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Difference between revisions of "Paulus Hector Mair/Image comparison"

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{{master begin
 
{{master begin
 
  | title = Long sword
 
  | title = Long sword
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.10825 068v.png|600px|center]]
 
| [[File:Cod.10825 068v.png|600px|center]]
 
|  
 
|  
 
 
  
 
|}
 
|}
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{{master begin
 
{{master begin
 
  | title = Dussack
 
  | title = Dussack
  | width = 165em
+
  | width = 180em
 
}}
 
}}
  
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.10825 103v.png|600px|center]]
 
| [[File:Cod.10825 103v.png|600px|center]]
 
| [[File:Cod.icon. 393 I 106v.jpg|600px|center]]
 
| [[File:Cod.icon. 393 I 106v.jpg|600px|center]]
 
  
 
|-  
 
|-  
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{{master begin
 
{{master begin
 
  | title = Staff
 
  | title = Staff
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{{master begin
 
{{master begin
 
  | title = Lance/Pike
 
  | title = Lance/Pike
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
+
! <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.icon. 393 I 174r.jpg|x443px|center]]
 
| [[File:Cod.icon. 393 I 174r.jpg|x443px|center]]
 
|}
 
|}
 
  
 
|-  
 
|-  
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{{master begin
 
{{master begin
 
  | title = Halberd
 
  | title = Halberd
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|C}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{{master begin
 
{{master begin
 
  | title = Scythe
 
  | title = Scythe
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master begin
 
{{master begin
 
  | title = Flail
 
  | title = Flail
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Jason Taylor]]</p>
+
! <p>{{rating|C}}<br/>by [[Jason Taylor]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master begin
 
{{master begin
 
  | title = Peasant stick
 
  | title = Peasant stick
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Reinier van  Noort]]</p>
+
! <p>{{rating|C}}<br/>by [[Reinier van  Noort]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 3,457: Line 3,453:
 
{{master begin
 
{{master begin
 
  | title = Mixed weapons I
 
  | title = Mixed weapons I
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 3,567: Line 3,563:
 
{{master begin
 
{{master begin
 
  | title = Sickle
 
  | title = Sickle
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Reinier van Noort]]and [[Saskia Roselaar]]</p>
+
! <p>{{rating|B}}<br/>by [[Reinier van Noort]]and [[Saskia Roselaar]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{{master begin
 
{{master begin
 
  | title = Dagger
 
  | title = Dagger
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Kendra Brown]], [[Rebecca Garber]], [[Mark Millman]],<br/>[[Jon Reynolds]], and [[Amy West]]</p>
+
! <p>{{rating|C}}<br/>by [[Kendra Brown]], [[Rebecca Garber]], [[Mark Millman]],<br/>[[Jon Reynolds]], and [[Amy West]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
Line 3,950: Line 3,946:
 
| [[File:Cod.10825 197r.png|600px|center]]
 
| [[File:Cod.10825 197r.png|600px|center]]
 
| [[File:Cod.icon. 393 II 010r.jpg|600px|center]]
 
| [[File:Cod.icon. 393 II 010r.jpg|600px|center]]
 
  
 
|-  
 
|-  
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{{master begin
 
{{master begin
 
  | title = Grappling
 
  | title = Grappling
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
+
! <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 5,823: Line 5,818:
 
{{master begin
 
{{master begin
 
  | title = Mixed weapons II
 
  | title = Mixed weapons II
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 6,011: Line 6,006:
 
| [[File:Cod.10826 119v.png|600px|center]]
 
| [[File:Cod.10826 119v.png|600px|center]]
 
| [[File:Cod.icon. 393 I 184v.jpg|600px|center]]
 
| [[File:Cod.icon. 393 I 184v.jpg|600px|center]]
 
  
  
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{{master begin
 
{{master begin
 
  | title = Rapier
 
  | title = Rapier
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Keith P. Myers]] and [[Per Magnus Haaland]]</p>
+
! <p>{{rating|C}}<br/>by [[Keith P. Myers]] and [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 6,796: Line 6,790:
 
