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{{Infobox writer
 
{{Infobox writer
| name                = Ridolfo Capo Ferro da Cagli
+
| name                = [[name::Andre Paurenfeyndt]]
| image                = File:Ridolfo Capo Ferro da Cagli portrait.png
+
| image                = File:Andre Paurenfeyndt.png
| imagesize            = 300px
+
| imagesize            = 250px
 
| caption              =  
 
| caption              =  
  
 
| pseudonym            =  
 
| pseudonym            =  
 
| birthname            =  
 
| birthname            =  
| birthdate            = 16th century
+
| birthdate            =  
 
| birthplace          =  
 
| birthplace          =  
| deathdate            = 17th century
+
| deathdate            =  
 
| deathplace          =  
 
| deathplace          =  
 
| resting_place        =  
 
| resting_place        =  
| occupation          = [[Fencing master]]
+
| occupation          = {{plainlist
| language            = [[Italian]]
+
| Bodyguard
| nationality          =  
+
| [[Freifechter]]
 +
}}
 +
| language            = [[Early New High German]]
 +
| nationality          = German
 
| ethnicity            =  
 
| ethnicity            =  
 
| citizenship          =  
 
| citizenship          =  
 
| education            =  
 
| education            =  
 
| alma_mater          =  
 
| alma_mater          =  
| patron              = Federico Ubaldo della Roevere
+
| patron              = Matthäus Lang von Wellenburg
  
 
| period              =  
 
| period              =  
| genre                = [[Fencing manual]]
+
| genre                = {{plainlist
 +
| [[Fencing manual]]
 +
| [[Wrestling manual]]
 +
}}
 
| subject              =  
 
| subject              =  
| movement            =  
+
| movement            = Liechtenauer Tradition
| notableworks        = ''[[Gran Simulacro dell'Arte e dell'Uso della Scherma (Ridolfo Capo Ferro da Cagli)|Gran Simulacro dell'Arte e dell'Uso della<br/>Scherma]]'' (1610)
+
| notableworks        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der <br/>Fechterey]]'' (1516)
| manuscript(s)        =  
+
| archetype            =
 +
| manuscript(s)        = {{collapsible list
 +
| [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524)
 +
| [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1535-40)
 +
| [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538)
 +
| [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
 +
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition=  
 
| first printed edition=  
| wiktenauer compilation by=[[Michael Chidester]]
+
| wiktenauer compilation by= [[Michael Chidester]]
  
 
| spouse              =  
 
| spouse              =  
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| children            =  
 
| children            =  
 
| relatives            =  
 
| relatives            =  
| influences          = [[Camillo Aggrippa]]
+
| influences          = [[Johannes Liechtenauer]]
| influenced          = [[Sebastian Heußler]]
+
| influenced          = {{plainlist
 +
| [[Hans Czynner]]
 +
| [[Paulus Hector Mair]]
 +
| [[Joachim Meÿer]]
 +
}}
 
| awards              =  
 
| awards              =  
 
| signature            =  
 
| signature            =  
 
| website              =  
 
| website              =  
 +
| translations        =
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Ridolfo Capo Ferro da Cagli''' (Ridolfo Capoferro, Rodulphus Capoferrus) was a 17th century [[Italian]] [[fencing master]].
+
'''Andre Paurenfeyndt''' (Paurñfeyndt, Paurñfeindt) was a 16th century [[German]] [[Freifechter]]. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540). In 1516, he wrote and published a [[fencing manual]] entitled ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Founding of the Chivalric Art of Swordplay"), which [[Sydney Anglo]] notes may have been the first illustrated fencing treatise ever published. Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of [[Johannes Liechtenauer]]. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.
 
 
He seems to have been born in the town of Cagli in the Province of Pesaro e Urbino, and was a resident of Siena, Tuscany. Little is known about the life of this master, though the dedication to Federico Ubaldo della Roevere, the young son of Duke Francesco Maria Feltrio della Roevere, may indicate that he was associated with the court at Urbino in some capacity. The statement at the beginning of Capo Ferro's treatise describing him as a "master of the great German nation" likely signifies that he was faculty at the University of Siena, either holding a position analogous to dean of all German students, or perhaps merely the fencing master who taught the German students.
 
 
 
At the age of 52, Capo Ferro authored a treatise on the [[rapier]] entitled ''[[Gran Simulacro dell'Arte e dell'Uso della Scherma (Ridolfo Capo Ferro da Cagli)|Gran Simulacro dell'Arte e dell'Uso della Scherma]]'' ("Great Representation of the Art and Use of Fencing"); it was published in Siena in 1610, but refers to Federico by the ducal title. Though this treatise is highly praised by modern fencing historians, it is neither comprehensive nor particularly innovative and does not seem to have been influential in its own time.
 
  
 
<h2> Treatise </h2>
 
<h2> Treatise </h2>
  
This concordance uses the watercolor illustrations from the 1629 edition where they are available, except for a few in which the paint obscures the actual fencing actions. You can view all of the painted illustrations on the treatise page.  
+
Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524).  
  
([[Ridolfo Capo Ferro da Cagli|Read more]])
+
Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including [[Sollinger]]'s 1564 copy), followed by the 1538 Walloon translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.
  
 +
([[Andre Paurenfeyndt|Read more]]…)
  
 
<dl style="clear:right;">
 
<dl style="clear:right;">
 
<dt style="font-size:90%;">Recently Featured:</dt>
 
<dt style="font-size:90%;">Recently Featured:</dt>
<dd style="font-size:90%;">[[Antonio Manciolino]]&ensp;–&ensp;[[Nicoletto Giganti]]&ensp;–&ensp;[[Hans Talhoffer]]&ensp;–&ensp;[[Adam van Breen]]&ensp;–&ensp;[[Francesco Fernando Alfieri]]</dd>
+
<dd style="font-size:90%;">[[Sigmund ain Ringeck]]&ensp;–&ensp;[[Pseudo-Peter von Danzig]]&ensp;–&ensp;[[Ridolfo Capo Ferro da Cagli]]&ensp;–&ensp;[[Antonio Manciolino]]&ensp;–&ensp;[[Nicoletto Giganti]]</dd>
 
</dl>
 
</dl>

Revision as of 19:39, 15 July 2021

Andre Paurenfeyndt
Occupation
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der
Fechterey
(1516)
Manuscript(s)
Concordance by Michael Chidester

Andre Paurenfeyndt (Paurñfeyndt, Paurñfeindt) was a 16th century German Freifechter. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540). In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which Sydney Anglo notes may have been the first illustrated fencing treatise ever published. Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200 (1524).

Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including Sollinger's 1564 copy), followed by the 1538 Walloon translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.

(Read more…)

Recently Featured:
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