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Difference between revisions of "Hans Medel Fechtbuch (Cod.I.6.2º.5)"

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The '''Hans Medel Fechtbuch''' (Cod.I.6.2º.5) is a 16th century [[nationality::German]] manuscript compiled by [[Paulus Hector Mair]] some time after 1566.<ref>The final year of the record ending on [http://media.bibliothek.uni-augsburg.de/file/47559/16388468877.jpg folio 20r].</ref>  It currently rests in the holdings of the [[Universitätsbibliothek Augsburg]] in Augsburg, Germany. The manuscript is a compilation of several older documents, including records from the Augsburg fencing guilds and a [[fencing manual]] that was probably created by a student or admirer of one Master [[Hans Medel]] of Salzburg. At the end are twelve prints of fencers and wrestlers by [[Dirck Coornhert]], based on drawings by the Dutch artist [[Maarten van Heemskerck]] and apparently printed in 1552.<ref>Internally dated on [http://media.bibliothek.uni-augsburg.de/file/47604/578361321969.jpg folio 43r].</ref>
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The '''Hans Medel Fechtbuch''' (Cod.I.6.2º.5) is a 16th century [[nationality::German]] manuscript compiled by [[Paulus Hector Mair]] some time after 1566.<ref>The final year of the record ending on [[:File:Cod.I.6.2º.5 20r.jpg|folio 20r]].</ref>  It currently rests in the holdings of the [[Universitätsbibliothek Augsburg]] in Augsburg, Germany. The manuscript is a compilation of several older documents, including records from the Augsburg fencing guilds and a [[fencing manual]] that was probably created by a student or admirer of one Master [[Hans Medel]] of Salzburg. At the end are twelve prints of fencers and wrestlers by [[Dirck Coornhert]], based on drawings by the Dutch artist [[Maarten van Heemskerck]] and apparently printed in 1552.<ref>Internally dated on [[:File:Cod.I.6.2º.5 43r.jpg|folio 43r].</ref>
  
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Hans Medel's section, written in 1539,<ref>Internally dated on [http://media.bibliothek.uni-augsburg.de/file/47560/36355424622.jpg folio 21r].</ref> consists of the master's modified presentation of the teachings of [[Johannes Liechtenauer]], which takes the form of a sort of "updated version" of [[Sigmund Schining ein Ringeck]]'s own treatise. The manuscript also includes a section on fighting from "seven stances", which appears to be Medel's own unique contribution to the art. The art in Medel's segment is very similar to the paintings Mair would later commission for his own manuscripts, and may have been the inspiration for them.
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Hans Medel's section, written in 1539,<ref>Internally dated on [[:File:Cod.I.6.2º.5 21r.jpg|folio 21r].</ref> consists of the master's modified presentation of the teachings of [[Johannes Liechtenauer]], which takes the form of a sort of "updated version" of [[Sigmund Schining ein Ringeck]]'s own treatise. The manuscript also includes a section on fighting from "seven stances", which appears to be Medel's own unique contribution to the art. The art in Medel's segment is very similar to the paintings Mair would later commission for his own manuscripts, and may have been the inspiration for them.
  
 
A final note of interest about this text is that it mentions Master [[Hans Seydenfaden von Erfurt]] twice, a name that also appears on [[Paulus Kal]]'s roll of the [[Society of Liechtenauer]]<ref>[[Paulus Kal|Kal, Paulus]]. Untitled [manuscript]. [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]]. Munich, Germany: [[Bayerische Staatsbibliothek]], 1470.</ref> and a master from whom no treatise is known to survive. This may indicate that Hans Medel possessed some of his writings that have since been lost, or perhaps that Medel traced his lineage through Seydenfaden and received some of the master's teachings through an oral tradition.
 
A final note of interest about this text is that it mentions Master [[Hans Seydenfaden von Erfurt]] twice, a name that also appears on [[Paulus Kal]]'s roll of the [[Society of Liechtenauer]]<ref>[[Paulus Kal|Kal, Paulus]]. Untitled [manuscript]. [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]]. Munich, Germany: [[Bayerische Staatsbibliothek]], 1470.</ref> and a master from whom no treatise is known to survive. This may indicate that Hans Medel possessed some of his writings that have since been lost, or perhaps that Medel traced his lineage through Seydenfaden and received some of the master's teachings through an oral tradition.
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== Gallery ==
 
== Gallery ==
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Images hosted by the Universitätsbibliothek Augsburg.
 
  
 
<h3>Fencing Guild Records</h3>
 
<h3>Fencing Guild Records</h3>
  
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<h3 style="clear:both;">Hans Medel von Salzburg</h3>
 
<h3 style="clear:both;">Hans Medel von Salzburg</h3>
  
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<h3 style="clear:both;">Maarten van Heemskerck</h3>
 
<h3 style="clear:both;">Maarten van Heemskerck</h3>
  
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== Additional Resources ==
 
== Additional Resources ==

Revision as of 21:48, 23 November 2014

Hans Medel Fechtbuch
Cod.I.6.2º.5, Universitätsbibliothek Augsburg
Augsburg, Germany

Cod.I.6.2º.5 22v.jpg
Cod.I.6.2º.5 23r.jpg
HagedornLeng38.1.1
Wierschin14Hils6
Also known as Sigmund Schining Fechtbuch
Type
Date ca. 1539, 1552, etc.
Place of origin Augsburg, Germany
Language(s) Early New High German
Author(s)
Compiler Paulus Hector Mair (ca. 1560)
Illustrator(s)
Material Paper, in a modern leather binding
Size 52 folia
Format Double-sided; text with
scatteredillustrations
Script Bastarda
External data Library catalog entry
Treatise scans
Other translations Magyar fordítás
The title of this article contains the character º. Where it is unavailable or not desired, the name may be represented as Hans Medel Fechtbuch (Cod.I.6.2o.5).

