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Difference between revisions of "Henry de Sainct Didier"

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m (→‎Treatise: And in order to do this -> And to do this - Brevity. Means the same thing but I like the shorter phrasing better. Replaced all of the old phrase to the new one except when combined with another verb.)
m (→‎Treatise: minor word choice adjustments - ce [person] from -> this [person] to the [person]; all context means the same thing and sounds better English.)
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''The end of the start of the said third drawing for the Lieutenant.''
 
''The end of the start of the said third drawing for the Lieutenant.''
  
The third drawing for the Prevost, is commenced and is done by having the feet together, as is shown above in the plan of the said Prevost, marked number 2, keeping the left foot in the footprint, where it is marked near number 1, and the right foot in the other footprint where it is marked 2, and to start and do the said third drawing, the Prevost must put the right foot which is on the footprint marked 2 a bit up in the air. And doing the first drawing that has been made by the said Prevost above in content 1. And to complete this said drawing, he must turn the nails on the hand of the sword upwards, content 2, placing the point of the sword straight at the eyes, holding the left hand behind, as is shown above at the portraiture and figure marked number 6 behind the bonnet.
+
The third drawing for the said Prevost, is to be done by having the feet together, as is shown above in the plan of the said Prevost, marked number 2, keeping the left foot in the footprint, where it is marked near number 1, and the right foot in the other footprint where it is marked 2, and to start and do the said third drawing, the Prevost must put the right foot which is on the footprint marked 2 a bit up in the air. And doing the first drawing that has been made by the said Prevost above in content 1. And to complete this said drawing, he must turn the nails on the hand of the sword upwards, content 2, placing the point of the sword straight at the eyes, holding the left hand behind, as is shown above at the portraiture and figure marked number 6 behind the bonnet.
  
 
''Here is the end of the start of the said third drawing for the said Prevost.''
 
''Here is the end of the start of the said third drawing for the said Prevost.''
Line 824: Line 824:
 
| ''The last of the third drawing for the Lieutenant and the Prevost is left to declare its properties and significance below as portrayed and finished here.''
 
| ''The last of the third drawing for the Lieutenant and the Prevost is left to declare its properties and significance below as portrayed and finished here.''
  
In order to be good and graceful to finish the said third drawing for the Lieutenant, it is necessary that the plan portrayed above, where he keeps the right foot forward in the air after having made the said first and second drawing marked in number 5, is needed to be done by the said Lieutenant in order to complete this drawing, that is to leave the said right foot over the footprint marked number 3 in this portraiture, turning back the guard of the sword up and the hand up, as done by the Lieutenant marked number 3 since the artist made a mistake with this one. Yet this Lieutenant is to keep his left hand, making sure that he keeps it well under his sword arm as is shown at the portraiture number 7.
+
In order to be good and graceful to finish the said third drawing for the Lieutenant, it is necessary that the plan portrayed above, where he keeps the right foot forward in the air after having made the said first and second drawing marked in number 5, is needed to be done by the said Lieutenant in order to complete this drawing, that is to leave the said right foot over the footprint marked number 3 in this portraiture, turning back the guard of the sword up and the hand up, as done by the Lieutenant marked number 3 since the artist made a mistake with this one. Yet the Lieutenant is to keep his left hand, making sure that he keeps it well under his sword arm as is shown at the portraiture number 7.
  
 
''The last of the said final third drawing for the said Lieutenant.''
 
''The last of the said final third drawing for the said Lieutenant.''
Line 876: Line 876:
 
''Written for the first guard and position for the said Prevosit, in order to begin the section on this sword alone.''
 
''Written for the first guard and position for the said Prevosit, in order to begin the section on this sword alone.''
  
And to do this, the said Prevost must have his feet together as is portrayed above marked in number 10. And this said Prevost having made one of the said three drawings, is to remain in the high guard, having pulled the right foot back, holding the hand with the the sword a bit higher than the right shoulder, placing and aiming the point of the sword straight at the chin, and holding the left hand right of his nipple, ready to do whatever is acceptable, and will be needing afterwards as is shown above at the portraiture and figure of the said Prevost marked number 12 behind the hat.
+
And to do this, the said Prevost must have his feet together as is portrayed above marked in number 10. And the said Prevost having made one of the said three drawings, is to remain in the high guard, having pulled the right foot back, holding the hand with the the sword a bit higher than the right shoulder, placing and aiming the point of the sword straight at the chin, and holding the left hand right of his nipple, ready to do whatever is acceptable, and will be needing afterwards as is shown above at the portraiture and figure of the said Prevost marked number 12 behind the hat.
  
