View source for Andre Paurenfeyndt

{{Infobox writer
| name                 = [[name::Andre Paurenfeyndt]]
| image                = File:Andre Paurenfeyndt.png
| imagesize            = 250px
| caption              = 

| pseudonym            = 
| birthname            = 
| birthdate            = 15th century
| birthplace           = 
| deathdate            = 16th century
| deathplace           = 
| resting_place        = 
| occupation           = {{plainlist
 | [[occupation::Bodyguard]]
 | [[Freifechter]]{{#set:occupation{{=}}Freifechter}}
}}
| language             = [[language::Early New High German]]
| nationality          = German
| ethnicity            = 
| citizenship          = 
| education            = 
| alma_mater           = 
| patron               = Matthäus Lang von Wellenburg

| period               = 
| genre                = {{plainlist
 | [[Fencing manual]]
 | [[Wrestling manual]]
}}
| subject              = 
| movement             = Liechtenauer Tradition
| notableworks         = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der <br/>Fechterey]]'' (1516)
| archetype            = 
| manuscript(s)        = {{collapsible list
 | [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524)
 | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1535-40)
 | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538)
 | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
}}
| principal manuscript(s)=
| first printed edition= 
| wiktenauer compilation by= [[Michael Chidester]]

| spouse               = 
| partner              = 
| children             = 
| relatives            = 
| influences           = [[Johannes Liechtenauer]]
| influenced           = {{collapsible list
 | [[Hans Czynner]]
 | [[Lienhart Sollinger]]
 | [[Joachim Meÿer]]
}}
| awards               = 
| signature            = 
| website              = 
| translations         = {{german translation|http://www.scribd.com/doc/56047369/Ms-Germ-Quart-2010-Fechtbuch-Im-Meier|1}}
| below                = 
}}
'''Andre Paurenfeyndt''' (Paurñfeyndt, Paurñfeindt) was a [[century::16th century]] [[nationality::German]] [[Freifechter]]. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).<ref>Ott, Michael. "[http://www.newadvent.org/cathen/08787a.htm Matthew Lang]." ''The Catholic Encyclopedia, Vol. 8''. New York: Robert Appleton Company, 1910.</ref> In 1516, he wrote and published a [[fencing manual]] entitled ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Founding of the Chivalric Art of Swordplay"), which [[Sydney Anglo]] notes may have been the first illustrated fencing treatise ever published.<ref>[[Sydney Anglo|Anglo, Sydney]]. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1</ref> Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of [[Johannes Liechtenauer]]. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.

== Treatise ==

Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524). 

Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including [[Lienhart Sollinger]]'s 1564 copy), followed by the 1538 French translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.

{{master begin
 | title = Dedication
 | width = 180em
}}
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|A|Featured translation (from the French)}}<br/>by [[Michael Chidester]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>

|- 
| class="noline" rowspan="5" | [[file:Andre Paurenfeyndt.jpg|400px|center]]
| <p>[1] An '''examination''' of the Knightly Art of Fighting by Andre Paurnfeindt, Freifechter of Vienna, Austria, towards a clear comprehension and concise understanding thereof. </p>
| <p>{{red|b=1|The Noble Science of the Sword-Players}}
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|7|lbl=Ttl}}
| 
| {{section|Page:Cod.I.6.2º.2 50r.jpg|1|lbl=50r.1}}
| {{pagetb|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|11|lbl=Ttl}}

|- 
| <p>[2] To the Sublime Magnificent Prince and Lord, Sir Matthäus of the Holy Roman See, Cardinal of St. Angelo, Papal Legate, Bishop of Gurk, Coadjuctor of the Diocese of Salzburg etc; Andre Paurnfeindt, Freifechter and his Magnificence the Cardinal's loyal bodyguard, offers his humble service. </p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/8|1|lbl=1.1}}
| 
| 
| 
| 

|- 
| <p>[3] O' Sublime in God the Father, Magnificent Prince and Merciful Lord; after a great deterioration and lack of attention became apparent to me, for this reason, in the name of impressionable youth amid daily practice, I have decided to concisely record the Knightly Art of Fighting and thoroughly explain the Zettel in order to avoid gambling, debauchery, bad company, etc. Such an explanation I wish to accredit and dedicate to your Princely Grace. With this, I prostrate myself before your Magnificence in all humility. </p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/8|2|lbl=1.2}}
| 
| 
| 
| 

|- 
| <p>[4] In short, I have formulated three chapters in which the Lore and Essence of Fighting is concisely summarized, not for the elder fencers, but for the young students, so that enjoyment and practice grows daily in them. From all of this I have briefly proposed twelve rules from which expertise, subtlety and agility can develop in you. In this way, you learn from a master of the sword or from a sworn Freifechter and not from misbegotten fencers, like when one blind man leads the other and both fall into a ditch. </p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/8|3|lbl=1.3}}
| 
| {{section|Page:Cod.I.6.2º.2 50r.jpg|2|lbl=50r.2}}
| 
| 

|- 
| class="noline" | <p>[5] If leaf and grass grew<br/>As fast as envy and hate<br/>Then sheep and cattle would have<br/>A good winter this year.</p>
| class="noline" | 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/8|4|lbl=1.4}}
| class="noline" | 
| class="noline" | {{section|Page:Cod.I.6.2º.2 50r.jpg|3|lbl=50r.3}}
| class="noline" | 
| class="noline" | 

|}
{{master end}}

{{master begin
 | title = Introduction
 | width = 210em
}}
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>No Text</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Manuscript]] (1538){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Liber Quodlibetarius (MS B.200)|Erlangen Manuscript]] (1524){{edit index|Liber Quodlibetarius (MS B.200)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>

|- 
| [[File:MS B.200 118r-a.png|400px|center]]
| <p>[1] '''Twelve Rules for the Beginning Fencer'''</p>

<p>Do not let yourself scoff at these twelve rules,<br/>From them great art may sprout from you.
</p>
| 
| <p><br/></p>

{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|1|lbl=2.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|2|lbl=2v.2}}
| <p><br/></p>

{{section|Page:Cod.I.6.2º.2 50r.jpg|4|lbl=50r.4}}

{{section|Page:Cod.I.6.2º.2 71v.jpg|1|lbl=71v.1}}
| {{section|Page:MS 963 90r.jpg|1|lbl=90r.1}}
| 

|- 
| rowspan="2" | [[File:MS B.200 118r-b.png|400px|center]]
| <p>[2] '''The First'''</p>

<p>Whichever leg<ref>lit: foot, but can and often mean the leg</ref> stands forward, bend it.<br/>The hind one supports the body above outstretched.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|2|lbl=2.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|3|lbl=2v.3}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|2|lbl=71v.2}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|2|lbl=90r.2}}
| <p><br/></p>

{{section|page:MS B.200 118r.png|3|lbl=118r.3}}

|- 
| <p>[3] '''The Second'''</p>

<p>Fence upright with a straight body.<br/>Drive a powerful posture from that length.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|3|lbl=2.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|4|lbl=2v.4}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|3|lbl=71v.3}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|3|lbl=90r.3}}
| <p><br/></p>

{{section|page:MS B.200 118v.png|1|lbl=118v.1}}

|- 
| rowspan="2" | [[File:MS B.200 118v-a.png|400px|center]]
| <p>[4] '''The Third'''</p>

<p>Strike and step with one another.<br/>But set your feet against one another.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|4|lbl=2.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|5|lbl=2v.5}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|4|lbl=71v.4}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|4|lbl=90r.4}}
| <p><br/></p>

{{section|page:MS B.200 118v.png|2|lbl=118v.2}}

|- 
| <p>[5] '''The Fourth'''</p>

<p>Those who chase after cuts<br/>Do not allow themselves to enjoy the art.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|5|lbl=2.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|6|lbl=2v.6}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|5|lbl=71v.5}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|5|lbl=90r.5}}
| <p><br/></p>

{{section|page:MS B.200 118r.png|2|lbl=118r.2}}

|- 
| rowspan="3" | [[File:MS B.200 118v-b.png|400px|center]]
| <p>[6] '''The Fifth'''</p>

<p>Note what the flat is.<br/>Do not fence left if you are right.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|6|lbl=2.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|7|lbl=2v.7}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|6|lbl=71v.6}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|6|lbl=90r.6}}
| <p><br/></p>

{{section|page:MS B.200 118v.png|3|lbl=118v.3}}

|- 
| <p>[7] '''The Sixth'''</p>

<p>Seek weak and strong<br/>Indes, note this word precisely.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|7|lbl=2.7}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|8|lbl=2v.8}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|7|lbl=71v.7}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|7|lbl=90r.7}}
| 

|- 
| <p>[8] '''The Seventh'''</p>

<p>Recognize soft or hard.<br/>Pursuing is your application.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|8|lbl=2.8}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|9|lbl=2v.9}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|8|lbl=71v.8}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|8|lbl=90r.8}}
| 

|- 
| rowspan="2" | [[File:MS B.200 119r-b.png|400px|center]]
| <p>[9] '''The Eighth'''</p>

<p>Strike before and after.<br/>Do not be hasty to rush in.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|9|lbl=2.9}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|10|lbl=2v.10}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|9|lbl=71v.9}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|9|lbl=90r.9}}
| <p><br/></p>

{{section|page:MS B.200 119r.png|4|lbl=119r.4}}

|- 
| <p>[10] '''The Ninth'''</p>

<p>Fence at the body from close.<br/>Do not omit the stingers.<ref>alt: flesh wounds, tag hits.</ref></p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|10|lbl=2.10}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/5|11|lbl=2v.11|p=1}}<br/>{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|1|lbl=3r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|10|lbl=71v.10}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|10|lbl=90r.10}}
| <p><br/></p>

{{section|page:MS B.200 119r.png|3|lbl=119r.3}}

|- 
| class="noline" rowspan="3" | [[File:MS B.200 119r-a.png|400px|center]]
| <p>[11] '''The Tenth'''</p>

<p>Step close in the bind.<br/>Otherwise you will be wounded.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|11|lbl=2.11}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|2|lbl=3r.2}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|11|lbl=71v.11}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|11|lbl=90r.11}}
| <p><br/></p>

{{section|page:MS B.200 119r.png|1|lbl=119r.1}}

|- 
| <p>[12] '''The Eleventh'''</p>

<p>[That which is] in front of the hand is called the long edge.<br/>Seldom guide an act of parrying to the short.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|12|lbl=2.12}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|3|lbl=3r.3}}
| {{section|Page:Cod.I.6.2º.2 71v.jpg|12|lbl=71v.12}}
| <p><br/></p>

{{section|Page:MS 963 90r.jpg|12|lbl=90r.12}}
| 

|- 
| class="noline" | <p>[13] '''The Twelfth'''</p>

<p>If you frighten easily,<br/>Do not learn to fence.</p>
| class="noline" | 
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/9|13|lbl=2.13}}
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|4|lbl=3r.4}}
| class="noline" | {{section|Page:Cod.I.6.2º.2 71v.jpg|13|lbl=71v.13}}
| class="noline" | <p><br/></p>

{{section|Page:MS 963 90r.jpg|13|lbl=90r.13}}
| class="noline" | <br/>

{{section|page:MS B.200 119r.png|2|lbl=119r.2}}

|}
{{master end}}

{{master begin
 | title = Sword
 | width = 180em
}}
<section begin="credits3"/>
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p></p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
<section end="credits3"/>
|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt A.png|x250px|center]]
| [[File:Paurenfeyndt B.png|x250px|center]]
|}
| <p>[1] '''The''' first chapter teaches how one should employ expertise in the long sword, whichever is used with both hands, such as the battle sword, riding sword, estoc, and many others which I will for brevity's sake leave out.</p>
| <p>'''Here begins a very beautiful bo'''ok containing the knightly science of swordsmen, for learning to fence with the sword in two hands, and other similar swords which are used with two hands; also including braquemards and other short knives which are used with one hand; half-lance, guisarme, and similar polearms; daggers; and buckler.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|1|lbl=4.1}}
| {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=4v.1}}
| {{section|Page:Cod.I.6.2º.2 50v.jpg|1|lbl=50v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/13|1|lbl=2.1}}

|- 
| <p>[A] A Zettel fencer I proclaim myself,<br/>&emsp;Indomitable in Sword and Messer.<br/>In strength, weakness, short and long,<br/>&emsp;I do violence to my opponent.<br/>Indes, pay attention! Understand me correctly.<br/>&emsp;Hit them before they strike their position.</p>

<p>Then I have another one on top of that.<br/>&emsp;With this, my art sells quite expensively.<br/>Now I conduct my work unhindered,<br/>&emsp;Right in smoothly to the body, toward the blade<br/>To make slice, strike, thrust; then right back out.<br/>&emsp;If you wish to learn thoroughly, come to me.</p>
| 
| 
| {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/13|2|lbl=4v.2}}
| 
| 
| 

|- 
| <p>[2] The first resting place is named High Point (or Ox as the elders will) and it will be assumed hereon.</p>
{| class="zettel"
|- 
| <small>27</small>
| Whoever makes a descending cut at you<br/>&emsp;The point of wrathcut threatens them
|- 
| <small>28</small>
| If they become aware of it<br/>&emsp;Then abscond above without concern
|- 
| <small>29</small>
| Be strong in turn<br/>&emsp;Wind. Stab. If they see it, then take it below
|- 
| <small>30</small>
| Precisely note this.<br/>&emsp;Cut, thrust, position, soft or hard
|- 
| <small>31</small>
| Indes and before and after<br/>&emsp;Without collision your war is not to be hasty
|- 
| <small>32</small>
| Whoever hunts the war<br/>&emsp;Above, will be exposed below.
|- 
| <small>33</small>
| In all windings<br/>&emsp;Cut, thrust, slice learn to apply
|- 
| <small>34</small>
| Also with that you shall<br/>&emsp;Gauge cut, thrust or slice
|- 
| <small>35</small>
| In all encounters<br/>&emsp;Of the masters, if you wish to weaken them.
|}
| <p>Here begins the manner of fencing any swords with two hands.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|2|lbl=4.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|6|lbl=3r.6}}
| {{section|Page:Cod.I.6.2º.2 50v.jpg|2|lbl=50v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/13|2|lbl=2.2}}

|- 
| <p>[3] '''The wing cut'''</p>

<p>Undertake the wing cut from the upper guard or high point. The first strike to the left ear from the roof, the second from below with a step to your left side, the third strike to the head from behind.</p>
| <p>'''From the flock'''</p>

<p>Take it from the high point and the high guard: the first draws high towards the left ear. The other with a step to the left side. The third, strike behind the head.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|3|lbl=4.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/6|7|lbl=3r.7}}
| {{section|Page:Cod.I.6.2º.2 50v.jpg|3|lbl=50v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/13|3|lbl=2.3}}

|- 
| <p>[4] '''Break'''</p>

<p>If someone initiates a wing cut, parry the first from the roof. The second, pin down with the long edge from below and grab their sword's pommel with your left hand, then you throw them over their sword.</p>
| <p>'''Break'''</p>

<p>If someone seeks in vain to strike from the flock, shoot the first cut back from above. The other, strike again below with your long cut or edge, and take the pommel of his sword with your left hand, thus you hurl him over his sword.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/11|4|lbl=4.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|1|lbl=3v.1}}
| {{section|Page:Cod.I.6.2º.2 51r.jpg|1|lbl=51r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/13|4|lbl=2.4}}

|- 
| rowspan="6" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt C.png|x250px|center]]
| [[File:Paurenfeyndt D.png|x250px|center]]
|}
| <p>[5] '''Text'''</p>
{| class="zettel"
|- 
| <small>23</small>
| Wrathcut Crook and Cross,<br/>&emsp;If the Eye Cocker keeps with the Parter,
|- 
| <small>24</small>
| The Fool parries.<br/>&emsp;Pursuing, Overrunning, places the attack
|- 
| <small>25</small>
| Disengage, Suddenly withdraw,<br/>&emsp;Rush through, cut off, press the hands
|- 
| <small>26</small>
| Tilt and Turn to uncover with<br/>&emsp;Slash, catch, sweep, thrust to clash with.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|1|lbl=6.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|2|lbl=3v.2}}
| {{section|Page:Cod.I.6.2º.2 51r.jpg|2|lbl=51r.2}}
| 

|- 
| <p>[6] '''Crown cut'''</p>

<p>Step and strike through to the opponent's ear from above with the long edge. The second step and strike down from above to the right ear with the short edge. The third, strike from behind with the long edge.</p>
| <p>'''Cross or direct strike'''</p>