The Hans Medel Fechtbuch (Cod.I.6.2º.5) is a 16th century German manuscript compiled by Paulus Hector Mair some time after 1566.[1] It currently rests in the holdings of the Universitätsbibliothek Augsburg in Augsburg, Germany. The manuscript is a compilation of several older documents, including records from the Augsburg fencing guilds and a fencing manual that was probably created by a student or admirer of one Master Hans Medel of Salzburg. At the end are twelve prints of fencers and wrestlers by Dirck Coornhert, based on drawings by the Dutch artist Maarten van Heemskerck and apparently printed in 1552.[2]

Hans Medel's section, written in 1539,[3] consists of the master's modified presentation of the teachings of Johannes Liechtenauer, which takes the form of a sort of "updated version" of Sigmund Schining ein Ringeck's own treatise. The manuscript also includes a section on fighting from "seven stances", which appears to be Medel's own unique contribution to the art. The art in Medel's segment is very similar to the paintings Mair would later commission for his own manuscripts, and may have been the inspiration for them.

A final note of interest about this text is that it mentions Master Hans Seydenfaden von Erfurt twice, a name that also appears on Paulus Kal's roll of the Society of Liechtenauer[4] and a master from whom no treatise is known to survive. This may indicate that Hans Medel possessed some of his writings that have since been lost, or perhaps that Medel traced his lineage through Seydenfaden and received some of the master's teachings through an oral tradition.

Provenance

Contents

Folio Section
1r - 5v
7r - 20r
21r - 36v Hans Medel's revision of Sigmund Schining ein Ringeck's gloss of Johannes Liechtenauer's Bloßfechten
37r - 42v Longsword by Hans Medel
43v - 49r Fechter & Ringer by Maarten van Heemskerck

Gallery

Fencing Guild Records

Front Cover
Cod.I.6.2º.5 Cover 1.jpg
Inside Cover
Cod.I.6.2º.5 Cover 2.jpg
Folio Ir
Cod.I.6.2º.5 Ir.jpg
Folio Iv
Cod.I.6.2º.5 Iv.jpg
Folio IIr
Cod.I.6.2º.5 IIr.jpg
Folio IIv
Cod.I.6.2º.5 IIv.jpg
Folio 1r
Cod.I.6.2º.5 1r.jpg
Folio 1v
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Folio 2r
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Folio 2v
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Folio 3r
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Folio 3v
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Folio 4r
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Folio 4v
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Folio 5r
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Folio 5v
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Folio 6r
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Folio 6v
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Folio 7r
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Folio 7v
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Folio 8r
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Folio 8v
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Folio 9r
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Folio 9v
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Folio 10r
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Folio 10v
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Folio 11r
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Folio 11v
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Folio 12r
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Folio 12v
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Folio 13r
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Folio 13v
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Folio 14r
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Folio 14v
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Folio 15r
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Folio 15v
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Folio 16r
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Folio 16v
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Folio 17r
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Folio 17v
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Folio 18r
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Folio 18v
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Folio 19r
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Folio 19v
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Folio 20r
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Folio 20v
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Hans Medel von Salzburg

Folio 21r
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Folio 21v
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Folio 22r
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Folio 22v
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Folio 23r
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Folio 23v
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Folio 24r
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Folio 24v
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Folio 25r
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Folio 25v
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Folio 26r
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Folio 26v
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Folio 27r
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Folio 27v
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Folio 28r
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Folio 28v
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Folio 29r
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Folio 29v
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Folio 30r
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Folio 30v
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Folio 31r
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Folio 31v
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Folio 32r
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Folio 32v
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Folio 33r
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Folio 33v
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Folio 34r
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Folio 34v
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Folio 35r
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Folio 35v
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Folio 36r
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Folio 36v
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Folio 37r
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Folio 37v
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Folio 38r
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Folio 38v
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Folio 39r
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Folio 39v
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Folio 40r
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Folio 40v
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Folio 41r
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Folio 41v
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Folio 42r
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Folio 42v
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Maarten van Heemskerck

Folio 43r
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Folio 43v
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Folio 44r
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Folio 44v
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Folio 45r
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Folio 45v
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Folio 46r
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Folio 46v
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Folio 47r
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Folio 47v
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Folio 48r
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Folio 48v
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Folio 49r
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Folio 49v
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Folio 50r
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Folio 50v
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Folio 51r
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Folio 51v
Cod.I.6.2º.5 51v.jpg
Inside Cover
Cod.I.6.2º.5 Cover 3.jpg
Back Cover
Cod.I.6.2º.5 Cover 4.jpg

Additional Resources

References

  1. ↑ The final year of the record ending on folio 20r.
  2. ↑ Internally dated on [[:File:Cod.I.6.2º.5 43r.jpg|folio 43r].
  3. ↑ Internally dated on [[:File:Cod.I.6.2º.5 21r.jpg|folio 21r].
  4. ↑ Kal, Paulus. Untitled [manuscript]. Cgm 1507. Munich, Germany: Bayerische Staatsbibliothek, 1470.
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