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Difference between revisions of "Martin Syber"
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{{master begin | {{master begin | ||
| title = Long Sword | | title = Long Sword | ||
− | | width = | + | | width = 123em |
}} | }} | ||
<section begin="credits"/> | <section begin="credits"/> | ||
{| class="floated master" | {| class="floated master" | ||
|- | |- | ||
− | ! style="width: | + | ! style="width:33em;" | <p>{{translation rating|B}}<br/>by [[Christian Trosclair]]</p> |
− | |||
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p> | ! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p> | ||
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p> | ! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p> | ||
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<section end="credits"/> | <section end="credits"/> | ||
|- | |- | ||
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| <p>[1] {{red|b=1|Hereafter written is a new recital of the long sword and an extraction<ref>alt: departure</ref> from the previous recital and many other good plays from other master's hands Master Martin Syber had set together and is partitioned in six courses.<ref>The Salzburg differs: Item. The hereafter written new recital Master Martin Syber had prepared and set-down and is a selection of many masterful applications and is partitioned and set down in six courses</ref>}}</p> | | <p>[1] {{red|b=1|Hereafter written is a new recital of the long sword and an extraction<ref>alt: departure</ref> from the previous recital and many other good plays from other master's hands Master Martin Syber had set together and is partitioned in six courses.<ref>The Salzburg differs: Item. The hereafter written new recital Master Martin Syber had prepared and set-down and is a selection of many masterful applications and is partitioned and set down in six courses</ref>}}</p> | ||
| {{section|Page:MS M.I.29 001r.jpg|1|lbl=1r}} | | {{section|Page:MS M.I.29 001r.jpg|1|lbl=1r}} | ||
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|- | |- | ||
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| <p>[2] And the ox and the plow and the part-hew<ref>G & R omit</ref> named therein, together with other hews have another art and explanation than in the first<ref>G: previous</ref><ref>R: previously illustrated</ref> recital and also approaches<ref>zugehen is a synonym for zufechten here</ref> differently.<ref>S: omitted</ref></p> | | <p>[2] And the ox and the plow and the part-hew<ref>G & R omit</ref> named therein, together with other hews have another art and explanation than in the first<ref>G: previous</ref><ref>R: previously illustrated</ref> recital and also approaches<ref>zugehen is a synonym for zufechten here</ref> differently.<ref>S: omitted</ref></p> | ||
| {{section|Page:MS M.I.29 001r.jpg|2|lbl=-}} | | {{section|Page:MS M.I.29 001r.jpg|2|lbl=-}} | ||
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|- | |- | ||
− | | <p> | + | | <p>[3] {{red|b=1|Now here begins the forward and lessons of the recital, thereafter the six courses.}}</p> |
− | <poem><small>[1]</small> | + | {|class="zettel" |
+ | |- | ||
+ | | <poem><small>[1]</small> | ||
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<small>[30]</small></poem> | <small>[30]</small></poem> | ||
− | | | + | | <poem>{{red|Whoever wishes to acquire honor}} |
− | <poem>{{red|Whoever wishes to acquire honor}} | ||
:{{red|Before princes and before lords}} | :{{red|Before princes and before lords}} | ||
{{red|In fencing with the}} sword | {{red|In fencing with the}} sword | ||
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In all of your fencing, be swift. | In all of your fencing, be swift. | ||
:This forward has an end.</poem> | :This forward has an end.</poem> | ||
+ | |} | ||
| | | | ||
{{section|Page:MS M.I.29 001r.jpg|3|lbl=-|p=1}} {{section|Page:MS M.I.29 001v.jpg|1|lbl=1v|p=1}} | {{section|Page:MS M.I.29 001r.jpg|3|lbl=-|p=1}} {{section|Page:MS M.I.29 001v.jpg|1|lbl=1v|p=1}} | ||
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|- | |- | ||
