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| caption            = ff 1v - 2r
 
| caption            = ff 1v - 2r
 
<!----------General---------->
 
<!----------General---------->
| Index number      = [[WI::]]
+
| Hagedorn's catalog = [[HS::SR]]
 
| Wierschin's catalog= [[WC::04|4]]
 
| Wierschin's catalog= [[WC::04|4]]
 
| Hils' catalog      = [[HK::16]]
 
| Hils' catalog      = [[HK::16]]
| Beck catalog      = [[BC::]]
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| Beck catalog      = —
 
| Also known as      =  
 
| Also known as      =  
 
| Type              = {{plainlist
 
| Type              = {{plainlist
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  | [[author::Andre Lignitzer]]
 
  | [[author::Andre Lignitzer]]
 
  | [[author::Ott Jud]]
 
  | [[author::Ott Jud]]
  | [[author::Sigmund ain Ringeck]]
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  | [[author::Sigmund Ain ringeck]]
 
}}
 
}}
 
| Compiled by        = Unknown
 
| Compiled by        = Unknown
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<!----------Form and content---------->
 
<!----------Form and content---------->
 
| Material          = Paper
 
| Material          = Paper
| Size              = 126 [[folia]] (150 mm x 110 mm)
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| Size              = 148 [[folia]] (150 mm x 110 mm)
 
| Format            = Double-sided, with black and red ink
 
| Format            = Double-sided, with black and red ink
 
| Condition          =  
 
| Condition          =  
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| below              =  
 
| below              =  
 
}}
 
}}
'''''Johan Liechtnawers Fechtbuch geschriebenn''''' ("Johannes Liechtenauer's Written Fencing Book"; MS Dresden C 487) is a [[nationality::German]] [[fencing manual]] created between 1504 and 1519.<ref name="date">Werner J. Hoffmann. [http://www.manuscripta-mediaevalia.de/dokumente/html/obj31600186 "Mscr.Dresd.C.487. Siegmund am Ringeck, Fechtlehre."] ''Die deutschsprachigen mittelalterlichen Handschriften der Sächsischen Landesbibliothek - Staats- und Universitätsbibliothek (SLUB) Dresden. Vorläufige Beschreibungen.'' August, 2010. Retrieved 3 April 2015.</ref> The original currently rests in the holdings of the [[Sächsische Landesbibliothek]] in Dresden, Germany. This manuscript is often wrongly attributed to [[Sigmund ain Ringeck]], but although his [[gloss]] of [[Johannes Liechtenauer]]'s Record forms a significant portion of the text, he is referred to in the third person in its introduction and was most likely not responsible for the manuscript itself. The rest of the manuscript consists of an assortment of treatises by several different masters who stood in the tradition of Johannes Liechtenauer, though unlike most such manuscripts, none of the individual treatises have attributions apart from Ringeck's.
+
'''''Johan Liechtnawers Fechtbuch geschriebenn''''' ("Johannes Liechtenauer's Written Fencing Book"; MS Dresden C 487) is a [[nationality::German]] [[fencing manual]] created between 1504 and 1519.<ref name="date">Werner J. Hoffmann. [http://www.manuscripta-mediaevalia.de/dokumente/html/obj31600186 "Mscr.Dresd.C.487. Siegmund am Ringeck, Fechtlehre."] ''Die deutschsprachigen mittelalterlichen Handschriften der Sächsischen Landesbibliothek - Staats- und Universitätsbibliothek (SLUB) Dresden. Vorläufige Beschreibungen.'' August, 2010. Retrieved 3 April 2015.</ref> The original currently rests in the holdings of the [[Sächsische Landesbibliothek]] in Dresden, Germany. This manuscript is often wrongly attributed to [[Sigmund Ain ringeck]], but although his [[gloss]] of [[Johannes Liechtenauer]]'s Record forms the first portion of the text, he is referred to in the third person in its introduction and was most likely not responsible for the manuscript itself. The rest of the manuscript consists of a compilation of treatises by several different masters who stood in the tradition of Johannes Liechtenauer, though unlike most such manuscripts, none of the individual treatises have attributions apart from Ain ringeck's.
  
Dating this manuscript has been problematic in the past, as writers have generally assumed that it was an autograph or archetype prepared for Ringeck himself and used assumptions about his life as a starting point.<ref>See also [[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010.</ref> Thus, in 1956 Martin Wierschin dated the manuscript to the first half of the 15th century and noted that it might date to as early as the late 14th century, based on the assumptions that it was a copy of the [[Pol Hausbuch (MS 3227a)|MS 3227a]] and that Ringeck was a direct student of Liechtenauer in the mid-late 14th century.<ref>Wierschin 12-13.</ref> In 1985, Hans-Peter Hils postulated a date between 1438 and 1452, based on identifying the dedicatee with Albrecht Ⅲ of Bavaria and assuming it was the source for the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]].<ref>Hils 54-57.</ref> However, while the original text of Ringeck's gloss may indeed date to the 15th century, in 2010 Werner J. Hoffmann arrived at the currently-accepted and much later date of this manuscript through watermark analysis.<ref name="date"/>
+
Dating this manuscript has been problematic in the past, as writers have generally assumed that it was an autograph or archetype prepared for Ain ringeck himself and used assumptions about his life as a starting point.<ref>See also [[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010.</ref> Thus, in 1956 Martin Wierschin dated the manuscript to the first half of the 15th century and noted that it might date to as early as the late 14th century, based on the assumptions that it was a copy of the [[Pol Hausbuch (MS 3227a)|MS 3227<sup>a</sup>]] and that Ain ringeck was a direct student of Liechtenauer in the mid-late 14th century.<ref>Wierschin 12-13.</ref> In 1985, Hans-Peter Hils postulated a date between 1438 and 1452, based on identifying the dedicatee with Albrecht Ⅲ of Bavaria and assuming it was the source for the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]].<ref>Hils 54-57.</ref> However, while the original text of Ain ringeck's gloss may indeed date to the 15th century, in 2010 Werner J. Hoffmann arrived at the currently-accepted and much later date of this manuscript through watermark analysis.<ref name="date"/>
  