 
''The end of this first guard for the said Prevost.''
 
''The end of this first guard for the said Prevost.''
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''After this is to declare how the Prevost will have defended his knee and will have thrown a right-hand at the arms of the Lieutenant.''
 
''After this is to declare how the Prevost will have defended his knee and will have thrown a right-hand at the arms of the Lieutenant.''
  
And to do this, the said Prevost is on his left leg, having made one of the three drawings, guards, and placement, and stays on the said guard marked number 14 above, the said Prevost to properly execute, defend, and offend at the same time this said low right-hand, pulls his left foot back and throws a right-hand at the sword arm of the said Lieutenant, and unlike other ignorant demonstrators who crosses sword against sword when a strike comes from below, which is fine because by that he defends himself; but this strike is better because he defends himself and offends thereby doing two good things, I recommend that you take the better one, as this said Prevost also does in executing this said strike, holding the left hand as is shown at the portraiture marked number 16.  
+
And to do this, the said Prevost is on his left leg, having made one of the three drawings, guards, and placement, and stays on the said guard marked number 14 above, the said Prevost to properly execute, defend, and offend at the same time this said low right-hand, pulls his left foot back and throws a right-hand at the sword arm of the said Lieutenant, and unlike other ignorant demonstrators who crosses sword against sword when a strike comes from below, which is fine because by that he defends himself; but this strike is better because he defends himself and offends thereby doing two good things, I recommend that you take the better one, as the said Prevost also does in executing this said strike, holding the left hand as is shown at the portraiture marked number 16.  
  
 
''Here is the defense of the said low right-hand at the knee defended by the Prevost against the said Lieutenant.''
 
''Here is the defense of the said low right-hand at the knee defended by the Prevost against the said Lieutenant.''
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| ''The following is the first counter and continuation of the first strike, which is for the attacking Lieutenant and for the defending Prevost.''
 
| ''The following is the first counter and continuation of the first strike, which is for the attacking Lieutenant and for the defending Prevost.''
  
And to do this, the Lieutenant being again on the right foot, having thrown the said low right-hand at the knee, while the Prevost threw a right-hand at the sword arm at the same time, as is shown above at the said Lieutenant on number 15 and the Prevost on 16. This said Lieutenant being again on the right foot, seeing himself about to be struck by a right-hand on the sword arm, immediately lifts and carries his sword high and throws a back-hand<ref>per Dupuis's transcription, it's literally "backhand" as opposed to the technique before named "renver" for whatever reason Didier thought to use a different word this time. I've included a hyphen to differentiate but I think it's supposed to be the same.</ref> on the side of the right shoulder of the Prevost, keeping the said Lieutenant's fingernails of the right hand to face the left side, and his left hand is keeping right of his face, as is shown above at the portraiture, marked behind the collar in number 17.
+
And to do this, the Lieutenant being again on the right foot, having thrown the said low right-hand at the knee, while the Prevost threw a right-hand at the sword arm at the same time, as is shown above at the said Lieutenant on number 15 and the Prevost on 16. The said Lieutenant being again on the right foot, seeing himself about to be struck by a right-hand on the sword arm, immediately lifts and carries his sword high and throws a back-hand<ref>per Dupuis's transcription, it's literally "backhand" as opposed to the technique before named "renver" for whatever reason Didier thought to use a different word this time. I've included a hyphen to differentiate but I think it's supposed to be the same.</ref> on the side of the right shoulder of the Prevost, keeping the said Lieutenant's fingernails of the right hand to face the left side, and his left hand is keeping right of his face, as is shown above at the portraiture, marked behind the collar in number 17.
  
 
''The end of the first counter of the first strike of this sword alone for the said Lieutenant.''
 
''The end of the first counter of the first strike of this sword alone for the said Lieutenant.''
Line 1,105: Line 1,105:
 
| ''Following is the declaration, guard, and positioning of the fourth cut, which is a high backhand next on the order of the said sword alone for the Lieutenant and Prevost, and everything that must be done.''
 
| ''Following is the declaration, guard, and positioning of the fourth cut, which is a high backhand next on the order of the said sword alone for the Lieutenant and Prevost, and everything that must be done.''
  