<p>Step and strike high with your long edge through his left ear. Secondly, step and strike high with the short cut below his right ear. Thirdly, shoot back behind with the long edge.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|2|lbl=6.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|3|lbl=3v.3}}
| {{section|Page:Cod.I.6.2º.2 51r.jpg|3|lbl=51r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/15|1|lbl=4.1}}

|- 
| <p>[7] '''Break'''</p>

<p>When someone executes a crown cut, catch the first. For the second, situate your short edge against their neck so that they injure themselves themself.</p>
| <p>'''Break'''</p>

<p>When someone makes the curve<ref>Likely an error. Crombe is a northern Middle French word for “hunched” (e.g. a person) or “crooked”.</ref> cut, wait for him first. Secondly, put the short edge on his neck, he will strike himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|3|lbl=6.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|4|lbl=3v.4}}
| {{section|Page:Cod.I.6.2º.2 51r.jpg|4|lbl=51r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/15|2|lbl=4.2}}

|- 
| <p>[8] '''Failer'''</p>

<p>Undertake the failer from the high point. Cut short to the opponent's left ear explosively and step towards their right side with your left foot. And hammer in the second strike long to the right ear. Keep high with good parrying.</p>
| <p>'''Flying over'''</p>

<p>Take flying over from above. Take it short towards his left ear, and step with the left foot against his right side, and strike the other cut long to the right ear, and remain high with good defense.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|4|lbl=6.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|5|lbl=3v.5}}
| {{section|Page:Cod.I.6.2º.2 51v.jpg|1|lbl=51v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/15|3|lbl=4.3}}

|- 
| <p>[9] '''Break'''</p>

<p>Cut from above from the ox against the opponent, down through the roses and land your short edge in their face. Veer off short and make a followup strike with the long edge.</p>
| <p>'''Break</p>

<p>Take yourself high from the wings against him through the roses and put the short cut in his face. Turn downwards very briefly and strike him after with the long edge.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|5|lbl=6.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/7|6|lbl=3v.6}}
| {{section|Page:Cod.I.6.2º.2 51v.jpg|2|lbl=51v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/15|4|lbl=4.4}}

|- 
| <p>[10] '''Play'''</p>

<p>Against their strike, punch through with a cut<ref>literally: cut through agains their strike. The separable durch-hauen means to strike through something to create an opening. See: https://www.woerterbuchnetz.de/DWB2/2DURCHHAUEN</ref> and step in the triangle with your right foot such that you make yourself completely open so to cause them to initiate a cut at your opening. After that happens, step with your left foot and make a followup strike from the hand. </p>
| <p>'''Piece'''</p>

<p>Take any cut through his cut, and step the triangle with the right foot so that you open yourself greatly for which he notices, upon which you step after with the left foot forward and strike the back of the hand after him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/13|6|lbl=6.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|1|lbl=4r.1}}
| {{section|Page:Cod.I.6.2º.2 51v.jpg|3|lbl=51v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/15|5|lbl=4.5}}

|- 
| rowspan="6" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt E.png|x250px|center]]
| [[File:Paurenfeyndt F.png|x250px|center]]
|}
| <p>[11] '''About the 4 openings'''</p>
{| class="zettel"
|- 
| <small>36</small>
| Know the four openings<br/>&emsp;Take aim so that you strike quite wisely
|- 
| <small>37</small>
| Without any fear<br/>&emsp;Without doubt however they are situated
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|1|lbl=8.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|2|lbl=4r.2}}
| {{section|Page:Cod.I.6.2º.2 51v.jpg|4|lbl=51v.4}}
| 

|- 
| <p>[12] '''Breaking the four openings'''</p>
{| class="zettel"
|- 
| <small>38</small>
| If you wish arrange yourself<br/>&emsp;To artfully break the four openings
|- 
| <small>39</small>
| Double high<br/>&emsp;Mutate down below
|- 
| <small>40</small>
| I say to you truthfully<br/>&emsp;No one defends themselves without danger
|- 
| <small>41</small>
| If you have understood this,<br/>&emsp;They can scarcely come to blows, etc.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|2|lbl=8.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|3|lbl=4r.3}}
| {{section|Page:Cod.I.6.2º.2 51v.jpg|5|lbl=51v.5}}
| 

|- 
| <p>[13] '''Hurling'''</p>

<p>Undertake hurling from the upper guard. Cut against the opponent to their left ear with your long edge. If they parry that, act as if you will suddenly withdraw and remain on their left ear with your short edge. Suddenly withdraw and hurl onto their right ear with the flat.</p>
| <p>'''Launching the long cut'''</p>

<p>Take the high guard. Take the long cut against him towards the left ear. If he parries, act as if you would like to pull back and remain with the short cut to the left ear. Pull back, and strike the flat to the right ear.</p>

| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|3|lbl=8.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|4|lbl=4r.4}}
| {{section|Page:Cod.I.6.2º.2 52r.jpg|1|lbl=52r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/17|1|lbl=6.1}}

|- 
| <p>[14] '''Break'''</p>

<p>If someone starts to hurl at you, let the first strike detach and parry the second down from above with the long edge so that you can pin it down or suppress it.</p>
|  <p>'''Break'''</p>

<p>When someone launches the long cut at you, let the first run downwards and parry the other from high to low with your long cut. Thus you may beat or strike it.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|4|lbl=8.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|5|lbl=4r.5}}
| {{section|Page:Cod.I.6.2º.2 52r.jpg|2|lbl=52r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/17|2|lbl=6.2}}

|- 
| <p>[15] '''Shooting though'''</p>

<p>You can also undertake shooting through from the high point. Cut down from above and with the short edge and inverted hand, down through the roses and into the opponent's face. Let it briefly run off and follow up with the long edge.</p>
| <p>'''Pass below<ref>This is likely a typo as "passer dessoubz" is only used once. "Passer oultre" is used more frequently.</ref>'''</p>

<p>Pass beyond can also take off from the high point. Take it from high to low through the roses with crossed hands and the short edge in his face, and let it run downwards briefly to the long edge, and step after.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|5|lbl=8.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/8|6|lbl=4r.6}}
| {{section|Page:Cod.I.6.2º.2 52r.jpg|3|lbl=52r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/17|3|lbl=6.3}}

|- 
| <p>[16] '''Break'''</p>

<p>When someone shoots through, and will lay the short edge against you so that you cannot otherwise work, take your sword by the point and strike your cross against their head.</p>
| <p>'''Break'''</p>

<p>When someone passes over<ref>This is likely another synonym for "passer oultre".</ref> you and wants to put the short edge to you, if you otherwise cannot work, take the edge of your sword, and strike the cross on his head.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/15|6|lbl=8.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|1|lbl=4v.1}}
| {{section|Page:Cod.I.6.2º.2 52r.jpg|4|lbl=52r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/17|4|lbl=6.4}}

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt E.png|x250px|center]]
| [[File:Paurenfeyndt G.png|x250px|center]]
|}
| <p>[17] '''Iron Door'''</p>

<p>The third resting place is named the iron door (or the cross according to the elders).</p>
{| class="zettel"
|- 
| <small>49</small>
| The cross seizes<br/>&emsp;Whatever arrives from the roof
|- 
| <small>50</small>
| Cross with the strong<br/>&emsp;Note your work with it.
|- 
| <small>51</small>
| Cross to the plow<br/>&emsp;Yoke hard to the ox
|- 
| <small>52</small>
| Whoever crosses themselves well<br/>&emsp;Endangers the head by springing
|- 
| <small>53</small>
| The failer misleads<br/>&emsp;Wounding from below according to desire
|- 
| <small>54</small>
| The inverter constrains<br/>&emsp;Slipping through and also wrestles with it.
|- 
| <small>55</small>
| Take the elbow surely<br/>&emsp;Spring into their stance
|- 
| <small>56</small>
| Double the failer<br/>&emsp;If they make contact, make the slice with it
|- 
| <small>57</small>
| Double further<br/>&emsp;Stride in left and be not lax.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|1|lbl=10.1}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|7|lbl=5v.7|p=1}}<br/>{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|1|lbl=6r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 52v.jpg|1|lbl=52v.1}}
| 

|- 
| <p>[18] '''From the roof'''</p>

<p>Position yourself in the iron door with braced hands. If someone strikes at you from the roof, thake their strike from the roof with your short edge and step after them with the long edge.</p>
| <p>'''From high'''</p>

<p>Move into long point with the hands crossed in the iron lock. If someone strikes at you from high, take his cut from above with the short edge and step after him with the long cut.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|2|lbl=10.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|2|lbl=6r.2}}
| {{section|Page:Cod.I.6.2º.2 52v.jpg|2|lbl=52v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/23|1|lbl=12.1}}

|- 
| <p>[19] '''Break'''</p>

<p>Conduct the failer against them. If they lie in the iron door, then they are driven out in vain and uncover themselves.</p>
| <p>'''Break'''</p>

<p>Drive him out from above when he is in the iron lock, and he moves for nothing and opens himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|3|lbl=10.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|3|lbl=6r.3}}
| {{section|Page:Cod.I.6.2º.2 52v.jpg|3|lbl=52v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/23|2|lbl=12.2}}

|- 
| <p>[20] '''Overshooting'''</p>

<p>Position yourself as before with braced hands, step in with the short edge shot over to the opponent's left ear and make a follow up strike with the long edge.</p>
| <p>'''Shoot beyond'''</p>

<p>Lower yourself as before with the hands crossed and step with the short edge. Shoot beyond to his left ear, and turn your hands away and strike a long cut after him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|4|lbl=10.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|4|lbl=6r.4}}
| {{section|Page:Cod.I.6.2º.2 52v.jpg|4|lbl=52v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/23|3|lbl=12.3}}

|- 
| <p>[21] '''Break'''</p>

<p>When someone overshoots the short edge, turn the strike away so that you come to strike against strike and the same work.</p>
| <p>'''Break'''</p>

<p>When someone passes over you beyond with the short edge, turn the wing downwards. Thus you will have a cut against cut and the same or similar action or work.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/17|5|lbl=10.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|5|lbl=6r.5}}
| {{section|Page:Cod.I.6.2º.2 52v.jpg|5|lbl=52v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/23|4|lbl=12.4}}
<section begin="Krumphaw"/>
|- 
| rowspan="6" | [[File:Paurenfeyndt 5.jpg|400px|center]]
<br/>
[[File:Egenolff 1.jpg|300px|center|thumb]]
| <p>[22] '''About parrying'''</p>
{| class="zettel"
|- 
| <small>70</small>
| Four are the parries<br/>&emsp;That severly disrupt the positions
|- 
| <small>71</small>
| Guard yourself from parrying<br/>&emsp;If it happens by necessity, it hurts you
|- 
| <small>72</small>
| If you are parried,<br/>&emsp;Note as it happens.
|- 
| <small>73</small>
| Heed what I advise:<br/>&emsp;Break loose quickly, cut with violence.
|- 
| <small>74</small>
| Lodge against four regions<br/>&emsp;Learn to remain upon them if you wish to finish.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|1|lbl=12.1}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/10|3|lbl=5r.3|p=1}}<br/>{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|1|lbl=5v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 53r.jpg|1|lbl=53r.1}}
| 

|- 
| <p>[23] '''The''' second resting place is named the hanging point and is dual.</p>
{| class="zettel"
|- 
| <small>42</small>
| Crook up swiftly<br/>&emsp;Throw the point onto the hands
|- 
| <small>43</small>
| Crook. Whoever parries well<br/>&emsp;Disrupts many cuts with stepping.
|- 
| <small>44</small>
| Cut crooked to the flats<br/>&emsp;Of the masters if you wish to weaken them
|- 
| <small>45</small>
| When it sparks above<br/>&emsp;Then dismount, that I will praise
|- 
| <small>46</small>
| Don't crook, short cut<br/>&emsp;With that, look for the disengage.
|- 
| <small>47</small>
| Crook whoever tricks you<br/>&emsp;The noble war bewilders them
|- 
| <small>48</small>
| Such that they do not truthfully know<br/>&emsp;Where they are without danger.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|2|lbl=12.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|3|lbl=5v.3}}
| {{section|Page:Cod.I.6.2º.2 53r.jpg|2|lbl=53r.2}}
| 

|- 
| <p>[24] '''Hanging point'''</p>

<p>The hanging point lands with the right foot forwards, like in the figure, with the flat below the face, entering short; and parry high  whatever strike that will be struck from the roof. Let it run off short and follow up with a strike long.</p>
| <p>'''Hanging the point on the thumb.'''</p>

<p>Set the right foot forward, step short, and parry whatever cut high. Strike high, let the short edge run well downwards, and step with the long cut towards him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|3|lbl=12.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|2|lbl=5v.2}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|4|lbl=5v.4}}
| {{section|Page:Cod.I.6.2º.2 53r.jpg|3|lbl=53r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/21|1|lbl=10.1}}

|- 
| <p>[25] '''Break'''</p>

<p>Drive the right foot forwards from the right side. If someone lies still in the hanging point, position the short edge on their right ear so they are not permitted to suddenly withdraw and wherever they do withdraw, they uncover themselves.</p>
| <p>'''Break'''</p>

<p>Drive out with the right hand and the right foot forward. If he lies calmly in the hanging point, put the short edge to his left ear, yet he will not pull back, because if he pulls back he opens himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|4|lbl=12.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|5|lbl=5v.5}}
| {{section|Page:Cod.I.6.2º.2 53r.jpg|4|lbl=53r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/21|2|lbl=10.2}}

|- 
| <p>[26] '''Counter break'''</p>

<p>Whenever someone positions the short edge against your neck, twist your hands with your sword and bar them from above with the long edge and grab their pommel with your left hand and throw them over their sword to the left side.</p>
| <p>'''Counter break'''</p>

<p>When someone puts the short cut to your neck, turn your hands and the sword and lock him above with the long cut, and take your left hand on the pommel of his sword, and hurl him on the left side on top of his sword.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|5|lbl=12.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/11|6|lbl=5v.6}}
| {{section|Page:Cod.I.6.2º.2 53v.jpg|1|lbl=53v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/21|3|lbl=10.3}}

|- 
| <p>[27] Whichever one now lives on the ground,<br/>&emsp;They will be disgraced by no one.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/19|6|lbl=12.6}}
| 
| {{section|Page:Cod.I.6.2º.2 53v.jpg|2|lbl=53v.2}}
| 
<section end="Krumphaw"/>
|- 
| rowspan="6" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt A.png|x250px|center]]
| [[File:Paurenfeyndt H.png|x250px|center]]
|}
<br/>
[[File:Egenolff 3.jpg|300px|center|thumb]]
| <p>[28] '''Four positions'''</p>
{| class="zettel"
|- 
| <small>68</small>
| Four positions alone<br/>&emsp;Defend from those and eshew the common
|- 
| <small>69</small>
| Ox, plow, fool,<br/>&emsp;From-the-roof are not dispised by you
|}
<p>According to the old art, but according to our exquisite new art we have different names, but nonetheless it is one idea. High point, Hanging point, Iron door, Plow. They are manifold.</p>
| 
| <p><br/></p>

{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|1|lbl=14.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|2|lbl=4v.2}}
| <p><br/></p>

{{section|Page:Cod.I.6.2º.2 53v.jpg|3|lbl=53v.3}}
| 

|- 
| <p>[29] '''Overgripping'''</p>

<p>You can also undertake overgripping from high point. Reach over your cross with your right hand into the blade such that your finger stands on the blade. If someone initiates a strike, strike against them with your strong such that you overwhelm their sword, keeping threat and suddenly withdraw your flat against their right ear and veer high into your act of parrying.</p>
| <p>'''Grip'''</p>

<p>The grip can also be taken out from the high point. Take your right hand high on your cross so that the blade must lie flat, and if someone strikes after you, strike against him with such force that you pressure his sword, and pull back with your flat to his right ear, and raise your cut high.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|2|lbl=14.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|3|lbl=4v.3}}
| {{section|Page:Cod.I.6.2º.2 53v.jpg|4|lbl=53v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/19|1|lbl=8.1}}

|- 
| <p>[30] '''Break'''</p>

<p>When someone overgrips, bait them with a strike and suddenly withdraw short, make a follow up strike long or else break it with a failer or a crown cut, etc.</p>
| <p>'''Break'''</p>

<p>When someone grips against you, offer him the blade and pull short, then long away from you or break with the flying over or with the straight strike.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|3|lbl=14.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|4|lbl=4v.4}}
| {{section|Page:Cod.I.6.2º.2 53v.jpg|5|lbl=53v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/19|2|lbl=8.2}}

|- 
| <p>[31] '''Remaining'''</p>

<p>Position yourself in the high guard or high point, and cut to the opponent's left ear with your long edge, and act as if you will suddenly withdraw, but remain against their left ear with your short edge, thereafter suddenly withdraw and make a follow up cut with the long edge.</p>
| <p>'''Remain'''</p>