 
== Provenance ==
 
== Provenance ==
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|-  
 
|-  
 
! <p>Images</p>
 
! <p>Images</p>
! <p>{{rating|B}}<br/>by [[Michael Chidester]]</p>
+
! <p>{{rating|A}}<br/>by [[Michael Chidester]]</p>
 
! <p>Transcription{{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>Transcription{{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
  
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| {{paget|Page:MS Dresd.C.487|001r|png|lbl=01r}}
 
| {{paget|Page:MS Dresd.C.487|001r|png|lbl=01r}}
  
 
+
|-
{{paget|Page:MS Dresd.C.487|001v|png|lbl=01v}}
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| [[File:MS Dresd.C.487 001v.png|center|300px]]
 +
|
 +
| {{paget|Page:MS Dresd.C.487|001v|png|lbl=01v}}
  
 
|-  
 
|-  
 
| class="noline" | [[File:MS Dresd.C.487 002r.png|center|300px]]
 
| class="noline" | [[File:MS Dresd.C.487 002r.png|center|300px]]
| class="noline" | <p>{{red|b=1|Here begins the chivalric art of the long sword...}}</p>
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| class="noline" | <p>{{red|b=1|Here begins the chivalric art of the long sword…}}</p>
 
| class="noline" | {{paget|Page:MS Dresd.C.487|002r|png|lbl=02r}}
 
| class="noline" | {{paget|Page:MS Dresd.C.487|002r|png|lbl=02r}}
  
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|-  
 
|-  
! [[Sigmund ain Ringeck|10v - 48v]]
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! [[Sigmund Ain ringeck|10v - 48v]]
| Gloss of Liechtenauer's Recital on long sword fencing by [[Sigmund ain Ringeck]]
+
| Gloss of Liechtenauer's Recital on long sword fencing by [[Sigmund Ain ringeck]]
  
 
|-  
 
|-  
! [[Sigmund ain Ringeck|49r - 54r]]
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! [[Stuck im aufstreichen|49r - 54r]]
| Long sword fencing by [[Sigmund ain Ringeck]]
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| Anonymous treatise on [[long sword]] fencing
  
 
|-  
 
|-  
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|-  
 
|-  
! 57r - 59v
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! [[Dresden Gloss Fragment|57r - 59v]]
| {{treatise begin
+
| Anonymous gloss of Liechtenauer's Recital on long sword fencing (fragment)
  | title = Anonymous gloss of Liechtenauer's Recital on long sword fencing (fragment)
 
  | width = 60em
 
}}
 
<section begin="credits1"/>
 
{| class="treatisecontent"
 
|-
 
! <p>{{rating|B}}<br/>by [[Christian Trosclair]]</p>
 
! <p>Transcription{{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p><!--
 
          --><section end="credits1"/><section begin="Zornhaw"/>
 
|-
 
| <section begin="wrath-1"/>
 
{| class="zettel"
 
| <small>27</small>
 
| Whoever over-hews you<br/>&emsp;The Wrath-hew point threatens them.
 
|-
 
| <small>28</small>
 
| If he becomes aware of it,<br/>&emsp;Take if off above without fear.
 
|}
 
<p>Understand it like this: When one strikes at you from-the-roof, strike the wrath-hew with the long edge, as he is indicating to you, into his strike, upon his sword with the long edge of you sword and with this, from that moment on, wind your point into his face with command, that is with strength. </p><section end="wrath-1"/>
 
|
 
{{section|Page:MS Dresd.C.487 057r.png|9|lbl=57r|p=1}} {{section|Page:MS Dresd.C.487 057v.png|1|lbl=57v|p=1}}
 
 
 
|-
 
| <section begin="wrath-2"/><p>And if he becomes aware of it (that is, of the point) and parries it with a free displacement, then take it off above as the taking off has become indicated to you. When someone parries you freely you shall take off or deliver the strike somehow else as closely as possible on his sword. As I have indicated this to you that it more likely to happen for you than the taking-off: However he parries you, and if he will also parry this strike, then from that moment make one more or a inverted winding with a thrust or strike upon that.</p><section end="wrath-2"/>
 
|
 
{{section|Page:MS Dresd.C.487 057v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 058r.png|1|lbl=58r|p=1}}
 
 
 
|-
 
| <section begin="wrath-3"/><p>Also know, if someone strikes at you, that you can just drive the wrath-point wholly alone therein and you have also parried (when you drive it correctly as you are taught it) and is hellish to parry. When you wish to harm someone, then drive in upon them. He makes whatever he will. He strikes or thrust upon you, then he must parry it so you come to the previously depicted plays.</p><section end="wrath-3"/>
 
| {{section|Page:MS Dresd.C.487 058r.png|2|lbl=-}}<!--
 
          --><section end="Zornhaw"/><section begin="Krumphaw"/>
 
|-
 
| <section begin="crooked-1"/><p>IItem. When you fence with someone, whatever they strike at you that does not come right straight from high down onto you, parry that with the crook. When the recital says: Whoever parries crooked well, disrupts many hews with stepping.<ref>matches folz's text</ref> This is if someone strikes at you, then drive crooked thereon and then hew so that you come before any work and wind your point or strike into him  so he must parry you, so that you again come to more strokes that you then may execute the failer or thrust or inverted wind or otherwise stroke or fall-across when someone parries you too low or too wide forwards with the parrying.</p><section end="crooked-1"/>
 
|
 
{{section|Page:MS Dresd.C.487 058r.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 058v.png|1|lbl=58v|p=1}}
 