And to do this, it is necessary that the Lieutenant here have the feet together to first make one of the said two drawings as said, and here is where the said Lieutenant places his right foot, which demonstrates the difference from where the left foot is placed, and this said Lieutenant holds the guard of the sword on the right lap, in low guard placing the point of the sword straight at the lap of the Prevost, holding the left hand opposite of his chin, as shown above at the portraiture and figure of the said Lieutenant, marked in number 37.
+
And to do this, it is necessary that the Lieutenant here have the feet together to first make one of the said two drawings as said, and here is where the said Lieutenant places his right foot, which demonstrates the difference from where the left foot is placed, and the said Lieutenant holds the guard of the sword on the right lap, in low guard placing the point of the sword straight at the lap of the Prevost, holding the left hand opposite of his chin, as shown above at the portraiture and figure of the said Lieutenant, marked in number 37.
  
 
''Here is the end of the position and guard for the attacking Lieutenant, which is to begin to throw the fourth strike.''
 
''Here is the end of the position and guard for the attacking Lieutenant, which is to begin to throw the fourth strike.''

Revision as of 05:49, 17 January 2021

Henry de Sainct Didier
Born 1530s (?)
Pertuis, Provence
Died after 1584
Paris, France (?)
Occupation Fencing master
Patron Charles IX of France
Influences
Influenced Salvator Fabris (?)
Genres Fencing manual
Language Middle French
Notable work(s) Les secrets du premier livre sur l'espée seule (1573)
Translations Traducción castellano
Signature Henry de Sainct Didier sig.png

Henry de Sainct Didier, Esq. was a 16th century French fencing master. He was born to a noble family in Pertuis in the Provence region of France, son of Luc de Sainct Didier. Sainct Didier made his career in the French army, ultimately serving 25 years and seeing action in Piedmont, Italy from 1554 - 1555. He wrote of himself that he "lived his whole life learning to fight with the single sword" and eventually "reached a point of perfection" in his art. Apparently he became a fencing master of some renown, for in ca. 1573 he secured a royal privilege for a period of ten years for treatises on a number of weapons, including the dagger, single side sword, double side swords, sword and buckler, sword and cloak, sword and dagger, sword and shield (both rotella and targe), and greatsword. Unfortunately, only his treatise on the single side sword, titled Les secrets du premier livre sur l'espée seule ("Secrets of the Premier Book on the Single Sword") and printed on 4 June 1573, is known to survive; it seems likely that the others were never published at all.

Treatise

Additional Resources

  • Hyatt, Robert Preston and Wilson, Devon. "The Single Sword of Henry de Sainct Didier." Masters of Medieval and Renaissance Martial Arts. Ed. Jeffrey Hull. Boulder, CO: Paladin Press, 2008. ISBN 978-1-58160-668-3
  • Sainct Didier, Henry de. The Single Sword of Henry de Sainct-Didier (Traicté Contenant Les Secrets Du Premier Livre Sur L'Espée Seule). Trans. Robert Preston Hyatt and Devon Wilson. Boulder, CO: Paladin Press, 2009. ISBN 978-1581607048
  • Slee, Chris. Secrets of the Sword Alone. LongEdge Press, 2014. ISBN 978-0646926353

