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Difference between revisions of "Pedro de Heredia"

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| '''Section 1 - How one must accommodate the body to put on a posture well.'''
+
| <p>'''Section 1 - How one must accommodate the body to put on a posture well.'''</p>
  
Now the accommodation of the body to be on guard will be holding the body straight with the right side a bit forward, turning the left side a bit backward, leaning the body on the left leg, of which the knee must be bent; the left arm is raised near the face like a semi-circle, the right leg extended or a bit bent, the two heels face-to-face to one another showing only the flank; you will cover with your right arm well extended below and a bit in front above the right thigh, the sword point looking in front of the enemy's right shoulder a bit higher than the fittings<ref>According to Lauvernay, fourniment is the powder case of arquebusiers and musketeers (sometimes extended to all the equipment carried). The word is only used once to indicate a place on the body, probably a bit below the shoulder.</ref>, and traversed somewhat inward, properly going on all sides to the enemy's sword. It is the third guard that I hold to be the most perfect, and in which all observations of good technique can be better protect, seeing that everything that derives from the other guards can easily (at least in part) be accommodated by this. However having before spoken of the four guards, I want to explain each of them in their place, to show that it is not necessary to rest in only one, because I hold them all good when performed well; also it is a decent thing to know how to govern oneself in all guards according to which one can recognize the enemy's inclination.
+
<p>Now the accommodation of the body to be on guard will be holding the body straight with the right side a bit forward, turning the left side a bit backward, leaning the body on the left leg, of which the knee must be bent; the left arm is raised near the face like a semi-circle, the right leg extended or a bit bent, the two heels face-to-face to one another showing only the flank; you will cover with your right arm well extended below and a bit in front above the right thigh, the sword point looking in front of the enemy's right shoulder a bit higher than the fittings<ref>According to Lauvernay, fourniment is the powder case of arquebusiers and musketeers (sometimes extended to all the equipment carried). The word is only used once to indicate a place on the body, probably a bit below the shoulder.</ref>, and traversed somewhat inward, properly going on all sides to the enemy's sword. It is the third guard that I hold to be the most perfect, and in which all observations of good technique can be better protect, seeing that everything that derives from the other guards can easily (at least in part) be accommodated by this. However having before spoken of the four guards, I want to explain each of them in their place, to show that it is not necessary to rest in only one, because I hold them all good when performed well; also it is a decent thing to know how to govern oneself in all guards according to which one can recognize the enemy's inclination.</p>
  
Before putting the said guards in effect, a good master must teach his disciples the steps which are called pacing, rotating, traversing, and following a straight line before putting the sword in their hand, to make them more agile and swift in all movements, which having understood, he will give them sword in hand, teaching them the ensuing guards from which all the others derive as their principal element.
+
<p>Before putting the said guards in effect, a good master must teach his disciples the steps which are called pacing, rotating, traversing, and following a straight line before putting the sword in their hand, to make them more agile and swift in all movements, which having understood, he will give them sword in hand, teaching them the ensuing guards from which all the others derive as their principal element.</p>
 
|  
 
|  
  
 
|-
 
|-
 
|  
 
|  
| '''Section 2 - The four principle guards of the single sword.'''
+
| <p>'''Section 2 - The four principle guards of the single sword.'''</p>
  
 
<p>'''Article 1'''</p>
 
<p>'''Article 1'''</p>
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|-
 
|-
 
|  
 
|  
|'''Section 3 - Counterguards to the aforementioned.'''
+
| <p>'''Section 3 - Counterguards to the aforementioned.'''</p>
  
 
<p>The counterguard of the aforementioned first will be the fourth guard.</p>
 
<p>The counterguard of the aforementioned first will be the fourth guard.</p>
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<p>Sometimes if one is said to '''shoot a stab''' to the face or a cut to the head, that may be a feint, therefore, one must use discretion.
 
<p>Sometimes if one is said to '''shoot a stab''' to the face or a cut to the head, that may be a feint, therefore, one must use discretion.
  