 
 
|-
 
| <section begin="crooked-2"/><p>Item. You shall also drive handsome offsettings of hews or thrusts as you are taught it such that you do not drive after it too coarsely and that your point always stands towards his face in a thrust and if it is that he strikes to the other side from your offsetting, then do not drive-after him. And wind as if you will likewise offset on the other side and remain and thrust so that you are parried and so he must rid your thrust so that you again come to your work.</p><section end="crooked-2"/>
 
|
 
{{section|Page:MS Dresd.C.487 058v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 059r.png|1|lbl=59r|p=1}}
 
 
 
|-
 
| class="noline" | <section begin="crooked-3"/><p>Item. Note if someone knows something of the recital and parries your play crooked, if he also then winds-in the thrust, have respect for that and passionlessly offset his thrust or strike and press-in your thrust or strike along-with in the same way you always work that he must parry you as surely as you him. And when you practice this yourself so that you are perfect with it when you parry someone, then you may confound and break whatever he has taken upon you because he must break off before that and parry you.</p><section end="crooked-3"/>
 
| class="noline" |
 
{{section|Page:MS Dresd.C.487 059r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 059v.png|1|lbl=59v|p=1}}
 
<section end="Krumphaw"/>
 
|}
 
{{treatise end}}
 
  
 
|-  
 
|-  
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|-  
 
|-  
! [[Sigmund ain Ringeck|88r - 108r]]
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! [[Sigmund Ain ringeck|88r - 108r]]
| Gloss of Liechtenauer's Recital on [[short sword]] fencing by [[Sigmund ain Ringeck]]
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| Gloss of Liechtenauer's Recital on [[short sword]] fencing by [[Sigmund Ain ringeck]]
  
 
|-  
 
|-  
! [[Sigmund ain Ringeck|109r - 110v]]
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! [[Sigmund Ain ringeck|109r - 110v]]
| Gloss of Liechtenauer's Recital on [[mounted fencing]] by [[Sigmund ain Ringeck]] (fragment)
+
| Gloss of Liechtenauer's Recital on [[mounted fencing]] by [[Sigmund Ain ringeck]] (fragment)
  
 
|-  
 
|-  
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! 122r - 125v
 
! 122r - 125v
 
| Four displaced pages
 
| Four displaced pages
 +
 +
|-
 +
! 126r - 148v
 +
| [Blank]
  
