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{{infobox writer
 
{{infobox writer
  | name                = Paulus Hector Mair
+
  | name                = Joachim Meÿer
  | image                = File:Mair.png
+
  | image                = file:Joachim Meyer.png
 
  | imagesize            = 250px
 
  | imagesize            = 250px
  | caption              = "Mair", Cod.icon. 312b f 64r
+
  | caption              =  
  
 
  | pseudonym            =  
 
  | pseudonym            =  
 
  | birthname            =  
 
  | birthname            =  
  | birthdate            = 1517
+
  | birthdate            = ca. 1537
  | birthplace          = Augsburg, Germany
+
  | birthplace          = Basel, Germany
  | deathdate            = 10 Dec 1579 (age 62)
+
  | deathdate            = 24 February 1571 (aged 34)
  | deathplace          = Augsburg, Germany
+
  | deathplace          = Schwerin, Germany
 
  | resting_place        =  
 
  | resting_place        =  
  | occupation          = {{plainlist | Civil servant | Historian }}
+
  | occupation          = {{plainlist | Cutler | [[Freifechter]] }}
  | language            = {{plainlist | [[Early New High German]] | [[New Latin]] }}
+
  | language            = [[Early New High German]]
 
  | nationality          =  
 
  | nationality          =  
 
  | ethnicity            =  
 
  | ethnicity            =  
  | citizenship          =  
+
  | citizenship          = Strasbourg
 
  | education            =  
 
  | education            =  
 
  | alma_mater          =  
 
  | alma_mater          =  
  | patron              =  
+
  | patron              = {{collapsible list
 
+
  | title = List of patrons
 +
  | 1    = Johann Albrecht
 +
  | 2    = Johann Casimir
 +
  | 3    = Heinrich von Eberst
 +
  | 4    = Otto von Sulms
 +
}}
 
  | period              =  
 
  | period              =  
  | genre                = {{plainlist | [[Fencing manual]] | [[Wrestling manual]] }}
+
  | genre                = [[Fencing manual]]
 
  | subject              =  
 
  | subject              =  
  | movement            = {{plainlist | [[Nicolaüs Augsburger|Augsburg tradition]] | [[Nuremberg group|Nuremberg tradition]] }}
+
  | movement            = [[Freifechter]]
| notableworks        =
+
| notableworks        = ''[[Gründtliche Beschreibung der Kunst des Fechtens (Joachim Meÿer)|Gründtliche Beschreibung der <br/>Kunst des Fechtens]]'' (1570)
  | manuscript(s)        = {{collapsible list
+
  | manuscript(s)        = {{plainlist | [[Joachim Meyers Fäktbok (MS A..2)|MS A..2]] (1560s) | [[Treatises/Manuscript purgatory|Lost manuscript]] (1561) | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1563-70) }}
  | title = List of manuscripts
 
  | 1    = [[Geschlechterbuch der Stadt Augsburg (Cod.icon. 312b)|Codex Icon 312b]] (1548)
 
  | 2     = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/C.94]] (1540s)
 
  | 3    = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Codex Icon 393 I & II]] (1550s)
 
  | 4    = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Codex 10825/10826]] (1550s)
 
  | 5    = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt "Schätze" Nr. 82]] (1553)
 
}}
 
 
  | principal manuscript(s)=
 
  | principal manuscript(s)=
  | first printed edition=  
+
  | first printed edition= [[Jeffrey L. Forgeng|Forgeng]], 2006
 
  | wiktenauer compilation by=[[Michael Chidester]]
 
  | wiktenauer compilation by=[[Michael Chidester]]
  
  | spouse              =  
+
  | spouse              = Appolonia Ruhlman
 
  | partner              =  
 
  | partner              =  
 
  | children            =  
 
  | children            =  
Line 44: Line 42:
 
  | influences          = {{collapsible list
 
  | influences          = {{collapsible list
 
   | title = List of influences
 
   | title = List of influences
   | 1    = [[Fabian von Auerswald]]
+
   | 1    = [[Pseudo-Peter von Danzig]]
   | 2    = [[Gregor Erhart]]
+
   | 2    = [[Johannes Lecküchner]]
   | 3    = [[Martin Huntfeltz]]
+
   | 3    = [[Johannes Liechtenauer]]
   | 4    = [[Jörg Wilhalm Hutter]]
+
   | 4    = [[Achille Marozzo]]
   | 5    = [[Paulus Kal]]
+
   | 5    = [[Andre Paurñfeyndt]]
   | 6    = [[Johannes Lecküchner]]
+
   | 6    = [[Sigmund Schining ein Ringeck]]
   | 7    = [[Jud Lew]]
+
   | 7    = [[Martin Syber]]
  | 8    = [[Johannes Liechtenauer]]
 
  | 9    = [[Andre Liegniczer]]
 
  | 10    = [[Ott Jud]]
 