<p>'''Beating with the foot''' means to feint to push a resolute high-thrust with firm foot such that the enemy must parry and after he does to redouble to another where you will see him exposed.</p>
+
<p>'''Beating with the foot''' means to feint pushing a resolute high-thrust with firm foot such that the enemy must parry and after he does to redouble to another where you will see him exposed.</p>
  
 
<p>'''Flourish''' means to vary your point below the enemy's sword, both outward and inward, so that the enemy cannot know your intention, nor cover your sword.</p>
 
<p>'''Flourish''' means to vary your point below the enemy's sword, both outward and inward, so that the enemy cannot know your intention, nor cover your sword.</p>
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<p>To perform the voids well, you will hold your sword guard close to the belt, the legs widened to be in your strength; and if the enemy shoots a low-thrust, you will disengage your point inward against his blade's middle and removing the body, you will push with firm foot to the right shoulder.</p>
 
<p>To perform the voids well, you will hold your sword guard close to the belt, the legs widened to be in your strength; and if the enemy shoots a low-thrust, you will disengage your point inward against his blade's middle and removing the body, you will push with firm foot to the right shoulder.</p>
  
<p>Performing the voidance, note that it is necessary removing or dodging the body, that the toes turn backward, and the heels forward, such that what was behind goes forward, and what was forward back, all at once.</p>
+
<p>Performing the voidance, note that it is necessary in removing or dodging the body, that the toes turn backward, and the heels forward, such that what was backward goes forward, and what was forward backward, all at once.</p>
  
 
<p>'''Article 2'''</p>
 
<p>'''Article 2'''</p>
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<p>'''Article 3'''</p>
 
<p>'''Article 3'''</p>
  
<p>You can still put yourself in high guard with your arm extended, and with the enemy trying to subdue your sword outward, you will disengage your point below his guard to the right shoulder, dodging the body and turning your feet; but this turn must be performed by advancing the forward foot, unlike the two previous lessons, where it is necessary to turn in place because the enemy does not strongly extend the body when covering your sword like he does in shooting a stab.</p>
+
<p>You can still put yourself in high guard with your arm extended, and with the enemy trying to subdue your sword outward, you will disengage your point below his guard to the right shoulder, dodging the body and turning your feet; but this turn must be performed by advancing the forward foot, unlike the two previous lessons, where it is necessary to turn in place because the enemy does not extend strongly the body when covering your sword like in shooting a stab.</p>
  
 
<p>'''Article 4'''</p>
 
<p>'''Article 4'''</p>
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<p>You can also hold the guard close to your belt, and with the enemy trying to pass over you with your left foot outward, you will disengage your sword inward with the dodging of the body and turning your foot without advancing it.</p>
 
<p>You can also hold the guard close to your belt, and with the enemy trying to pass over you with your left foot outward, you will disengage your sword inward with the dodging of the body and turning your foot without advancing it.</p>
  
<p>'''Section 2 Remedy against all types of disappearances that can be performed.'''</p>
+
<p>'''Section 2 Remedy against all types of voids that can be performed.'''</p>
  
 
<p>'''Article 1'''</p>
 
<p>'''Article 1'''</p>
  
<p>If the enemy having gained your weak with his strong tries to shoot a high-thrust inward from fourth to the right shoulder, passing the left foot backward beside the right leg, dodging entirely with the body, you will parry with your strong on his weak, taking his sword inward; you will push a high-thrust with firm foot at the spine, stepping with your left foot backward toward the right shoulder.</p>
+
<p>If the enemy having gained your weak with his strong tries to shoot a high-thrust inward from fourth to the right shoulder, passing the left foot backward beside the right leg, dodging entirely with the body, you will parry with your strong on his weak, taking his sword inward; you will push a high-thrust with firm foot to the spine, stepping with your left foot backward toward the right shoulder.</p>
  
 
<p>'''Article 2'''</p>
 
<p>'''Article 2'''</p>
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<p>'''Article 5'''</p>
 