− | | <p> | + | | <p>[4] {{red|b=1|The First Course Has Five Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem> | + | |- |
+ | | <poem> | ||
<small>[35]</small> | <small>[35]</small> | ||
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<small>[40]</small></poem> | <small>[40]</small></poem> | ||
− | | | + | | <poem>{{red|Flick}} the weak to the right |
− | |||
− | <poem>{{red|Flick}} the weak to the right | ||
:Wind through in the fencing | :Wind through in the fencing | ||
With that, make the Flicker | With that, make the Flicker | ||
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In all work, tread around | In all work, tread around | ||
:With the right bowed thrust.</poem> | :With the right bowed thrust.</poem> | ||
+ | |} | ||
| {{section|Page:MS M.I.29 001v.jpg|2|lbl=-}} | | {{section|Page:MS M.I.29 001v.jpg|2|lbl=-}} | ||
| {{section|Page:MS E.1939.65.341 024v.jpg|4|lbl=-}} | | {{section|Page:MS E.1939.65.341 024v.jpg|4|lbl=-}} | ||
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--><section begin="Krumphaw"/> | --><section begin="Krumphaw"/> | ||
|- | |- | ||
− | | <p> | + | | <p>[5] {{red|b=1|The Second Course Has Six Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem> | + | |- |
+ | | <poem> | ||
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<small>[50]</small></poem> | <small>[50]</small></poem> | ||
− | | | + | | <poem>{{red|Crook}} in the strong |
− | |||
− | <poem>{{red|Crook}} in the strong | ||
:wind through with note | :wind through with note | ||
Wind running over | Wind running over | ||
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In all work, tread around<ref>alt: make the first-pass too</ref> | In all work, tread around<ref>alt: make the first-pass too</ref> | ||
:This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | :This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | ||
+ | |} | ||
| {{section|Page:MS M.I.29 001v.jpg|3|lbl=-}} | | {{section|Page:MS M.I.29 001v.jpg|3|lbl=-}} | ||
| {{section|Page:MS E.1939.65.341 024v.jpg|5|lbl=-}} | | {{section|Page:MS E.1939.65.341 024v.jpg|5|lbl=-}} | ||
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--><section end="Krumphaw"/><section begin="Twerhaw"/><section begin="Schilhaw"/> | --><section end="Krumphaw"/><section begin="Twerhaw"/><section begin="Schilhaw"/> | ||
|- | |- | ||
− | | <p> | + | | <p>[6] {{red|b=1|The Third Course Has Seven Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem> | + | |- |
+ | | <poem> | ||
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<small>[60]</small></poem> | <small>[60]</small></poem> | ||
− | | | + | | <poem>{{red|Squint whatever}} comes {{red|from-the-day}} |
− | |||
− | <poem>{{red|Squint whatever}} comes {{red|from-the-day}} | ||
:Thwart-through, do not go crooked | :Thwart-through, do not go crooked | ||
Therein examine his struggle | Therein examine his struggle | ||
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:In all work, tread around | :In all work, tread around | ||
This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | ||
+ | |} | ||
| {{section|Page:MS M.I.29 002r.jpg|1|lbl=2r}} | | {{section|Page:MS M.I.29 002r.jpg|1|lbl=2r}} | ||
| {{section|Page:MS E.1939.65.341 025r.jpg|1|lbl=25r}} | | {{section|Page:MS E.1939.65.341 025r.jpg|1|lbl=25r}} | ||
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--><section end="Schilhaw"/><section end="Twerhaw"/><section begin="Scheitelhaw"/> | --><section end="Schilhaw"/><section end="Twerhaw"/><section begin="Scheitelhaw"/> | ||
|- | |- | ||
− | | <p> | + | | <p>[7] {{red|b=1|The Fourth Course Has Five Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem> | + | |- |
+ | | <poem> | ||
<small>[65]</small></poem> | <small>[65]</small></poem> | ||
− | | | + | | <poem>Thrust through {{red|the Ox}} |
− | |||
− | <poem>Thrust through {{red|the Ox}} | ||
:With two great steps | :With two great steps | ||
Wind and counter wind | Wind and counter wind | ||
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In all work, tread around | In all work, tread around | ||
:This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | :This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | ||