<p>Set or put yourself in the high point or guard, and take the long cut to his left ear. And act as if you would like to pull back, yet remain with the short edge to his left ear. And then pull back and take the long cut towards him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|4|lbl=14.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|5|lbl=4v.5}}
| {{section|Page:Cod.I.6.2º.2 53v.jpg|6|lbl=53v.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/19|3|lbl=8.3}}

|- 
| <p>[32] '''Break'''</p>

<p>When someone remains with their short edge against your right ear, remain on the other side as well. If they indeed pull away first, then they strike themselves the same way.</p>
| <p>'''Break'''</p>

<p>When someone remains with the short cut at your left ear, so too remain on the other side. If he then pulls back first, he hits himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|5|lbl=14.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/9|6|lbl=4v.6}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/10|1|lbl=5r.1}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|1|lbl=64r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/19|4|lbl=8.4}}

|- 
| <p>[B] Splendid! I have already figured out myself how<br/>&emsp;To displace to both places<ref>alt: points, ends</ref><br/>I preserve the before, yet not too long.<br/>&emsp;The openings will be wide open to me.<br/>No position will be good for you.<br/>&emsp;I hit you in the after from a carefree spirit.<br/>With it, I come swiftly to work<br/>&emsp;Just you wait until I bind you first.<br/></p>
| 
| 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/10|2|lbl=5r.2}}
| 
| 

|- 
| rowspan="6" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt I.png|x250px|center]]
| [[File:Paurenfeyndt F.png|x250px|center]]
|}
| <p>[33] '''About overrunning'''</p>
{| class="zettel"
|- 
| <small>80</small>
| Whoever takes aim from below<br/>&emsp;Overrun it, they will be shamed.
|- 
| <small>81</small>
| When it clashes above,<br/>&emsp;Then dismount, This I will praise.
|- 
| <small>82</small>
| Make your work<br/>&emsp;Or press hard twice.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|1|lbl=16.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/12|6|lbl=6r.6}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|2|lbl=64r.2}}
| 

|- 
| <p>[34] '''Triangle'''</p>

<p>Position yourself with braced hands in front of your face. If someone strikes the buffalo from high point, twist your hands up from below and step into a false step and shield yourself short such that they roll down your flat, thereafter make a follow up strike long with a step.</p>
| <p>'''Triangle'''</p>

<p>Move into long point with the hands crossed in front of the face. If he strikes the aggressor with a cut from high point, turn your hands away from low to high, and step with the false step and parry low so that he runs downwards on your flat. Then step and strike with the long cut after.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|2|lbl=16.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|1|lbl=6v.1}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|3|lbl=64r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/25|1|lbl=14.1}}

|- 
| <p>[35] '''Break'''</p>

<p>When you have overcommitted yourself striking at your opponent, rise up with your pommel so you are also shielded. Let them roll down as well and work with them according to advantage.</p>
| <p>'''Break'''</p>

<p>When you have overstruck or have been limited against him, raise your pommel high and you will also recover. Also let him run down, and work with him to your advantage.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|3|lbl=16.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|2|lbl=6v.2}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|4|lbl=64r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/25|2|lbl=14.2}}

|- 
| <p>[36] '''About displacing'''</p>
{| class="zettel"
|- 
| <small>83</small>
| Learn to displace<br/>&emsp;Skillfully disrupting cuts and thrusts
|- 
| <small>84</small>
| Whoever thrusts at you<br/>&emsp;Their point breaks
|- 
| <small>85</small>
| From both sides<br/>&emsp;You will hit every time, if you step.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|4|lbl=16.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|3|lbl=6v.3}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|5|lbl=64r.5}}
| 

|- 
| <p>[37] '''Rushing through'''</p>
{| class="zettel"
|- 
| <small>91</small>
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
|- 
| <small>92</small>
| Whoever strengthens against you,<br/>&emsp;Remember to rush through with it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|5|lbl=16.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|4|lbl=6v.4}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|6|lbl=64r.6}}
| 

|- 
| <p>[38] '''Rule'''</p>

<p>Remember whenever you initiate a thrust, that you always wind your sword under your right shoulder using the pommel when you hit with your point.</p>
| <p>'''Piece'''</p>

<p>Note that when you thrust after someone by reaching with your high point, always turn the sword with the pommel below your right armpit.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|6|lbl=16.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|5|lbl=6v.5}}
| {{section|Page:Cod.I.6.2º.2 64r.jpg|7|lbl=64r.7}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/25|3|lbl=14.3}}

|- 
| rowspan="5" | [[File:Paurenfeyndt 8.jpg|400px|center]]
<br/>
[[File:Egenolff 2.jpg|300px|center|thumb]]
| <p>[39] '''About disengaging'''</p>
{| class="zettel"
|- 
| <small>86</small>
| Learn to disengage<br/>&emsp;From both sides stabbing sharply with it
|- 
| <small>87</small>
| Whoever binds upon you<br/>&emsp;Disengaging surely finds or slices the opponent
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|1|lbl=18.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|4|lbl=8r.4}}
| 
| 

|- 
| <p>[40] '''About suddenly withdrawing'''</p>
{| class="zettel"
|- 
| <small>88</small>
| Tread close in binds,<br/>&emsp;So that withdrawing suddenly gives good finds.
|- 
| <small>89</small>
| Suddenly withdraw. If they engage, suddenly withdraw again.<br/>&emsp;That does them harm.
|- 
| <small>90</small>
| Suddenly withdraw all engagements<br/>&emsp;If you wish to make a fool of the masters
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|2|lbl=18.2}}
| 
| 
| 

|- 
| <p>[41] '''Combat play'''</p>

<p>Position yourself against the opponent as before. Grab the middle of your sword's blade with your left hand and thrust towards their face so that they must shield themselves and carry off your thrust. Follow them with a step and release your left hand from your sword. Reach across both of their hands with your pommel and position your edge against their neck and position them into weakness so that you throw them.</p>
| <p>'''Battle piece'''</p>

<p>Move as before: take the blade of your sword with your left hand on the middle, and thrust in front of his face, so that he must gather himself to deal with the attack. Follow up with a step, and remove your left hand from the sword. From this take your pommel over to his two hands, and put the edge on his neck. Thus you hurl him over your legs.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|3|lbl=18.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|5|lbl=8r.5}}
| 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/31|1|lbl=20.1}}

|- 
| <p>[42] '''Break'''</p>

<p>When someone has lodged their sword against you and and will throw you, release your right hand from your sword and shove their left elbow from below so that they must turn themselves.</p>
| <p>'''Break'''</p>

<p>When someone has put his sword to your neck and when he wants to hurl you, remove your hand from your sword, and push his left elbow from below, so that he must turn himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|4|lbl=18.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|6|lbl=8r.6}}
| 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/31|2|lbl=20.2}}

|- 
| <p>[43] '''Play'''</p>

<p>If someone has lodged against your breast, take hold of their sword with your left hand forward by the point and thrust your sword behind their left leg and press against them with your breast and with your left hand against their breast, shove them back backwards over your sword.</p>
| '''Piece'''</p>

<p>If someone touched the sword to the chest, take his sword with the left hand forward at the point and push your sword behind his left leg. And press your chest against him, and push with your backhand beyond your sword.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|5|lbl=18.5}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|7|lbl=8r.7|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/17|1|lbl=8v.1|p=1}}
| 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/31|3|lbl=20.3}}

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt K.png|x250px|center]]
| [[File:Paurenfeyndt D.png|x250px|center]]
|}
| <p>[44] '''About pursuing'''</p>
{| class="zettel"
|- 
| <small>75</small>
| Learn to pursue<br/>&emsp;Twice or slice into the weapon
|- 
| <small>76</small>
| Two as well to the outside<br/>&emsp;Your work begins thereafter
|- 
| <small>77</small>
| And gauge the applications<br/>&emsp;Whether they are soft or hard
|- 
| <small>78</small>
| Learn to feel<br/>&emsp;Indes, this here cuts sharply
|- 
| <small>79</small>
| Pursuing twice,<br/>&emsp;If on connects, make the old slice with it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|1|lbl=20.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|4|lbl=7v.4}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|1|lbl=65r.1}}
| 

|- 
| <p>[45] THE fourth resting place is named the plow. Whatever the buffalo strikes at you, step into the triangle with the right foot and shield yourself short with your flat such that they roll off. Thereafter follow them with your left foot and make a follow up strike with your long edge.</p>
| <p>When someone strikes long in aggression at you, step to the triangle with the right foot and defend yourself from the pain, such that it runs down, then step after him with the left foot, and strike with the long edge after.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|2|lbl=20.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|5|lbl=7v.5}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|2|lbl=65r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/33|1|lbl=22.1}}

|- 
| <p>[46] '''Break'''</p>

<p>When someone parries you and have overcommitted yourself attacking, yank your pommel upwards so that you are well covered and let them roll off of it in the same way conceived in Hildebrand or Lightning cuts.</p>
| <p>'''Break'''</p>

<p>When someone defends himself so that you must carry on, pull back your pommel high so that you are well covered, and also let him run downward.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|3|lbl=20.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|6|lbl=7v.6|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|1|lbl=8r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|3|lbl=65r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/33|2|lbl=22.2}}

|- 
| <p>[47] '''About cutting off'''</p>
{| class="zettel"
|- 
| <small>93</small>
| Cut off the hard ones<br/>&emsp;From below in both paths
|- 
| <small>94</small>
| Four are the slices<br/>&emsp;Below two, above with it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|4|lbl=20.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|2|lbl=8r.2}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|4|lbl=65r.4}}
| 

|- 
| <p>[48] '''Play'''</p>

<p>When you find someone in plow, overshoot them, be it with your short or long edge, before they come to their work. In this way, you bar them from neither yanking back nor striking. This will not fail you if you seize them in their resting position.</p>
| <p>'''Piece'''</p>

<p>When you find someone in the flock, pass over him either with the short or long edge before he starts to work. Prohibit him from being able to neither pull back nor strike, such that it never fails when you take away the point.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|5|lbl=20.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/16|3|lbl=8r.3}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|5|lbl=65r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/33|3|lbl=22.3}}

|- 
| rowspan="6" | [[File:Paurenfeyndt 10.jpg|400px|center]]
| <p>[49] '''About the cockeyed cut'''</p>
{| class="zettel"
|- 
| <small>58</small>
| The cockeyed cut breaks inside<br/>&emsp;Whatever the buffalo cuts or thrusts
|- 
| <small>59</small>
| Whoever threatens to change,<br/>&emsp;The cockeyed cut robs them of it.
|- 
| <small>60</small>
| Cock an eye. If they short change you,<br/>&emsp;Disengaging defeats them.
|- 
| <small>61</small>
| Cock an eye at the point<br/>&emsp;Take the neck without fear
|- 
| <small>62</small>
| Cock an eye at the top of the head<br/>&emsp;If you wish to ruin the hands.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|1|lbl=22.1}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/13|6|lbl=6v.6|p=1}}<br/>{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|1|lbl=7r.1}}
| {{section|Page:Cod.I.6.2º.2 64v.jpg|1|lbl=64v.1}}
| 

|- 
| <p>[C] The short and long are my reservoir<br/>&emsp;They safeguard me at all times<br/>Out of which, I drive all my work<br/>&emsp;Strong to the blade, smooth to the body.</p>

<p>Therein I can perceive your strength<br/>&emsp;I break yours with weakness from that moment on,<br/>If you misfire, pay attention right quick<br/>&emsp;To what my master has taught me.</p>
| 
| 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|2|lbl=7r.2}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|3|lbl=7r.3}}
| 
| 

|- 
| <p>[50] '''About withdrawing suddenly'''</p>
{| class="zettel"
|- 
| <small>88</small>
| Tread close in binds,<br/>&emsp;So that withdrawing suddenly gives good finds.
|- 
| <small>89</small>
| Suddenly withdraw. If they engage, suddenly withdraw again.<br/>&emsp;Do work that does them harm.
|- 
| <small>90</small>
| Suddenly withdraw all engagements<br/>&emsp;If you wish to make a fool of the masters.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|2|lbl=22.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|4|lbl=7r.4}}
| {{section|Page:Cod.I.6.2º.2 64v.jpg|2|lbl=64v.2}}
| 

|- 
| <p>[51] '''About binding up'''</p>

<p>If someone binds you from above, gauge whether they lie hard or soft. If they lie hard, then wind down through the roses towards their face, onto their left ear, so that you wind out their sword and uncover them with it. But if they suddenly withdraw and strike, veer up into your act of parrying.</p>
| <p>'''From bind'''</p>

<p>If someone binds you at the chest and he presses strongly above, turn out below through the roses against his face to his left ear and turn his sword and open him, but if he pulls back and strikes, raise high in defense.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|3|lbl=22.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|1|lbl=7v.1}}
| {{section|Page:Cod.I.6.2º.2 64v.jpg|3|lbl=64v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/27|1|lbl=16.1}}

|- 
| <p>[52] '''Break'''</p>

<p>If someone binds you from above, and lies firm such that they will not allow you to withdraw, lift your pommel upwards and let the point go in in between their hands and yank towards yourself so that they must let go.</p>
| <p>'''Break'''</p>

<p>When someone binds with you from above and lies strongly such that you will not pull back yet also want to pull back in, raise your pommel high and let the point go between his hands and pull it back, and he will let you go.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|4|lbl=22.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|2|lbl=7v.2}}
| {{section|Page:Cod.I.6.2º.2 64v.jpg|4|lbl=64v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/27|2|lbl=16.2}}

|- 
| <p>[53] '''Wrenching out'''</p>

<p>If someone binds you, and lies firm in the bind against your sword, reach over both of their hands with your hilt and wrench down towards yourself, with this you uncover them and strike.</p>
| <p>'''Raise cross to cross'''</p>

<p>When someone binds against you cross to cross and lies in the binding strongly against your sword, advance the hilt of your sword beyond your two hands, and run it down towards yourself of which you open him and strike.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|5|lbl=22.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/15|3|lbl=7v.3}}
| {{section|Page:Cod.I.6.2º.2 64v.jpg|5|lbl=64v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/27|3|lbl=16.3}}

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt C.png|x250px|center]]
| [[File:Paurenfeyndt F.png|x250px|center]]
|}
| <p>[54] '''About the part cut'''</p>
{| class="zettel"
|- 
| <small>63</small>
| The part cut<br/>&emsp;Is a threat to the face
|- 
| <small>64</small>
| With it's turn<br/>&emsp;The breast is yet endangered.
|- 
| <small>65</small>
| Whatever comes from them<br/>&emsp;The crown removes.
|- 
| <small>66</small>
| Slice through the crown<br/>&emsp;So that you break it beautifully and hard
|- 
| <small>67</small>
| Press the thrusts<br/>&emsp;By slicing withdraw it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|1|lbl=24.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/17|2|lbl=8v.2}}
| {{section|Page:Cod.I.6.2º.2 65r.jpg|6|lbl=65r.6}}
| 

|- 
| <p>[55] '''About rushing through'''</p>
{| class="zettel"
|- 
| <small>91</small>
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
|- 
| <small>92</small>
| Whoever strengthens against you,<br/>&emsp;Remember to rush through with it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|2|lbl=24.2}}
| 
| {{section|Page:Cod.I.6.2º.2 65v.jpg|1|lbl=65v.1}}
| 

|- 
| <p>[56] '''About the speaking window'''</p>
{| class="zettel"
|- 
| <small>98</small>
| Make the speaking window<br/>&emsp;Stand freely, watch their situation.
|- 
| <small>99</small>
| Strike them so that it snaps,<br/>&emsp;Whoever withdraws themselves before you.
|- 
| <small>100</small>
| I say to you truthfully<br/>&emsp;No one defends themselves without danger
|- 
| <small>101</small>
| If you have understood<br/>&emsp;They cannot come to blows.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|3|lbl=24.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/17|3|lbl=8v.3|p=1}}<br/>{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|1|lbl=9r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 65v.jpg|2|lbl=65v.2}}
| 

|- 
| <p>[57] '''A play'''</p>

<p>When someone lies before you in the speaking window, reach over their hilt and between their hands with your pommel and latch onto their hilt with your left thumb and pull toward yourself so that you uncover them and strike them with that.</p>
| <p>'''Piece'''</p>