<p>'''Article 5'''</p>
  
<p>ith the enemy coming from long measure to cover your sword outward, passing with the left foot, you will disengage your point inward at the same time with firm foot without pushing; and if he tries to quarter inward toward the right shoulder, you will parry with your blade's middle on his weak, leading his sword inward, striking him with a high-thrust to the spine, with firm foot, or stepping with the left foot backward toward the right shoulder.</p>
+
<p>[With] the enemy trying from long measure to cover your sword outward, passing with the left foot, you will disengage your point inward at the same time with firm foot without pushing; and if he tries to quarter inward toward the right shoulder, you will parry with your blade's middle on his weak, leading his sword inward, striking him with a high-thrust to the spine, with firm foot, or stepping with the left foot backward toward the right shoulder.</p>
  
 
<p>'''Section 3 Remedy against fourth feints.'''</p>
 
<p>'''Section 3 Remedy against fourth feints.'''</p>
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<p>'''Article 1'''</p>
 
<p>'''Article 1'''</p>
  
<p>Being in second guard and your enemy in fourth and he is trying to show a feint outward, you will parry him with firm foot outward, so that he has an opportunity to quarter inward; doing so, you will parry with your blade's middle on his weak, letting your point drop below his blade, striking his spine with a high-thrust with firm foot, or stepping the left foot backward toward the shoulder.</p>
+
<p>Being in second guard and your enemy in fourth and he is trying to show a feint outward, you will parry him with firm foot outward, so that he has an opportunity to quarter inward; doing so, you will parry with your blade's middle on his weak, letting your point drop below his blade, striking his spine with a high-thrust with firm foot, or stepping the left foot backward toward the shoulder.</p>
  
 
<p>'''Article 2'''</p>
 
<p>'''Article 2'''</p>
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<p>'''Article 3'''</p>
 
<p>'''Article 3'''</p>
  
<p>If you have gained the enemy's sword's weak with your strong on his weak's middle outward, you will push a second low-thrust to his right shoulder; and if the enemy parries with the same sword edge by quartering to give to your right shoulder, at the same time, turning your hand in a high-thrust, you will strike his spine, keeping your guard well-raised, in order to protect your head. Be advised that when the enemy performs the fourth in short measure, you will parry with a retreating left foot, letting the right follow.</p>
+
<p>If you have gained the enemy's sword's weak with your strong on his weak's middle outward, you will push a second low-thrust to his right shoulder; and if the enemy parries with his same sword edge by quartering to give to your right shoulder, at the same time, turning your hand in a high-thrust, you will strike his spine, keeping your guard well-raised, in order to protect your head. Be advised that when the enemy performs the fourth in short measure, you will parry with a retreating left foot, letting the right follow.</p>
  
<p>I don't want to make any mention of the lessons that might be observed in performing the aforementioned fourths, instead only to show the remedies against these; especially since I do not approve of them as good, because of the great danger one incurs in performing them, as much for the turning of the back as of the head, and even from the peril from being thrown down by wrestling.</p>
+
<p>I don't want to make any mention of the lessons that could be observed in performing the aforementioned fourths, instead only to show the remedies against these; especially as I do not approve of them as good, because of the great danger one incurs in performing them, as much for the turning of the spine as of the head, and still from the peril from being thrown down by the grapple.</p>
  
 
|  
 
|  
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| <p>'''Article 4'''</p>
 
| <p>'''Article 4'''</p>
  
<p>Being in high third or in second guard, if the enemy tries to envelop<ref> Charger means "to load" but is a synonym of "to subdue" in this context.</ref> your weak with his strong inward, you will shoot at the same time a reversal outward, raising the left foot in the air and retiring it backward by releasing the cut, letting follow the right.</p>
+
<p>Being in high third or in second guard, if the enemy tries to envelop<ref> Charger means "to load" but is a synonym of "to subdue" in this context.</ref> your weak with his strong inward, you will shoot at the same time a reversal outward, raising the left foot in the air and retiring it backward by releasing the cut, letting the right follow.</p>
 
