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Difference between revisions of "Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)"
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<h3 style="clear:both;"> Illustrations </h3> | <h3 style="clear:both;"> Illustrations </h3> | ||
| − | {{image|h=1|Andre Paurñfeyndt.jpg}} | + | {{image|h=1|Andre Paurñfeyndt.jpg|Heraldry}} |
| − | {{image|h=1|Paurñfeyndt 1.jpg}} | + | {{image|h=1|Paurñfeyndt 1.jpg|Figure 1}} |
| − | {{image|h=1|Paurñfeyndt 2.jpg}} | + | {{image|h=1|Paurñfeyndt 2.jpg|Figure 2}} |
| − | {{image|h=1|Paurñfeyndt 3.jpg}} | + | {{image|h=1|Paurñfeyndt 3.jpg|Figure 3}} |
| − | {{image|h=1|Paurñfeyndt 4.jpg}} | + | {{image|h=1|Paurñfeyndt 4.jpg|Figure 4}} |
| − | {{image|h=1|Paurñfeyndt 5.jpg}} | + | {{image|h=1|Paurñfeyndt 5.jpg|Figure 5}} |
| − | {{image|h=1|Paurñfeyndt 6.jpg}} | + | {{image|h=1|Paurñfeyndt 6.jpg|Figure 6}} |
| − | {{image|h=1|Paurñfeyndt 7.jpg}} | + | {{image|h=1|Paurñfeyndt 7.jpg|Figure 7}} |
| − | {{image|h=1|Paurñfeyndt 8.jpg}} | + | {{image|h=1|Paurñfeyndt 8.jpg|Figure 8}} |
| − | {{image|h=1|Paurñfeyndt 9.jpg}} | + | {{image|h=1|Paurñfeyndt 9.jpg|Figure 9}} |
| − | {{image|h=1|Paurñfeyndt 10.jpg}} | + | {{image|h=1|Paurñfeyndt 10.jpg|Figure 10}} |
| − | {{image|h=1|Paurñfeyndt 11.jpg}} | + | {{image|h=1|Paurñfeyndt 11.jpg|Figure 11}} |
| − | {{image|h=1|Paurñfeyndt 12.jpg}} | + | {{image|h=1|Paurñfeyndt 12.jpg|Figure 12}} |
| − | {{image|h=1|Paurñfeyndt 13.jpg}} | + | {{image|h=1|Paurñfeyndt 13.jpg|Figure 13}} |
| − | {{image|h=1|Paurñfeyndt 14.jpg}} | + | {{image|h=1|Paurñfeyndt 14.jpg|Figure 14}} |
| − | {{image|h=1|Paurñfeyndt 15.jpg}} | + | {{image|h=1|Paurñfeyndt 15.jpg|Figure 15}} |
| − | {{image|h=1|Paurñfeyndt 16.jpg}} | + | {{image|h=1|Paurñfeyndt 16.jpg|Figure 16}} |
| − | {{image|h=1|Paurñfeyndt 17.jpg}} | + | {{image|h=1|Paurñfeyndt 17.jpg|Figure 17}} |
| − | {{image|h=1|Paurñfeyndt 18.jpg}} | + | {{image|h=1|Paurñfeyndt 18.jpg|Figure 18}} |
| − | {{image|h=1|Paurñfeyndt 19.jpg}} | + | {{image|h=1|Paurñfeyndt 19.jpg|Figure 19}} |
| − | {{image|h=1|Paurñfeyndt 20.jpg}} | + | {{image|h=1|Paurñfeyndt 20.jpg|Figure 20}} |
| − | {{image|h=1|Paurñfeyndt 21.jpg}} | + | {{image|h=1|Paurñfeyndt 21.jpg|Figure 21}} |
| − | {{image|h=1|Paurñfeyndt 22.jpg}} | + | {{image|h=1|Paurñfeyndt 22.jpg|Figure 22}} |
| − | {{image|h=1|Paurñfeyndt 23.jpg}} | + | {{image|h=1|Paurñfeyndt 23.jpg|Figure 23}} |
| − | {{image|h=1|Paurñfeyndt 24.jpg}} | + | {{image|h=1|Paurñfeyndt 24.jpg|Figure 24}} |
| − | {{image|h=1|Paurñfeyndt 25.jpg}} | + | {{image|h=1|Paurñfeyndt 25.jpg|Figure 25}} |
| − | {{image|h=1|Paurñfeyndt 26.jpg}} | + | {{image|h=1|Paurñfeyndt 26.jpg|Figure 26}} |
| − | {{image|h=1|Paurñfeyndt 27.jpg}} | + | {{image|h=1|Paurñfeyndt 27.jpg|Figure 27}} |
| − | {{image|h=1|Paurñfeyndt 28.jpg}} | + | {{image|h=1|Paurñfeyndt 28.jpg|Figure 28}} |
| − | {{image|h=1|Paurñfeyndt 29.jpg}} | + | {{image|h=1|Paurñfeyndt 29.jpg|Figure 29}} |
| − | {{image|h=1|Paurñfeyndt 30.jpg}} | + | {{image|h=1|Paurñfeyndt 30.jpg|Figure 30}} |
| − | {{image|h=1|Paurñfeyndt 31.jpg}} | + | {{image|h=1|Paurñfeyndt 31.jpg|Figure 31}} |
== Additional Resources == | == Additional Resources == | ||
