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Difference between revisions of "Andre Paurenfeyndt"

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Line 27: Line 27:
 
| notableworks        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516)
 
| notableworks        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516)
 
| archetype            =  
 
| archetype            =  
−
| manuscript(s)        = {{plainlist | [[Goliath (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (ca. 1510s) | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538) | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Cod.I.6.2°.2]] (1564) }}
+
| manuscript(s)        = {{plainlist | [[Goliath (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1510s) | [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524) | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538) | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Cod. I.6.2°.2]] (1564) }}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition=  
 
| first printed edition=  
Line 49: Line 49:
 
== Treatise ==
 
== Treatise ==
  
−
Please note that the only text with a complete set of images is the 1516 edition, which we currently do not have permission to publish. This article is illustrated using the remaining three illustrated texts, but following the order laid out in the archetype. The only exception to this is [[:File:Paurñfeyndt 25.jpg|the image on page H2v]] of the 1516, which is replaced by the three images used in Egenolff's version.
+
Please note that only the first edition (1516) of this text has a complete set of illustrations, but we currently do not have permission to publish them. This article is illustrated using the remaining three illustrated texts, but following the order laid out in the original. The only exception to this is [[:File:Paurñfeyndt 25.jpg|the image on page H2v]] of the 1516, which is replaced by the three images used in Egenolff's version. Furthermore, while the Twelve Rules for the Beginning Fencer are unillustrated in Paurñfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]].
  
 
{{master begin
 
{{master begin
Line 60: Line 60:
 
! <p>{{rating|C}}<br/>by [[Kevin Maurer]]</p>
 
! <p>{{rating|C}}<br/>by [[Kevin Maurer]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
−
! <p>[[Goliath (MS Germ.Quart.2020)|''Fechtbuch im Meier'']] (ca. 1510s)<br/>by [[Hans Talhoffer (Blogger)|Anonymous]]</p>
+
! <p>Empty</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
−
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|''Über die Fechtkunst und den Ringkampf'']] (1538)<br/>by [[Michael Chidester]]</p>
+
! <p>''[[Über die Fechtkunst und den Ringkampf (MS 963)|Über die Fechtkunst und den Ringkampf]]'' (1538)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
  
Line 104: Line 104:
  
 
|-  
 
|-  
−
| <poem>When Grass and Greener did grow up
+
| <p>When Grass and Greener did grow up<br/>
−
so fast as hate and envy
+
so fast as hate and envy<br/>
−
Thus had the sheep and cattle
+
Thus had the sheep and cattle<br/>
−
every year a good winter</poem>
+
every year a good winter</p>
−
| <poem>Wux laub vnd gra&#383;&#658;
+
| <p>Wux laub vnd gra&#383;&#658;<br/>
−
Al&#383;&#658; neidt vnd ha&#383;&#658;
+
Al&#383;&#658; neidt vnd ha&#383;&#658;<br/>
−
So hetten &#383;chaft vnd rinder
+
So hetten &#383;chaft vnd rinder<br/>
−
Heur ein guetten winter</poem>
+
Heur ein guetten winter</p>
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
−
| <poem>Wux laub Vnnd grass
+
| <p>Wux laub Vnnd grass<br/>
−
als Neÿdtt vnd has
+
als Neÿdtt vnd has<br/>
−
So hettenn schaff vnd Rinderr
+
So hettenn schaff vnd Rinderr<br/>
−
heur ain guettenn Wintterr</poem>
+
heur ain guettenn Wintterr</p>
  
 
|}
 
|}
Line 125: Line 125:
  
 
{{master begin
 
{{master begin
−
  | title = Twelve Teachings for the Beginning Fencer
+
  | title = Twelve Rules for the Beginning Fencer
 
  | width = 224em
 
  | width = 224em
 
}}
 
}}
Line 133: Line 133:
 
! <p>{{rating|C}}<br/>by [[Christian Trosclair]]</p>
 
! <p>{{rating|C}}<br/>by [[Christian Trosclair]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
−
! <p>[[Goliath (MS Germ.Quart.2020)|''Fechtbuch im Meier'']] (ca. 1510s)<br/>by [[Hans Talhoffer (Blogger)|Anonymous]]</p>
+
! <p>[[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
−
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|''Über die Fechtkunst und den Ringkampf'']] (1538)<br/>by [[Michael Chidester]]</p>
+
! <p>''[[Über die Fechtkunst und den Ringkampf (MS 963)|Über die Fechtkunst und den Ringkampf]]'' (1538)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
  
 
|-  
 
|-  
−
| rowspan="13" |  
+
| [[File:MS B.200 118r-a.png|300px|center]]
−
| '''Twelve Teachings for the Beginning Fencer'''
+
| '''Twelve Rules for the Beginning Fencer'''
 