|  
 
|  
 
|-
 
|-
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<p>'''Article 1'''</p>
 
<p>'''Article 1'''</p>
  
<p>Finding you both in second or in high third, you will pretend to shoot a reversal outward; and at the same time as the enemy goes to parry it, you will release a slash inward raising the left foot in the air then retiring backward letting the right follow.</p>
+
<p>Finding you both in second or in high third, you will feint shooting a reversal outward; and at the same time as the enemy goes to parry it, you will release a slash inward raising the left foot in the air then retiring backward letting the right follow.</p>
 
|  
 
|  
 
|-
 
|-
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| <p>'''Article 2'''</p>
 
| <p>'''Article 2'''</p>
  
<p>You can still being in the same guard as above pretend to shoot a slash inward; and if the enemy goes to parry it, you will shoot a reversal outward raising the right foot then retiring it backward, releasing the cut.</p>
+
<p>You can still being in the same guard as above feint shooting a slash inward; and if the enemy goes to parry it, you will shoot a reversal outward raising the right foot then retiring it backward, releasing the cut.</p>
 
|  
 
|  
 
|-
 
|-
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| <p>'''Article 5'''</p>
 
| <p>'''Article 5'''</p>
  
<p>Still being in the same guard as above, and the enemy shoots a reversal outward to your knee, at the same time, you will shoot a reversal outward to his head, retiring the left foot behind letting the right follow.</p>
+
<p>Still being in the same guard as above, and the enemy shoots a reversal outward to the back of your knee, at the same time, you will shoot a reversal outward to his head, retiring the left foot behind letting the right follow.</p>
 
|  
 
|  
 
|-
 
|-
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<p>'''Article 1'''</p>
 
<p>'''Article 1'''</p>
  
<p>Having your point below the enemy's sword inward, you will feint by beating with the right foot pushing a stab inward toward the right shoulder; and when the enemy is going to parry outward, you will disengage your point below his guard pushing a high-thrust inward to the right shoulder.</p>
+
<p>Having your point below the enemy's sword inward, you will feint beating with the right foot pushing a stab inward toward the right shoulder; and when the enemy is going to parry outward, you will disengage your point below his guard pushing a high-thrust inward to the right shoulder.</p>
 
|  
 
|  
 
|-
 
|-
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| <p>'''Article 2'''</p>
 
| <p>'''Article 2'''</p>
  
<p>If being in high guard holding your point lowered below the enemy's guard, he moves the foot or the body in presence, you will go with the right foot forward, letting follow the left, to envelop his sword's middle's weak with your strong's middle inward, turning your blade on the flat, bracing with your guard toward his belt, to prevent the enemy from cutting you with a high-thrust below the guard. And if enveloping his sword, he disengages, you will push a high-thrust with the same edge outward to the right shoulder; and if he does not want to disengage, you will shoot a high-thrust inward to the right shoulder.</p>
+
<p>If being in high guard holding your point lowered below the enemy's guard, he moves the foot or the body in presence, you will go with the right foot forward, letting the left follow, to envelop his sword's middle's weak with your strong's middle inward, turning your blade on the flat, bracing with your guard toward his belt, to prevent the enemy from cutting you with a high-thrust below the guard. And if enveloping his sword, he disengages, you will push a high-thrust with the same edge outward to the right shoulder; and if he does not want to disengage, you will shoot a high-thrust inward to the right shoulder.</p>
 
|  
 
|  
 
|-
 
|-
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| <p>'''Article 3'''</p>
 
| <p>'''Article 3'''</p>
  
<p>You can still put the guard above, also holding your point likewise; and in the time as the enemy moves the foot or the body, you will go with the same edge to envelop his sword's weak's middle from your strong's middle, outward, advancing a step forward with the right foot, letting follow the left. And if having eveloped it he does not want to disengage, you will turn the hand in low-thrust striking likewise outward to his right shoulder. If he disengages, you will push with the correct edge a high-thrust inward to his right shoulder.</p>
+
<p>You can still put the guard above, also holding your point likewise; and in the time as the enemy moves the foot or the body, you will go with the same edge to envelop his sword's weak's middle from your strong's middle, outward, advancing a step forward with the right foot, letting the left follow. And if having eveloped it he does not want to disengage, you will turn the hand in low-thrust striking likewise outward to his right shoulder. If he disengages, you will push with the correct edge a high-thrust inward to his right shoulder.</p>
 
