![]() |
You are not currently logged in. Are you accessing the unsecure (http) portal? Click here to switch to the secure portal. |
Difference between revisions of "Peter Falkner"
(61 intermediate revisions by 8 users not shown) | |||
Line 1: | Line 1: | ||
− | {{ | + | {{infobox writer |
| name = [[name::Peter Falkner]] | | name = [[name::Peter Falkner]] | ||
| image = file:Peter Falkner.png | | image = file:Peter Falkner.png | ||
Line 12: | Line 12: | ||
| deathplace = | | deathplace = | ||
| resting_place = | | resting_place = | ||
− | | occupation = [[ | + | | occupation = [[Fencing master]]{{#set: occupation=fencing master}} |
| language = [[language::Early New High German]] | | language = [[language::Early New High German]] | ||
| nationality = | | nationality = | ||
Line 26: | Line 26: | ||
| movement = [[Marxbrüder]] | | movement = [[Marxbrüder]] | ||
| notableworks = ''Kunste Zu Ritterlicher Were'' | | notableworks = ''Kunste Zu Ritterlicher Were'' | ||
− | | manuscript(s) = [[Kunste Zu Ritterlicher Were (MS KK5012)|MS KK5012]] (1495) | + | | manuscript(s) = {{plainlist |
+ | | [[Kunste Zu Ritterlicher Were (MS KK5012)|MS KK5012]] (1495) | ||
+ | | [[Falkner Turnierbuch|Lost manuscript]] (ca. 1500) | ||
+ | | [[Cluny Fechtbuch (Cl. 23842)|Cl. 23842]] (?) (1490s) | ||
+ | }} | ||
| principal manuscript(s)= | | principal manuscript(s)= | ||
| first printed edition= [[Christian Henry Tobler|Tobler]], 2011 | | first printed edition= [[Christian Henry Tobler|Tobler]], 2011 | ||
Line 35: | Line 39: | ||
| children = | | children = | ||
| relatives = | | relatives = | ||
− | | influences = {{plainlist | [[Paulus Kal]] (?) | [[Johannes Liechtenauer]] }} | + | | influences = {{plainlist |
− | | influenced = [[ | + | | [[Paulus Kal]] |
+ | | [[Johannes Lecküchner]] (?) | ||
+ | | [[Johannes Liechtenauer]] (?) | ||
+ | }} | ||
+ | | influenced = {{plainlist | ||
+ | | [[Hans Medel]] (?) | ||
+ | | [[Jörg Wilhalm]] | ||
+ | }} | ||
| awards = | | awards = | ||
| signature = | | signature = | ||
Line 43: | Line 54: | ||
| below = | | below = | ||
}} | }} | ||
− | '''Peter Falkner''' (Peter Faulkner, Petter Falckner) was a [[century::15th century]] [[nationality::German]] [[fencing master | + | '''Peter Falkner''' (Peter Faulkner, Petter Falckner) was a [[century::15th century]] [[nationality::German]] [[fencing master]]. His early life is uncertain, but he was certified as a Master of the Long Sword by the [[Marxbrüder]] in Frankfurt-am-Main some time before 1491.<ref name="Medel">Anonymous. "Ordnung und Chronik der Fechtbruderschaft Unserer Lieben Frau und Sankt Markus zu Frankfurt 1491 - 1566" (in [[Early New High German]]). Untitled [manuscript]. Comp. [[Paulus Hector Mair]]. [[Hans Medel Fechtbuch (Cod.I.6.2º.5)|Codex I.6.2º.5]]. Augsburg, Germany: [[Universitätsbibliothek Augsburg]], 1566.</ref> Falkner was a witness of record to the guild's biannual treasury accounting in 1496, a task he performed again in 1506.<ref name="Medel"/> In 1502, he was elected as Captain (''Hauptman'') of the guild, and he seems to have served an unusual three consecutive terms.<ref name="Medel"/><ref>The ''Chronik der Fechtbruderschaft'' lists him as Captain in 1502 and 1504, and does not mention a new Captain until 1508. There is no indication of who held the office during the 1506-1507 term, so Falkner may possibly have continued during that time.</ref> |
+ | |||
+ | In the 1490s, Falkner seems to have produced at least two manuscript fencing manuals (becoming the first member of the Brotherhood of Saint Mark to do so, unless [[Hans Talhoffer]] were also a member). Sadly, only the shorter of the two manuscripts, ''Kunste Zu Ritterlicher Were'' ([[Kunste Zu Ritterlicher Were (MS KK5012)|MS KK5012]]),<ref>[[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p 11</ref> survives. This fully-illustrated manuscript includes a sword section is based on Liechtenauer's Recital and a messer section based on that of [[Johannes Lecküchner]] (though in both cases with considerable alteration and elaboration by Falkner, and several short sections on other weapons which appear to be entirely original. | ||
+ | |||
+ | The longer of the two manuscripts, known as the [[Falkner Turnierbuch]], seems to have been destroyed by Prussian bombardment during the Siege of Strasbourg in 1870. What little we know about its contents comes from records made before this time, which seem to indicate a manuscript of at least 111 folia containing an anthology of treatises by other masters of the Liechtenauer tradition, as well as a few works of unknown origin. There is also a possible third Falkner manuscript, the apparently-anonymous [[Cluny Fechtbuch (Cl. 23842)|MS Cl. 23842]], whose illustrations bear a strong resemblance to the artwork in KK5012 and which seems to even directly allude to it.<ref>Based on the caption "Here begin Peter's pieces: the sword-taking with counters and grappling. This is painted according to the Record, or according to the Running Through [rather than] the Record." (''Hie hebendt peters stuck an: die swert nemen mit pruchen und ringen. Lasz ab malen nach deme zetel oder nach dem durchlauffen…[illegible] zettel'') on [[:File:CL23842 47r.jpg|f 47r]]. Compare with the piece on [http://commons.wikimedia.org/wiki/File:Ms._KK5012_15r.jpg f 15r] of Falkner's work.</ref> | ||
− | + | Falkner's artwork resembles to some extent the earlier treatises of [[Paulus Kal]], which may have been his inspiration, and his art seem in turn to have influenced [[Jörg Wilhalm]] (especially if he created Cl. 23842). | |
== Treatise == | == Treatise == | ||
− | {{ | + | {{master begin |
− | | title | + | | title = Long Sword |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
<section begin="credits1"/> | <section begin="credits1"/> | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations<br/></p> |
− | + | ! <p>{{rating|B}}<br/>by [[Christian Trosclair]]</p> | |
− | ! {{rating|B}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p><section end="credits1"/> |
− | by [[ | ||
− | ! | ||
− | by [[Dierk Hagedorn]]<section end="credits1"/> | ||
|- | |- | ||
− | | | + | | |
| | | | ||
Young Knight, learn to love God and Women<br/> | Young Knight, learn to love God and Women<br/> | ||
Line 72: | Line 83: | ||
Practice Knighthood and learn Art that decorates you<br/> | Practice Knighthood and learn Art that decorates you<br/> | ||
In war joining them in honor. | In war joining them in honor. | ||
− | | | + | | {{section|Page:Ms. KK5012 01v.jpg|1|lbl=01v}} |
− | |||
− | |||
− | |||
− | |||
<section begin="Hauptstücke"/> | <section begin="Hauptstücke"/> | ||
|- | |- | ||
| | | | ||
| | | | ||
− | Learn | + | Learn the Six Strikes<br/> |
− | From the right hand<br/> | + | From the right hand<ref>alt: side</ref>readily<br/> |
− | Against the wards<br/> | + | Against the wards<ref>alt: weapons</ref><br/> |
− | That we | + | That we avow a master<br/> |
To be of worth in the Arts | To be of worth in the Arts | ||
− | | | + | | {{section|Page:Ms. KK5012 01v.jpg|2|lbl=-}} |
− | |||
− | |||
− | |||
− | |||
|- | |- | ||
| | | | ||
| | | | ||
− | + | Over Hew<br/> | |
− | Wrath | + | Wrath Hew<br/> |
− | Crooked | + | Crooked Hew<ref>Or Curved</ref><br/> |
− | + | Thwart Hew<ref>Or Cross, Barrier</ref><br/> | |
− | + | Squinter Hew<ref>Or Canted, Slanted, Difficult to See</ref><br/> | |
− | + | Parter Hew<ref>Or Vertex, Scalper</ref> | |
− | | | + | | {{section|Page:Ms. KK5012 01v.jpg|3|lbl=-}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section end="Hauptstücke"/> | <section end="Hauptstücke"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 2r.jpg| | + | | [[File:MS KK5012 2r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_02r.jpg]] |
| | | | ||
Note what I say to you<br/> | Note what I say to you<br/> | ||
− | Strike a | + | Strike a right<ref>Ambiguous “from the right”, “properly” or “directly”</ref> over-cut.<br/> |
And left against right<br/> | And left against right<br/> | ||
− | + | If you shall fence strongly,<br/> | |
− | + | You may hang therein<br/> | |
And bring to thrusting. | And bring to thrusting. | ||
− | | | + | | {{paget|Page:Ms. KK5012|02r|jpg}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section begin="Zornhaw"/> | <section begin="Zornhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 2v.jpg| | + | | [[File:MS KK5012 2v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_02v.jpg]] |
| | | | ||
− | + | Deploy the wrath hew with strength.<br/> | |
Always remember to move behind it<br/> | Always remember to move behind it<br/> | ||
From both sides,<br/> | From both sides,<br/> | ||
Standing still or with stepping. | Standing still or with stepping. | ||
− | | | + | | {{paget|Page:Ms. KK5012|02v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 3r.jpg| | + | | [[File:MS KK5012 3r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_03r.jpg]] |
| | | | ||
− | + | Do the right winding in the wrath point<br/> | |
If you wish to find the face open.<br/> | If you wish to find the face open.<br/> | ||
− | If he | + | If he will defend his<br/> |
− | Then take it away without | + | Then take it away above without driving.<br/> |
− | + | Hew, thrust, note soft or hard in the bind. | |
− | + | | {{paget|Page:Ms. KK5012|03r|jpg}} | |
− | | | ||
− | |||
− | |||
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 3v.jpg| | + | | [[File:MS KK5012 3v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_03v.jpg]] |
| | | | ||
− | + | In-the-moment<ref>Indes - Both within and during</ref> before and after<br/> | |
− | + | Without hurrying, You are not prone to the war<ref>I changed this from the passive voice to the active, because it sounds weird. literally: "The war is not prone to you."</ref><br/> | |
− | Whoever | + | Whoever resolves themselves of the war<br/> |
− | + | He will be shamed above, below.<br/> | |
In all winding<br/> | In all winding<br/> | ||
− | Learn to discover the | + | Learn to discover the hew and thrust. |
− | | | + | | {{paget|Page:Ms. KK5012|03v|jpg}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section end="Zornhaw"/><section begin="Blossen"/> | <section end="Zornhaw"/><section begin="Blossen"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 4r.jpg| | + | | [[File:MS KK5012 4r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_04r.jpg]] |
| | | | ||
− | Learn to strike and break the four openings.<br/> | + | Learn to strike and to break the four openings.<br/> |
− | If you wish yourself | + | If you wish to reckon yourself,<br/> |
Double above<br/> | Double above<br/> | ||
And mutate to the right<ref>Ambiguous “to the right”, “properly” or “directly”</ref> below.<br/> | And mutate to the right<ref>Ambiguous “to the right”, “properly” or “directly”</ref> below.<br/> | ||
I say to you truthfully,<br/> | I say to you truthfully,<br/> | ||
No one protects themselves without danger. | No one protects themselves without danger. | ||
− | | | + | | {{paget|Page:Ms. KK5012|04r|jpg}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section end="Blossen"/><section begin="Krumphaw"/> | <section end="Blossen"/><section begin="Krumphaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 4v.jpg| | + | | [[File:MS KK5012 4v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_04v.jpg]] |
| | | | ||
− | + | Crook upon swiftly<br/> | |
− | Throw the point to the | + | Throw the point to the hands.<br/> |
− | Whoever parries well | + | Whoever parries well<br/> |
− | + | He disrupts many hews with stepping.<br/> | |
When it clashes above,<br/> | When it clashes above,<br/> | ||
Then descend, that I will praise. | Then descend, that I will praise. | ||
− | | | + | | {{paget|Page:Ms. KK5012|04v|jpg}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section end="Krumphaw"/><section begin="Twerhaw"/> | <section end="Krumphaw"/><section begin="Twerhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 5r.jpg| | + | | [[File:MS KK5012 5r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_05r.jpg]] |
| | | | ||
− | The | + | The thwart hew seizes<br/> |
− | Whatever | + | Whatever approaches from above.<br/> |
− | + | Or with strength<br/> | |
− | + | With that, note your work. | |
− | | | + | | {{paget|Page:Ms. KK5012|05r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 5v.jpg| | + | | [[File:MS KK5012 5v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_05v.jpg]] |
| | | | ||
− | The | + | The thwart to the plow<br/> |
− | + | Connect hard to the ox.<br/> | |
− | Therein | + | Therein go up high and low<br/> |
− | Come against from both sides. | + | Come out against from both sides. |
− | | | + | | {{paget|Page:Ms. KK5012|05v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 6r.jpg| | + | | [[File:MS KK5012 6r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_06r.jpg]] |
| | | | ||
− | The | + | The thwart with springing<br/> |
− | + | Allows you to succeed to the head.<br/> | |
Strike him to both ears<br/> | Strike him to both ears<br/> | ||
Thus you make a right fool out of him. | Thus you make a right fool out of him. | ||
− | | | + | | {{paget|Page:Ms. KK5012|06r|jpg}} |
− | |||
− | |||
− | |||
<section end="Twerhaw"/><section begin="Fehler"/> | <section end="Twerhaw"/><section begin="Fehler"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 6v.jpg| | + | | [[File:MS KK5012 6v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_06v.jpg]] |
| | | | ||
− | Whoever | + | Whoever commands a failer properly<br/> |
− | Wounds | + | Wounds according to desires.<br/> |
− | Invert | + | Invert the wind<br/> |
Rush in and wrestle. | Rush in and wrestle. | ||
− | | | + | | {{paget|Page:Ms. KK5012|06v|jpg}} |
− | |||
− | |||
− | |||
<section end="Fehler"/><section begin="Schilhaw"/> | <section end="Fehler"/><section begin="Schilhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 7r.jpg| | + | | [[File:MS KK5012 7r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_07r.jpg]] |
| | | | ||
− | The | + | The squinter breaks<br/> |
Whatever the buffalo strikes or stabs.<br/> | Whatever the buffalo strikes or stabs.<br/> | ||
− | + | Squint into the point<br/> | |
Take the neck without fear. | Take the neck without fear. | ||
− | | | + | | {{paget|Page:Ms. KK5012|07r|jpg}} |
− | |||
− | |||
− | |||
<section end="Schilhaw"/><section begin="Scheitelhaw"/> | <section end="Schilhaw"/><section begin="Scheitelhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 7v.jpg| | + | | [[File:MS KK5012 7v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_07v.jpg]] |
| | | | ||
− | The | + | The parter is a threat to the head<br/> |
− | + | Then hew through below<br/> | |
− | Then | ||
with three steps.<br/> | with three steps.<br/> | ||
Make four blows<br/> | Make four blows<br/> | ||
from both sides. | from both sides. | ||
− | | | + | | {{paget|Page:Ms. KK5012|07v|jpg}} |
− | |||
− | |||
− | |||
− | |||
− | |||
<section end="Scheitelhaw"/><section begin="Leger"/><section begin="Vorsetzen"/> | <section end="Scheitelhaw"/><section begin="Leger"/><section begin="Vorsetzen"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 8r.jpg| | + | | [[File:MS KK5012 8r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_08r.jpg]] |
| | | | ||
− | + | Four positions<ref>Leger - guards</ref> alone<br/> | |
− | and flee the common.<br/> | + | from those defend and flee the common.<br/> |
Four are the oppositions<ref>Versetzen - parrying</ref><br/> | Four are the oppositions<ref>Versetzen - parrying</ref><br/> | ||
− | That | + | That severely disrupt the four positions. |
− | | | + | | {{paget|Page:Ms. KK5012|08r|jpg}} |
− | |||
− | |||
− | |||
<section begin="Leger"/><section end="Vorsetzen"/> | <section begin="Leger"/><section end="Vorsetzen"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 8v.jpg| | + | | [[File:MS KK5012 8v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_08v.jpg]] |