Do not let the twelve rules annoy you<br/>
 
Do not let the twelve rules annoy you<br/>
 
From them great art may sprout from you
 
From them great art may sprout from you
Line 162: Line 162:
  
 
|-  
 
|-  
 +
| rowspan="2" | [[File:MS B.200 118r-b.png|300px|center]]
 
| '''The First'''
 
| '''The First'''
 
Whichever foot stands forward is bowed.<br/>
 
Whichever foot stands forward is bowed.<br/>
Line 168: Line 169:
 
Welcher fu&#383;&#658; forñ &#383;tet &#383;ei pogñ<br/>
 
Welcher fu&#383;&#658; forñ &#383;tet &#383;ei pogñ<br/>
 
Der hinder g&#383;trakt c&#658;irt den leib obñ
 
Der hinder g&#383;trakt c&#658;irt den leib obñ
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 118r.png|3|lbl=118r-c}}
 
| '''1.'''
 
| '''1.'''
 
Welcher fuß vorn steht / sei bogen /<br/>
 
Welcher fuß vorn steht / sei bogen /<br/>
Line 187: Line 190:
 
Hoch gfochtñ mit g&#383;tracktm͂ leib<br/>
 
Hoch gfochtñ mit g&#383;tracktm͂ leib<br/>
 
Gwaltig po&#383;&#383;ñ au&#383;&#658; der leng treib
 
Gwaltig po&#383;&#383;ñ au&#383;&#658; der leng treib
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 118v.png|1|lbl=118v-a}}
 
| '''2.'''
 
| '''2.'''
 
Hoch gfochten / mit gstracktem leib /<br/>
 
Hoch gfochten / mit gstracktem leib /<br/>
Line 200: Line 205:
  
 
|-  
 
|-  
 +
| rowspan="2" | [[File:MS B.200 118v-a.png|300px|center]]
 
| '''The Third'''
 
| '''The Third'''
 
Traverse and step with each other<br/>
 
Traverse and step with each other<br/>
Line 206: Line 212:
 
Straich vnd trit mit einander<br/>
 
Straich vnd trit mit einander<br/>
 
Vnd &#383;ec&#658; dein fu&#383;&#658; widerainander
 
Vnd &#383;ec&#658; dein fu&#383;&#658; widerainander
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 118v.png|2|lbl=118v-b}}
 
| '''3.'''
 
| '''3.'''
 
Streych und tritt mit einander<br/>
 
Streych und tritt mit einander<br/>
Line 225: Line 233:
 
Wer trit nach hewen<br/>
 
Wer trit nach hewen<br/>
 
Der darff &#383;ich kun&#383;t nit frewen
 
Der darff &#383;ich kun&#383;t nit frewen
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 118r.png|2|lbl=118r-b}}
 
| '''4.'''
 
| '''4.'''
 
Whoever steps after hews,<br/>
 
Whoever steps after hews,<br/>
Line 238: Line 248:
  
 
|-  
 
|-  
 +
| rowspan="3" | [[File:MS B.200 118v-b.png|300px|center]]
 
| '''The Fifth'''
 
| '''The Fifth'''
 
Note what the flat is.<br/>
 
Note what the flat is.<br/>
Line 244: Line 255:
 
Merck was die flech i&#383;t<br/>
 
Merck was die flech i&#383;t<br/>
 
Ficht nit linck &#383;o du recht pi&#383;t
 
Ficht nit linck &#383;o du recht pi&#383;t
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 118v.png|3|lbl=118v-c}}
 
| '''5.'''
 
| '''5.'''
 
Merck was die flech ist /<br/>
 
Merck was die flech ist /<br/>
Line 295: Line 308:
  
 
|-  
 
|-  
 +
| rowspan="2" | [[File:MS B.200 119r-b.png|300px|center]]
 
| '''The Eighth'''
 
| '''The Eighth'''
 
Traverse before and after<br/>
 
Traverse before and after<br/>
Line 301: Line 315:
 
Streich for vnd nach<br/>
 
Streich for vnd nach<br/>
 
Eynlauffen &#383;ey dir nit gach
 
Eynlauffen &#383;ey dir nit gach
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 119r.png|4|lbl=119r-d}}
 
| '''8.'''
 
| '''8.'''
 
Streych vor und nach /<br/>
 
Streych vor und nach /<br/>
Line 320: Line 336:
 
Ficht nahendt beym leyb<br/>
 
Ficht nahendt beym leyb<br/>
 
Die c&#658;eckrur nit vermeidt
 
Die c&#658;eckrur nit vermeidt
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 119r.png|3|lbl=119r-c}}
 
| '''9.'''
 
| '''9.'''
 