|  
 
|  
 
|-
 
|-
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| <p>'''Article 4'''</p>
 
| <p>'''Article 4'''</p>
  
<p>The enemy trying still to envelop your sword by subduing it inward, you will pretend to shoot him a reversal outward, and at the same time you will shoot a slash inward; and if he tries to cover your sword outward, you will pretend to shoot a slash inward and at the same time you will shoot a reversal outward.</p>
+
<p>The enemy trying still to envelop your sword by subduing it inward, you will feint shooting him a reversal outward, and at the same time you will shoot a slash inward; and if he tries to cover your sword outward, you will feint shooting a slash inward and at the same time you will shoot a reversal outward.</p>
  
 
<p>All slashes and reversals of the ordinary single sword play can also be effective against the mathematics play.</p>
 
<p>All slashes and reversals of the ordinary single sword play can also be effective against the mathematics play.</p>
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|-  
 
|-  
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
! <p>{{rating}}</p>
+
! <p>{{rating|C|Draft Translation}}<br/>by [[John Tse]]</p>
 
! <p>Transcribed by </p>
 
! <p>Transcribed by </p>
 +
 +
|-
 +
|
 +
| <p>'''Article 1'''</p>
 +
 +
<p>Being in high guard and the enemy in low, and when from there he shoots you a low-thrust or a reversal outward, you will parry by entering with a large step with the right foot forward; and at the same time, moving with the left foot, you will put your left knee from behind to the enemy's back of the knee with the arm and hand in reversal below his throat or to the shoulder giving him the jerk to throw him to the ground.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 2'''</p>
 +
 +
<p>Being still in the same guard if the enemy shoots you a high-thrust or slash inward, you will parry by entering with a large step with the front foot; and at the same time, passing with the left foot, you will put your knee behind his right leg to the back of the knee, and putting the arm and hand in reversal below his throat or to the shoulder, you will give him the jerk.</p>
 +
 +
<p>The grapple can also be performed just as well when you shoot and when the enemy shoots.</p>
 +
|
 +
|-
 +
  
 
|-  
 
|-  
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|-  
 
|-  
 
! <p>Illustrations</p>
 
! <p>Illustrations</p>
! <p>{{rating}}</p>
+
! <p>{{rating|C|Draft Translation}}<br/>by [[John Tse]]</p>
 
