Fiore de'i Liberi/Dagger/5th master

Images	Images	Completed Translation (from the Getty and PD) by Colin Hatcher	No Translation (from the Paris) Open for editing	Morgan Transcription [edit] Open for editing	Getty Transcription [edit] Open for editing	Pisani Dossi Transcription [edit] by Francesco Novati	Paris Transcription [edit] by Kendra Brown and Rebecca Garber
	300px	[66] I want each of my students to know That you cannot defend against the collar grab unless you move quickly. And with the strike that I make against your elbow, I will quickly feel your arm dislocate. I am the Fifth Dagger Remedy Master who defends against the collar grab made by this player. Before he can strike me with his dagger I destroy his arm like this, because the grip he has on me is actually to my advantage. And I can do all of the covers, holds and binds of the other remedy masters and their students who came before me. And I say this from experience: all who study this art should be aware that you cannot successfully defend the collar grab unless you move quickly.			[38r-d] ¶ Io son Quinto Re Magistro per lo cavezzo tenudo di questo zugadore. Inanzi ch'ello mi traga cum sua daga, per questo modo gli guasto lo brazo, per che lo tenir ch'ello mi tene a mi e grande avantazo. Che io posso far tutte coverte prese e ligadure degl'altri magistri rimedii e di lor scolari che sono dinançi. Lo proverbio parla per exempio. Io voglio che ognun'ch'a scolaro in quest'arte sazza, che presa di cavezo nissuna deffesa no impaça.	[10a-e] Io voio che çaschadun de mi magistro saça Che presa de caveço defesa nesuna impaça Per lo ferir che io faço in lo tuo cubito Sentira deslogare lo tuo braço ben subito	[33v-d] ¶ Pectore me prendis. Nec adhuc mihi ledere posses. Denodabo tuum tamen hunc luctando lacertum.
	300px	[67] After striking against your elbow, I will continue on To quickly seek to find your dagger. This is another way to destroy the arm. And from this play I can move to other plays and holds…			[38v-a] ¶ Questo e un altro modo di guastarte lo brazzo. E per venir in altri zoghi q e prese, io questo zogho fazo. Anchora digo che se fossi afferradi d'una lanza cum tal firir in lei, overo che me disferraria, overo che l'asta del ferro io partiria.	[10a-f] Per questo ferire apresso el tuo cubito me conven lassar E subito La tua daga vegniro a'trovar	[34r-b] ¶ Te prope nunc cubitum feriam. me deinde relinques. Atque tuam validus dagam tentabo repente.
	300px	[68] I will get rid of your spear with my arms in this way, Then I will turn and hit you, And if I cannot do it this way Then I will use the technique I described before. …Also, if you are pinned by a spear then by making this strike against it you will either unpin yourself or break off the haft from the spearhead.				[16b-d] Cum li braçi a'questo modo me voio disferare Cum lo ferire che faro e cum lo mio voltare E si per questo modo non sero ben disferato Tosto in lo zogho denançi io si sero intrato
	300px	[69] If I want to get this spear off me, I had better hit it hard from above, So that I will break the staff of your spear And then I will want to come to the close. This is another way to make you let go, and is also a better method of breaking off the head of a spear…			[38v-b] ¶ Questo e un altro far lassar anchora e meglor da disferar una lanza. Anchora digo che se cum forza io ti fiero in la zuntura dela man che mi tene per lo cavezzo, Io mi tegno certo che io te la dislogaro, se tu non la fuzi via. Lo contrario io lo voglio palentare. In quello che lo scolar vene zo cum gli brazzi per dislogar la mane delo zugadore, subito lo zugadore de tore via la mano del cavezzo delo scolar. E subito cum la daga in lo petto lo po guastar.	[16b-c] Si de questa lança me voio disferare Sopra lei un grande colpo me conven fare Si che rompero tua lança in la doiia E de venire ale strete avero voiia
	300px	[70] By striking to your wrist or to your elbow, I will either dislocate it, or you will quickly let go. …Also if I strike you hard in the wrist joint of the hand holding my collar, I am certain to dislocate it unless you let go. I wish to tell you the counter. As the student strikes down with his arms to dislodge the player's hand, the player quickly withdraws his hand from the student’s collar, and he then quickly strikes the student in the chest with his dagger.				[10b-a] Apresso tuo pugno feriro o sopra el cubito Dislogarote in lo logo e'lassarame subito	[34r-d] ¶ Vel supra cubitum feriam vel deprope pugnum. Inque loco miserum denodabo. Hinc pectora linques.