 
|}
 
|}
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== Gallery ==
 
== Gallery ==
  
{{image|page=1|MS Dresd.C.487 Cover 1.png|Front Cover}}
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{{collation}}
{{image|page=1|MS Dresd.C.487 Cover 2.png|Inside Cover}}
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{{image|MS Dresd.C.487 Cover 1.png|Front Cover}}
{{image|page=1|MS Dresd.C.487 Ir.png|Ⅰr}}
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{{image|MS Dresd.C.487 Cover 2.png|Inside Cover}}
{{image|page=1|MS Dresd.C.487 Iv.png|Ⅰv}}
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{{image|MS Dresd.C.487 001r.png|Folio 1r}}
{{image|page=1|MS Dresd.C.487 001r.png|Folio 1r}}
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{{image|MS Dresd.C.487 001v.png|Folio 1v}}
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{{image|page=1|MS Dresd.C.487 028v.png|Folio 28v}}
+
{{image|MS Dresd.C.487 029r.png|Folio 29r}}
{{image|page=1|MS Dresd.C.487 029r.png|Folio 29r}}
+
{{image|MS Dresd.C.487 029v.png|Folio 29v}}
{{image|page=1|MS Dresd.C.487 029v.png|Folio 29v}}
+
{{image|MS Dresd.C.487 030r.png|Folio 30r}}
{{image|page=1|MS Dresd.C.487 030r.png|Folio 30r}}
+
{{image|MS Dresd.C.487 030v.png|Folio 30v}}
{{image|page=1|MS Dresd.C.487 030v.png|Folio 30v}}
+
{{image|MS Dresd.C.487 031r.png|Folio 31r}}
{{image|page=1|MS Dresd.C.487 031r.png|Folio 31r}}
+
{{image|MS Dresd.C.487 031v.png|Folio 31v}}
{{image|page=1|MS Dresd.C.487 031v.png|Folio 31v}}
+
{{image|MS Dresd.C.487 032r.png|Folio 32r}}
{{image|page=1|MS Dresd.C.487 032r.png|Folio 32r}}
+
{{image|MS Dresd.C.487 032v.png|Folio 32v}}
{{image|page=1|MS Dresd.C.487 032v.png|Folio 32v}}
+
{{image|MS Dresd.C.487 033r.png|Folio 33r}}
{{image|page=1|MS Dresd.C.487 033r.png|Folio 33r}}
+
{{image|MS Dresd.C.487 033v.png|Folio 33v}}
{{image|page=1|MS Dresd.C.487 033v.png|Folio 33v}}
+
{{image|MS Dresd.C.487 034r.png|Folio 34r}}
{{image|page=1|MS Dresd.C.487 034r.png|Folio 34r}}
+
{{image|MS Dresd.C.487 034v.png|Folio 34v}}
{{image|page=1|MS Dresd.C.487 034v.png|Folio 34v}}
+
{{image|MS Dresd.C.487 035r.png|Folio 35r}}
{{image|page=1|MS Dresd.C.487 035r.png|Folio 35r}}
+
{{image|MS Dresd.C.487 035v.png|Folio 35v}}
{{image|page=1|MS Dresd.C.487 035v.png|Folio 35v}}
+
{{image|MS Dresd.C.487 036r.png|Folio 36r}}
{{image|page=1|MS Dresd.C.487 036r.png|Folio 36r}}
+
{{image|MS Dresd.C.487 036v.png|Folio 36v}}
{{image|page=1|MS Dresd.C.487 036v.png|Folio 36v}}
+
{{image|MS Dresd.C.487 037r.png|Folio 37r}}
{{image|page=1|MS Dresd.C.487 037r.png|Folio 37r}}
+
{{image|MS Dresd.C.487 037v.png|Folio 37v}}
{{image|page=1|MS Dresd.C.487 037v.png|Folio 37v}}
+
{{image|MS Dresd.C.487 038r.png|Folio 38r}}
{{image|page=1|MS Dresd.C.487 038r.png|Folio 38r}}
+
{{image|MS Dresd.C.487 038v.png|Folio 38v}}
{{image|page=1|MS Dresd.C.487 038v.png|Folio 38v}}
+
{{image|MS Dresd.C.487 039r.png|Folio 39r}}
{{image|page=1|MS Dresd.C.487 039r.png|Folio 39r}}
+
{{image|MS Dresd.C.487 039v.png|Folio 39v}}
{{image|page=1|MS Dresd.C.487 039v.png|Folio 39v}}
+
{{image|MS Dresd.C.487 040r.png|Folio 40r}}
{{image|page=1|MS Dresd.C.487 040r.png|Folio 40r}}
+
{{image|MS Dresd.C.487 040v.png|Folio 40v}}
{{image|page=1|MS Dresd.C.487 040v.png|Folio 40v}}
+
{{image|MS Dresd.C.487 041r.png|Folio 41r}}
{{image|page=1|MS Dresd.C.487 041r.png|Folio 41r}}
+
{{image|MS Dresd.C.487 041v.png|Folio 41v}}
{{image|page=1|MS Dresd.C.487 041v.png|Folio 41v}}
+
{{image|MS Dresd.C.487 042r.png|Folio 42r}}
{{image|page=1|MS Dresd.C.487 042r.png|Folio 42r}}
+
{{image|MS Dresd.C.487 042v.png|Folio 42v}}
{{image|page=1|MS Dresd.C.487 042v.png|Folio 42v}}
+
{{image|MS Dresd.C.487 043r.png|Folio 43r}}
{{image|page=1|MS Dresd.C.487 043r.png|Folio 43r}}
+
{{image|MS Dresd.C.487 043v.png|Folio 43v}}
{{image|page=1|MS Dresd.C.487 043v.png|Folio 43v}}
+
{{image|MS Dresd.C.487 044r.png|Folio 44r}}
{{image|page=1|MS Dresd.C.487 044r.png|Folio 44r}}
+
{{image|MS Dresd.C.487 044v.png|Folio 44v}}
{{image|page=1|MS Dresd.C.487 044v.png|Folio 44v}}
+
{{image|MS Dresd.C.487 045r.png|Folio 45r}}
{{image|page=1|MS Dresd.C.487 045r.png|Folio 45r}}
+
{{image|MS Dresd.C.487 045v.png|Folio 45v}}
{{image|page=1|MS Dresd.C.487 045v.png|Folio 45v}}
+
{{image|MS Dresd.C.487 046r.png|Folio 46r}}
{{image|page=1|MS Dresd.C.487 046r.png|Folio 46r}}
+
{{image|MS Dresd.C.487 046v.png|Folio 46v}}
{{image|page=1|MS Dresd.C.487 046v.png|Folio 46v}}
+
{{image|MS Dresd.C.487 047r.png|Folio 47r}}
{{image|page=1|MS Dresd.C.487 047r.png|Folio 47r}}
+
{{image|MS Dresd.C.487 047v.png|Folio 47v}}
{{image|page=1|MS Dresd.C.487 047v.png|Folio 47v}}
+
{{image|MS Dresd.C.487 048r.png|Folio 48r}}
{{image|page=1|MS Dresd.C.487 048r.png|Folio 48r}}
+
{{image|MS Dresd.C.487 048v.png|Folio 48v}}
{{image|page=1|MS Dresd.C.487 048v.png|Folio 48v}}
+
{{image|MS Dresd.C.487 049r.png|Folio 49r}}
{{image|page=1|MS Dresd.C.487 049r.png|Folio 49r}}
+
{{image|MS Dresd.C.487 049v.png|Folio 49v}}
{{image|page=1|MS Dresd.C.487 049v.png|Folio 49v}}
+
{{image|MS Dresd.C.487 050r.png|Folio 50r}}
{{image|page=1|MS Dresd.C.487 050r.png|Folio 50r}}
+
{{image|MS Dresd.C.487 050v.png|Folio 50v}}