<p>When someone stretches into the long point on the cross in front of you, push the pommel of your sword beyond the hilt of his sword between his two hands and take your left thumb on his hilt and pull back towards yourself so that you open and then strike him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|4|lbl=24.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|2|lbl=9r.2}}
| {{section|Page:Cod.I.6.2º.2 65v.jpg|3|lbl=65v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/29|1|lbl=18.1}}

|- 
| <p>[58] '''Another'''</p>

<p>When someone lies in the speaking window, position your self in exactly the same way. If they will not work shove them with your left hand on their right hand such that they turn themselves and uncovers them with it.</p>
| <p>'''Another'''</p>

<p>When someone advances to put himself in the cross, put yourself also like him, and if he wants to work, push him with your left hand on his right such that he turns himself. Thus he opens himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|5|lbl=24.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|3|lbl=9r.3}}
| {{section|Page:Cod.I.6.2º.2 65v.jpg|4|lbl=65v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/29|2|lbl=18.2}}

|- 
| rowspan="7" | [[File:Paurenfeyndt 12.jpg|400px|center]]
<br/>
[[File:Egenolff 5.jpg|300px|center|thumb]]
| <p>[59] '''About hanging'''</p>
{| class="zettel"
|- 
| <small>96</small>
| Two hangings emerge<br/>&emsp;From the ground out of each place
|- 
| <small>97</small>
| In every application<br/>&emsp;Cut, Thrust, Position, Soft or Hard.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|1|lbl=26.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|7|lbl=10r.7}}
| {{section|Page:Cod.I.6.2º.2 65v.jpg|5|lbl=65v.5}}
| 

|- 
| <p>[60] '''About hand pressing'''</p>
{| class="zettel"
|- 
| <small>95</small>
| Turn your slice<br/>&emsp;To flatten, press your hands
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|2|lbl=26.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|8|lbl=10r.8}}
| {{section|Page:Cod.I.6.2º.2 65v.jpg|6|lbl=65v.6}}
| 

|- 
| <p>[61] '''A play'''</p>

<p>When someone lies in the speaking window, position your self in the same way as well and reach over your sword with the fingers of your right hand and latch their sword to yours. With that you press their hands.</p>
| <p>'''Piece.'''</p>

<p>When someone is on the cross in front of you, put yourself like so and with your fingers of your right hand take his sword with it, and press his hands.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|3|lbl=26.3}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|9|lbl=10r.9|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|1|lbl=10v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 66r.jpg|1|lbl=66r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/39|1|lbl=28.1}}

|- 
| <p>[62] '''Sword disarm'''</p>

<p>When you find someone in the speaking window or crosswise cut, reach over their right hand up from the outside with your left hand and position them into weakness with your left foot to the outside, across their right knee pit and draw them away from you so that they must let their sword drop.</p>
| <p>'''Take his sword.'''</p>

<p>If you find someone on the cross in front of you, reach out with your left hand over his right hand, and put him out of balance with your left foot over his bent knee, pulling your left hand which has the sword. It must be that he drops his sword.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|4|lbl=26.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|2|lbl=10v.2}}
| {{section|Page:Cod.I.6.2º.2 66r.jpg|2|lbl=66r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/39|2|lbl=28.2}}

|- 
| <p>[63] '''A throw'''</p>

<p>When someone rushes in at the sword and has bound high, quickly move your right arm into their left breast and position them into weakness with your right foot well behind their right knee pit and throw them down.</p>
| <p>'''For a throw'''</p>

<p>If someone wants to run in your sword and has locked you high, move your right arm into his left side, and put him out of balance with your right foot behind his bent knee, and throw him down.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|5|lbl=26.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|3|lbl=10r.3}}
| {{section|Page:Cod.I.6.2º.2 66r.jpg|3|lbl=66r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/39|3|lbl=28.3}}

|- 
| <p>[64] '''Another'''</p>

<p>When someone rushes in, shove them on their right elbow with your left hand and step in front of their left foot with your right foot and let them plunge over it.</p>
| <p>'''Another.'''</p>

<p>When someone comes running at you, push him with your left hand at his right elbow and step with your left foot in front of his right foot, letting him fall over.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|6|lbl=26.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|4|lbl=10r.4}}
| {{section|Page:Cod.I.6.2º.2 66r.jpg|4|lbl=66r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/39|4|lbl=28.4}}

|- 
| <p>[65] '''Holding someone prone'''</p>

<p>If you throw someone onto their belly, sit atop them and step over their arm so you are able to break it.</p>
| <p>'''For a hold in low'''</p>

<p>If you throw him on his belly and are sitting on him, pass beyond the arms and break them</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|7|lbl=26.7}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|6|lbl=10r.6}}
| {{section|Page:Cod.I.6.2º.2 66r.jpg|5|lbl=66r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/39|5|lbl=28.5}}

|- 
| rowspan="6" | [[File:Paurenfeyndt 13.jpg|400px|center]]
<br/>
[[File:Egenolff 4.jpg|300px|center|thumb]]
| <p>[66] Item. Two plays of the long sword. The first play is called:</p>
{| class="zettel"
|- 
| <small>54</small>
| The inverter constrains<br/>&emsp;Slipping through and also wrestles with it.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|1|lbl=28.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|2|lbl=9v.2}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|1|lbl=66v.1}}
| 

|- 
| <p>[67] The other play is called:</p>
{| class="zettel"
|- 
| <small>91</small>
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
|}
<p>Eight wrestlings come from these two plays</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|2|lbl=28.2}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|3|lbl=9v.3}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|2|lbl=66v.2}}
| 

|- 
| <p>[68] '''Sword disarm'''</p>

<p>Note. If someone lies high in the cross or the speaking window, release your back hand from your sword and reach between their hands with your pommel. Afterwards, retract your pommel with your hand inverted and wrench toward your left side so that you take their sword.</p>
| <p>'''Take his sword.'''</p>

<p>See if he puts the work<ref>This is the zwerch.</ref> high or the cross<ref>This is the sprechfenster.</ref> in front of you. Remove your left hand from the sword and move in between his hands with your pommel again below him. Taking your pommel above the hands, cross them then run down to your left side. And thus you take his sword.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|3|lbl=28.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|4|lbl=9v.4}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|3|lbl=66v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/37|1|lbl=26.1}}

|- 
| <p>[69] '''Another'''</p>

<p>But if they lie low, reach over their haft with the pommel of your sword and take your pommel down into a clinch and wind towards your right side so that you either throw them over your sword or they must let the sword go.</p>
| <p>'''Another'''</p>

<p>Or if he lies his sword down, pass him high with your pommel beyond the hilt of his sword, and take your pommel below in your hand, turning him towards your right side so that you throw him over his sword or that he needs to let his sword go.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|4|lbl=28.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|1|lbl=10r.1}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|4|lbl=66v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/37|2|lbl=26.2}}

|- 
| <p>[70] '''A throw'''</p>

<p>When someone engages high in their act of parrying and will not part, reach behind their right foot with your left foot and with your right arm into their left breast and throw them off their feet, over your left leg.</p>
| <p>'''A throw.'''</p>

<p>If someone meets you high on the defense such that he does not want to leave, place your left foot behind his right foot and your right arm in his left side, and throw him by your left leg.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|5|lbl=28.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|2|lbl=10r.2}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|5|lbl=66v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/37|3|lbl=26.3}}

|- 
| <p>[71] '''Holding someone prone'''</p>

<p>If you throw someone on their belly, drop your right knee onto their back and reach forward to the top of their head, grab their hair and pull up and crank their neck so they will fall back onto their belly if they try to stand.</p>
| <p>'''For a hold in low.'''</p>

<p>If you throw him on his belly and if you fall on his back with your right knee, with your left hand pass beyond his hair on his head and in pulling it up and turning his neck, he will drop again on his belly if he wants to get up.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|6|lbl=28.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/20|5|lbl=10r.5}}
| {{section|Page:Cod.I.6.2º.2 66v.jpg|6|lbl=66v.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/37|4|lbl=26.4}}
<section begin="Twerhaw"/>
|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt A.png|x250px|center]]
| [[File:Paurenfeyndt H.png|x250px|center]]
|}
<br/>
[[File:Egenolff 3.jpg|300px|center|thumb]]
| <p>[72] '''An upsweep play'''</p>

<p>Item. When you lay in the side guard on your left side and someone makes a descending cut at you from their right shoulder, sweep up firmly up from below into their sword with your short edge. If someone stands strong and is not too high with the hands, double in between them and their sword with the short edge to their left ear.</p>
| <p>'''Piece on raising'''</p>

<p>When you are in the near guard on your left side and when someone shoots the cut high on your head from his left armpit, raise high below his sword with the short edge. If he presses strongly against you and if he is not in high point with his hands, double between the man and his sword with the short edge towards his left ear.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}

{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|2|lbl=-}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|4|lbl=9r.4}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|5|lbl=-}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|1|lbl=60r.1}}

{{section|Page:Cod.I.6.2º.2 60r.jpg|2|lbl=-}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|1|lbl=24.1}}

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|2|lbl=-}}

|- 
| <p>[73] '''Another'''</p>

<p>When you sweep up against the opponent's sword and they hold strong back, immediately strike their left side with the crosswise cut and again, double between [them and] their sword and strike at their right ear with the long edge.</p>
| <p>'''Another'''</p>

<p>When you raise against his sword and if he presses strongly against you, strike the work on his left side and double again between his sword and strike after his right ear with the long edge.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|6|lbl=9r.5}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|3|lbl=60r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|3|lbl=24.2}}

|- 
| <p>[74] '''Another'''</p>

<p>When you sweep up against the opponent's sword and they are weak at the sword and with their hands low, cut toward their opening above with the long edge.</p>
| <p>'''Another'''</p>

<p>When you raise from low to high against his sword and if he is gentle with the said sword and with lower hands, strike the long edge high towards his open target.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
| 
| {{section|Page:Cod.I.6.2º.2 60r.jpg|4|lbl=60r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|4|lbl=24.3}}

|- 
| <p>[75] '''Another'''</p>

<p>When you sweep against the opponent's sword and they rise up high and wind, strengthen with the long edge, but if they strike with the crosswise cut, strike to their left side with a step off.</p>
| <p>'''Another'''</p>

<p>When you touch his sword, if he raises high and if he turns to strike with the long edge, if he strikes again with the work, strike his left side with a step back.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|7|lbl=9r.6}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|5|lbl=60r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|5|lbl=24.4}}

|- 
| <p>[76] '''Another'''</p>

<p>When you lie in the side guard or conduct the sweeps against someone, if they then hold their sword crosswise in front of themselves and will drop onto your sword and are high with their arms, sweep against their sword from below and thrust under their sword, into their breast.</p>
| <p>'''Another'''</p>

<p>When you are in the near guard or if you lead the cuts towards the man, if he pulls his sword crossed in front of himself and he wants to fall above you with the arms raised high, strike below his sword to his chest.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/18|8|lbl=9r.7|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/19|1|lbl=9v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 60r.jpg|6|lbl=60r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/35|6|lbl=24.5}}
<section end="Twerhaw"/>
|- 
| rowspan="4" | [[File:Paurenfeyndt 5.jpg|400px|center]]
<br/>
[[File:Egenolff 1.jpg|300px|center|thumb]]
| <p>[77] '''Another'''</p>

<p>If they are low with their hands and will rise up, then sweep through and thrust on the other side into their breast, whereupon it has disengaged.</p>
| <p>'''Another'''</p>

<p>If he is with his hands low and he wants to rise up, shoot beyond and thrust at his chest on the other side and then disengage<ref>Lit. “Pass in change.”</ref>.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|3|lbl=10v.3}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|1|lbl=60v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|1|lbl=30.1}}

|- 
| <p>[78] '''Another'''</p>

<p>When you sweep through, drop onto their sword with your long edge and wind toward your left side such that your thumb comes under and speed against the right side of the opponent's neck with your strong and spring with your right foot and back them over it.</p>
| <p>'''Another'''</p>

<p>When you shoot beyond, if you run down with the long point or tip on his sword and turn on your left side so that your thumb comes up, move into him with force with the long edge to the right of his neck, and step in front with your right foot, and shoot beyond him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/21|4|lbl=10v.4|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|1|lbl=11r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|2|lbl=60v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|2|lbl=30.2}}

|- 
| <p>[79] '''Another'''</p>

<p>When you changed through from the striking, and have come to the other side above his sword, thus you may just as well do the devices, as before with the Vexing, and with all things as stated before, to all sides.</p>
| <p><br></p>

<p>When you disengage, come to the other side high on his sword so that you can do similar some cases well.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|3|lbl=32.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|2|lbl=11r.2}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|3|lbl=60v.3}}
| <p><br/></p>

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|3|lbl=30.3}}

|- 
| <p>[80] '''Fencing out of displacing'''</p>

<p>When you fence with someone and come close to them, come into plow and conduct it swiftly by turning from one side to the other, such that your point always stays in front of yourself. From this you can conduct parrying. This is the narrows and in them you can strengthen with the long edge and from this conduct all the previous plays. You can also displace cut and thrust and break misaligned ones and seek the opening with your point.</p>
| <p>'''Fight to move in on him.'''</p>

<p>When you fight with someone and approach him, if you come in the cross<ref>Pflug based on the German.</ref> and drive him out, calmly circling from one side to the other and let your tip remain in front of you so that you can make the defense. And note this next: strengthen after with the long edge and from that do all the aforementioned cases or pieces. Also you can defend with the point and break him by striking and disengaging, seeking defense with the tip.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|3|lbl=11r.3}}
| {{section|Page:Cod.I.6.2º.2 60v.jpg|4|lbl=60v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/41|4|lbl=30.4}}

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt E.png|x250px|center]]
| [[File:Paurenfeyndt D.png|x250px|center]]
|}
| <p>[81] '''Side guard'''</p>

<p>When you fence with someone and come close to them, stand with the left foot forward and position your sword with the point upon the ground on your right side, such that the long edge is up. This goes on both sides.</p>
| <p>'''Side guard.'''</p>

<p>When you engage with someone and approach him, set your left foot forward, putting the point of the sword to the ground towards your right side, and the long edge up. This goes for both sides.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|2|lbl=12r.2}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|1|lbl=61r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|1|lbl=36.1}}

|- 
| <p>[82] '''A play from side guard'''</p>

<p>If someone initiates a cut from above or wherever it is, cut in crooked to their opening with a step out.</p>
| <p>'''Piece.'''</p>

<p>If someone strikes high or however after you, strike him in or curve from the side. Open him after with a downwards strike.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|3|lbl=12r.3}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|2|lbl=61r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|2|lbl=36.2}}

|- 
| <p>[83] '''Another'''</p>

<p>Drive in the inverter with your point in their face. When they bind up, strengthen with the long edge and you can conduct all the plays that are previous in the sweeps.</p>
| <p>'''Another.'''</p>

<p>Drive out with the defender<ref>Likely translating “verkerer” as “bailiff”.</ref> inside. With the tip towards his face and when he moves in, strengthen with the long edge, and you can make the aforementioned pieces regarding the raising.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|4|lbl=12r.4}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|3|lbl=61r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|3|lbl=36.3}}

|- 
| <p>[84] '''Explanation of the advice'''</p>

<p>When you fence with someone, extend your arms long, away from you and rest your thumb up atop your sword and turn your sword with your point away from you. With this you can drive up swiftly from below to your left side and move towards the opponent. From there, you can disengage to whichever side you wish or whatever play suits you, according to advantage.</p>
| <p>'''Demonstration on the ring.'''</p>

<p>When you engage with someone, stretch your hands out from you and turn the sword with the tip away from you. You can quickly raise from below and cross to cross on your left side. In going after the man, you can also disengage to the side you want, or pick a piece that you like or serves you.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|5|lbl=12r.5}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|4|lbl=61r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|4|lbl=36.4}}
<section begin="Twerhaw"/>
|- 
| <p>[85] '''Breaking the crosswise cut'''</p>

<p>When you stay in the roof guard and someone attacks you with a crosswise cut, simultaneously cut in the wrath cut and bind them strongly in the middle of their sword and if they will strike around with a crosswise cut, then crosswise cut ahead of them into their neck. You can also conduct all plays that are in the sweeps.</p>
| <p>'''Break the strong cut.'''</p>

<p>When you are in high guard and someone strikes after you with the work, if you strike inside with the soured<ref>Lit. turned as in “soured” or “embittered”.</ref> or anger cut<ref>Zornhau.</ref> to him, and if he wants to strike around with the work, then put it in front of his neck after. So too you can do all the pieces that are like the launches.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|6|lbl=12r.6}}
| {{section|Page:Cod.I.6.2º.2 61r.jpg|5|lbl=61r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/47|5|lbl=36.5}}

|- 
| rowspan="3" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt K.png|x250px|center]]
| [[File:Paurenfeyndt B.png|x250px|center]]
|}
| <p>[86] '''Another'''</p>