	300px	[71] I am confident and certain that you will go to the ground, And I care little or nothing for your dagger. This play will make you let go of me. And in addition, if I advance my right foot behind your left foot, you will be thrown to the ground without fail. And if this play is not enough, I will try others on your dagger, because my heart and my eyes are never focused anywhere other than upon taking away your dagger quickly and without delay.			[38v-c] ¶ Per questo modo in terra ti voglio butare inanzi che la daga mi vegna aproximare. E si la daga tua sara a'mezo camm per me ferire, Le prese ch'io lassaro e la tua daga voro seguire. Che tu no mi pora offender per modo che sia, che cum li zoghi deli rimedii ti faro vilania.	[10b-c] De andar in terra tentene certo e seguro E de tua daga pocho o niente me curo	[34v-d] ¶ Tutus ut in terram nunc vadas, credere possum. Nec tua daga michi poterit profecto nocere.
	300px	[72] I choose to try this method of throwing you to the ground, And if this does not work I will try a different play. I will throw you to the ground like this, before your dagger can get near me. And if your dagger comes down the center line to strike at me, I will release my grip and deal with your dagger, so that you will not be able to injure me in any way. Then with the remedy plays I will make you suffer.			[38v-d] ¶ Questo e un zogho di farse lassar, Salvo che si lo mio pe dritto dredo lo tuo stancho io faczo[!] avanzare, tu porissi andar in terra senza fallo. E si questo zogho a mi non basta, Cum altri, dela tua daga ti faro una tasta. Pero che'l mio chore e'l'ochio altro non guarda, che a tor ti la daga senza dimora e tarda.	[10b-b] Per riverssarte in terra io voio provare aquesto modo Si per questa non vaii farote uno altro zogho	[34v-b] ¶ Experior quo te resupinem protinus actum. Si te non sternam meliorem forte parabo.
	300px	[73] You will find out that over my right shoulder I will not fail to break your arm. This player had me grabbed by the collar, but before he could strike me with his dagger I quickly seized his left hand with my hands and pulled his arm over my shoulder so as to dislocate it, and then I completely dislocated it. But this play is safer to do in armor than unarmored.			[15r-a] ¶ Questo zugadore mi tegniva per lo cavezzo. & io subito inanzi che ello tressi cum la daga, cum ambe le mie man presi la sua man stancha. E'l so brazzo stancho zitai sopra lo mio dritto per dislogargli lo ditto brazzo. Che ben gl'elo del tutto dislogado. Questo faria piu siguro armado che disarmado.	[10b-d] Tu senti che sopra la mia drita spalla A ronper tuo stancho braço non me falla	[35r-b] ¶ Non deceptus ero levum frangendo lacertum. Quem dextra teneo spatula luctando gravatum.
	300px	[74] By the way I seize you and hold you, I will force you to the ground shoulders first. In this way I will hurl you to the ground without fail. And I will surely take your dagger. And if you are armored that may help you, since I will be aiming to take your life with your own dagger. But even if we are armoured, this art will not fail me. And if you are unarmored and very quick, other plays can be made besides this one. [In the Getty and Paris, the Scholar's right foot is inside (in front) of his opponent's left leg.]			[15r-b] ¶ In questo modo te zitiro per terra che non mi po fallire. E la tua daga prendero a non mentire. Se tu saray armado, lo te pora zovare, che cum quella propia ti toro la vita. Se noii semo armadi, l'arte non o fallida. Ben che si uno e disarmado e sia ben presto, degl'altri zoghi po far asai & anchora questo.	[10b-e] Per lo modo ch'io ti tegno e t'o preso Cum le spalle in terra andaraii disteso	[35r-d] ¶ Te tali teneo forma / prendoque gementem / Quam nunc cum spatulis terram sterneris in imam.
	300px	[75] To take your dagger I make a cover like this, And then with other plays I will make you suffer. This cover is very good in armor or without armor. And against any strong man such a cover is good for covering an attack from below as well as from above. And from this play you can enter into a middle bind as shown in the third play of the First Dagger Remedy Master. And if the cover is made in response to an attack from below, the student will put the player into a lower lock also known as “the strong key”, as shown in the sixth play [38] of the Third [Dagger] Remedy Master who plays to the reverse hand attack.			[15r-c] ¶ Questa coverta in Arme e senz'arme e molto bona. E contra zaschun homo forte, tanto e bona a chovrir di sotto mane quanto di sopra. E questo zogho intra in ligadura mezana, çoe al terzo zogho del primo Re e rimedio di daga. E si la ditta coverta si fa sotto mane, lo scolaro mette lo zugadore in ligadura de sotto, zoe in la chiave forte ch'e sotto lo terzo Re e rimedio ch'e zoga a man riversa a lo Sesto zogho.	[10b-f] Per tor tua daga tal coverta io faço E cum altri zoghi asai ti faro impaço	[35v-b] ¶ Hanc nunc tecturam facio / quo tollere dagam / Possim. Sed multis possum te ledere ludis.
