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Difference between revisions of "Anonymous sword and buckler images"
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| source title= La Réunion des Musées nationaux | | source title= La Réunion des Musées nationaux | ||
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| source title= Universitätsbibliothek Erlangen-Nürnberg | | source title= Universitätsbibliothek Erlangen-Nürnberg | ||
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| source title= Staatsbibliothek zu Berlin - Preußischer Kulturbesitz | | source title= Staatsbibliothek zu Berlin - Preußischer Kulturbesitz | ||
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| source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002004-0 | | source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002004-0 | ||
| source title= Universitätsbibliothek Augsburg | | source title= Universitätsbibliothek Augsburg | ||
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| source link = http://daten.digitale-sammlungen.de/bsb00107024/image_1 | | source link = http://daten.digitale-sammlungen.de/bsb00107024/image_1 | ||
| source title= Bayerische Staatsbibliothek | | source title= Bayerische Staatsbibliothek | ||
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Latest revision as of 21:38, 10 November 2024
These uncaptioned images generally appear across multiple manuscripts (almost entirely from the 16th century), but their origin and relationship are entirely unknown.
The first group, found in the Cl. 23842 (ca. 1490s) and the MS B.26 (1500); their presence in the Cluny may indicate that they were intended to illustrate one or more prior German fencing treatises (such as that of Andre Lignitzer).
The second group, found in the Libr.Pict.A.83 (ca. 1510), Cod.I.6.2º.4 (1530s), and Cgm 3712 (1556), are believed to have been part of the tradition that produced the MS I.33, and along with the writings of Paulus Kal formed the basis of Paulus Hector Mair's treatment of the weapon combination.
Images
Paris Version (after 1495) |
Erlangen Version (1500) |
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Berlin Version (ca. 1512) |
Augsburg Version (1545) |
Munich Version (1556) |
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For further information, including transcription and translation notes, see the discussion page.