 
  }}
 
  }}
  | influenced          =  
+
  | influenced          = {{plainlist | [[Michael Hundt]] | [[Jakob Sutor von Baden]] | [[Theodori Verolini]] }}
 
  | awards              =  
 
  | awards              =  
  | signature            = [[file:Paulus Hector Mair Sig.png|170px]]
+
  | signature            = [[File:Joachim Meyer sig.jpg|150px]]
 
  | website              =  
 
  | website              =  
  | translations        =  
+
  | translations        = {{plainlist | {{Dutch translation|http://wiktenauer.com/wiki/Joachim_Me%C3%BFer/Dutch|1}} | {{French translation|http://ardamhe.wordpress.com/2014/08/25/lepee-longue-selon-joachim-meyer/|1}} | {{Italian translation|http://docs.google.com/file/d/0Bxqzt-jcOCFsS01GVFRXZWZPc1U/edit|1}} }}
 
  | below                =  
 
  | below                =  
 
}}
 
}}
'''Paulus Hector Mair''' (Paulsen Hektor Mair, Paulus Hector Meyer; 1517 – 1579) was a 16th century German aristocrat, civil servant, and fencer. He was born in 1517 to a wealthy and influential Augsburg patrician family. In his youth, he likely received training in fencing and grappling from the masters of Augsburg fencing guild, and early on developed a deep fascination with fencing treatises. He began his civil service as a secretary to the Augsburg City Council; by 1541, Mair was the City Treasurer, and in 1545 he also took on the office of Master of Rations.
+
{{foreignchar|Joachim Meyer|ÿ}}
 +
'''Joachim Meÿer''' (ca. 1537 - 1571) was a [[century::16th century]] [[nationality::German]] [[Freifechter]] and [[fencing master]]. He was the last great figure in the tradition of the German grand master [[Johannes Liechtenauer]], and in the last years of his life he devised at least three distinct and quite extensive [[fencing manual]]s. Meÿer's writings incorporate both the traditional Germanic technical syllabus and contemporary systems that he encountered in his travels, including the Italian school of side sword fencing. In addition to his fencing practice, Meÿer was a Burgher and a master cutler.
 +
 
 +
Meÿer was born in Basel, where he presumably apprenticed as a cutler. He writes in his books that he traveled widely in his youth, most likely a reference to the traditional Walz that journeyman craftsmen were required to take before being eligible for mastery and membership in a guild. Journeymen were often sent to stand watch and participate in town and city militias (a responsibility that would have been amplified for the warlike cutlers' guild), and Meÿer learned a great deal about foreign fencing systems during his travels. It's been speculated by some fencing historians that he trained specifically in the Bolognese school of fencing, but this doesn't stand up to closer analysis.
 +
 
 +
Records show that by 4 June 1560 he had settled in Strasbourg, where he married Appolonia Ruhlman (Ruelman) and joined the Cutler's Guild. His interests had already moved beyond knife-smithing, however, and in 1561, Meÿer petitioned the City Council of Strasbourg for the right to hold a [[Fechtschule]] (fencing competition). He would repeat this in 1563, 1566, 1567 and 1568; the 1568 petition is the external record in which he identifies himself as a fencing master.
 +
 
 +
Meÿer wrote his first manuscript ([[Joachim Meyers Fäktbok (MS A.4º.2)|MS A.4º.2]]) in either 1560 or 1568 for Otto Count von Sulms, Minzenberg, and Sonnenwaldt. Its contents seem to be a series of lessons on training with [[longsword]], [[dussack]], and [[side sword]] ([[rapier]]). His second manuscript ([[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]]), written between 1563 and 1570 for Heinrich Graf von Eberst, is of a decidedly different nature. Like many fencing manuscripts from the previous century, it is an anthology of treatises by a number of prominent German masters including [[Sigmund Schining ein Ringeck]], [[pseudo-Peter von Danzig]], and [[Martin Syber]], and also includes a brief outline by Meyer himself on a system of side sword fencing based on German [[Messer]] teachings. Finally, on 24 February 1570 Meÿer completed (and soon thereafter published) an enormous multiweapon treatise entitled ''[[Gründtliche Beschreibung der Kunst des Fechtens (Joachim Meÿer)|Gründtliche Beschreibung der Kunst des Fechtens]]'' ("A Thorough Description of the Art of Combat"); it was dedicated to Johann Casimir, Count Palatine of the Rhine, and illustrated at the workshop of [[Tobias Stimmer]].
 +
 