	300px	[76] If I can turn this arm of yours, Then I will force you into the lower lock. If I can turn this arm I will be certain to put you into the lower lock also known as “the strong key”. I will however be able to do this more safely if I am armored. I could also do something else against you: if I grip your left hand firmly and seize you under your left knee with my right hand, then I will not lack the strength to put you to the ground.			[15r-d] ¶ Si questo brazzo posso voltare io non mi dubito che in la ligadura de sotto e chiave forte ti faro intrare. Ben che siando armado piu sigura mente se poria fare. Ancho poria altro contra ti fare se io tegno la mane stancha ferma e cum la dritta ti piglio sotto al zinochio la gamba stancha per metter te in terra forza non mi mancha.	[11a-a] Si io posso aquesto tuo braço voltare In la sotana chiave ti faro intrare	[35v-d] ¶ Volvere si possum tibi nunc certando lacertum / Inferiore cito faciam te in mergere clave.
	300px	[77] Whether you try to strike at me from above or below, You will lose your dagger from this crossing. With arms crossed I await you without fear. And I don't care whether you come at me from above or below, because however you come at me, you will be bound. You will be locked either in the middle lock or the lower lock. And if I wished to make the plays of the Fourth Dagger Remedy Master, I would cause you great harm with these plays. And I will have no difficulty in taking your dagger. [In the Getty, the Scholar's left foot is forward.]			[15v-a] ¶ Cum gli brazzi crosadi t'aspetto senza paura. Tra voii di sotto e voii di sopra che non fazzo niente cura, che per ogni modo che tu mi trara tu sarai ligado. O in la ligadura mezana, o in la sottana tu saraii serato. Ben che se volesse far la presa che fa lo quarto Re, rimedio di daga cum gli zogi soii, asai male te faria. E a torti la daga non mi mancharia.	[11a-b] Si de soto, o de sovra tu te miti a'trare Perderaii la daga per questo incrosare
	300px	[78] By holding your arm with my two hands, I will take away the dagger from you, as you deserve. This grip is sufficient to prevent you being able to touch me with your dagger. And from here I can do the play that comes after me. And I could also certainly do other plays to you. I disregard the other plays for now, however, because this one is good for me and very fast.			[15v-b] ¶ Questa presa mi basta che cum tua daga non mi poii tochare. Lo zogho che m'e driedo quello ti voglo fare. E altri zoghi asaii ti poria fare sença alchun dubito. I'lasse gl'altri per che questo m'e bon e ben subito.	[11a-c] Per lo tuo braço che cum due man e tegno. De man ti toro la daga con tu e degno	[36r-b] ¶ Nunc quia te manibus teneo luctando gemellis Arripiam dagam veluti tu nempe mereris.
	300px	[79] The student who came before me did not make this play, So I show how to take away the dagger in his place. This is the play referred to by the student who came before me, and I take away this dagger as he indicated. And to disarm him I push his dagger downwards and to the right as written above. And then by making a turn with his dagger I will thrust the point into his chest without fail. [In the Getty and Paris, the Scholar's left foot is forward, and his opponent's right foot is forward.]			[15v-c] ¶ Questo Scolaro che m'e denanzi questo e suo zogho pero che questo tore di daga io lo façço in suo logho, che cargo la sua daga inverso la terra dritto, per torgli la daga como si sopra e scritto. E per la volta che ala daga faro fare. La punta in lo petto gli mettero senza fallare.	[11a-d] Lo scolar che denanci non fa suo zogho E a tore la daga io mostro in suo logho	[36r-d] ¶ Tollere nunc doceo dagam ludendo sodalj. Hoc quam discipulus nescivit ludere primus.
		[80] So that this student cannot dislocate my arm, I pull it towards me and bend it. And the farther I pull it towards me and bend it, the better, because in this way I make the counter to the Remedy Master of the close play of the dagger.			[15v-d] ¶ A ço che questo scolaro non mi possa lo Brazzo dislogare io lo tegno curto e linzinado. E si io li tignisse piu linçinado saria anchora meglio, per chi i faço lo contrario del Re e magistro del zogho stretto dela daga.