{{image|page=1|MS Dresd.C.487 050v.png|Folio 50v}}
+
{{image|MS Dresd.C.487 051r.png|Folio 51r}}
{{image|page=1|MS Dresd.C.487 051r.png|Folio 51r}}
+
{{image|MS Dresd.C.487 051v.png|Folio 51v}}
{{image|page=1|MS Dresd.C.487 051v.png|Folio 51v}}
+
{{image|MS Dresd.C.487 052r.png|Folio 52r}}
{{image|page=1|MS Dresd.C.487 052r.png|Folio 52r}}
+
{{image|MS Dresd.C.487 052v.png|Folio 52v}}
{{image|page=1|MS Dresd.C.487 052v.png|Folio 52v}}
+
{{image|MS Dresd.C.487 053r.png|Folio 53r}}
{{image|page=1|MS Dresd.C.487 053r.png|Folio 53r}}
+
{{image|MS Dresd.C.487 053v.png|Folio 53v}}
{{image|page=1|MS Dresd.C.487 053v.png|Folio 53v}}
+
{{image|MS Dresd.C.487 054r.png|Folio 54r}}
{{image|page=1|MS Dresd.C.487 054r.png|Folio 54r}}
+
{{image|MS Dresd.C.487 054v.png|Folio 54v}}
{{image|page=1|MS Dresd.C.487 054v.png|Folio 54v}}
+
{{image|MS Dresd.C.487 055r.png|Folio 55r}}
{{image|page=1|MS Dresd.C.487 055r.png|Folio 55r}}
+
{{image|MS Dresd.C.487 055v.png|Folio 55v}}
{{image|page=1|MS Dresd.C.487 055v.png|Folio 55v}}
+
{{image|MS Dresd.C.487 056r.png|Folio 56r}}
{{image|page=1|MS Dresd.C.487 056r.png|Folio 56r}}
+
{{image|MS Dresd.C.487 056v.png|Folio 56v}}
{{image|page=1|MS Dresd.C.487 056v.png|Folio 56v}}
+
{{image|MS Dresd.C.487 057r.png|Folio 57r}}
{{image|page=1|MS Dresd.C.487 057r.png|Folio 57r}}
+
{{image|MS Dresd.C.487 057v.png|Folio 57v}}
{{image|page=1|MS Dresd.C.487 057v.png|Folio 57v}}
+
{{image|MS Dresd.C.487 058r.png|Folio 58r}}
{{image|page=1|MS Dresd.C.487 058r.png|Folio 58r}}
+
{{image|MS Dresd.C.487 058v.png|Folio 58v}}
{{image|page=1|MS Dresd.C.487 058v.png|Folio 58v}}
+
{{image|MS Dresd.C.487 059r.png|Folio 59r}}
{{image|page=1|MS Dresd.C.487 059r.png|Folio 59r}}
+
{{image|MS Dresd.C.487 059v.png|Folio 59v}}
{{image|page=1|MS Dresd.C.487 059v.png|Folio 59v}}
+
{{image|MS Dresd.C.487 060r.png|Folio 60r}}
{{image|page=1|MS Dresd.C.487 060r.png|Folio 60r}}
+
{{image|MS Dresd.C.487 060v.png|Folio 60v}}
{{image|page=1|MS Dresd.C.487 060v.png|Folio 60v}}
+
{{image|MS Dresd.C.487 061r.png|Folio 61r}}
{{image|page=1|MS Dresd.C.487 061r.png|Folio 61r}}
+
{{image|MS Dresd.C.487 061v.png|Folio 61v}}
{{image|page=1|MS Dresd.C.487 061v.png|Folio 61v}}
+
{{image|MS Dresd.C.487 062r.png|Folio 62r}}
{{image|page=1|MS Dresd.C.487 062r.png|Folio 62r}}
+
{{image|MS Dresd.C.487 062v.png|Folio 62v}}
{{image|page=1|MS Dresd.C.487 062v.png|Folio 62v}}
+
{{image|MS Dresd.C.487 063r.png|Folio 63r}}
{{image|page=1|MS Dresd.C.487 063r.png|Folio 63r}}
+
{{image|MS Dresd.C.487 063v.png|Folio 63v}}
{{image|page=1|MS Dresd.C.487 063v.png|Folio 63v}}
+
{{image|MS Dresd.C.487 064r.png|Folio 64r}}
{{image|page=1|MS Dresd.C.487 064r.png|Folio 64r}}
+
{{image|MS Dresd.C.487 064v.png|Folio 64v}}
{{image|page=1|MS Dresd.C.487 064v.png|Folio 64v}}
+
{{image|MS Dresd.C.487 065r.png|Folio 65r}}
{{image|page=1|MS Dresd.C.487 065r.png|Folio 65r}}
+
{{image|MS Dresd.C.487 065v.png|Folio 65v}}
{{image|page=1|MS Dresd.C.487 065v.png|Folio 65v}}
+
{{image|MS Dresd.C.487 066r.png|Folio 66r}}
{{image|page=1|MS Dresd.C.487 066r.png|Folio 66r}}
+
{{image|MS Dresd.C.487 066v.png|Folio 66v}}
{{image|page=1|MS Dresd.C.487 066v.png|Folio 66v}}
+
{{image|MS Dresd.C.487 067r.png|Folio 67r}}
{{image|page=1|MS Dresd.C.487 067r.png|Folio 67r}}
+
{{image|MS Dresd.C.487 067v.png|Folio 67v}}
{{image|page=1|MS Dresd.C.487 067v.png|Folio 67v}}
+
{{image|MS Dresd.C.487 068r.png|Folio 68r}}
{{image|page=1|MS Dresd.C.487 068r.png|Folio 68r}}
+
{{image|MS Dresd.C.487 068v.png|Folio 68v}}
{{image|page=1|MS Dresd.C.487 068v.png|Folio 68v}}
+
{{image|MS Dresd.C.487 069r.png|Folio 69r}}
{{image|page=1|MS Dresd.C.487 069r.png|Folio 69r}}
+
{{image|MS Dresd.C.487 069v.png|Folio 69v}}
{{image|page=1|MS Dresd.C.487 069v.png|Folio 69v}}
+
{{image|MS Dresd.C.487 070r.png|Folio 70r}}
{{image|page=1|MS Dresd.C.487 070r.png|Folio 70r}}
+
{{image|MS Dresd.C.487 070v.png|Folio 70v}}
{{image|page=1|MS Dresd.C.487 070v.png|Folio 70v}}
+
{{image|MS Dresd.C.487 071r.png|Folio 71r}}
{{image|page=1|MS Dresd.C.487 071r.png|Folio 71r}}
+
{{image|MS Dresd.C.487 071v.png|Folio 71v}}
{{image|page=1|MS Dresd.C.487 071v.png|Folio 71v}}
+
{{image|MS Dresd.C.487 072r.png|Folio 72r}}
{{image|page=1|MS Dresd.C.487 072r.png|Folio 72r}}
+
{{image|MS Dresd.C.487 072v.png|Folio 72v}}
{{image|page=1|MS Dresd.C.487 072v.png|Folio 72v}}
+
{{image|MS Dresd.C.487 073r.png|Folio 73r}}
{{image|page=1|MS Dresd.C.487 073r.png|Folio 73r}}
+
{{image|MS Dresd.C.487 073v.png|Folio 73v}}
{{image|page=1|MS Dresd.C.487 073v.png|Folio 73v}}
+
{{image|MS Dresd.C.487 074r.png|Folio 74r}}
{{image|page=1|MS Dresd.C.487 074r.png|Folio 74r}}
+
{{image|MS Dresd.C.487 074v.png|Folio 74v}}
{{image|page=1|MS Dresd.C.487 074v.png|Folio 74v}}
+
{{image|MS Dresd.C.487 075r.png|Folio 75r}}
{{image|page=1|MS Dresd.C.487 075r.png|Folio 75r}}
+
{{image|MS Dresd.C.487 075v.png|Folio 75v}}
{{image|page=1|MS Dresd.C.487 075v.png|Folio 75v}}
+
{{image|MS Dresd.C.487 076r.png|Folio 76r}}
{{image|page=1|MS Dresd.C.487 076r.png|Folio 76r}}
+
{{image|MS Dresd.C.487 076v.png|Folio 76v}}
{{image|page=1|MS Dresd.C.487 076v.png|Folio 76v}}
+
{{image|MS Dresd.C.487 077r.png|Folio 77r}}
