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Difference between revisions of "Wiktenauer:Main page/Featured"
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| − | {{infobox | + | {{infobox writer |
| − | + | | name = [[name::Jud Lew]] | |
| − | | name | + | | image = |
| − | + | | imagesize = | |
| − | + | | caption = | |
| − | | image | + | |
| − | | | + | | pseudonym = |
| − | | caption | + | | birthname = |
| − | + | | birthdate = before ca. 1440s | |
| − | | | + | | birthplace = |
| − | | | + | | deathdate = unknown |
| − | | | + | | deathplace = |
| − | | | + | | resting_place = |
| − | | | + | | occupation = [[Fencing master]]{{#set:occupation=Fencing Master}} |
| − | | | + | | language = [[language::Early New High German]] |
| − | | | + | | nationality = |
| − | | | + | | ethnicity = Jewish |
| − | + | | citizenship = | |
| − | | language | + | | education = |
| − | | | + | | alma_mater = |
| − | | | + | | patron = |
| − | + | ||
| − | | genre | + | | period = |
| + | | genre = {{plainlist | ||
| [[Fencing manual]] | | [[Fencing manual]] | ||
| [[Wrestling manual]] | | [[Wrestling manual]] | ||
}} | }} | ||
| − | | | + | | subject = |
| − | | | + | | movement = [[Johannes Liechtenauer|Liechtenauer Tradition]] |
| − | | principal manuscript(s)={{ | + | | notableworks = |
| − | | [[Codex | + | | principal manuscript(s)= {{plainlist |
| − | | [[ | + | | [[Codex Lew (Cod.I.6.4º.3)|Cod.I.6.4º.3]] (1450s) |
| + | | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | ||
}} | }} | ||
| − | | manuscript(s) | + | | manuscript(s) = {{collapsible list |
| − | | [[ | + | | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512) |
| − | | [[ | + | | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538) |
| − | | [[ | + | | [[Opus Amplissimum de Arte Athletica (MS Dresd.C.93/C.94)|MS Dresd.C.94]] (1542) |
| + | | [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Cod.icon.393]] (1540s) | ||
| + | | [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod.10826]] (1550s) | ||
| + | | [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556) | ||
| + | | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (1570-71) | ||
}} | }} | ||
| − | | first printed edition = | + | | first printed edition= |
| − | | | + | | concordance by=[[Michael Chidester]] |
| − | | translations | + | |
| − | | below | + | | spouse = |
| + | | partner = | ||
| + | | children = | ||
| + | | relatives = | ||
| + | | influences = | ||
| + | | influenced = | ||
| + | | awards = | ||
| + | | signature = | ||
| + | | website = | ||
| + | | translations = {{Spanish translation|http://www.aveh.eu/documentos/EdadMedia/TETRAPTICOV.pdf|1}} | ||
| + | | below | ||
}} | }} | ||
| − | ''' | + | '''Jud Lew''' was a [[century::15th century]] [[nationality::German]] [[fencing master]]. His name signifies that he was Jewish, and he seems to have stood in the tradition of [[Johannes Liechtenauer]], though he was not included in [[Paulus Kal]]'s ca. 1470 list of the members of the [[Fellowship of Liechtenauer]].<ref>The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1570]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref> |
| + | |||
| + | Lew is often erroneously credited with authoring the [[Codex Lew (Cod.I.6.4º.3)|Cod.I.6.4º.3]], an anonymous compilation of various fencing treatises created in the 1450s. In fact, his name is only associated with a single section of that book, a [[gloss]] of [[Johannes Liechtenauer]]'s [[Recital]] on [[mounted fencing]] that is actually one branch of the so-called [[Pseudo-Peter von Danzig]] gloss. Though some versions of [[Martin Huntfeltz]]'s treatise on [[armored fencing]] are also attributed to Lew, this is almost certainly an error.<ref>Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.</ref> | ||
| + | |||
| + | == Treatises == | ||
| − | Early on in its history, the Pseudo-Peter von Danzig gloss seems to have split into two primary branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund | + | Early on in its history, the Pseudo-Peter von Danzig [[gloss]] seems to have split into two or three primary branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund ain Ringeck]] also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered Branch D). |
| − | Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more devices overall than | + | Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more devices overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of [[Andre Liegniczer]] and [[Martin Huntfeltz]] (or, in the case of the 1512 [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna II]], Ringeck's short sword gloss). Apart from the Augsburg, the other principal text in Branch A is the [[Codex Speyer (MS M.I.29)|Salzburg version]] (1491), which was copied independently<ref>Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.</ref> and also incorporates nine paragraphs from Ringeck's gloss and twenty-one paragraphs from an unidentified third source. Branch A was redacted by [[Paulus Hector Mair]] (three mss., 1540s), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Lienhart Sollinger]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Joachim Meyer]] (1570), which despite being the latest is the cleanest extant version and was likely either copied directly from the original or created by comparing multiple versions to correct their errors. It was also one of the bases for [[Johannes Lecküchner]]'s gloss on the [[Messer]] in the late 1470s. |