References

  1. Pristin : ancien, antérieur
  2. Insertion du « a ».
  3. Dupuis describes this as a wooden board placed in the back wall of the tennis court which, if hit by a volley, is scored immediately. In modern tennis, this board is replaced by a grid.
  4. « L'es », habituellement orthographiée « ais », désigne une planche de bois placée dans le mur du fond de la salle de jeu de paume qui, si elle est touchée par un coup de volée, donne le point immédiatement. Dans le jeu de paume moderne, cette planche est remplacée par une grille. Il est possible que cet « ais » ait donné le terme anglais d'« ace » que les étymologies modernes confondent avec l'« as » du jeu de carte. Voir la définition d' « ais » de l'Encyclopédie de Diderot et d'Alembert.
  5. L’esteuf : ancien nom pour la balle.
  6. précéder. « Préaller » subsiste en français sous la forme « préalable ».
  7. Il s’agit très probablement du maître d’arme italien Fabris Salvator de Padoue (1544-1617). Voir la note sur Fabris Salvator de Vigeant p. 162 et aussi les références à ses publications (Vigeant p. 55-56)
  8. Version alimentaire de l’adage « blanc bonnet et bonnet blanc ».
  9. Transcription la plus sûre du texte : « gran d erre »
  10. Serviteur du grand prêtre venu arrêter Jésus au Mont des Olivier et dont l’oreille coupée a été immédiatement guérie. Selon la lecture du passage, il est parfois pris pour celui qui soufflète Jésus.
  11. Un des anciens nom de l’abeille.
  12. Sens incertain ; peut-être s'agit-il d'une mauvaise graphie de « filial ».
  13. drillant : étincellant, brillant (dictionnaire de Nicot).
  14. Correction du texte d’origine donnant « peid ».
  15. Cette correction sur les images d'Henri de Saint-Didier indique que celles-ci ont été réalisées avant la version finale du texte.
  16. Le « o » de troisiesme est curieusement placé en exposant.
  17. Suppression du doublement de l'esperluette.
  18. Dupuis states the original says left but is incompatible with the rest of the text and the engraving.
  19. Proposition de correction de l’édition originale qui donne « gauche », en incohérence avec la gravure et le texte plus bas qui confirme que la posture du Lieutenent est identique à celle de la section précédente où c’était bien le pied droit qui était reculé.
  20. Deuxième remarque de l'auteur sur les gravures montrant que le texte a été retouché après réception des gravures. À comparer avec une remarque similaire faite dans le i.33.
  21. per Dupuis's transcription, it's literally "backhand" as opposed to the technique before named "renver" for whatever reason Didier thought to use a different word this time. I've included a hyphen to differentiate but I think it's supposed to be the same.
  22. Correction du texte d’origine donnant « Leiutenent ».
  23. Correction de l'édition originale qui omet lors d'un changement de page le début du mot « haute »
  24. La position de la main illustrée a les doigts au-dessus, en opposition avec le texte.
  25. Proposition de correction pour « bessoin »
  26. Proposition de correction pour « avan-main »
  27. Proposition de correction pour « couté »
  28. Proposition de correction pour « Vola ».
  29. Proposition de correction pour « ongle »
  30. Sens inconnu.
  31. La tuition est un synonyme de « garde », « défense », très souvent employé à cette époque pour appuyer le mot « défense ».
  32. Proposition de correction pour « Provost »
  33. Proposition de correction de « du–sixiesme »
  34. Proposition de correction pour « persent ».
  35. Proposition de correction pour « le ongles ».
  36. Le triangle représenté ici n'est pas correct, celui cotté 65 paraît rendre mieux compte du déplacement proposé.
  37. Proposition de correction pour « Lieutent ». La marque indiquant une contraction a probablement été omise.
  38. On pourrait compléter : « ...et le mettre en 4 ». L'illustration 73 est incorrecte puisque le pied gauche est resté sur la semelle 1 et n'est pas placé sur la semelle 3 (à gauche) comme demandé ; la position des pieds de l'illustration 75 correspond à ce qui aurait dû être représenté.
  39. Proposition de correction pour « dh’aut »
  40. Sic.
  41. Le prévôt représenté ici ne correspond pas au texte puisqu'il se tient sur le pied droit.
  42. Le prévôt de la figure 80 n’est pas sur le pied gauche comme écrit et mais reste cohérent avec la figure 78.
  43. Il faut évidemment lire ici « Prevost ».
  44. Proposition de correction pour « suprint »
  45. Sic.
  46. Suppression du doublement de l'esperluette dans « sa cuisse gauche, & & tous ».
  47. Sic. Au XVIe siècle, le genre des mots était encore indécis.
  48. L’auteur annonce ici une prochaine édition augmentée de son oeuvre qui n’a a priori jamais eu lieu.
  49. Proposition de correction pour « ou ».
  50. Proposition de correction pour « mostré »
  51. Du latin médiéval « inquinatum » signifiant « pour combien »
  52. Dilection : attachement, amour pur.
  53. Un vidimus est la copie certifiée d'un acte antérieur.
  54. Il doit s'agit de Pierre ou Jean Brûlart (tout deux avait une charge au Parlement) qui signe pour le roi.