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Difference between revisions of "Pedro de Heredia"
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| <p>'''Article 6'''</p> | | <p>'''Article 6'''</p> | ||
− | <p>You can also hold your point below the middle of the enemy's strong, and from there, push a second low-thrust outward; and with the enemy going to parry, enter with your foot such that you nearly come guard to guard, you will disengage at this time your point below his arm, securing | + | <p>You can also hold your point below the middle of the enemy's strong, and from there, push a second low-thrust outward; and with the enemy going to parry, enter with your foot such that you nearly come guard to guard, you will disengage at this time your point below his arm, securing with the hand on his weak, pushing the low-thrust inward without moving the right foot. This lesson can be executed as soon as you shoot the low-thrust nearly to the guards, or else as the enemy shoots.</p> |
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| <p>'''Article 7'''</p> | | <p>'''Article 7'''</p> | ||
− | <p></p> | + | <p>Finding the enemy still in high third, first or second, and when he goes to cover your weak with his strong, you will shoot at the same time an outward reversal; when the enemy wants to parry strongly, you will disengage your point below his arm, and securing with your left hand on his weak, you will push at the same time a low-thrust with firm foot to the right shoulder.</p> |
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| <p>'''Article 8'''</p> | | <p>'''Article 8'''</p> | ||
− | <p></p> | + | <p>You can also from high third hold your point inward in order to invite the enemy to go cover it; which doing so, you will disengage with a call of the left foot backward; and the enemy wanting to continue a low-thrust outward, you will shoot a high-thrust inward to the right shoulder accompanying at the same time the hand.</p> |
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Revision as of 19:55, 15 August 2022
Pedro de Heredia | |
---|---|
Spouse(s) | unknown |
Occupation |
|
Nationality | Spanish |
Movement |
|
Influences | Girolamo Cavalcabo |
Genres | Fencing manual |
Language | Middle French |
Notable work(s) | Book of Lessons |
Principal manuscript(s) |
Pedro de Heredia was a 17th century Spanish governor of a region in Belgium and a cavalry captain from 1615-1645. He wrote three manuscripts.
De Heredia's Le Livre des Leçons ("The Book of Lessons") is influenced by Girolamo Cavalcabo's Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense").
Contents
- 1 Treatises
- 1.1 Preface
- 1.2 Single Sword Play
- 1.2.1 Chapter 1 - Simple lessons of the single sword.
- 1.2.2 Chapter 2 - The discard[9].
- 1.2.3 Chapter 3 - Double lessons of the single sword.
- 1.2.4 Chapter 4 - Feints.
- 1.2.5 Chapter 5 - Voids[10] and remedies.
- 1.2.6 Chapter 6 - The passings.
- 1.2.7 Chapter 7 - Times and counter-times.
- 1.2.8 Chapter 8 - Lessons on sword attack.
- 1.2.9 Chapter 9 - On the use of the free hand.
- 1.2.10 Chapter 10 - On sword-taking and its remedy.
- 1.2.11 Chapter 11 - The gainings[11] or the subjections of the sword.
- 1.2.12 Chapter 12 - Slashes[12], reversals, and their remedies.
- 1.2.13 Chapter 13 - Single sword play in mathematics form.
- 1.2.14 Chapter 14 - Discourse and advice of the single sword play, both for gaining land and other required subtleties.
- 1.2.15 Chapter 15 - Rule to avoid being surprised on the time of the foot.
- 1.2.16 Chapter 16 - Single sword play against sword and dagger.
- 1.2.17 Chapter 17 - On the short sword.
- 1.2.18 Chapter 18 - On the use of the cloak.
- 1.2.19 Chapter 19 - The grapples of the single sword.
- 1.2.20 Chapter 20 - Against the left-hander.
- 1.3 Sword and Dagger Play
- 1.3.1 Chapter 1 - First the dagger parries.
- 1.3.2 Chapter 2 - The simple lessons of sword and dagger.
- 1.3.3 Chapter 3 - The feints of the said sword and dagger play.
- 1.3.4 Chapter 4 - On the beats of both sword and dagger.
- 1.3.5 Chapter 5 - On the long play.
- 1.3.6 Chapter 6 - The double intentions.
- 1.3.7 Chapter 7 - The passes and their remedies.
- 1.3.8 Chapter 8 - The disappearances.
- 1.3.9 Chapter 9 - On times and counter-time.
- 1.3.10 Chapter 10 - The encroachment.
- 1.3.11 Chapter 11 - The advancing[13] on the long and short play.
- 1.3.12 Chapter 12 - On the breaking.[14]
- 1.3.13 Chapter 13 - The slashes of the sword and dagger play.
- 1.3.14 Chapter 14 - Binding and unbinding.
- 1.3.15 Chapter 15 - Subjugation, disengagement, and avoidance of engagement.
- 1.3.16 Chapter 16 - Lessons of dagger cuts.
- 1.3.17 Chapter 17 - How one can throw the sword out of the hand.
- 1.3.18 Chapter 18 - On the left foot.
- 1.3.19 Chapter 19 - Against the left-hander.
- 1.3.20 Chapter 20 - Discourse and advice of the sword and dagger play.
- 1.3.21 Chapter 21 - Know who has more advantage being in a mountainous place, he who holds the top or the bottom.
- 1.3.22 Chapter 22 - Know who has more advantage, the left-hander or the right-hander.
- 1.3.23 Chapter 23 - Rule against those withdrawing that we want to catch off guard while you pursue.
- 1.3.24 Chapter 24 - Know who has more advantage, the sword and cape or the sword and dagger.
- 1.3.25 Chapter 25 - Advice on how a little man needs to control a big man.
- 1.3.26 Chapter 26 - The grapples of the sword and dagger.
- 1.3.27 Chapter 27 - The guard takes against dagger cuts.
- 1.4 Copyright and License Summary
- 2 Additional Resources
- 3 References
Treatises
Preface
Single Sword Play
Sword and Dagger Play
Copyright and License Summary
Additional Resources
References
- ↑ According to Lauvernay, fourniment is the powder case of arquebusiers and musketeers (sometimes extended to all the equipment carried). The word is only used once to indicate a place on the body, probably a bit below the shoulder.
- ↑ Droit can mean "right" or "correct" (as in not incorrect) or "true".
- ↑ Volter is an Italian loanword of voltare which means "to turn".
- ↑ Estocade is the French loanword for the Italian stoccata and is used in this treatise as "supination".
- ↑ Brocade is the French loanword for the Italian imbroccata and is used in this treatise as "pronation".
- ↑ Caver is the French loanword for the Italian cavare, which means "to dig or to excavate".
- ↑ Lit. translated as "right-hands".
- ↑ Estramaçon is a loanword for the Italian stramazzare which means "to fall heavily". It is also French for greatsword.
- ↑ Credits to Alan Bloniarz for providing context to the word "garatusa" which is a Spanish card game where one discards their cards to win.
- ↑ Écarté is the French loanword for the Italian technique "inquartata" and means "discarded"
- ↑ Gannance is a loanword derived from the Spanish word "ganancia", which means "gain". It is used to describe a situation where your blade is used to restrict the opponent's blade movement. Credit to Tim Riviera for the explanation.
- ↑ The Spanish word "cortar" simply means "to cut".
- ↑ Chassement means "chasing". In this case, it is the back foot chasing the front. In modern fencing, this is known as advancing.
- ↑ Crèvement means "to burst or to puncture." In the treatise, it is used to describe breaking guards.
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