 +
Unfortunately, Meÿer's writing and publication efforts incurred significant debts (about 1300 crowns), which Meÿer pledged to repay by Christmas of 1571. Late in 1570, Meÿer accepted the position of Fechtmeister to Duke Johann Albrecht of Mecklenburg at his court in Schwerin. There Meÿer hoped to sell his book for a better price than was offered locally (30 florins). Meÿer sent his books ahead to Schwerin, and left from Strasbourg on 4 January 1571 after receiving his pay. He traveled the 500 miles to Schwerin in the middle of a harsh winter, arriving at the court on 10 February 1571. Two weeks later, on 24 February, Joachim Meÿer died. The cause of his death is unknown, possibly disease or pneumonia.
 +
 
 +
Antoni Rulman, Appolonia’s brother, became her legal guardian after Joachim’s death. On 15 May 1571, he had a letter written by the secretary of the Strasbourg city chamber and sent to the Duke of Mecklenburg stating that Antoni was now the widow Meÿer’s guardian; it politely reminded the Duke who Joachim Meÿer was, Meÿer’s publishing efforts and considerable debt, requested that the Duke send Meÿer’s personal affects and his books to Appolonia, and attempted to sell some (if not all) of the books to the Duke.
 +
 
 +
Appolonia remarried in April 1572 to another cutler named Hans Kuele, bestowing upon him the status of Burgher and Meÿer's substantial debts. Joachim Meÿer and Hans Kuele are both mentioned in the minutes of Cutlers' Guild archives; Kuele may have made an impression if we can judge that fact by the number of times he is mentioned. It is believed that Appolonia and either her husband or her brother were involved with the second printing of his book in 1600. According to other sources, it was reprinted yet again in 1610 and in 1660.
  
Mair's martial background is unknown, but as a citizen of a free city he would have had military obligations whenever the city went to war, and as a member of a patrician family he likely served in the cavalry. What is clear is that he was an avid collector of fencing treatises and other literature on military history. Like his contemporary [[Joachim Meÿer]], Mair believed that the Medieval martial arts were being forgotten, which he saw as a tragedy, idealizing the arts of fencing as a civilizing and character-building influence on men. Where Meÿer sought to update the traditional fencing systems and apply them to contemporary weapons of war and defense, Mair was more interested in preserving historical teachings intact. Thus, some time in the latter part of the 1540s he commissioned what would become the most extensive compendium of German fencing treatises ever made, a massive two-volume manuscript compiling virtually every fencing treatise he could access. He retained famed artist [[Jörg Breu|Jörg Breu the Younger]] to create the illustrations for the text, and hired two Augsburg fencers to pose for the illustrations. This project was extraordinarily expensive and took at least four years to complete. Ultimately, three copies of this compendium were produced, each more extensive than the last; the first ([[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/C.94]]) was written in [[Early New High German]], the second and most artistically ambitious ([[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Cod.icon. 393]]) in [[New Latin]], and the third and final version ([[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10825/10826]]) incorporated both languages.
+
The Fechtschule of Joachim Meÿer in Strasbourg, a thriving school of fence equal to many others in Germany at the time, was taken over during the Acquisition of Strasbourg by Louis XIV in 1681; it was turned into the "Academie de Arms" and essentially absorbed into the French school of fence.
  
([[Paulus Hector Mair|Read more]]...)
+
([[Joachim Meÿer|Read more]]...)
  
 
<dl>
 
<dl>
 
<dt style="font-size:90%;">Recently Featured:</dt>
 
<dt style="font-size:90%;">Recently Featured:</dt>
<dd style="font-size:90%;">[[Die Blume des Kampfes]] – ''[[Verzeichnis etlicher Stücke des Fechtens im Rapier (MS Germ.Fol.1476)|Verzeichnis etlicher Stücke des Fechtens im Rapier]]'' – [[Anonymous&nbsp;15th&nbsp;Century&nbsp;Poem]] – [[Johann&nbsp;Georg&nbsp;Pascha]]</dd>
+
<dd style="font-size:90%;">[[Paulus Hector Mair]] – [[Die Blume des Kampfes]] – {{nowrap|''[[Verzeichnis etlicher Stücke des Fechtens im Rapier (MS Germ.Fol.1476)|Verzeichnis etlicher Stücke des Fechtens im Rapier]]''}} – [[Anonymous&nbsp;15th&nbsp;Century&nbsp;Poem]]</dd>
 
</dl>
 
</dl>

Revision as of 17:34, 21 February 2015

Joachim Meÿer
Born ca. 1537
Basel, Germany
Died 24 February 1571 (aged 34)
Schwerin, Germany
Spouse(s) Appolonia Ruhlman
Occupation
Citizenship Strasbourg
Patron
  • Johann Albrecht
  • Johann Casimir
Movement Freifechter
Influences
Influenced
Genres Fencing manual
Language Early New High German
Notable work(s) Gründtliche Beschreibung der
Kunst des Fechtens
(1570)
Manuscript(s)
First printed
english edition
Forgeng, 2006
Concordance by Michael Chidester
Translations
Signature Joachim Meyer sig.jpg

