Fiore de'i Liberi/Dagger/7th master

Images	Illustrations	Completed Translation (from the Getty and PD) by Colin Hatcher	Draft Translation (from the Paris) by Kendra Brown and Rebecca Garber	Morgan Transcription (1400s)  by Michael Chidester	Getty Transcription (1400s)  Open for editing	Pisani Dossi Transcription (1409)  by Francesco Novati	Paris Transcription (1420s)  by Kendra Brown and Rebecca Garber
		[90] If I am armored this is a good cover to choose, And from here I can enter quickly into the middle bind, And the fight will be over For there is no good defense against it. I am the Seventh [Dagger Remedy] Master and I play with arms crossed. And this cover is better made when armored than unarmored. The plays that I can do from this cover are the plays that came before me, especially the middle bind which is the third play of the first Dagger Remedy Master. Also I can turn you by pushing your right elbow with my left hand. And I can strike you quickly in the head or in the shoulder…	I, well-fortified, make this cover in arms, And suddenly, I will enter into the middle key, which ends all Wars; neither is any strong against the conducting of war, Nor is any opposition able to oppose me.		[17r-a] ¶ Lo Setimo Magistro son che zogo cum le brazze incrosade, e piu vale questa coverta in arme che senç'arme. Quello che posso fare cum tal coverta gli miei zogi sono denançi, zoe la ligadura mezana ch'e lo terzo zogo del primo magistro rimedio di daga. Anchora te posso voltar pençando te cum la mia man stancha lo tuo dritto cubito. E poii ferirte in la testa o in le spalle di subito. E questa coverta e piu per ligare che per far altro, ed'e fortissima coverta contra daga.	[11b-e] Siando arma questa coverta voio pigliar E subito in la chiave mezana voio intrar Aquella ch'e finimento de bataiia E contra lei non ne deffesa che gli uaiia	[36v-c] ¶ Hanc ego tecturam facio munitus in armis Et subito in mediam clavem quae terminat omne Bellum, nec contra valet ullus bellica tractans, Intrabo. nec obesse potuit mihi quisque reluctans
		[91] In armour this is a very strong cover Because from here you can bind either above or below; One way you go to the lower bind, The other way you go to the upper bind or the middle bind. …And this cover is better for binding than any other cover, and is a very strong cover to make against the dagger. [In the Paris, this Scholar wears a crown.]	That movement certainly prevails over the dagger while held in the cross[ing], And on the other hand it can work above and beneath in armor. This lower play openly goes to the outside Bind. The middle [bind] lies below, or perhaps [the] highest.			[12a-c] In arme aquesto e un fortissimo incrosar Che desopra e desota se'po ligar Aquesto va ala ligadura sotana E quello de'sopra va ala meçana	[37r-c] ¶ Praevalet iste motus cruce dagam nempe tenentj. Supra nanque potuit operarj & subter in armis. Vadit ad extremam nexuram hic ludus aperte Inferior. Mediana iacet sub forte supermo.
		[92] You will not be able to put me into the middle bind, Whereas I am going to strike you as I turn you. This is the counter remedy to the plays of the Seventh [Dagger Remedy] Master who came before me. With the push that I make to his right elbow, let me tell you that this counter-remedy is good against all close range plays of the dagger, the poleaxe, and the sword, whether in armor or unarmored. And once I have pushed his elbow I should quickly strike him in the shoulder. [In the Getty, the Master's right foot is forward.]			[17r-b] ¶ Questo e lo contrario del Setimo Magistro che m'e denançi. Per la penta ch'io fazo al so destro cubito. Anchora digo che questo contrario si'e bon a ogni zogo stretto di daga, e d'azza, e de Spada in arme e senç'arme. E fatta la penta al cubito, lo ferir in le spalle vol esser subito.	[11b-f] In la ligadura meçana non son per intrare Anche son per ferirte in'farte voltare