+ | |} | ||
| {{section|Page:MS M.I.29 002r.jpg|2|lbl=-}} | | {{section|Page:MS M.I.29 002r.jpg|2|lbl=-}} | ||
| {{section|Page:MS E.1939.65.341 025r.jpg|2|lbl=-}} | | {{section|Page:MS E.1939.65.341 025r.jpg|2|lbl=-}} | ||
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--><section end="Scheitelhaw"/> | --><section end="Scheitelhaw"/> | ||
|- | |- | ||
− | | <p> | + | | <p>[8] {{red|b=1|The Fifth Course Has Five Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem><small>[70]</small> | + | |- |
+ | | <poem><small>[70]</small> | ||
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<small>[75]</small></poem> | <small>[75]</small></poem> | ||
− | | | + | | <poem>Thrust<ref>G & R: Strike</ref> {{red|through}} the long point |
− | |||
− | <poem>Thrust<ref>G & R: Strike</ref> {{red|through}} the long point | ||
:Disengage, counter thrust, then kill | :Disengage, counter thrust, then kill | ||
Allow the blind-hews to bounce | Allow the blind-hews to bounce | ||
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In all work, step around | In all work, step around | ||
:This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | :This makes-good the first-pass.<ref>alt: make the first-pass too</ref></poem> | ||
+ | |} | ||
| | | | ||
{{section|Page:MS M.I.29 002r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 002v.jpg|1|lbl=2v|p=1}} | {{section|Page:MS M.I.29 002r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 002v.jpg|1|lbl=2v|p=1}} | ||
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--><section begin="Twerhaw"/> | --><section begin="Twerhaw"/> | ||
|- | |- | ||
− | | <p> | + | | <p>[9] {{red|b=1|The Sixth Course has Four Plays}}</p> |
− | + | {|class="zettel" | |
− | <poem><small>[80]</small> | + | |- |
+ | | <poem><small>[80]</small> | ||
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<small>[85]</small></poem> | <small>[85]</small></poem> | ||
− | | | + | | <poem>{{red|From-the-Day}} Drive-through long |
− | |||
− | <poem>{{red|From-the-Day}} Drive-through long | ||
:Protect yourself with entwining<ref>alt: twisting</ref>. | :Protect yourself with entwining<ref>alt: twisting</ref>. | ||
Thwart-through him immediately | Thwart-through him immediately | ||
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In all work, step around | In all work, step around | ||
:This makes-good the first-pass.</poem> | :This makes-good the first-pass.</poem> | ||
+ | |} | ||
| {{section|Page:MS M.I.29 002v.jpg|2|lbl=-}} | | {{section|Page:MS M.I.29 002v.jpg|2|lbl=-}} | ||
| {{section|Page:MS E.1939.65.341 025r.jpg|4|lbl=-}} | | {{section|Page:MS E.1939.65.341 025r.jpg|4|lbl=-}} | ||
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--><section end="Twerhaw"/> | --><section end="Twerhaw"/> | ||
|- | |- | ||
− | |||
| <p>[10] {{red|b=1|Here the new recital has an end.}}</p> | | <p>[10] {{red|b=1|Here the new recital has an end.}}</p> | ||
Revision as of 19:20, 22 August 2017
Martin Syber | |
---|---|
Born | 15th century (?) |
Died | 15th century (?) |
Occupation | Fencing master |
Influences | Johannes Liechtenauer (?) |
Genres | Fencing manual |
Language | Early New High German |
Notable work(s) | New Zettel |
Manuscript(s) |
|
Concordance by | Michael Chidester |
Translations |
Martin Syber (Mertin Siber, Martein Syber) was a 15th century German fencing master. Hardly anything is known of Syber beyond his New Zettel ("New Recital"). His surname signifies that he came from a family of sieve makers, but gives us no indication of his birthplace. According to Syber's own account, he learned the art from a variety of masters from across Europe, including men from Bohemia, Brabant (or possibly Provence), England, France, Germany, Greece, Holland, Hungary, Italy, Prussia, Russia, and Swabia. The inclusion of his Recital in Codex Speyer and the Glasgow Fechtbuch suggests a connection to the tradition of Johannes Liechtenauer, and his mention of an "earlier Zettel" is likely a reference to that of Liechtenauer; however, Syber does not appear on the roll of the Fellowship of Liechtenauer recorded by Paulus Kal in ca. 1470,[1] so the extent of his relationship is unclear.