{{master begin
 
{{master begin
 
  | title = Poleaxe
 
  | title = Poleaxe
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|c}}<br/>by [[Per Magnus Haaland]]</p>
+
! <p>{{rating|c}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 6,967: Line 6,961:
 
|}
 
|}
 
{{master end}}
 
{{master end}}
 +
 +
== Temporary break ==
 +
 
{{master begin
 
{{master begin
  | title = Mixed weapons III
+
  | title = Mounted fencing
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating}}<br/></p>
+
! <p>{{rating}}<br/></p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 7,122: Line 7,119:
 
{{master end}}
 
{{master end}}
  
== hdfs ==
+
== Temporary break ==
  
 
{{master begin
 
{{master begin
  | title = Armored Fencing
+
  | title = Armored fencing
  | width = 165em
+
  | width = 180em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating}}<br/></p>
+
! <p>{{rating}}<br/></p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
Line 7,136: Line 7,133:
  
 
|-  
 
|-  
| []
+
|  
 
| [[File:MS Dresd.C.94 203r.png|600px|center]]
 
| [[File:MS Dresd.C.94 203r.png|600px|center]]
 
| [[File:Cod.10826 214v.png|600px|center]]
 
| [[File:Cod.10826 214v.png|600px|center]]
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|-  
 
|-  
| []
+
| [1]
 
|  
 
|  
 
|  
 
|  
Line 7,148: Line 7,145:
  
 
|-  
 
|-  
| []
+
| [2]
 
|  
 
|  
 
|  
 
|  
Line 7,154: Line 7,151:
  
 
|-  
 
|-  
| []
+
| [3]
 
|  
 
|  
 
|  
 
|  
Line 7,160: Line 7,157:
  
 
|-  
 
|-  
| []
+
| [4]
 
| [[File:MS Dresd.C.94 203v.png|600px|center]]
 
| [[File:MS Dresd.C.94 203v.png|600px|center]]
 
|  
 
|  
Line 7,166: Line 7,163:
  
 
|-  
 
|-  
| []
+
| [5]
 
| [[File:MS Dresd.C.94 204r.png|600px|center]]
 
| [[File:MS Dresd.C.94 204r.png|600px|center]]
 
|  
 
|  
Line 7,172: Line 7,169:
  
 
|-  
 
|-  
| []
+
| [6]
 
| [[File:MS Dresd.C.94 204v.png|600px|center]]
 
| [[File:MS Dresd.C.94 204v.png|600px|center]]
 
|  
 
|  
Line 7,178: Line 7,175:
  
 
|-  
 
|-  
| []
+
| [7]
 
| [[File:MS Dresd.C.94 205r.png|600px|center]]
 
| [[File:MS Dresd.C.94 205r.png|600px|center]]
 
|  
 
|  
Line 7,184: Line 7,181:
  
 
|-  
 
|-  
| []
+
| [8]
 
| [[File:MS Dresd.C.94 205v.png|600px|center]]
 
| [[File:MS Dresd.C.94 205v.png|600px|center]]
 
|  
 
|  
Line 7,190: Line 7,187:
  
 
|-  
 
|-  
| []
+
| [9]
 
| [[File:MS Dresd.C.94 206r.png|600px|center]]
 
| [[File:MS Dresd.C.94 206r.png|600px|center]]
 
|  
 
|  
Line 7,196: Line 7,193:
  
 
|-  
 
|-  
| []
+
| [10]
 
| [[File:MS Dresd.C.94 206v.png|600px|center]]
 
| [[File:MS Dresd.C.94 206v.png|600px|center]]
 
|  
 
|  
Line 7,202: Line 7,199:
  
 
|-  
 
|-  
| []
+
| [11]
 
| [[File:MS Dresd.C.94 207r.png|600px|center]]
 
| [[File:MS Dresd.C.94 207r.png|600px|center]]
 
|  
 
|  
Line 7,208: Line 7,205:
  
 
|-  
 
|-  
| []
+
| [12]
 
| [[File:MS Dresd.C.94 207v.png|600px|center]]
 
| [[File:MS Dresd.C.94 207v.png|600px|center]]
 
|  
 
|  
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|-  
 
|-  
| []
+
| [13]
 