<p>Note, when you execute a crosswise cut and someone will preempt you with a crosswise cut against your neck from below your sword, indes, drop atop their sword strongly with your long edge so that it is broken and take the next opening that becomes available to you.</p>
| <p>'''Another.'''</p>

<p>When you defend and in defending from another you want at first to dispatch below your sword, move in at him with the long edge strong on top of his sword, and he is broken.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|4|lbl=11v.4}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|1|lbl=61v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|1|lbl=34.1}}
<section end="Twerhaw"/><section begin="Zornhaw"/>
|- 
| <p>[87] '''About the wrath cut'''</p>

<p>When you fence with someone and cut in with the wrath cut or however else down from above and they parry that and rise up with their arms and you both rush in on each other and they are then so circumspect that they will take your slice from below the hands into your arms, follow their sword downwards with your long edge and press down, thus you have broken them.</p>
| <p>'''Anger cut.'''</p>

<p>When you engage with someone and strike him with an anger cut or however from high to low and when he defends against you, reach out high with his arms, and both of you move in on one another. If he then wants to block or break your tip from below the hands in between to the arms, follow therefore his sword, pulling with the long edge, and press strongly down. Thus you have broken him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|5|lbl=11v.5}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|2|lbl=61v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|2|lbl=34.2}}

|- 
| <p>[88] '''Another'''</p>

<p>But when you arrive with your arms high and someone does as well and they rush in and want to bash you between the eyes or in the breast with their pommel through your arms from below your hands, speed downwards with your pommel, with your arms strong and heave towards yourself and strike them on their head with your sword.</p>
| <p>'''Another.'''</p>

<p>Or when you come with the arms high and another does too and runs in at you: if he wants with the pommel through your arms and below your hips to bash into your face or the chest. So move in with the pommel strongly below your hands and in pulling towards yourself, and strike with the sword on his head.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|6|lbl=11v.6|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/24|1|lbl=12r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 61v.jpg|3|lbl=61v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/45|3|lbl=34.3}}
<section end="Zornhaw"/>
|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt I.png|x250px|center]]
| [[File:Paurenfeyndt G.png|x250px|center]]
|}
| <p>[89] '''Combat play'''</p>

<p>Stab the opponent in the face on the inside and slip down through and stab them in the face on the outside. But if they defend that, step between both of their legs with your left foot and reach out over their left leg with your pommel into the pit of their knee and lift up with your pommel and with your left shoulder push them away from you from up high so that they fall.</p>
| <p>'''Battle piece.'''</p>

<p>Thrust in at him towards his face and pass beyond, and thrust him also from the outside to his face. If he defends that, advance with your left foot between his two legs and pass with the pommel beyond his left leg to bend his knee. And raise him up with this pommel, pushing him with your shoulder above. Thus he will fall.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|1|lbl=38.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|4|lbl=11r.4}}
| {{section|Page:Cod.I.6.2º.2 62r.jpg|1|lbl=62r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/43|1|lbl=32.1}}

|- 
| <p>[90] '''Break'''</p>

<p>When someone speeds into the pit of your left knee with their pommel, reach up from below and grab onto their elbow behind their left hand with your right hand and take their weight.</p>
| <p>'''Break.'''</p>

<p>When someone with the pommel puts it in the bend of your left knee, take him with your left hand behind his left hand, and pass with your right hand from below up to his elbow. In taking him with the thumb, so that he must turn himself to the other side.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|2|lbl=38.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|5|lbl=11r.5}}
| {{section|Page:Cod.I.6.2º.2 62r.jpg|2|lbl=62r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/43|2|lbl=32.2}}

|- 
| <p>[91] '''Combat play'''</p>

<p>Stab the opponent in the face on the inside and lodge against them. If they defend that, withdraw suddenly and stab them on the other side. But if they defend that and sweep your point aside, quickly move your pommel over their right shoulder and around their neck and spring behind their left foot with your right and throw them over it.</p>
| <p>'''Battle piece.'''</p>

<p>Thrust in at him towards his face and touch him with the sword. If he defends himself, pull back and thrust him to the other side. If he too defends this and launches descending to your ear, advance with your pommel beyond his shoulders around his neck, springing with your right foot behind his left, and make him fall over.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|3|lbl=38.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/22|6|lbl=11r.6|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|1|lbl=11v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 62r.jpg|3|lbl=62r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/43|3|lbl=32.3}}

|- 
| <p>[92] '''Break'''</p>

<p>When someone has slipped over your right shoulder and around your neck with their pommel, seize their right elbow with your left hand and shove them away from you so that you gain their side.</p>
| <p>'''Break.'''</p>

<p>When someone with the pommel is advancing beyond your right shoulder around the neck, take his right elbow with your hand and push him away from you.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|4|lbl=38.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|2|lbl=11v.2}}
| {{section|Page:Cod.I.6.2º.2 62r.jpg|4|lbl=62r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/43|4|lbl=32.4}}

|- 
| <p>[93] '''Another break'''</p>

<p>When someone has slipped around your neck with their pommel, seize their right arm with your left hand and hold it firmly and turn yourself away from them to your right side and throw them over your left hip.</p>
| <p>'''Another break.'''</p>

<p>When someone has slipped to your neck with his pommel, take his right arm with your right hand and hold strongly, then turn yourself from him on your right side, throwing him over your left side.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|5|lbl=38.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/23|3|lbl=11v.3}}
| {{section|Page:Cod.I.6.2º.2 62r.jpg|5|lbl=62r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/43|5|lbl=32.5}}

|- 
| rowspan="2" | 
| <p>[94] '''The distillation of the long sword'''</p>
{| class="zettel"
|- 
| <small>102</small>
| Who fully commands and correctly breaks<br/>&emsp;And makes complete irrefutable judgement
|- 
| <small>103</small>
| And breaks each one individually<br/>&emsp;Into three wounders
|- 
| <small>104</small>
| Who hangs consumately and correctly<br/>&emsp;And carries out windings correctly with it
|- 
| <small>105</small>
| And considers the eight winds<br/>&emsp;With correct judgement
|- 
| <small>106</small>
| And unites them.<br/>&emsp;The windings, I differentiate trebly
|- 
| <small>107</small>
| Thus they are twenty<br/>&emsp;And four counting them individually.
|- 
| <small>108</small>
| From both sides<br/>&emsp;Learn eight windings with steps
|- 
| <small>109</small>
| Gauge these applications<br/>&emsp;As soft or hard.
|}
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|1|lbl=39.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|1|lbl=12v.1}}
| {{section|Page:Cod.I.6.2º.2 72r.jpg|1|lbl=72r.1}}
| 

|- valign=top
| <p>[95] Do not focus on more than you understand<br/>&emsp;So that you do not end up behind the wagon</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|2|lbl=39.2}}
| 
| {{section|Page:Cod.I.6.2º.2 72r.jpg|2|lbl=72r.2}}
| 

|- 
| 
| <p>[96] '''Excerpt of the short sword'''</p>

<p>The short sword rightens you<br/>&emsp;Whoever thrusts at you,<br/>With your shield<br/>&emsp;If you wish to make them mild.<br/>Five lessons<br/>&emsp;That guide with correct sense.<br/>Two upon the right,<br/>&emsp;Learn to fence with these.<br/>As many on the left<br/>&emsp;Compose yourself to not waver<br/>And before the opponent<br/>&emsp;Do not let yourself worry<br/>If they are above,<br/>&emsp;Stay below, that I will praise<br/>Learn to displace with your shield<br/>&emsp;Wind in so you can disrupt the masters<br/>If they allow that<br/>&emsp;Grab between their legs, don't be lax.<br/>Step, break<br/>&emsp;Whatever one does, it comes to nothing.<br/>If they take target of you high<br/>&emsp;Grab the sword far in the middle, they will be shamed.<br/>Go through. If they come from below,<br/>&emsp;Displace, grab them by their neck, so that you can wound them.<br/>Make staff, sword wind in.<br/>&emsp;Bring the pommels together, then you have won.<br/>Learn to wind in from both sides<br/>&emsp;Then you can find the art.<br/>Do not hold yourself so close<br/>&emsp;That you will not act<br/>Follow swiftly, then you gauge it<br/>&emsp;For with that, you dupe them.</p>
| <p>Here follows the manner for fencing with the sword short with two hands</p>
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|47|lbl=40}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/25|2|lbl=12v.2}}
| {{section|Page:Cod.I.6.2º.2 72r.jpg|3|lbl=72r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/49|1|lbl=38.1}}

|- 
| 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt C.png|x250px|center]]
| [[File:Paurenfeyndt H.png|x250px|center]]
|}
| <p>[97] '''The first precept'''</p>

<p>Note, If someone is high, then you are low, but if they are low, then you are high. When you are low on your right side and hold your sword in your right hand and your point in your left, if they thrust at you from above, then displace with your point, wind into their left arm with your pommel and yank them forwards. Or displace them with your point and fasten their sword to yours and with your pommel, reach up for their right arm from below and press up. Or, when you clasp the sword with their point to yours, you can also reach into the middle with your pommel and step behind them. Whoever contests this, after you have struck them together and grab the sword in your left hand and the point in your right hand, then displace with your pommel, wind inside their left arm with your point and onto the outside of their right arm with your point and yank them forward.</p>
| <p>'''The first teaching.'''</p>

<p>See if he is higher than you, stay low. But if he is lower than you, stay high. When you are low on the right side, have your sword in the right hand and the tip on the left hand. If he thrusts high after you, defend it with your tip and turn your pommel in his left arm, and pull him forward. Or engage him in defending with the tip and snap his sword up with yours. If you move in from low to high to his right arm with your pommel, press from the passing beyond. Or when you have taken the tip of his sword with yours, you can also move into the middle and step inside. If you touch and injure him with the point, take his sword with your left hand and have the tip in your right hand. If you engage in defending with your pommel, turn with your tip in his left arm and your pommel outside to his right arm and pull him forward.</p>
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|49|lbl=42}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|1|lbl=13r.1}}
| {{paget|Page:Cod.I.6.2º.2|62v|jpg}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/49|2|lbl=38.2}}

|- 
| rowspan="2" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt I.png|x250px|center]]
| [[File:Paurenfeyndt G.png|x250px|center]]
|}
| <p>[98] '''The second precept'''</p>

<p>On the other hand, if you are high on your right side and hold your sword in your right hand and your point in your left and someone thrusts up at you from below, you can shoot through. Then, if you wish, you can displace with your point and clasp their sword to yours and grab them by their neck with your pommel and step behind them. Or, when you have displaced with your point, strike at their knee with the pommel of your sword or reach behind the pit of their knee with your pommel and pull it against you or grab them by their neck with your pommel and pull them down forwards. But, if you have struck and hold your sword in your left hand and your point in your right and they thrust up at you from below, then displace with your pommel and clasp their sword to yours and grab them by their neck with your point and step backwards.</p>
| <p>'''The second instruction'''</p>

<p>If you are high on your right side, if you have the sword on the right hand and the tip on the left, and if he thrusts against you from below, then you can pass beyond. Then if you want, you can place your tip downwards and snap his sword up to your pommel and pull him in. Or when you have put your tip downwards, strike with your pommel towards his knee or move his blade into his neck and pull him down in front of you. And if you have struck with the sword on the left hand and the tip on the right and if he thrusts after you from below, run the pommel down and take his sword to yours and move the tip in his neck and step backwards.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|1|lbl=44.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|2|lbl=13r.2}}
| {{section|Page:Cod.I.6.2º.2 63r.jpg|1|lbl=63r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/51|1|lbl=40.1}}

|- 
| <p>[99] '''The third precept'''</p>

<p>Note, When you are on the left side and are high and hold your sword in your right hand and the point in your left and someone thrusts up at you from below, parry with your half-sword such that your pommel goes down at the moment of your parry and wind inside their left arm with your pommel and onto the outside of their right arm with your pommel and yank them forwards. And when you hold your sword in your left hand and your point in your right and stand high on your left side and someone thrusts up at you from below, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward.</p>
| <p>'''The third instruction'''</p>

<p>When you are to your side and are high above with your sword on your right hand and the tip on the left and if he thrusts from below to high after you, parry with your half sword such that the pommel comes from below in the defense and turn the pommel in his left arm and his tip outside to his right arm and pull him forward. And when you have your sword on the left hand and the tip on the right and when you are high on the left side and he thrusts after you from low to high, defend with the half sword with the point coming from below in the defense, turn the tip in his left arm and the pommel outside to his right arm, and pull him forward.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|2|lbl=44.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/26|3|lbl=13r.3}}

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/27|1|lbl=13v.1}}
| {{section|Page:Cod.I.6.2º.2 63r.jpg|2|lbl=63r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/51|2|lbl=40.2}}

|- 
| rowspan="2" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt E.png|x250px|center]]
| [[File:Paurenfeyndt B.png|x250px|center]]
|}
''[This illustration is inverted in ''Ergrundung Ritterlicher Kunst der Fechterey''.]''
| <p>[100] '''The fourth precept'''</p>

<p>On the other hand, if you are low on your left side and someone thrusts at you from above and you hold your sword in your right hand and your point in your other hand, parry with your half-sword such that your point goes up at the moment of your parry, then wind inside their left arm with your pommel and onto the outside of their right arm with your point. If they let go, grab between their legs with your pommel and press up away from you. You can do this every time you wind in, just always step backwards in your winding in. But if you clasp your sword in your left hand and your point in your right and someone thrusts at you from above, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward. In the previous play, if turn your point upwards, you have both the winding in and the shooting through, below and above and if someone strikes or thrusts at you, then be ready for the wrenching down or the winding in.</p>
| <p>'''The fourth instruction'''</p>

<p>If you are then at your left side and if he thrusts from high after you and you have your sword on your right hand and the tip on the left hand, defend with the half sword such that the tip comes high in the defense and turn inside with your pommel in his left arm to the tip outside his right arm. If he lets go, move your pommel in between his legs and press high. This can oftentimes be done when you turn in, but always step backwards in turning. Then if you take your sword on the left hand and the tip on the right and if he thrusts then turn with the tip in his right arm to the pommel outside to his right arm and pull him forward. In the aforementioned pieces you turn your point high, thus you can turn and pass beyond from low and from high. And if someone strikes after you, be ready to stretch and turn in.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|1|lbl=46.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/27|2|lbl=13v.2}}
| 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/53|1|lbl=42.1}}

|- 
| <p>[101] Note the half sword to the face and to the belly and the thrust downwards with the cross and with the pommel between the eyes or around the neck and step around them. </p>
| <p>Note the half sword to the face and the cutting edge low with the cross and the pommel to the face around the neck, and step in.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|2|lbl=46.2}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/27|3|lbl=13v.3|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|1|lbl=14r.1|p=1}}
| 
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/53|2|lbl=42.2}}

|- 
| class="noline" rowspan="5" | [[File:Paurenfeyndt 19.jpg|400px|center]]
| <p>[102] '''Rushing in'''</p>

<p>When you wish to rush in, which I firmly do not recommend, let your sword drop when you go in on someone, grab inside their right hand with your left and with your right hand grab onto the inside of their right leg and slip under their right armpit, then left them and carry them away wherever you wish.</p>
| <p>'''Run in or move in'''</p>

<p>When you want to run in someone, which I won’t, let your sword run down when you come to him. Take his right hand with your left and take your right hand on the inside of his right leg and push your head below his right armpit. Thus you raise him and carry him or hurl him wherever you want.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|1|lbl=48.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|2|lbl=14r.2}}
| {{section|Page:Cod.I.6.2º.2 63v.jpg|1|lbl=63v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/55|1|lbl=44.1}}

|- 
| <p>[103] '''Break'''</p>

<p>When someone wishes to run in on you, drive over both of their arms with your right arm and press them firmly into you with your arms, step behind their right foot eith your right and turn yourself to your left side so they fall.</p>
| <p>'''Break'''</p>

<p>When someone wants to run in at you, move your right arm beyond his two arms and press him strongly against you with your arms and step with your right foot behind his and turn to your left side so that he will fall.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|2|lbl=48.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|3|lbl=14r.3}}
| {{section|Page:Cod.I.6.2º.2 63v.jpg|2|lbl=63v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/55|2|lbl=44.2}}
 
|- 
| <p>[104] '''Breaking rushing in'''</p>

<p>When someone wishes to run in on you at the sword, release your right hand from your sword and seize the outside of their right hand with your hand inverted and yank them into you, grab onto their elbow with your left hand and take away their balance.</p>
| <p>'''Break where he moves in'''</p>