Syber's Recital comes in the form a cryptic poem describing six Gänge, set sequences of strikes and parries. Unfortunately, no gloss is currently known to exist for Syber's verse, so its meaning is difficult to decipher. Conversely, it is worth noting that the 16th century Freifechter Joachim Meÿer not only had access to Syber's verse (which is included in his final manuscript),[2] but also employed much of the master's unique terminology in his own teachings. Meÿer may thus hold the key to interpreting Syber's techniques.
The Salzburg version of Syber's text is followed by an additional page of verse. This poem shares some common terminology with Syber's writings and has been attributed to Syber by some authors in the past,[3] but its omission from the other two versions of his text call this attribution into question. In addition, another version of the poem was included in one of Hans Talhoffer's manuscripts almost fifty years earlier,[4] which indicates that if Syber were indeed the author, his career must have been much earlier than currently believed.
Contents
Treatise
Long Sword
Copyright and License Summary
Additional Resources
- Hull, Jeffrey. "The Longsword Fight Lore of Mertin Siber." Masters of Medieval and Renaissance Martial Arts. Ed. Jeffrey Hull. Boulder, CO: Paladin Press, 2008. ISBN 978-1-58160-668-3
References
- ↑ The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1570 (ca. 1470), and MS KK5126 (1480s).
- ↑ Meÿer, Joachim. Fechtbuch zu Ross und zu Fuss [manuscript]. MS Varia 82. Rostock, Germany: Universitätsbibliothek Rostock, 1570.
- ↑ Hull, Jeffrey. "Mertin Siber’s Longsword Fight-Lore of 1491 AD: a thesis on the Fechtlehre from Handschrift M I 29 (Codex Speyer) at the University of Salzburg in Austria". The Association for Renaissance Martial Arts, 2005. Retrieved 23 November 2014.
- ↑ Talhoffer, Hans. Untitled [manuscript]. MS Thott 290.2º. Copenhagen, Denmark: Det Kongelige Bibliotek, 1459.
- ↑ alt: departure
- ↑ The Salzburg differs: Item. The hereafter written new recital Master Martin Syber had prepared and set-down and is a selection of many masterful applications and is partitioned and set down in six courses
- ↑ G & R omit
- ↑ G: previous
- ↑ R: previously illustrated
- ↑ zugehen is a synonym for zufechten here
- ↑ S: omitted
- ↑ alt: the hard
- ↑ mitmachen. alt: completes
- ↑ ehegefährt note: this is attacking in the vor.
- ↑ alt: overwhelm; turn(away, aside), entwine, entangle, wrap
- ↑ alt: jab
- ↑ G & R: the
- ↑ alt: make the first-pass too
- ↑ alt: make the first-pass too
- ↑ G & R: half-parter
- ↑ alt: make the half-squinter too
- ↑ S: you
- ↑ alt: Force-out the shield in the strong
- ↑ alt: make the first-pass too
- ↑ R: Then make...
- ↑ alt: make the first-pass too
- ↑ G & R: Strike
- ↑ G & R: fail or fall
- ↑ G: down
- ↑ alt: as soon as. (just in time)
- ↑ alt: make the first-pass too
- ↑ alt: twisting
- ↑ G: your