| | | | ||
− | Learn | + | Learn the chasing-after<br/> |
− | + | Hew, thrust twice; some wound with it.<br/> | |
Thrust to the breast,<br/> | Thrust to the breast,<br/> | ||
So that it gives you joy. | So that it gives you joy. | ||
− | | | + | | {{paget|Page:Ms. KK5012|08v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 9r.jpg| | + | | [[File:MS KK5012 9r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_09r.jpg]] |
| | | | ||
− | + | Run-over<ref>Überlaufen has the connotations: to overwhelm, overflow, bypass, stride across.</ref> him.<br/> | |
Wind and raise the pommel.<br/> | Wind and raise the pommel.<br/> | ||
− | If you wish to wrestle or press,<br/> | + | If you wish to wrestle or to press,<br/> |
− | You must | + | You must yank the weapon. |
− | | | + | | {{paget|Page:Ms. KK5012|09r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 9v.jpg| | + | | [[File:MS KK5012 9v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_09v.jpg]] |
| | | | ||
− | You shall | + | You shall set-on<br/> |
To wound him upon the four endings.<br/> | To wound him upon the four endings.<br/> | ||
− | + | He comes high or low,<br/> | |
The straight point injures him. | The straight point injures him. | ||
− | | | + | | {{paget|Page:Ms. KK5012|09v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 10r.jpg| | + | | [[File:MS KK5012 10r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_10r.jpg]] |
| | | | ||
If he is strong,<br/> | If he is strong,<br/> | ||
− | + | Run-through quickly at the right moment.<br/> | |
Note the art and learn<br/> | Note the art and learn<br/> | ||
− | To | + | To hew surely from both sides. |
− | | | + | | {{paget|Page:Ms. KK5012|10r|jpg}} |
− | + | <section begin="Absetzen"/> | |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 10v.jpg| | + | | [[File:MS KK5012 10v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_10v.jpg]] |
| | | | ||
Learn to set aside<br/> | Learn to set aside<br/> | ||
− | + | Hew, thrust; artfully defend.<br/> | |
− | Learn to wind; | + | Learn to wind; hew thrust, cut<br/> |
From the four ends. | From the four ends. | ||
− | | < | + | | {{paget|Page:Ms. KK5012|10v|jpg}} |
− | + | <section end="Absetzen"/><section begin="Abschneiden"/> | |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 11r.jpg| | + | | [[File:MS KK5012 11r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_11r.jpg]] |
| | | | ||
Four are the Slices<br/> | Four are the Slices<br/> | ||
With two above and two below.<br/> | With two above and two below.<br/> | ||
Slice against the hard<br/> | Slice against the hard<br/> | ||
− | From below in both | + | From below in both drives. |
− | | | + | | {{paget|Page:Ms. KK5012|11r|jpg}} |
− | + | <section end="Abschneiden"/><section begin="Scheitelhaw"/> | |
− | |||
− | |||
− | <section begin="Scheitelhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 11v.jpg| | + | | [[File:MS KK5012 11v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_11v.jpg]] |
| | | | ||
− | Slice | + | Slice against the crown<br/> |
− | + | From below, from above if you break it beautifully.<br/> | |
If he wishes to struggle upon it,<br/> | If he wishes to struggle upon it,<br/> | ||
Guide the pommel or point to his face. | Guide the pommel or point to his face. | ||
− | | | + | | {{paget|Page:Ms. KK5012|11v|jpg}} |
− | |||
− | |||
− | |||
<section end="Scheitelhaw"/> | <section end="Scheitelhaw"/> | ||
|- | |- | ||
− | | [[File:MS KK5012 12r.jpg| | + | | [[File:MS KK5012 12r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_12r.jpg]] |
| | | | ||
− | + | Yanking and hitting<br/> | |
If you wish to confound the master.<br/> | If you wish to confound the master.<br/> | ||
− | Step close | + | Step close into the bind<br/> |
− | The | + | The yanking provides good discoveries. |
− | | | + | | {{paget|Page:Ms. KK5012|12r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 12v.jpg| | + | | [[File:MS KK5012 12v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_12v.jpg]] |
| | | | ||
Make the speaking window<br/> | Make the speaking window<br/> | ||
Stand lightly, recognizing his intent.<br/> | Stand lightly, recognizing his intent.<br/> | ||
Mark what I say,<br/> | Mark what I say,<br/> | ||
− | Strike so that it snaps | + | Strike so that it snaps into him. |
− | | | + | | {{paget|Page:Ms. KK5012|12v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 13r.jpg| | + | | [[File:MS KK5012 13r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_13r.jpg]] |
| | | | ||
− | Learn to wrap his | + | Learn to wrap his arm leftward<br/> |
− | Hold firmly to discomfort him.<br/> | + | Hold him firmly to discomfort him.<br/> |
− | + | Sinking if he halts you<br/> | |
− | + | With pressing if you wish to knock him down. | |
− | | | + | | {{paget|Page:Ms. KK5012|13r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 13v.jpg| | + | | [[File:MS KK5012 13v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_13v.jpg]] |
| | | | ||
− | If he wishes | + | If he wishes to reckon himself<br/> |
− | + | Breaking-in his fencing.<br/> | |
− | If he allows his hand to | + | If he allows his hand to drive,<br/> |
Press firmly against his ear. | Press firmly against his ear. | ||
− | | | + | | {{paget|Page:Ms. KK5012|13v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 14r.jpg| | + | | [[File:MS KK5012 14r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_14r.jpg]] |
| | | | ||
− | + | Drive over the left,<br/> | |
− | Turn | + | Turn the back against the belly.<br/> |
− | Thrust through both legs | + | Thrust through both legs swiftly. |
− | | | + | | {{paget|Page:Ms. KK5012|14r|jpg}} |
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 14v.jpg| | + | | [[File:MS KK5012 14v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_14v.jpg]] |
| | | | ||
Point to the sun<br/> | Point to the sun<br/> | ||
− | With the sword if you wish to | + | With the sword if you wish to tilt him.<br/> |
− | + | To break through him,<br/> | |
Press against his neck if you wish yourself vengeance. | Press against his neck if you wish yourself vengeance. | ||
− | | | + | | {{paget|Page:Ms. KK5012|14v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 15r.jpg| | + | | [[File:MS KK5012 15r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_15r.jpg]] |
| | | | ||
If he wishes to near you,<br/> | If he wishes to near you,<br/> | ||
− | Learn to | + | Learn to drive the right with the left.<br/> |
− | + | Set-on the throat or chest half-sworded<br/> | |
It brings you joy. | It brings you joy. | ||
− | | | + | | {{paget|Page:Ms. KK5012|15r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 15v.jpg| | + | | [[File:MS KK5012 15v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_15v.jpg]] |
| | | | ||
If you wish to shame him,<br/> | If you wish to shame him,<br/> | ||
Line 461: | Line 365: | ||
You should slide with the cross<br/> | You should slide with the cross<br/> | ||
With both hands above you. | With both hands above you. | ||
− | | | + | | {{paget|Page:Ms. KK5012|15v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 16r.jpg| | + | | [[File:MS KK5012 16r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_16r.jpg]] |
| | | | ||
Learn to thrust through half-sworded high<br/> | Learn to thrust through half-sworded high<br/> | ||
Line 473: | Line 374: | ||
You must also wrap the arm<br/> | You must also wrap the arm<br/> | ||
While being able to guide them. | While being able to guide them. | ||
− | | | + | | {{paget|Page:Ms. KK5012|16r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 16v.jpg| | + | | [[File:MS KK5012 16v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_16v.jpg]] |
| | | | ||
If he positions himself in the hanging point,<br/> | If he positions himself in the hanging point,<br/> | ||
Line 485: | Line 383: | ||
You should slide yourself back over<br/> | You should slide yourself back over<br/> | ||
above during the clash. | above during the clash. | ||
− | | | + | | {{paget|Page:Ms. KK5012|16v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 17r.jpg| | + | | [[File:MS KK5012 17r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_17r.jpg]] |
| | | | ||
If you wish to dirty yourself grappling<ref>Überlaufen has the connotations: to overwhelm, overflow, bypass, stride across. It is used as a noun here.</ref>,<br/> | If you wish to dirty yourself grappling<ref>Überlaufen has the connotations: to overwhelm, overflow, bypass, stride across. It is used as a noun here.</ref>,<br/> | ||
Line 497: | Line 392: | ||
Work quickly with a level head<br/> | Work quickly with a level head<br/> | ||
So he can hardly come to work. | So he can hardly come to work. | ||
− | | | + | | {{paget|Page:Ms. KK5012|17r|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 17v.jpg| | + | | [[File:MS KK5012 17v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_17v.jpg]] |
| | | | ||
Note this precept<br/> | Note this precept<br/> | ||
Line 509: | Line 401: | ||
If you wish to wrestle firmly,<br/> | If you wish to wrestle firmly,<br/> | ||
Allow your sword to fall aside. | Allow your sword to fall aside. | ||
− | | | + | | {{paget|Page:Ms. KK5012|17v|jpg}} |
− | |||
− | |||
− | |||
|- | |- | ||
− | | | + | | |
| | | | ||
'''This is the summation of the entire art'''<br/> | '''This is the summation of the entire art'''<br/> | ||
Line 521: | Line 410: | ||
They rapidly counter<br/> | They rapidly counter<br/> | ||
The best, continuously<br/> | The best, continuously<br/> | ||
− | Finding the | + | Finding the cut, hew and thrust.<br/> |
Whoever properly hangs well,<br/> | Whoever properly hangs well,<br/> | ||
Executes the windings there.<br/> | Executes the windings there.<br/> | ||
Line 529: | Line 418: | ||
To both sides<br/> | To both sides<br/> | ||
And test the attacks<br/> | And test the attacks<br/> | ||
− | With nothing more than soft or hard. | + | With nothing more than soft or hard. |
+ | | {{section|Page:Ms. KK5012 18r.jpg|1|lbl=18r}} | ||
+ | |||
+ | |- | ||
+ | | class="noline" | | ||
+ | | class="noline" | | ||
Here ends Master Peter Falkner’s Art with the long sword. | Here ends Master Peter Falkner’s Art with the long sword. | ||
− | | | + | | class="noline" | {{section|Page:Ms. KK5012 18r.jpg|2|lbl=-}} |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Messer |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
+ | ! <p>{{rating|C}}<br/>by [[Kristopher Micozzi]]</p> | ||
+ | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> | ||
− | + | |- | |
+ | | | ||
+ | | | ||
+ | Above you will direct your attention to<br/> | ||
+ | fencing with the messer and consider it.<br/> | ||
+ | So learn the method within and do it gracefully—<br/> | ||
+ | in friendly play or in earnest affairs. | ||
+ | | {{section|Page:Ms. KK5012 18v.jpg|1|lbl=18v}} | ||
− | + | |- | |
− | + | | | |
+ | | | ||
+ | Learn these six strikes,<br/> | ||
+ | on the one hand you counter against cuts.<br/> | ||
+ | The left hand behind the back,<br/> | ||
+ | or in the breast you can keep it, should you wish to grapple him. | ||
+ | | {{section|Page:Ms. KK5012 18v.jpg|2|lbl=-}} | ||
|- | |- | ||
− | |||
| | | | ||
− | | < | + | | |
− | + | The Zornhaw, Wecker,<br/> | |
− | + | Enntristhaw, Zwinger,<br/> | |
− | + | The Geferhaw, and The Wincker. | |
− | + | | {{section|Page:Ms. KK5012 18v.jpg|3|lbl=-}} | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 19r.jpg| | + | | [[File:MS KK5012 19r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_19r.jpg]] |
| | | | ||
− | + | What comes toward you from above,<br/> | |
− | + | The Zorn Ortt clears it away—<br/> | |
− | + | and defends you from shame.<br/> | |
− | + | With the messer learn to takeoff.<br/> | |
− | + | Cut with it, or thrust—listen to this advice:<br/> | |
− | + | In the bind, be soft or hard. | |
+ | | {{paget|Page:Ms. KK5012|19r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 19v.jpg| | + | | [[File:MS KK5012 19v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_19v.jpg]] |
| | | | ||
− | + | Note these words, they are valuable: Vor, Nach, Indes.<br/> | |
− | + | Seek to make contact in the affair,<br/> | |
− | + | Or allow conflict to avoid you.<br/> | |
− | + | From above or below, seek his openings. | |
+ | | {{paget|Page:Ms. KK5012|19v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 20r.jpg| | + | | [[File:MS KK5012 20r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_20r.jpg]] |
| | | | ||
− | + | There are four openings,<br/> | |
− | + | These you should seek to take,<br/> | |
− | + | Thus you endanger him,<br/> | |
− | + | such that he cannot counter you. | |
+ | | {{paget|Page:Ms. KK5012|20r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 20v.jpg| | + | | [[File:MS KK5012 20v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_20v.jpg]] |
| | | | ||
− | + | Cast the Wecker and endanger him,<br/> | |
− | + | bind hard with strength—<br/> | |
− | + | take the weak without fear. | |
− | + | | {{paget|Page:Ms. KK5012|20v|jpg}} | |
|- | |- | ||
− | | [[File:MS KK5012 21r.jpg| | + | | [[File:MS KK5012 21r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_21r.jpg]] |
| | | | ||
− | + | The Enntristhaw forestalls what he casts from above,<br/> | |
− | + | onward to the strong,<br/> | |
− | + | be sure to note your work here. | |
+ | | {{paget|Page:Ms. KK5012|21r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 21v.jpg| | + | | [[File:MS KK5012 21v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_21v.jpg]] |
| | | | ||
− | + | Go forth with failing strikes,<br/> | |
− | + | such that you confuse him.<br/> | |
− | + | Above you can do it twofold,<br/> | |
− | + | slicing away as you note your work there. | |
+ | | {{paget|Page:Ms. KK5012|21v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 22r.jpg| | + | | [[File:MS KK5012 22r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_22r.jpg]] |
| | | | ||
− | + | The Zwinger will break<br/> | |
− | + | whatever strike comes from a vulgar fencer.<br/> | |
− | + | If he threatens to pull it,<br/> | |
− | + | The Zwinger will prevent this. | |
+ | | {{paget|Page:Ms. KK5012|22r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 22v.jpg| | + | | [[File:MS KK5012 22v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_22v.jpg]] |
| | | | ||
− | + | The Geferhaw against his cut,<br/> | |
− | + | threatens the face and breast. | |
+ | | {{paget|Page:Ms. KK5012|22v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 23r.jpg| | + | | [[File:MS KK5012 23r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_23r.jpg]] |
| | | | ||
− | + | The Wincker threatens,<br/> | |
− | + | and forces a master into disarray.<br/> | |
− | + | Do the Wincker twice,<br/> | |
− | + | to the right and the left. | |
+ | | {{paget|Page:Ms. KK5012|23r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 23v.jpg| | + | | [[File:MS KK5012 23v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_23v.jpg]] |
| | | | ||
− | + | Whatever the master puts forth,<br/> | |
− | + | from anywhere despite the angle—<br/> | |
− | + | whether it comes at you crooked or straight,<br/> | |
− | + | The Wincker thwarts it all. | |
+ | | {{paget|Page:Ms. KK5012|23v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 24r.jpg| | + | | [[File:MS KK5012 24r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_24r.jpg]] |
| | | | ||
− | + | There are four postures<br/> | |
− | + | in which you fence with the messer:<br/> | |
− | + | The Bastei and Lugissland,<br/> | |
− | + | the Stier and the Eber—know them well. | |
+ | | {{paget|Page:Ms. KK5012|24r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 24v.jpg| | + | | [[File:MS KK5012 24v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_24v.jpg]] |
| | | | ||
− | + | There are four ways to displace,<br/> | |
− | + | and they conquer any posture against you.<br/> | |
