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| | Paurñfeyndt's ''Ergrundung Ritterlicher Kunst der Fechterey'' was first published in Vienna in 1516 by [[Hieronymus Vietor]]. In 1538, it was translated into [[Middle Walloon]] (a language related to French) and published by [[Willem Vorsterman]] in Antwerp,<ref>According to [[page:Hn 236 35v.jpg|page 35v]]</ref> where it was retitled ''La noble science des ioueurs d'espee''. This translation omits all of Liechtenauer's verse, but retains the balance of the content and the original images. Sections of Paurñfeyndt's text were also reproduced in a 1530s book by [[Christian Egenolff]] entitled ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|Der Altenn Fechter anfengliche kunst]]''. | | Paurñfeyndt's ''Ergrundung Ritterlicher Kunst der Fechterey'' was first published in Vienna in 1516 by [[Hieronymus Vietor]]. In 1538, it was translated into [[Middle Walloon]] (a language related to French) and published by [[Willem Vorsterman]] in Antwerp,<ref>According to [[page:Hn 236 35v.jpg|page 35v]]</ref> where it was retitled ''La noble science des ioueurs d'espee''. This translation omits all of Liechtenauer's verse, but retains the balance of the content and the original images. Sections of Paurñfeyndt's text were also reproduced in a 1530s book by [[Christian Egenolff]] entitled ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|Der Altenn Fechter anfengliche kunst]]''. |
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| − | Some time before 1520, the section on pole weapons was copied into the [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS German Quarto 2020]] by an unknown scribe; based on the timeline and geography, it's possible that Paurñfeyndt was directly involved in this venture. In 1564, [[Lienhart Sollinger]] created a new manuscript copy of this text, which was later bound by [[Paulus Hector Mair]] into the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Codex I.6.2º.2]].
| + | Between 1535 and 1540, the section on pole weapons was copied into the [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] by an unknown scribe. In 1564, [[Lienhart Sollinger]] created a new manuscript copy of the entire text, which was later bound by [[Paulus Hector Mair]] into the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Codex I.6.2º.2]]. |
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| | == Contents == | | == Contents == |
Revision as of 19:14, 5 June 2021
| Ergrundung Ritterlicher Kunst der Fechterey |
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| Foundation of the Chivalric Art of Swordplay |
Title page of the 1516 edition |
| Also known as |
La noble science des ioueurs d'espee |
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| Author(s) |
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| Illustrated by |
Unknown |
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| Place of origin |
- Vienna (1516)
- Antwerp (1538)
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| Language |
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| Genre(s) |
Fencing manual |
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| Publisher |
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| Pages |
74 |
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| Extant copies |
- E.1939.65.357 (1516)
- Hn 236 (1538)
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| Treatise scans |
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Ergrundung Ritterlicher Kunst der Fechterey ("Foundation of the Chivalric Art of Swordplay") is a German fencing manual by Andre Paurñfeyndt printed in 1516 in Vienna.[1] The text shows some connection to the tradition of Johannes Liechtenauer, but with significant unique material.
Sydney Anglo notes that Paurñfeyndt's is likely the earliest printed treatise on swordsmanship that includes illustrations.[2]
Publication History
Paurñfeyndt's Ergrundung Ritterlicher Kunst der Fechterey was first published in Vienna in 1516 by Hieronymus Vietor. In 1538, it was translated into Middle Walloon (a language related to French) and published by Willem Vorsterman in Antwerp,[3] where it was retitled La noble science des ioueurs d'espee. This translation omits all of Liechtenauer's verse, but retains the balance of the content and the original images. Sections of Paurñfeyndt's text were also reproduced in a 1530s book by Christian Egenolff entitled Der Altenn Fechter anfengliche kunst.
Between 1535 and 1540, the section on pole weapons was copied into the MS Germ.quart. 2020 by an unknown scribe. In 1564, Lienhart Sollinger created a new manuscript copy of the entire text, which was later bound by Paulus Hector Mair into the Codex I.6.2º.2.
Contents
| 1 - 2
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Preface by Andre Paurñfeyndt
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| 3 - 44
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Long sword by Andre Paurñfeyndt
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| 45 - 58
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Dussack by Andre Paurñfeyndt
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| 59 - 65
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Staff by Andre Paurñfeyndt
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| 66 - 67
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Dagger by Andre Lignitzer
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| 68 - 69
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Sword and buckler by Andre Lignitzer
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| 69 - 70
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No Translation 
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Transcription
by Michael Chidester
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[69] Cunctis qui placeat credo quod modo non uiuat.
Wer wunſchñ war
So het ich weder haudt nach har.
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[70] Mit ſolichm͂ auſʒcʒug diſʒer Ritterlichen kunſt der Fechterey/pin ich bewegt wordñ man cherlay vrſach halbñ/cʒu beſchreiben diſe Ritterliche kunſt/ Ydoch auff ſollichs fleiſſigs ermaneñ/hab ich aufs kurcʒiſt erſucht diſeſ buchlein/welchs ich verer vñ ſchenck meineñ ſchulerñ/an welcheñ chain cʒweifel ſtet das cʒv wenigerñ/ſunder von tag cʒu tag cʒu mer/ reñ vnd beſſerñ/Wo ich indert geirt het(wan menſlich iſt cʒu irreñ) wer vnfleiſʒ in ſchuld Solichs pit ich diemieutig von mir geutlich an ʒunemen ſo mir aber got gnad vñ gſundt/ hait verleicht/wil ich vleiſʒ ankern vnd kurcʒlich ʒu einem neuen iar euch ſchenken ein an/ dre vnd erñſtlichere erclarung welche nucʒlich vnd erñſtlich ſich ertʒaigen wirt/wo kunſt teglich geert wirt/auf ſolchs pefilich mich eurñ herſchaftñ in allen dienſtñ
Sutor ſuper crepidam noli iudicare
Viennae. Auſtriae per Hieronmũ Vetorẽ. 1516.
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Gallery
Title pages
Illustrations
Additional Resources
References
- ↑ According to page K4r
- ↑ Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p46.
- ↑ According to page 35v
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