<p>When someone wants to run in the sword, remove your right hand from the sword and take his right hand from outside with crossed hand, and pull him towards you. Then take your left hand to his elbow and take away his weight.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|3|lbl=48.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|4|lbl=14r.4}}
| {{section|Page:Cod.I.6.2º.2 63v.jpg|3|lbl=63v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/55|3|lbl=44.3}}

|- 
| <p>[105] '''Another'''</p>

<p>Release your hand from your sword and with your right, drive over their right hand and press them down with it and with your left hand, take their balance away by their elbow.</p>
| <p>'''Another'''</p>

<p>Remove your hand from the sword and move your right hand beyond his, and from here press down and with the left hand take away his weight by taking his elbow.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|4|lbl=48.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|5|lbl=14r.5}}
| {{section|Page:Cod.I.6.2º.2 63v.jpg|4|lbl=63v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/55|4|lbl=44.4}}

|- 
| class="noline" | <p>[105] '''Sword disarm'''</p>

<p>When you have clasped their sword against yours in your left hand and they remain low with their arms, drive up over their sword in front of their right hand with your pommel and wrench to your right side, so that both sword stay with you.</p>
| class="noline" | <p>'''Take his sword'''</p>

<p>When you have taken his sword to yours in your left hand and if he remains low with his arms, raise your pommel above his sword in front of his right hand and pull on your right side so that you remain with two swords.</p>
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|5|lbl=48.5}}
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/28|6|lbl=14r.6}}
| class="noline" | {{section|Page:Cod.I.6.2º.2 63v.jpg|5|lbl=63v.5}}
| class="noline" | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/55|5|lbl=44.5}}

|}
{{master end}}

{{master begin
 | title = Messer
 | width = 180em
}}
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt L.png|x250px|center]]
| [[File:Paurenfeyndt M.png|x250px|center]]
|}
<br/>
[[File:Egenolff 7.jpg|300px|center|thumb]]
| <p>[1] '''The second chapter''' teaches how one shall use their messer advantageously and it has not declined by way of its diverse applicability and it is a predecessor and the chief basis of the other weapons that are used with one hand such as the dussack or dagger, wide dagger or short sword and many other one handed weapons which I will leave out for brevity.</p>
| <p>'''The''' manner for learning to fence with braquemards, short dueling swords<ref>Possibly referring to the dussack.</ref> and other similar short swords with one hand.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|1|lbl=50.1}}
| 
| {{section|Page:Cod.I.6.2º.2 54r.jpg|1|lbl=54r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/57|1|lbl=46.1}}

|- 
| <p>[2] '''The first play'''</p>

<p>Position yourself against the opponent, your left side forwards such that your haft lies by your knee and your point against them. If they strike at you from high, step in the triangle or a false step and shield yourself short and make a follow up strike long </p>
| <p>'''The first piece.'''</p>

<p>Put yourself against him, your left side forward so that your blade is somewhere near from your right knee and the point against him. If he strikes from high, step with the triangle or the false step and parry yourself well short, step and strike long after him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|2|lbl=50.2}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/36|8|lbl=18r.8|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|1|lbl=18v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 54r.jpg|2|lbl=54r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/57|2|lbl=46.2}}

|- 
| <p>[3] '''Break'''</p>

<p>If someone positions themselves as in the picture, position yourself in highpoint and strike a failer at their left ear, then they shield themselves in vain and you win yourself a full strike from their strike.</p>
| <p>'''Break'''</p>

<p>If someone moves to you in long point as in this figure, then be in high point and strike a flying over at him, and he parries for nothing, and you find a good and strong cut.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|3|lbl=50.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|2|lbl=18v.2}}
| {{section|Page:Cod.I.6.2º.2 54r.jpg|3|lbl=54r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/57|3|lbl=46.3}}

|- 
| <p>[4] '''Dismembering'''</p>

<p>Position yourself as it is here. If someone initiates a strike, thrust your messer inwards against their arm from below such that they dismember themselves upon it. This is often used whenever you sit at a table and the opponent stands in front of it or else they are on horseback.</p>
| <p>'''Mutilate the cut'''</p>

<p>If someone moves to you in long point like so, and if someone strikes after you, thrust him with your sword from low to high into his arm. Thus he will mutilate himself.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|4|lbl=50.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|3|lbl=18v.3}}
| {{section|Page:Cod.I.6.2º.2 54r.jpg|4|lbl=54r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/57|4|lbl=46.4}}

|- 
| <p>[5] '''Break'''</p>

<p>When you notice that someone will try to get you to dismember yourself, strike at them with a failer so that they respond in vain, the result of which is that they cannot attain a full strike against you.</p>
| <p>'''Break'''</p>

<p>When you notice that someone wants to mutilate the cut, strike a flying over after him, and he runs for nothing since he cannot have someone cut him to his liking..</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/57|5|lbl=50.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|4|lbl=18v.4}}
| {{section|Page:Cod.I.6.2º.2 54r.jpg|5|lbl=54r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/57|5|lbl=46.5}}

|- 
| rowspan="5" | [[File:Paurenfeyndt 21.jpg|400px|center]]
| <p>[6] '''Play'''</p>

<p>Position yourself against the opponent with your left foot forwards, your point extended well away from you. Place a thrust in their face, then swiftly take it back and hammer it in long. But if they ward that strike, let it run off short and take other work according to advantage.</p>
| <p>'''Piece'''</p>

<p>Put yourself against him, the left foot forward, the edge well long from you and after putting the point in his face, take it again and strike him long inside. But if he returns the long cut to the armpit, run it down well and work otherwise to your advantage.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|1|lbl=52.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|5|lbl=18v.5}}
| {{section|Page:Cod.I.6.2º.2 54v.jpg|1|lbl=54v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/59|1|lbl=48.1}}

|- 
| <p>[7] '''Break'''</p>

<p>When someone lies against you in this way, come from the side and take their strong with the back of your messer and cut through. In this way you uncover them and can come to freer work.</p>
| <p>'''Break'''</p>

<p>When someone really strikes against you and if you take his strong long with the back of your sword by striking beyond, you open him so that you can better come to your accord.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|2|lbl=52.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|6|lbl=18v.6}}
| {{section|Page:Cod.I.6.2º.2 54v.jpg|2|lbl=54v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/59|2|lbl=48.2}}

|- 
| <p>[8] '''Failer'''</p>

<p>Undertake the failer from high point, your left foot forwards and your messer in the air with extended arms. Cut through to the opponent's left ear with a step and let your messer rush through a second step and strike at their right ear with the high parrying action.</p>
| <p>'''Flying over'''</p>

<p>Take from high point the flying over cut, the left foot forward of your sword with arms extended high, and strike with a step to his left ear, letting your sword pass beyond. Step again and launch at his right ear with the high defense.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|3|lbl=52.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/37|7|lbl=18v.7|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|1|lbl=19r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 54v.jpg|3|lbl=54v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/59|3|lbl=48.3}}

|- 
| <p>[9] '''Break'''</p>

<p>When someone executes a failer strike at you, cut down through from above such that you take their second strike away from the control of their hand with the back of your messer, clearing it so you are free to strike and uncover them.</p>
| <p>'''Break'''</p>

<p>When someone launches after you with the flying over cut, that is when he fails at you of his will, strike from high by passing below such that you take his other launching cut out of his hand by putting him with your sword, you open him and put him off for striking.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|4|lbl=52.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|2|lbl=19r.2}}
| {{section|Page:Cod.I.6.2º.2 54v.jpg|4|lbl=54v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/59|4|lbl=48.4}}

|- 
| <p>[10] '''Play'''</p>

<p>When opponent initiates a cut from above, immediately cut in with them and step wth your left foot well to their right side. Let it go empty and draw the turkish pull from the hand over their right arm.</p>
| <p>'''Piece'''</p>

<p>If someone strikes after you, if you strike in likewise with him, step with your left foot well on the right side and let him fail. Shoot beyond his right arms from the right hand.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/59|5|lbl=52.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|3|lbl=19r.3}}
| {{section|Page:Cod.I.6.2º.2 54v.jpg|5|lbl=54v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/59|5|lbl=48.5}}

|- 
| rowspan="5" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt N.png|x250px|center]]
| [[File:Paurenfeyndt O.png|x250px|center]]
|}
<br/>
[[File:Egenolff 8.jpg|300px|center|thumb]]
| <p>[11] '''Play'''</p>

<p>Position yourself with your left foot forward, such that your messer with its point lies in front of your foot. If someone initiates a strike at you, either take their strike from roof guard away with the back of your messer or shoot your point up into their face or else whip the wind stroke around your head.</p>
| <p>'''Piece'''</p>

<p>Put the left foot forward such that your sword is somewhere with the point in front of your foot, and if someone strikes after you, then take the launching cut from above with the back of your sword, or thrust him with the point high to his face, or pull around to his neck with the launching peasants cut.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|1|lbl=54.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|4|lbl=19r.4}}
| {{section|Page:Cod.I.6.2º.2 55r.jpg|1|lbl=55r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/61|1|lbl=50.1}}

|- 
| <p>[12] '''Break'''</p>

<p>Position yourself with your right foot forward such that your messer is against the side your breast, your thumb underneath and the edge up. If you notice that the opponent will shoot up over, then drive their strike away and out of control of their hand short, then step and make a follow up strike long.</p>
| <p>'''Break'''</p>

<p>Put the right foot forward and your sword somewhere to your chest, the thumb down and the edge up. If you see that he wants to advance the sword, then strike his edge with a short cut out of his hand, and step striking nearby from the long cut. </p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|2|lbl=54.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|5|lbl=19r.5}}
| {{section|Page:Cod.I.6.2º.2 55r.jpg|2|lbl=55r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/61|2|lbl=50.2}}

|- 
| <p>[13] '''Another'''</p>

<p>Position yourself with your right foot forward, your messer against your breast, your edge up, your point towards the opponent. In this way you are either able to strike the change cut from below or above or else thrust your point into their face and swiftly take it back, thus you accumulate a parrying action along with your strike over the right arm.</p>
| <p>'''Another'''</p>

<p>Put your right foot forward, have the sword to the chest with the edge up and the point towards him, and have the change strike from below and from above, or thrust him with the point to his face and parry immediately. Thus you find a defense with the launching cut over the right arm.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|3|lbl=54.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|6|lbl=19r.6}}
| {{section|Page:Cod.I.6.2º.2 55r.jpg|3|lbl=55r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/61|3|lbl=50.3}}

|- 
| <p>[14] '''Break'''</p>

<p>If someone lay against you in this way, lash out at them and let your first strike rush through short, step and strike long into their face from roof guard.</p>
| <p>'''Break'''</p>

<p>If someone is against you as such and you hew straight in against him, letting the first cut launch well short, pass beyond, then step and strike the long cut from high to his face.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|4|lbl=54.4}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/38|7|lbl=19r.7|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|1|lbl=19v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 55r.jpg|4|lbl=55r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/61|4|lbl=50.4}}

|- 
| <p>[15] '''Play'''</p>

<p>Position yourself with your right foot forward, your messer at your knee, with your hand inverted. If someone strikes at you from roof guard, step away from their strike with your left foot and turn it away with the back of your messer and draw it over their right hand.</p>
| <p>'''Piece'''</p>

<p>Put your right foot forward, your sword in crossed hands on your knee. If someone strikes from above, then step with the left foot back from his launching cut and block his cut with the back of your sword. Then shoot beyond his right hand.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/61|5|lbl=54.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|2|lbl=19v.2}}
| {{section|Page:Cod.I.6.2º.2 55r.jpg|5|lbl=55r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/61|5|lbl=50.5}}

|- 
| rowspan="4" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt A.png|x250px|center]]
| [[File:Paurenfeyndt M.png|x250px|center]]
|}
| <p>[16] '''Play'''</p>

<p>When someone meets you with a sword or pig spear and you only have a messer, position yourself as shown here. If they strike a buffalo strike from roof guard, step in the triangle and parry the strike short, in this way they err by opening themselves up, so swiftly make a follow up step and strike before they come to their senses.</p>
| <p><br></p>

<p>If someone meets you with a sword in two hands or other similar defense, and when you only have a braquemard or some other small sword, put yourself here. If he aggresses long above, then pull yourself in the triangle, blocking his launching cut well short. It must be that you open him, then step vigorously after and strike before he retakes his cut.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|1|lbl=56.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|3|lbl=19v.3}}
| {{section|Page:Cod.I.6.2º.2 55v.jpg|1|lbl=55v.1}}
| <p><br/></p>

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/63|1|lbl=52.1}}

|- 
| <p>[17] '''Break'''</p>

<p>When you have overcommited yourself, yank your pommel up such that the opponent unloads on your flat, which gains you a powerful strike upon them.</p>
| <p>'''Break'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|2|lbl=56.2}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/39|4|lbl=19v.4|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|1|lbl=20r.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 55v.jpg|2|lbl=55v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/63|2|lbl=52.2}}

|- 
| <p>[18] '''Play'''</p>

<p>When someone meets you with a sword or dussack or other weapons and you do not have any weapon, take precise note of their strike and step into the triangle or into a false step and grasp the top of their right hand with your right hand and with your left hand grab their right elbow, take their momentum and sling them to the ground.</p>
| <p>'''Piece'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|3|lbl=56.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|2|lbl=20r.2}}
| {{section|Page:Cod.I.6.2º.2 55v.jpg|3|lbl=55v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/63|3|lbl=52.3}}

|- 
| <p>[19] '''With empty hands'''</p>

<p>When someone initiates a thrust with their dussack from below, drop your left hand on their right hand and hold it firmly and grab their messer with your right hand inverted and twist their messer up from below with their point towards their body and press against the messer from behind with your chest so that you stab them with their own weapon.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/63|4|lbl=56.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|3|lbl=20r.3}}
| {{section|Page:Cod.I.6.2º.2 55v.jpg|4|lbl=55v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/63|4|lbl=52.4}}

|- 
| rowspan="2" | 
{| style="margin:0 auto;"
| [[File:Paurenfeyndt L.png|x250px|center]]
| [[File:Paurenfeyndt O.png|x250px|center]]
|}
| <p>[20] '''The Key'''</p>

<p>This is called the key because it disarms all devices and it goes like this. When someone thrusts at you with a messer, dagger or awl and you do not have any weapon in your hands, stand still and place your hands one atop of the other crosswise in front you. From this you can disarm any device one thrusts at you, above or below.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|1|lbl=58.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|4|lbl=20r.4}}
| {{section|Page:Cod.I.6.2º.2 56r.jpg|1|lbl=56r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|1|lbl=53.1}}

|- 
| <p>[21] '''These are the breaks from the key with empty hands'''</p>

<p>When someone initiates a thrust from above with a dussack, invert your right hand and clasp their right arm up by their hand and wrench it around and with your left hand, take their balance at their elbow and slam them onto the ground.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|2|lbl=58.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|5|lbl=20r.5}}
| {{section|Page:Cod.I.6.2º.2 56r.jpg|2|lbl=56r.2}}
| <p><br/></p>

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|2|lbl=53.2}}

|- 
| rowspan="2" | [[File:Egenolff 9.jpg|300px|center|thumb]]
| <p>[22] '''Another with empty hands'''</p>

<p>When someone initiates a thrust from below, grab their arm with both hands and rush their arm through and wrench it around so that you break their arm and take their messer.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|3|lbl=58.3}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/40|6|lbl=20r.6|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/41|1|lbl=20v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 56r.jpg|3|lbl=56r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|3|lbl=53.3}}

|- 
| <p>[23] Seize their arm with both hands and wrench it around and turn yourself through to your right side and break their arm over your left shoulder.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/65|4|lbl=58.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/41|2|lbl=20v.2}}
| {{section|Page:Cod.I.6.2º.2 56r.jpg|4|lbl=56r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|4|lbl=53.4}}

|- 
| rowspan="3" | [[File:Paurenfeyndt 25.jpg|400px|center]]
<br/>
[[File:Egenolff 10.jpg|300px|center|thumb]]
| <p>[24] '''With weaponless hands'''</p>