− | + | Set aside that which comes in front of you,<br/> | |
− | + | displace frequently with courage. | |
+ | | {{paget|Page:Ms. KK5012|24v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 25r.jpg| | + | | [[File:MS KK5012 25r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_25r.jpg]] |
| | | | ||
− | + | In your attack,<br/> | |
− | + | you shall aim to harm the four ends.<br/> | |
− | + | Whether it goes above or below,<br/> | |
− | + | the point always seeks him through winding. | |
+ | | {{paget|Page:Ms. KK5012|25r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 25v.jpg| | + | | [[File:MS KK5012 25v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_25v.jpg]] |
| | | | ||
− | + | Learn to travel after,<br/> | |
− | + | Go directly in with the slices.<br/> | |
− | + | Learn to make it twice—<br/> | |
− | + | do so with skill considered. | |
+ | | {{paget|Page:Ms. KK5012|25v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 26r.jpg| | + | | [[File:MS KK5012 26r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_26r.jpg]] |
| | | | ||
− | | < | + | {{delr|Enntrist in the overrunning<br/>Turn and him}}<br/> |
− | + | Overrun the under,<br/> | |
− | + | strongly and shamelessly.<br/> | |
− | + | Displacing comes afterwards—<br/> | |
− | + | turn the short point inward. | |
− | + | | {{paget|Page:Ms. KK5012|26r|jpg}} | |
|- | |- | ||
− | | [[File:MS KK5012 26v.jpg| | + | | [[File:MS KK5012 26v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_26v.jpg]] |
| | | | ||
− | + | Enntristhaw in overrunning,<br/> | |
− | + | turn and raise the pommel. | |
+ | | {{paget|Page:Ms. KK5012|26v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 27r.jpg| | + | | [[File:MS KK5012 27r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_27r.jpg]] |
| | | | ||
− | + | Overrun within measure,<br/> | |
− | + | seize the neck and toss him over the leg. | |
+ | | {{paget|Page:Ms. KK5012|27r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 27v.jpg| | + | | [[File:MS KK5012 27v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_27v.jpg]] |
| | | | ||
− | + | Turn your blade,<br/> | |
− | + | cut or use the point nimbly.<br/> | |
− | + | Drive wrestling and pressing—<br/> | |
− | + | shove, grapple, apply twitching. | |
+ | | {{paget|Page:Ms. KK5012|27v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 28r.jpg| | + | | [[File:MS KK5012 28r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_28r.jpg]] |
| | | | ||
− | + | Learn to set aside,<br/> | |
− | + | Cut or thrust with skill.<br/> | |
− | + | On the four ends,<br/> | |
− | + | cut, thrust, or wind. | |
+ | | {{paget|Page:Ms. KK5012|28r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 28v.jpg| | + | | [[File:MS KK5012 28v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_28v.jpg]] |
| | | | ||
− | + | This is the change-through,<br/> | |
− | + | it forces the master to retreat.<br/> | |
− | + | Mark the art and learn;<br/> | |
− | + | from both sides thrust with grace. | |
+ | | {{paget|Page:Ms. KK5012|28v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 29r.jpg| | + | | [[File:MS KK5012 29r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_29r.jpg]] |
| | | | ||
− | + | Make lengthy cuts from below,<br/> | |
− | + | the change-through will free you.<br/> | |
− | + | The left drops long, the right one moves quickly;<br/> | |
− | + | wind and thrust such that you fluster him. | |
+ | | {{paget|Page:Ms. KK5012|29r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 29v.jpg| | + | | [[File:MS KK5012 29v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_29v.jpg]] |
| | | | ||
− | + | Whoever may turn the wheel:<br/> | |
− | + | The changer makes it twofold. | |
+ | | {{paget|Page:Ms. KK5012|29v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 30r.jpg| | + | | [[File:MS KK5012 30r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_30r.jpg]] |
| | | | ||
− | + | Twitch the hit,<br/> | |
− | + | The master you will trick.<br/> | |
− | + | To he who makes binding<br/> | |
− | + | Twitches quickly in his finding. | |
+ | | {{paget|Page:Ms. KK5012|30r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 30v.jpg| | + | | [[File:MS KK5012 30v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_30v.jpg]] |
| | | | ||
− | + | Strike the flat of the Watcher<br/> | |
− | + | Twitch the point through to the hand,<br/> | |
− | + | If he has displaced the thrust,<br/> | |
− | + | Fall in instantly twofold to injure him. | |
+ | | {{paget|Page:Ms. KK5012|30v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 31r.jpg| | + | | [[File:MS KK5012 31r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_31r.jpg]] |
| | | | ||
− | + | When he is strong above,<br/> | |
− | + | always run through.<br/> | |
− | + | Draw the hand and the arm closely,<br/> | |
− | + | and wisely look where to seize him.<br/> | |
− | + | Take the joint wisely,<br/> | |
− | + | and sweep him from the knee. | |
+ | | {{paget|Page:Ms. KK5012|31r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 31v.jpg| | + | | [[File:MS KK5012 31v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_31v.jpg]] |
| | | | ||
− | + | Run through to enter,<br/> | |
− | + | thereupon tear the elbow and take the hand to break.<br/> | |
− | + | Take he who waits,<br/> | |
− | + | make the counter taking. | |
+ | | {{paget|Page:Ms. KK5012|31v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 32r.jpg| | + | | [[File:MS KK5012 32r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_32r.jpg]] |
| | | | ||
− | + | Learn to shoot over the arm<br/> | |
− | + | such that you artfully bind him up.<br/> | |
− | + | Thus you can come forth,<br/> | |
− | + | with running or driving as you need. | |
+ | | {{paget|Page:Ms. KK5012|32r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 32v.jpg| | + | | [[File:MS KK5012 32v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_32v.jpg]] |
| | | | ||
− | + | Draw in the hand to the breast,<br/> | |
− | + | grasp it and drive outward.<br/> | |
− | Spring | + | Spring into it,<br/> |
− | + | strike over the left arm. | |
+ | | {{paget|Page:Ms. KK5012|32v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 33r.jpg| | + | | [[File:MS KK5012 33r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_33r.jpg]] |
| | | | ||
− | + | Seize his right with your left,<br/> | |
− | + | spring in and shove him behind your shoulder. | |
+ | | {{paget|Page:Ms. KK5012|33r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 33v.jpg| | + | | [[File:MS KK5012 33v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_33v.jpg]] |
| | | | ||
− | + | Whoever in fencing,<br/> | |
− | + | strikes above from the right,<br/> | |
− | + | then go through behind—<br/> | |
− | + | capturing it fully. | |
+ | | {{paget|Page:Ms. KK5012|33v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 34r.jpg| | + | | [[File:MS KK5012 34r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_34r.jpg]] |
| | | | ||
− | + | The right and the left—learn to lock the arms,<br/> | |
− | + | go in toward him and hold it firmly.<br/> | |
− | + | Perform this lock here,<br/> | |
− | + | with pressing so that you make it strong. | |
+ | | {{paget|Page:Ms. KK5012|34r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 34v.jpg| | + | | [[File:MS KK5012 34v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_34v.jpg]] |
| | | | ||
− | + | Do not forget the slices—<br/> | |
− | + | with two below and two above.<br/> | |
− | + | Whoever wrenches out from the bind,<br/> | |
− | + | his hands are in the pressing. | |
+ | | {{paget|Page:Ms. KK5012|34v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 35r.jpg| | + | | [[File:MS KK5012 35r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_35r.jpg]] |
| | | | ||
− | + | To show skill:<br/> | |
− | + | Take the messer through the bend,<br/> | |
− | + | slapping his shoulder with the back of your hand—<br/> | |
− | + | press firmly at his nape. | |
+ | | {{paget|Page:Ms. KK5012|35r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 35v.jpg| | + | | [[File:MS KK5012 35v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_35v.jpg]] |
| | | | ||
− | + | Press the forearm above with the back of your hand,<br/> | |
− | + | Then strike over the right arm,<br/> | |
− | + | taking his balance by the bend of the elbow. | |
+ | | {{paget|Page:Ms. KK5012|35v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 36r.jpg| | + | | [[File:MS KK5012 36r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_36r.jpg]] |
| | | | ||
− | + | If he hangs the point,<br/> | |
− | + | take his messer by the front.<br/> | |
− | + | Shove with your cross—<br/> | |
− | + | such that both edges come on top. | |
+ | | {{paget|Page:Ms. KK5012|36r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 36v.jpg| | + | | [[File:MS KK5012 36v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_36v.jpg]] |
| | | | ||
− | + | If you wish to save yourself from shame,<br/> | |
− | + | capture with the left hand—<br/> | |
− | + | Twitch—change over above, is what you can do;<br/> | |
− | + | seize the weapon behind the strong. | |
+ | | {{paget|Page:Ms. KK5012|36v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 37r.jpg| | + | | [[File:MS KK5012 37r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_37r.jpg]] |
| | | | ||
− | + | In the clash wind in,<br/> | |
− | + | thus the points meet and his is broken.<br/> | |
− | + | take off with the messer and strike in;<br/> | |
− | + | with rising you will turn it. | |
+ | | {{paget|Page:Ms. KK5012|37r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 37v.jpg| | + | | [[File:MS KK5012 37v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_37v.jpg]] |
| | | | ||
− | + | The bow is doubled,<br/> | |
− | + | thus you make the work.<br/> | |
− | + | what comes from the bow is long<br/> | |
− | + | and the point takes it away quickly. | |
+ | | {{paget|Page:Ms. KK5012|37v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 38r.jpg| | + | | [[File:MS KK5012 38r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_38r.jpg]] |
| | | | ||
− | + | With this messer-taking,<br/> | |
− | + | you will bring him shame:<br/> | |
− | + | with a skilled empty hand,<br/> | |
− | + | wind above to the left and press fast. | |
+ | | {{paget|Page:Ms. KK5012|38r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 38v.jpg| | + | | [[File:MS KK5012 38v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_38v.jpg]] |
| | | | ||
− | + | So you have a foe<br/> | |
− | + | who threatens to hurt you.<br/> | |
− | + | Disarm or injure him—<br/> | |
− | + | but do not turn away;<br/> | |
− | + | stand boldly and defend yourself. | |
+ | | {{paget|Page:Ms. KK5012|38v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 39r.jpg| | + | | [[File:MS KK5012 39r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_39r.jpg]] |
| | | | ||
− | + | If he is strong above,<br/> | |
− | + | be wise and listen to this advice:<br/> | |
− | + | Turn your armed-hand,<br/> | |
− | + | injure with the point to bring an end. | |
+ | | {{paget|Page:Ms. KK5012|39r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 39v.jpg| | + | | [[File:MS KK5012 39v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_39v.jpg]] |
| | | | ||
− | + | Strike out, over, and through;<br/> | |
− | + | apply the armed-hand often—<br/> | |
− | + | you can make arm locks as well,<br/> | |
− | + | thus you will find joy in the techniques. | |
+ | | {{paget|Page:Ms. KK5012|39v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 40r.jpg| | + | | [[File:MS KK5012 40r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_40r.jpg]] |
| | | | ||
− | + | With this breaking his limb is trapped,<br/> | |
− | + | place your arm against the armpit—<br/> | |
− | + | with pressing it cannot fail. | |
+ | | {{paget|Page:Ms. KK5012|40r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 40v.jpg| | + | | [[File:MS KK5012 40v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_40v.jpg]] |
| | | | ||
− | + | If you want to shame him,<br/> | |
− | + | take his messer by the hilt—<br/> | |
− | + | wrench it from his hand,<br/> | |
− | + | and press inside his elbow. | |
+ | | {{paget|Page:Ms. KK5012|40v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 41r.jpg| | + | | [[File:MS KK5012 41r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_41r.jpg]] |
| | | | ||
− | + | Winking on the right,<br/> | |
− | + | wrench the arm tight.<br/> | |
− | + | Gripping behind the left,<br/> | |
− | + | the right shoulder press. | |
+ | | {{paget|Page:Ms. KK5012|41r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 41v.jpg| | + | | [[File:MS KK5012 41v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_41v.jpg]] |
| | | | ||
− | + | Fall over the left,<br/> | |
− | + | wrench in behind the belly—<br/> | |
− | + | through both legs thrust nimbly. | |
+ | | {{paget|Page:Ms. KK5012|41v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 42r.jpg| | + | | [[File:MS KK5012 42r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_42r.jpg]] |
| | | | ||
− | + | Hold both messer to the right,<br/> | |
− | + | for he who forcefully breaks the fight—<br/> | |
− | + | place the left foot before,<br/> | |
− | + | stride in and thrust to injure. | |
+ | | {{paget|Page:Ms. KK5012|42r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 42v.jpg| | + | | [[File:MS KK5012 42v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_42v.jpg]] |
| | | | ||
− | + | Here is some brief advice:<br/> | |
− | + | connect in the bind quickly—<br/> | |
− | + | thrust to his left,<br/> | |
− | + | wink at his right. | |
+ | | {{paget|Page:Ms. KK5012|42v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 43r.jpg| | + | | [[File:MS KK5012 43r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_43r.jpg]] |
| | | | ||
− | + | The Scorpion will threaten him,<br/> | |
− | + | his face is endangered by its sting.<br/> | |
− | + | Dropping the short edge toward the head,<br/> | |
− | + | strike twice to the right and fall in. | |
+ | | {{paget|Page:Ms. KK5012|43r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 43v.jpg| | + | | class="noline" rowspan="2" | [[File:MS KK5012 43v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_43v.jpg]] |
| | | | ||
− | + | Block his sight—<br/> | |
− | + | shove it strongly toward the ear,<br/> | |
− | + | and bind nimbly.<br/> | |
− | + | Turn the point to his face with the armed-hand | |
− | + | | {{section|Page:Ms. KK5012 43v.jpg|1|lbl=43v}} | |
+ | |||
+ | |- | ||
+ | | class="noline" | | ||
+ | and with that the art of Peter Falkner’s messer ends. | ||
+ | | class="noline" | {{section|Page:Ms. KK5012 43v.jpg|2|lbl=-}} | ||
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Dagger |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
− | + | ! <p>{{rating|C}}<br/>by [[Philippe Charlebois]]</p> | |
− | ! {{rating}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> |
− | |||
− | ! | ||
− | by [[Dierk Hagedorn]] | ||
|- | |- | ||
− | |||
| | | | ||
− | | | + | | |
+ | Here begins the dagger fencing in armour. If you want to be covered so that he falls, so you tear him large pieces of his tunic and thrust him in his visor with the dagger. Then see that he doesn’t succeed to act freely, as strong as he stand. Thus, one gain over him a great advantage. | ||
+ | | {{paget|Page:Ms. KK5012|46r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 46v.jpg| | + | | [[File:MS KK5012 46v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_46v.jpg]] |
| | | | ||
− | + | Item, if he thrusts you from above, then displace him with your left arm and with the right hand thrust him to the face. If he displaces also your thrust, so jerk strongly to you. Then, he thrusts in again, so displace high and take the dagger out. | |