! <p>Transcribed by </p>
 
! <p>Transcribed by </p>
 +
 +
|-
 +
|
 +
| <p>'''Section 1 Single sword play against the left hand.'''</p>
 +
 +
<p>'''Article 1'''</p>
 +
 +
<p>Having gained with your strong the the enemy's sword's weak, you will be able to shoot a high-thrust outward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 2'''</p>
 +
 +
<p>The enemy being in high third and when you are in low, having your point lodged below his guard, you will be able from there, to go cover his sword's weak with your strong outward, and thus shoot a high-thrust from the same edge to the left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 3'''</p>
 +
 +
<p>If, having gained with your strong's middle the enemy's weak outward, he tries to shoot you a low-thrust also outward, you will parry with the same hand turned in low-thrust, and at the same time, you will be able to push a low-thrust inward.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 4'''</p>
 +
 +
<p>Having also gained with your strong the enemy's sword's weak inward with the hand turned in low-thrust, if he wants to disengage his point inward, you will be able to push a high-thrust outward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 5'''</p>
 +
 +
<p>You will also be able to hold your sword point outward from that of the enemy, and from there, you shoot long from his blade a low-thrust inward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 6'''</p>
 +
 +
<p>If you are in a high third with the point in a straight line and the enemy tries to cover your weak with his strong outward, at the same time disengaging your point, you will be able to push a high-thrust below his guard to the left side holding the hand well raised to protect the head.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 7'''</p>
 +
 +
<p>If, being still in the same guard as above, the enemy tries to cover your weak with his strong to subdue it outward, at the same time, you will be able to disengage your point, pushing a high-thrust to his left shoulder, quickly withdrawing in fourth.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 8'''</p>
 +
 +
<p>If from the same guard, the enemy tries to subdue your sword inward with the hand turned in low-thrust, at the same time disengaging your point inward, you will push a low-thrust inward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 9'''</p>
 +
 +
<p>Being in long measure, the enemy in high guard and you in low, holding your point inward, you will be able from there to go and envelop his sword outward by entering with a large step with the right foot forward letting the left follow; then you will push a high-thrust along his blade to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 10'''</p>
 +
 +
<p>Finding yourself still in the same measure and guard as above holding your point outward, you will be able to envelop the enemy's sword's weak with your strong inward with the hand turned in low-thrust, entering with a big step with the right foot forward, letting the left follow, and from there, you will push a low-thrust inward to the left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 11'''</p>
 +
 +
<p>If being in high guard the enemy shoots you a reversal outward, you will parry him with your strong with the hand turned in low-thrust, and at the same time, you will push a low-thrust inward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 12'''</p>
 +
 +
<p>If being still in high guard the enemy shoots you a slash inward, you will parry with your strong with the hand turned in high-thrust, and at the same time, you will push a high-thrust outward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 13'''</p>
 +
 +
<p>The enemy being in high guard and you in low holding your point inward opposite his strong's middle, you will be able from there to shoot a high-thrust outward, and if he goes to parry it, you will shoot a reversal inward to his head.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 14'''</p>
 +
 +
<p>Being still on guard as above holding your sword outward that of the enemy, you will be able from there to shoot a high-thrust inward; and the enemy going to parry it inward, you will shoot a slash outward to his head.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 15'''</p>
 +
 +
<p>If being in third guard holding your point outward of the enemy's sword, and he wants to try and envelop your weak with his strong inward, you will be able at the same time to shoot your point to yourself, cutting above his own with a slash to his left arm.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 16'''</p>
 +
 +
<p>You can also hold your sword in a straight line with your hand crossed inward holding your point outward; and the enemy trying to envelop your sword inward, you will advance it further forward, and at the same time turning the hand in low-thrust, you will push a stab outward to his left shoulder. And if he wanted to shoot while you turn your hand in low-thrust, you will turn it immediately in high-thrust, striking to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 17'''</p>
 +
 +
<p>If being in third holding your point inward the enemy's sword, at the same time as he moves his foot, you will push him a low-thrust outward to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
|  <p>'''Section 2 The feints against the left-hander.'''</p>
 +
 +
<p>'''Article 1'''</p>
 +
 +
<p>The enemy being in high third and you are in low holding your sword point below the enemy's strong's middle, you will be able from there to feint pushing inward. And if he goes to parry it, you will disengage your point pushing a high-thrust to his left shoulder.</p>
 +
|
 +
|-
 +
 +
|-
 +
|
 +
| <p>'''Article 2'''</p>
 +
 +
<p>Being in the same guard as above holding your point inward, you will feint beating your right foot to push outward; and if the enemy goes to parry it outward, you will disengage at the same time your point pushing a high-thrust to his left shoulder.</p>
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|
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|-
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|-
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|
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| <p>'''Article 3'''</p>
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<p>The enemy being on high guard, you will be able to show a feint outward; and if he goes to parry it, you will disenggage your point, pushing at the same time, a high-thrust below his guard to his left side.</p>
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|
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|-
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|-
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|
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| <p>'''Article 4'''</p>
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<p>The enemy being still in the same guard, you will be able to show him a feint inward; and if he goes parry it inward, you will disengage your point pushing a low-thrsut outward to his left shoulder.</p>
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|
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|-
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|-
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|
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| <p>Be advised when you shoot against a left-hander to always step outward, holding also your point outward his sword.</p>
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|
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|-
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|-
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|
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| <p>If you want to pass it is also always outward his sword.</p>
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|
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|-
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|-
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|
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| <p>If the left-handed enemy shoots a reversal or slash to the leg, you must retire at the same time a big step with the left foot backward, letting the right follow it, presenting your sword  point to the face.</p>
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|
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|-
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|-
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|
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| <p>Every time, on feet and on hands, you can be effective with them in the same way as performed on right-handers, as can be seen above in the treatise on beats on feet and hands.</p>
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|
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|-
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|-  
 