Revision as of 21:03, 21 July 2020
| Ergrundung Ritterlicher Kunst der Fechterey | |
|---|---|
| Foundation of the Chivalric Art of Swordplay | |
 Title page of the 1516 edition | |
| Also known as | La noble science des ioueurs d'espee |
| Author(s) | |
| Illustrated by | Unknown |
| Place of origin |
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| Language |
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| Genre(s) | Fencing manual |
| Publisher |
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| Pages | 74 |
| Extant copies |
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| Treatise scans |
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Ergrundung Ritterlicher Kunst der Fechterey ("Foundation of the Chivalric Art of Swordplay") is a German fencing manual by Andre Paurñfeyndt printed in 1516 in Vienna.[1] The text shows some connection to the tradition of Johannes Liechtenauer, but with significant unique material.
Sydney Anglo notes that Paurñfeyndt's is likely the earliest printed treatise on swordsmanship that includes illustrations.[2]
Contents
Publication History
Paurñfeyndt's Ergrundung Ritterlicher Kunst der Fechterey was first published in Vienna in 1516 by Hieronymus Vietor. In 1538, it was translated into Middle Walloon (a language related to French) and published by Willem Vorsterman in Antwerp,[3] where it was retitled La noble science des ioueurs d'espee. This translation omits all of Liechtenauer's verse, but retains the balance of the content and the original images. Sections of Paurñfeyndt's text were also reproduced in a 1530s book by Christian Egenolff entitled Der Altenn Fechter anfengliche kunst.
Some time before 1520, the section on pole weapons was copied into the MS German Quarto 2020 by an unknown scribe; based on the timeline and geography, it's possible that Paurñfeyndt was directly involved in this venture. In 1564, Lienhart Sollinger created a new manuscript copy of this text, which was later bound by Paulus Hector Mair into the Codex I.6.2º.2.
Contents
| 1 - 2 | Preface by Andre Paurñfeyndt | ||||||
|---|---|---|---|---|---|---|---|
| 3 - 44 | Long sword by Andre Paurñfeyndt | ||||||
| 45 - 58 | Dussack by Andre Paurñfeyndt | ||||||
| 59 - 65 | Staff by Andre Paurñfeyndt | ||||||
| 66 - 67 | Dagger by Andre Lignitzer | ||||||
| 68 - 69 | Sword and buckler by Andre Lignitzer | ||||||
| 69 - 70 |
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Gallery
Title pages
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Illustrations
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Additional Resources
- Jaquet, Daniel; Walczak, Bartłomiej. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". Acta Periodica Duellatorum 2(1): 105-148. 2014. doi:10.1515/apd-2015-0015.
References
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
| Work | Author(s) | Source | License |
|---|---|---|---|
| Images | Herzog August Bibliothek | Herzog August Bibliothek |  |
| Transcription (1516) | Michael Chidester | Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) | |
| Transcription (1538) | Olivier Dupuis, Didier de Grenier, Michael Huber | Index:La noble science des ioueurs d'espee (Andre Paurñfeyndt) | |