Joachim Meÿer (ca. 1537 - 1571) was a 16th century German Freifechter and fencing master. He was the last great figure in the tradition of the German grand master Johannes Liechtenauer, and in the last years of his life he devised at least three distinct and quite extensive fencing manuals. Meÿer's writings incorporate both the traditional Germanic technical syllabus and contemporary systems that he encountered in his travels, including the Italian school of side sword fencing. In addition to his fencing practice, Meÿer was a Burgher and a master cutler.

Meÿer was born in Basel, where he presumably apprenticed as a cutler. He writes in his books that he traveled widely in his youth, most likely a reference to the traditional Walz that journeyman craftsmen were required to take before being eligible for mastery and membership in a guild. Journeymen were often sent to stand watch and participate in town and city militias (a responsibility that would have been amplified for the warlike cutlers' guild), and Meÿer learned a great deal about foreign fencing systems during his travels. It's been speculated by some fencing historians that he trained specifically in the Bolognese school of fencing, but this doesn't stand up to closer analysis.

Records show that by 4 June 1560 he had settled in Strasbourg, where he married Appolonia Ruhlman (Ruelman) and joined the Cutler's Guild. His interests had already moved beyond knife-smithing, however, and in 1561, Meÿer petitioned the City Council of Strasbourg for the right to hold a Fechtschule (fencing competition). He would repeat this in 1563, 1566, 1567 and 1568; the 1568 petition is the external record in which he identifies himself as a fencing master.

Meÿer wrote his first manuscript (MS A.4º.2) in either 1560 or 1568 for Otto Count von Sulms, Minzenberg, and Sonnenwaldt. Its contents seem to be a series of lessons on training with longsword, dussack, and side sword (rapier). His second manuscript (MS Var.82), written between 1563 and 1570 for Heinrich Graf von Eberst, is of a decidedly different nature. Like many fencing manuscripts from the previous century, it is an anthology of treatises by a number of prominent German masters including Sigmund Schining ein Ringeck, pseudo-Peter von Danzig, and Martin Syber, and also includes a brief outline by Meyer himself on a system of side sword fencing based on German Messer teachings. Finally, on 24 February 1570 Meÿer completed (and soon thereafter published) an enormous multiweapon treatise entitled Gründtliche Beschreibung der Kunst des Fechtens ("A Thorough Description of the Art of Combat"); it was dedicated to Johann Casimir, Count Palatine of the Rhine, and illustrated at the workshop of Tobias Stimmer.

Unfortunately, Meÿer's writing and publication efforts incurred significant debts (about 1300 crowns), which Meÿer pledged to repay by Christmas of 1571. Late in 1570, Meÿer accepted the position of Fechtmeister to Duke Johann Albrecht of Mecklenburg at his court in Schwerin. There Meÿer hoped to sell his book for a better price than was offered locally (30 florins). Meÿer sent his books ahead to Schwerin, and left from Strasbourg on 4 January 1571 after receiving his pay. He traveled the 500 miles to Schwerin in the middle of a harsh winter, arriving at the court on 10 February 1571. Two weeks later, on 24 February, Joachim Meÿer died. The cause of his death is unknown, possibly disease or pneumonia.

Antoni Rulman, Appolonia’s brother, became her legal guardian after Joachim’s death. On 15 May 1571, he had a letter written by the secretary of the Strasbourg city chamber and sent to the Duke of Mecklenburg stating that Antoni was now the widow Meÿer’s guardian; it politely reminded the Duke who Joachim Meÿer was, Meÿer’s publishing efforts and considerable debt, requested that the Duke send Meÿer’s personal affects and his books to Appolonia, and attempted to sell some (if not all) of the books to the Duke.

Appolonia remarried in April 1572 to another cutler named Hans Kuele, bestowing upon him the status of Burgher and Meÿer's substantial debts. Joachim Meÿer and Hans Kuele are both mentioned in the minutes of Cutlers' Guild archives; Kuele may have made an impression if we can judge that fact by the number of times he is mentioned. It is believed that Appolonia and either her husband or her brother were involved with the second printing of his book in 1600. According to other sources, it was reprinted yet again in 1610 and in 1660.

The Fechtschule of Joachim Meÿer in Strasbourg, a thriving school of fence equal to many others in Germany at the time, was taken over during the Acquisition of Strasbourg by Louis XIV in 1681; it was turned into the "Academie de Arms" and essentially absorbed into the French school of fence.

(Read more...)

Recently Featured:
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