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Latest revision as of 02:42, 18 February 2024

Pedro de Heredia
Spouse(s) unknown
Occupation
  • Governor
  • Captain
  • Fencing master
Nationality Spanish
Movement
Influences Girolamo Cavalcabo
Genres Fencing manual
Language Middle French
Notable work(s) Book of Lessons
Principal
manuscript(s)

Pedro de Heredia is the presumed name of a fencing master who taught young schoolchildren and wrote three French manuscripts. The manuscripts do not contain any attributions, but a catalog description from 25 June 1900 attributed one of the manuscripts to Pedro de Heredia for reasons unknown.[citation needed]

The manuscripts do not contain a title, but the plates in one of the manuscripts refers to the work as Le Livre des Leçons ("The Book of Lessons"). It is a French paraphrase of Girolamo Cavalcabo's Nobilissimo discorso intorno il schermo ("Most Noble Discourse on Defense").

The actual Pedro de Heredia was an early 17th century Spanish servant of the king. He married in 1618 and pursued a military career in the Netherlands. He was a cavalry captain by 1630, and in 1648, he became the governor of Leau (now Zoutleeuw), Netherlands. It is unlikely that de Heredia was a fencing master because of his position.

Contents

Treatises

Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

References

  1. According to Lauvernay, fourniment is the powder case of arquebusiers and musketeers (sometimes extended to all the equipment carried). The word is only used once to indicate a place on the body, probably a bit below the shoulder.
  2. Droit can mean "right" or "correct" (as in not incorrect) or "true".
  3. Volter is an Italian loanword of voltare which means "to turn".
  4. Estocade is the French loanword for the Italian stoccata and is used in this treatise as "supination".
  5. Brocade is the French loanword for the Italian imbroccata and is used in this treatise as "pronation".
  6. Caver is the French loanword for the Italian cavare, which means "to dig or to excavate".
  7. Lit. translated as "right-hands".
  8. Estramaçon is a loanword for the Italian stramazzare which means "to fall heavily". It is also French for greatsword.
  9. Credits to Alan Bloniarz for providing context to the word "garatusa" which is a Spanish card game where one discards their cards to win.
  10. Écarté is the French loanword for the Italian technique "inquartata" and means "discarded"
  11. "Derobement" is a modern fencing term to mean avoiding an entrapment of some sort.
  12. "Tirer" is normally translated as "shoot" but in this case I believe "pull" makes more sense.
  13. Gannance is a loanword derived from the Spanish word "ganancia", which means "gain". It is used to describe a situation where your blade is used to restrict the opponent's blade movement. Credit to Tim Riviera for the explanation.
  14. The Spanish word "cortar" simply means "to cut".
  15. Charger means "to load" but is a synonym of "to subdue" in this context.
  16. The transcription has "dedans" placed both before, after, and within the every clause.
  17. The comma makes more sense after "against him", but I kept it in its original place as the transcription.
  18. The period is missing in the transcript.
  19. Palms is a unit of measurement for length based on the length of a hand.
  20. The quarter corresponds to a quarter of an ell. Three quarters are approximately 90 centimeters.
  21. Chassement means "chasing". In this case, it is the back foot chasing the front. In modern fencing, this is known as advancing.
  22. Crèvement means "to burst or to puncture." In the treatise, it is used to describe breaking guards.