<p>Seize their arm with both hands and step fully into them, turn yourself to your right side and break their arm atop your chest.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|1|lbl=60.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|1|lbl=21r.1}}
| {{section|Page:Cod.I.6.2º.2 56v.jpg|1|lbl=56v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|5|lbl=53.5}}

|- 
| <p>[25] '''Or execute wrestling'''</p>

<p>Quickly move your left hand against the front of their throat and step behind their right foot with your left foot and throw them over your left knee with your foot.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|2|lbl=60.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|2|lbl=21r.2}}
| {{section|Page:Cod.I.6.2º.2 56v.jpg|2|lbl=56v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/64|6|lbl=53.6}}

|- 
| <p>[26] '''Another with empty hands'''</p>

<p>Seize their right hand with your left and with your right seize them underneath their elbow and yank them towards you with it and with your left hand shove them away from you and spring behind their left foot with your right and throw them over your right knee with your foot.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|3|lbl=60.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/42|3|lbl=21r.3}}
| {{section|Page:Cod.I.6.2º.2 56v.jpg|3|lbl=56v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/65|1|lbl=54.1}}

|- 
| rowspan="2" | [[File:Egenolff 11.jpg|300px|center|thumb]]
| <p>[27] '''How one shall restrain someone thrown'''</p>

<p>When you throw someone, always fall on their right side with your right knee between their legs and with your left hand, fall forward into their neck and do not be too eager, so that you do not fall too far over them and then seize their weapon and work with it according to your landing.</p>
| <p>'''How one will hold him to the ground'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|4|lbl=60.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/43|1|lbl=21v.1}}
| {{section|Page:Cod.I.6.2º.2 56v.jpg|4|lbl=56v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/65|2|lbl=54.2}}

|- 
| <p>[28] '''Another'''</p>

<p>If someone falls on their back, grab both of their legs below the knees with both hands and lift them up and drop between their legs onto their testicles with your knee and in this way hold both of their legs with one hand and work with your weapon with the other.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/67|5|lbl=60.5}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/43|2|lbl=21v.2}}
| {{section|Page:Cod.I.6.2º.2 56v.jpg|5|lbl=56v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/65|3|lbl=54.3}}

|- 
| rowspan="5" | [[File:Paurenfeyndt 26.jpg|400px|center]]
<br/>
[[File:Egenolff 6.jpg|300px|center|thumb]]
| <p>[29] '''Rushing in'''</p>

<p>When someone strikes a buffalo strike from roof guard, strike outward such that they don't overrun you. If they strike into your strike, take your messer in your left hand close to the point and rush under their strike in such a way that you land it in side their strike while their swing is over their head and quickly move in completely back behind the pit of their knee. Thereafter, draw them towards you such that they fall backwards on their head.</p>
| <p>'''Move in'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|1|lbl=62.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/44|1|lbl=22r.1}}
| {{section|Page:Cod.I.6.2º.2 57r.jpg|1|lbl=57r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/67|1|lbl=56.1}}

|- 
| <p>[30] '''Another'''</p>

<p>When someone hands over a buffalo strike to you, set the back of your messer on your left arm with strength such that they do not slam you to the ground. And spring under their strike with a high parrying action, grab their right hand with your left and break their arm from the hand. You uncover them with this and deliver a buffalo strike, etc.</p>
| <p>'''Another'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|2|lbl=62.2}}
| 
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/44|2|lbl=22r.2|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|1|lbl=22v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 57r.jpg|2|lbl=57r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/67|2|lbl=56.2}}

|- 
| <p>[31] '''Play'''</p>

<p>When someone has broken your right hand, follow behind the strike and grab their right shoulder with your left hand and position them into weakness with your right foot behind the pit of their left knee and shove them away from you so that they fall.</p>
| <p>'''Piece'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|3|lbl=62.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|2|lbl=22v.2}}
| {{section|Page:Cod.I.6.2º.2 57r.jpg|3|lbl=57r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/67|3|lbl=56.3}}

|- 
| <p>[32] '''Thrust breaking'''</p>

<p>Whenever someone initiates a thrust, be it from above or below, carry it away from your face with the back of your messer and execute the wind strike upon them or other work.</p>
| <p>'''Break his thrust'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|4|lbl=62.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|3|lbl=22v.3}}
| {{section|Page:Cod.I.6.2º.2 57r.jpg|4|lbl=57r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/67|4|lbl=56.4}}

|- 
| <p>[33] '''Break'''</p>

<p>Whenever you notice someone will break your thrust suddenly abort it so that they cannot mount you, in this way they err and open themselves up with it.</p>
| <p>'''Break'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/69|5|lbl=62.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|4|lbl=22v.4}}
| {{section|Page:Cod.I.6.2º.2 57r.jpg|5|lbl=57r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/67|5|lbl=56.5}}

|- 
| class="noline" rowspan="6" | [[File:Paurenfeyndt 27.jpg|400px|center]]
| <p>[34] '''Removing the wing'''</p>

<p>Set yourself up with your right foot forwards with an inverted hanging point. If someone strikes up from below into your face, step and cut under their right shoulder from below and invert your right hand with armpit slicing. Push against their right shoulder with your left hand so that they must turn and uncover themselves.</p>
| <p>'''Electing the flock'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|1|lbl=64.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|5|lbl=22v.5}}
| {{section|Page:Cod.I.6.2º.2 57v.jpg|1|lbl=57v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|1|lbl=58.1}}

|- 
| <p>[35] '''Break'''</p>

<p>Whenever someone cuts into your armpit and will remove your "wing", reach over their right hand, through their arms with your messer, behind their haft and retrieve your messer near the point with your hand inverted and barred and then pull towards yourself so that you take their messer.</p>
| <p>'''Break'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|2|lbl=64.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|6|lbl=22v.6}}
| {{section|Page:Cod.I.6.2º.2 57v.jpg|2|lbl=57v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|2|lbl=58.2}}

|- 
| <p>[36] '''Messer disarm'''</p>

<p>Note when someone initiates a strike such that you have misfired, wrap your arm around their dussack and force it upwards, turn yourself away from them and take it over your shoulder.</p>
| <p>'''Take his sword.'''</p>

<p></p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|3|lbl=64.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/45|7|lbl=22v.7}}
| {{section|Page:Cod.I.6.2º.2 57v.jpg|3|lbl=57v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|3|lbl=58.3}}

|- 
| <p>[37] '''Break'''</p>

<p>Fall upon them to wrestle from behind.</p>
| <p>'''Break'''</p>

<p>Move in behind him</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|4|lbl=64.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|1|lbl=23r.1}}
| {{section|Page:Cod.I.6.2º.2 57v.jpg|4|lbl=57v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|4|lbl=58.4}}

|- 
| <p>[38] '''Counter break'''</p>

<p>Thrust into their genitals from through their legs.</p>
| <p>counter break</p>

<p>thrust between his legs to his testicles.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|5|lbl=64.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|2|lbl=23r.2}}
| {{section|Page:Cod.I.6.2º.2 57v.jpg|5|lbl=57v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|5|lbl=58.5}}

|- 
| class="noline" | <p>[39] '''Double thrust'''</p>

<p>Thrust into their face from above such that they do not catch your thrust. Take another step, thrust with your hand turned around, also from above. With this you have a parrying action in taking it away, let it run off short, then you win a sure strike.</p>
| class="noline" | <p>'''Double thrust'''</p>

<p></p>
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/71|6|lbl=64.6}}
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/46|3|lbl=23r.3}}
| class="noline" | {{section|Page:Cod.I.6.2º.2 57v.jpg|6|lbl=57v.6}}
| class="noline" | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/69|6|lbl=58.6}}

|}
{{master end}}

{{master begin
 | title = Staff
 | width = 210em
}}
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[Matthew Newhouse]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Manuscript]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Jens P. Kleinau]]</p>

|- 
| rowspan="8" | [[File:Paurenfeyndt 28.jpg|400px|center]]
| <p>[1] '''The''' third chapter summarizes expertise in the staff which is the source of many weapons, such as the long spear, javelin, boar spear, halberd, and pike. Similar ones are given many peculiar names I will not list for the sake of brevity.</p>
| <p>The manner for playing with the light lance, which is the cause or source of play with the lances or pikes, halberds, guisarmes, and other similar arms.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|1|lbl=66.1}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/88|1|lbl=44r.1}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|1|lbl=58r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|1|lbl=60.1}}
| {{paget|Page:MS Germ.Quart.2020|075r|jpg|lbl=75r}}

|- 
| <p>[2] '''Binding'''</p>

<p>The staff has eight parrying actions. Four binds with two above and two below with one on each side in any hand and two in the middle of the staff.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|2|lbl=66.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/88|2|lbl=44r.2}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|2|lbl=58r.2}}
| 
| {{paget|Page:MS Germ.Quart.2020|077r|jpg|lbl=77r}}

|- 
| <p>[3] '''Play'''</p>

<p>When you bind their staff from above from your right side, shoot your point into their breast or work it over their staff into their right shoulder. If they ward it, strike into their right side from below with the other point of your staff or else bind against their staff from the outside and strike it out of their right hand. </p>
| <p>'''Play'''</p>

<p>When you bind over the right hand on his staff, drive the point to him on the chest, or work over the staff toward the right shoulder; if he turns that, strike under in his right side with the other end of the staff, or bind from outside to his staff, and strike him behind the right hand.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|3|lbl=66.3}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/88|3|lbl=44r.3|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|1|lbl=44v.1|p=1}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|3|lbl=58r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|2|lbl=60.2}}
| {{paget|Page:MS Germ.Quart.2020|077v|jpg|lbl=77v}}

|- 
| <p>[4] '''Play'''</p>

<p>When you bind your opponent, whichever hand it is, hold your forward hand still and swiftly yank your staff back with the other hand. With your forward hand thrust it into their breast with the other point to both sides.</p>
| <p>'''Play'''</p>

<p>When you bind over with whichever of his hands, hold the forward hand still and push the staff with the other, guard the forward hand, and thrust to him on the chest from the other end.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|4|lbl=66.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|2|lbl=44v.2}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|4|lbl=58r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|3|lbl=60.3}}
| {{section|Page:MS Germ.Quart.2020 078r.jpg|1|lbl=78r.1}}

|- 
| <p>[5] '''Play'''</p>

<p>If you bind your opponent from above, keep that point against their staff and whisk your other point below, against their arm and lift it up with force and rush completely through and throw them over your leg.</p>
| <p>'''Play'''</p>

<p>When you bind him over stay with the same end to his staff and with the other end, run to him under his arm, and lift it with force and run him all through or pass over and throw over your legs.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|5|lbl=66.5}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|3|lbl=44v.3}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|5|lbl=58r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|4|lbl=60.4}}
| {{section|Page:MS Germ.Quart.2020 078r.jpg|2|lbl=78r.2}}

|- 
| <p>[6] '''Break'''</p>

<p>When someone does that to you, shoot your point over their staff and strike them on their head with the other point.</p>
| <p>'''Break'''</p>

<p>When anyone does that to you as above, throw your end over his staff, and then strike the other end to him on his head.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|6|lbl=66.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|4|lbl=44v.4}}
| {{section|Page:Cod.I.6.2º.2 58r.jpg|6|lbl=58r.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|5|lbl=60.5}}
| 

|- 
| <p>[7] '''Play'''</p>

<p>When someone binds you from above with half staff, take their upper point out of their hand with your lower point, step, shove and strike, so that you can come to further work without harm.</p>
| <p>'''Play'''</p>

<p>If anyone fixedly binds over to the face with half-staff, take his over with your low end sent from the hand, step and strike; thus you return to the working without harm.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|7|lbl=66.7}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|5|lbl=44v.5}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|1|lbl=58v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|6|lbl=60.6}}
| {{paget|Page:MS Germ.Quart.2020|078v|jpg|lbl=78v}}

|- 
| <p>[8] '''Break'''</p>

<p>When someone takes your point away, let your lower point shoot into their face and drop into a calm and confident parry. But if they thrust, turn it away from your face so that they come back into your control.</p>
| <p>'''Break'''</p>

<p>When anyone takes your end, allow the end to fall over in his face and drop to the starting defense, if he repels, turn off from the face when he gives it and set to defend.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/73|8|lbl=66.8}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|6|lbl=44v.6}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|2|lbl=58v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/71|7|lbl=60.7}}
| {{paget|Page:MS Germ.Quart.2020|079r|jpg|lbl=79r}}

|- 
| rowspan="5" | [[File:Paurenfeyndt 29.jpg|400px|center]]
<br/>
[[File:Egenolff 33.jpg|300px|center|thumb]]
| <p>[9] '''Play'''</p>

<p>Position yourself into a parry, your staff on the ground in front of you, the other point in front of your face. If someone initiates a thrust, wind their staff using your staff above your hand. You uncover them with this. Accompany that thrust [with one] to their face. </p>
| <p>'''Play'''</p>

<p>Place your defense, the staff before you with the long end to the ground and the other before your face. If anyone thrusts at you turn from him his staff over the hand with your staff, by which you uncover him, so step to him and thrust boldly at his face.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/75|1|lbl=68.1}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/90|1|lbl=45r.1}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|3|lbl=58v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/73|1|lbl=62.1}}
| {{paget|Page:MS Germ.Quart.2020|079v|jpg|lbl=79v}}

|- 
| <p>[10] '''Break'''</p>

<p>When someone winds your staff out, recede from their thrust and throw them overhead so that you win a full strike with your parry.</p>
| <p>'''Break'''</p>

<p>When anyone turns your staff outside, go back away from his blow and throw it over the head, therefore you gain a strong blow with the defense.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/75|2|lbl=68.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/90|2|lbl=45r.2}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|4|lbl=58v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/73|2|lbl=62.2}}
| {{section|Page:MS Germ.Quart.2020 080r.jpg|1|lbl=80r.1}}

|- 
| <p>[11] '''Play'''</p>

<p>If someone initiates a strike down to your feet or knees with their staff, then throw your staff to your left side, drive against their strike with your point to the ground and spring behind their left foot with your right so that you gain an advantage.</p>
| <p>'''Play'''</p>

<p>If anyone strikes at your feet or knees, throw your staff with the end, on your left side, and bind with the other end on the ground against his falling blow, and jump with the right foot behind his left.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/75|3|lbl=68.3}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|7|lbl=44v.7}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|5|lbl=58v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/73|3|lbl=62.3}}
| {{section|Page:MS Germ.Quart.2020 080r.jpg|2|lbl=80r.2}}

|- 
| <p>[12] '''Play'''</p>

<p>Thrust into their face from the inside. ut if they ward and turn away your thrust, quickly move your other point around their neck over their right shoulder and spring behind their left foot with your right and throw them over it.</p>
| <p>'''Play'''</p>

<p>Thrust to him inside at the face, if he turns that, pull and thrust at the other side; if he also defends that, and turns away the blow, bind with the other end over the right shoulder about the neck and jump with the right foot before his left, and throw him over it.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/75|4|lbl=68.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|8|lbl=44v.8}}
| {{section|Page:Cod.I.6.2º.2 58v.jpg|6|lbl=58v.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/73|4|lbl=62.4}}
| {{paget|Page:MS Germ.Quart.2020|080v|jpg|lbl=80v}}

|- 
| <p>[13] '''Break'''</p>

<p>When someone moves their staff around your neck, grab their right arm with your left hand and turn away from them to your right side and throw them over your left hip.</p>
| <p>'''Break'''</p>

<p>When anyone binds you with his staff, take his right arm with your left hand, and turn yourself from him on your right side and throw him over your left thigh.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/75|5|lbl=68.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/89|9|lbl=44v.9}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|1|lbl=59r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/73|5|lbl=62.5}}
| {{paget|Page:MS Germ.Quart.2020|081r|jpg|lbl=81r}}

|- 
| rowspan="6" | [[File:Paurenfeyndt 30.jpg|400px|center]]
| <p>[14] '''Play'''</p>

<p>Position yourself with your left foot forwards, your staff in front of your face in a powerful thrust, bait them with a thrust, take it back, reach atop your staff with your right hand and strike with your hand inverted and step inside, fully into them, thus they will draw up a parry. With that, you can work further.</p>
| <p><br/></p>

<p>Place yourself with the left foot forward, the staff to the face for thrusting, offer to him the blow and take it back; bind with your right hand over the staff, and strike to the crossed hand, and step well inside, thus you will have a defense in drawing it off, with which you are able to work.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|1|lbl=70.1}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/90|3|lbl=45r.3}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|2|lbl=59r.2}}
| <p><br/></p>

{{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|1|lbl=64.1}}
| {{paget|Page:MS Germ.Quart.2020|081v|jpg|lbl=81v}}

|- 
| <p>[15] '''Break'''</p>

<p>When someone strikes across your hand, do not respond to the strike with any parry, thus they misfire in proportion to it's power and that clears the opening for you to their harm.</p>
| <p>'''Break'''</p>