Ficht nahend beim leib /<br/>
 
Ficht nahend beim leib /<br/>
Line 333: Line 351:
  
 
|-  
 
|-  
 +
| rowspan="3" | [[File:MS B.200 119r-a.png|300px|center]]
 
| '''The Tenth'''
 
| '''The Tenth'''
 
Step closely in the bind<br/>
 
Step closely in the bind<br/>
Line 339: Line 358:
 
Trit nahendt in pundt<br/>
 
Trit nahendt in pundt<br/>
 
Ander&#383;t du wirft verwundt
 
Ander&#383;t du wirft verwundt
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 119r.png|1|lbl=119r-a}}
 
| '''10.'''
 
| '''10.'''
 
Tritt nahend in Bundt /<br/>
 
Tritt nahend in Bundt /<br/>
Line 377: Line 398:
 
Er&#383;chrick&#383;tu gerñ<br/>
 
Er&#383;chrick&#383;tu gerñ<br/>
 
Kain fechtñ lerñ
 
Kain fechtñ lerñ
−
|  
+
| <br/>
 +
 
 +
{{section|page:MS B.200 119r.png|2|lbl=119r-b}}
 
| '''12.'''
 
| '''12.'''
 
Erschrickstu gern /<br/>
 
Erschrickstu gern /<br/>
Line 402: Line 425:
 
! <p>{{rating|C}}<br/>by [[Kevin Maurer]]</p>
 
! <p>{{rating|C}}<br/>by [[Kevin Maurer]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
−
! <p>[[Goliath (MS Germ.Quart.2020)|''Fechtbuch im Meier'']] (ca. 1510s)<br/>by [[Hans Talhoffer (Blogger)|Anonymous]]</p>
+
! <p>Empty</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
−
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|''Über die Fechtkunst und den Ringkampf'']] (1538)<br/>by [[Michael Chidester]]</p>
+
! <p>''[[Über die Fechtkunst und den Ringkampf (MS 963)|Über die Fechtkunst und den Ringkampf]]'' (1538)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
<section end="credits3"/>
 
<section end="credits3"/>
Line 2,481: Line 2,504:
 
! <p>{{rating|C}}<br/>by [[Mike Rasmusson]]</p>
 
! <p>{{rating|C}}<br/>by [[Mike Rasmusson]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Archetype]] (1516)<br/>by [[Michael Chidester]]</p>
−
! <p>[[Goliath (MS Germ.Quart.2020)|''Fechtbuch im Meier'']] (ca. 1510s)<br/>by [[Hans Talhoffer (Blogger)|Anonymous]]</p>
+
! <p>Empty</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
−
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|''Über die Fechtkunst und den Ringkampf'']] (1538)<br/>by [[Michael Chidester]]</p>
+
! <p>''[[Über die Fechtkunst und den Ringkampf (MS 963)|Über die Fechtkunst und den Ringkampf]]'' (1538)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
  
Line 3,048: Line 3,071:
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)|''Der Altenn Fechter anfengliche kunst'']] (ca. 1531)<br/>by [[Alex Kiermayer]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
 
! <p>''La Noble Science des Ioueurs Despee'' (1538)<br/>by [[Olivier Dupuis]], [[Didier de Grenier]], <br/>and [[Michael Huber]]</p>
−
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|''Über die Fechtkunst und den Ringkampf'']] (1538)<br/>by [[Michael Chidester]]</p>
+
! <p>''[[Über die Fechtkunst und den Ringkampf (MS 963)|Über die Fechtkunst und den Ringkampf]]'' (1538)<br/>by [[Michael Chidester]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Lienhart Sollinger's Version]] (1564)<br/>by [[Dierk Hagedorn]]</p>
  

Revision as of 01:35, 10 February 2015

Andre Paurñfeyndt
Born 15th century
Died 16th century
Occupation Freifechter
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der Fechterey (1516)
Manuscript(s)
Concordance by Michael Chidester and Jeremiah Smith
Translations Deutsch-Übersetzung
The title of this article contains the character ñ. Where it is unavailable or not desired, the name may be represented as Andre Paurenfeyndt.

Andre Paurñfeyndt (Paurñfeindt, Paurenfeindt) was a 16th century German Freifechter. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).[1] In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which Sydney Anglo notes may have been the first illustrated work of its kind.[2] Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the standard teachings of the Liechtenauer tradition, but this may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition (1516) of this text has a complete set of illustrations, but we currently do not have permission to publish them. This article is illustrated using the remaining three illustrated texts, but following the order laid out in the original. The only exception to this is the image on page H2v of the 1516, which is replaced by the three images used in Egenolff's version. Furthermore, while the Twelve Rules for the Beginning Fencer are unillustrated in Paurñfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200.

Additional Resources

References

  1. ↑ Ott, Michael. "Matthew Lang." The Catholic Encyclopedia, Vol. 8. New York: Robert Appleton Company, 1910.
  2. ↑ Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1
Early Germanic Traditions
Common Fencing Johannes Liechtenauer reversed.jpg
Wrestling
Liechtenauer
Tradition
Beringer Verse
Augsburg Tradition
Other Works
Fabris Tradition
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