+ | | {{paget|Page:Ms. KK5012|46v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 47r.jpg| | + | | [[File:MS KK5012 47r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_47r.jpg]] |
| | | | ||
− | + | Item, if he thrusts again from above, then catch his hand with your hand and with the other that holds the dagger strike him alike on his right arm and pull toward you. This is named a taking of the dagger and that is good. | |
+ | | {{paget|Page:Ms. KK5012|47r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 47v.jpg| | + | | [[File:MS KK5012 47v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_47v.jpg]] |
| | | | ||
− | + | Item, if he directs a long thrust at you, so go with your dagger under through at his hand and, with the left hand forward, go around his neck and throw him over the left leg. That is good. | |
+ | | {{paget|Page:Ms. KK5012|47v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 48r.jpg| | + | | [[File:MS KK5012 48r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_48r.jpg]] |
| | | | ||
− | | | + | Item, if he thrusts you from above, so grab on the dagger with your left hand and, thus armed, displace him the thrust and turn him the dagger out. That is named the high shield. That is also good. |
+ | | {{paget|Page:Ms. KK5012|48r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 48v.jpg| | + | | [[File:MS KK5012 48v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_48v.jpg]] |
| | | | ||
− | + | Item, if he thrusts again from above, so displace him with the left hand and with the right hand grab him under through his right leg and, with the head through his arm pit, lift him over you. Thus, you throw him on the ground. This is made with empty hands. | |
+ | | {{paget|Page:Ms. KK5012|48v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 49r.jpg| | + | | [[File:MS KK5012 49r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_49r.jpg]] |
| | | | ||
− | + | Item, if he thrusts you again from above, lay your dagger on your left arm so that the point goes over you, and trap his hand and dagger, [and] pull toward the ground. That is names the scissors. | |
+ | | {{paget|Page:Ms. KK5012|49r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 49v.jpg| | + | | [[File:MS KK5012 49v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_49v.jpg]] |
| | | | ||
− | + | Item, if he thrusts you again from above, so displace him with the right arm and catch him his hand. With the left hand pull his right elbow under your chest and throw him over the leg. That is named the unnamable. | |
+ | | {{paget|Page:Ms. KK5012|49v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 50r.jpg| | + | | [[File:MS KK5012 50r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_50r.jpg]] |
| | | | ||
− | + | Item, another piece, if he thrusts from above, so lay your dagger on the right arm so that the point stand behind you, then he thrusts at you, so displace him the thrust with the dagger and grab with the left hand over his right on the arm and press behind him. That is named the key [in] wrestling with the dagger. | |
+ | | {{paget|Page:Ms. KK5012|50r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 50v.jpg| | + | | [[File:MS KK5012 50v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_50v.jpg]] |
| | | | ||
− | + | Item, if he thrusts from bellow, so fall in with your dagger over his and with the left hand grasp him his right [hand] and pull at you. Thus, you take him the dagger and [he] thrusts himself therein. That is good. | |
+ | | {{paget|Page:Ms. KK5012|50v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 51r.jpg| | + | | [[File:MS KK5012 51r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_51r.jpg]] |
| | | | ||
− | + | Item, if he thrusts you again from bellow, so fall in also over the dagger with yours and grab with the left hand both daggers and with the right hand rotate under through over him. Thus, you take him the dagger. That is named the low shield. | |
+ | | {{paget|Page:Ms. KK5012|51r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 51v.jpg| | + | | [[File:MS KK5012 51v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_51v.jpg]] |
| | | | ||
− | + | Another good masterpiece with the dagger. If he has a dagger and you none, and [he] thrusts you from bellow, so displace him well with your left hand on his right arm and pull him the hand behind and take him his dagger and hold him thusly firmly, or direct [him] where you want. That is named carrying out. | |
+ | | {{paget|Page:Ms. KK5012|51v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 52r.jpg| | + | | [[File:MS KK5012 52r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_52r.jpg]] |
| | | | ||
− | + | Item, another piece, if he has a dagger and you none, then he thrusts from bellow, so grab him whis right hand with both hands and pull it over your right shoulder. That is named a projection or a arm break. | |
+ | | {{paget|Page:Ms. KK5012|52r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 52v.jpg| | + | | [[File:MS KK5012 52v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_52v.jpg]] |
| | | | ||
− | | | + | Item, if you have a dagger and he also one and thrusts you from above on the head, so project yourself with your head under through on his chest and thrust him with the inversed dagger behind around his leg or through both and pull at you. Thus he falls on the ground. That is good. |
+ | | {{paget|Page:Ms. KK5012|52v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 53r.jpg| | + | | [[File:MS KK5012 53r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_53r.jpg]] |
| | | | ||
− | + | Item, if you have a dagger and he also, and [you] thrust at him, then he takes you your dagger, so step away from him like in sword. He then thrusts at you from above, so displace him with the left hand and with the head, run in through his right arm and with your right hand grasp him his leg and lift him over you. Thus you throw him. | |
+ | | {{paget|Page:Ms. KK5012|53r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 53v.jpg| | + | | [[File:MS KK5012 53v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_53v.jpg]] |
| | | | ||
− | + | Item, another piece. If he thrusts you from above with the dagger, so displace him with the left hand high and with the right hit him the dagger around his throat and pull at you or grab with your left on your dagger and press him in the nape of the neck. | |
+ | | {{paget|Page:Ms. KK5012|53v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 54r.jpg| | + | | [[File:MS KK5012 54r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_54r.jpg]] |
| | | | ||
− | + | Item, if he thrusts you from above, so displace him again with the left hand high and hit him with the dagger in the articulation of his right arm. Thus you break him the arm or take him the dagger. That is good. | |
+ | | {{paget|Page:Ms. KK5012|54r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 54v.jpg| | + | | [[File:MS KK5012 54v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_54v.jpg]] |
| | | | ||
− | + | Item, another good piece in the wrestling. If he has a dagger and you none and he thrusts you from bellow, so fall on him with your right hand on his right and jump behind him with your left foot and with the right hand grasp him his left leg in the knee pit and with the left hand in front around his belly. That is good. | |
+ | | {{paget|Page:Ms. KK5012|54v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 55r.jpg| | + | | [[File:MS KK5012 55r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_55r.jpg]] |
| | | | ||
− | + | Item, another piece. If he has a dagger and you non, he thrusts at you, so displace him with your left hand and with your right grab him under on his elbow and pull at you. That is also good. | |
+ | | {{paget|Page:Ms. KK5012|55r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 55v.jpg| | + | | [[File:MS KK5012 55v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_55v.jpg]] |
| | | | ||
− | + | Another piece. If he has one dagger in each hand and that you want to bring him where you want so he can’t thrust you, so grasp him through his arm when standing behind and press him on his neck with both hands and lift him over you. Thus, he can’t not thrust you | |
+ | | {{paget|Page:Ms. KK5012|55v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 56r.jpg| | + | | class="noline" | [[File:MS KK5012 56r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_56r.jpg]] |
− | | | + | | class="noline" | |
− | + | Item, another piece. If you have a dagger and he has one too, when he thrusts at you, so displace him the thrust and take him the dagger. Then, he waits after your thrust and he would also like to take yours, so make a feint thrust and throw him on the ground and fall him on his body. Then he hit you with a foot around the neck, so raise the other firmly and work him to the face with the dagger. That is good. | |
+ | | class="noline" | {{paget|Page:Ms. KK5012|56r|jpg}} | ||
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Staff |
− | | | + | | width = 120em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
− | + | ! <p>{{rating|B}}<br/>by [[Betsy Winslow]]</p> | |
− | ! {{rating}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> |
− | + | ! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Jens P. Kleinau]]</p> | |
− | ! | ||
− | by [[Dierk Hagedorn]] | ||
|- | |- | ||
− | |||
| | | | ||
− | | | + | | <p>Mark what I depict in the staff, then be quick in winding and lifting up, fencing and laying low, crashing down forget not. Five hews make with falling over and winding out. Hew, stab also learn to find. That is the text, here follows after.</p> |
+ | | {{paget|Page:Ms. KK5012|58r|jpg}} | ||
+ | | | ||
|- | |- | ||
− | | [[File:MS KK5012 58v.jpg| | + | | [[File:MS KK5012 58v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_58v.jpg]] |
− | | | + | | <p>Will you make the four on-bindings together, you shall seek when you lie before him in the changing hew, and he runs with the point from below on to the breast, then run against him there, also with the point. If he then strikes above with the other point, then strike also with the other there-against, so may he not injure you.</p> |
− | | | + | | {{paget|Page:Ms. KK5012|58v|jpg}} |
+ | | {{paget|Page:MS Germ.Quart.2020|085r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 59r.jpg| | + | | [[File:MS KK5012 59r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_59r.jpg]] |
− | | | + | | <p>'''Yet a technique, that is called the running over'''</p> |
− | + | ||
+ | <p>When he has bound on your staff, then fall in above over his right shoulder on the neck with the point, he will then set off the point with the other point of his staff, then quickly strike with your other point in to the head, or thrust him in the breast.<ref>Kraków adds a final clause: "when you are far from one another".</ref></p> | ||
+ | | {{paget|Page:Ms. KK5012|59r|jpg}} | ||
+ | | {{paget|Page:MS Germ.Quart.2020|085v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 59v.jpg| | + | | [[File:MS KK5012 59v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_59v.jpg]] |
− | | | + | | <p>Yet a technique far from the man. If he drives a strike or thrust on you to the face or breast, then displace his strike or stab, and take a thrust or strike against him to the head or to his leg.</p> |
− | | | + | | {{paget|Page:Ms. KK5012|59v|jpg}} |
+ | | {{paget|Page:MS Germ.Quart.2020|086r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 60r.jpg| | + | | [[File:MS KK5012 60r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_60r.jpg]] |
+ | | <p>Mark, yet a technique. When he quickly binds on you, and you [bind on] against him from above, then grasp his staff to yours and press his fingers, then he must let you take the staff, this is called the clamping.</p> | ||
+ | | {{paget|Page:Ms. KK5012|60r|jpg}} | ||
| | | | ||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 60v.jpg| | + | | [[File:MS KK5012 60v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_60v.jpg]] |
+ | | <p>Yet a technique that is called the winding over with both points. Whenever you fall over with a point on the neck, then you shall wind out with the other point, if he falls against with the other [point] on the other side of the neck, then do not leave, thrust him between the hands to the throat or face.</p> | ||
+ | | {{paget|Page:Ms. KK5012|60v|jpg}} | ||
| | | | ||
− | |||
|- | |- | ||
− | | [[File:MS KK5012 61r.jpg| | + | | class="noline" | [[File:MS KK5012 61r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_61r.jpg]] |
− | | | + | | class="noline" | <p>Mark this is an especially good technique in the staff and is called the running under. When you have a staff and if he then strikes to you, to the leg or body, then run off with your back point on your right side from below after the strike, and fall with the left arm high over his breast, and with the left foot behind his, then you throw him down.</p> |
− | | | + | | class="noline" | {{paget|Page:Ms. KK5012|61r|jpg}} |
+ | | class="noline" | | ||
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Poleax |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
− | + | ! <p>{{rating|B}}<br/>by [[Hugh Knight]]</p> | |
− | ! {{rating|B}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> |
− | by [[Hugh Knight]] | ||
− | ! | ||
− | by [[Dierk Hagedorn]] | ||
|- | |- | ||
− | | | + | | |
− | + | | | |
+ | This is a further lesson as you are to avail yourself of the weapons for the judicial combat, namely the murder axe and the halberd. Also this belongs to the judicial combat: Strikes, blows, wrestling counters. | ||
This is now the text | This is now the text | ||
− | | | + | | {{paget|Page:Ms. KK5012|62r|jpg}} |
− | |||
|- | |- | ||
− | | [[File:MS KK5012 62v.jpg| | + | | [[File:MS KK5012 62v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_62v.jpg]] |
− | | If you have a murder axe or a halberd in the hand and he likewise, so hold it straight across on the legs, so that the left foot is forward and the point shows in the face. If he strikes then from above to you or if he leads a thrust, then drive with your displacement. Seize then, as you know well, with that pushing (?) end. | + | | |
− | | | + | If you have a murder axe or a halberd in the hand and he likewise, so hold it straight across on the legs, so that the left foot is forward and the point shows in the face. If he strikes then from above to you or if he leads a thrust, then drive with your displacement. Seize then, as you know well, with that pushing (?) end. |
+ | | {{paget|Page:Ms. KK5012|62v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 63r.jpg| | + | | [[File:MS KK5012 63r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_63r.jpg]] |
− | | A further piece: If he strikes you high to the head, drive high with an armored hand and displace the strike. If he wants to wrench, you are to lead the strike or the point in the face. If this does not succeed, pass under it appropriately with wrestling. | + | | |
− | | | + | A further piece: If he strikes you high to the head, drive high with an armored hand and displace the strike. If he wants to wrench, you are to lead the strike or the point in the face. If this does not succeed, pass under it appropriately with wrestling. |
+ | | {{paget|Page:Ms. KK5012|63r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 63v.jpg| | + | | [[File:MS KK5012 63v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_63v.jpg]] |
− | | A further piece: If you are in the lower stance and he is in the upper and if he leads a fast stroke to you, then step forward with your right foot. Go with the rear point rapidly from low to high, and catch the blow. Wind to him the blade of your halberd in front to the neck, and throw him over the left leg. Attack him in the face. This is a piece which makes an end. | + | | |