{{image|page=1|MS Dresd.C.487 077r.png|Folio 77r}}
+
{{image|MS Dresd.C.487 077v.png|Folio 77v}}
{{image|page=1|MS Dresd.C.487 077v.png|Folio 77v}}
+
{{image|MS Dresd.C.487 078r.png|Folio 78r}}
{{image|page=1|MS Dresd.C.487 078r.png|Folio 78r}}
+
{{image|MS Dresd.C.487 078v.png|Folio 78v}}
{{image|page=1|MS Dresd.C.487 078v.png|Folio 78v}}
+
{{image|MS Dresd.C.487 079r.png|Folio 79r}}
{{image|page=1|MS Dresd.C.487 079r.png|Folio 79r}}
+
{{image|MS Dresd.C.487 079v.png|Folio 79v}}
{{image|page=1|MS Dresd.C.487 079v.png|Folio 79v}}
+
{{image|MS Dresd.C.487 080r.png|Folio 80r}}
{{image|page=1|MS Dresd.C.487 080r.png|Folio 80r}}
+
{{image|MS Dresd.C.487 080v.png|Folio 80v}}
{{image|page=1|MS Dresd.C.487 080v.png|Folio 80v}}
+
{{image|MS Dresd.C.487 081r.png|Folio 81r}}
{{image|page=1|MS Dresd.C.487 081r.png|Folio 81r}}
+
{{image|MS Dresd.C.487 081v.png|Folio 81v}}
{{image|page=1|MS Dresd.C.487 081v.png|Folio 81v}}
+
{{image|MS Dresd.C.487 081ar.png|Folio 81ar}}
{{image|page=1|MS Dresd.C.487 081ar.png|Folio 81ar}}
+
{{image|MS Dresd.C.487 081av.png|Folio 81av}}
{{image|page=1|MS Dresd.C.487 081av.png|Folio 81av}}
+
{{image|MS Dresd.C.487 082r.png|Folio 82r}}
{{image|page=1|MS Dresd.C.487 082r.png|Folio 82r}}
+
{{image|MS Dresd.C.487 082v.png|Folio 82v}}
{{image|page=1|MS Dresd.C.487 082v.png|Folio 82v}}
+
{{image|MS Dresd.C.487 083r.png|Folio 83r}}
{{image|page=1|MS Dresd.C.487 083r.png|Folio 83r}}
+
{{image|MS Dresd.C.487 083v.png|Folio 83v}}
{{image|page=1|MS Dresd.C.487 083v.png|Folio 83v}}
+
{{image|MS Dresd.C.487 084r.png|Folio 84r}}
{{image|page=1|MS Dresd.C.487 084r.png|Folio 84r}}
+
{{image|MS Dresd.C.487 084v.png|Folio 84v}}
{{image|page=1|MS Dresd.C.487 084v.png|Folio 84v}}
+
{{image|MS Dresd.C.487 085r.png|Folio 85r}}
{{image|page=1|MS Dresd.C.487 085r.png|Folio 85r}}
+
{{image|MS Dresd.C.487 085v.png|Folio 85v}}
{{image|page=1|MS Dresd.C.487 085v.png|Folio 85v}}
+
{{image|MS Dresd.C.487 086r.png|Folio 86r}}
{{image|page=1|MS Dresd.C.487 086r.png|Folio 86r}}
+
{{image|MS Dresd.C.487 086v.png|Folio 86v}}
{{image|page=1|MS Dresd.C.487 086v.png|Folio 86v}}
+
{{image|MS Dresd.C.487 087r.png|Folio 87r}}
{{image|page=1|MS Dresd.C.487 087r.png|Folio 87r}}
+
{{image|MS Dresd.C.487 087v.png|Folio 87v}}
{{image|page=1|MS Dresd.C.487 087v.png|Folio 87v}}
+
{{image|MS Dresd.C.487 088r.png|Folio 88r}}
{{image|page=1|MS Dresd.C.487 088r.png|Folio 88r}}
+
{{image|MS Dresd.C.487 088v.png|Folio 88v}}
{{image|page=1|MS Dresd.C.487 088v.png|Folio 88v}}
+
{{image|MS Dresd.C.487 089r.png|Folio 89r}}
{{image|page=1|MS Dresd.C.487 089r.png|Folio 89r}}
+
{{image|MS Dresd.C.487 089v.png|Folio 89v}}
{{image|page=1|MS Dresd.C.487 089v.png|Folio 89v}}
+
{{image|MS Dresd.C.487 090r.png|Folio 90r}}
{{image|page=1|MS Dresd.C.487 090r.png|Folio 90r}}
+
{{image|MS Dresd.C.487 090v.png|Folio 90v}}
{{image|page=1|MS Dresd.C.487 090v.png|Folio 90v}}
+
{{image|MS Dresd.C.487 091r.png|Folio 91r}}
{{image|page=1|MS Dresd.C.487 091r.png|Folio 91r}}
+
{{image|MS Dresd.C.487 091v.png|Folio 91v}}
{{image|page=1|MS Dresd.C.487 091v.png|Folio 91v}}
+
{{image|MS Dresd.C.487 092r.png|Folio 92r}}
{{image|page=1|MS Dresd.C.487 092r.png|Folio 92r}}
+
{{image|MS Dresd.C.487 092v.png|Folio 92v}}
{{image|page=1|MS Dresd.C.487 092v.png|Folio 92v}}
+
{{image|MS Dresd.C.487 093r.png|Folio 93r}}
{{image|page=1|MS Dresd.C.487 093r.png|Folio 93r}}
+
{{image|MS Dresd.C.487 093v.png|Folio 93v}}
{{image|page=1|MS Dresd.C.487 093v.png|Folio 93v}}
+
{{image|MS Dresd.C.487 094r.png|Folio 94r}}
{{image|page=1|MS Dresd.C.487 094r.png|Folio 94r}}
+
{{image|MS Dresd.C.487 094v.png|Folio 94v}}
{{image|page=1|MS Dresd.C.487 094v.png|Folio 94v}}
+
{{image|MS Dresd.C.487 095r.png|Folio 95r}}
{{image|page=1|MS Dresd.C.487 095r.png|Folio 95r}}
+
{{image|MS Dresd.C.487 095v.png|Folio 95v}}
{{image|page=1|MS Dresd.C.487 095v.png|Folio 95v}}
+
{{image|MS Dresd.C.487 096r.png|Folio 96r}}
{{image|page=1|MS Dresd.C.487 096r.png|Folio 96r}}
+
{{image|MS Dresd.C.487 096v.png|Folio 96v}}
{{image|page=1|MS Dresd.C.487 096v.png|Folio 96v}}
+
{{image|MS Dresd.C.487 097r.png|Folio 97r}}
{{image|page=1|MS Dresd.C.487 097r.png|Folio 97r}}
+
{{image|MS Dresd.C.487 097v.png|Folio 97v}}
{{image|page=1|MS Dresd.C.487 097v.png|Folio 97v}}
+
{{image|MS Dresd.C.487 098r.png|Folio 98r}}
{{image|page=1|MS Dresd.C.487 098r.png|Folio 98r}}
+
{{image|MS Dresd.C.487 098v.png|Folio 98v}}
{{image|page=1|MS Dresd.C.487 098v.png|Folio 98v}}
+
{{image|MS Dresd.C.487 099r.png|Folio 99r}}
{{image|page=1|MS Dresd.C.487 099r.png|Folio 99r}}
+
{{image|MS Dresd.C.487 099v.png|Folio 99v}}
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{{image|h=1|MS Dresd.C.487 Cover 3.png|Inside Cover}}
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{{image|MS Dresd.C.487 Cover 4.png|Back Cover}}
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{{image|MS Dresd.C.487 Cover 5.png|Spine}}
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{{image|MS Dresd.C.487 Cover 6.png|Spine}}
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{{image|MS Dresd.C.487 Cover 7.png|Alt. Cover}}
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{{image|MS Dresd.C.487 Cover 8.png|Alt. Cover}}
  
