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| | * Lodà, Francesco. ''Florius. De arte luctandi. Traduzione e cura del testo di Francesco Lodà.'' Rome: Bonanno Editore, 2014. ISBN 978-88-96950-86-9 | | * Lodà, Francesco. ''Florius. De arte luctandi. Traduzione e cura del testo di Francesco Lodà.'' Rome: Bonanno Editore, 2014. ISBN 978-88-96950-86-9 |
| | * Mondschein, Ken. "Notes on Bibliothèque Nationale MS Lat. 11269, ''Florius de Arte Luctandi''". ''Arms & Armour'' '''8'''(2):117-22. October 2011. {{doi|10.1179/174962611X13097916223163}} | | * Mondschein, Ken. "Notes on Bibliothèque Nationale MS Lat. 11269, ''Florius de Arte Luctandi''". ''Arms & Armour'' '''8'''(2):117-22. October 2011. {{doi|10.1179/174962611X13097916223163}} |
| | + | * Mondschein, Ken. "On the Art of Fighting: A Humanist Translation of Fiore dei Liberi’s Flower of Battle Owned by Leonello D’Este". ''[[Acta Periodica Duellatorum]]'' '''6'''(1): 99-135. 2018. {{doi|10.2478/apd-2018-0004}} |
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| | == References == | | == References == |
Revision as of 23:33, 12 April 2021
Florius de Arte Luctandi ("The Flower of Battle", MS Latin 11269) is an Italian fencing manual translated from a treatise authored by Fiore de'i Liberi and probably created in the 1410s or 20s.[1] The original currently rests in the holdings of the Bibliothèque nationale de France in Paris, France. MS Latin 11269 is written in a semigothic script on parchment in a pasteboard leather binding; the illustrations are inked and painted, with gold leafing on the crowns and garters. This manuscript is generally referred to as either the Florius or the Paris.
Any preface MS Latin 11269 once possessed is missing from the current form of the manuscript, and its current title was added much later in a 17th century hand. It consists of 44 folios with two pairings per page, and is the only copy of Fiore's treatise whose illustrations are fully painted. Unlike the other versions of his work, this manuscript is written entirely in Latin.
Determining the derivation of this manuscript is difficult. Its descriptions are cast in couplets and quatrains that closely resemble those of the Pisani Dossi version, though often in a jumbled and semi-coherent fashion. The sequence is comparable to that of the Morgan version, beginning with mounted fighting and ending with wrestling on foot. The illustrations, though painted, often resemble those of the Getty version. Finally, in terms of content it contains plays otherwise unique to each of the other three manuscripts.
Provenance
The known provenance of the MS Latin 11269 is:[2]
- Written in the early 15th century, probably after the completion of Flos Duellatorum in 1409.
- ca. 1635 – rebound by a master papermaker who worked at the Puy-moyen mill for Sieur Janssen.
- before 1727 – in the collection of Louis Phélypeaux, marquis de Phélypeaux. Donated to the Bibliothèque du Roi, where it was labeled Florius de Art Luctandi.
- 1712-present – held by the Bibliothèque du Roi/Bibliothèque nationale de France.
Contents
Gallery
Images hosted by the Bibliothèque nationale de France.
Additional Resources
- Lodà, Francesco. Florius. De arte luctandi. Traduzione e cura del testo di Francesco Lodà. Rome: Bonanno Editore, 2014. ISBN 978-88-96950-86-9
- Mondschein, Ken. "Notes on Bibliothèque Nationale MS Lat. 11269, Florius de Arte Luctandi". Arms & Armour 8(2):117-22. October 2011. doi:10.1179/174962611X13097916223163
- Mondschein, Ken. "On the Art of Fighting: A Humanist Translation of Fiore dei Liberi’s Flower of Battle Owned by Leonello D’Este". Acta Periodica Duellatorum 6(1): 99-135. 2018. doi:10.2478/apd-2018-0004
References
Copyright and License Summary
For further information, including transcription and translation notes, see the discussion page.