<p>When anyone strikes you over the hand, take the stroke with no defense; he fails to enforce it, and he opens himself all exposed to his harm.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|2|lbl=70.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/90|4|lbl=45r.4}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|3|lbl=59r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|2|lbl=64.2}}
| 

|- 
| <p>[16] '''With half staff'''</p>

<p>Position yourself with your right foot forward, your staff in both hands, gripped in the middle. If someone sets into your face with power, take it from roof guard with the back point, in this way you acquire the freedom to thrust or strike.</p>
| <p>'''With half staff'''</p>

<p>Place your right foot forward, the staff gripped at the middle with two hands. If anyone forcefully sets to you to the face, take that with the back end from above, thus you actually gain the thrust and the strike.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|3|lbl=70.3}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|1|lbl=46r.1}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|4|lbl=59r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|3|lbl=64.3}}
| {{paget|Page:MS Germ.Quart.2020|082r|jpg|lbl=82r}}

|- 
| <p>[17] '''Break'''</p>

<p>When someone intrudes with half staff and rattles you about the ears, fall back and set into their face with authority. No one comes away from you without harm.</p>
| <p>'''Break'''</p>

<p>When anyone binds you with the half-staff and strikes you about the ears, withdraw yourself off and set to him forcefully to the face, and he will not come for you without harm.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|4|lbl=70.4}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|2|lbl=46r.2}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|5|lbl=59r.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|4|lbl=64.4}}
| 

|- 
| <p>[18] '''Play'''</p>

<p>If someone initiates a thrust from below, do not defend it, rather set into their face.</p>
| <p>'''Play'''</p>

<p>If anyone thrusts from below at you, do not defend, but set to him at the face.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|5|lbl=70.5}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|3|lbl=46r.3}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|6|lbl=59r.6}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|5|lbl=64.5}}
| <p><br/></p>

{{section|Page:MS Germ.Quart.2020 082v.jpg|1|lbl=82v.1}}

|- 
| <p>[19] '''Break'''</p>

<p>If someone sets into your face, simlutaneously thrust in with them and pay attention to their left arm.</p>
| <p>'''Break'''</p>

<p>If anyone sets to you at the face, thrust similarly with him, and pay attention to his left arm.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/77|6|lbl=70.6}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|4|lbl=46r.4}}
| {{section|Page:Cod.I.6.2º.2 59r.jpg|7|lbl=59r.7}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/75|6|lbl=64.6}}
| <p><br/></p>

{{section|Page:MS Germ.Quart.2020 082v.jpg|2|lbl=82v.2}}

|- 
| class="noline" rowspan="10" | [[File:Paurenfeyndt 31.jpg|400px|center]]
| <p>[20] '''Play'''</p>

<p>Position yourself with your right foot forwards, such that your staff lies behind you ready for a strike. Yank and throw your staff to their right side from extension so that they must shield themselves from harm and must give you a swing to the left side.</p>
| <p>'''Play'''</p>

<p>Place your right foot forward so that your staff lies behind you for the stroke; draw and throw the staff to him from far away, or with the length in his right side; it will be necessary for him to reset the defense to his harm, and to give the cover toward the left side.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/79|1|lbl=72.1}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|5|lbl=46r.5}}
| {{section|Page:Cod.I.6.2º.2 59v.jpg|1|lbl=59v.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|1|lbl=66.1}}
| {{section|Page:MS Germ.Quart.2020 082v.jpg|3|lbl=82v.3}}

|- 
| <p>[21] '''Break'''</p>

<p>When someone throws their staff into your sides, place your point onto the ground and turn away to both sides. Thereafter follow up with a thrust into their face or move your staff between their legs and throw them.</p>
| <p>'''Break'''</p>

<p>When anyone throws the staff to you at the side, Place the end of your staff on the ground and turn it off to both sides, then thrust to him at the face: and thrust the staff between the two legs, and throw him to the ground.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/79|2|lbl=72.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|6|lbl=46r.6}}
| {{section|Page:Cod.I.6.2º.2 59v.jpg|2|lbl=59v.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|2|lbl=66.2}}
| {{section|Page:MS Germ.Quart.2020 082v.jpg|4|lbl=82v.4}}

|- 
| <p>[22] '''Play'''</p>

<p>If someone thrusts into your face such that you should defend, displace their thrust with the forward point (your right hand) and set into their face.</p>
| <p>'''Break'''</p>

<p>If anyone thrusts to you at the face you will turn it, block the blow with the end in front of your right hand: and set to him in his face.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/79|3|lbl=72.3}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|7|lbl=46r.7}}
| {{section|Page:Cod.I.6.2º.2 59v.jpg|3|lbl=59v.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|3|lbl=66.3}}
| <p><br/></p>

{{section|Page:MS Germ.Quart.2020 083v.jpg|1|lbl=83v.1}}

|- 
| <p>[23] '''Play'''</p>

<p>When someone lets your strike miss and your strike trails off in vain or they refrained to extend, therefore you misfire; always yank your staff upwards, therefore you shield yourself and come to further work.</p>
| <p>'''Play'''</p>

<p>When anyone allows you to fail to strike, and the stroke from his favor is allowed to pass, from what you misstrike yourself, always draw the staff high, by which you defend yourself, and are able to return once more to the first working.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/79|4|lbl=72.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/92|8|lbl=46r.8}}
| {{section|Page:Cod.I.6.2º.2 59v.jpg|4|lbl=59v.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|4|lbl=66.4}}
| <p><br/></p>

{{section|Page:MS Germ.Quart.2020 083v.jpg|2|lbl=83v.2}}

|- 
| <p>[24] '''Break'''</p>

<p>When someone has misfired and managed to accomplish their parry, thrust down from above into their face from the inside so that they must turn away your thrust. And when then defend your thrust, strengthen yourself against them, such that your point becomes wound between both their hands and their body, then you take their staff out of their hands.</p>
| <p>'''Break'''</p>

<p>When anyone has blocked the cut, and helps himself with his defense, thrust to him through the defense at the face, it becomes necessary for him to turn off the blow or to block, and the turned blow fortifies you against him so that your end wins itself between his two hands and his body; and lift upwards, thus you take from him his staff.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/79|5|lbl=72.5}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/93|1|lbl=46v.1}}
| {{section|Page:Cod.I.6.2º.2 59v.jpg|5|lbl=59v.5}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|5|lbl=66.5}}
| 

|- 
| <p>[25] '''Play'''</p>

<p>Position yourself with your left foot forward, your staff in the air. Strike through short to the opponent's left shoulder such that they cannot catch your strike and step on in long with the second strike so that you can immediately work at their side.</p>
| <p>'''Play'''</p>

<p>Place your left foot forward, the staff in the high position, and strike short at his left shoulder, that he cannot take the staff, and step to him far inside with the other stroke, thus you can likewise work with him.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/80|1|lbl=73.1}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/93|2|lbl=46v.2}}
| <p><br/></p>

{{section|Page:Cod.I.6.2º.2 70r.jpg|1|lbl=70r.1}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/77|6|lbl=66.6}}
| <p><br/></p>

{{section|Page:MS Germ.Quart.2020 083v.jpg|3|lbl=83v.3}}

|- 
| <p>[26] '''Break'''</p>

<p>Whenever someone strikes through short, let it flit away and intervene in the speaking window such that their strike comes between both your hands. Thereafter, thrust your point into their chest.</p>
| <p>'''Break'''</p>

<p>When anyone strikes short at you: allow it to descend and drive in the cross before you so that his stroke comes between your two hands then thrust to him with the end on his chest.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/80|2|lbl=73.2}}
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/93|3|lbl=46v.3}}
| {{section|Page:Cod.I.6.2º.2 70r.jpg|2|lbl=70r.2}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|1|lbl=67.1}}
| {{section|Page:MS Germ.Quart.2020 083v.jpg|4|lbl=83v.4}}

|- 
| <p>[27] '''Play'''</p>

<p>If someone were to strike to the pit of your left knee, with your right hand turn your staff towards the ground and with your left hand hold the other point in front of your face and catch their strike between both your hands and with your staff, wind it from below, up over their staff near their hands and lift up to your side so that you pull their staff from their hands.</p>
| <p>'''Play'''</p>

<p>If anyone has struck you at the bend of the knees, turn the staff with the right hand against the ground, and with the left hand hold the other end from your face, and take the cut between your two hands, and turn from under over his staff before the two hands, and lift high on your left side thus drawing the staff out of his hands.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/80|3|lbl=73.3}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/93|4|lbl=46v.4}}
| {{section|Page:Cod.I.6.2º.2 70r.jpg|3|lbl=70r.3}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|2|lbl=67.2}}
| <p><br/></p>

{{paget|Page:MS Germ.Quart.2020|084r|jpg|lbl=84r}}

|- 
| <p>[28] '''Play'''</p>

<p>When someone strikes down from above at your head with their staff, catch their strike between both of your hands with your staff and with the forward part of your staff wind down from above over their hands to your left side and firmly pull towards yourself to your left side so that you pull their staff from their hands.</p>
| <p>'''Play'''</p>

<p>When anyone strikes you at the face from high to low with his staff, receive the long edge between your two hands on your staff, and turn with the forward end of your staff from high to low on the left side over his hand, and draw strongly toward yourself on your left side thus you pull the staff out of his hands.</p>
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/80|4|lbl=73.4}}
| <p><br/></p>

{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/93|5|lbl=46v.5}}
| {{section|Page:Cod.I.6.2º.2 70r.jpg|4|lbl=70r.4}}
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|3|lbl=67.3}}
| <p><br/></p>

{{paget|Page:MS Germ.Quart.2020|084v|jpg|lbl=84v}}

|- 
| class="noline" | <p>[29] If someone strikes at your forward hand with their staff, break it as you would have broken the high strike to the head above.</p>
| class="noline" | <p>If anyone with a staff has struck at your hand placed before you, break this as the above said blow toward the head is broken.</p>
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/80|5|lbl=73.5}}
| class="noline" | 
| class="noline" | {{section|Page:Cod.I.6.2º.2 70r.jpg|5|lbl=70r.5}}
| class="noline" | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|4|lbl=67.4}}
| class="noline" | 

|}
{{master end}}

{{master begin
 | title = Conclusion
 | width = 180em
}}
{| class="master"
|- 
! <p>Illustrations</p>
! <p>{{rating|C|Draft Translation (from the German)}}<br/>by [[Christian Trosclair]]</p>
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michael&nbsp;Huber]]</p>

|- 
| 
| <p>[1] There is not a person alive who can please everyone.<ref>Rephrasing of Ovid's "Cunctis qui placeat non credo quomodo vivat".</ref></p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|3|lbl=77.3}}
| 
| 
| 

|-
|  
| <p>[2] If I were wished woe,<br/>Then I would cut back bitterly</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|4|lbl=77.4}}
| 
| {{section|Page:Cod.I.6.2º.2 71r.jpg|3|lbl=71r.3}}
| 

|- 
| [[File:Paurenfeyndt 32.jpg|400px|center]]
| <p>[3] With this very excerpt of the Knightly Art of Fighting, I have been moved by many reasons to express this Knightly Art, yet in keeping that particularly diligent in mind, I have strived for conciseness in this little book which I dedicate and present to my students, to which there is no doubt they stand to be diminished, rather than growing and improving day by day, at the point I a mistake somewhere (because to err is human) being careless in obligation, of which I wholly and humbly accept about myself. So, if God bestows upon me grace and health, I will be diligent and will shortly in a new year present to you another and more serious explanation, which will prove itself to be valuable and serious, where the art will be honored daily in complete service to your reign.</p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|1|lbl=78.1}}
| 
| {{section|Page:Cod.I.6.2º.2 71r.jpg|4|lbl=71r.4}}
| 

|- 
| 
| <p>[4] Cobbler, do not make judgements above the shoe.<ref>Rephrasing of the proverb from Pliny, "ne supra crepidam sutor iudicaret".</ref></p>
| 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|2|lbl=78.2}}
| 
| 
| 

|- 
| class="noline" | 
| class="noline" | <p>[5] Vienna, Austria by Hieronymous Vietor<ref>Hieronymous Büttner</ref> 1516</p>
| class="noline" | <p>Printed in the city of Antwerp by me Guillaume Vorsterman staying at the Golden Unicorn. The year one thousand five hundred and thirty eight.</p>
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/85|3|lbl=78.3}}
| class="noline" | 
| class="noline" | {{section|Page:Cod.I.6.2º.2 71r.jpg|5|lbl=71r.5}}
| class="noline" | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|5|lbl=70.5}}
| class="noline" | 

|}
{{master end}}

{{master begin
 | title = Copyright and License Summary
 | width = 100%
}}
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].

<section begin="sourcebox"/>{{sourcebox header}}
{{sourcebox
 | work        = 1516 Illustrations
 | authors     = Unknown
 | source link = http://diglib.hab.de/drucke/hn-236/start.htm
 | source title= Herzog August Bibliothek
 | license     = noncommercial
}}
{{sourcebox
 | work        = 1531 Illustrations
 | authors     = [[Hans Weiditz]]
 | source link = http://daten.digitale-sammlungen.de/bsb00024296/image_1
 | source title= Bayerische Staatsbibliothek
 | license     = noncommercial
}}
{{sourcebox
 | work        = Erlangen scans
 | authors     = [[Universitätsbibliothek Erlangen-Nürnberg]]
 | source link = http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
 | source title= Universitätsbibliothek Erlangen-Nürnberg
 | license     = permission
}}
<!-- {{sourcebox
 | work        = Translation (Intro & long sword)
 | authors     = [[translator::Kevin Maurer]]
 | source link = 
 | source title= Meyer Frei Fechter Guild
 | license     = noncommercial
}} -->
{{sourcebox
 | work        = Translation
 | authors     = [[translator::Christian Trosclair]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
{{sourcebox
 | work        = Translation (Sword)
 | authors     = [[translator::John Tse]]
 | source link = 
 | source title= Wiktenauer
 | license     = noncommercial
}}
<!-- {{sourcebox
 | work        = Translation (Dussack)
 | authors     = [[translator::Mike Rasmusson]]
 | source link = http://www.schielhau.org/lebkommer.html
 | source title= Shielhau.org
 | license     = GNU
}} -->
{{sourcebox
 | work        = Translation (Staff)
 | authors     = [[translator::Matthew Newhouse]]
 | source link = 
 | source title= Texas Armizare
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|First Edition]]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)]]}}
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Der Allten Fechter gründtliche Kunst (Christian Egenolff)‎‎|Egenolff's Edition]]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= [[Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|French Translation]]
 | authors     = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
 | source link = 
 | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}}
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Liber Quodlibetarius (MS B.200)|Erlangen Manuscript]]
 | authors     = [[Dierk Hagedorn]]
 | source link = 
 | source title= [[Index:Liber Quodlibetarius (MS B.200)]]
 | license     = copyrighted
}}
{{sourcebox
 | work        = [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Manuscript]]
 | authors     = [[Michael Chidester]]
 | source link = 
 | source title= [[Index:Über die Fechtkunst und den Ringkampf (MS 963)]]
 | license     = noncommercial
}}
{{sourcebox
 | work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Manuscript]]
 | authors     = [[Jens P. Kleinau]]
 | source link = 
 | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]]
 | license     = linkware
}}
{{sourcebox footer}}<section end="sourcebox"/>
{{master end}}

== Additional Resources ==

* Bauer, Matthias Johannes. ''“Der Alten Fechter gründtliche Kunst” &ndash; Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition''. Coll. Geschichtswissenschaften 37. München: Utz Verlag, 2016. ISBN 978-3-8316-4559-6
* Bauer, Matthias Johannes. "Economising Early Prints on Fight Books by Multiple Using Movable Half Page Woodcuts". ''[[Acta Periodica Duellatorum]]'' '''4'''(2): 99–116, 2016. {{doi|10.36950/apd-2016-015}}
* Bergner, U. and Giessauf, J. ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)''. Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5
* Roelofsen, Mathijs. "La Noble Science des Joueurs d’Espée: Fight Book and Commercial Product". ''[[Acta Periodica Duellatorum]]'' '''8'''(1): 73-88, 2020. {{doi|10.36950/apd-2020-005}}
* [[Rainer Welle|Welle, Rainer]]. "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?" ''Codices manuscripti & impressi.'' Supplementum 12. Purkersdorf: Verlag Brüder Hollinek, 2017.

== References ==

{{reflist}}
{{DEFAULTSORT:Paurenfeyndt, Andre}}
{{Liechtenauer tradition}}
__FORCETOC__

[[Category:Masters]]

[[Category:Research/Background Information]]

[[Category:German]]
[[Category:French]]

[[Category:Dagger]]
[[Category:Dussack]]
[[Category:Greatsword]]
[[Category:Longsword]]
[[Category:Messer]]
[[Category:Pole Weapons]]
[[Category:Staff Weapons]]

[[Category:New format]]