− | | | + | A further piece: If you are in the lower stance and he is in the upper and if he leads a fast stroke to you, then step forward with your right foot. Go with the rear point rapidly from low to high, and catch the blow. Wind to him the blade of your halberd in front to the neck, and throw him over the left leg. Attack him in the face. This is a piece which makes an end. |
+ | | {{paget|Page:Ms. KK5012|63v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 64r.jpg| | + | | [[File:MS KK5012 64r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_64r.jpg]] |
− | | Note, this piece is plain and simple: If you have a halberd and he likewise and if he opposes you with pulled weapon in order to strike you, then stand also with the halberd pressed to your body. If it strikes above or below, displace the strike and turn away his halberd with yours, or thrust him to the face; that is good. | + | | |
− | | | + | Note, this piece is plain and simple: If you have a halberd and he likewise and if he opposes you with pulled weapon in order to strike you, then stand also with the halberd pressed to your body. If it strikes above or below, displace the strike and turn away his halberd with yours, or thrust him to the face; that is good. |
+ | | {{paget|Page:Ms. KK5012|64r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 64v.jpg| | + | | [[File:MS KK5012 64v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_64v.jpg]] |
− | | A further piece: If he wants to throw you over the left foot and if he put the pollaxe to you to the neck, then drive to him with your halberd behind his elbows, so that the lower end comes upward. Push it above you. Thus you refuse him the throw. | + | | |
− | | | + | A further piece: If he wants to throw you over the left foot and if he put the pollaxe to you to the neck, then drive to him with your halberd behind his elbows, so that the lower end comes upward. Push it above you. Thus you refuse him the throw. |
+ | | {{paget|Page:Ms. KK5012|64v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 65r.jpg| | + | | class="noline" | [[File:MS KK5012 65r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_65r.jpg]] |
− | | Note, this is one of the very best pieces with the Halberd: If you both stand and neither of you wants to strike the first blow, prepare an enormous stroke. If he then goes with the displacement, twitch the stroke, and push him to the body or to the face. This he cannot counter well, and it is effective. | + | | class="noline" | |
− | | | + | Note, this is one of the very best pieces with the Halberd: If you both stand and neither of you wants to strike the first blow, prepare an enormous stroke. If he then goes with the displacement, twitch the stroke, and push him to the body or to the face. This he cannot counter well, and it is effective. |
+ | | class="noline" | {{paget|Page:Ms. KK5012|65r|jpg}} | ||
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Longshield |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
− | + | ! <p>{{rating|C}}<br/>by [[Philippe Charlebois]]</p> | |
− | ! {{rating}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> |
− | |||
− | ! | ||
− | by [[Dierk Hagedorn]] | ||
|- | |- | ||
− | | rowspan="2" | [[File:MS KK5012 65v.jpg| | + | | rowspan="2" | [[File:MS KK5012 65v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_65v.jpg]] |
| | | | ||
− | | | + | Note that this is the Frankish combat. Well prepared, the shield, mace and dagger neutralize. |
+ | | {{section|Page:Ms. KK5012 65v.jpg|1|lbl=65v}} | ||
|- | |- | ||
| | | | ||
− | + | That is the text. | |
− | + | ||
+ | If you have a shield and a mace and him also, and that you should tread together, so hold your shield straight in front of you. If he cast his mace, so step close to him and strike him at his hands. He must let the shield away. That was good. | ||
+ | | {{section|Page:Ms. KK5012 65v.jpg|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS KK5012 66r.jpg| | + | | [[File:MS KK5012 66r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_66r.jpg]] |
− | | | + | | Another piece with the longshield and the mace. If he has broken or casted his mace, then cast also yours right away and follow closely the throw and thrust him with your point between his shield and his left arm to the body or bring him away from his shield. |
− | | | + | | {{paget|Page:Ms. KK5012|66r|jpg}} |
|- | |- | ||
− | | [[File:MS KK5012 66v.jpg| | + | | [[File:MS KK5012 66v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_66v.jpg]] |
| | | | ||
− | | | + | Another piece. If he has brought you away from the shield and the mace, be very prudent with the dagger. If he points strongly at you with the shield, displace with the dagger and allow yourself to be gained. If he pulls the shield at him, jump right away behind you. If he points again strongly at you, you must also bring him away from his shield. |
+ | | {{paget|Page:Ms. KK5012|66v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 67r.jpg| | + | | class="noline" | [[File:MS KK5012 67r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_67r.jpg]] |
− | | | + | | class="noline" | |
− | + | If you want to end the combat and you both have in the hand, so you must present him a thrust, let yourself to be gained merrily. Then, he displaces the thrust and takes [your] balance by the elbow. Take [it] back and neutralize him as you well know. | |
− | + | | class="noline" | {{paget|Page:Ms. KK5012|67r|jpg}} | |
|} | |} | ||
− | {{ | + | {{master end}} |
− | {{ | + | {{master begin |
− | | title | + | | title = Mounted Fencing |
− | | | + | | width = 90em |
− | |||
}} | }} | ||
− | {| class=" | + | {| class="master" |
|- | |- | ||
− | ! | + | ! <p>Illustrations</p> |
− | + | ! <p>{{rating|C}}<br/>by [[Philippe Charlebois]]</p> | |
− | ! {{rating}} | + | ! <p>[[Kunste Zu Ritterlicher Were (MS KK5012)|Vienna Version]] (1495){{edit index|Kunste_Zu_Ritterlicher_Were_(MS_KK5012)}}<br/>Transcribed by [[Dierk Hagedorn]]</p> |
− | |||
− | ! | ||
− | by [[Dierk Hagedorn]] | ||
|- | |- | ||
− | | rowspan="2" | [[File:MS KK5012 67v.jpg| | + | | rowspan="2" | [[File:MS KK5012 67v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_67v.jpg]] |
| | | | ||
− | | | + | Here begins the equestrian art of master Peter Falkner. At first with the lance, afterwards with the sword and with wrestling. |
+ | |||
+ | This is the text of a general lesson to equestrian [art]. | ||
+ | | {{section|Page:Ms. KK5012 67v.jpg|1|lbl=67v}} | ||
|- | |- | ||
| | | | ||
− | + | This is the first guard. Position yourself with your lance under the right arm. If he canters towards you with his [lance], so let it sink forward, change through under. Thereby you meet [him] and he doesn’t. | |
− | + | | {{section|Page:Ms. KK5012 67v.jpg|2|lbl=-}} | |
|- | |- | ||
− | | [[File:MS KK5012 68r.jpg| | + | | [[File:MS KK5012 68r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_68r.jpg]] |
| | | | ||
− | + | This is the second guard. When you canter towards him, and him towards you with the long lance, so lay yours on the left arm, so that the iron hang under you on the left side, and slash up strongly on his [lance] and with that [yours] goes in the lance rest. Thereby you meet [him] and he doesn’t. That is with the short lance against the long. | |
+ | | {{paget|Page:Ms. KK5012|68r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 68v.jpg| | + | | [[File:MS KK5012 68v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_68v.jpg]] |
| | | | ||
− | | | + | The third guard. If he canters towards you with the long lance, so canter also towards him and when you come precisely at him, then let your lance fall out the rest with the shaft to the ground, and hold him the iron on his lance and displace him with that. Thereby you meet him and he doesn’t |
+ | | {{paget|Page:Ms. KK5012|68v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 69r.jpg| | + | | [[File:MS KK5012 69r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_69r.jpg]] |
| | | | ||
− | | | + | The fourth guard. If you have come with the lance and have drawn your sword, then he canters towards you with the long lance, so lay your sword forward on the horse’s neck and displace him with that and hold him the point to the visage. This is good. |
+ | | {{paget|Page:Ms. KK5012|69r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 69v.jpg| | + | | [[File:MS KK5012 69v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_69v.jpg]] |
| | | | ||
− | + | Note that this is another piece with the long lance. If you are fleeing, the [lance] being on the rest or else, so lay the lance on the left shoulder and flee away. If he canters after you and want to plant you in the back, so wind yourself on your left side against him and meet him with [your lance]. | |
+ | | {{paget|Page:Ms. KK5012|69v|jpg}} | ||
|- | |- | ||
− | | rowspan="2" | [[File:MS KK5012 70r.jpg| | + | | rowspan="2" | [[File:MS KK5012 70r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_70r.jpg]] |
| | | | ||
− | | | + | Here begins the equestrian art with the sword. If you want to fence masterly with it, so you should, before all things, know three guards. |
+ | | {{section|Page:Ms. KK5012 70r.jpg|1|lbl=70r}} | ||
|- | |- | ||
| | | | ||
− | + | The first guard here. Lay your sword on the left arm. If he strikes an upper strike on you to the head, so go on high and displace him the stroke. If he then strikes to the face, so set him off with the long edge on his sword from your left side. | |
+ | | {{section|Page:Ms. KK5012 70r.jpg|2|lbl=-}} | ||
|- | |- | ||
− | | [[File:MS KK5012 70v.jpg| | + | | [[File:MS KK5012 70v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_70v.jpg]] |
| | | | ||
− | + | The second guard. Hold your sword close to your right side. If he then strikes or thrusts at you, so thrust from bellow against him to the face and fall on him with the crossguard high over his hand, wind through with the sword and ride forward. Hereby you take him the sword. | |
+ | | {{paget|Page:Ms. KK5012|70v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 71r.jpg| | + | | [[File:MS KK5012 71r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_71r.jpg]] |
| | | | ||
− | + | The third guard. If he thrusts you to the face, so thrust against him to the face and fall high on him with the pommel and [with your] hand over his hand and wind him the sword around and go for the neck. Hereby you throw him downward. | |
+ | | {{paget|Page:Ms. KK5012|71r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 71v.jpg| | + | | [[File:MS KK5012 71v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_71v.jpg]] |
| | | | ||
− | + | Note that this is a good [piece of] wrestling and named the key of wrestling or pointing the sun. If he comes with his right side at your left, and falls on you around the neck, so hit from the inside over his arm, or from the outside. Thus, go help the right hand with the left hand, or grasp him by the helmet. That is good. | |
+ | | {{paget|Page:Ms. KK5012|71v|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 72r.jpg| | + | | [[File:MS KK5012 72r.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_72r.jpg]] |
| | | | ||
− | + | Note that this is a particularly good piece. If he canters close to you and wishes to work with you and fall on you around the neck, so seize his right hand with your left and go with your right arm over his and seize the saddle tree. This is named the seizing of the forelock. Or grab in with your right hand between his hands on the bridle and pull it over him. Hereby, he falls with the horse and with shame. | |
+ | | {{paget|Page:Ms. KK5012|72r|jpg}} | ||
|- | |- | ||
− | | [[File:MS KK5012 72v.jpg| | + | | class="noline" | [[File:MS KK5012 72v.jpg|400x400px|center|link=http://commons.wikimedia.org/wiki/File:Ms._KK5012_72v.jpg]] |
− | | | + | | class="noline" | |
− | + | If he has been forced down or fallen, so fall also down from the horse and work quickly in wrestling as you know well. If then he falls on the back, so trap him with a leg, with the other one on an arm and work with the sword or dagger. Hereby, he surrenders. | |
+ | | class="noline" | {{paget|Page:Ms. KK5012|72v|jpg}} | ||
|} | |} | ||
− | {{ | + | {{master end}} |
+ | |||
+ | {{master begin | ||
+ | | title = Copyright and License Summary | ||
+ | | width = 100% | ||
+ | }} | ||
+ | For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]]. | ||
+ | |||
+ | <section begin="sourcebox"/>{{sourcebox header}} | ||
+ | {{sourcebox | ||
+ | | work = Illustrations | ||
+ | | authors = [[Kunsthistorisches Museum]] | ||
+ | | source link = http://commons.wikimedia.org/wiki/Category:Ms._KK5012 | ||
+ | | source title= WikiMedia Commons | ||
+ | | license = default | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation | ||
+ | | authors = [[translator::Christian Trosclair]] | ||
+ | | source link = | ||
+ | | source title= Wiktenauer | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation | ||
+ | | authors = [[translator::Kris Micozzi]] | ||
+ | | source link = | ||
+ | | source title= Wiktenauer | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation | ||
+ | | authors = [[translator::Philippe Charlebois]] | ||
+ | | source link = | ||
+ | | source title= Wiktenauer | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation | ||
+ | | authors = [[translator::Betsy Winslow]] | ||
+ | | source link = | ||
+ | | source title= Wiktenauer | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation | ||
+ | | authors = [[translator::Hugh Knight]] | ||
+ | | source link = | ||
+ | | source title= Private communication | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Transcription | ||
+ | | authors = [[Dierk Hagedorn]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Kunste Zu Ritterlicher Were (MS KK5012)]] | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox footer}}<section end="sourcebox"/> | ||
+ | {{master end}} | ||
== Additional Resources == | == Additional Resources == | ||
− | + | {{bibliography}} | |
== References == | == References == | ||
Line 1,351: | Line 1,385: | ||
[[Category:Pole Weapons]] | [[Category:Pole Weapons]] | ||
[[Category:Staff Weapons]] | [[Category:Staff Weapons]] | ||
+ | |||
+ | [[Category:New format]] |
Latest revision as of 19:09, 29 October 2023
Peter Falkner | |
---|---|
![]() | |
Born | ca. 1460s |
Died | after 1506 |
Occupation | Fencing master |
Citizenship | Frankfurt am Main, Germany |
Movement | Marxbrüder |
Influences | |
Influenced | |
Genres | Fencing manual |
Language | Early New High German |
Notable work(s) | Kunste Zu Ritterlicher Were |
Manuscript(s) |
|
First printed english edition |
Tobler, 2011 |
Translations | Deutsch-Übersetzung |
Peter Falkner (Peter Faulkner, Petter Falckner) was a 15th century German fencing master. His early life is uncertain, but he was certified as a Master of the Long Sword by the Marxbrüder in Frankfurt-am-Main some time before 1491.[1] Falkner was a witness of record to the guild's biannual treasury accounting in 1496, a task he performed again in 1506.[1] In 1502, he was elected as Captain (Hauptman) of the guild, and he seems to have served an unusual three consecutive terms.[1][2]
In the 1490s, Falkner seems to have produced at least two manuscript fencing manuals (becoming the first member of the Brotherhood of Saint Mark to do so, unless Hans Talhoffer were also a member). Sadly, only the shorter of the two manuscripts, Kunste Zu Ritterlicher Were (MS KK5012),[3] survives. This fully-illustrated manuscript includes a sword section is based on Liechtenauer's Recital and a messer section based on that of Johannes Lecküchner (though in both cases with considerable alteration and elaboration by Falkner, and several short sections on other weapons which appear to be entirely original.