| [[File:MS Dresd.C.94 208r.png|600px|center]]
 
| [[File:MS Dresd.C.94 208r.png|600px|center]]
 
|  
 
|  
Line 7,220: Line 7,217:
  
 
|-  
 
|-  
| []
+
| [14]
 
| [[File:MS Dresd.C.94 208v.png|600px|center]]
 
| [[File:MS Dresd.C.94 208v.png|600px|center]]
 
|  
 
|  
Line 7,226: Line 7,223:
  
 
|-  
 
|-  
| []
+
| [15]
 
| [[File:MS Dresd.C.94 209r.png|600px|center]]
 
| [[File:MS Dresd.C.94 209r.png|600px|center]]
 
|  
 
|  
Line 7,232: Line 7,229:
  
 
|-  
 
|-  
| []
+
| [16]
 
| [[File:MS Dresd.C.94 209v.png|600px|center]]
 
| [[File:MS Dresd.C.94 209v.png|600px|center]]
 
|  
 
|  
Line 7,238: Line 7,235:
  
 
|-  
 
|-  
| []
+
| [17]
 
| [[File:MS Dresd.C.94 210r.png|600px|center]]
 
| [[File:MS Dresd.C.94 210r.png|600px|center]]
 
|  
 
|  
Line 7,244: Line 7,241:
  
 
|-  
 
|-  
| []
+
| [18]
 
| [[File:MS Dresd.C.94 210v.png|600px|center]]
 
| [[File:MS Dresd.C.94 210v.png|600px|center]]
 
|  
 
|  
Line 7,250: Line 7,247:
  
 
|-  
 
|-  
| []
+
| [19]
 
| [[File:MS Dresd.C.94 211r.png|600px|center]]
 
| [[File:MS Dresd.C.94 211r.png|600px|center]]
 
|  
 
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{{master end}}
 
{{master end}}
  
== gdsffs ==
+
== Temporary break ==
 +
 
 
{{master begin
 
{{master begin
 
  | title = Drafts
 
  | title = Drafts
 
  | width = 345em
 
  | width = 345em
 
}}
 
}}
{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>

Latest revision as of 18:53, 9 June 2020

Temporary break

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References

  1. German text says right
  2. The illustration suggests that this action should be done to your left side, rather than to your right.
  3. Literally: put
  4. Literally: pull back the left foot
  5. German: his
  6. German: grab with your left hand from below outside over his right arm
  7. Note: Change of grip required, or the illustration does not match.
  8. Dagger transfer necessary at this point.
  9. Note: person on left side starts with the dagger in the left hand according to the illustration.
  10. Note: push down, not out
  11. Arbait - technical term: work, force, struggle
  12. Vienna and Munich MS Latin: right.
  13. Latin: snatch up.
  14. Note: the illustration shows ice-pick grip.
  15. May not represent the changing though described.
  16. Note illustration shows ice-pick grip.
  17. Note: left is corrected from a right. Left is correct.
  18. This seems to imply both parallel action and simultaneity.
  19. Reib - strong twisting, bending, rotating motion.
  20. Image shows left.
  21. From the inner side.
  22. From the Latin text
  23. Correct from underich.
  24. Could also mean immediately
  25. zucken; Latin – to withdraw
  26. Only in the Latin.
  27. Inn - unclear whether directional or locational.
  28. The one in the left hand?
  29. Only in the Latin.
  30. ge..nen/ge..ch?; tibia in Latin
  31. weakness, hardship, trouble, difficulty, vulnerability, out of balance
  32. Possible abbreviation of gegen – geg.
  33. A variant on the o-goshi in judo.
  34. A technique for putting the opponent down head first with his feet in the air.
  35. 35.0 35.1 Choosing to read this as equivalent to modern German einengen. “Trapped” as a translation for eineinden follows from this choice. Buyer beware.
  36. Dagger transfer necessary at this point.
  37. Note: person on left side starts with the dagger in the left hand according to the illustration.
  38. Latin: snatch up.
  39. Could also mean immediately
  40. zucken; Latin – to withdraw
  41. The one in the left hand?