| − | Branch B, attested first in the [[Codex Danzig (Cod.44.A.8)|Rome version]] (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer devices overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section | + | Branch B, attested first in the [[Codex Danzig (Cod.44.A.8)|Rome version]] (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer devices overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section, and may therefore be considered more complete than Branch A; it also different from Branch A in that three of the four known copies are illustrated to some extent, where none in the other branch are. The [[Goliath (MS Germ.Quart.2020)|Krakow version]] (1510-20) seems to be an incomplete (though extensively illustrated) copy taken from the Rome,<ref>Zabinski, pp 82-83</ref> while [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg II]] (1564) collects only the six illustrated wrestling devices from the Krakow. Even more anomalous is the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow version]] (1508), consisting solely of a nearly complete redaction of the short sword gloss (assigning it to Branch B), which is appended to the opening paragraphs of Ringeck's gloss of the same section; since it accompanies Ringeck's long sword and mounted fencing glosses, a possible explanation is that the scribe lacked a complete copy of Ringeck and tried to fill in the deficit with another similar text. |
| − | ([[ | + | ([[Jud Lew|Read more]]...) |
<dl> | <dl> | ||
<dt style="font-size:90%;">Recently Featured:</dt> | <dt style="font-size:90%;">Recently Featured:</dt> | ||
| − | <dd style="font-size:90%;">[[Martin Syber]] – [[Fiore de'i Liberi]] – [[Sigmund | + | <dd style="font-size:90%;">[[Pseudo-Peter von Danzig]] – [[Martin Syber]] – [[Fiore de'i Liberi]] – [[Sigmund ain Ringeck]]</dd> |
</dl> | </dl> | ||
Revision as of 21:25, 10 October 2016
| Jud Lew | |
|---|---|
| Born | before ca. 1440s |
| Died | date of death unknown |
| Occupation | Fencing master |
| Ethnicity | Jewish |
| Movement | Liechtenauer Tradition |
| Genres | |
| Language | Early New High German |
| Principal manuscript(s) |
|
| Manuscript(s) |
MS Dresd.C.94 (1542)
|
| Concordance by | Michael Chidester |
| Translations | Traducción castellano |
Jud Lew was a 15th century German fencing master. His name signifies that he was Jewish, and he seems to have stood in the tradition of Johannes Liechtenauer, though he was not included in Paulus Kal's ca. 1470 list of the members of the Fellowship of Liechtenauer.[1]
Lew is often erroneously credited with authoring the Cod.I.6.4º.3, an anonymous compilation of various fencing treatises created in the 1450s. In fact, his name is only associated with a single section of that book, a gloss of Johannes Liechtenauer's Recital on mounted fencing that is actually one branch of the so-called Pseudo-Peter von Danzig gloss. Though some versions of Martin Huntfeltz's treatise on armored fencing are also attributed to Lew, this is almost certainly an error.[2]
Treatises
Early on in its history, the Pseudo-Peter von Danzig gloss seems to have split into two or three primary branches, and no definite copies of the unaltered original are known to survive. The gloss of Sigmund ain Ringeck also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered Branch D).
Branch A, first attested in the Augsburg version (1450s) and comprising the majority of extant copies, has more devices overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of Andre Liegniczer and Martin Huntfeltz (or, in the case of the 1512 Vienna II, Ringeck's short sword gloss). Apart from the Augsburg, the other principal text in Branch A is the Salzburg version (1491), which was copied independently[3] and also incorporates nine paragraphs from Ringeck's gloss and twenty-one paragraphs from an unidentified third source. Branch A was redacted by Paulus Hector Mair (three mss., 1540s), Lienhart Sollinger (1556), and Joachim Meyer (1570), which despite being the latest is the cleanest extant version and was likely either copied directly from the original or created by comparing multiple versions to correct their errors. It was also one of the bases for Johannes Lecküchner's gloss on the Messer in the late 1470s.
Branch B, attested first in the Rome version (1452), is found in only four manuscripts; it tends to feature slightly longer descriptions than Branch A, but includes fewer devices overall. Branch B glosses Liechtenauer's entire Recital, including the short sword section, and may therefore be considered more complete than Branch A; it also different from Branch A in that three of the four known copies are illustrated to some extent, where none in the other branch are. The Krakow version (1510-20) seems to be an incomplete (though extensively illustrated) copy taken from the Rome,[4] while Augsburg II (1564) collects only the six illustrated wrestling devices from the Krakow. Even more anomalous is the Glasgow version (1508), consisting solely of a nearly complete redaction of the short sword gloss (assigning it to Branch B), which is appended to the opening paragraphs of Ringeck's gloss of the same section; since it accompanies Ringeck's long sword and mounted fencing glosses, a possible explanation is that the scribe lacked a complete copy of Ringeck and tried to fill in the deficit with another similar text.
(Read more...)
- Recently Featured:
- Pseudo-Peter von Danzig – Martin Syber – Fiore de'i Liberi – Sigmund ain Ringeck
- ↑ The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1570 (ca. 1470), and MS KK5126 (1480s).
- ↑ Jaquet, Daniel; Walczak, Bartłomiej. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". Acta Periodica Duellatorum 2(1): 105-148. 2014. doi:10.1515/apd-2015-0015.
- ↑ Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.
- ↑ Zabinski, pp 82-83