 
== Additional Resources ==
 
== Additional Resources ==
  
* [[Albrecht Dürer|Dürer, Albrecht]] and [[Karl Wassmannsdorff|Wassmannsdorff, Karl]]. {{Google books|hb1AAAAAcAAJ|Die Ringkunst des deutschen Mittelalters}}. Liepzig: Priber, 1870.
+
{{bibliography}}
* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.
 
* [[David Lindholm|Lindholm, David]] and Svard, Peter. ''Sigmund Ringeck's Knightly Art of the Longsword''. Boulder, CO: [[Paladin Press]], 2003. ISBN 978-1-58160-410-8
 
* Lindholm, David and Svard, Peter. ''Sigmund Ringeck's Knightly Arts of Combat''. Boulder, CO: Paladin Press, 2006. ISBN 978-1-58160-499-3
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''Secrets of German Medieval Swordsmanship''. Highland Village, TX: [[Chivalry Bookshelf]], 2001. ISBN 1-891448-07-2
 
* [[Martin Wierschin|Wierschin, Martin]]. ''Meister Johann Liechtenauers Kunst des Fechtens''. München: Beck, 1965.
 
* [[Rainer Welle|Welle, Rainer]]. ''"…und wisse das alle höbischeit kompt von deme ringen". Der Ringkampf als adelige Kunst im 15. und 16. Jahrhundert.'' Pfaffenweiler: Centaurus-Verlagsgesellschaft, 1993. ISBN 3-89085-755-8
 
  
 
== References ==
 
== References ==
  
{{reflist|2}}
+
{{reflist}}
  
 
== Copyright and License Summary ==
 
== Copyright and License Summary ==
Line 803: Line 798:
 
  | source link = http://digital.slub-dresden.de/id280775717
 
  | source link = http://digital.slub-dresden.de/id280775717
 
  | source title= Sächsische Landesbibliothek
 
  | source title= Sächsische Landesbibliothek
  | license    = default
+
  | license    = public domain
}}
 