The longer of the two manuscripts, known as the Falkner Turnierbuch, seems to have been destroyed by Prussian bombardment during the Siege of Strasbourg in 1870. What little we know about its contents comes from records made before this time, which seem to indicate a manuscript of at least 111 folia containing an anthology of treatises by other masters of the Liechtenauer tradition, as well as a few works of unknown origin. There is also a possible third Falkner manuscript, the apparently-anonymous MS Cl. 23842, whose illustrations bear a strong resemblance to the artwork in KK5012 and which seems to even directly allude to it.[4]
Falkner's artwork resembles to some extent the earlier treatises of Paulus Kal, which may have been his inspiration, and his art seem in turn to have influenced Jörg Wilhalm (especially if he created Cl. 23842).
Contents
Treatise
Illustrations |
Vienna Version (1495) | |
---|---|---|
Young Knight, learn to love God and Women |
[01v] Jungk Ritter Lern gott lieb haben / und frawen | |
Learn the Six Strikes |
Sechs hew lern | |
Over Hew |
Oberhaw | |
Note what I say to you |
[02r] Merck was ich dir sag / Ain oberhaw recht schlag / | |
Deploy the wrath hew with strength. |
[02v] Den zornnhaw trib mit sterck | |
Do the right winding in the wrath point |
[03r] In zornnortt thu° recht winden | |
In-the-moment[12] before and after |
[03v] Indes vor vnnd nach | |
Learn to strike and to break the four openings. |
[04r] Vier bleß lern schlahen vnd prechen | |
Crook upon swiftly |
[04v] Krumpp auff behend / wirff den ort auf die hend | |
The thwart hew seizes |
[05r] Die zwirch benympt was vonn oben | |
The thwart to the plow |
[05v] Die zwirch zu dem pflug | |
The thwart with springing |
[06r] Die zwirch mit springen | |
Whoever commands a failer properly |
[06v] Wellicher ain feler recht füret | |
The squinter breaks |
[07r] Schilher pricht Was biffel schlecht vnd sticht | |
The parter is a threat to the head |
[07v] Der schaittler ist dem haupt gefer | |
Four positions[15] alone |
[08r] Vier leger allain | |
Learn the chasing-after |
[08v] Nachraisen lere | |
Run-over[17] him. |
[09r] Im vberlauffen / | |
You shall set-on |
[09v] Du solt ansetzen An vier enden In letzen | |
If he is strong, |
[10r] Ob er starck ist | |
Learn to set aside |
[10v] Absetzen lere / haw stich künstlich were | |
Four are the Slices |
[11r] Vier sind der schnidt | |
Slice against the crown |
[11v] Schneid wider die kron | |
Yanking and hitting |
[12r] Zucken vnnd dreffen | |
Make the speaking window |
[12v] Sprechfenster mach | |
Learn to wrap his arm leftward |
[13r] Lingk ler arm beschliessen | |
If he wishes to reckon himself |
[13v] Will er sich rechen | |
Drive over the left, |
[14r] Lingk vberfar | |
Point to the sun |
[14v] Das Sonnen zaigen | |
If he wishes to near you, |
[15r] Will er dir nahen | |
If you wish to shame him, |
[15v] Wiltu In beschemen | |
Learn to thrust through half-sworded high |
[16r] Auswendig vber durch stechen | |
If he positions himself in the hanging point, |
[16v] Ligt er Indem hangenden ortt | |
If you wish to dirty yourself grappling[18], |
[17r] Wiltu dich vberlafens masen | |
Note this precept |
[17v] Die regel merck / greiff In an mit sterck / | |
This is the summation of the entire art |
[18r] Das ist die beschliessung der gantzen kunst | |
Here ends Master Peter Falkner’s Art with the long sword. |
¶ Hie enndet Maister Peter Falkners kunst mit dem langen swertt |
Illustrations |
Vienna Version (1495) | |
---|---|---|
Above you will direct your attention to |
[18v] Ob du wildt achtten | |
Learn these six strikes, |
Sechs hew lere | |
The Zornhaw, Wecker, |
Zorn haw wecker | |
What comes toward you from above, |
[19r] Was auff dich wirt gericht | |
Note these words, they are valuable: Vor, Nach, Indes. |
[19v] vor vnnd nach Indes hab acht | |
There are four openings, |
[20r] Vier sind der zÿnen | |
Cast the Wecker and endanger him, |
[20v] Den wecker treib mit seim gefert | |
The Enntristhaw forestalls what he casts from above, |
[21r] Entrist haw nympt was oben darkumpt | |
Go forth with failing strikes, |
[21v] Feler verfieret | |
The Zwinger will break |
[22r] Der zwinger In bricht | |
The Geferhaw against his cut, |
[22v] Dien gefer haw mit seiner ker | |
The Wincker threatens, |
[23r] Den wincker solt erstrecken | |
Whatever the master puts forth, |
[23v] Wilt die Maister plawen | |
There are four postures |
[24r] Vier leger soltu absÿnnen | |
There are four ways to displace, |
[24v] Vier versetzen Soltu begÿnen | |
In your attack, |
[25r] Du solt ansetzen | |
Learn to travel after, |
[25v] Ler nachraissen | |
Enntrist in the overrunning |
[26r] Entrist In vberlauff | |
Enntristhaw in overrunning, |
[26v] Entrist In vberlauff | |
Overrun within measure, |
[27r] Wiltu dich vberlauffens massen | |
Turn your blade, |
[27v] Dein schneid wend | |
Learn to set aside, |
[28r] Die absetzen ler | |
This is the change-through, |
[28v] Durch wechsel das stuck | |
Make lengthy cuts from below, |
[29r] Wiltu dich Langk vnderhawen | |
Whoever may turn the wheel: |
[29v] Wer das ratt kan machen | |
Twitch the hit, |
[30r] Zuck die treffen | |
Strike the flat of the Watcher |
[30v] Haw die flech zum lugisland | |
When he is strong above, |
[31r] Ob er starck ist | |
Run through to enter, |
[31v] Durch lauff entrist | |
Learn to shoot over the arm |
[32r] Ler arm vber schiessen | |
Draw in the hand to the breast, |
[32v] Ler hannd prust zu reÿben | |
Seize his right with your left, |
[33r] Fach lingk seinen rechten | |
Whoever in fencing, |
[33v] Will er Im fechten | |
The right and the left—learn to lock the arms, |
[34r] Recht mit lingk ler arm beschliessen | |
Do not forget the slices— |
[34v] Nitt vergiss der schnidt | |
To show skill: |
[35r] Das sonen zaigen | |
Press the forearm above with the back of your hand, |
[35v] Oben tasch | |
If he hangs the point, |
[36r] Ligt er Im hangenden ortt | |
If you wish to save yourself from shame, |
[36v] Wiltu In beschemen | |
In the clash wind in, |
[37r] Im winden biß bericht | |
The bow is doubled, |
[37v] Den bogen zwifach | |
With this messer-taking, |
[38r] Mitt dem messer nemen | |
So you have a foe |
[38v] Hastu ain wer | |
If he is strong above, |
[39r] Ob er starck ist | |
Strike out, over, and through; |
[39v] Aussen über durch stechen | |
With this breaking his limb is trapped, |
[40r] Will er prangen So der arm ist gefangen | |
If you want to shame him, |
[40v] Will er dich beschemen | |
Winking on the right, |
[41r] Auff recht will er wencken | |
Fall over the left, |
[41v] Linck vberfar | |
Hold both messer to the right, |
[42r] Das messer zu dem rechten bain halt | |
Here is some brief advice: |
[42v] Kurtz dich meld | |
The Scorpion will threaten him, |
[43r] Scorpian mit seinem gefer | |
Block his sight— |
[43v] Klotz mit seiner wart | |
and with that the art of Peter Falkner’s messer ends. |
Hie enndet Maister Peter Falkners kunst Mitt dem Messer |
Illustrations |
Vienna Version (1495) | |
---|---|---|
Here begins the dagger fencing in armour. If you want to be covered so that he falls, so you tear him large pieces of his tunic and thrust him in his visor with the dagger. Then see that he doesn’t succeed to act freely, as strong as he stand. Thus, one gain over him a great advantage. |
[46r] Hÿe hept sich an das degen fechten ÿm harnisch Wiltu das verborgen seÿ so er felt so reyß ÿme große stück von sinem woppenrock Vnd stiche ÿme In sin vÿsier mit dem degen so sichstu das er mitnichten mag ledig werden das wer gu°t wer es sandig so gewÿndt man ÿme groß vorteyle abe | |
Item, if he thrusts you from above, then displace him with your left arm and with the right hand thrust him to the face. If he displaces also your thrust, so jerk strongly to you. Then, he thrusts in again, so displace high and take the dagger out. |
[46v] Item sticht er dir oben zu° so ver secz ym mit dem lincken arm vnd mit der rechten hand stich ym nach dem gesicht vor seczt er dir auch den stich so röck starck an dich sticht er dan hin wider so ver secz hoch und nÿm~ den tegen üß &c ~~~~~~~ | |
Item, if he thrusts again from above, then catch his hand with your hand and with the other that holds the dagger strike him alike on his right arm and pull toward you. This is named a taking of the dagger and that is good. |
[47r] Item sticht er aber oben zu° so fach sin hand in din hand vnd mit der andern do der degen in ist schlag im über sinen rechten arm sines gleichß vnd ruck an dich das heisset ein degen nemeñ vnd ist gut &c ~~~ | |
Item, if he directs a long thrust at you, so go with your dagger under through at his hand and, with the left hand forward, go around his neck and throw him over the left leg. That is good. |
[47v] Item furt er ein langen stich auff dich so far mit dinem degen vnden durch an sin hand vnd mit der lincken hand vorne~ vmb Den halß vnd wurff in uber daß linck bein das ist güt &c ~~~~~ | |
Item, if he thrusts you from above, so grab on the dagger with your left hand and, thus armed, displace him the thrust and turn him the dagger out. That is named the high shield. That is also good. |
[48r] Item sticht er dir aber oben zu° So grÿff mit diner lincken hand in din degen vnd ver secz im den stich gewapnet vnd wind ym den tegen auß das heist der ober schilt das ist aüch güt &c ~~~~ | |
Item, if he thrusts again from above, so displace him with the left hand and with the right hand grab him under through his right leg and, with the head through his arm pit, lift him over you. Thus, you throw him on the ground. This is made with empty hands. |
[48v] Item sticht er aber oben zu° so vesecz ym mit lincker hand vnd mit der rechten grÿff vnden durch sin rechtes bein vnd mit dem koph durch sin üchsen vnd heb da mit ubersich so wurffest du ÿn nider das is mit ledigen henden &c ~~~ | |
Item, if he thrusts you again from above, lay your dagger on your left arm so that the point goes over you, and trap his hand and dagger, [and] pull toward the ground. That is names the scissors. |
[49r] Item sticht er dir aber oben zu° so leg din tegen über din lincken arm das der spicz ubersich gee vnd vmb schrenck ym sin hand vnd tegen Ruck zu° den erden das heissett die scher &c ~ | |
Item, if he thrusts you again from above, so displace him with the right arm and catch him his hand. With the left hand pull his right elbow under your chest and throw him over the leg. That is named the unnamable. |
[49v] Item sticht er dir aber oben zu° so ver secz mit dem rechten arm vnd her wisch ym sin hand mit der lincken hant seinen rechten elebogen ruck die vnder din brust vnd wurff in uber das bein das heisst das ungenant ~~ | |
Item, another piece, if he thrusts from above, so lay your dagger on the right arm so that the point stand behind you, then he thrusts at you, so displace him the thrust with the dagger and grab with the left hand over his right on the arm and press behind him. That is named the key [in] wrestling with the dagger. |
[50r] Item aber ein stück sticht er dir oben zu° so leg din tegen uff den rechten arm das der spitz hinde~sich stee sticht er dan uff dich so versecz ym den stich mit dem tegen vnd griff mit der lincken hant uber sin recht ym din arm vnd drück hindersich daß heist das schloß ringen ym tegen | |
Item, if he thrusts from bellow, so fall in with your dagger over his and with the left hand grasp him his right [hand] and pull at you. Thus, you take him the dagger and [he] thrusts himself therein. That is good. |
[50v] Item stich er dir vnden zu° so val ÿm mit dinem tegen uff den sin vnd mit der lincken hand begriff ym sin recht vnd ruck andich so nÿmstu ÿm den tegen vnd sticht sich selbs daran daß ist güt ~~~~ | |
Item, if he thrusts you again from bellow, so fall in also over the dagger with yours and grab with the left hand both daggers and with the right hand rotate under through over him. Thus, you take him the dagger. That is named the low shield. |
[51r] Item sticht er aber vnden zu° so val ym aüch uff den tegen mit dÿm vnd griff mit der lincken hend in sy beid tegen vnd mit der rechten wind vnden durch uber sich so nymst ym den tegen daß heist der vnder schilt ~~~~~ | |
Another good masterpiece with the dagger. If he has a dagger and you none, and [he] thrusts you from bellow, so displace him well with your left hand on his right arm and pull him the hand behind and take him his dagger and hold him thusly firmly, or direct [him] where you want. That is named carrying out. |
[51v] Aber ein güt meisterlich stück mit dem tegen Hastu ein tegen vnd er kein vnd sticht dir vnden zu° so versecz ym mit diner lincken hand wol uff sein rechten arm vnd hinder rück ym die hand vnd nym ym sin tegen vnd halt in also fast oder fürn wo du wilt das heist die ußfüru~g ~ | |
Item, another piece, if he has a dagger and you none, then he thrusts from bellow, so grab him whis right hand with both hands and pull it over your right shoulder. That is named a projection or a arm break. |
[52r] Item aber ein stück hat er ein tegen vnd du kein sticht er dan dir vnden zu° so griff ÿm mit beiden henden sein rechte hant vnd rück die uber din lincke achsel das ist ein wurff oder arm bruch ~ | |
