same workshop.
Contents
Provenance
Contents
118r - 119r |
| ||||||||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
119v - 121r |
| ||||||||||||||||||||||||||||||||||||||||||||||||
121v - 125r |
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Gallery
Images hosted by the Universitätsbibliothek Erlangen-Nürnberg.
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- Leitch, Stephanie (2024). "A Customized Housebook of Repurposed Prints: the Liber Quodlibetarius, c. 1524." Customised Books in Early Modern Europe and the Americas, 1400–1700: 137–165. Ed. by Christopher D. Fletcher; Walter S. Melion. Leiden: Brill. doi:10.1163/9789004680562_006.
References
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
Work | Author(s) | Source | License |
---|---|---|---|
Images | Universitätsbibliothek Erlangen-Nürnberg | ||
Translation | Matt Galas | Private communication | |
Transcription | Dierk Hagedorn | Index:Liber Quodlibetarius (MS B.200) |