{{sourcebox
 
| work        = Translation
 
| authors    = [[Keith Farrell]]
 
| source link = http://www.historical-academy.co.uk/files/research/keith-farrell/Ringeck%20Longsword.pdf
 
| source title= Academy of Historical Arts
 
| license    = educational
 
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation
 
  | work        = Translation
  | authors    = [[Alex and Almirena]]
+
  | authors    = [[translator::Alex and Almirena]]
 
  | source link = http://sigmundringeck.tripod.com/
 
  | source link = http://sigmundringeck.tripod.com/
 
  | source title= Master Sigmund Ringeck
 
  | source title= Master Sigmund Ringeck
Line 821: Line 809:
 
{{sourcebox
 
{{sourcebox
 
  | work        = Transcription
 
  | work        = Transcription
  | authors    = [[Dierk Hagedorn]]
+
  | authors    = [[transcriber::Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
 
  | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 
  | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]

Latest revision as of 19:21, 26 August 2024

Johan Liechtnawers Fechtbuch geschriebenn
MS Dresd.C.487, Sächsische Landesbibliothek
Dresden, Germany

MS Dresd.C.487 001v.png
MS Dresd.C.487 002r.png
ff 1v - 2r
HagedornSRLeng
Wierschin4Hils16
Type
Date 1504-1519 (?)
Language(s) Early New High German
Author(s)
Compiler Unknown
Material Paper
Size 148 folia (150 mm x 110 mm)
Format Double-sided, with black and red ink
External data Library catalog entry
Treatise scans

Johan Liechtnawers Fechtbuch geschriebenn ("Johannes Liechtenauer's Written Fencing Book"; MS Dresden C 487) is a German fencing manual created between 1504 and 1519.[1] The original currently rests in the holdings of the Sächsische Landesbibliothek in Dresden, Germany. This manuscript is often wrongly attributed to Sigmund Ain ringeck, but although his gloss of Johannes Liechtenauer's Record forms the first portion of the text, he is referred to in the third person in its introduction and was most likely not responsible for the manuscript itself. The rest of the manuscript consists of a compilation of treatises by several different masters who stood in the tradition of Johannes Liechtenauer, though unlike most such manuscripts, none of the individual treatises have attributions apart from Ain ringeck's.

Dating this manuscript has been problematic in the past, as writers have generally assumed that it was an autograph or archetype prepared for Ain ringeck himself and used assumptions about his life as a starting point.[2] Thus, in 1956 Martin Wierschin dated the manuscript to the first half of the 15th century and noted that it might date to as early as the late 14th century, based on the assumptions that it was a copy of the MS 3227a and that Ain ringeck was a direct student of Liechtenauer in the mid-late 14th century.[3] In 1985, Hans-Peter Hils postulated a date between 1438 and 1452, based on identifying the dedicatee with Albrecht Ⅲ of Bavaria and assuming it was the source for the Starhemberg Fechtbuch.[4] However, while the original text of Ain ringeck's gloss may indeed date to the 15th century, in 2010 Werner J. Hoffmann arrived at the currently-accepted and much later date of this manuscript through watermark analysis.[1]

Provenance

The known provenance of the MS Dresden C.487 is:

  • Created in Swabia or Bavaria using paper made between 1504 and 1519.[1]
  • before 1755 – acquired by the Sächsische Landesbibliothek in Dresden, Germany.[5]
  • 1755-present – held by the Sächsische Landesbibliothek.

Contents

1r - 2v
3r - 9v Recital on long sword fencing by Johannes Liechtenauer
10v - 48v Gloss of Liechtenauer's Recital on long sword fencing by Sigmund Ain ringeck
49r - 54r Anonymous treatise on long sword fencing
54r - 55v Sword and Buckler by Andre Lignitzer
55v - 57r Recital on long sword fencing by Johannes Liechtenauer (fragment)
57r - 59v Anonymous gloss of Liechtenauer's Recital on long sword fencing (fragment)
66r - 77v
78r - 84r Grappling by Ott Jud (fragment)
84r - 86v Anonymous grappling teachings (Zulaufenden ringen)
88r
88r - 108r Gloss of Liechtenauer's Recital on short sword fencing by Sigmund Ain ringeck
109r - 110v Gloss of Liechtenauer's Recital on mounted fencing by Sigmund Ain ringeck (fragment)
110v - 121v Gloss of Liechtenauer's Recital on mounted fencing by Pseudo-Peter von Danzig (fragment)
122r - 125v Four displaced pages
126r - 148v [Blank]

Gallery

Front Cover
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Inside Cover
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Folio 1r
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Folio 1v
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Folio 2r
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Folio 2v
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Folio 3r
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Folio 3v
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Folio 7v
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Inside Cover
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Back Cover
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Spine
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Spine
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Alt. Cover
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Alt. Cover
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Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

References

  1. 1.0 1.1 1.2 Werner J. Hoffmann. "Mscr.Dresd.C.487. Siegmund am Ringeck, Fechtlehre." Die deutschsprachigen mittelalterlichen Handschriften der Sächsischen Landesbibliothek - Staats- und Universitätsbibliothek (SLUB) Dresden. Vorläufige Beschreibungen. August, 2010. Retrieved 3 April 2015.
  2. See also Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010.
  3. Wierschin 12-13.
  4. Hils 54-57.
  5. Carl August Scheureck. Catalogus manuscriptorum Bibliothecae Electoralis. [manuscript]. Bibl.Arch.I.B, Vol.132. Dresden, Germany: Sächsische Landesbibliothek, 1755. p 59
  6. Corrected from »sinem«.
  7. Or I think its more likely that the word treten here is intended to convey kicking.
  8. This is a tricky word it could mean illegal breaks, unnatural breaks, or opposing breaks.
  9. I assume this means either armoured or armed.
  10. Corrected from »am«.

Copyright and License Summary

For further information, including transcription and translation notes, see the discussion page.

Work Author(s) Source License
Images Sächsische Landesbibliothek
Public Domain.png
Translation Alex and Almirena Master Sigmund Ringeck
Orphanwork.png
Transcription Dierk Hagedorn Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)
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