Item, if you have a dagger and he also one and thrusts you from above on the head, so project yourself with your head under through on his chest and thrust him with the inversed dagger behind around his leg or through both and pull at you. Thus he falls on the ground. That is good. |
[52v] Item hastu ein tegen vnd er auch ein vnd sticht dir oben zu° uber den kopff so wurff dich mit dine~ kopff vnden durch in sin brust vnd stich ym mit ebichen tegen hinden vmb sin bein oder durch sy beid vnd rück andich so velt er nider das ist güt ~~~~~~~ | |
Item, if you have a dagger and he also, and [you] thrust at him, then he takes you your dagger, so step away from him like in sword. He then thrusts at you from above, so displace him with the left hand and with the head, run in through his right arm and with your right hand grasp him his leg and lift him over you. Thus you throw him. |
[53r] Item hastu ein tegen vnd er ein vnd sticht uff yn nÿmpt er dir din tegen so entsecz dich ym auß als ym schwert sticht er dan uff dich von oben nider so versecz ym mit der lincken hand vnd mit den koph lauff ym durch sin rechten arm vnd mit diner rechten hand begrieff ym sin bein vnd heb yn ubersich so wurffstu ÿn ~~ | |
Item, another piece. If he thrusts you from above with the dagger, so displace him with the left hand high and with the right hit him the dagger around his throat and pull at you or grab with your left on your dagger and press him in the nape of the neck. |
[53v] Item aber ein stück sticht er dir oben zu° mit dem tegen so versecz ym mit der lincken hand hoch vnd mit der rechten schlag ym din tegen vmb sin hals vnd ruck andich oder griff mit der lincken ÿn din tegen vnd druck ym in das genick ~~~~~~~~ | |
Item, if he thrusts you from above, so displace him again with the left hand high and hit him with the dagger in the articulation of his right arm. Thus you break him the arm or take him the dagger. That is good. |
[54r] Item sticht er dir oben zu° so versecz ym aber mit der lincken hant hoch vnd mit dem tegen schlag ÿm in sin gelenck des rechten armß so brist ÿm den arm oder nymst ym den tegen das ist güt ~~~~~~~~~ | |
Item, another good piece in the wrestling. If he has a dagger and you none and he thrusts you from bellow, so fall on him with your right hand on his right and jump behind him with your left foot and with the right hand grasp him his left leg in the knee pit and with the left hand in front around his belly. That is good. |
[54v] Item aber ein gut stuck yn dem ringen hat er einen tegen vnd du kein vnd sticht dir vnden zu° so fall ÿm mit diner rechten hant uff sin recht vnd hinder spring yn mit dinem lincken fuß vnd mit der rechten hant begriff ym sin rechtes bein in der knie pug vnd mit der lincken hant vornen vmb sin weich das ist güt ~~~~~~~~ | |
Item, another piece. If he has a dagger and you non, he thrusts at you, so displace him with your left hand and with your right grab him under on his elbow and pull at you. That is also good. |
[55r] Item aber ein stück hat er einen tegen vnd du keinen sticht er dan uff dich so versecz ym mit der lincken hand vnd mit der rechten griff ym vnden an sin ellebogen ruck an dich das ist auch güt ~~~~~ | |
Another piece. If he has one dagger in each hand and that you want to bring him where you want so he can’t thrust you, so grasp him through his arm when standing behind and press him on his neck with both hands and lift him over you. Thus, he can’t not thrust you |
[55v] Aber ein stuck hatt einer ij tegen in beiden henden vnd wilt yn tragen wo du wilt das er dich nit mag stechen so griff ym durch sin arm hinderwert ligen vnd druck yn uff den halß mit beiden henden vnd heb damit ubersich so kan er dich nit stechen ~~~~~~~ | |
Item, another piece. If you have a dagger and he has one too, when he thrusts at you, so displace him the thrust and take him the dagger. Then, he waits after your thrust and he would also like to take yours, so make a feint thrust and throw him on the ground and fall him on his body. Then he hit you with a foot around the neck, so raise the other firmly and work him to the face with the dagger. That is good. |
[56r] Item aber ein stück hastu ein tegen vnd er auch ein sticht er dan uff dich so versecz ym den stich vnd nym ym den tegen wart er den uff din stich vnd welt dir auch gern den din nemen so thu° einen fel stich vnd wurff ynn nider vnd fal ym uff den lyb schlecht er dir den einen fuß umb den halß so heb den andern fest vnd arbeit ym zu° dem gesicht mit dem tegen das ist güt ~~~ |
Illustrations |
Vienna Version (1495) |
Kraków Version (1535-40) | |
---|---|---|---|
Mark what I depict in the staff, then be quick in winding and lifting up, fencing and laying low, crashing down forget not. Five hews make with falling over and winding out. Hew, stab also learn to find. That is the text, here follows after. |
[58r] Merck was ich meld ÿnn büden [?] b Der stangen bÿß uff heben biß schnel winden den vnd uff heben fechten vnd nÿder legen ab stürczen vergiss nit fünff hew mach mit über fallen vnd auß winden haw stich sich auch lertt finden das ist der text her nach folgett ~~~~~~ |
||
Will you make the four on-bindings together, you shall seek when you lie before him in the changing hew, and he runs with the point from below on to the breast, then run against him there, also with the point. If he then strikes above with the other point, then strike also with the other there-against, so may he not injure you. |
[58v] Wiltu zuchtlich machen die iiij anbinden soltu besachen wen du vor ym lÿst yn einem wechsel hauw vnd er laufft dir mit dem ortt von vnden uff zu der brüst so lauff ym dar gegen auch mit dim ortt schlecht er dan oben mit dem andern ortt so schlach auch mit dem andern dar gegen so mage er dir nit schaden ~~ |
[085r] Wildu zichtiglich machen, die 4 annbinnden soltu befachen, wenn du vor im liegst in einem wechsl, unnd er laufft dir mit dem ort, von unnden auf zu der prust, so lauf ine dargegen, auch mit dem ort, schlecht er dann oben mit dem anndern ort so schlag auch mit dem anndern, dargegen, so mag er dir nicht schaden, | |
Yet a technique, that is called the running over When he has bound on your staff, then fall in above over his right shoulder on the neck with the point, he will then set off the point with the other point of his staff, then quickly strike with your other point in to the head, or thrust him in the breast.[20] |
[59r] Aber ein stück das heist das über lauffen wen er dir angebunden hat an die stangen so fall ym oben uber sin rechte achsel an den halß mit dem ortt wil er dan den ortt abseczen mit dem andern ortt der stangen so schlach schnel mit dinem andern ortt ym zu dem kopff oder stosß ÿm in die brust ~~~~~~ |
[085v] Uberlauffen wenn er dir anngebunnden hat, ann die stanng, so vall im oben yber sein recht achsl, an den hals, mit dem ort, will er dann den ort absetzen, mit dem anndern ort der stanngen, So schlag, schnell mit dem anndern ort, Ime zum kopf, oder stoß in hin die prust, wann man weit anneinannder isßt | |
Yet a technique far from the man. If he drives a strike or thrust on you to the face or breast, then displace his strike or stab, and take a thrust or strike against him to the head or to his leg. |
[59v] Aber ein stück yn der wÿtt von dem man furt er einem schlag oder stoß uff dich zu° dem gesicht oder brust so ver secz ym den schlag oder stich vnd nÿm einen stoß oder schlag wider gegen ym zu dem koph oder zu° sinen benen ~ |
[086r] Ein stuckh mit der stanng in der weitte vom mann, firrt einer einen schlag, oder stos auf dich zu dem gesicht, oder prust, so versetz ime den schlag oder stich, unnd nimb ainen stos oder schlag wider gegen im zum Kopff ader seinem pain, | |
Mark, yet a technique. When he quickly binds on you, and you [bind on] against him from above, then grasp his staff to yours and press his fingers, then he must let you take the staff, this is called the clamping. |
[60r] Merck aber ein stück wen er dir schnel anbindt vnd du ym wider von oben so vasß sin stangen zu der dinen vnd druck ym die finger so müß er die stangen lassen faren das heisset der kloben ~~~~~~~~~ |
||
Yet a technique that is called the winding over with both points. Whenever you fall over with a point on the neck, then you shall wind out with the other point, if he falls against with the other [point] on the other side of the neck, then do not leave, thrust him between the hands to the throat or face. |
[60v] Aber ein stück das heist die uber winden mit beiden örtten welcher dir uberfelt mit einen ortt an den halß dem soltu mit dem andern ortt auß winden felt er mit dem andern wider uff die andern sitten an den halß so laß nitt du stossest ym zwischen den henden nach der gurgel oder angesicht ~~~~ |
||
Mark this is an especially good technique in the staff and is called the running under. When you have a staff and if he then strikes to you, to the leg or body, then run off with your back point on your right side from below after the strike, and fall with the left arm high over his breast, and with the left foot behind his, then you throw him down. |
[61r] Merck das ist ein besunder gut stück in der stangen vnd heist das vnder lauffen wen du ein stangen hast und er ein schlecht er dir dan nach den schenkeln oder lyb so lauff mit dinem hindern ortt dyner rechten sytten von vnden uff nach dem schlag vnd fall ym hoch uber syn brust mit dem lincken arm vnd mit den lincken fuß hinder die synen so wurffstu ÿn nider ~~~~~~~~~ |
Illustrations |
Vienna Version (1495) | |
---|---|---|
This is a further lesson as you are to avail yourself of the weapons for the judicial combat, namely the murder axe and the halberd. Also this belongs to the judicial combat: Strikes, blows, wrestling counters. This is now the text |
[62r] Merck das ist auch ein leer wie du mit kemphlicher wer solt wartten mordt agst vnd hellebartten das ist auch zu dem kampff gericht schleg stöß ringen macht zu° nicht ~~ ¶ Das ist auch der text | |
If you have a murder axe or a halberd in the hand and he likewise, so hold it straight across on the legs, so that the left foot is forward and the point shows in the face. If he strikes then from above to you or if he leads a thrust, then drive with your displacement. Seize then, as you know well, with that pushing (?) end. |
[62v] Merck hastu ein mordtagst oder hellebarten in der hand vnd er auch ein so halt sy vor dir zwergß uff dinen beinen das der linck fuß vor stee vnd der spicz yn das gesicht schlecht er den uff dich von oben oder furt ein stich so var mit diner versaczüng vnd arbeit auch als du wol weist mit dem ~hudß end | |
A further piece: If he strikes you high to the head, drive high with an armored hand and displace the strike. If he wants to wrench, you are to lead the strike or the point in the face. If this does not succeed, pass under it appropriately with wrestling. |
[63r] Aber ein stück schlecht er dir hoch zu° dem koph so far hoch uff gewapnet vnd versecz ym dem schlag wil er ansich ryssen den schlag oder spycz solt ym in das gesicht wÿssen mag dir das nit gelingen so vnder lauff ÿn recht mit ringen ~~ | |
A further piece: If you are in the lower stance and he is in the upper and if he leads a fast stroke to you, then step forward with your right foot. Go with the rear point rapidly from low to high, and catch the blow. Wind to him the blade of your halberd in front to the neck, and throw him over the left leg. Attack him in the face. This is a piece which makes an end. |
[63v] Aber ein stück steestu indem vndern stand vnd er in dem obern vnd furt ein geschwinden streich uff dich so drÿtt mit dinem rechten fuß für vnd mit dem hindern ortth lauff ÿm von vnden uff vnd verfach den schlag wind ym das platt diner hellenbarten fornen and den hals vnd wurff ÿn uber das linck bein vnd arbeit ym nach dem gesicht das ist ein endt stück ~ | |
Note, this piece is plain and simple: If you have a halberd and he likewise and if he opposes you with pulled weapon in order to strike you, then stand also with the halberd pressed to your body. If it strikes above or below, displace the strike and turn away his halberd with yours, or thrust him to the face; that is good. |
[64r] Merck das stück ist schlecht und gerecht hastü ein hellenbarten vnd er einen vnd stet gegen dir mit gezogner wer vnd wil uff dich schlagen so ste geschmügt mit diner hellenbarten an dem lyb er schlach oben oder vnden so versecz ym den schlag vnd uber wurff ym sin hellenbarten hinweg mit der din oder stich ym nach dem gesicht das ist güt ~~~~~ | |
A further piece: If he wants to throw you over the left foot and if he put the pollaxe to you to the neck, then drive to him with your halberd behind his elbows, so that the lower end comes upward. Push it above you. Thus you refuse him the throw. |
[64v] Aber ein stück wil er dich werffen uber den lincken füß vnd hãt dir die strytt agst anden hals geleit so far ym hinder sin ellebogen mit diner hellenbarten das das vnder end uber sich küm vnd stoß ym oben von dir so werstu ym den ~ wurff ~~~ | |
Note, this is one of the very best pieces with the Halberd: If you both stand and neither of you wants to strike the first blow, prepare an enormous stroke. If he then goes with the displacement, twitch the stroke, and push him to the body or to the face. This he cannot counter well, and it is effective. |
[65r] Merck das ist der besten stück eins sunder mit den hellenbarten wen ir beid gegen einander stond vnd keiner wil vor schlagen so fach an mit eim grossen streich geet er dan uff mit der vorsaczung so ve~zugk den streich vnd stoß ym zu° dem lyb oder gesicht das kan er nit wol brechen vnd ist güt ~~~~ |
Illustrations |
Vienna Version (1495) | |
---|---|---|
Note that this is the Frankish combat. Well prepared, the shield, mace and dagger neutralize. |
[65v] Merck daß ist der frenckisch kampf wol bericht schilt kolben vnd tegen macht zu° nicht | |
That is the text. If you have a shield and a mace and him also, and that you should tread together, so hold your shield straight in front of you. If he cast his mace, so step close to him and strike him at his hands. He must let the shield away. That was good. |
¶ Das is der text Hastu einen schilt vnd kolben vnd er auch also vnd solten zamen dretten so halt din schilt strags vor dir ver wurfft er dan sinen kolben so trÿtt nahen zu° ÿm vnd schlag ÿm nach sinen henden ab er von dem schilt mecht kommen das wer güt | |
Another piece with the longshield and the mace. If he has broken or casted his mace, then cast also yours right away and follow closely the throw and thrust him with your point between his shield and his left arm to the body or bring him away from his shield. | [66r] Aber ein stück mit dem langen schilt vnd kolben hatt er sin kolben fer schlagen oder für worffen so ver wurff den din auch bald vnd folg dem wurff nach vnd stoß ym mit dein einen ortt zwischen sinem schilt vnd lincken armß zu° dem lyb oder bring yn von dem schilt ~~ | |
Another piece. If he has brought you away from the shield and the mace, be very prudent with the dagger. If he points strongly at you with the shield, displace with the dagger and allow yourself to be gained. If he pulls the shield at him, jump right away behind you. If he points again strongly at you, you must also bring him away from his shield. |
[66v] Aber ein stück hatt er dich vom schilt vnd kolben bracht ym tegen biß wol bedacht düt er mit dem scilt üff dich tringen ver secz mit dem tegen vnd las dir gelingen zugkt er den schilt an sich also bald spring hinder dich düt er wider uff dich tringen von sinem schilt solt in auch bringen ~~~~~ | |
If you want to end the combat and you both have in the hand, so you must present him a thrust, let yourself to be gained merrily. Then, he displaces the thrust and takes [your] balance by the elbow. Take [it] back and neutralize him as you well know. |
[67r] Wiltu geben end vnd haptt beid tegen in der hend so soltu uff yn ein stich ver bringen frölich las dir gelingen ver seczt er den stich vnd nÿmpt by dem ellebogen das ge wicht wider nÿm mach zu° nicht als du wol weist |
Illustrations |
Vienna Version (1495) | |
---|---|---|
Here begins the equestrian art of master Peter Falkner. At first with the lance, afterwards with the sword and with wrestling. This is the text of a general lesson to equestrian [art]. |
[67v] Hie hept sich an meister peter valckners kunst zu° roß Das erst mit der glenen Da°rnach mit dem swert vnd in ringen ¶ Daß ist der text ein gemeine ler zu roß | |
This is the first guard. Position yourself with your lance under the right arm. If he canters towards you with his [lance], so let it sink forward, change through under. Thereby you meet [him] and he doesn’t. |
Das ist die erst hutt schick dich mit diner glenen vnder den rechten arm Rent er dan auff dich mit sener so laß sy fornen nider sincken wechsel vnden durch so triffest du vnd er dich nit &c ~~~~ | |
This is the second guard. When you canter towards him, and him towards you with the long lance, so lay yours on the left arm, so that the iron hang under you on the left side, and slash up strongly on his [lance] and with that [yours] goes in the lance rest. Thereby you meet [him] and he doesn’t. That is with the short lance against the long. |
[68r] Daß ist die ander hutt wen du zu° ym rÿrest vnd er auff dich mit dem langen spÿs so leg din auff den lincken arm das das ysen hindersich hang auff der lincken sytten vnd strich schlecht auff an den synen vnd da mit in das gerist far auff yn So triffst du vnd er nit Das ist mit dem kurczen spys wider den langen ~~~ | |
The third guard. If he canters towards you with the long lance, so canter also towards him and when you come precisely at him, then let your lance fall out the rest with the shaft to the ground, and hold him the iron on his lance and displace him with that. Thereby you meet him and he doesn’t |
[68v] Die Tritt hutt rentt er aber uff dich mit dem langen spÿs So ren auch gegen ÿm wider also vnd wen du genau zu° ym kumst so laß din spÿs auß dem gerist vallen mit dem schafft in die erden vnd halt ym das ÿsen an sin spÿs vnd secz ym da mit ab so triffst du vnd er nit &c ~~~~~ | |
The fourth guard. If you have come with the lance and have drawn your sword, then he canters towards you with the long lance, so lay your sword forward on the horse’s neck and displace him with that and hold him the point to the visage. This is good. |
[69r] Die vierd hütt bistu von dem spys kõmen vnd hast din swert zogen renet er dan uff dich mit dem langen spÿs so leg din swert dem pfert vornen uff den hals vnd secz ÿm da mit ab vnd halt yn den ort in das gesicht das ist gutt &c ~~~ | |
Note that this is another piece with the long lance. If you are fleeing, the [lance] being on the rest or else, so lay the lance on the left shoulder and flee away. If he canters after you and want to plant you in the back, so wind yourself on your left side against him and meet him with [your lance]. |
[69v] Merck das ist ein besunder stuck mit dem langen spÿs bistu inder flucht es sÿ gehilcz oder sust so leg den spys uff die lincke~ achsel vnd fluch fur dich hinweg rent er dir den nach vnd wil dir an seczen in den rück so wend dich auff dilinck seiten gegen ÿm vnd triff mit ym &c~ | |
Here begins the equestrian art with the sword. If you want to fence masterly with it, so you should, before all things, know three guards. |
[70r] Hie hept sich an die kunst mit dem swert zu° roß wiltu da mit meisterlich fechten So soltu vor allen sachen wissen trei hutt | |
The first guard here. Lay your sword on the left arm. If he strikes an upper strike on you to the head, so go on high and displace him the stroke. If he then strikes to the face, so set him off with the long edge on his sword from your left side. |
Die erst hüt da leg din swert uff den lincke~ arm haut er dan ein ober haw uff dich zu° dem koph so far hoch auff vnd ver secz ym den streich sticht er aber dir zu° dem gesicht so ver secz ym ab mit der langen schnid võ diner lincken sÿten an sÿn ~ swert ~~~ | |
The second guard. Hold your sword close to your right side. If he then strikes or thrusts at you, so thrust from bellow against him to the face and fall on him with the crossguard high over his hand, wind through with the sword and ride forward. Hereby you take him the sword. |
[70v] Die ander hüt haltt din swert neben diner rechten syten hautt er den uff dich oder sticht so stich von vnden uff wider gegen ym zu° dem gesicht vnd vall ym mit dem gehilcz hoch uber syn hand wind mit dem swert durch vnd far für so nymstu ym das swert &c | |
The third guard. If he thrusts you to the face, so thrust against him to the face and fall high on him with the pommel and [with your] hand over his hand and wind him the sword around and go for the neck. Hereby you throw him downward. |
[71r] Die drytt hütt sticht er dir zu° dem gesicht so stich ym wider zu° dem gesicht vnd fall ym hoch mit dem knoph vnd hand uber syn hand vnd wind ym das swert vmb den halß far für so wurffest yn herab das ist gut &c ~~~~~~~~~ | |
Note that this is a good [piece of] wrestling and named the key of wrestling or pointing the sun. If he comes with his right side at your left, and falls on you around the neck, so hit from the inside over his arm, or from the outside. Thus, go help the right hand with the left hand, or grasp him by the helmet. That is good. |
[71v] Merck das ist ein gu°t ringen vnd heist das schlos ringen oder sunnen zeigen kumpt er mit syner rechten sytten an din lincken vnd velt dir vmdb den halß so slag von ynwendig uber synen arm od uon ußwendig doch kum mit de~ lincken hend der rechten zu° hilff oder nÿm yn by dem ysen hüt da das ist gu°t | |
Note that this is a particularly good piece. If he canters close to you and wishes to work with you and fall on you around the neck, so seize his right hand with your left and go with your right arm over his and seize the saddle tree. This is named the seizing of the forelock. Or grab in with your right hand between his hands on the bridle and pull it over him. Hereby, he falls with the horse and with shame. |
[72r] Merck das ist ein besunder gut stuck rÿtt er dich vnder augen an vnd wil mit dir arbeiten vnd felt dir vmb den halß so begreiff syn rechte hand mit dÿner lincken vnd far mit dinem rechten arm über syn vnd begryff den sattelbogen das heisset der schaff griff oder gryff in mit diner rechten hant zwischen sainen henden in den zaüm vnd ruck ubersich so vellet er mit pfferd vnd mit dall ~~~ | |
If he has been forced down or fallen, so fall also down from the horse and work quickly in wrestling as you know well. If then he falls on the back, so trap him with a leg, with the other one on an arm and work with the sword or dagger. Hereby, he surrenders. |
[72v] Ist er ab getrungen oder geffallen so fall aüch ab von dem pfertt vnd arbeit schnel in dem ringen als du wol weist felt er uff den rück so beschlüß in mit einen bein mit dem andern uff einen arm vnd arbeit mit de~ swert oder degen so ergypt er sich ~ ~~~~~~ |
For further information, including transcription and translation notes, see the discussion page.
Work | Author(s) | Source | License |
---|---|---|---|
Illustrations | Kunsthistorisches Museum | WikiMedia Commons | |
Translation | Christian Trosclair | Wiktenauer | |
Translation | Kris Micozzi | Wiktenauer | |
Translation | Philippe Charlebois | Wiktenauer | |
Translation | Betsy Winslow | Wiktenauer | |
Translation | Hugh Knight | Private communication | |
Transcription | Dierk Hagedorn | Index:Kunste Zu Ritterlicher Were (MS KK5012) |
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- Kirchhoff, Chassica (2018). "Visualizing the Fight Book Tradition: Collected Martial Knowledge in the Thun-Hohenstein Album." Acta Periodica Duellatorum 6(1): 3-45. doi:10.2478/apd-2018-0001.
- Kirchhoff, Chassica (2023). The Thun-Hohenstein Album: Cultures of Remembrance in a Paper Armory. Woodbridge: Boydell Press. ISBN 978-1837650439.
- Tobler, Christian Henry (2010). In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press. ISBN 978-0-9825911-1-6.
- Tobler, Christian Henry (2011). Captain of the Guild: Master Peter Falkner's Art of Knightly Defense. Wheaton, IL: Freelance Academy Press. ISBN 978-1-937439-09-5.
- Tobler, Christian Henry (2022). Lance, Spear, Sword, & Messer: A German Medieval Martial Arts Miscellany. Wheaton, IL: Freelance Academy Press. ISBN 978-1-937439-64-4.
- Welle, Rainer (2017). "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?." Codices manuscripti & impressi S12. Purkersdorf: Verlag Brüder Hollinek. ISBN 0379-3621.
References
- ↑ 1.0 1.1 1.2 Anonymous. "Ordnung und Chronik der Fechtbruderschaft Unserer Lieben Frau und Sankt Markus zu Frankfurt 1491 - 1566" (in Early New High German). Untitled [manuscript]. Comp. Paulus Hector Mair. Codex I.6.2º.5. Augsburg, Germany: Universitätsbibliothek Augsburg, 1566.
- ↑ The Chronik der Fechtbruderschaft lists him as Captain in 1502 and 1504, and does not mention a new Captain until 1508. There is no indication of who held the office during the 1506-1507 term, so Falkner may possibly have continued during that time.
- ↑ Tobler, Christian Henry. In Saint George's Name: An Anthology of Medieval Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p 11
- ↑ Based on the caption "Here begin Peter's pieces: the sword-taking with counters and grappling. This is painted according to the Record, or according to the Running Through [rather than] the Record." (Hie hebendt peters stuck an: die swert nemen mit pruchen und ringen. Lasz ab malen nach deme zetel oder nach dem durchlauffen…[illegible] zettel) on f 47r. Compare with the piece on f 15r of Falkner's work.
- ↑ alt: side
- ↑ alt: weapons
- ↑ Or Curved
- ↑ Or Cross, Barrier
- ↑ Or Canted, Slanted, Difficult to See
- ↑ Or Vertex, Scalper
- ↑ Ambiguous “from the right”, “properly” or “directly”
- ↑ Indes - Both within and during
- ↑ I changed this from the passive voice to the active, because it sounds weird. literally: "The war is not prone to you."
- ↑ Ambiguous “to the right”, “properly” or “directly”
- ↑ Leger - guards
- ↑ Versetzen - parrying
- ↑ Überlaufen has the connotations: to overwhelm, overflow, bypass, stride across.
- ↑ Überlaufen has the connotations: to overwhelm, overflow, bypass, stride across. It is used as a noun here.
- ↑ Das »g« könnte auch ein »h« sein.
- ↑ Kraków adds a final clause: "when you are far from one another".